This Sunday marks the Canadian tradition of the Grey Cup taking place. This will mark the 104th time the Cup has been contested. Once again, it’s the best of the east versus the best of the west. Lots of excitement and lots to anticipate for the big game.
A New Host Site On Familiar Ground
This will mark the first time the Grey Cup will be contested in the new BMO Field Stadium. However it will be the thirteenth time in which the Cup will be contested on the grounds as it was Exhibition Stadium the previous twelve times before the SkyDome replaced Exhibition Stadium as Toronto’s host venue. Now the Exhibition Stadium field takes it back! This will also be the first Grey Cup since 2002 that will be contested on grass turf.
Just like the Super Bowl, the Grey Cup will have its parties. There will be no shortage here. Leading up to the Cup there will be fan activities, alumni luncheons and autograph sessions. There will also be two new events added to this year: the Empowering Women and Community Through Sport Summit and the first Grey Cup party in support of an LGBT community hosted by Strikers Sports Bar and You Can Play.
Sirius XM will be hosting the Grey Cup concert series with acts like the New Pornographers, Tokyo Police Club, The Sheepdogs and The Lowest Of The Low slated to perform. Alessia Cara will highlight the SiriusXM kickoff show, The Tenors will sing the national anthem and OneRepublic will perform during the Freedom Mobile Halftime Show.
Sure, it’s a given that the ticket prices increase with every Grey Cup but there is a risk of it going overboard. The ticket prices originally ranged from $169 to $899 before taxes. However the prices resulted in a smaller-than-anticipated total of tickets sold by mid-October. This led to organizers to reduce the prices of the tickets. Those who already purchased tickets were offered either a compensation or an upgrade after the price decrease. With less than a week before the Cup, sales of tickets increased dramatically and a sell-out of 35,000 is anticipated for tomorrow.
AND NOW THE GAME:
The game will feature the best of the West, Calgary Stampeders, squaring off against the best of the East, Ottawa RedBlacks. It’s easy to predict the winner but there can be surprises. So here’s how I narrow it down:
This is the team of the CFL this year winning fifteen of their eighteen regular season games. Their two losses came at the hands of the BC Lions and the Montreal Allouettes and their draw came via the RedBlacks. The Stampeders are the best CFL team this year but they’re not invincible. It could be possible they could give it away at the Grey Cup.
The Stampeders don’t simply want to win for themselves but they also want to win in memory of their young teammate Mylan Hicks. Before Hicks played for the Stampeders, he played Michigan State in college and was signed onto the San Francisco 49ers in 2015 but was released before the season started. Two months ago, the 23 year-old Hicks was shot to death at a Calgary night club. The team will be wearing black 31 pins in honor of Hicks on Sunday night.
Ottawa RedBlacks make it two straight Grey Cups in their three seasons of existence. They are the best of the East this CFL season but that’s not really saying much this year. Ottawa topped the CFL’s East rankings with 8 wins, 9 losses and a draw. The West had all but one of their five teams amass ten wins during regular season play. Obvious signs this was a weak year for the East. It could have been an all-West Grey Cup this year but the RedBlacks won their semifinal against Edmonton on Sunday with a score of 35-23. Actually Edmonton was the one team the RedBlacks beat in both their regular season games. Lucky guys.
The RedBlacks are not too weak to win against the Stampeders. They may have lost to the Stamps 48-23 back in September but they drew 26-26 after two overtimes back in July. Coach Rick Campbell has worked hard to prepare the men and their defense has been getting stronger and more solid as of late. It’s very possible the RedBlacks can upset the highly-touted Stamps over in Toronto.
Yes, I will eventually have to make my prediction. I will have to go with the majority and predict the Stampeders to win. As for the score, I’m guessing 35-20. This should make for an exciting game as Ottawa will put in a good fight.
And there you go. My preview and prediction for tomorrow’s Grey Cup game. Will this Grey Cup be the RedBlacks’ first ever (Ottawa’s tenth) or the Stampeders’ eighth? Kick Off is 6pm EST.
