animation

Oscars 2023 Review: Best Animated Feature Nominees

Jon The Blogcentric1 Comment

This year makes it the first year I had the luck to see all five nominees for the Best Animated Feature. A lot of good films. Most are family-oriented but some have some adult appeal. Three are American made with one from Japan and one from Spain. Here are my reviews of the Best Animated Feature nominees:

The Boy And The Heron

Anime may or may not be to your liking. but Hayao Miyazaki makes anime films worth liking. If you’re familiar with Miyazaki, his film Spirited Away won the very second Oscar in this category. This film is his fourth film to be nominated in this category and his first in ten years when he went into retirement.

Here he ends his retirement to return with a story about a boy who lost his mother during World War II and doesn’t know how to deal with a new stepmother, an upcoming baby brother and a new school. He thinks he can fake a rock attack from a school bully to get out of his problem but a mystic heron who speaks to him has clues to how he can encounter his mother.

In many ways, this story is quite similar to Spirited Away. The path the boy Mahito takes is very similar to the labyrinth Chihiro in Spirited Away took. Both children begin the story as they face a difficult change in their life. Both children find a place that takes them to a supernatural world which they would find themselves imprisoned in and facing obstacles. Both would see imagery of beings that represent their parents or parent. In Mahito’s case, he’s led to an underground world led by a Heron and then to an image of who he thinks is his deceased moth, only to learn she’s made of water. It’s as Mahito learns he has to fight his way out of the society of parakeets that he’s able to come across his long lost mother, although she comes across as a different image.

Once again, Miyazaki succeeds in creating a world that is mystical, frightening and colorful. His films are known for capturing people’s imagination with mesmerizing imagery and dazzling colors. He’s one of few who know how to continue to innovate with 2D animation. His use of animal characters to represent the demons the child is trying to fight is present again here. With this film, it’s a human living inside a heron that is the one to guide Mahito with the ability to resolve with his new mother, fight his way out of the kingdom of parakeets and and meet his mother. The film shows Miyazaki’s magic is not lost. In fact it’s very active even after almost ten years of retirement. Miyazaki and Studio Ghjibli do it again!

This film has had a lot of awards buzz. For all the buzz in winning the Best Animated Feature Oscar, it’s seen by many as a rivalry between this film and Spider-Man: Across The Spider-Verse as the two most likely to win. This film has won the Golden Globe and the BAFTA. It also finished second at the Toronto Film Festival’s People’s Choice award, won many critics circle awards and was nominated for seven Annie Awards winning two. Although the Spider-Verse film, which I will review later, has more awards, this film’s big wins show it can upset.

The Boy And The Heron is one of the few animated films this year that can impress older viewers. It has what it takes to help the audience escape into a hugely imaginative world.

Elemental

In the 21st Century, it’s the team of Disney/Pixar who has delivered the most in animated films. Their films have won this category eleven times in seventeen previous nominations. They’ve done a lot to reshape the way animated films are done starting with 1995’s Toy Story. Their impact has been noticed by how other film companies do their films. So much so, Disney/Pixar is no longer alone at the top. Now they have rivalry from Walt Disney Studios whom have experienced a 3D renaissance with their films, DreamWorks Animation who pioneered Shrek, Sony Pictures Animation, Laika Studios and Netflix Animation.

I hate to complain to those that like this film, but it’s one Disney/Pixar film that isn’t all that innovative. We’ve seen their magic with toys in the Toy Story movies, insects in A Bug’s Life, monsters with Monsters Inc., fish in Finding Nemo, feelings in Inside Out and souls in Soul. Their past films have even been nominated for the Best Pictures Oscar. Here, I get the sense I’ve seen this before. It’s a case of the four natural elements of the earth trying to co-exist but those belonging to the fire element are most shunned and she falls in love with a water man. Something tells me I’ve seen better and more innovative from Pixar.

Despite this feeling like something common of expected from Pixar, it does keep Pixar’s reputation for quality and perfection in animation intact. Once again, we see Pixar deliver quality images without a glitch. Not even the appearance of the characters has an image of something out of place. On the topic of animation, Pixar again succeeds in taking the viewer to an incredible universe. Element City is a sight to behold and a world to mesmerize audiences, just like the worlds in their previous films have done. Also the story itself is another case of how Pixar can take a serious issue and turn it into a film enlightening for the whole family. Here, it’s  the theme of systemic racism and xenophobia. It’s an intense topic but this film succeeds in sending a positive message about overcoming prejudices.

It’s interesting with the awards clout this year. In almost every type of awards with the Best Animated Feature category, this film has not won but found itself a nominee or finishing second or third. The big shocker was at the Annie Awards. They earned six nominations at that awards but not Best Feature!

Elemental offers nothing really original or innovative for a Disney/Pixar film. It does, however, still keep alive Pixar’s reputation for delivering top notch animation, dazzling effects, and a good story. Pixar keeps on delivering!

Nimona

This is a unique story of how a defamed knight is rescued by a troubled shapeshifter girl who is just the friend he needs. This is one story that will catch you off guard as two unlikely people become the best of friends and what each other need to overcome their biggest obstacles. For Ballister, it’s to get his reputation, his freedom and his honor back. For Nimona, it’s the false image of her being seen as a monster: an image going back 1,000 years ago and bestowed by Gloreth. Both have social alienation in common. One is looked upon as a monster. The other is regarded with contempt for being a commoner trying to be a knight.

It’s also about a villain who will do whatever she can to control things and make things their way. She doesn’t want a commoner like Ballister as a knight while the queen is willing to break down that barrier. So she secretly gives Ballister the sword that will kill the queen. She also tries to keep the myth of Nimona being the black monster alive to all those in the town. Just as the truth is revealed, the Director won’t quit and will deliver one last seize of power.

Just like Elemental is great at creating Element City, Nimona does a great job in creating the kingdom. It’s a town that mixes in the tradition of knighthood with the technology of the modern world and the common imagery of future worlds. It’s also a place that will capture your imagination as you watch.

This is a story that’s great and entertaining. This is the third film from Big Sky Studios to be nominated in this category. This is also the third straight year an animated film shown on Netflix is a nominee in this category. Seems like Netflix has become a challenger for top animated films. Last year, they delivered the winner: Guillermo Del Toro’s Pinocchio. Looks like Disney and DreamWorks have a future threat on their heels!

Nimona is an excellent enjoyable animated film. It offers a unique story that will have you laughing, dazzled and entertained.

Robot Dreams

Usually in this category, it’s common to have an independent nominee or two. This year, the independent nominee is the French/Spanish film Robot Dreams. It’s worth checking out if you are up for something different.

This is a charming two-dimensional story of a lonely dog in New York who’s lonely. He decides to buy a robot to be that friend. It works that summer as the two have a great time after great time. Then the robot is stuck in the beach and the beach doesn’t open until June 1st. During that whole time, the dog patiently waits while trying to make new friends. The robot still lies on the beach with colorful dreams and hopes of reuniting again. Then things take a turn for the shocking come spring. This leads to the happy ending you didn’t expect with the Earth, Wind and Fire song “September” reminding them both they’ll still be together one way or another.

This is not the first time an animated film without dialogue has been nominated in this category. This is one film that relies on facial expressions, body language, and the various images and sounds to tell its story. It does an entertaining job, especially in the various scenes it has and the switches from dreams to reality. The addition of music also adds a boost to the film.

This is a great creation from Spanish writer/director Pablo Berger. For this film, he hired French animation director Benoit Feroumont whose works include The Triplets Of Bellville and The Secret Of Kells. It’s a fun story that turns New York to look like Zootopia. The film is full of humor, a good mix of original music and past hits, of a few sad moments and even a couple of shockers. You might think you won’t like a story with no dialogue but it works from start to finish. Not a boring moment.

Robot Dreams is the independent threat in this category. It’s a fun story of friendship, the long wait, an unexpected change and a different kind of happy ending.

Spider-Man: Across The Spider-Verse

Five years after the first movie, the Spider-Verse is back! Once again, Miles Morales is the central Spider-Man. This time, there’s a Spider-woman in his life named Gwen Stacey who’s also a teenager like him. While the first Spider-Verse film was more comedic, this film was more dramatic. It’s not just the villains they have to fight, but they also rival each other. Animosity between the Spider-people start and disunity and even Gwen’s expulsion happened. Meanwhile Miles and Miguel become enemies.

This is not a story of a beginning, middle and an end. This is a beginning, middle and a cliffhanger obviously to set up for the third Spider-Verse movie. The film can get confusing as there are so many Spider-men and Spider-women and they don’t all meet. The film does its best to keep it all intact and keep us the viewer understanding the story

For me, the highlight of the film has to be the mix of various styles of animation. When I go see an animated film, a great animated film is not just about the story. It’s also about animation that dazzles the eyes. Writers Phil Lord and Christopher Miller learned some new animation styles after working in The Mitchell’s vs. The Machines. Lord and Miller along with the direction team made a smart move when they decided to have a different artist do each different universe. Six different animation styles were used in this film. They all make for a delight to watch as the story progresses over time.

The awards buzz has been quite something for this film. I mentioned during The Boy And The Heron that this is their biggest rival. For the Animated Feature category, Spider-verse has won the Critics Choice award, the Producers Guild Award and the Annie Award as well as the six other Annie categories it was nominated in. It has won numerous critics circle awards and their sound mixing and visual effects have won awards of their own competing against many live-action films. It has a good chance of winning the Oscar here but I know in this category, they’re not too friendly to sequels. And the first Spider-verse film won in 2018.

