Just when you think Martin Scorsese has done everything he could in film, along comes The Irishman. This film may not be his best, but it adds to his stack of films one can call great works.
Martin Scorsese is undoubtedly the master of gangster films or Mafia films. We have sensed there would be successors in the likes of Quentin Tarantino, but that has not yet come to be. Tarantino has his own gangster style, but Scorsese films are the Mona Lisa’s of gangster movies, if you can truly call a gangster movie a Mona Lisa! Scorsese has shown his versatility in film making since the beginning of this century. His films since the new century began have taken a wide range of genres from epic to fantasy to a family film to business-scam drama to dark comedies to religious biopics. However when watching The Irishman, his first gangster movie since The Departed, it only seems natural that gangster movies were what Scorsese was born to do. Although films in the other genres he tackled are very good, it just seems natural that way. Even the excitement of having Scorsese ‘all-stars’ like Robert De Niro, Joe Pesci, Al Pacino and Harvey Keitel adds to the excitement. Additions like Ray Romano, Bobby Cannavale and Anna Paquin also add to the excitement.
Now the film has a lot of common elements you’ll expect from a Scorsese gangster movie. It tells of a man and his involvement with the mafia and of his daily duties. It also goes back to his past in how he developed the right type of insensitivity to become as consistent hitman. It also tells of some of his more legendary kills. The film also adds something different. It adds in the story of the ‘vacation of a lifetime.’ It’s not something you’d expect to be in a Scorsese film, but it’s done in a fashion you’d expect to see from Scorsese.
However it’s the aftermath that one would not expect to see in a Scorsese film. It’s like it almost shifts to a completely different film for the last half-hour. That’s what hit me about the film. It not only tells the story of a man who committed a lot of murders and also allegedly committed the murder of the man behind the most intriguing missing person case in the past half-century. It tells of the aftermath of how he would come to regret his actions over the years. Even of how he appeared to have it all and win it with fear during his lifetime, but would be doomed to die alone. You can pinpoint exactly where in the scene where Peggy ask Frank about Jo and Frank calls a distraught Jo up trying to comfort her, but knowing he’s the one who killed her husband. That’s a change of pace from Goodfellas about a mobster who lived the mob life, was imprisoned for it and regrets nothing. Even before the scene of the killing of Hoffa, there are freeze-frame montages that mention of the aftermaths of others involved in the Philly mob Frank Sheeran and Russell Bufalino were a part of, including those shot dead or imprisoned for life. I think the whole theme of the movie wasn’t just mob life, but how everyone involved pays in the end.
Now one thing we should remember is that we should not completely embrace this story as a true story, even though it’s very accurate. The film is based off the book I Heard You Paint Houses by Charles Brandt. Brandt is a former homicide prosecutor, investigator and defense attorney and he’s the man who interviewed Frank Sheeran shortly before his death. During the interview, Sheeran told of his life as a hitman and of his own involvement with Jimmy Hoffa. Sheeran confessed it all to Brandt months earlier and saw a priest the last few months of his lives so he could die with a clear conscience in December of 2003. The case of Jimmy Hoffa is still unsolved and his body has never been found. The FBI have had a lot of stories and sources, but it’s Sheeran’s story that’s the one they’re most going with. However there are still some naysayers that are claiming that Sheeran lied in the interview. Whatever the situation, this missing case is still unclosed. I won’t completely call Sheeran’s story the whole truth, but I believe he makes a strong case and it’s hard for me to sense him lying.
Once again, Martin Scorsese proves himself to the be master of gangster movies. Quentin Tarantino may take ruthless killers to a new level, but Martin is still the master. This film that he directs with a script written by Steve Zaillian is a complex film to pack into 3 hours and 20 minutes. Usually if a film is that long, I would expect the director to justify it. Martin has delivered a lot of three-hour films in the past, but I’m convinced he has justified the time here. If you yourself are one of the people that has been fascinated by Jimmy Hoffa and his missing story, this will be a film that will intrigue you.