I knew with The Eyes Of My Mother being an Altered states film, I would be taken into the world of either the bizarre, sinister or paranormal. I got sinister this time but I was not too impressed.
The film begins with a truck driver stopping to what appears to be a body in the road. The woman is very much alive but tortured physically. Flashback to at least 25 years earlier. Young Francesca is the young daughter of a Portuguese farming couple. The parents used to be cow ranchers back in their home.
One day, they’re visited by a man named Charlie who needs to use the phone. You can tell by Charlie’s face that he’s not worth your trust. Francisca witnesses Charlie bludgeoning her mother in the bathtub. The father responds by keeping Charlie captive and tortured in the barn. Francisca asked Charlie what it was like killing her mother. He responds: “It’s amazing.”
Many years pass. Francisca develops a blood lust of her own. She keeps Charlie tortured. However she also kills her old ailing father in the bathtub. She kills a stranger named Lucy. She appears to kill a mother named Kimiko and has taken to looking after Kimiko’s son Antonio. Actually Kimiko is alive but tortured in the barn the same way Charlie is: shackled and eyes dug out. Somehow Kimiko develops the strength and the willpower to find her way out on the barn. She however ends up on a road where a truck driver stops to see what’s up. This sets up for an ending that’s too brief.
Stories of ‘bloodlust’ are not that uncommon. If you’ve studied MacBeth, you get possibly the most renowned example of bloodlust. Here in this film, we hear why the feeling of bloodlust from both Charlie and older Francisca: because of its ‘amazing’ feeling. The feel of power from killing or torturing someone with your own hands can give one a feeling of satisfaction. Just ask soldiers, just ask dictators, just ask… the list is endless.
Here’s a case of the ‘bloodlust’ going from Charlie: the killer of Francesca’s mother, to Francisca. She acquires a lust for murder at her own hands from Charlie. She also acquires a desire for torture as demonstrated by her father on Charlie. The whole story revolves around Francisca and her own lust for murder and torture on others. Even the incorporation of the Portuguese language in her conversation takes the element of bloodlust into being like poetry. Even making it sensual.
That’s the best traits of the film: portraying a unique method of acquiring bloodlust and even making it poetic. However the film has a lot of noticeable weaknesses. We see Francesca has acquired this bloodlust but the film doesn’t make it convincing enough in her ability to receive it. It’s like she just received it. She may have been taught the love of murder by Charlie and the love of torture from her father but it doesn’t appear she acquires this bloodlust that believably. It’s like it just happened briefly. The other weakness is that it ended on a weak note and too abruptly. I feel that 77 minutes was too short of a time to have a film like this and the ending just seemed to be the weakest part of the film. Too sudden and too fast.
Despite the noticeable flaw, this is a good debut for Nicolas Pesce as a director and a writer. His first effort has won awards at the Fantastic Film Festival and was nominated at the AFI Fest for American Independents. Kika Magalhaes is another impressive newcomer as she does a great job in embodying her character’s madness. The other supporting characters also did a good job in their roles. Will Brill as Charlie is the one that stood out as you sensed right from the start it would be Charlie starting the trouble.
The Eyes Of My Mother makes for a good Halloween film. It’s very sinister but very poetic and charming at the same time. Nevertheless the flaws are noticeable in the film.
DISCLAIMER: This film review will mention of various explicit acts and may offend some readers. Reader discretion is advised.
“This is not your average party!”
Back in 2014, I ended the VIFF with a Mexican film that was part of the Altered States series called The Incident. I end my VIFF at the Rio Theatre again with another Mexican film part of Altered States called We Are The Flesh. And boy was it something!
The film begins with Mexico City in a completely ruined state. A recluse of a man taking shelter in a hidden location: one of the few livable locations left. Even without uttering a word, he displays some eccentric human behaviors. Even making a bizarre mix of batter, fish and human blood. He talks of the essential elements and of gas.