Spider-Man: Across The Spider-Verse keeps the excitement from the first Spider-Verse movie alive. It also has its own drama and a new batch of dazzling animation styles, and a cliffhanger that makes us hungry for the next Spider-Verse film!

And there you go. My look at the films nominated in the Best Animated Feature category. I saved my Should Win and Will Win picks for my blog of Oscar predictions tomorrow.

2023 Oscars Short Films Review: Animation

Jon The Blogcentric1 Comment

It’s interesting with seeing the reels of the shorts films, the Animation nominees are often the ones with the least total running time. They go by so fast, the shorts.tv reel add in a couple of other shortlisted films that got their honorable mention.

Anyways without further chit-chat, here are my reviews of the nominated animated shorts:

Letter To A Pig (dir. Tai Kantor) – The story begins telling of a boy hiding in a pig sty from Nazis who seek to put him in a concentration camp. The Nazis can’t find him. Fast-forward many decades later. The man tells his story to school students on Holocaust Memorial Day. He tells of how he credits the pigs in the pig sty for saving his life. He even wrote a letter to the pig. As he reads it aloud, one boy gives a taunting “oink,” while a female student listens intensely. As she engages herself in the story, she imagines herself and her classmates coming across a giant almost monstrous pig and them holding him prisoner in a trap. As they hold the pig prisoner, she can feel her nose metamorphose into a pig snout. Soon she feels sympathy for the pig and lets the pig go. As the pig is set free, he shrinks into a piglet and she hugs him.

This is an impressive story. It’s a story of a man who tells how a sty of pigs — animals he had been taught his whole life to regard as filthy and disgusting — helped spare him from dying in the Holocaust. As the young girl hears the story, she reflects on her own feelings of human hatred directed towards a pig in her mind and how she develops sympathy soon after and learns to love the pig. The story has its themes of collective trauma, fear and identity. It’s done in an impressive style that consists of a mix of 2D pencil drawings with minor colorization and mixing it with live-action images. The film is as much about the imagery as it is about the story. That’s why I give it my Will Win pick.

Ninety-Five Senses (dirs. Jared and Jerusha Hess) – The story begins with a man telling his views of human senses and colorful images about from the words he tells. At first you get the impression, this man is friendly. Then you hear his story. This man is on death row having his last meal. The capital offence he committed was arson of a repair shop he was fired from. He loved the jobs, but couldn’t handle being fired. He responded by setting it ablaze, forgetting the shop was also a house where the family lived above. As he anticipates his last meal, he looks over his past with regret, but also a sign of hope in the afterlife. He even has an outlook of how all once a person died, each of the five senses fade in their own way one by one. After a life of only five senses, he looks forward to the 95 senses in the afterlife.

It’s very rare you hear a story of a man awaiting execution to be told with a light-hearted spirit or even with some optimism. Never mind including humor. The man, voiced by Tim Blake Nelson, does a great job in telling his story without it becoming a common “Sob Story” you’d expect from a Death Row inmate. The story comes with some surprises for those who watch, like you wonder how a man that sounds so friendly would end up on Death Row. The film even ends on a humorous note. The story not only tells of the incident and of his observations and hope, but it does so in including in all five of the human senses. The story is told through six different animation styles and a multitude of colors that’s a delight to watch, despite the dark subject matter.

Our Uniform (dir. Yegane Moghaddam) – This film is where Yegane tells her story of growing up as a girl in Iran right after the Islamic Revolution. She talks of how the female teachers taught the girls to shout anti-American, anti-Israel and anti-UK messages on a daily basis. She talks of the uniform she was required to wear at school and of how the women there were firm in how all girls should wear their clothes in a proper manner and have all their hair hidden in a hijab. She talks of the difficulty she had in the hijab covering her hair that was longer than the hijab cloth, which got on the women’s nerves. She reflects on how growing up, she was taught under the new revolution to feel like she was inferior to men or below men.

No question this is a film of how a girl was indoctrinated with sexism not simply at a school, but from a system implemented by the ruling regime. The theme of the story is to do about clothing and the strict religious regulations of how girls should wear their clothing according to the new regime. The story is told with stop-motion imagery using clothes or fabrics of the clothes she wore as a child. The images drawn or painted on the clothes as well as the stop-motion movements of the clothes do a great job of telling her story. The use of clothing in the animation of telling the story is vital since clothing has a lot to do with what life was like under the regime. It makes the images as vital to the story as Yegane’s retelling. Hiding all your hair in a hijab and wearing a dress that covered everything was the new law in Iran and the film shows it in a unique way.

Pachyderme (dir. Stephanie Clement) – A woman retells her story of how as a young girl, she would often stay at the cabin of her grandparents. Her grandfather’s stern manner leaves her with a feel of fear and discomfort. The cabin was located by a lake. The cabin bedroom she sleeps in has a displayed elephant tusk the grandfather names “Pachyderme,” pointing in its direction in the hall. The room would give the girl and eerie sense about it through the wood imagery and the creaking of the boards. Even though the grandparents would say there’s nothing to fear, she felt there were monsters to take her. She goes to a lake where a woman had drowned some time earlier and feels spirits drawing her to its depths. Some time later, the grandfather dies and Pachyderme is split in two. As she returns to the cabin following her grandmother’s death, she takes both pieces of Pachyderme to the lake to bury it in the water. One of the two pieces is not completely immersed.

This film has to be the darkest of the five. In reading articles about it, it deals with the subject of incest. Incest itself is disturbing enough for audiences so it makes sense that it’s told through subtle imagery and storytelling that hides the actual facts. The theme of how she regards her grandfather as a monster and how it’s represented in Pachyderme adds to the storytelling, including the burial at sea. The ending where she attempts to bury the two pieces of Pachyderme in the water remind us she can bury a horrific memory like her grandfather’s terrible ways, but the small piece sticking out reminds us the bad memory can’t completely be buried. The imagery of the story is told through 2D images that appear as common images one would remember from storybooks they read. Possibly the monster that is her grandfather is epitomized through the common images of monsters we read in our children’s books of the past. It’s charming in its imagery as it is disturbing to see and listen to the harrowing story.

War Is Over! Inspired By The Music Of John And Yoko (dir. Dave Mullins) – The film starts in a battlefield of war. One soldier has a chess set where he appears to play by himself. After he makes his move, he writes his move on a piece of paper and attaches it to the leg of a messenger bird. The bird flies to “enemy territory” and gives the message to an “enemy” soldier who also has a chessboard and looks like he’s playing by himself. After he makes his move, he writes his move to a message for the messenger bird to deliver. Over time, the intrigue grows with the soldiers on both camps. As the bird delivers message after message, the anticipation on what the next move will be or who will win appears to quell the enmity between both sides. Then checkmate! But the sergeant is disgusted by what he sees. He reminds the camp they’re enemies and the battle must begin now. The soldiers on both sides line up with bayonets and all ready to do battle against the “enemy.” The battle begins and bloodshed ensues. On the field one soldier notices the messenger bird is shot dead. Just as the two soldiers from the chess game confront each other, it’s there from a message that slips out that one realizes the other is his chess rival. They drop their guns. All drop their guns when they see the written message “War Is Over.”

This is a creative story Dave Mullins directs and co-wrote with Sean Ono Lennon and Brad Booker produces through the inspiration of John Lennon’s legendary Christmas song and the message “War is over if you want it.” The one 3D-computer animated film nominated in this category this year, this is a film with a montage appearing to have a World War I setting and sends a message that still matters today. There may be a winner in a chess game but there are no winners in war. The scene where all the soldiers are intrigued and excited by a chess game against a player from the “enemy” side sends the message that enmity is something war creates and provokes, and is often unnecessary. The ending where the bloody battle is instantly ended with the written message “War Is Over” also sends a message of how many battles are in vain. The story first seems to be a story that’s either cute or “fluffy,” but the ending of the bloody battle with “Merry Christmas (War Is Over)” sends a significant message that is as important today as it was when John and Yoko recorded it back then. That’s why I give it my Should Win pick.

And there you have it. That’s my review of the five films nominated for Best Animated Short Film. Interesting that in a time where animated features appear to be dominated by 3D computer animation, only one of the five nominated films is such. That’s what I like best about this category. It opens itself up to various styles of animation, rather than going with one that’s all the rage.

2022 Oscar Shorts Review: Animation and Live-Action

Jon The Blogcentric1 Comment

Did you think with this being an Oscar year I would miss my chance to see the films nominated in the short films categories? The chance was there and I took it again. All the films had a unique style about them and all appeared worthy of their nominations. So here I go. Here are my reviews for the nominated films in the Animation and Live-Action categories.

BEST ANIMATED SHORT FILM

The Boy, The Mole, The Fox And The Horse (dirs. Charles Mackesy and Matthew Freund) –

A boy is lost in the winter snows. A mole finds him. He hopes the mole will lead him home, a home he’s never had before, and wants to grow up to be kind. The two hope the river they find will lead them there, but they’re encountered by a fox. The fox wants to hunt them both down, but finds himself in a trap. The mole frees him and the fox runs away. The next day the mole falls into the river, but is saved by the fox. The fox joins the mole and the boy on the journey to the boy’s home. Along the journey, they encounter a white horse who is an outcast. The three welcome the horse along the journey. Soon they discover the horse has a special trait. He can fly like Pegasus! Soon they come to the village where the boy’s home is. The three animals say their good-byes, but the boy makes a surprising decision.