It’s not just the story that will intrigue you, but how the Scorsese/Zaillian creates it and arranges it from beginning to end. It starts as the audience visits a nursing home, tours around seeing family after family and comes across a lonely man: Frank Sheeran. Then it jumps into 1975 and the story of how Frank, his wife, his mob boss Russell Bufalino and Russ’ wife Carrie were going on a ‘trip of a lifetime’ from Philadelphia to Detroit. Then it paves on how it led to all this from Frank’s days of truck driving to introduction to the mob to being a hitman for hire to a close friend of Jimmy Hoffa. The story shows of Hoffa’s rise, downfall and attempted comeback. It also shows Frank’s struggle of who should he be loyal to: Hoffa or the mob? It slows the moment of the ‘big day’ down and it delivers the aftermath with feeling that cuts deep. Also it treats the film as if Sheeran is giving us an interview. Almost like we’re Charles Brandt! I have to say the format of the film works and will keep one intrigued whether they’re a fan of Scorsese films, fan of mob films, or just have an interest in Jimmy Hoffa. It’s interesting how the film begins with “In The Still Of The Night” and it’s nice to hear and is replayed at the end, but it sounds haunting at the end. The film and its layout of the story makes it work.
Big credit to Robert de Niro for playing the role of Frank Sheeran. To do Frank, he has to cut deep into the man and how he went from a fearless killer who was able to adopt the coldness of killing to being the man with regrets in the end and wants to die with a clear conscience. Robert does an excellent job of it. Also excellent is Joe Pesci playing the mob boss who wants to call the shots of Sheeran and Hoffa. Pesci really knew how to steal the scenes in the film. Al Pacino was also great as Hoffa. He did an excellent job in delivering a multi-dimensional and complex performance of a man in history who was just as complicated as he was a legend. There were a lot of good supporting performances from Ray Romano, Bobby Cannavale and Harvey Keitel. However one of the biggest standout performances came from one with little dialogue: that of Anna Paquin. Her role of Peggy Sheeran required her to say with her physical actions and facial expressions and she did an excellent job. Even one of the few spoken lines she had in the film “Why haven’t you called Jo?” would pave the way to where the film changed from a story of mob work to the story of regret.
The film should also be admired for its technical merits too. There’s the visual effects team that did the top-notch CGI effects to take the ages of de Niro, Pesci and Pacino back 30 years without them needing heavy make-up. It’s not just the actors acting younger than their ages but the CGI too! There’s also the costuming of Sandy Powell and the set designs by Bob Shaw and Regina Graves to take the film back to the 1950’s, 1960’s and 1970’s. There’s also the inclusion of music into the film that takes the film back to its set times. The score from Robbie Robertson also ads to the film.
The Irishman may be a true story, or it may be one big lie. However you put it, it’s a very telling story that paints a vivid but dark picture of what might have happened in one of the most intriguing missing cases ever. It’s also another film Scorsese directs and puts together in excellent fashion. It’s easy to see why it’s another contender for this year’s Oscars.
This is something new I thought I would try. I thought I would try reviewing a few Christmas movies around this time. The first movie I thought I would do is It’s A Wonderful Life. It’s a Christmas staple, but I finally saw it in its entirety last year! Here are my thoughts.
It begins as Heaven is alerted of prayers for a George Bailey from Bedford Falls, New York. As it reaches Heaven, the angel assigned to save George is Clarence Odbody. Clarence is a second-class angel who needs to earn his wings. George is about to commit suicide and it’s up for Clarence to save him to earn his wings. Clarence needs to learn about George, so he learns more about his life. He learns that George saved his younger brother Harry from drowning in a sledding accident, but lost hearing in his left ear. Also in George’s younger years, he prevented a druggist Mr. Gower from giving away a prescription after it was accidentally poisoned.
As George enters adulthood, he plans to travel the world and visit college. He is re-introduced to Mary Hatch, his childhood crush, by Harry at his graduation party and the two hit it off. However his plans have to be put on hold after his father Peter suffers a stroke and dies. Peter was head of Bailey Brothers’ Building And Loan. George agrees to continue it, mainly to keep it from being overrun by the ruthlessly hypercompetitive banker Henry Potter.
George wants to keep the Building And Loan business a family business as he promises brother Harry a job after college, and even resorts to hiring his incompetent uncle Billy. The times pass and George is successful in keeping the Building And Loan active, but not without his challenges. He had competition from Potter to face, including a tempting deal from Potter himself, although he knew Potter’s true attempt was to shut him down. He is understand when Harry receives a bigger job offer from another place. He build Bailey Park: a neighborhood of housing for low-income people while Potter made apartments of overpriced slums. He fell in love with Mary and married, eventually fathering four children.
