Tag Archives: motion

My Predictions For The 2019 Academy Award Nominations

Chocolate Oscar

DISCLAIMER: I posted my predictions the morning of Sunday the 12th. I have made some edits that evening after the Broadcast Film Critics Association’s ‘Critics Choice Awards’ announced their winners.

This is not the earliest I’ve heard of Oscar nominations announced, but it is earlier than usual. Glad things will be back to normal next year. So here are my predictions for the nominations of the 2018 Academy Awards:

BEST PICTURE

  • 1917
  • Ford v. Ferrari
  • The Irishman
  • Jojo Rabbit
  • Joker
  • Little Women
  • Marriage Story
  • Once Upon a Time… in Hollywood
  • Parasite
  • Rocketman

BEST DIRECTOR

  • Noah Baumbach – Marriage Story
  • Bong Joon-ho – Parasite
  • Sam Mendes – 1917
  • Martin Scorsese – The Irishman
  • Quentin Tarantino – Once Upon a Time… in Hollywood

BEST ACTOR

  • Antonio Banderas – Pain And Glory
  • Leonardo di Caprio – Once Upon a Time… in Hollywood
  • Adam Driver – Marriage Story
  • Taron Egerton – Rocketman
  • Joaquin Phoenix – Joker

BEST ACTRESS

  • Cynthia Erivo – Harriet
  • Scarlett Johannson – Marriage Story
  • Saoirse Ronan – Little Women
  • Charlize Theron – Bombshell
  • Renee Zellweger – Judy

BEST SUPPORTING ACTOR

  • Tom Hanks – A Beautiful Day In The Neighborhood
  • Al Pacino – The Irishman
  • Joe Pesci – The Irishman
  • Brat Pitt – Once Upon a Time… in Hollywood
  • Song Kang-ho – Parasite

BEST SUPPORTING ACTRESS

  • Kathy Bates – Richard Jewell
  • Laura Dern – Marriage Story
  • Scarlett Johannson – Jojo Rabbit
  • Jennifer Lopez – Hustle
  • Margot Robbie – Bombshell

BEST ORIGINAL SCREENPLAY

  • Noah Baumbach – Marriage Story
  • Bong Joon-ho – Parasite
  • Rian Johnson – Knives Out
  • Sam Mendes and Kristie Wilson-Cairns – 1917
  • Quentin Tarantino – Once Upon a Time… in Hollywood

BEST ADAPTED SCREENPLAY

  • Micah Fitzerman-Blue and Noah Harpster – A Beautiful Day In The Neighborhood
  • Greta Gerwig – Little Women
  • Todd Phillips and Scott Silver – Joker
  • Taika Waititi – Jojo Rabbit
  • Steve Zaillian – The Irishman

BEST ANIMATED FEATURE

  • Frozen II
  • How To Train Your Dragon: The Hidden World
  • I Lost My Body
  • Missing Link
  • Toy Story 4

BEST CINEMATOGRAPHY

  • Roger Deakins – 1917
  • Claire Mathon – Portrait Of A Lady On Fire
  • Phedon Papamichael – Ford v. Ferrari
  • Lawrence Sher – Joker
  • Robert Richardson – Once Upon a Time… in Hollywood

BEST COSTUME DESIGN

  • Ruth E. Carter – Dolemite Is My Name
  • Julian Day – Rocketman
  • Jacqueline Durran – Little Women
  • Arianne Phillips – Once Upon a Time… in Hollywood
  • Anna Mary Scott Robbins – Downton Abbey

BEST DOCUMENTARY FEATURE

  • American Factory
  • Apollo 11
  • For Sama
  • Honeyland
  • One-Child Nation

BEST FILM EDITING

  • Michael McCusker and Andrew Buckland – Ford v. Ferrari
  • Fred Raskin – Once Upon a Time… in Hollywood
  • Thelma Schoonmaker – The Irishman
  • Lee Smith – 1917
  • Yang Jin-mo – Parasite

