My Predictions For The 2021 Oscar Nominations

The one plus about this year’s Oscar nominations for this year is that it is more likely that you will be able to go to theatres. The restrictions are down, the theatres are open and you can watch on the big screen. Like movies are supposed to be seen. However do expect to see some of the Best Picture contenders and contenders in other categories on streaming services. Once again this year, the Academy is giving grace to films that could not be shown in theatres and streamed online. And I think it will continue this way until the whole world gets this pandemic under wraps and indoor visiting becomes as close to as free as it was before this pandemic.

This year’s Oscar awards will be awarded on Sunday, March 27th. The last Sunday of March. This year’s nominations will be happening tomorrow. More than a month earlier than last year. Part of the adjustment of slowly getting back to normal. Anyways here are my predictions for the Academy Award categories:

BEST PICTURE
Belfast
CODA
Don’t Look Up
Dune
King Richard
Licorice Pizza
Power Of The Dog
tick,tick…BOOM!
Tragedy Of MacBeth
West Side Story

BEST DIRECTOR
Paul Thomas Anderson – Licorice Pizza
Kenneth Branagh – Belfast
Jane Campion – Power Of The Dog
Steven Spielberg – West Side Story
Denis Villeneuve – Dune

BEST ACTOR
Javier Bardem – Being The Ricardos
Benedict Cumberbatch – Power Of The Dog
Andrew Garfield – tick,tick…BOOM!
Will Smith – King Richard
Denzel Washington – Tragedy Of MacBeth

BEST ACTRESS
Jessica Chastain – The Eyes Of Tammy Faye
Olivia Colman – The Lost Daughter
Nicole Kidman – Being The Ricardos
Lady Gaga – House Of Gucci
Kristen Stewart – Spencer

BEST SUPPORTING ACTOR
Ben Affleck – The Tender Bar
Ciaran Hinds – Belfast
Troy Kotsur – CODA
Jared Leto – House Of Gucci
Kodi Smit-McPhee – Power Of The Dog

BEST SUPPORTING ACTRESS
Catriona Balfe – Belfast
Ariana DeBose – West Side Story
Kirsten Dunst – Power Of The Dog
Aunjanue Ellis – King Richard
Ruth Negga – Passing

BEST ORIGINAL SCREENPLAY
Paul Thomas Anderson – Licorice Pizza
Kenneth Branagh – Belfast
Asghar Farhadi – A Hero
Adam McKay and David Sirota – Don’t Look Up
Aaron Sorkin – Being The Ricardos

BEST ADAPTED SCREENPLAY
Jane Campion – Power Of The Dog
Maggie Gyllenhaal – The Lost Daughter
Ryusuke Hamaguchi and Tamakasa Oe – Drive My Car
Sian Heder – CODA
Eric Roth, Jon Spaihts and Denis Villeneuve – Dune

BEST ANIMATED FEATURE
Encanto
Flee
Luca
The Mitchells vs. The Machines
Raya And The Last Dragon

BEST CINEMATOGRAPHY
Bruno Delbonnel – Tragedy Of MacBeth
Greig Fraser – Dune
Janusz Kaminsky – West Side Story
Ari Wegner – Power Of The Dog
Haris Zambarloukos – Belfast

BEST COSTUME DESIGN
Jenny Beavan – Cruella
Massimo Cantini Parrini – Cyrano
Robert Morgan and Jacqueline West – Dune
Paul Tazewell – West Side Story
Janty Yates – House Of Gucci

BEST DOCUMENTARY FEATURE
Ascension
Flee
In The Same Breath
The Rescue
Summer Of Soul

BEST FILM EDITING
Sarah Broshar and Michael Kahn – West Side Story
Uni Ni Dhonghaile – Belfast
Andy Jurgenson – Licorice Pizza
Peter Sciberras – Power Of The Dog
Joe Walker – Dune

BEST INTERNATIONAL FEATURE FILM
Drive My Car – Japan
Flee – Denmark
The Hand Of God – Italy
A Hero – Iran
The Worst Person In The World– Norway

BEST MAKEUP and HAIRSTYLING
Cruella
Cyrano
Dune
The Eyes of Tammy Faye
House Of Gucci

BEST ORIGINAL SCORE
Nicholas Britell – Don’t Look Up
Alexandre Desplat – The French Dispatch
Germaine Franco – Encanto
Jonny Greenwood – Power Of The Dog
Hans Zimmer – Dune

BEST ORIGINAL SONG
“Be Alive” – King Richard
“Dos Uguguitas” – Encanto
“Down To Joy” – Belfast
“Here I Am (Singing My Way Home)” – Respect
“Just Look Up” – Don’t Look Up