Two siblings find their way into his location. They’ve been out in the city’s ruins for years and are in need of food and shelter. The man, named Mariano, teaches the two his beliefs and his philosophies. He offers to help them but they must comply to his demands. First he wants them to help him build his domain. They agree, building the walls to his desires. Then he wants the two to have sex. It’s a world where there are no laws. Not even anti-incest laws. The sister complies, fellating the brother. The acts become even more explicit and Mariano dies while masturbating watching them.
The two try to find a place for Mariano’s body. After they find a place in the area, they’re left to their vices on how to fend for themselves. The sister has been mesmerized by Mariano and does things according to the way he wants it but the brother is hesitant. Suddenly Mariano appears again. It’s like he came back to life. But he’s not ready to die yet.
Mariano wants to make sure his world is created before he can die. Cannibalism is part of Mariano’s world. The first victim is a soldier who finds his way into Mariano’s domain. The soldier is scared for his life but Mariano is able to calm him down with his mesmerizing talk and even having him singing along to the Mexican national anthem before being killed by Mariano and the sister. Before Mariano is to sacrifice his own body as flesh to be eaten, he needs more people to be part of his world. Over time the number of people grow. Mariano is then ready to die and have his flesh consumed. The film ends with a man in a dress making his way out of the world and into Mexico City which has returned to its normal state.
Without a doubt the film creates another world: a deeply disturbing world. This world is to be a shelter from a ruined city but instead it’s a world completely devoid of morals and full of lust and animalistic desires. This is the world created by Mariano. This is the world he tries to incorporate the brother and sister into. This is the world he wants to incorporate others into before he decides to leave this earth for good. However it’s a sick world, a world where unspeakable things like incest and cannibalism are the norm because there are no earthly rules. The rules are all gone because Mexico City outside is a load of debris. The two have no choice but to help Mariano create his world and become a part of it.
To make this world work, it all boils down to the character of Mariano to work. Mariano isn’t just a svengali. He comes across as a crazy man full of his wild imagination at first. However he also comes across as a mesmerizing madman reminiscent of Charles Manson of how he’s able to convince the sister that it is the right thing to do all these things including kill the soldier. Mariano’s mind control goes as far as working on the soldier he’s about to kill. The soldier is first scared for his life but as Mariano sings the national anthem, the sister joins in as does the soldier and the soldier is then willing to be killed. That’s the type of mesmerizing mind-control of Mariano. However Mariano knows that if he was to die, it would have to be at the right time. It’s only after hundreds of people become a part of his world that he’s able to sacrifice his body for his feeding. He wanted it that way so that he could create a world of his own. He couldn’t stop at just the brother and sister.
One thing about this film, it’s obvious it’s done for artistic and experimental purposes. This film features countless elements that would make this film uninviting and unwatchable: incest, cannibalism, torture, murder and a demented insanity. It may not be as disturbing to watch as 1975’s Salo but it’s disturbing enough. The subject matter of incest and cannibalism is enough to deter lots of people from seeing this.
Obviously this is a film meant for the film festival circuit. In order for a film like this to get screened, it would need support. Emiliano Rocha Minter is a director who has earned acclaim from fellow Mexican directors Alfonso Cuaron and Alejandro Gonzalez Inarritu. Support of the director from elder Mexican directors is a definite boost for a film like this. However it would surprise me if a film like this does get a release in a box office anywhere. I know dildos were used in certain sex scenes and you can’t call it porn, but this is mostly hard to stomach. Even with the film being hard to watch, there were some scenes that became confusing. One example: that batter that we see Mariano make at the beginning and then add more flesh to it in a later scene. It’s not clear what it’s for. Even the ending with a person who’s not one of the main characters being the first one to leave gets one questioning.
The film’s possibility of a box office release may be in question but it has actually won some acclaim at some film festivals. The film was nominated for one award at the East End Film Festival two awards at the Rotterdam Film Festival including a Bright Future Award. It even won Best Film at the Fantasia Film Festival.
