The AFI (American Film Institute) ranks Some Like It Hot as the best comedy of the 20th Century. No doubt it’s one of the most legendary comedies ever made. The question is does it still have what it takes to entertain people today?
Here’s a brief synopsis for those who’ve never seen it. It’s 1929 in Chicago. Joe and Jerry are musicians by day, bootlegging gangsters by night. They face themselves in a lot of trouble first with a rival mob for being in the crossfire of the St. Valentine’s massacre and secondly for the money Joe owes thanks to losing it on gambling. Their talent agent finds them a job to help them get away from the mob racket and make the money. There’s one catch. It’s with an all-girls band–Sweet Sue and her Society Syncopators—and they’re heading to Miami. They accept and agree to pose as women: Josephine and Daphne.
The beginning is not the best. As they board the train to Miami, they meet Bienstock, their manager who is one to give band members a cheap feel. However they do meet band member Sugar Kane who likes to take a drink every now and then and takes a liking to the two women-in-disguise. They soon start a good friendship after Sugar accidentally drops her liquor flask and the two try to cover it up to bandleader Sweet Sue.
Sugar confesses to the two on the train trip how she’s interested in millionaires. However they can’t make passes at her because they know they have to keep their disguises as women. Once in Miami, Joe disguises himself as a millionaire named Junior to woo Sugar: heir to Shell Oil who has a problem with his ‘disinterest’ in women. However Jerry faces a pursuit of his own as an aging millionaire Osgood Fielding III takes an interest in Daphne.
One night Osgood invites Daphne for dinner on his yacht. Joe convinces Daphne to keep Osgood occupied onshore so that he can take Sugar to the yacht as Junior and pass it off as his. Once on the yacht, Junior tries to convince Sugar that he is impotent because of psychological traumas. He does say he’ll marry anyone who changes that. Sugar tries to arouse him and it’s after some amount of effort that she succeeds. Meanwhile Daphne’s very good at charming Osgood as the two tango all night.
It’s right as Jerry tells the good news to Joe– that Osgood has proposed to him and a divorce upon the truth will result in a huge cash settlement–that they learn the charade has to end. Spats and his gang of mobsters from Chicago are in the hotel for a ‘Friends of The Italian Opera’ conference and they have to quit the band and escape the hotel. This also means that Joe has to disguise himself as Junior again and break off the engagement to Sugar. He succeeds by telling her he has to marry a woman of his father’s choosing but it breaks her heart.
But it doesn’t end there. The two finds themselves in pursuit of the mobsters from the Valentine’s Day killings. It’s right after a revenge shooting at the conference that the two find themselves in pursuit again by Spats and his gang. Even their disguises as dames won’t help them get away for long. They face an additional problem as Joe notices on stage how brokenhearted Sugar is. It’s there that Joe has to tell Sugar the truth and kisses her in his Josephine guise.
Soon Sugar, Joe and Jerry have to leave in a getaway boat for Osgood’s yacht. They all find the boat in time but not before a drunken Osgood runs out. It’s right in the end with all four in the motorboat that all the truths come out, but with unexpected results.
As I pointed out at the beginning, Some Like It Hot has received renown since its release and over the years as both a film and as a comedy. There’s always the question of whether today’s moviegoers will understand the films significance or its comedic value. There’s no question that people of today would still find men dressing as women funny. Heck, the ‘S*** Girls Say’ videos are a hit partially because of it. However we’re at a time where we’re not that unfamiliar with drag queen shows and men dressing up as women. We may not be blasé but we wouldn’t be as shocked as say a crowd from back in 1959 would be upon seeing this. Even the sight of two women kissing would be less shocking to us. Humorous but not so shocking.
We shouldn’t forget that this was released during a different time. A Streetcar Named Desire caused some controversy because of its depiction of promiscuity and a failing marriage. Rebel Without A Cause raised eyebrows with its portrayal of teenage crime. And Blackboard Jungle was being labeled as ‘outrageously violent.’ All these movies would be considered tame by today’s standards. It just goes to show how far we’ve come.
