I’ll admit I’ve been delaying my wrap-up to this year’s Vancouver Film Festival for the longest time. Heck, VIFF 2016 ended exactly two months ago! Hey I’ve been bogged down with work, school and this surprisingly blizzard-like weather which is extremely rare in Vancouver. On top of it, VIFF stats I was hoping to get after the Fest didn’t come. Nevertheless I feel a wrap-up is still worth publishing even if it’s this late.
The 2016 Vancouver Film Fest ended on Friday, October 13th. This was the first VIFF since 2011 that took place during Thanksgiving weekend. Crowds came again and again. There was a lot to offer with over 300 films from 70+ countries. There were even VIFF late night Hubs around the VIFF theatre held during the first ten days of the festival. I missed my chance because I was thinking of catching a hub during the second week. I didn’t know they ended that soon. Maybe next year.
The award winners were announced at the closing gala on Friday:
BC Spotlight Awards
Best BC Film Award
Presented by the Harold Greenberg Fund, Encore by Deluxe
WINNER: Window Horses (dir. Ann Marie Fleming)
BC Emerging Filmmaker Award
Presented by UBCP/ACTRA & William F. White
WINNER: Hello Destroyer (dir. Kevan Funk)
Recognizes the outstanding work of a female key creative on a BC-produced feature or short.
Presented by TELUS
WINNER: Cabbie (dirs. Jessica Parsons, Jennifer Chiu)
Honourable Mention: Here Nor There (dir. Julia Hutchings)
Canadian Film Awards
Best Canadian Film
Presented by Directors’ Guild of Canada
WINNER: Window Horses (dir. Ann Marie Fleming)
Emerging Canadian Director
Presented by Directors’ Guild of Canada
WINNER: Never Eat Alone (dir. Sofia Bohdanowicz)
Best Canadian Documentary
Presented by the Rogers Documentary Fund
WINNER: Living With Giants (dirs. Sebastien Rist, Aude Leroux-Lévesque)
Honourable Mention: Quebec My Country Mon Pays (dir. John Walker)
Short Film Awards
Best BC Short Film
Presented by CreativeBC
WINNER: Here Nor There (dir. Julia Hutchings)
Honourable Mention: Srorrim (dir. Wayne Wapeemukwa)
Best Canadian Short Film
Presented by Lexus
WINNER: Ceux qui restent/Those Who Remains (dir. Mathieu Vachon)
Honourable Mention: Fish (dir. Heather Young)
Most Promising Director of a Canadian Short Film
WINNER: Parent, Teacher (dir. Roman Tchjen)
Honourable Mention: Old Man (dir. Alicia Eisen)
Radcliffe Foundation Refugee Crisis Awareness Short Film Competition
Presented by The Radcliffe Foundation
WINNER: Helpful Hand (dir. Alex Nagy)
VIFF Impact Award
Presented by Leonard Schein to one of the nine issue-oriented documentary films in the Impact Stream
WINNER: Power to Change – The Energy Rebellion (dir. Carl-A. Fechner)
VIFF Industry Builder Award
Presented by MPPIA to celebrate BC Creates with support from Western Economic Diversification and CreativeBC
2016 Honoree: Chris Carter
Super Channel People’s Choice Award
WINNER: Maudie (dir. Aisling Walsh)
VIFF Most Popular International Feature
WINNER: I, Daniel Blake (dir. Ken Loach)
Runner up: The Salesman (dir. Asghar Farhadi)
VIFF Most Popular International Documentary
WINNER: Human (dir. Yann Arthus-Bertrand)
VIFF Most Popular Canadian Documentary
WINNER: Spirit Unforgettable (dir. Pete McCormack)
#mustseebc Presented by TELUS Optik Local
WINNER: Cadence (dir. Alex Lasheras)
As for my volunteer experience, it was all at the International Village this year and it was a good experience. I had a mix of shifts from early morning to late evening to middle of the day. I volunteered both during the Sunday and Monday of thanksgiving. I also volunteered all day Thursday the 12th. I had more chances this year to watch films than I did last year. Last year, I only had the luck of seeing one during my volunteer work. If you can ask me what my favorite film of the ones I saw was, I would have to say it was the first one I saw: Barakah Meets Barakah. It was entertaining and very intelligent.