It seems like every year, there has to be at least one animated short from the UK that’s nominated. This is this year’s nomination. This is an adaptation o f a 2019 children’s book from Charlie Mackesy, who co-directs this short film. This is a 2D short that has been on Apple TV starting this Christmas. It has a quiet soft tone that’s more touching than sentimental. It makes the right moves and is able to be soft without getting too mushy or manipulative. This is one charmer that I give both my Should Win and Will Win pick.

The Flying Sailor (dirs. Wendy Tilby and Amanda Forbis) – It’s the morning of December 6, 1917 along the coast in Halifax. Two ships collide within each other with one catching on fire. A sailor thinks nothing of it and lights a cigarette. Only the burning ship soon explodes. The sailor goes flying naked in an out-of-body experience. His life flashes before his eyes from childhood to his life at sea as Halifax is engulfed by the blast. The blast sends him out of earth and even out of the galaxy. Then all of a sudden, he’s brought back down into the galaxy, then earth, then back into Halifax into a body of water. Miraculously he’s still alive. He even stares a shocked fish in the eyes.

As I was watching this, I asked myself “Is this about the Halifax Explosion?” Yes, it was. In fact the film makers dedicate the film to a sailor who flew 2 kilometers in the explosion and lived to tell! This film from the National Film Board of Canada is one of of two animated features from The New Yorker Screening Room to be nominated. It’s a clever story that doesn’t need any dialogue for us to get the message. It lets the images and the moments tell the story of a man who’s near a sudden death contemplate his existence. A fast film, but entertaining and even humorous from start to finish.

Ice Merchants (dirs. Joao Gonzalez and Bruno Caetano) – A widowed father and son run an ice selling business. The ice comes from a box they fill with water, let freeze overnight, and break up to sell the next day. They get their freezing temperature by being up on the very mountain they have their house upon. The house is thousands of feet above the ground hanging from ropes and requires a system of pulleys and ropes to get to. They have to skydive down together into the town to sell their wares. The flight always causes their hats to fall off. They use the money from sales to buy new hats. Then one day, the son notices the water in the box didn’t freeze. The temperature is above freezing. The high temperature of the snow is causing an avalanche and the house’s ropes are breaking. The parachute falls from the house. The father makes the decision to jump with his son. Fortunately a female skydiver finds the two in the air, grabs hold of them, and opens her parachute. The two survive, but in a surprising way!

This film from a Portuguese animation company is another film from The New Yorker Screening Room. It’s a good 2D film that is as much about its art as it is about telling its story. It uses only a few colors at a time for each of its scenes. It has the visuals and the music tell the story without having any dialogue. It also does a very good job in showing the drama of the climax. It also ends on a happy and humorous note that works well with the story.

My Year Of Dicks (dirs. Sara Gunnarsdottir and Pamela Ribon) – It’s 1991 in Houston and Pam seeks to lose her virginity as she is approaching womanhood. She, however, is undecided which boy she wants to lose her virginity with. She constantly trusts the opinions of her best friend Sam, who is male. The first boy she tries to lose it with is David, a skateboarder who thinks he’s a vampire. She’s attracted to his mystique, but soon learns what a jerk he is and of the little game he had with his guy friends. The second boy is Wally, who’s a theatre usher. They try to do it in a broom closet during work hours, but it doesn’t work out. Third boy is Robert, whom she finds as nice. She soon learns he’s gay and was interested in Sam. Pam tries a party hosted by her friend Karina. She meets a boy named Joey who appears to be orderly. The party comes to a sudden halt and Pam learns Joey is a Nazi! The story ends with a surprise that Pam learns what she was searching for was there all along.

It’s a story with both intrigue and humor. The rotoscope animation adds to the story and adds to the comedic elements of the story. Pam brings an intriguing story and Sara Gunnarsdottir does a great job of animating and directing it.

An Ostrich Told Me The World Is Fake And I Think I Believe It (dir. Lachlan Pendragon) – Neil is a telemarketer trying to sell toasters. His boss confronts him of his poor performance and threatens to fire him. As he continues working, he hallucinates and notices things missing from his cubicle. He wakes up and he sees an ostrich. The ostrich can speak and tells him this world is a ‘sham’ and advises him to get a better look at his surroundings. Neil soon finds his way out of the animation world and into a prop box full of his own mouths. The following day, Neil is shocked to see all the furniture removed. A co-worker named Gaven tells him it’s a corporate decision, but Neil rips his mouth off. The creator tries to intervene, but Neil falls off the set. With Neil’s body all broken up, the creator puts him back together and on the set. The next day, Neil is confronted by his boos, and quits.

This Australian short is an amusing stop-motion animated film. It goes from the animated story to the world of the production studio. It’s funny how the film knows it’s stop-motion and knows how to joke around about that fact. That adds to the humor of the story. It’s a funny film that goes from the animated story to the real world and back to the animated story. It seems odd at first, but it’s very likeable.

BEST LIVE-ACTION SHORT FILM

An Irish Goodbye (dirs. Tom Berkely and Ross White) – Two brothers from Belfast, Turlough and Lorcan, have lost their mother. The priest gives the sons the ashes and attempts to give them their mother’s ‘bucket list,’ but Turlough thinks its useless. Turlough, who works in London, wants to sell the farm and have Lorcan, who has Down’s Syndrome, live with his aunt. Lorcan wants nothing to do with it. Lorcan says he has the bucket list and still believes they can fulfill his mother’s wishes with her urn. The two agree to try all 100. However it’s the 99th, skydiving, that her urn smashes. Turlough soon finds out the truth about Lorcan’s bucket list the priest. That leads to even bigger friction, but a resolution does occur after they proceed with the 100th item.

This Irish short film is a well-acted film that’s mixes both tragedy and comedy with the intensity of family drama. It also deals with the issue of Down’s Syndrome in a humorous manner that doesn’t tread on being insulting or having mockery. It’s a story you anticipate to be sad, but instead turns out to be humorous, enjoyable, and even heart-warming. It’s worth seeing.

Ivalu (dirs. Anders Walter and Rebecca Pruzan) – It’s morning in Greenland. The Queen of Denmark is to visit. Pipaluk is looking for her older sister Ivalu. Her father, who acts like he doesn’t care, says she ran away. Pipaluk tries looking for Ivalu. She sees a raven and thinks Ivalu’s spirit is in the bird. As she continues the search, she remembers the conversations she had with Ivalu. It’s then she faces the facts of a lot of ugly secrets about Ivalu and how her father treated her. Pipaluk feels she has to confront the awful truth. In the end Pipaluk wears Ivalu’s dress for the Queen’s visit.

This is a story that touches on a taboo rarely discussed but is well-known among indigenous peoples. Child sexual abuse is also very common in the Inuit populations of Canada. Although this is touchy subject matter, it does a good job in adapting a short story into a watchable film. The film has visuals that are both mystic and disturbing. It’s a sad story that does come as life-affirming at the end. Its imagery is the film’s best quality.

Le Pupille (dirs. Alive Rohrwacher and Alfonso Cuaron) – The story revolves around a Roman Catholic boarding school in Italy during World War II. The central character of the story is a girl names Serafina. She’s an outcast at the school and the nuns are strict to all the girls, including Serafina. Mother Superior Fioralba is the strictest of them all. Christmas is fast approaching and the girls are to put on a Nativity play. The people in the town see the girls as darlings, but Fioralba always finds something to scold them about like singing a romantic song on the radio, which Fioralba describes as ‘filthy.’ She’s angry Serafina won’t admit to singing the lyrics and tells her what a bad girl she is. On Christmas, a rich socialite, who’s frustrated by her cheating boyfriend, gives the nuns a big red cake for the girls. Fiorabla thinks the cake is a bad thing as soldiers are starving. At the Christmas dinner, the girls are about to have dessert of the cake, but Fioralba tries to convince them not to have it. Serafina, shamed by her scolding, is able to get a slice. Fioralba hoped to use the cake for the Bishop’s visit. In the end a chimney sweep is given the cake which, thanks to him falling, is enough for everyone from the schoolgirls to his chimney sweep friends to the alley-way pets to have some of the cake.

It’s a charming story. I didn’t think Cuaron would be the type to do a short film for Disney. And in Italian. At first, you think with subject matter like this, it would be a dark story. Instead it turns out to be humorous and also turns out to be a good lesson in charity the girls and the chimney sweeps end up teaching a stern but dishonest nun like Fioralba. It’s also a story that shows how freeing yourself can even triumph over in a strict religious boarding school. And during World War II in Italy to boot! That’s why I give this film my Will Win pick.

Night Ride (dirs. Elrik Tveiten and Gaute Lid Larssen) – In a town in Norway, a woman with dwarfism named Ebba is waiting for a tram on a cold night. A tram arrives, but the driver is taking a half-hour’s break. Impatiently, Ebba sneaks her way on the tram as he’s in the washroom. She plays along with the buttons in conductor’s controls and is able to get the tram moving. The conductor leaves the washroom shocked to find the tram moving, but Ebba moves on wit the runaway tram. Two rude males board the train along with a woman named Ariel. One of the males hits on Ariel, only to learn she’s trans. The two males get confrontational with Ariel, even threatening, but Ebba stops the tram to face up the men to stop. Even as the men are rude to her about her height, she doesn’t back down. She then tells the men to lead the tram and Ebba and Ariel get off. It’s just Ebba and Ariel on the bus bench as they watch a police car chase the runaway tram. They both laugh together.

