Those that know me will wonder if I will get my shorts fix at the VIFF this year. The answer is ‘Yes.” VIFF had twelve different shorts segments showing online. The shorts I saw were part of a segment titled Programme 2. Nothing fancy this year for the title. However the short films gave a lot of variety to watch and also a lot of Canadian directors to watch out for.
-Toward You (dir. Mayzam ‘Sam’ Motazedi): A young Iranian-Canadian girl dreams of becoming a socially-conscious slam poet. Problem is wherever she tries to do her act, like an Iranian rug store or an Iranian grocery, she gets booted out. Her biggest fan is a family member she lives with. He’s deaf but he can hear her as he puts his hand on her portable speaker. He has a problem. He has a bad health condition and he’s addicted to smoking his hookah pipe. He even forgets about the day she’s to perform at a show she booked. Distraught, she goes to perform at a senior’s center. The nurses find her act hard to deal with and end it. Despite it, she’s applauded by the seniors. She returns home having to deal with the ailing man.
Up until the end, it was a very good film. It shows a good story about a young girl with a creative passion and a dream. It also shows the difficulties she had to deal with in her own life. However the ending didn’t make a lot of sense. I feel it ended on the wrong note, or the ending didn’t appear like its purpose was justified.
-Zoo (dir. Will Niava): Three young adult males of different races are having their ‘fun’ in Montreal. They cause vandalism, act like tough guys and smoke weed al to their pleasure without a care. Then when they’re in a parking lot, a man dressed in normal clothes comes to inspect the boys. He then sets his sights on the black male whom he especially sees him to be a troublemaker. He tries to arrest him, but he does something brutal to him, leaving him what he appears to be unconscious. The man leaves him behind and it’s up to the boys to take him to the hospital.
No doubt the message is about police brutality on black people. That’s a hot topic because of the deaths of Breonna Taylor and George Floyd. In fact, the film maker makes the message seen at the end. I believe the film maker was sending the message that Canada’s no angel either. The interesting thing is the man who arrested him and assaulted him wasn’t even wearing a uniform. Was the man an undercover policeman? Or was he a citizen taking the law in his own hands? Does get you thinking.
-Even In The Silence (dir. Jonathan Elliott): It’s a film with a poem in an Indigenous language in the background as the story is told of a young girl and her boyfriend. They’re madly in love, but things go wrong at a party involving a lot of drinking. She drives him home but they get into an argument and a car crash happens. Sometime later, through embracing her culture, she’s able to find healing. She goes to the area of the crash to lay flowers, and she feels his spirit again.
This is a very brief film with a lot of focus on both the poem and the visuals. It attempts to send the overall message through both means. It’s use of Indigenous language is also important as it’s about young Indigenous people trying to find healing through tragedy.
-Spring Tide (dir: Jean Parsons): Emily and Hannah are two teen friends who just want to relax during their summer days. Maybe meet some boys. They do attract the attention of two older boys who are doing work for a nearby business. Their names are Zach and Austin. They develop conversation with the two boys and Emily catches the attention of Zach. She tells him a humorous story and she attracts him. One night, Zach brings her to his hotel room. She declines his sexual advances and Zack acts like a jerk. Later on, he confesses something to her. At the end she tells Hannah of her experience.
The film is a reflection of a teen girl and her first sexual experiences. It reminds you of how summer is that time when sexual curiosity and expérimentations happen. At the same time, it’s not just about sexual curiosity. It’s also about the two characters. Both are either a teen or a young adult. Their immaturities are made obvious in how they treat each other privately. However it soon becomes a case where Zach shows his insecurities. He goes from a jerk to being the insecure one almost instantly. That’s pretty much it. It showcases the behaviors as much as it showcases the moment.
-Laura (dir. Kaayla Whachell): Laura is in a detention center. She has been arrested for abandoning her child in a motor vehicle. She is met with an Asian-Canadian lawyer. He tries to ask her about her Indigenous heritage or her family history. Laura tells of her own stories of her childhood and how she met her husband. When their baby was born, she was happy as can be. Sometime soon the marriage was falling apart. Then right in the middle of the road, she has an anxiety attack. The lawyer is trying to get to the root of the problem, to see if it has to do with being in an Indigenous family or community, but all Laura wants is her baby back.
I think the message of the film is trying to say how non-Indigenous in the legal system seem not to be able to deal with Indigenous people well. This lawyer appears well-meaning and seems like he’s trying to get to the root of the problem, but Laura is frustrated. She has a mental condition that causes these attacks. She’s in danger of losing her baby, but she feels the lawyer doesn’t get it. He seems not to be paying attention to her issues and desires. It sends a strong message. Both about the justice system and about problems in Indigenous communities.