This is the first feature-length film for writer/director Emiliano Rocha Minter. As I mentioned, Cuaron and Inarritu are already touting him as the next big thing from Mexico. I don’t know if a film like this is good enough to send a message that Minter could be the next big thing from Mexico but it definitely shows his fearlessness. The acting of Noe Hernandez is the highlight of the film. He did an excellent job in capturing Mariano with his eeriness, controllingness and insanity but also his creepy charisma and imagination. It took the right character choices for a lead character like Mariano to work for the film and Hernandez made it work. The next-biggest highlight is Maria Evoli who played the sister. Going from a naive young adult woman to a follower of Mariano is definitely a big effort. The music from Esteban Aldrede added to the eeriness and creepiness of the film.
We Are The Flesh can best be summed up as an ‘envelope pusher.’ It’s definitely an over-the-top film that’s meant for the film festival circuit as it has subject matter too discomforting for your average movie-goer. Even though it can cause many people to leave the cinema, those that stay will be as intrigued as they will be disgusted.
And there you have it. That’s a wrap for my experience at the 2016 Vancouver International Film Festival. Wrap-up blog coming soon with big news.
DISCLAIMER: I know the VIFF ended a month ago. I’ll admit I’ve been slow at posting reviews. This is mostly due to attending night classes at a community college. However my writing energy is slowly returning and I will post theses last three VIFF reviews in good time. Hopefully all done before Saturday.
Ghost stories usually make for some cheesy movies. Personal Shopper is one story about a ghost that actually works very well for the cinema.
Maureen has just arrived in Paris. She just accepted a job to be a personal shopper for a high-status fashion journalist in Paris named Kyra. She is able to live at her mansion during her job. She is still able to communicate with her boyfriend in the US despite her distance from him. One important note: Maureen has taken on this job just months after her twin brother died from a heart defect.
One night, Maureen notices something mysterious. Could it be a ghost? She carries on doing her shopping duties normally like nothing happened. However incidents keep coming. She starts to question them. Then one day, she gets a text message from a mysterious person. That could be the ghost. You know the texts are upsetting her each and every time. However, she does agree to play along with the requests of the mysterious texter. She even agrees to wear one of the dresses she bought for Kyra.
Maureen senses that this has something to do about her brother’s death. Could the ghost actually be her brother. The ghost even follows Maureen to the various locations she goes to. Then one day, she finds Kyra dead as if she was brutally murdered. Then she agrees to comply to the texter’s request to go to a hotel. The morning after, we see the ghost vacate the hotel. Maureen is still alive. Maureen decides to go on a vacation to a remote location is Saudi Arabia. Whatever happens, she’s prepared to meet the ghost whom she believes to be her brother.
There have been movies about ghost stories before but most come across as ridiculously cheesy. This is one ghost story that has substance to it, and a lot of it. We have Maureen dealing with the loss of her twin brother. She appears to be handling it well but imperfectly. You’re led to think that the ghost is exposing a truth about how her brother’s death is affecting Maureen. In addition, this is a ghost that affects her through the text messages he sends. It’s obvious he will do whatever it takes to get what he wants out of Maureen.
Basically the thing that gives this ghost movie its substance is that it does relate to human feelings. It’s obvious this ghost has a bearing on Maureen. However as the story progresses, it leaves the audience asking as many questions as Maureen is asking right now. This is no run-of-the-mill movie ghost. This is a ghost that has us intrigued and wondering what will happen next. Will Maureen learn of the ghost’s identity? Will Maureen get killed or hurt? The story keeps us intrigued.
If there’s one weakness, it’s that the story appears to end either twice or three times. I know most people would anticipate the hotel scene to be the climactic end but instead it leads to another story. It’s like the story goes places but stalls. Even the actual ending comes across as abrupt. I know a lot of directors try to end their films unexpectedly as a chance for the audience to draw their own conclusions but this ending was too abrupt and unclear.