It’s very rare that a film can take the topic of transphobia and make a comical situation. Here we have a case of a woman with dwarfism who steals the train and the trans woman whom the woman prevents from being attacked. It’s almost as if the runaway tram was a miracle for Ariel as it prevented physical abuse from happening. Not to mention the eventual comeuppance of the transphobes as both Ebba and Ariel see the police car chasing the tram on a bench. Both are cold, but they’re both safe, unlike the transphobes. And an unlikely friendship to boot!

The Red Suitcase (dir. Cyrus Neshvad) – Ariane, a young woman from Iran, has just arrived at the Luxembourg airport. She looks fearful. She has her red suitcase but refuses to leave past security. This causes suspicion among the guards and they check her suitcase. All that’s inside is clothes, pencil drawings. and art supplies. Nothing threatening. The true threat is past security. A middle-aged man her father arranged for her to marry. Her father even instructs her to approach the man through text message. Ariane has to escape and try to avoid catching his eye. She tries to get her money exchanged for Euros. It doesn’t exchange to much. She then tries to go out to look for an escape. She sees an airport bus and boards it, using her exchanged money to get on. Meanwhile the man is impatient as he has a big wedding planned that day. He received a message from Ariane’s father that her flight has arrived. He notices her money envelope so he knows she is outside. He searches in the bus area. He boards the very bus Ariane is on. Ariane finds an escape. He sees her suitcase but can’t find her. Ariane hides herself in the baggage area of the bus and won’t leave until it’s safe. Even a text from her father promising if she returns home, she can have anything won’t calm her. Then the bus drives off with the man on board and Ariane still at the airport.

The theme over here has to be the subject of arranged marriages. This is especially an important film as the Iranian feminist movement has been fighting for their freedoms since October. Those scenes where Ariane takes off her hijab and one where she cuts her hair are definitely part of the message. Even though the film is important because of its subject matter, the way the film plays out as we see one side of the subject matter and we learn more as it goes along is a creative element. Even the scenes of near-misses add to the intensity. We all wants Ariane to avoid being with the husband she doesn’t want, but we fear for her safety. We get the relief at the very end. Ariane is alone at the airport with all her money spent and without her suitcase, but she is free. It’s because of this that I designate this film as my Should Win pick.

And there you have it. That sums it up for the Animated and Live-Action short films nominated for this year’s Oscars. Those that aren’t normally film buffs, watching these shorts are more worth it than you think!

2021 Oscars Shorts Review: Animation and Live-Action

Jon The Blogcentric1 Comment

Last year, I was only able to see the Oscar-nominated short films online through VIFF Connect. This year, they returned back to the theatre. I had the good fortune to see the nominated films for both the Animated and Live-Action categories. All the films are unique and deserving of their nominations. Here’s my review of the nominated films for Animation and Live-Action:

BEST ANIMATED SHORT FILM

Affairs Of The Art (dir. Joanna Quinn) – Beryl is a struggling artist. She comes from an eccentric family. She has a sister whom, as a younger child, had a fixation with deceased animals and dissecting them. It paid off for her as her sister has done a very profitable post mortem business in Los Angeles and has attracted many big name celebrities. Beryl has always had an obsession with drawing and colors and has a goal of being an ‘artiste of note,’ but it’s only paid off very humbly for her. How can she make it work?

This is a charming animated film. Full of quirky drawings with a quirky story and charming characters. Not to mention very colorful 2D animation. It’s a story that will get you either laughing or weirded out. You will find yourself liking it in the end.

Bestia (dir. Hugo Covarrubias) – This stop-motion animated film tells the story of a Chilean woman. She has a good relationship with her dog. The outside world on the other hand, she is savage to. She is cold and calculated in every move she does. She cuts her meat in sinister fashion. Whenever she plays music, it’s in cold fashion. And she’s cold to the people she meets. She just comes as a very sadistic emotionless person.

The character is inspired by a female prison guard who is one of the most infamous Chileans ever. The film in stop-motion is done excellently giving a cold feel of the story. Although most of us outside of Chile may never know this person, it does an excellent job in capturing someone cold, merciless and emotionless. Also a reminder of how Chile still harbors silent wrath over some of its past infamy.

BoxBallet (dir. Anton Dyakov) – The film is a story of two people. One is a female ballet dancer, slender and graceful. The other is a male boxer, rough and laden with visible scars. Boy meets girl and opposites attract. But can it result in love? What unfolds is a love story between two people that one would not expect to see happen.

This is another charming 2D animation story. It has its own quirky style of animating and telling the story. The visuals are comedic and entertaining to watch. The story does seem odd at first, but the relationship and the story does come across as right in the end. Very enjoyable.

Robin Robin (dirs. Dan Ojari and Mikey Please) – This is a sweet fable of a robin who is raised by mice since birth. The mice have a habit of stealing from humans houses. But every time they attempt stealing, the robin gets the ‘who-mans’ angry and after them. It happens every time. The Robin breaks the top rule of their stealing: “Don’t attract attention.” And now they’re down to the last house in the neighborhood. On Christmas, the robin wants to prove to the mice, and a cat who’s pursuing her, that she can be a good mouse and steal the Christmas Star. In her attempt she fails again, but she later learns a lesson of self-acceptance.

This is a charming story, a fable put to good visuals, Kind of what most of us expect of animation. Aardman Animations, the studio famous for the Wallace and Gromit and Shaun The Sheep movies, does an excellent job in telling the story with great visuals and great characters in its short time. A charming delight for all to see. It’s because of this I give it my Should Win and Will Win picks.

The Windshield Wiper (dir. Alberto Mielgo) – Inside a cafe, a man is smoking a whole pack of cigarettes and reading a newspaper. Then he poses a question he asks all of us: “What is love?” The film then goes over his narrative of how humans view love along with visual images of dates, encounters and even dating apps.

The film is a 2D film full of visuals that are key to telling the story. It gives us colors and various images that we can identify with and also add more significance to what the man is talking about. Funny thing is in these 2D images, we can see us. Sometimes it makes it look like humans nowadays are more clueless about love than ever!

To sum up the five nominated films, all are good in their storytelling. Some are 2D and some 3D. All have their own different style. No two are alike. What’s most surprising is that none of the films shown before the Disney Studios or Disney Pixar films were nominated this year! Most years, one of the films is nominated. That’s a surprise!

BEST LIVE-ACTION SHORT FILM

Ala Kachuu: Take And Run (dir. Maria Brendle) – Sezim is a young girl in a village in Kyrgyzstan who dreams of going to college. Her friend Aksana is supportive of her and arranges an interview with the college for her. She even gives her a brief driving lesson. This does not sit well with Sezim’s mother who wants her to be more traditional. One day while working at the bakery, three men come looking for one of her female co workers. The co-worker is absent for her shift. They first leave, but then return to abduct her and have her married off to a man she never met before. This breaks Sezim’s heart because she had so many future goals. Her mother is very approving. The village is supportive of this and her husband acts loving to her. However Sezim is frustrated and needs to find a way to escape. Can she seize the opportunity?

This is an excellent film from director Maria Brendle. It deals with the taboo of marriage-by-capture or “bridenappings.” This is something that is happening in many countries. In most of them, they’re illegal, but law officials are too laxed to enforce the law. Traditionalists often embrace it as the way to be. Often the woman is pressured to stay in the marriage by the society and even her families. This story puts a human image to this taboo issue. Even seeing of how her mother is approving of this sends a message of one of the barriers to stop it. That scene where Oksana is searching for Sezim, but her mother talks scornfully to her about her independent way of living also adds to how traditionalism adds to this problem. Even the attitude of traditionalists to “city girls” says a lot about this issue. It’s because of how a hot but taboo topic is tackled is why I give it my Should Win pick.

The Dress (dir. Tadeusz Lysiak) – Julia is a woman with dwarfism in her thirties who works cleaning motel rooms. She’s been single all her life. Her best friend, Renata, her co-worker for years, is a full-grown divorced woman and the mother of three. Julia often confides to Renata her personal feelings. Julia hates feeling like a misfit. She strongly feels if she was “normal-sized,” she’d have a man in her life. One day, she attracts a patron named Bogdan. She later learns Bogdan lives in the same building as her. Bogdan has been showing attraction to her, but it’s hard to date since he has a trucking job where he frequently goes to Kyiv and back. Could she finally have a chance at love? Julia always dreamed of having a nice dress. Renata helps assemble a dress for her for the big night. The big night between her and Bogdan finally happens, but it turns out to end not how she expected at all.

This is a story you want to have a happy ending. Like finally Julia meeting the man of her dreams. Finally Julia’s in love. Instead, Bogdan turns out to be a misogynist. The ending of the film leaves you wondering if the overall message of the film is about the way women are treated. Julia learned Bogdan gets misogynist in his lust, but Renata has an abusive husband. Maybe the message is saying that it doesn’t matter whether a woman is full sized or small like Julia. Women share the same struggle with their treatment from men. I mean the story appears to be one about a woman with dwarfism searching for a purpose or a belonging but maybe it was meant to be something else.