BEST FOREIGN LANGUAGE FILM

  • Honeyland (North Macedonia)
  • Les Miserables (France)
  • Pain And Glory (Spain)
  • Painted Bird (Czech Republic)
  • Parasite (South Korea)

BEST HAIR AND MAKEUP

  • 1917
  • Bombshell
  • Once Upon A Time… In Hollywood

BEST ORIGINAL SCORE

  • Alexandre Desplat – Little Women
  • Hildur Guðnadottir – Joker
  • Randy Newman – Marriage Story
  • Thomas Newman – 1917
  • John Williams – Star Wars: The Rise Of Skywalker

BEST ORIGINAL SONG

  • “Glasgow (No Place Like Home) – Wild Rose
  • “(I’m Gonna) Love Me Again” – Rocketman
  • “Into The Unknown” – Frozen II
  • “Spirit” – The Lion King
  • “Stand Up” – Harriet

BEST PRODUCTION DESIGN

  • 1917
  • Ford v. Ferrari
  • The Irishman
  • Joker
  • Once Upon a Time… in Hollywood

BEST SOUND MIXING

  • Ford v. Ferrari
  • Joker
  • Once Upon a Time… in Hollywood
  • Rocketman
  • Star Wars: The Rise Of Skywalker

BEST SOUND EDITING

  • 1917
  • Avengers: Endgame
  • Ford v. Ferrari
  • Joker
  • Once Upon a Time… in Hollywood

BEST VISUAL EFFECTS

  • 1917
  • Avengers: Endgame
  • The Irishman
  • The Lion King
  • Once Upon a Time… in Hollywood

I not only made predictions for nominations, but also for possible upsetters for my main predictions. Some could be the type rewarded in minor awards but overlooked by major awards. And some could be shunned altogether only to take the Academy by surprise. Once again, I only predicted upsetters for all the major categories and any minor categories I had a hunch about. Enough of me rambling. Here is my list for the most likely upsetters:

BEST PICTURE

  • Knives Out
  • The Two Popes

BEST DIRECTOR

  • Greta Gerwig – Little Women
  • Todd Phillips – Joker

BEST ACTOR

  • Christian Bale – Ford v. Ferrari
  • Robert de Niro – The Irishman

BEST ACTRESS

  • Awkwafina – The Farewell
  • Lupita Nyong’o – Us

BEST SUPPORTING ACTOR

  • Jamie Foxx – Just Mercy
  • Anthony Hopkins – The Two Popes

BEST SUPPORTING ACTRESS

  • Nicole Kidman – Bombshell
  • Zhao Shuzhen – The Farewell

BEST ORIGINAL SCREENPLAY

  • Jez Butterworth, John-Henry Butterworth and Jason Keller – Ford v. Ferrari
  • Emily Halpern, Sarah Haskins, Susanna Fogel and Katie Silberman – Booksmart

BEST ADAPTED SCREENPLAY

  • Matthew Carnahan and Mario Correa – Dark World
  • Anthony McCarten – The Two Popes

BEST ANIMATED FEATURE

  • Alita: Battle Angel
  • The Lion King

BEST CINEMATOGRAPHY

  • Dick Pope – Motherless Brooklyn
  • Rodrigo Prieto – The Irishman

BEST COSTUME DESIGN

  • Mark Bridges – Joker
  • Jeny Temime – Judy

BEST DOCUMENTARY FEATURE

  • The Cave
  • Maiden

BEST FILM EDITING

  • Jeff Groth – Joker

BEST FOREIGN LANGUAGE FILM

  • Atlantics (Senegal)
  • Truth And Justice (Estonia)

BEST HAIR AND MAKEUP

  • Joker
  • Judy

BEST ORIGINAL SCORE

  • Michael Abels – Us
  • Daniel Pemberton – Motherless Brooklyn

BEST ORIGINAL SONG

  • “Speechless” – Aladdin
  • “A Glass Of Soju” – Parasite

BEST SOUND MIXING

  • The Irishman

BEST VISUAL EFFECTS

  • Alita: Battle Angel
  • Captain Marvel

And those are my predictions for the nominations of this year’s Academy Awards. The actual nominees will be revealed at 5:30 Los Angeles time Monday morning. Nobody likes waking up that early on a Monday, but this is the only time it’s worth it!