Even Marilyn Monroe’s sex appeal comes into question. By now we’ve had all sorts of screen actresses who have had their own shots at achieving sex appeal with male moviegoers. By now the top screen queens would be Kristen Stewart, Jennifer Lawrence and Megan Fox. Most males who are charmed by them would probably have a look at Marilyn and probably think she’s not as ‘babe-like.’ They may also think she “doesn’t show enough skin.” Heck some might even think she’s ‘fat.’ It wouldn’t surprise me, knowing today’s casting standards in Hollywood. Anyways those who know the screen goddesses of the past would know Marilyn was about more than her looks. She was also about her charm and charisma. That’s something today’s top screen queens lack.
The one thing that surprises me about Some Like It Hot is that it has cross-dressing during a time when Hollywood movies were still subject to the Hays Code. For those of you who don’t know or are too lazy to click on the link, the Hays Code was a rigid code used on movies and television up until 1966. It allowed for certain things to be in the movies but disallowed a lot of things too like an image of a toilet bowl or negative depictions or religious figures or certain things about sexuality. Even while watching it, I was thinking of the Code that was used at the time and wondered about certain scenes—the kiss between Sugar and Josephine and the “Well nobody’s perfect” scene—that left me wondering how they were able to get away with it at the time. Actually back then it did receive some flack from the Catholic Legion Of Decency who gave it a C (Condemnatory) rating. They’d also give Psycho a C rating the following year. Soon after other later films followed with a C-rating, it would lead to an overhaul and eventual end to the Hays Code in the 60’s. You have to give credit to some of these movies of the 50’s for pushing envelopes at the time and eliminating a lot of censorship in Hollywood in future decades. Mind you I don’t see why ‘decency committees’ should have a problem with cross-dressing. Besides we shouldn’t forget that Milton Berle dressed up as a woman on TV frequently during that time.
This is another winning movie for Billy Wilder. Billy is sometimes known for darker movies but rarely for comedies. This is probably his best comedic effort. Not his first but his best. He really took some challenges in making this film but he pulled it off well. This was also very good acting from both Jack Lemmon and Tony Curtis. Their performances were very humorous and it was amazing to see Jack, or should I say Jerry, instantly get into character as Daphne. Marilyn was also good but we shouldn’t forget that in this, like most movies, she was encouraged to play the movie sex goddess we all know her for. She pulled off her part very well. It’s still surprising how Marilyn is the biggest actress never to have even received as much as an Oscar nomination. Character acting from the supporting actors was also very good and added to the movie. The big surprise is that costuming was done by Orry-Kelly. Usually in the movies at the time, especially in Billy Wilder’s movies, it would be Edith Head who would do the costuming back then. Yeah, there were two types of costumers back in Hollywood back then. There was Edith Head and then there was everybody else.
Also interesting to see all the accolades this movie has received over the years. Besides being ranked the #1 Comedy by the AFI, the movie has been ranked #14 on their list of the Top 100 movies of all time back in 1998, then changed to #22 in their 10th Anniversary list in 2007. The line of “Well nobody’s perfect” ranks as the 48th-best movie line in their 100 Years…100 Lines list. In fact “nobody’s perfect” is even on Wilder’s epitaph. However it was not as lucky back at the year-end Oscars. That year the big toast of Hollywood was Ben Hur which would receive 12 nominations and 11 wins including Best Picture. The big surprise is that Some Like It Hot was not even nominated for Best Picture. Nominations did go to Wilder for Best Director and Best Adapted Screenplay and Lemmon was the only nominated actor with his Best Actor nomination. The only Oscar win was for Orry-Kelly for Best Costuming – Black and White who even beat out Edith Head. Some Like It Hot did fare better at the Golden Globes for wins for Lemmon, Monroe and Best Picture – Musical Or Comedy.
Some Like It Hot is a cutting edge comedy of its time in which most of today’s film goers who go to see it might not understand why it’s labeled the “Best Hollywood Comedy Of All Time,” especially since they’ve seen more shocking and more outrageous stuff. People who appreciate old movies and know the history of Hollywood film making will understand why and appreciate for such. For me, it was my first time seeing it and I was entertained.