The Long Goodbye (dirs. Aniel Karia and Riz Ahmed) – The film begins with an Indian family in the UK getting ready for a wedding. Everyone in the house is excited and panicking at the same time. They all want to look their best but will they be ready? However the simple concerns about being dressed properly end as they notice a group of white nationalists enter their area with a van and a gun. Riz is the first to notice and warn the family, but it’s too late. The nationalists enter and demand the family get out of the house where they are lying down on the street. Then one of the men shoots five of his family. Riz gets up and does a rap full of anger about British imperialism and how his people have been treated by the UK in history.

White nationalism is on the rise in many countries, including the UK. Something that many were hoping to see become a thing of the past has seen a recent resurgence as many right-leaning politicians in the world have help embolden racists and stimulated in them a will to be more vocal. Most threatened are the racial minorities. Like families from India who come to settle in the UK. And this is where Riz starts his angry rap about where he’s from. They came to the UK to get a better life only to get this racist incident. He doesn’t know whether to see the UK as a country of opportunity or this monster who’s constantly running his people through the mud time and time again. The mix of drama and Riz’s rap really makes a strong angry statement. He concludes it well when he says “Where I’m from is not your problem, bro.” That’s why I give it my Will Win pick.

On My Mind (dir. Martin Strange-Hansen) – It’s morning in a bar in Denmark owned by a husband and wife named Preben and Louise. Louise doesn’t have too many customers to serve which allows Preben to do accounting of all the receipts from the previous night. A depressed-looking disheveled man comes into the bar and asks for a large amount of a whisky. His name is Henrik. As he’s drinking, he notices the bar has a karaoke microphone. He asks Louise if he can do a song for his wife: the country song “Always On My Mind.” The problem is the karaoke system isn’t on until the evening. Henrik can’t wait until the evening. He has to do it now. He even gives the two 500 Krone to do it. Preben is stingy about it, but Louise is more willing. Preben begrudgingly allows him one chance. Henrik starts singing and Louise records his singing on his smartphone, but it’s interrupted by a message. Henrik attempts to do it again, but Preben cuts the power to the screen. He’s had it with him, especially since running the karaoke machine is costly. He even gives Henrik his money back, but it’s there when Henrik explains the reason why this is so important; his wife doesn’t even have an hour to live. It’s there when Preben is willing. Henrik is finally able to complete his rendition of the song and play for his wife to hear, even if she’s brain-dead when he plays it for her.

At the end of the showing of the shorts, I was with some Danish students who said it’s very common in Danish student movies to have it set in a bar. I never knew that. Whatever the situation, this is a good story. You think it’s one thing but it turns out to be something more instead. You think it’s a simple karaoke song, but instead it’s Henrik’s last opportunity to tell his wife he loves her. Even though she’s brain-dead, he senses she got the message. The film gets you believing in the human soul and it convinces you the love between Henrik and his wife is eternal. Not just “til death do us part.”

Please Hold (dirs. K. D. Davila and Levin Menekse) – A young man named Matteo is just living his life normally when all of a sudden, a police drone, gun and all, has let him know he’s under arrest. He’s ordered to enter the automated police car which takes him to the automated holding centre. He’s instructed to go to his cell, where he’s unattended and supervised by video cameras. He can see a lawyer, but it’s through an online legal service where lawyers meet through Zoom-style meetings. Making phone calls to anyone is very costly and credits can be earned back through time or hobbies automatically delivered. That’s especially frustrating since Matteo is in danger of being sentenced to over 20 years in prison. He needs a lawyer bad. He takes a knitting hobby which he slowly earns credit. He does get the lawyer money he needs from his mother, but the appointment fizzles out, leaving him extremely frustrated. However there is a light at the end of the tunnel.

This is a very unique “What If” scenario. We have computers and Zoom meetings taking care of a lot of our duties. Can we really trust an automated justice system or police drones? Sure, the flesh-and-blood police have lost a lot of our trust, but replaced by computers? This film seems to think computerized technology can’t replace human interaction. Also Matteo’s scenario of being in a prison where he can only communicate through automation could even remind a lot of people of the pandemic and of its tightest days of how people had to confine themselves to their houses. A lot of ways you can look at this film.

To sum up the nominated Live-Action Shorts nominees, all of them are very good films. There are a lot of stories that are well thought-out and some stories that end up being more than what one originally expects. Some have topics that are very relevant to what’s happening now, like about racism and sexism. There’s one that focuses on a futuristic topic and fancies what the future of justice will be like, which is nothing to fancy over. And there’s one about a universal topic of love beyond death that has always been one of thought and continues to be one of thought.

And there you go. This is my summary of the films nominated for the Oscars for Best Animated Short Film and Best Live Action Short Film. Hope you’re lucky enough to catch them in the movie theatre like I did. Some may be seen on streaming services or YouTube, but the big screen experience can’t be beat.

Oscars 2020 Shorts Review: Animation and Live-Action

Jon The Blogcentric1 Comment

Just hours ago, I posted my opinions and predictions for the Documentary short films that were nominated. This is a continuation of the short films where this time the focus is on the nominees for Live Action and Animated:

BEST LIVE-ACTION SHORT FILM

Feeling Through: dir. Doug Roland – A young man in New York leaves his friends for a date. He bumps into a man who through a sign says he’s both blind and deaf. His name is Artie. Tareek wants to leave, but Artie needs his help. First it’s a case Artie needs to be helped across the street. Then it becomes a case Artie needs help on a bus. Tareek wants to leave and be with is girlfriend, but reluctantly agrees. Artie can communicate by writing letters and numbers with his finger in the palm of people’s hands, and vice-versa. It’s there they introduce themselves to each other and Tareek cancels out on the date to guide Artie. It continues through the night as Artie needs food and needs a bus ride home.

This is a unique story of the start of a friendship of two unlikely people. I’ve seen similar films before but this is unique that it features a friendship between a fully-able person and a Deafblind person. Robert Tarango who plays Artie is Deafblind in real life and works at the kitchen of the Helen Keller National Centre. This is also excellent how it showcases people that we hardly know that much about. Sure, we may be familiar with Helen Keller, the most famous Deafblind person in history, but it reminds you of the others that have gifts of their own too. Reminds you that Deafblind people are more capable than you think.

The Letter Room: dir. Elvira Lind – Richard is a prison officer who does his duties faithfully. His job is in a maximum security penitentiary and often works with people on Death Row. One day, Richard gets a new duty. His new duty is to overlook incoming mail communication. It’s not just looking over letters, but scrutinizing for any hidden messages or hidden drugs or other things. Most messages are routine. However one set of messages catches his eye. It’s from a woman named Rosita. She’s the wife of a death row inmate. Her letters are romantic messages to her husband. Most of the time, Richard loses his focus on his job and looks at the letters like they’re pages from a romance novel! Then comes the ultimate. He has to meet face to face with her!

This is an amusing story. With a guard, played by Oscar Isaac, becoming infatuated with letters he’s supposed to scrutinize, you get the feeling this will lead to something bizarre. It’s the comedic nature of the story that gets you. You don’t expect a story like this to lead to anything comedic, but it does. And it looks good instead of dumb.

The Present: dir. Farah Nabulsi – The film begins with a Palestinian man named Yusef crossing the overcrowded Israel Checkpoint to get back home after finishing work in the morning. Back at home, he meets with his family. The fridge is breaking down. He wants to buy a new fridge for his wife Noor as an anniversary present. He decides to take his daughter Yasmine with him. Getting the fridge means going to past Israeli guards into the town of Beitunia and it’s a walking trip. The guards at the border before entering the Palestinian region, one younger and one older, debate what is the right way to people that cross. Yusef tries to cross with his daughter by his side, but is given a cold treatment by the guard. He is let through where he can buy the fridge, have a red bow put on it, and have it carted back to his home at his request. He and his daughter cart the fridge up the hill. However it’s again meeting with the crossing guards. As they inquire, they demand he cart the fridge past the gates himself, which causes him to have an outburst, feeling it’s impossible. His daughter resolves things by pushing it through the narrow gates herself.

This is a story where you don’t know where it will go. You know of the hostility between Israelis and Palestinians in the West Bank. You know how badly Palestinians are treated. You have a sense how something as innocent as a refrigerator can be seen as a terrorism threat. You can understand how Yusef has the frustration where he has to live a life of facing crossing guards every single day of his life. The film says a lot. It says what’s it’s like to be Palestinian. It says what it’s like to live in an area of political turmoil and common terrorist incidents. How even a simple refrigerator can be seen as hiding a bomb. Makes you glad you don’t live there.

Two Distant Strangers: dirs. Travon Free and Martin Desmond Roe – African-American Carter James wakes up in the morning. He’s in the bed of the woman named Perri, also African-American, he dated the night before. He wants to get home to feed his dog Jeter before he goes to work at his job as a graphic designer. Shortly after he leaves the building, he’s approached by a white police officer named Merk who suspects he has marijuana in his bag. Carter tries to justify it, even defend it, but the officer violently reacts on him as a woman videotapes the incident with her cellphone. Instead of dying, Carter wakes up in Perri’s bed. He tries to leave again. There are some differences from the day, but officer Merk returns and the same confrontation happens with Merk pinning his head to the ground with his knee. Again instead of dying, Carter again wakes up in Perri’s bed. He decides not to leave, but Merk enters in where Carter’s shot in bed. This is a continuos time-loop. Carter even develops conversation with Perri. Carter hopes to end it all. He approaches Merk. Merk is friendly and offeres him a ride home. It appears to end on friendly terms, but Merk shoots him in the alley. Again instead of dying, he wakes up in Peri’s bed.