The film is a very good effort from writer/director Olivier Assayas. He has created a very good story that keeps us all intrigued. However the flaws at the end are too obvious. Still a very good work. Kristen Stewart does a very good job of acting here. A lot of people have dismissed her acting since the Twilight movies. It turns out her bad acting was because of bad direction. Even before Twilight, she showed she can deliver a good acting job. Remember 2002’s Panic Room? It’s obvious Kristen has something to prove and she’s been proving it since starting with 2014’s Clouds Of Sils Maria, also directed by Olivier Assayas. Kristen delivers possibly her best and possibly deepest performance yet. A bit of ironic trivia: in Assayas’ next work, Idol’s Eye, he will be working with Kristen’s former Twilight co-star Robert Pattinson. Can he resuscitate his career too?
Back to the topic of the film, Stewart is the only person who’s given any real acting in the film. For the most part, the other actors are given comparatively lightweight work. That will happen when the protagonist is mostly acting off of a ghost throughout most of the film.
Personal Shopper is for the most part a one-person film that ends too abruptly. Nevertheless it has a lot of excellent qualities that give the film dimension and will keep the audience intrigued.
Yourself And Yours isn’t just simply a Korean film that’s a love story. It’s a story about a couple and will leave you wondering whether the two are right as a couple.
The story begins with a young woman named Minjung flirting with men at a nearby soju bar. Some time before Minjung left her boyfriend Youngsoo. Youngsoo heard from someone Minjung was drinking with another man and the meeting ended in a fight. Minjung denies this but Youngsoo is still suspicious. Minjung decides that it’s best the two be apart for some time.
Minjung later meets with an older man. He’s a man Minjung met at a park one given day. Youngsoo hasn’t looked for another woman since Minjung left. Since the time, all Youngsoo can think about is Minjung. He knows he loves her and regrets the way he acted that night. He even goes to the house where he believes Minjung to be residing at with no luck.
Meanwhile Minjung eventually breaks up with the older man. Days later another older man thinks he recognizes Minjung. He believes he rank with her. Minjung denies it but does strike up a conversation with him. Then the older man who Minjung just broke up with returns but Minjung claims not to recognize him. The other man appears to start an argument with him only to later find out they were both classmates in high school many years ago. Both men strike up a friendly conversation completely forgetting about Minjung, who leaves in tears embarassed and heartbroken.
Coincidentally Youngsoo meets up with Minjung. Minjung doesn’t take to friendly towards him at first but she soon starts to warm up to him realizing how much he loves her. They then return back to Youngsoo’s house. Later Youngsoo wakes up without Minjung by his side. He wonders where she went. Then the film ends leaving you feeling this was meant to be.
The film is a bit of a play on both the couple and the two individuals. You see a single Minjung hitting on men and being this woman of mystery even denying past happenings. You see Youngsoo as a man who’s nothing without Minjung. He’s convinced of it. It’s in his heart. You see the moment that led to their split. You see them reconcile unexpectedly and you see the morning after. The film also allows the audient to have their own opinions of both Youngsoo and Minjung individually and as a couple. Youngsoo loves Minjung but should he love her? Especially since she’s the type to deny knowing past boyfriends or past incidents. You are even left wondering if that drunken incident that led to the split was true after all? Is Minjung too deceptive or manipulative of a woman for Youngsoo to love? No wonder the opening of the final scene of Youngsoo alone in bed will get one questioning what next.
The story itself is a good story with a lot of focus on the couple and the individuals. However the film also has many scenes that are too boring or too drawn out. There have been times in which I felt there were scenes that either appeared drawn out or lacked energy or even the proper opening. I think it could have been done better. I know the point of the film is to focus on the relations and present the scenarios but I believe it could have been done with more liveliness.
Writer/director Sang-soo Hong did a very good job with the film. It makes for a n interesting love story despite some scenes seeming to lack the energy. Lee Yoo Yeung was the standout as MinJung. She did a very convincing job of delivering a character of a young woman you could easily question. Kim Ju Hyeok was also good as Youngsoo but I feel his character could have been developed better.
Yourself And Yours is a love story that’s a unique look at love as well as a good focus on the two characters.
All Of A Sudden is a story of a crime mystery that leaves you wondering what the truth is.