-Canucks Riot II (dir. Lewis Bennet): The film consists of found footage during the 2011 riot after the Stanley Cup finals game which the Vancouver Canucks lost to Boston Bruins and a riot ensued. The film shows footage of the crowds before the game, during the game, during the rioting and aftermath.
The film isn’t exactly an original film. However it does show a lot of interesting images of the whole incident. There’s footage of people in the crowds shouting “Riot 2011′ before the game begins, sending a message there were people who came to riot, just like during the 1994 Stanley Cup finals (which Vancouver also lost). There were scenes of acts of human selfishness and chaos. There were scenes of people committing the acts of vandalism and looting. There were scenes of an interviewer interviewing a young student from another country who’s both excited and appalled at what he saw. This film sheds a lot of light on the riot and allows you to draw your own conclusions.
–Parlour Palm (dir. Rebeccah Love) : A woman brings a parlour palm plant into the house she shares with her lawyer husband. It appears the relationship is going fine at first. However time will tell a different story. He is overworked and she feels ignored. She keeps on hearing bad environmental news and that causes her to go deeper in depression. She tries to get his attention with the artistic creations she shows, but she gets interrupted by him. Then one night, she finally decides to give him a show. It’s a show where she just lets it all out ‘everything is falling apart!’ It causes him to want to call the emergency crew. However he gets the message in the end.
This is a bizarre story as it involves a woman who appears to have a lot of artistic dreams of her own. She tries to use her artistic performance passions to get his attention, but it appears not to work until the very end. This is a unique story about a relationship that is doomed to end. Two differing personalities and one personality who appears to just explode all of a sudden. You have to get into the characters to fully understand them and the story. It’s funny that this is the one short that doesn’t have a social message, ends in the heaviest fashion.
The films I saw were seven unique films that had a lot to tell. Some had a social message. Some offered a ray of hope. Some just told a story. Some did on a bad note wondering what will happen next. I admire short films as a way for up-and-coming director to express themselves creatively. Often short films are a means to lead the director to bigger and better projects in the future. I see potential in all the directors here. One would be interested in what the next film they create will be.
I was able to complete another one of my three main VIFF goals of watching a shorts segment thanks to Programme 2. I’m glad I saw them. They were all good to watch. Also who knows? This may lead to something bigger and better in the future.
The VIFF presents a lot of documentaries and a lot of LGBT-themed films. Cured is an LGBT-themed documentary that focuses on what one arguably considers the first hurdle they had to overcome.
The documentary begins with an introduction of the American Psychiatric Association. In 1952, they published their first edition of Diagnostic and Statistical Manual of Mental Disorders. They included a chapter on sexual disorders. At the top of the list was ‘homosexuality.’ No doubt it was controversial. Psychiatrists bought it up, had ‘treatments’ and ‘therapy methods’ invented to ‘cure gay men and women, and really created a stigma. Most outraged were the gays and lesbians. They would hate how something like this would demonize them and how they lived and loved.
Once it was declared a form of mental illness, and had treatments listed, people were sent to hospitals like Utica, NY for painful treatments like electroshock therapy or in extreme cases, a lobotomy. However there was a slow but sure number of LGBT people that would start things to get this overturned. The first was a lesbian group led by couple Barbara Gittings and Kay Lahusen. They were joined by Frank Kameny. During the 1960’s they worked to start support groups and organize rallies to spread awareness and end the negative stigma the public had towards gay people. Besides fames sexologist Alfred Kinsey published shocking studies in 1948 of a good percentage of men engaging in same-sex behavior.
After gaining a lot of support, the next step was to influence the APA to remove homosexuality form the list of mental illnesses. They would soon find support among doctors. There was one psychiatrist, Dr. John Fryer, who not only supported them but was gay himself. There were times they had to go to meetings and rallies involving the APA and ‘crash’ them. During the meeting they ‘crashed’ in San Francisco, they encouraged doctors to come sit with a homosexual and listen to what they have to say. For two hours, many doctors were willing to do so.
Over time, there were a growing number of doctors with the APA who soon adopted a gay-friendly attitude and were supportive of the group’s pleas. However there were still stubborn naysayers like Drs. Irving Bieber and Charles Socarides who were determined to have it kept listed as a mental illness. Gay and lesbian groups would hold information booths at APA rallies with titles like ‘Gay, Proud And Healthy.’ Then would come a meeting in 1972 to have gay activists openly speak to the APA. Dr. Fryer would be one of the speakers, but with a clown mask and under the name Dr. H. Homosexual to keep him from losing his job. In 1973, the APA soon removed homosexuality in its list of neurological disorders. However it would still be subject to a vote at a 1974 APA meeting. The majority voted in favor of the removal.