This is a unique time-loop story that has something to say. The biggest topic is about how African Americans are treated by the police: one of the hottest topics of 2020. Every death at the hands of officer Merk appears to be very similar to a lot of high-profile deaths at the hands of police like George Floyd and Breonna Taylor. The film has something to say where deaths like these also happen to well-to-do African Americans. Even that line where Carter asks Perri if she owns a gun and her response: “I’m a black woman in America. Of course I do.” Even the playing of the Bruce Hornsby song “The Way It Is,” an anti-racism hit song from 1986, sends a strong statement about the police force’s brutal treatment of African Americans in the United States. That’s why I pick it as my Should Win and Will Win pick.

White Eye: dirs. Shira Hochman and Kobi Mizrahi – An Israeli man named Omer is searching for his stolen bicycle. It’s been gone for two weeks. He tried reporting to the police, but they haven’t bothered listening. He walks past the alley of a restaurant and sees what looks to be his bicycle. He sees it locked at a bike post. He insists to the police that’s it. The police inquire with the restaurant of who the owner/thief is. The man, an Ethiopian immigrant named Yunes, comes out and insists he bought the bicycle. This leads to a debate with the police. They insist they see his passport. The passport shows his Visa expired four months ago. His boss insists to the police Yunes renewed his visa. Meanwhile Omer goes looking around for a powersaw to get the lock sawed off. As he goes around, he sees the officers being hostile on Yunes while his boss insists his innocence. We see Omer go through the restaurant and see illegal immigrants in the freezer trying to hide themselves. We then see the police car gone, and Yunes. Then Omer has the saw to saw off the lock. He saws the bicycle instead.

This is a short film that packs a lot. It focuses on hostile accusations, a police force that lacks efficiency, racism, illegal immigration, and all in a film with a single take. That’s the biggest surprise of the film: it’s a story that’s all a single take that follows its subject Omer around to its eventual end of the story. Definitely a great work.

BEST ANIMATED SHORT FILM

Burrow: dir. Madeline Sharafian – A rabbit has down on paper her dream hole in the ground: a private hole to herself with her disco ball. Once she digs her place and sets up, she comes across a mole and a field mouse who show her their blueprints and offer their help. She declines and runs off for a place for her own private hole in the ground. It’s no use as she bumps into some frogs, then some hedgehogs, then some newts and then some partying beetles and ants. As she continues to dig for her own place, she comes across water, which floods every other place she dug up in her path. She’s embarrassed of it all, but the creatures offer to build her place where she can have shared access with the others. She agrees happily and she gets her own place — disco ball and all — where she happily lets the other creatures drop in anytime.

This is a fun story to watch. However if you look close enough, it’s a story about introversion and how one feels comfortable being with themselves and having their own way. I feel this short is saying things would be better if we reached out and got together instead of always kept to ourselves.

Genius Loci: dir. Adrien Merigeau – Renee, a loner and an African immigrant to France, finds a lot of loneliness in the streets of Paris. Then one day her imagination takes shape. She’s able to lose the sense of the city and finds herself in the tranquility of a cafe with a woman playing music. It’s there where she’s able to find the peace in her mind.

This is a good story consisting of haunting voices, haunting noises and colorful shapes and imageries. You really get what’s haunting Renee’s mind. You also get the sense of tranquility Renee achieves after she finally gets her peace with the musician. It’s the combination of colorful and creative imagery with the mix of sounds that make this a great story to watch.

If Anything Happens I Love You: dir. Will McCormack and Michael Govier – A couple struggle to stay together after the death of their daughter. As they drift apart, their shadows morph into their hidden emotions. The mother does laundry, but a soccer ball comes out and turns on a record player and plays the song ‘1950.’ As ‘1950’ plays, the daughter’s image comes out and it forms images in her life. The image even shapes the daughter’s tenth birthday party in front of both parents. Then the images of her final day as she says goodbye to her parents. Both prevent her from going, but it’s no use. It’s a dream and the dream relives how she was shot in school. The film ends with the daughter’s note to the parents: “If anything happens, I love you.’ The daughter then appears to both parents and gets them to reunite as the soul of their daughter is a glowing light.

This is unique imagery in a story that hits hard. Nobody likes knowing of a child’s death, never mind a school shooting. Nevertheless this film does act as a healing story filled with eye-catching imagery. It will touch you deeply if you catch it on Netflix. It’s because of the positive and touching rapport that I predict it to be my Will Win pick.

Opera: dir. Erick Oh – This film is one big imagery. It looks to be an ancient civilization as it happens in what appears to be a pyramid as it’s led by a God-like figure. It’s a process that appears to be from birth to death. Then something happens that appears to provoke the chaos in the order. This disruption causes chaos throughout and there are changes throughout the system. Then when it’s resolved, it returns back to its original order.

This is a unique animated film. It’s like a looping narrative that speaks about humanity and all the stories are all on this one big image that one notices as the images focus on going down and then up in a single take. Throughout the film, it appears it’s trying to tell us about the human race as it is educated, as it works, as it serves their religion. The chaos ensues as it tells of class struggle, of racism and of war. The message the film has to say among a continuous image that tells a different story as focus is shifted from place to place is what makes this eye-catching. That’s I make this my Should Win pick.

Yes-People: dirs. Gísli Darri Halldórsson and Arnar Gunnarsson – The only 3D short of the bunch to be nominated. It’s to do about three sets of people in an apartment. One’s an older couple, one’s a middle aged couple who are unhappily married, the other is a family consisting of a mother with both a teenaged son and a young boy. They go about their routines, the older son to school, the middle-aged husband to work and the older husband to shovel the snow. During the daytime inside the apartment, the older wife reads Proust, the middle-aged wife hides a drink from her husband, and the mother teaches her young son recorder. Outside the apartment, the older husband shovels the snow, the middle-aged husband works at his desk and the teenage son snoozes during class. At night, the older couple get it on. The middle-aged wife hopes it will get her husband to make love, which it doesn’t and the mother and teenaged son are shocked from what they hear. At the end of it all, the older husband sees the snowfall for overnight knowing what he’ll be doing tomorrow morning.

This is a fun story. It’s filled with some humor and excellent imagery. It has a lot of surprises. In addition, the only dialogue we hear is the word “Yow.” It’s fun to watch without taking it that seriously.

And there you have it. Those are my reviews of the Oscar-nominated shorts films and my predictions for the winners. Winners to be decided Sunday night.

VIFF 2019 Review: The White Snake (白蛇：缘起)

Jon The Blogcentric1 Comment

WHITE-SNAKE
The White Snake is the story of a young woman who is destined to be a snake spirit, but is torn between her destiny and the man she loves.

“Your fate may be in stone, but you choose how you live.”

I ended my VIFF 2019 experience by seeing The White Snake at the Playhouse theatre. I wanted to treat myself to something imaginative. It was excellent and breathtaking to watch.

Blanca is a young assassin in white clothes. She is a snake spirit as the ‘White Snake’ and is able to assume human form, but she can’t achieve her goal of immortality. The answer to her goal of immortality lies in a memory of centuries ago, which she cannot recall. Her sister Verta, who is a ‘green snake’ spirit, gives her a magical hairpin that allows her to go back in time to the Tang Dynasty to get her answer.

Back in time, Blanca finds herself waking up in a village. She is surprised to learn she’s in what’s called ‘Snake Catcher Village.’ She comes across a handsome villager names Sean and his dog DuDou. Sean rescued her from a rock by the waterfalls. She falls for Sean, but is unaware that Sean is a snake-hunter. He has been ordered to hunt snakes for the Dark General and the Little General as they believe the snakes hold the key to supreme power.

Soon Sean faces an attack from a snake demon. Blanca stops the demon, only to learn it’s Verta. Sean is surprised and Dudou is convinced she’s a demon. Sean is convinced Blanca is not a demon, despite all he knows about her. Nevertheless Verta reminds Blanca that her true nature will come out when there will be a battle between the snakes and the Dark General’s army. Soon Sean learns who Blanca is as she assumes snake form. Foxy Boss tells Blanca a terrible secret about being a ‘demon:’ gods, people, and even other demons want to kill you.

Will Sean still love Blanca? There will be a battle between the snake catchers and the snake spirits very soon. The Snake General wants Blanca to be extinguished since she wants to defy her snake spirit. Blanca is heartbroken and feels she’s doomed to her demon spirit forever, but Sean sees it in his heart to love Blanca and see her for who she really is. The film ends with a battle in thrilling fashion and in a romantic mood.

This film is a 3D animation big-screen adaptation of the traditional four-chapter Legends Of The White Snake. What I liked best about the film is that the film doesn’t just present a good eye-catching drama, but it also possesses a lot of elements of Chinese culture and Chinese mythology. The imagery of animal spirits within a person is very common in Chinese storytelling and Chinese folklore. I’m not familiar with all of Chinese folklore but I can see a lot of familiar traits of it in the film. Especially the animal spirits that exist in the humans. The film does it in a very entertaining and a very mesmerizing way. The 3D animation doesn’t hurt it at all. In fact it makes it very eye-catching and even brings the audience into the story.