The film begins with a party with many adults. A man named Karsten sees a woman named Anna at his home. He gives her a cupcake with a candle and sings her Happy Birthday. Then she gets sick. Karsten runs to the town clinic to seek help but it’s closed. Upon returning home, it’s too late. She’s dead.
His parents offer him relief at their home along with his girlfriend Laura. Unfortunately more information unfolds. Anna’s widower has Karsten charged with wrongful death. A video from a smartphone of Judith–one of the friends of Laura and Karsten–shows Karsten talking to Anna at the party just shortly before her death. Karsten is constantly questioned about why he left to run to a medical clinic instead of calling emergency. Because of the turn of events and sudden findings, Karsten is demoted at his job and Laura leaves him feeling she’s betrayed. Karsten’s relationship with his parents even becomes heated.
One day Karsten just leaves for a hike just to get away from it all only to be found by his best friend with the news. Anna’s husband has dropped the charges. Karsten is shocked and wonders why. He confronts her husband Andrej to find out why. Only Karsten knows why, much to Andrej’s disappointment. Karsten goes back to his job and demands he be returned to his original position or else he will sue. Karsten meets with Judith ‘intimately’ only to set the record straight with her and the video. Finally it looks like Karsten has his life back together.
The most unique thing about this film is how it tells the story. It presents the events as they unfold and it tosses the opinions from others around Karsten. It’s almost as if you’re a part of the situation yourself and you’re led to draw your own conclusions. I’ll admit that when I first saw this, I was ready to draw my conclusion that he was responsible for this. He appeared criminally negligent. Like why did he run to the clinic when he could have called 911 instead? Did he do it to hide from Laura that he was with another woman at the time? They’ll leave you questioning. Even that video Judith took of Anna during the night with Karsten will leave you guessing.
Just as unique about it is how it took that one break, when Andrej decides to drop the charges, that Karsten becomes a changed person. He first comes across as a man who’s all together at the beginning. Then he comes across as a victim, like the world is against him. Then after this sudden reversal, Karsten soon becomes a man who settles the score with those who did him wrong. It’s like a complete change of character and traits I didn’t see in Karsten before. In order to make such a major change of character, the actor had to make this work. I feel Karsten’s change of character came off well. It was drawn out longer than I feel it should have but it worked.
In retrospect I think this story of Karsten and Anna can come across as any crime story. Any situation can lead one to believe certain things. Any set of facts you know and facts you don’t know can cause you to draw your own conclusions. Anyone in the same situation like Karsten can easily be preyed upon by others. No surprisingly the victim in all this can easy ask themselves: “Why is the whole world against me?” However it just takes that one change of fortune for a person to become a changed person the same way it happened to Karsten. I guess that’s the trick of the film. It takes Karsten’s story and shows how it’s so much like many situations before it.
Turkish-German director Asli Ozge writes, directs and edits a very good thought-provoking film. Without a doubt, the film belonged to Sebastian Hulk. This was Karsten’s story and the whole film rested on Hulk delivering the performance of Sebastian in the right manner. Hulk did a very good job of acting without having to be overdramatic. There were also excellent performances by Julia Jentsch as the girlfriend struggling with the situation and Luise Heyer as two-faced Judith.
All Of A Sudden is a unique story. It presents a before-and- after story that will lead one to draw their own conclusion. It really makes you think.
Here at the VIFF, you’ll see many films directed by female directors. One is To Keep The Light, directed by Erica Fae. It’s a very impressive work.
Abbie is the wife of Thomas, a lighthouse keeper in Maine in 1876. However Thomas has recently fallen ill and has become bedridden with a complete loss of appetite. That means Abbie will have to tend to the lighthouse while he is sick. She does everything Thomas does and keeps record of everything although she does commit one error.
One morning she sees a body of a man has washed ashore. The following day, she sees the man has not awaken so she assumes he’s dead. However just as she’s about to cast the body to sea, the man awakens. She gives him shelter and food as he’s about to recover. He tells her the story of how he ended up in the sea. As he’s recovering, she tells Thomas of this man: a Swede named Johan. It’s only a matter of days that Johan gets better. He’s even able to help Abbie with the lighthouse.