World War II happens. George can’t fight because of his deaf ear, but Harry joins the Navy and earns a medal of honor by shooting down a kamikaze plane. Uncle Billy causes a big blunder on the day Harry is to receive his heroes’ welcome. Billy taunts Potter with the newspaper honoring Harry. Billy places $8000 to be deposited in a newspaper only to pick up the wrong paper to give to the teller. Potter knows what happened but says nothing and sees it as a chance to get the Building And Loan once and for all.
George most feels the heat. He learns that this will face scandal and that the Building And Loan will crumble. George even faces an arrest from Potter. All George does is take out his frustration on the family and on others. Then George gets drunk at the bar and receives a punch from the husband of the woman he told off over the phone. George feels he’s worthless and he needs to kill himself. As George is about to jump, he notices a man who has landed in the river. He goes to help. He learns the man is Clarence and Clarence introduces him as his guardian angel. At first George doesn’t believe him. Clarence tries to find ways to convince George not to commit suicide but they appear to be going nowhere.
Finally George says “I wish I was hadn’t been born.” That’s the perfect opportunity for Clarence; show George life if he had never been born. He shows him that Bedford Falls would be Potterville: a dark and corrupt town with amoral people. Mr. Gower was just released from prison for manslaughter, because George wasn’t there to stop him from poisoning. The Building And Loan closed down because George was not there to take over after his father’s death. George’s mother doesn’t recognize him and says Uncle Billy was institutionalized after the Building And Loan failed. The area that was Bailey Park is a cemetery and Harry Bailey is buried there; drowned from the sledding accident because no George to save him. I addition, the soldiers from the transport ship died because Harry wasn’t there to save them. Finally he learns Mary is an unmarried librarian and screams for the police as she sees George a stranger.
It’s after seeing life had he not existed that George decides not to commit suicide. He’s finally convinced Clarence is his guardian angel and begs for his life back. Back in the full present, George goes back to his house, grateful to see Mary and his children and unafraid to face arrest. He’s happy to see his family and Uncle Billy was able to get the towns people to pay the missing $8000. Right as the sheriff is about to arrest George, he sees the amount of money raised and rips up the arrest warrant. Harry returns and toasts George as the ‘richest man in town.’ In the pile of money, George sees a novel Clarence carried. Inside the novel is an inscription from Clarence: “Remember no man is a failure who has friends.” The daughter notices the sign that an angel has earned his wings. George knows it’s Clarence.
This is a film that gets replayed Christmas after Christmas. Hard to believe when it first came out, it did not do so hot at the box office. Over time, it would become beloved for many reasons such as its Christmas setting or even how it related to how people sometimes see themselves as failures. That feeling can often trigger around Christmas time. The film shows one example of a person who sees themselves around Christmas as a failure. George Bailey did a lot of great things throughout his life and meant a lot to a lot of people, especially people who feared the mere idea of the town being overrun by Henry Potter. Then a mistake happens and Henry sees it as the perfect opportunity to get George. George actually had it good for most of his life. Some people could even argue he’s the angel of Bedford Falls. But now that George fears arrest, all of that doesn’t matter anymore and George wants to take his own life. It’s Clarence who shows him the world had he not existed that changes George.
Sometimes it leaves you thinking there would be less suicides if people saw all the accomplishments they did in their lifetime and knew how many people loved them. It’s so easy to get caught and brought down in the ‘now’ of things.
The film’s ‘beloved’ status was not immediate. It didn’t do so hot at the box office. It would be relay on television around Christmas that would lead it to become one of the most beloved Christmas movies ever. The film was nominated for five competitive Oscars including Best Picture, Best Director for Frank Capra and Best Actor for James Stewart. It was given an honorary Oscar for technical achievement for the effect of simulating falling snow. There have been numerous depictions and versions of the story redone in media from a Married With Children episode to a cartoon of The Smurfs to the Billy Joel video of “You’re Only Human.” There have been dozens and dozens of adaptations. There have even been spoofs such as one sitcom, one ‘guardian angel’ shows an oafish male how life would be if he didn’t exist… and it’s better for everyone! That’s comedy for you!
