How many of you are familiar with the novel Anna Karenina? I’m sure a lot of you are. Mostly because it was required reading in high school in a lot of schools. Did you know that Anna Karenina has been adapted to the cinema a total of thirteen times including twice starring Greta Garbo? Now Anna Karenina returns to the big screen again directed by Joe Wright and with Keira Knightly as Anna. The question is can you make a movie that’s been done twelve times before winsome to present crowds?
The point of the movie wasn’t simply to tell the story of Anna Karenina again but to tell it in a creative and styled manner. At the beginning you could tell that this would be a movie with a different twist to telling the novel. I mean a novel that’s already been adapted to the big screen twelve times before needs to have the latest adaptation anything but redundant. It presents the scenarios of Anna as a stage and frequently going from scene to scene as going from stage to stage. It creates a lot of the acting and dancing in a stand-out method, even quirky and eccentric. It gives the audience the impression of what’s really going on even if they’re dancing or ‘not really’ having sex.
I’m sure this unique twist is what the director and scriptwriter had in mind. Both of which have already established themselves. Joe Wright has been renowned for directing Pride And Prejudice, Atonement, The Soloist and Hanna. Tom Stoppard has established himself in writing with a multitude of plays and has even won an Oscar for writing the screenplay of Shakespeare In Love. The film’s styling and sometimes quirky way of playing out the novel would remind many of Moulin Rouge. The only thing is it makes it look like they’re trying too hard to make this adaptation stand out and be original. There are many times in which the quirkiness and the stylings don’t work their best and we’re unsure whether the film is trying to portray a message, tell the story or just simply put on a show.