BEST PRODUCTION DESIGN
Dune
The French Dispatch
Nightmare Alley
Power Of The Dog
West Side Story

BEST SOUND
Dune
The Matrix Resurrections
A Quiet Place Part II

Spider-Man: No Way Home
West Side Story

BEST VISUAL EFFECTS
Dune
Godzilla vs. Kong
The Matrix Resurrections
Shang Chi and the Legend of the Ten Rings
Spider-Man: No Way Home

Just like I did in past years, I not only did predictions for the nominees but also possible upsetters in most of the categories. Those who’ve tracked Oscar nominations over the years will be very familiar with upsetters. So here are my picks for the potential upsetters:

BEST PICTURE
Being The Ricardos
Cyrano
Drive My Car

BEST DIRECTOR
Maggie Gyllenhaal – The Lost Daughter
Ryusuke Hamaguchi – Drive My Car

BEST ACTOR
Mahershala Ali – Swan Song
Peter Dinklage – Cyrano

BEST ACTRESS
Alana Haim – Licorice Pizza
Rachel Zegler – West Side Story

BEST SUPPORTING ACTOR
Bradley Cooper – Licorice Pizza
Jamie Dornan – Belfast

BEST SUPPORTING ACTRESS
Ann Dowd – Mass
Rita Moreno – West Side Story

BEST ORIGINAL SCREENPLAY
Pedro Almodovar – Parallel Mothers
Zach Baylin – King Richard

BEST ADAPTED SCREENPLAY
Joel Coen – Tragedy of MacBeth
Tony Kushner – West Side Story

BEST ANIMATED FEATURE
My Sunny Maad
Sing 2

BEST CINEMATOGRAPHY
Dan Lautsen – Nightmare Alley
Linus Sandgren – No Time To Die

BEST COSTUME DESIGN
Ruth E. Carter – Coming 2 America
Luis Sequeira – Nightmare Alley

BEST DOCUMENTARY FEATURE
Attica
Procession

BEST FILM EDITING
Myron Kerstein and Andrew Weisblum – tick, tick…BOOM!
Pamela Martin – King Richard

BEST INTERNATIONAL FEATURE FILM
Compartment No.6 – Finland
Prayers For The Stolen – Mexico

BEST MAKEUP and HAIRSTYLING
Coming 2 America

BEST ORIGINAL SCORE
Alberto Iglesias – Parallel Mothers
Daniel Pemberton – Being The Ricardos

BEST ORIGINAL SONG
“Beyond The Shore” – CODA
“No Time To Die” – No Time To Die

BEST PRODUCTION DESIGN
Belfast
Nightmare Alley

BEST SOUND
Belfast
No Time To Die

BEST VISUAL EFFECTS
No Time To Die

Those are my predictions for the nominations for the 2021 Academy Awards. The nominees will be revealed the morning of Tuesday the 8th. It will be interesting which expected ones got it and which unexpected ones got it too!

My Predictions For The 2020 Oscar Nominations

This year’s Oscars may not make you want to go to the theatres, but it will make you stream like crazy. This year may have a lot of cases where movie theatres were either forced to close or limit capacity because of health regulations. This year also made may film companies send many Oscar-calibre films to streaming services since theatrical release would be harder than ever to achieve. The Academy has been very forgiving in this situation. They’ve loosened up the rules for this year in particular to allow movies that only had a streaming life have Oscar eligibility. What can I say? Nobody wanted this pandemic. Especially since many people are now labeling this period of time the ‘Coronaversary!’Has it been a year already?

In a regular year, the Oscars would have been awarded by now. Actually the last Sunday of February. This year the nominations are delayed until March 15th. Nevertheless it has still kept Oscar-trackers like myself busy. And I’m ready to make my predictions for this year:

BEST PICTURE
The Father
Judas And The Black Messiah
Ma Rainey’s Black Bottom
Mank
Minari
News Of The World
Nomadland
Promising Young Woman
Sound Of Metal
Trial of the Chicago 7

BEST DIRECTOR
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
David Fincher – Mank
Aaron Sorkin – Trial Of The Chicago 7
Chloe Zhao – Nomadland


BEST ACTOR
Riz Ahmed – Sound Of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Anthony Hopkins – The Father
Gary Oldman – Mank
Tahar Rahim – The Mauritanian

BEST ACTRESS
Viola Davis – Ma Rainey’s Black Bottom
Andra Day – The United States Vs. Billie Holiday
Vanessa Kirby – Pieces Of A Woman
Frances Mcdormand – Nomadland
Carey Mulligan – Promising Young Woman

BEST SUPPORTING ACTOR
Chadwick Boseman – Da 5 Bloods
Sacha Baron Cohen – Trial Of The Chicago 7
Daniel Kaluuya – Judas And The Black Messiah
Leslie Odom Jr. – One Night In Miami
Paul Raci – Sound Of Metal