For the end of the VIFF, there was a volunteer party held the Saturday before Halloween. Volunteers were treated to films shown at this year’s VIFF. Three of the best. After that, they were treated to a Jackrabbit Slims party which consisted of the VanCity Theatre turned into a 1950’s diner, like in Pulp Fiction, and people treated to hamburgers, cupcakes, a complimentary drink and dancing to a jukebox. It was fun and it had me looking forward to next year.
My New Blog
One of the things I’ve been thinking about this year is the way I do blogging. This is nearing my sixth year. I’m not getting the amount of hits I was hoping to this year. Blog topics that normally get a lot of hits on my site didn’t this time. In fact this year is set to have the least amount of total hits for the year since 2011. I won’t quit blogging but the lack of hits have taken away from my ambition and I don’t post as often as I normally do, as you may have noticed.
One thing I’ve thought of doing is setting up one blog focused on a single topic. The first single-topic blog I’m starting is about the Vancouver Film Festival and it’s called VIFFin’ It Up. It will consist of reviews I’ve seen at the VIFF and reviews of VIFF films I saw after the fest. It will also consist of news related to the Fest and the usual annual previews and wrap-ups. If you want to follow it or enter your email to subscribe, just click here. Right now I just have the intro. Over the days, I will post reviews and previews of past VIFFs starting with 2011: the first VIFF I blogged about.
So there you go. The 2016 Vancouver International Film Festival ended with continued success if not a record and fun for all volunteers. Next year’s VIFF is anticipated to be from September 28th to October 12th, 2017 and should be bigger and better. Hopefully next year I’ll attend a hub. See you next year!
I knew with The Eyes Of My Mother being an Altered states film, I would be taken into the world of either the bizarre, sinister or paranormal. I got sinister this time but I was not too impressed.
The film begins with a truck driver stopping to what appears to be a body in the road. The woman is very much alive but tortured physically. Flashback to at least 25 years earlier. Young Francesca is the young daughter of a Portuguese farming couple. The parents used to be cow ranchers back in their home.
One day, they’re visited by a man named Charlie who needs to use the phone. You can tell by Charlie’s face that he’s not worth your trust. Francisca witnesses Charlie bludgeoning her mother in the bathtub. The father responds by keeping Charlie captive and tortured in the barn. Francisca asked Charlie what it was like killing her mother. He responds: “It’s amazing.”
Many years pass. Francisca develops a blood lust of her own. She keeps Charlie tortured. However she also kills her old ailing father in the bathtub. She kills a stranger named Lucy. She appears to kill a mother named Kimiko and has taken to looking after Kimiko’s son Antonio. Actually Kimiko is alive but tortured in the barn the same way Charlie is: shackled and eyes dug out. Somehow Kimiko develops the strength and the willpower to find her way out on the barn. She however ends up on a road where a truck driver stops to see what’s up. This sets up for an ending that’s too brief.
Stories of ‘bloodlust’ are not that uncommon. If you’ve studied MacBeth, you get possibly the most renowned example of bloodlust. Here in this film, we hear why the feeling of bloodlust from both Charlie and older Francisca: because of its ‘amazing’ feeling. The feel of power from killing or torturing someone with your own hands can give one a feeling of satisfaction. Just ask soldiers, just ask dictators, just ask… the list is endless.
Here’s a case of the ‘bloodlust’ going from Charlie: the killer of Francesca’s mother, to Francisca. She acquires a lust for murder at her own hands from Charlie. She also acquires a desire for torture as demonstrated by her father on Charlie. The whole story revolves around Francisca and her own lust for murder and torture on others. Even the incorporation of the Portuguese language in her conversation takes the element of bloodlust into being like poetry. Even making it sensual.
That’s the best traits of the film: portraying a unique method of acquiring bloodlust and even making it poetic. However the film has a lot of noticeable weaknesses. We see Francesca has acquired this bloodlust but the film doesn’t make it convincing enough in her ability to receive it. It’s like she just received it. She may have been taught the love of murder by Charlie and the love of torture from her father but it doesn’t appear she acquires this bloodlust that believably. It’s like it just happened briefly. The other weakness is that it ended on a weak note and too abruptly. I feel that 77 minutes was too short of a time to have a film like this and the ending just seemed to be the weakest part of the film. Too sudden and too fast.