Abbie’s even able to go to town with Johan but the townpeople do not look fondly towards Abbie or Johan. Some are suspicious of the two considering Thomas is still bedridden. Even the postal lady Mrs. Williams has a suspicion towards Swedes as do many of the townfolks. It’s difficult enough since one family, the Eaton family, feels they should have owned the lighthouse only to have been outbid by Abbie and Thomas.
One day Abbie sees the breakfast eaten, assuming Thomas is starting recover and lies next to him, only to discover it’s Johan. Abbie soon learns the horrific news. Thomas is dead; he drowned himself. As if Thomas’ death isn’t hard enough, she knows she could lose the lighthouse to the Eatons. Troubles turn worse as the Chief Inspector conducts an inspection and gives it a scathing review, mostly because of his male chauvinism. Soon Johan reveals her love towards Abbie just around the time the Eatons are trying to claim her lighthouse. Abbie would have to make an important decision. She does, but not the decision most would expect.
Listening to the first five minutes of the Q&A with Erica Fae, I learned a lot more about women who looked after lighthouses in place of their ailing or deceased husbands. It’s documented but the times whitewashed their contributions those many years ago. Erica Fae is able to bring their achievements to full view and for us to finally see. Even though Abbie is a fictional character, it’s enlightening to see what they did during the time. I’m glad Erica has the chance through this film to finally tell us their story and finally commend their accomplishments.
If there’s one glitch about this film, it’s that it doesn’t appear like it’s solid in its intention as a film. It becomes obvious it’s about one woman’s struggle to keep the lighthouse she should rightfully own being the widow of the previous owner. However the story of Abbie’s struggle has the distraction of her romance with Johan. I’ll admit while watching this, I was left wondering if the film was intended to be a romance: a story about the man Abbie truly loved. I don’t have a problem at all with films conveying a message of women fighting for their rights but I think the romance from Abbie and Johan took away from the story’s message and would leave confused about what the main intention of the film is to be.
SPOILER ALERT – Do Not Read This Paragraph IF You Don‘t Want To Know The Ending: Even the ending had me confused. It’s obvious Abbie loved Johan but it couldn’t be that she was thinking of marrying him to keep her lighthouse. Even if it was right after the death of Thomas, Abbie didn’t come across as that type of woman. If she were to marry Johan, it would be because she loved him. I admit I had different expectations in the film. I thought Johan would follow his heart and come back to her. I think that’s why the ending of her writing the letter to set her ownership of the lighthouse in stone left me confused.
I give a lot of respect to Erica Fae for this film. Fae is best known as an actress in the film Synecdoche, New York and a recurring character in Boardwalk Empire. She wrote, directed, researched and played the lead in the film. She does an excellent job in all the duties she takes on in the film but there are some noticeable flaws. I know I made mention of a story of a love mixed with a woman’s fight for her right as coming off as uneven. As far as Fae’s acting, she does an excellent job of playing the character but she doesn’t come across as too believable as a woman from the 1870’s in New England. She comes across as too 21st century in her movement and her speaking. Antti Reini did a good job of playing Johan. The other cast members also did very well in their parts. The cinematography by Wes Cardino was excellent and gives a great feel for the East Coast. The score by Caroline Shaw was also very fitting for the film.
To Keep The Light has its noticeable flaws. Nevertheless it is a good story about what certain women had to fight for that often goes overlooked. I thank Erica Fae for giving us this story.
Being a young adult may be loaded with fun but it also has its difficulties. Quit Staring At My Plate tells the story of a young Croatian woman with a difficult life and the choices she needs to make.