BEST SUPPORTING ACTRESS
Maria Balakova – Borat Subsequent Moviefilm
Glenn Close – Hilbilly Elegy
Olivia Colman – The Father
Amanda Seyfried – Mank
Youn Yuh-jung – Minari

BEST ORIGINAL SCREENPLAY
Will Berson and Shaka King – Judas And The Black Messiah
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
Jack Fincher – Mank
Aaron Sorkin – Trial Of The Chicago 7

BEST ADAPTED SCREENPLAY
Paul Greengrass and Luke Davies – News Of The World
Christopher Hampton and Florian Zeller – The Father
Kemp Powers – One Night In Miami
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
Chloe Zhao – Nomadland

BEST ANIMATED FEATURE
Farmageddon: A Shaun The Sheep Movie
Onward
Over The Moon
Soul
Wolfwalkers

BEST CINEMATOGRAPHY
Eric Messerschmidt – Mank
Lachlan Milne – Minari
Joshua James Richards – Nomadland
Darius Wolski – News Of The World
Hoyte Van Hoytema – Tenet

BEST COSTUME DESIGN
Alexandra Byrne – Emma
Ann Roth – Ma Rainey’s Black Bottom
Trish Summerville – Mank
Bina Daigeler – Mulan
Susan Harman and David Wolsky – The Personal History Of David Copperfield

BEST DOCUMENTARY FEATURE
Dick Johnson Is Dead
MLK – FBI
My Octopus Teacher
Time
The Truffle Hunters

BEST FILM EDITING
Kirk Baxter – Mank
Harry Yoon – Minari
Chloe Zhao – Nomadland
Frederic Thoraval – Promising Young Woman
Alan Baumgarten – Trial Of The Chicago 7

BEST HAIR and MAKEUP
Birds of Prey
Hillbilly Elegy
Ma Rainey’s Black Bottom
Mank
One Night In Miami

BEST INTERNATIONAL FEATURE FILM
Another Round – Denmark
Collective – Romania
Dear Comrades – Russia
La Llorona – Guatemala
Two Of Us – France

BEST ORIGINAL SCORE
Jon Batiste, Trent Reznor and Atticus Ross – Mank
Alexandre Desplat – The Midnight Sky
James Newton Howard – News Of The World
Trent Reznor and Atticus Ross – Soul
Ludwig Goranson – Tenet

BEST ORIGINAL SONG
“Fight For You” – Judas And The Black Messiah
“Io Se (Seen) – The Life Ahead (La vita davanti a sé)
“Hear My Voice” – Trial Of The Chicago 7
“Husavik” – Eurovision Song Contest: The Story Of Fire Saga
“Speak Now” – One Night In Miami

BEST PRODUCTION DESIGN
Emma
Mank
News Of The World
The Personal History of David Copperfield
Tenet

BEST SOUND
Greyhound
Mank
News Of The World
Nomadland
Sound Of Metal

BEST VISUAL EFFECTS
Birds Of Prey
Mank
The Midnight Sky
Mulan
Tenet


Just like I did in past years, I not only did predictions for the nominees but also possible upsetters in most of the categories. With this year being a year where most films were streamed, there could be upsets a pleanty. So here are my picks for the potential upsetters:

BEST PICTURE
Da 5 Bloods
One Night In Miami

BEST DIRECTOR
Regina King – One Night In Miami
Spike Lee – Da 5 Bloods

BEST ACTOR
Sacha Baron Cohen – Borat Subsequent Moviefilm
Steven Yeun – Minari

BEST ACTRESS
Sidney Flanagan – Never Rarely Sometimes Always
Rosamund Pike – I Care A Lot

BEST SUPPORTING ACTOR
Jared Leto – The Little Things
Bill Murray – On The Rocks

BEST SUPPORTING ACTRESS
Jodie Foster – The Mauritanian
Helena Zengel – News Of The World

BEST ORIGINAL SCREENPLAY
Eliza Hittman – Never Rarely Sometimes Always
Abraham And Darius Marder – Sound Of Metal

BEST ADAPTED SCREENPLAY
Ramin Bahrani – White Tiger
Jonathan Raymond And Kelly Reichardt – First Cow

BEST ANIMATED FEATURE
The Croods: A New Age
The Willoughbys

BEST CINEMATOGRAPHY
Phedon Papamichael – Trial Of The Chicago 7
Newton Thomas Sigel – Da 5 Bloods

BEST COSTUME DESIGN
Francine Jamison-Tanchuck – One Night In Miami
Nancy Steiner – Promising Young Woman