Despite the noticeable flaw, this is a good debut for Nicolas Pesce as a director and a writer. His first effort has won awards at the Fantastic Film Festival and was nominated at the AFI Fest for American Independents. Kika Magalhaes is another impressive newcomer as she does a great job in embodying her character’s madness. The other supporting characters also did a good job in their roles. Will Brill as Charlie is the one that stood out as you sensed right from the start it would be Charlie starting the trouble.
The Eyes Of My Mother makes for a good Halloween film. It’s very sinister but very poetic and charming at the same time. Nevertheless the flaws are noticeable in the film.
DISCLAIMER: This film review will mention of various explicit acts and may offend some readers. Reader discretion is advised.
“This is not your average party!”
Back in 2014, I ended the VIFF with a Mexican film that was part of the Altered States series called The Incident. I end my VIFF at the Rio Theatre again with another Mexican film part of Altered States called We Are The Flesh. And boy was it something!
The film begins with Mexico City in a completely ruined state. A recluse of a man taking shelter in a hidden location: one of the few livable locations left. Even without uttering a word, he displays some eccentric human behaviors. Even making a bizarre mix of batter, fish and human blood. He talks of the essential elements and of gas.
Two siblings find their way into his location. They’ve been out in the city’s ruins for years and are in need of food and shelter. The man, named Mariano, teaches the two his beliefs and his philosophies. He offers to help them but they must comply to his demands. First he wants them to help him build his domain. They agree, building the walls to his desires. Then he wants the two to have sex. It’s a world where there are no laws. Not even anti-incest laws. The sister complies, fellating the brother. The acts become even more explicit and Mariano dies while masturbating watching them.
The two try to find a place for Mariano’s body. After they find a place in the area, they’re left to their vices on how to fend for themselves. The sister has been mesmerized by Mariano and does things according to the way he wants it but the brother is hesitant. Suddenly Mariano appears again. It’s like he came back to life. But he’s not ready to die yet.
Mariano wants to make sure his world is created before he can die. Cannibalism is part of Mariano’s world. The first victim is a soldier who finds his way into Mariano’s domain. The soldier is scared for his life but Mariano is able to calm him down with his mesmerizing talk and even having him singing along to the Mexican national anthem before being killed by Mariano and the sister. Before Mariano is to sacrifice his own body as flesh to be eaten, he needs more people to be part of his world. Over time the number of people grow. Mariano is then ready to die and have his flesh consumed. The film ends with a man in a dress making his way out of the world and into Mexico City which has returned to its normal state.
Without a doubt the film creates another world: a deeply disturbing world. This world is to be a shelter from a ruined city but instead it’s a world completely devoid of morals and full of lust and animalistic desires. This is the world created by Mariano. This is the world he tries to incorporate the brother and sister into. This is the world he wants to incorporate others into before he decides to leave this earth for good. However it’s a sick world, a world where unspeakable things like incest and cannibalism are the norm because there are no earthly rules. The rules are all gone because Mexico City outside is a load of debris. The two have no choice but to help Mariano create his world and become a part of it.
To make this world work, it all boils down to the character of Mariano to work. Mariano isn’t just a svengali. He comes across as a crazy man full of his wild imagination at first. However he also comes across as a mesmerizing madman reminiscent of Charles Manson of how he’s able to convince the sister that it is the right thing to do all these things including kill the soldier. Mariano’s mind control goes as far as working on the soldier he’s about to kill. The soldier is first scared for his life but as Mariano sings the national anthem, the sister joins in as does the soldier and the soldier is then willing to be killed. That’s the type of mesmerizing mind-control of Mariano. However Mariano knows that if he was to die, it would have to be at the right time. It’s only after hundreds of people become a part of his world that he’s able to sacrifice his body for his feeding. He wanted it that way so that he could create a world of his own. He couldn’t stop at just the brother and sister.
One thing about this film, it’s obvious it’s done for artistic and experimental purposes. This film features countless elements that would make this film uninviting and unwatchable: incest, cannibalism, torture, murder and a demented insanity. It may not be as disturbing to watch as 1975’s Salo but it’s disturbing enough. The subject matter of incest and cannibalism is enough to deter lots of people from seeing this.