Looking back, it’s better that the film was made in 1946 than today. 1946 would be more welcoming of a story like this. Stories of people starting as down and out only to end on a happy note were quite common and quite welcome at the time. If It’s A Wonderful Life was released today, some people would think of it having a corny premise. A lot of people don’t buy into guardian angels today. Some would find the ending of the film too hokey. Even that ending where people actually give money to keep George Bailey from being arrested would seem too farfetched for today’s people to buy. Even I don’t think you’d see the same monetary support for a fallen person if what happened to George would happen to someone else today. It’s a film that came out at the right time and had what it took to go the distance all these years. Plus it’s a good reminder of past great talents and stars like James Steward, Donna Reed, Lionel Barrymore and Henry Travers. Interesting enough, Travers would retire from acting three years after the movie was released!
It’s easy to see why It’s A Wonderful Life is one Christmas movie that stands the test of time. Even if the ending seems too farfetched to happen in today’s world, it’s good it came out when it did and grew in its legendary status over the years.
It’s Canadian tradition during the last Sunday of November. It’s Grey Cup Sunday. This will mark the 105th contesting of this momentous event. Once again, the final is East vs. West. Interestingly it’s like a rematch of the 2012 Grey Cup. It will be the Calgary Stampeders vs. the Toronto Argonauts.
First Time For TD Place; Seventh Time For Lansdowne Field
This will be the first time the TD Place Stadium, which was completed in 2014, will host the Grey Cup. This will be the seventh time for the field. It hosted five times before as Lansdowne Park between 1925 and 1988. It hosted once as Frank Clair Stadium in 2004. The older stadium was able to field more spectators in the past. TD Place normally has a capacity of 24,000 but it will expand to 36,000 for the Grey Cup. Shaw Cable is the main sponsor for the event. Freedom Mobile will be sponsoring the halftime show which Shania Twain is slated to perform.
And Now The Game
For the second straight year, the Calgary Stampeders will represent the West while Toronto will represent the East. It’s easy to predict the Stampeders to win, but don’t forget they were the heavy favorites last year. The Argonauts could pull the same upset the RedBlacks pulled last year.
WEST: CALGARY STAMPEDERS
Last year, the Stampeders led the CFL in game stats and entered the Grey Cup as the clear favorites, only to be surprised by the Ottawa RedBlacks in overtime. That’s considered by many to be the biggest upset in Grey Cup history.
This year, they find themselves in the same position: the best team in the regular season and the favorites to win.
Despite leading the regular season, they did show some weakness in the team such as losing the last three season games. Some say they simply gave it away since they knew they’d be tops anyways. Even their 32-28 win in their West Final against the Edmonton Eskimos would be in question as they had a convincing lead at the start of the final quarter only to give nine points away.
Calgary has their strengths and their weaknesses. Their strengths were the most present throughout the season. On top of that, they won both their games against the Toronto Argonauts. I know there are no guarantees in sport, but it’s hard to see Calgary losing the Cup this time around.
EAST: TORONTO ARGONAUTS
Calgary had the best performance this CFL season. Toronto’s, on the other hand, was nine wins and nine losses. Actually all but one team from the West had better win-loss stats than Toronto. It’s hard to believe Toronto came out on top of the East. That just goes to show how far ahead most of the West was this season.
Many people predicted that the Grey Cup would be an all-West game, but Toronto prevented this from happening by beating the Saskatchewan RoughRiders 25-21 in the East Final. Admit it. We all want the Grey Cup to be an East vs. West affair.
Even Toronto’s win in the East Final showed they do have some issues as they almost gave it away thanks to some strong last-quarter play from Saskatchewan. It took a last-minute touchdown from Cody Fajardo to save the Argos. If they look to win against the Stampeders, they can’t give anything away and play like they’ve never played before this year.
I feel that Calgary will win the Cup 40-15. They’ve been the best team this season. Plus I feel after the shock and humiliation of losing to the RedBlacks last year, I think they will want this more than ever. Plus I feel winning on the RedBlack’s home field will make this extra-sweet.
And there you go. That’s my preview of the 105th Grey Cup. Kickoff is 6pm Ottawa-time Sunday. May the best team win!