You think of all the milestones LGBTs have made over the past fifty or so years. There was Stonewall, decriminalization of homosexuality, allowing gays to teach and own houses, lobbying for funding for AIDS research, allowing gays in the military, and the legalization of gay marriage. It’s easy to forget this is one of the most important moments in LGBT history. and arguably their first victory in the US. We shouldn’t forget LGBTs have been through worse. There was a time centuries ago gays and lesbians were executed worldwide. In fact Thomas Jefferson’s recommendation that gays be castrated was a ‘liberal’ recommendation during a time when they were hanged. It was a universal norm throughout most of history that a man should love a woman and a woman should love a man and that’s that. Anything else was deviant and criminal. So it should be no surprise a national psychiatric association would label same-sex attraction a mental illness. I’m sure the US wasn’t the only nation that did so.
This is a documentary that’s an important lesson for LGBT people to know. I’m sure there are a lot of young LGBT people who still don’t understand why many in the heterosexual majority consider them inferior. But like Bill Maher once said: “If you think you have it tough, go read history books!” Today’s LGBT young people have it better than any generation of LGBT young people before them. In the past, such young people would be subject to disowning from family, criminal prosecution, and way back having next-to-nobody to turn to. Since the history of humanity on the planet until just after World War II, the gay or lesbian lifestyle or attraction was universally condemned and even criminalized and you could easily lose your job if your ‘secret’ was unraveled. The moments in this documentary are a good indication of the feeling and the attitudes of the times. It’s also important for young LGBT people know how pride movements started out or came to be. They’ll learn of people who started pride at a time when there was no one to turn to and a time when fierce opposition was eventual. The LGBT activists of that era were especially important in paving the way to the liberties, freedoms and social acceptances today’s LGBT people have today.
This documentary is also beneficial today for two main reasons. The first is that there are still people, mostly religious leaders and their followers, who still believe that homosexuality is a mental illness and conversion therapy is the answer. Many will remember advertisements starting in the late-90’s about faith-based conversion therapy programs. If the failure rates of programs from psychiatrists were high, what do you think that says about these unproven faith-based programs? It’s all a political game. The second is that it shows how something that starts off as a grass-roots movement can grow into something nationwide and have a big impact. Even paving way to the civil liberties and rights LGBTs have today.
Top marks go to directors Patrick Sammon and Bennett Singer. This documentary may not be too original in terms of style, but it’s excellent with interviews, both original and archived, and rare footage. They have the facts together in stringing this story together about what is an important part of LGBT history and celebrates a lot of lesser-known or forgotten founders of the LGBT movement. It’s also important that they show the shocking footage of the electroshock therapy and other ‘conversion’ methods used in the time. Because the LGBT of today need to know what the past had to fight,
Cured is a documentary about history being made by those who made the history. It’s important history for today’s young LGBT’s to know what those of the past have overcome. It’s especially relevant today since there are many opponents who harbor those similar thoughts today.
After seeing a lot of dramas at the VIFF, especially heavy dramas, you can bet I’d be in the mood for some comedy. I got what I needed on the last day of the festival with Greener Grass. It’s not your typical comedy, and all the better for it.
The film opens at a neighborhood children’s soccer game. Jill Davies meets up with her best friend Lisa Wetbottom. Jill’s son Julian and Lisa’s son Bob are playing in the game. Lisa is complimenting Jill on her newborn baby daughter Madison. Jill decides that Lisa can have Madison, to Lisa’s complete surprise. Lisa accepts with no problem.
The two drive home in their golf carts, which all the resident of the town drive. Arriving home, Jill tells Nick the news, and he’s okay with it. He’s happy that they still have Julian, even though he is a nerd who’s awkward at sports, which Nick is uncomfortable with. Lisa introduces baby Madison to her husband Dennis and son Bob. The others happily welcome Madison and rename her Paige. Lisa is proud of how Bob is good at sports, but uncomfortable how Bob is not that good at school. On top of that, her husband Dennis is shorter and pudgier compared to taller, more athletic Nick. Later on, the two couples meet together at a barbecue. They end up kissing each others’ spouses. However they all laugh it up and switch it back to the right pairings.
They try to go about their lives and raising their families normally, or as normal as it gets in that town. Nick may be unhappy Julian is not the athletic hero he hoped for, but he’s okay since they now have better pool water. The water’s so good, he enjoys drinking it. Soon there is the news that the yoga instructor has been murdered. The whole town is in shock. Both Jill and Lisa are nervous. There’s even a message of terror sent to Lisa’s golf cart.