Obviously this is a film meant for the film festival circuit. In order for a film like this to get screened, it would need support. Emiliano Rocha Minter is a director who has earned acclaim from fellow Mexican directors Alfonso Cuaron and Alejandro Gonzalez Inarritu. Support of the director from elder Mexican directors is a definite boost for a film like this. However it would surprise me if a film like this does get a release in a box office anywhere. I know dildos were used in certain sex scenes and you can’t call it porn, but even knowing that doesn’t stop those scenes from being hard to stomach. Even with the film being hard to watch, there were some scenes that became confusing. One example: that batter that we see Mariano make at the beginning and then add more flesh to it in a later scene. It’s not clear what it’s for. Even the ending with a person who’s not one of the main characters being the first one to leave gets one questioning.
The film’s possibility of a box office release may be in question but it has actually won some acclaim at some film festivals. The film was nominated for one award at the East End Film Festival two awards at the Rotterdam Film Festival including a Bright Future Award. It even won Best Film at the Fantasia Film Festival.
This is the first feature-length film for writer/director Emiliano Rocha Minter. As I mentioned, Cuaron and Inarritu are already touting him as the next big thing from Mexico. I don’t know if a film like this is good enough to send a message that Minter could be the next big thing from Mexico but it definitely shows his fearlessness. The acting of Noe Hernandez is the highlight of the film. He did an excellent job in capturing Mariano with his eeriness, controllingness and insanity but also his creepy charisma and imagination. It took the right character choices for a lead character like Mariano to work for the film and Hernandez made it work. The next-biggest highlight is Maria Evoli who played the sister. Going from a naive young adult woman to a follower of Mariano is definitely a big effort. The music from Esteban Aldrede added to the eeriness and creepiness of the film.
We Are The Flesh can best be summed up as an ‘envelope pusher.’ It’s definitely an over-the-top film that’s meant for the film festival circuit as it has subject matter too discomforting for your average movie-goer. Even though it can cause many people to leave the cinema, those that stay will be as intrigued as they will be disgusted.
And there you have it. That’s a wrap for my experience at the 2016 Vancouver International Film Festival. Wrap-up blog coming soon with big news.
Yourself And Yours isn’t just simply a Korean film that’s a love story. It’s a story about a couple and will leave you wondering whether the two are right as a couple.
The story begins with a young woman named Minjung flirting with men at a nearby soju bar. Some time before Minjung left her boyfriend Youngsoo. Youngsoo heard from someone Minjung was drinking with another man and the meeting ended in a fight. Minjung denies this but Youngsoo is still suspicious. Minjung decides that it’s best the two be apart for some time.
Minjung later meets with an older man. He’s a man Minjung met at a park one given day. Youngsoo hasn’t looked for another woman since Minjung left. Since the time, all Youngsoo can think about is Minjung. He knows he loves her and regrets the way he acted that night. He even goes to the house where he believes Minjung to be residing at with no luck.
Meanwhile Minjung eventually breaks up with the older man. Days later another older man thinks he recognizes Minjung. He believes he rank with her. Minjung denies it but does strike up a conversation with him. Then the older man who Minjung just broke up with returns but Minjung claims not to recognize him. The other man appears to start an argument with him only to later find out they were both classmates in high school many years ago. Both men strike up a friendly conversation completely forgetting about Minjung, who leaves in tears embarassed and heartbroken.
Coincidentally Youngsoo meets up with Minjung. Minjung doesn’t take to friendly towards him at first but she soon starts to warm up to him realizing how much he loves her. They then return back to Youngsoo’s house. Later Youngsoo wakes up without Minjung by his side. He wonders where she went. Then the film ends leaving you feeling this was meant to be.
The film is a bit of a play on both the couple and the two individuals. You see a single Minjung hitting on men and being this woman of mystery even denying past happenings. You see Youngsoo as a man who’s nothing without Minjung. He’s convinced of it. It’s in his heart. You see the moment that led to their split. You see them reconcile unexpectedly and you see the morning after. The film also allows the audient to have their own opinions of both Youngsoo and Minjung individually and as a couple. Youngsoo loves Minjung but should he love her? Especially since she’s the type to deny knowing past boyfriends or past incidents. You are even left wondering if that drunken incident that led to the split was true after all? Is Minjung too deceptive or manipulative of a woman for Youngsoo to love? No wonder the opening of the final scene of Youngsoo alone in bed will get one questioning what next.