It’s interesting how many films have been re-released in 3D. However this week marked an opportunity to see a classic movie re-released in 3D for the first time ever, and in IMAX to boot. It seems appropriate that the first classic movie to receive a 3D re-release is The Wizard Of Oz. The big question is does The Wizard Of Oz work in 3D?
Just like my review of the 3D re-release of Titanic, I will focus my review in the 3D aspect of the film as well as other technical aspects. The most I will mention about the film itself is that it still qualifies as a masterpiece. The acting, singing and dancing are top notch and the movie is perfectly edited. The visual effects are very cheap and chintzy by today’s standards but they didn’t have today’s visual effects technologies 75 years ago. Nevertheless the movie continues to entertain families even to this day. It’s no wonder why it’s stood the test of time. In fact I declare: “If you haven’t seen The Wizard Of Oz, you didn’t have much of a childhood.” The film has received a load of acclaim including a #10 ranking on the AFI’s 2007 list of the Top 100 Films of all time, a #3 ranking on their list of the Best Musicals, a #1 on the Top Fantasy Films and a #43 rank on the Top Thrillers List. Three of its lines made the AFI’s list of the Top 100 Movie Quotes with “Toto, I’ve a feeling we’re not in Kansas anymore.” being #4. Three of its songs made the AFI’s list of the Top 100 Movie Songs with Over The Rainbow naturally being #1.
Another interesting note to add is that it was directed by Victor Fleming. Fleming also directed another masterpiece released in 1939: Gone With The Wind. Both would become two of the greatest films ever made. 1939 would be considered one of the greatest movie years ever and you could bet it was because of those two movies. No doubt they established Fleming as one of the biggest directors ever.
As for the 3D IMAX re-release, I often questioned in the days before seeing it whether it was a good idea to re-release it in 3D? Technology’s changed a lot in the many decades since. The special effects would be seen as cheap by today’s movie goers. Would the 3D work? Would the IMAX theater format work?
I saw it Saturday night. Hey, this is a one-week only limited time thing. The film started on an impressive note. I noticed the 3D work with the MGM roaring lion and the opening credits with the clouds in the background. As for the story, I didn’t notice how the 3D addition made too much effect on the movie. The debris from the cyclone didn’t really surprise us. The bedroom window images Dorothy was looking at in mid-air was made too obvious this was film-on-film work. The pyrotechnics used didn’t appear 3D. The flying monkeys didn’t appear like they were coming for me as I was hoping they would.
I don’t think the 3D effect really added too much too the movie. Showing it on an IMAX screen did. It wasn’t necessarily the special effects that were enhanced by the IMAX screen but it was the viewing of the whole movie. I’ve seen it on television many times but just to experience it on an IMAX screen was definitely something. I think I would have been impressed even if I saw it on a regular movie screen. Nevertheless it was a delight to see. The movie must have been remastered because the colorful images of Oz were incredible. The ruby slippers shined, the makeup on the tin man looked fresh, the green face of the witch looked scary, Glinda’s gown looked majestic, the yellow brick road looked freshly painted, Emerald City glowed…I think I could go on forever. Even the sound appeared remastered as the movie score and the musical numbers from everyone, especially Judy singing Over The Rainbow, sounded completely fresh.
Funny thing is that it has me wondering if there will be any other classic movies that would receive a 3D re-release. I will admit that The Wizard Of Oz is the one classic movie that most deserves a 3D re-release but will others follow? I’m sure there are some, like say King Kong or Ben-Hur or the Ten Commandments. I’m tempted to think some of those sci-fi B-movies from the 50’s would be great to re-release in 3D. So would Star Wars. Actually does Star Wars now qualify as a classic movie?
Oh yeah. For those curious about the box office biz, it made roughly $3.1 million this weekend. Ironically it made $3 million back during its original release in 1939. Actually $3 million would be lots in 1939. I’m sure if you adjusted 1939’s total with inflation and added in the grosses of the various re-releases, it would be in the hundreds of millions.
I’ll admit that I find 3D releases of movies cash-grabs, including 3D re-releases. The 3D of the 3D IMAX re-release of The Wizard Of Oz didn’t add too much. However the IMAX format and the remastering of both the images and the sound made it an excellent viewing pleasure. Reminds you that it’s so right and proper that it be re-released on the big screen whatever format it’s given.