The film appears like a common Chinese fable meant to tell the story of bad and good. However the story is also about rejecting a destiny all for the love of a man. She was a snake spirit; he was a snake hunter. It shows how the heart can win over a person even if they are destined to be something else. The film is mostly a drama and the film succeeds in being a dramatic story. However there are some humorous moments. Most of the humor comes from Dudou, especially after he’s able to speak. It does seem like a must to have some humor in an animated film. Kids will be watching. The film doesn’t seem to get as suggestive as parts of Children Of The Sea does, but there are some suggestive scenes. The story tries more to capture the essence of love between the two. Nevertheless the suggestiveness and the violence in the film leaves me thinking this will get a PG rating.

This is an excellent film done by Light Chaser Animation. Excellent job by directors Amp Wong (credited as Huang Jiakang) and Ji Zhao. Amp has animation credits with doing the Green Lantern series. Zhao has more credits in doing editorial work in film and this is his first direction of animation. Here the directors and the Animation studio deliver a great, colorful eye-catching story that’s a delight to watch and will capture your imagination. The story by first-time scriptwriter DaMao is also excellent. It captures the story and the essence of Chinese mythology well while giving an ideal story for big-screen animation.

The vocal talent is also there. Zhang Zhe did a very good job at making Blanca sound mystical. Yang Tianxuang was also good at making Xu Xuan sound as romantic as he looked. He Zhang was great in adding the humor to the film with DuDou and Zheng Xiaopu was great at bringing out the deviousness of Foxy Boss. The music from Guo Haowei and the songs sung by Sean are also a delight to hear and add to the film’s mystique.

It’s interesting to note that the White Snake cost 80 million Chinese Yuan (roughly $11.4 million US) to make but made 447 million Yuan (about $63.9 million US) in China alone. It will be released in North America starting only with Los Angeles on November 15th and in limited release starting November 29th. English dubs will be in the release as Stephanie Sheh will be the English-language voice for Blanca and Paul Yen will voice Ah Xuan or Sean. Having seen the film in Mandarin with subtitles, I would see the English-language one, but I would try to see which one in more magical. Also those who watch the film when it comes out, I highly recommend you stay to watch the credits. Yes, there is a scene in between the credits featuring Foxy Boss that leaves you convinced there will be a sequel coming out. In fact the Mandarin title of the film means ‘White Snake: The Origin.’

The White Snake is a film with a lot of beauty and intense thrills, but it also has some humor and passion. It succeeds in doing what an animated film should do and make you escape into another world.

And that does it! There wraps up the last of the films I saw at the Vancouver International Film Festival. I will be posting my wrap-up blog very soon.

Movie Review: Frozen

Jon The Blogcentric4 Comments

Frozen

I’ll admit it’s rather late for me to be reviewing Frozen. I wasn’t interested in it at first. However its success at the box office coupled with its Oscar buzz helped me change my mind.

Normally I’d give a description of the film in my reviews but I won’t here since most of you have already seen Frozen by now. I’ll just go in to what I have to say. There are a lot of unique and great aspects of this movie. First is its unexpected twists. You’d first think it would be Kristoff that would save Elsa, Anna and the kingdom but it turns out to be Elsa. Already there are a lot of writers and bloggers comparing Elsa to Merida in Brave in terms of heroine status. I’ll bet you never thought Kristoff would be one of the bad guys. Second is its animation that truly mesmerizes. I was dazzled when I saw Elsa’s snow-spell and even the ‘ Castle Of Ice’ created on screen. Watching Frozen was like being taken to a world of ice at times.

Thirdly is the musical aspect of the movie. For many decades, even as close to about twenty years ago, animated movies were commonly musicals and excelled in telling the stories with catchy songs. From Someday My Prince Will Come in Snow White and the Seven Dwarfs to Hakuna Matata in The Lion King, you could always rely on an animated feature to deliver charming music. When 3D became the staple of animated features, the features were predominantly non-musicals and the movies were more focused on the story and the animation. When was the last animated feature done as a musical that dazzled you? Yeah, that far back. Frozen is the first 3D animated musical that has won the movie-going public by storm. It’s refreshing to see the musical aspect come back in animated movies and even added to 3D animated movies successfully for the first time. I think the success of Frozen will churn out more musical-styled 3D animation features.

Frozen is a welcome relief in terms of animated movies for 2013. This year was a rather quiet year in terms of animated movies. Sure this summer featured the excitement of the comeback of the monsters of Monsters University and Despicable Me 2 took ‘minion mania’ to new heights but there was nothing new to create new buzz. Nor was there anything with writing that stood out. I’m sure that became apparent to a lot of my subscribers when I published my blog about Pixar appearing to have lost its spark. Frozen may have come late in 2013 but it sure came to the rescue. Its excellence is not just in having a thrilling story but also in having excellent animation.

Also Frozen has a bonus aspect: catchy songs. It’s not just something that’s been missing from animated movies but movies in general since the new century. You may remember before the 2000’s came there were many catchy songs that came from movies. Since 2000, the presence of a catchy song or even a hit song from a movie is something that has been very rare. I think the last hit song from a movie before Frozen was Slumdog Millionaire’s Jai Ho. I was especially surprised during 2006 when Dreamgirls was in theatres, none of the songs were released as singles despite Beyonce’s chart-topping prowess at the time. I know most of North America was in a hip-hop coma at the time but still… Frozen helped bring back the catchiness of movie music. Already two versions of Let It Go are on the charts right now: Idina Menzel’s version is currently #18 on the Hot 100 and Demi Lovato’s version is at #56 having peaked at 38. Recently Do You Want To Build A Snowman? started hitting the charts and is now at #57. I guess it’s no wonder that the movie has been re-released in a sing-along version.

It’s hard to pick who first to compliment. First off, I’ll say the animation was top notch. The Walt Disney Animation Studios did an excellent job in creating a charming trip to the past and a mesmerizing world of ice. Secondly, kudos should go to Christophe Beck and Kristin Anderson-Lopez for providing music that was not only entertaining but the catchiest movie music in years. Thirdly a great job in the acting and singling by both Kristen Bell and Idina Menzel. They’re already established actors and they’ve also had musical experience but this has to be the best combined singing/acting efforts from both of them. The supporting actors were also great in their roles too including Jonathan Groff and Santino Fontana. However it’s Josh Gad that steals the show as the goofy Olaf. Finally great acting/writing efforts from Chris Buck, Jennifer Lee and Shane Morris. It was something to take Hans Christian Andersen’s The Snow Queen and turn it into an animated musical. They really delivered a winner. In fact you remember how Disney movies would give animated adaptations of children’s stories like Snow White, Cinderella, Pinocchio and The Lion King and turn them into beloved classics? I think Frozen is destined to go that same route over time.

Funny thing about Frozen is not just simply its current total success with its box office run but its lack of success when it first started. I’ve noticed on Box Office Mojo that it was only on one single theatre when it opened because it didn’t want to compete with the opening of the latest Hunger Games movie. It got better the following week when it was spread across North America and grossed $67.4 million that weekend but it was still in second to the Hunger Games by $7 million. The funny thing is while most movies came and went during the six weekends since, Frozen stuck around in the Top 3 and was even #1 on two different weekends. It was even #2 the weekend of January 31-February2nd: its eleventh weekend. Okay, the sing-along version release may have something to do with it but it just goes to show its lasting power. In fact it wasn’t until this weekend, its thirteenth, that it finally left the Top 5 and currently sits at #8 with a total gross of over $375 million.

Frozen has been the animated movie both moviegoers and fans of film alike have been waiting for all of 2013. It was definitely worth the wait because it delivers in terms of quality and entertainment value. Maybe I should go back for the sing-along version.

Movie Review: Frankenweenie

Jon The Blogcentric1 Comment

DISCLAIMER: Okay I know this is a delayed review but I have lacked ambition in the last while with so much happening. Now I’m glad to be back and posting.

You’ve heard of Frankenstein? How about Frankenweenie? Tim Burton goes animated but can it charm like his other movies?

Victor Frankenstein is a creative boy growing up in New Holland. An only child who spends a lot of time with his dog Sparky making films and doing science experiments, his parents wonder if he’s able to make friends. His father encourages him to play baseball. it turns out to be a bad decision as Sparky chases the ball and gets hit by a car. Victor is heartbroken but not down. He still remembers the science class where his teacher Mr. Rzykruski showed the power of electricity on a dead frog. He digs up Sparky one day in hopes of bringing him back to life via electricity. It works!

However secrets don’t stay secret for long. Victor’s classmate Edgar wants to learn from Victor how to bring the dead back and even promising to keep it as a secret, albeit with fingers crossed. The two perform the experiment and the goldfish are revived but invisible due to doing something wrong. Edgar shows the other students and that sparks interest in reanimation of their own.

The children get the chance to learn about reanimation as Sparky goes missing around town. They discover Victor’s reanimation technique in the science room and attempt reanimating of their own on dead animals: Nassor on his mummified hamster, Edgar on a dead rat he found, Toshiaki’s turtle Shelley, Bob’s sea monkeys, and a dead bat Weird Girl’s cat found. The experiments go badly wrong. Edgar’s dead rat becomes a were-rat, Bob’s sea monkeys become amphibious monsters, Shelley is covered in a huge growth formula and becomes like a huge monster turtle, Colossus becomes a giant monster and Weird Girl’s cat bites the dead bat while electrocuted becoming a vampire cat.  This is especially hellish as New Holland is preparing to have its town festival.