The story itself is a good story with a lot of focus on the couple and the individuals. However the film also has many scenes that are too boring or too drawn out. There have been times in which I felt there were scenes that either appeared drawn out or lacked energy or even the proper opening. I think it could have been done better. I know the point of the film is to focus on the relations and present the scenarios but I believe it could have been done with more liveliness.
Writer/director Sang-soo Hong did a very good job with the film. It makes for a n interesting love story despite some scenes seeming to lack the energy. Lee Yoo Yeung was the standout as MinJung. She did a very convincing job of delivering a character of a young woman you could easily question. Kim Ju Hyeok was also good as Youngsoo but I feel his character could have been developed better.
Yourself And Yours is a love story that’s a unique look at love as well as a good focus on the two characters.
All Of A Sudden is a story of a crime mystery that leaves you wondering what the truth is.
The film begins with a party with many adults. A man named Karsten sees a woman named Anna at his home. He gives her a cupcake with a candle and sings her Happy Birthday. Then she gets sick. Karsten runs to the town clinic to seek help but it’s closed. Upon returning home, it’s too late. She’s dead.
His parents offer him relief at their home along with his girlfriend Laura. Unfortunately more information unfolds. Anna’s widower has Karsten charged with wrongful death. A video from a smartphone of Judith–one of the friends of Laura and Karsten–shows Karsten talking to Anna at the party just shortly before her death. Karsten is constantly questioned about why he left to run to a medical clinic instead of calling emergency. Because of the turn of events and sudden findings, Karsten is demoted at his job and Laura leaves him feeling she’s betrayed. Karsten’s relationship with his parents even becomes heated.
One day Karsten just leaves for a hike just to get away from it all only to be found by his best friend with the news. Anna’s husband has dropped the charges. Karsten is shocked and wonders why. He confronts her husband Andrej to find out why. Only Karsten knows why, much to Andrej’s disappointment. Karsten goes back to his job and demands he be returned to his original position or else he will sue. Karsten meets with Judith ‘intimately’ only to set the record straight with her and the video. Finally it looks like Karsten has his life back together.
The most unique thing about this film is how it tells the story. It presents the events as they unfold and it tosses the opinions from others around Karsten. It’s almost as if you’re a part of the situation yourself and you’re led to draw your own conclusions. I’ll admit that when I first saw this, I was ready to draw my conclusion that he was responsible for this. He appeared criminally negligent. Like why did he run to the clinic when he could have called 911 instead? Did he do it to hide from Laura that he was with another woman at the time? They’ll leave you questioning. Even that video Judith took of Anna during the night with Karsten will leave you guessing.
Just as unique about it is how it took that one break, when Andrej decides to drop the charges, that Karsten becomes a changed person. He first comes across as a man who’s all together at the beginning. Then he comes across as a victim, like the world is against him. Then after this sudden reversal, Karsten soon becomes a man who settles the score with those who did him wrong. It’s like a complete change of character and traits I didn’t see in Karsten before. In order to make such a major change of character, the actor had to make this work. I feel Karsten’s change of character came off well. It was drawn out longer than I feel it should have but it worked.
In retrospect I think this story of Karsten and Anna can come across as any crime story. Any situation can lead one to believe certain things. Any set of facts you know and facts you don’t know can cause you to draw your own conclusions. Anyone in the same situation like Karsten can easily be preyed upon by others. No surprisingly the victim in all this can easy ask themselves: “Why is the whole world against me?” However it just takes that one change of fortune for a person to become a changed person the same way it happened to Karsten. I guess that’s the trick of the film. It takes Karsten’s story and shows how it’s so much like many situations before it.
Turkish-German director Asli Ozge writes, directs and edits a very good thought-provoking film. Without a doubt, the film belonged to Sebastian Hulk. This was Karsten’s story and the whole film rested on Hulk delivering the performance of Sebastian in the right manner. Hulk did a very good job of acting without having to be overdramatic. There were also excellent performances by Julia Jentsch as the girlfriend struggling with the situation and Luise Heyer as two-faced Judith.
All Of A Sudden is a unique story. It presents a before-and- after story that will lead one to draw their own conclusion. It really makes you think.
Here at the VIFF, you’ll see many films directed by female directors. One is To Keep The Light, directed by Erica Fae. It’s a very impressive work.
Abbie is the wife of Thomas, a lighthouse keeper in Maine in 1876. However Thomas has recently fallen ill and has become bedridden with a complete loss of appetite. That means Abbie will have to tend to the lighthouse while he is sick. She does everything Thomas does and keeps record of everything although she does commit one error.