Movie Review: Frankenweenie

DISCLAIMER: Okay I know this is a delayed review but I have lacked ambition in the last while with so much happening. Now I’m glad to be back and posting.

You’ve heard of Frankenstein? How about Frankenweenie? Tim Burton goes animated but can it charm like his other movies?

Victor Frankenstein is a creative boy growing up in New Holland. An only child who spends a lot of time with his dog Sparky making films and doing science experiments, his parents wonder if he’s able to make friends. His father encourages him to play baseball. it turns out to be a bad decision as Sparky chases the ball and gets hit by a car. Victor is heartbroken but not down. He still remembers the science class where his teacher Mr. Rzykruski showed the power of electricity on a dead frog. He digs up Sparky one day in hopes of bringing him back to life via electricity. It works!

However secrets don’t stay secret for long. Victor’s classmate Edgar wants to learn from Victor how to bring the dead back and even promising to keep it as a secret, albeit with fingers crossed. The two perform the experiment and the goldfish are revived but invisible due to doing something wrong. Edgar shows the other students and that sparks interest in reanimation of their own.

The children get the chance to learn about reanimation as Sparky goes missing around town. They discover Victor’s reanimation technique in the science room and attempt reanimating of their own on dead animals: Nassor on his mummified hamster, Edgar on a dead rat he found, Toshiaki’s turtle Shelley, Bob’s sea monkeys, and a dead bat Weird Girl’s cat found. The experiments go badly wrong. Edgar’s dead rat becomes a were-rat, Bob’s sea monkeys become amphibious monsters, Shelley is covered in a huge growth formula and becomes like a huge monster turtle, Colossus becomes a giant monster and Weird Girl’s cat bites the dead bat while electrocuted becoming a vampire cat.  This is especially hellish as New Holland is preparing to have its town festival.

Victor finds Sparky but notices the monsters causing havoc around the town fair. In the meantime the parents are angry at what the children have learned and Mr. Rzykruski is fired. The townspeople blame Sparky for all this madness and chase him to the town windmill. It’s all up to Victor to make things right. He does succeed in the end with results both surprising and thrilling.

One thing people will like about this animated movie is that it has the familiar charm of Tim Burton’s movies. Right at the beginning when you think ‘not another story about a creative boy who has trouble making friends’, you’ll know why. The main reason why Victor can’t make friend is because he’s one of the few normal kids while almost every other kid acts like they belong in a haunted house. This is very much a trademark of Burton and nothing new. Sure he’s done animated movies before and Halloween-style characters seem to be his specialty but he succeeds in keeping it enjoyable and entertaining. The story of Frankenweenie succeeds in being charming, haunting and entertaining.

Frankenweenie is something of Burton’s own but this animated version is not something fresh. Frankenweenie was originally a live-action 30-minute film Burton did back for Disney way back in 1984. It was intended to be both a spoof and a homage to the monster movies of the 1930’s. However this did not sit that well with Disney as they originally fired him because the movie was considered too disturbing for kids. Funny how 28 years have passed and Disney actually welcomed him back to remake Frankenweenie.

Mind you it’s not just about Tim Burton’s style of filmmaking and storytelling that makes it so appealing. It’s the way that it will oddly remind you of many of the monster movies of the past. As has been stated before, this is both a satire and a homage to the 1931 movie of Mary Shelley’s Frankenstein. There are additional tributes in the movie too: Elsa’s pet poodle has a hairstyle similar to the Bride Of Frankenstein; Nassor has a voice and face resembling Boris Karloff; Mr. Rzykruski is inspired by Vincent Price. Even with its stop-motion animated style all in black-and-white, it has its charm with it being entertaining to today’s kids. Adults will also find it enjoyable too.

Frankenweenie is not just another animated movie. It’s a movie from Tim Burton that offers a lot more. Fans of monster movies will like it and admire it.