BEST DOCUMENTARY FEATURE
The Painter And The Thief
Welcome To Chechnya

BEST FILM EDITING
Yorgos Lamprinos – The Father
Mikkel E. G. Nielsen – Sound Of Metal

BEST HAIR and MAKEUP
Emma

BEST INTERNATIONAL FEATURE FILM
Night Of The Kings – Cote D’Ivoire
Quo Vadis Aida? – Bosnia-Hercegovina

BEST ORIGINAL SCORE
Emile Mosseri – Minari

BEST ORIGINAL SONG
“Loyal Brave True” – Mulan

BEST PRODUCTION DESIGN
Ma Rainey’s Black Bottom
Mulan

BEST SOUND
Soul
Trial Of The Chicago Seven

BEST VISUAL EFFECTS
Soul
Welcome To Chechnya

Those are my predictions for the nominations for the 2020 Academy Awards. The nominees will be revealed the morning of Monday the 15th. We’ll wait and see what the decisions are!

Movie Review: Frankenweenie

DISCLAIMER: Okay I know this is a delayed review but I have lacked ambition in the last while with so much happening. Now I’m glad to be back and posting.

You’ve heard of Frankenstein? How about Frankenweenie? Tim Burton goes animated but can it charm like his other movies?

Victor Frankenstein is a creative boy growing up in New Holland. An only child who spends a lot of time with his dog Sparky making films and doing science experiments, his parents wonder if he’s able to make friends. His father encourages him to play baseball. it turns out to be a bad decision as Sparky chases the ball and gets hit by a car. Victor is heartbroken but not down. He still remembers the science class where his teacher Mr. Rzykruski showed the power of electricity on a dead frog. He digs up Sparky one day in hopes of bringing him back to life via electricity. It works!

However secrets don’t stay secret for long. Victor’s classmate Edgar wants to learn from Victor how to bring the dead back and even promising to keep it as a secret, albeit with fingers crossed. The two perform the experiment and the goldfish are revived but invisible due to doing something wrong. Edgar shows the other students and that sparks interest in reanimation of their own.

The children get the chance to learn about reanimation as Sparky goes missing around town. They discover Victor’s reanimation technique in the science room and attempt reanimating of their own on dead animals: Nassor on his mummified hamster, Edgar on a dead rat he found, Toshiaki’s turtle Shelley, Bob’s sea monkeys, and a dead bat Weird Girl’s cat found. The experiments go badly wrong. Edgar’s dead rat becomes a were-rat, Bob’s sea monkeys become amphibious monsters, Shelley is covered in a huge growth formula and becomes like a huge monster turtle, Colossus becomes a giant monster and Weird Girl’s cat bites the dead bat while electrocuted becoming a vampire cat.  This is especially hellish as New Holland is preparing to have its town festival.

Victor finds Sparky but notices the monsters causing havoc around the town fair. In the meantime the parents are angry at what the children have learned and Mr. Rzykruski is fired. The townspeople blame Sparky for all this madness and chase him to the town windmill. It’s all up to Victor to make things right. He does succeed in the end with results both surprising and thrilling.

One thing people will like about this animated movie is that it has the familiar charm of Tim Burton’s movies. Right at the beginning when you think ‘not another story about a creative boy who has trouble making friends’, you’ll know why. The main reason why Victor can’t make friend is because he’s one of the few normal kids while almost every other kid acts like they belong in a haunted house. This is very much a trademark of Burton and nothing new. Sure he’s done animated movies before and Halloween-style characters seem to be his specialty but he succeeds in keeping it enjoyable and entertaining. The story of Frankenweenie succeeds in being charming, haunting and entertaining.

Frankenweenie is something of Burton’s own but this animated version is not something fresh. Frankenweenie was originally a live-action 30-minute film Burton did back for Disney way back in 1984. It was intended to be both a spoof and a homage to the monster movies of the 1930’s. However this did not sit that well with Disney as they originally fired him because the movie was considered too disturbing for kids. Funny how 28 years have passed and Disney actually welcomed him back to remake Frankenweenie.

Mind you it’s not just about Tim Burton’s style of filmmaking and storytelling that makes it so appealing. It’s the way that it will oddly remind you of many of the monster movies of the past. As has been stated before, this is both a satire and a homage to the 1931 movie of Mary Shelley’s Frankenstein. There are additional tributes in the movie too: Elsa’s pet poodle has a hairstyle similar to the Bride Of Frankenstein; Nassor has a voice and face resembling Boris Karloff; Mr. Rzykruski is inspired by Vincent Price. Even with its stop-motion animated style all in black-and-white, it has its charm with it being entertaining to today’s kids. Adults will also find it enjoyable too.

Frankenweenie is not just another animated movie. It’s a movie from Tim Burton that offers a lot more. Fans of monster movies will like it and admire it.