One morning she sees a body of a man has washed ashore. The following day, she sees the man has not awaken so she assumes he’s dead. However just as she’s about to cast the body to sea, the man awakens. She gives him shelter and food as he’s about to recover. He tells her the story of how he ended up in the sea. As he’s recovering, she tells Thomas of this man: a Swede named Johan. It’s only a matter of days that Johan gets better. He’s even able to help Abbie with the lighthouse.
Abbie’s even able to go to town with Johan but the townpeople do not look fondly towards Abbie or Johan. Some are suspicious of the two considering Thomas is still bedridden. Even the postal lady Mrs. Williams has a suspicion towards Swedes as do many of the townfolks. It’s difficult enough since one family, the Eaton family, feels they should have owned the lighthouse only to have been outbid by Abbie and Thomas.
One day Abbie sees the breakfast eaten, assuming Thomas is starting recover and lies next to him, only to discover it’s Johan. Abbie soon learns the horrific news. Thomas is dead; he drowned himself. As if Thomas’ death isn’t hard enough, she knows she could lose the lighthouse to the Eatons. Troubles turn worse as the Chief Inspector conducts an inspection and gives it a scathing review, mostly because of his male chauvinism. Soon Johan reveals her love towards Abbie just around the time the Eatons are trying to claim her lighthouse. Abbie would have to make an important decision. She does, but not the decision most would expect.
Listening to the first five minutes of the Q&A with Erica Fae, I learned a lot more about women who looked after lighthouses in place of their ailing or deceased husbands. It’s documented but the times whitewashed their contributions those many years ago. Erica Fae is able to bring their achievements to full view and for us to finally see. Even though Abbie is a fictional character, it’s enlightening to see what they did during the time. I’m glad Erica has the chance through this film to finally tell us their story and finally commend their accomplishments.
If there’s one glitch about this film, it’s that it doesn’t appear like it’s solid in its intention as a film. It becomes obvious it’s about one woman’s struggle to keep the lighthouse she should rightfully own being the widow of the previous owner. However the story of Abbie’s struggle has the distraction of her romance with Johan. I’ll admit while watching this, I was left wondering if the film was intended to be a romance: a story about the man Abbie truly loved. I don’t have a problem at all with films conveying a message of women fighting for their rights but I think the romance from Abbie and Johan took away from the story’s message and would leave confused about what the main intention of the film is to be.
SPOILER ALERT – Do Not Read This Paragraph IF You Don‘t Want To Know The Ending: Even the ending had me confused. It’s obvious Abbie loved Johan but it couldn’t be that she was thinking of marrying him to keep her lighthouse. Even if it was right after the death of Thomas, Abbie didn’t come across as that type of woman. If she were to marry Johan, it would be because she loved him. I admit I had different expectations in the film. I thought Johan would follow his heart and come back to her. I think that’s why the ending of her writing the letter to set her ownership of the lighthouse in stone left me confused.
I give a lot of respect to Erica Fae for this film. Fae is best known as an actress in the film Synecdoche, New York and a recurring character in Boardwalk Empire. She wrote, directed, researched and played the lead in the film. She does an excellent job in all the duties she takes on in the film but there are some noticeable flaws. I know I made mention of a story of a love mixed with a woman’s fight for her right as coming off as uneven. As far as Fae’s acting, she does an excellent job of playing the character but she doesn’t come across as too believable as a woman from the 1870’s in New England. She comes across as too 21st century in her movement and her speaking. Antti Reini did a good job of playing Johan. The other cast members also did very well in their parts. The cinematography by Wes Cardino was excellent and gives a great feel for the East Coast. The score by Caroline Shaw was also very fitting for the film.
To Keep The Light has its noticeable flaws. Nevertheless it is a good story about what certain women had to fight for that often goes overlooked. I thank Erica Fae for giving us this story.
Being a young adult may be loaded with fun but it also has its difficulties. Quit Staring At My Plate tells the story of a young Croatian woman with a difficult life and the choices she needs to make.