Victor finds Sparky but notices the monsters causing havoc around the town fair. In the meantime the parents are angry at what the children have learned and Mr. Rzykruski is fired. The townspeople blame Sparky for all this madness and chase him to the town windmill. It’s all up to Victor to make things right. He does succeed in the end with results both surprising and thrilling.

One thing people will like about this animated movie is that it has the familiar charm of Tim Burton’s movies. Right at the beginning when you think ‘not another story about a creative boy who has trouble making friends’, you’ll know why. The main reason why Victor can’t make friend is because he’s one of the few normal kids while almost every other kid acts like they belong in a haunted house. This is very much a trademark of Burton and nothing new. Sure he’s done animated movies before and Halloween-style characters seem to be his specialty but he succeeds in keeping it enjoyable and entertaining. The story of Frankenweenie succeeds in being charming, haunting and entertaining.

Frankenweenie is something of Burton’s own but this animated version is not something fresh. Frankenweenie was originally a live-action 30-minute film Burton did back for Disney way back in 1984. It was intended to be both a spoof and a homage to the monster movies of the 1930’s. However this did not sit that well with Disney as they originally fired him because the movie was considered too disturbing for kids. Funny how 28 years have passed and Disney actually welcomed him back to remake Frankenweenie.

Mind you it’s not just about Tim Burton’s style of filmmaking and storytelling that makes it so appealing. It’s the way that it will oddly remind you of many of the monster movies of the past. As has been stated before, this is both a satire and a homage to the 1931 movie of Mary Shelley’s Frankenstein. There are additional tributes in the movie too: Elsa’s pet poodle has a hairstyle similar to the Bride Of Frankenstein; Nassor has a voice and face resembling Boris Karloff; Mr. Rzykruski is inspired by Vincent Price. Even with its stop-motion animated style all in black-and-white, it has its charm with it being entertaining to today’s kids. Adults will also find it enjoyable too.

Frankenweenie is not just another animated movie. It’s a movie from Tim Burton that offers a lot more. Fans of monster movies will like it and admire it.

VIFF 2011 Review: Shorts Segment – Air

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This is another shorts segment that I saw at the VIFF. It was not the original movie I planned to attend but when someone at the info desk was giving away free tickets, I told them I already had a ticket for a show that was happening. She offered a trade, which I accepted. I’m glad I did. Like Water, the shorts of Air also had styles and varieties of their own:

 Spirit Of The Bluebird – This is mostly animation that’s very colorful and meant to tell a story. A story about a Native woman killed one night by two strangers. The bluebird is to represent her. At the end, we see her relatives standing by the building near where she died painted permanently with a mural in her memory. This was as much of a reminder that no one and nothing is forgotten as it was a picturesque short of animation.

Parkdale – This is a very thought-provoking short to do about two sisters living in a rough area with a father who’s constantly in trouble with the law. As they try and draw up money for a bus trip to Kingston, this paints an unhappy but truthful statement about street youth and their attempts to try and stay afloat.

Hope – As a war general lies on his deathbed, he confronts images of violence. It’s hard to make sense of it all. I’m sure that through some of the bizarre images the director is trying to make some statement. It didn’t come across too clear or maybe he tried too hard to be graphic.

CMYK – This is another animated movie focusing on the primary picture colors: cyan, magenta, yellow and key. The filmmaker tries to be creative but the short ends up coming off as mind dizzying and drawn out.

Oliver Bump’s Birthday – Oliver’ three older siblings died on their 13th birthday, and he’s doomed for the same fate. While all three made achievements during their lives, Oliver dreamed of the stars and space travel. On his birthday, he leaves his family party, which is quite like a pre-funeral, for his homemade space ship. You’ll enjoy seeing him chase his dream and enjoy a surprisingly enlightening and happy ending.

Theatrics – Two flirty thirtysomethings go for a night out in a movie theatre with surprises left, right and center. Starts off with drinking a drink with horse tranquilizers and then leads to one misfortune after another. Humorous and amusing. Just hope I never have to go through what she went through.

The Provider – Just when we see mention of the droppings of the atom bombs on Hiroshima and Nagasaki, we think we would get something serious. However we’d be surprised to get a darkly comical story about coming home. Very bizarre indeed.

Cold Blood – I don’t know if it was because I saw a lot of originality of the previous shorts or because I was expecting something else instead, but this short came up less than what I expected. Perhaps it was just meant to represent an aspect of life. Perhaps it was as much about the mother of the two children as it was of the son giving blood for his sister.

The Balcony Affair – This is one comedic short that is completely unpredictable. A lonely Russian man who’s always out on a balcony falls in love with a woman in the apartment across. Will they meet? Will they fall in love? The ending will surprise you, more than you expected.

So there you have it. The shorts that made up Air. All were Canadian. All were unique. Some I liked, some I didn’t. Some were thought provoking. Some were meant just to entertain. Some may go on to bigger and better things. Some may continue to do just shorts. All were worth seeing. It’s good that a film festival like the VIFF showcases shorts from up-and-coming directors as well as from established film companies. It’s what makes the VIFF different from Toronto.

Movie Review: Kung Fu Panda 2

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Yes, I’m playing catch-up with my movie reviews of the summer. Hope you like this late review.

I’m sure you remember the first Kung Fu Panda. Po was the lumpy clumsy Panda who came from nowhere to become the Dragon Warrior. It charmed audiences, made people laugh and even rivaled Disney/Pixar in making 3D animated movies. Now Po’s back in Kung Fu Panda 2. But does this new version of Kung Fu Panda still have its kick?

We begin the movie learning of the clash between the peacock clan and their son Lord Shen stealing the power of the fireworks and using them as weapons. When Shen learned from a soothsayer that a warrior in black and white would defeat him, Shen exiled the pandas from the village. Shen’s parents exiled him soon after to which Shen swore revenge.

Flash forward 20 years, we see Po as the Dragon Warrior protecting the Valley Of Peace with the Furious Five who are now his friends and allies. Master Shifu senses Po lacks inner peace. At first Po doesn’t know what he meant until the five attack a band of wolf bandits. During the fight, Po is distracted by a symbol on the head wolf’s armor which causes a flashback to memories of his birthmother. He then learns from his father, the goose Mr. Ping, that he found him as a baby in a radish basket and adopted him since. Learning that truth leaves Po frustrated and upset.

Later Master Shifu learns that Master Thundering Rhino has been killed by Lord Shen with a cannon he build and plans to use to destroy kung fu tradition and conquer China. Po and the five go to Gongmen City to end Shen’s control. They come across two imprisoned council members and try to chase down Shen’s wofl pack, only to be captured. Upon being brought before Shen, Po and the Five break free and destroy Shen’s cannon. However Po is again distracted by the symbol that caused flashbacks of his mother which allows Shen to escape and destroy the tower with an arsenal of cannons. After escaping, a concerned Tigress confronts Po of his distraction. Po knows of Shen’s presence on the day he was separated from his parents and has to ask him about his past

Despite Tigress fearing for him, Po breaks into Shen’s cannon factory and confronts him. Shen tells Po his parents abandoned him before blasting him out of the factory and capturing the Five. Po finds himself rescued by an exiled Soothsayer in the city he was born in. The Soothsayer guides him to embrace his past where Po learns his village was raided at the time he was born as Shen’s forces killed every panda and burned the village. Po’s father was fighting the war and told Po’s mother to run and escape with their baby. Po’s mother ran throughout the snow and left him in a radish box at a place she knew he’d be safe, Mr. Ping’s place. It’s upon returning to his old home and finding his childhood toy that he learns he was given up out of love and raised out of love. Finally he attains inner peace.

Po then returns to Gongmen City to save the Five and stop Shen from conquering China. Po and the Five along with Ox and Croc block the gates to shop Shen but Shen’s cannon clears the way and lands them all in the ocean. While Shen attacks Po with his cannon, Po is able to use his inner peace to redirect Shen’s cannon fires to Shen’s cannon, destroying it. He then urges Shen to let go of his past, but Shen refuses and attacks Po. In the fight, Shen accidentally cuts the ropes to his own cannon and is crushed to death. Po achieves victory and freedom for Gongmen City. He returns to Mr. Ping and lovingly declares him as his father. The very end may hint to many that there may be a Kung Fu Panda 3.

While I’m not a big fan of most Holywood sequels, I have to say that I was impressed with Kung Fu Panda 2. It managed to have a story different from the first movie. Its fights and special effects were just as dazzling as the first. The characters still had their charm from the original and especially kept the appeal of Po. The movie had an excellent range of voice-over talent with renowned actors like Jack Black, Angelina Jolie, Dustin Hoffman, Jackie Chan, Michelle Yeoh and many others. The animation graphics were excellent and top notch to the slightest detail.

For the most part, I believe the movie would be fine for parents of children but not for most adults. It is a movie that doesn’t have the same level of adult appeal as a Disney/Pixar animated movie would. Some things that may appeal to parents is the actors doing the voiceovers. Overall, the movie, storyline and humor are more tailor made for families of young children.

 Overall Kung Fu Panda 2 makes for an enjoyable night out at the movies for families of young children. Even some older children or teenage fans of the first movie will enjoy it.