Marijana Petkovic is a 24 year-old with a difficult life in Sibenik. She lives in a cramped apartment with her parents and her older brother Zoran. She works at a hospital testing specimens. She is however the breadwinner of the family as she’s the only one with a job. Her family life is rough as her parents are known for slam-talking her and her brother. Her father is very controlling. Also her brother is either too irresponsible or too disheartened to find a job. Because of the family’s low income, most of the food they have is either cheap or old. Her job at the lab doesn’t look too promising as the staff are threatened by the potential of layoffs.
Then it happens. Her father has a stroke, leaving him in a bedridden catatonic state. Marijana now has to be a nurse to her father. She also has to be a parent-figure to her brother. It doesn’t leave much room for fun or even dating in her life. Things change as Marijana goes on a bus trip to the beach with Zoran and her mother. She meets Andjela: old classmate from medical school and learns she works as a maid for a rich American family. Her mother is forbidding of her to become a maid, preferring she stick to her job in the labs. However things change in Marijana’s life as she no longer has the control her father had on her. She starts going places she never went before, she starts seeing more men and even sleeping with them, she even meets up with Andjela and learns of her job. She accepts the job as she learns she can make more money that way, but secretly so her mother doesn’t know. She’s even part of Andjela’s clique of friends.
Once Marijana accepts the job and starts working with Andjela, she’s able to make life easier for the family as she’s able to afford more. One day, Marijana takes Zoran and her mother out for ice cream. Andjela is also at the ice cream bar. It’s after her mother hurls insults at Andjela that she learns the truth about Marijana. This leads to her mother berating her like never before. It’s after spending the night away from the family and staying with two men she never met before that she learns of opportunity in Zagreb: a city she’s never been to before. It’s right after learning one of her colleagues was fired that she makes it a goal to take off to Zagreb despite her mother begging her to stay. It leads to an ending that may be surprising to some but very personal too.
No doubt this story is focused on Marijana: 24 year-old Sibenik woman with an uncertain future. She goes from living in a cramped apartment with an unpromising job and no love life to being head of the household. Her mother disapproves of a job with better pay. You’d think she would explode any minute. She gets more freedom now that her father is bedridden and no longer browbeating her and her brother. However the freedoms come at a price as her mother smacks the heck out of her when she learns the news. You can easily see why she’d want to run away from it all and pursue better in Zagreb. She is a medical school grad; she deserves better than this.
The thing about this story is that it’s a very common story. I can remember when I was in my 20’s living in Winnipeg, I had just graduated from University but I was still living with my parents and I was working lousy jobs that didn’t give me enough hours. Yeah, that was Winnipeg in the 90’s for you. It was even more frustrating when others I knew had their independence. Eventually I did get better jobs, I did get more freedom in my life, I did establish my independence and I did move to Vancouver in 2000. I saw Marijana’s struggle similar to the struggle I faced when I was her age. I can easily see why she would want to leave it all behind especially after experiencing her new freedoms. Doors appear to open. Why stay in the same place?
One thing about the film is that I don’t think it did the city of Sibenik much justice. If you saw the film, you’d think Sibenik was a city where nothing happens, everything stays the same and that there’s not much promise in sight. I’ve never been to Sibenik so I can’t say. However the film may leave you thinking that. Even that scene of the rich wife who disses every woman she walks by makes you wonder about this town.
Top marks for the film go to writer/director Hana Jusic. This is the 32 year-old’s first feature-length film and it’s very impressive. It’s not that often you see a film from Croatia featured from a woman’s point of view. Hana does a very good job in capturing the silent frustrations and confusions of Marijana and created a story that is a reflection of many women just like her. Also top marks go to Mia Petricevic playing Marijana. What surprised me about the role is how much emotional control this role needed. I’ll admit I was expecting Marijana to explode or break down any minute. Mia had to make Marijana into a woman who was hurting and frustrated on the inside silently but still holding her head high. She did an excellent job especially with her moments of silence. You could tell what she was feeling. There were also good supporting performances from Niksa Butijer and Arijana Culina. The techno score also fit the film well. Techno scores have been more common in films lately.
Quit Staring At My Plate is a silent but honest look at the struggles of a young Croatian woman. You can easily see Marijana reflect many other young women of today.