Marijana Petkovic is a 24 year-old with a difficult life in Sibenik. She lives in a cramped apartment with her parents and her older brother Zoran. She works at a hospital testing specimens. She is however the breadwinner of the family as she’s the only one with a job. Her family life is rough as her parents are known for slam-talking her and her brother. Her father is very controlling. Also her brother is either too irresponsible or too disheartened to find a job. Because of the family’s low income, most of the food they have is either cheap or old. Her job at the lab doesn’t look too promising as the staff are threatened by the potential of layoffs.
Then it happens. Her father has a stroke, leaving him in a bedridden catatonic state. Marijana now has to be a nurse to her father. She also has to be a parent-figure to her brother. It doesn’t leave much room for fun or even dating in her life. Things change as Marijana goes on a bus trip to the beach with Zoran and her mother. She meets Andjela: old classmate from medical school and learns she works as a maid for a rich American family. Her mother is forbidding of her to become a maid, preferring she stick to her job in the labs. However things change in Marijana’s life as she no longer has the control her father had on her. She starts going places she never went before, she starts seeing more men and even sleeping with them, she even meets up with Andjela and learns of her job. She accepts the job as she learns she can make more money that way, but secretly so her mother doesn’t know. She’s even part of Andjela’s clique of friends.
Once Marijana accepts the job and starts working with Andjela, she’s able to make life easier for the family as she’s able to afford more. One day, Marijana takes Zoran and her mother out for ice cream. Andjela is also at the ice cream bar. It’s after her mother hurls insults at Andjela that she learns the truth about Marijana. This leads to her mother berating her like never before. It’s after spending the night away from the family and staying with two men she never met before that she learns of opportunity in Zagreb: a city she’s never been to before. It’s right after learning one of her colleagues was fired that she makes it a goal to take off to Zagreb despite her mother begging her to stay. It leads to an ending that may be surprising to some but very personal too.
No doubt this story is focused on Marijana: 24 year-old Sibenik woman with an uncertain future. She goes from living in a cramped apartment with an unpromising job and no love life to being head of the household. Her mother disapproves of a job with better pay. You’d think she would explode any minute. She gets more freedom now that her father is bedridden and no longer browbeating her and her brother. However the freedoms come at a price as her mother smacks the heck out of her when she learns the news. You can easily see why she’d want to run away from it all and pursue better in Zagreb. She is a medical school grad; she deserves better than this.
The thing about this story is that it’s a very common story. I can remember when I was in my 20’s living in Winnipeg, I had just graduated from University but I was still living with my parents and I was working lousy jobs that didn’t give me enough hours. Yeah, that was Winnipeg in the 90’s for you. It was even more frustrating when others I knew had their independence. Eventually I did get better jobs, I did get more freedom in my life, I did establish my independence and I did move to Vancouver in 2000. I saw Marijana’s struggle similar to the struggle I faced when I was her age. I can easily see why she would want to leave it all behind especially after experiencing her new freedoms. Doors appear to open. Why stay in the same place?
One thing about the film is that I don’t think it did the city of Sibenik much justice. If you saw the film, you’d think Sibenik was a city where nothing happens, everything stays the same and that there’s not much promise in sight. I’ve never been to Sibenik so I can’t say. However the film may leave you thinking that. Even that scene of the rich wife who disses every woman she walks by makes you wonder about this town.
Top marks for the film go to writer/director Hana Jusic. This is the 32 year-old’s first feature-length film and it’s very impressive. It’s not that often you see a film from Croatia featured from a woman’s point of view. Hana does a very good job in capturing the silent frustrations and confusions of Marijana and created a story that is a reflection of many women just like her. Also top marks go to Mia Petricevic playing Marijana. What surprised me about the role is how much emotional control this role needed. I’ll admit I was expecting Marijana to explode or break down any minute. Mia had to make Marijana into a woman who was hurting and frustrated on the inside silently but still holding her head high. She did an excellent job especially with her moments of silence. You could tell what she was feeling. There were also good supporting performances from Niksa Butijer and Arijana Culina. The techno score also fit the film well. Techno scores have been more common in films lately.
Quit Staring At My Plate is a silent but honest look at the struggles of a young Croatian woman. You can easily see Marijana reflect many other young women of today.
One of the objectives of the VIFF is to show films each year that take us to another dimension or the supernatural. That’s shown in their Altered States film category/ The first Altered States film I saw was Under The Shadow which showcases a supernatural occurrence during a moment in world history.