There’s one thing about really bad movies. Most of which get lost into oblivion. Many bad Hollywood movies get to be laughing stocks forever. And then there are some that develop a cult following often as audience participation movies. The most legendary is the Rocky Horror Picture Show: the raunchy musical that made no sense and lives on as an audience participation free-for-all. There hasn’t been a movie that could replace the Rocky Horror Picture Show or even rank well with it. There was an attempt from 1995’s Showgirls many years earlier but it didn’t pan out. The latest one to enter the flock is 2003’s The Room. It has developed a huge cult following too. But will it replace the Rocky Horror Picture Show in terms of being an audience participation phenom?
The film was written, directed and produced by Tommy Wiseau who also plays the lead character Johnny. The film stars as Johnny comes home to his fiancee Lisa. He’s a successful banker with a loving relationship with Lisa who’s a successful real estate agent. His young friend Denny, an orphaned kid with a troubled upbringing, comes to visit but has to leave because of… you get the idea. After Johnny leaves, we learn Lisa is bored with Johnny and is more interested in Mark, his best friend. Lisa and Mark end up making more than love, so to speak. Lisa’s mother insists that she marries Johnny because of his stability. Later Johnny doesn’t get the promotion promised to him. Johnny later learns of talk from Lisa’s best friend that things aren’t going right and start suspecting things. Johnny soon finds out that Denny has been getting into drugs. Not even Johnny’s friend Peter, a psychologist, can help him with his issues. Finally Johnny’s surprise birthday party happens and the truth comes out. At the end Johnny commits suicide and Mark tells Lisa how selfish she is over Johnny’s dead bloody body.
Okay you can draw out your own conclusion through my description of the movie. But the key ingredient towards its awfulness has to be the lines. Laughing moments happen more often than they should. Playing football happens at the most awkward times. ‘Future wife’ is said instead of ‘fiancee.’ “Everything’s going to to be fine” is uttered more often than it should. But the real creme de la creme of lousiness comes with the lines uttered only once: “You’re tearing me apart, Lisa!” “I feel like I’m sitting on an atomic bomb waiting for it to go off.” “Everybody betrayed me! I fed up with the world.” “You betrayed me… you that good… you, you’re just a chicken, chirp-chirp-chirp-chirp, cheep, cheep.” “Why Lisa, why? Please talk to me! Please!” Yeah, that bad. If the bad lines weren’t enough, there were also fight scenes that looked like they weren’t coordinated at all, cinematography that was bad, story lines that made no sense at all, and love-making scenes set to R&B music that came across as cheesy as hell. Even the end scene as people cry over Johnny’s dead body leaves the audience laughing. All this made over a budget of $6,000,000? And to think Tommy first tried to market it as a drama but then marketed it as a black comedy. That adds to its weirdness it’s already garnered.
You’d think a movie like that would be too insufferable to watch, right? Well some people somewhere sometime ago turned this into an audience participation movie and that’s where its success came. People dress up as their favorite characters. People throw things around like spoons, food and footballs during certain scenes. People say “Hi…” and “Bye…” whenever a character enters or exits. People hurl insults and lewd comments during the scenes. People shout “Go, go, go!” during the landscape shots. People also reenact the cheesy lines as they come during the movie. It’s a lot like Rocky Horror. Over at the screening I saw at Vancouver’s Rio Theatre, there was one host dressed up as Tommy Wiseau reenacting his voice and holding an impression contest before the movie was aired. The theatre was filled with mostly twentysomethings; some dressed up as the characters. In the end, the movie is not the same without the audience participation. Sure you could watch it alone on your DVD and laugh but it’s not as fun without the crowd.
It’s already garnered a cult following in the last few years. Will The Room ever achieve the same cult status as Rocky Horror? I doubt it. It hasn’t stood the test of time that Rocky Horror has. The Room’s test of time is something only the future will tell. Also while I’ve never heard of any cast or crew from Rocky Horror often showing up at screenings, occasionallyTommy Wiseau will make a guest appearance at certain screenings of The Room. He wasn’t here in Vancouver, at least this time.
In conclusion, it’s no wonder that The Room is labeled the Citizen Kane of bad movies. The cult following of audience participation is a celebration of its lousiness and makes for a fun night out at the movies. Prepare to laugh like you never laughed before.