This takes place in Tehran during the later 1980’s during the Iran/Iraq war. The war has been going on since 1980 with lots of lives lost, everyone in Iran threatened, and no end in sight. Shideh, just recently expelled from her law school for participating in a protest, has returned to her apartment as a housewife. Only she learns her husband has been drafted in the War. She’s left to tend to her daughter Dorsa alone. Her workout tape to Jane Fonda– forbidden under her country’s religious law along with the VCR hidden in a locked box– becomes her one escape from the stresses in her life.
One night, an Iraqi missile hits the apartment but doesn’t explode. There’s only one fatality but he dies of a heart attack. Mysteriously Dorsa won’t stop crying for her doll until she has it despite the wreckage to the apartment building.
Shideh decides to stay with Dorsa despite other tenant leaving the building for a safer place to live one by one. Dorsa mentions of a mysterious man, or djinn, and that’s what keeps her there. It’s not easy for Shideh to deal with this as she’s constantly being left behind by the tenants, worrying about her husband constantly, looking after Dorsa all alone and dealing with authorities in a country under strict religious law. Things take a turn for the worse as this djinn causes things to move out of place. It even rips up her Jane Fonda tape.
Soon the last of the other tenants– the daughter of the man who died in the missile hit– leaves the apartment with Shideh and Dorsa on their own. Nevertheless Shideh is determined to face the djinn before she leaves and despite the threat of a collapsing roof. Shideh does have her moment to finally confront the djinn and deal with it.
There are a lot of stories about the supernatural in the past. The unique thing about this film is that it features a supernatural character traditional to Arabic literature: the Djinn. The djinn are common in ancient Arabic mythology and are even mentioned in the Qu’ran. The most common form of the djinn in entertainment is the ‘genie in a bottle’ or the ‘genie in a lamp’ that’s common in the most popular Arabic stories. Yes, the genie we all commonly know originates from the djinn myth. However the djinn goes beyond the genie most of us commonly know. The djinn can be either good, evil or neutrally benevolent possessing the same free will of humans. In fact the word djinn comes from the primary meaning ‘to hide.’ It’s the ‘shaytan djinn’ that are the most demonic.
Here the djinn Shideh is dealing with is far from a genie that will grant you three wishes. It’s obvious that this djinn has something to do with Shideh’s personal issues. And she has a lot of them as seen in her life. Her education was cut short because she participated in something that’s a right in most other countries. Her husband has to fight in the war. She’s now on her own looking after her daughter. The only place she appears to find relief in is in her Jane Fonda workout tape which is banned by the government along with her VCR. However this is a djinn that goes beyond just appearing to Shideh. It also carries a sense that it’s present in Dorsa’s doll, too. It’s apparent Shideh has to deal with this djinn to the point she refuses to vacate the apartment with her daughter like all the others until she’s finished.
It’s interesting how this story intertwines with both the supernatural and both a moment in world history. You can notice how there are so many things mixed in with this story that tells of the times in Iran during the war. There’s the forbidden Jane Fonda tape, there’s Shideh punished for being in a demonstration, there’s the police threatening to arrest Shideh for not being in a hijab. You even hear it echoed by the police there: “This is not the same country. We now have our values back. We have men fighting for those values.” Sometimes you wonder if the times of Iran have a lot of influence in the djinn Shideh has to deal with. I often feel that’s what the filmmaker is trying to do here.
I will say one of the top things of the film is that it often succeeds at adding horror elements to the film. The djinn is a mysterious spirit but it does a good job at scaring Shideh in her dreams. It also does a good job in scaring the crowds. I know the film succeeded in scaring me a few times.
It may seem odd for the United Kingdom to submit a film in the Best Foreign Language Film category for this year’s Oscars but it can be done since Iranian-born director Babak Anvari lives in London. Anvari was actually born during the Iran/Iraq war so this is an incident in history that really touches upon him and has a lot to do with why he prefers to live in the UK. This is his first feature-length film and it’s an impressive work as it does a good job in capturing a moment in history and incorporating the supernatural into it. It was also successful in scaring me too at times. Narges Rashidi did a very good job of playing Shideh: a woman who’s both scared and angry. Rashidi herself was born in Iran and is familiar with the Iran/ Iraq war she had to endure with before escaping to Turkey. Young actress Avin Manshadi was also very good as Dorsa.
Under The Shadow is an intriguing story of a mysterious spirit that comes to a woman during wartime. It also makes for a fitting scary movie too.