One day, Lisa notices a volleyball left by a playground. She uses it to make herself look like she’s pregnant. And everyone including Dennis buys this. This starts to upset Jill. Lisa first noticed how unhappy Jill was at a children’s bowling game. At Nick’s birthday party, Lisa thinks Jill is best with getting a divorce. Soon Julian distracts from the party and talks about how terrible his life is. When he appears to take a suicide plunge in the pool, he turns into a dog. Everyone is in shock.
Jill goes about bringing the dog-like Julian to school, much to Bob’s shock, and music practice. However Nick is blown away how good Julian is at sports. He’s like the son of Nick’s dreams now. Jill tells Nick he wants a divorce. Nick agrees and takes Julian with him. Jill is now childless and empty. Meanwhile a ‘pregnant’ Lisa is shocked to see Bob watching Kids With Knives on the television. The show immediately turns Bob into a self-loathing angst-ridden monster. However Lisa decides to ‘give birth’ to the volleyball, and all including Dennis accept it as the new addition to the family.
Jill can’t handle it. It’s not just being childless, but the stress knowing the murderer hasn’t been caught yet. Jill then confronts Lisa. She wants Madison/Paige back. Lisa is hurt. Paige is hers. Plus he reminds Jill that it makes her look like an ‘Indian giver’… excuse me… ‘Native American giver.’ Jill can’t take it anymore. That night, she rips out the wire from her braces, furiously drives past the intersection in her golf cart without being polite and drives off into another town. She sees a house with children. She knocks on the door and talks to the mother. The conversation is friendly until Jill asks for one of her children. The woman politely asks her to leave, but one of the girls is looking at Jill as she walks off. Jill has a new child!
Jill makes it back into town and just on the eve as the murderer of the yoga instructor has been caught. At a children’s soccer game, Jill’s child plays her first game. Everybody is happy to see Jill’s new child, including Lisa. She’s happy to see that Jill is finally happy again. Or is she?
Watching this comedy does leave you wondering what the heck is going on? The world these adults live in make no sense at all. Perhaps that may be its best quality. Instead of this being a world that makes perfect sense, it makes perfect nonsense. It’s a world where the adults wear sweet pastel colors, all wear braces on their top teeth and all drive around in gold carts. A world where they’re too polite to make the first move at a stop sign. A world where they make huge decisions without rational thought. A world where they can love as conditionally as they want. A world a parent can simply give their child to another family and the family’s good with it. A world with TV shows where cooking contestants are judged with someone else’s entry, and they accept without hesitation. A world where the kids have their own weird bizarre traits and can instantly either turn into a dog or act like they’re possessed by the devil. A world where a woman can fake a pregnancy with a basketball and everyone would believe it, and even treat the basketball like it’s their baby!
To sum it all up, it’s a world lacking of common sense, but full of smiley niceness, instant hurt and even insanity. I haven’t seen this much weirdness or bizarre human behavior since watching an episode of South Park. Though it’s not as warped as a South Park episode, it has a combined weirdness that has to both make sense and be consistent from start to finish. When you see a lot of the idiocies or the idiotic world created in the film, it does get you wondering. Will it hold through from start to its feature-length finish? Will the stupidity of the world be just as stupid at the end? Will the characters be just as dim-witted? To my surprise, the story did hold up. Instead of making perfect sense from start to finish, it made perfect nonsense. The world and the characters are just as idiotic at the end as they were at the beginning. The may have been some noticeable changes in the kids, but it ended with the same crazy energy.
This may be a comedy with nonsense from start to finish. However it does seem to resemble the envy people, parents, and couples. It’s a spoof on how we all think the grass is greener on the other side or how we keep up with the Joneses or how we try to chase something we can’t get. We can’t be happy with what we have. We have to think the other one’s better or try to one-up them. This film and the brace-cases in it spoofs it, and in bizarrely hilarious fashion.
This comedy belongs to Upright Citizens Brigade alumni Jocelyn DeBoer and Dawn Luebbe. They wrote it together, directed it together and play Jill and Lisa respectively. Actually this is a feature-length version of the short film Greener Grass they created four years earlier. They took a story full of a lot of comedic ridiculousness and insanity and had quite the job to make it work as a smooth film from beginning to end. To my surprise, it works. The story and its combination of idiocy and insanity works from beginning to end. It had all the making of a story that would go off-path, but it doesn’t. Whatever different elements of the story get added in as if it adds to the story instead of interferes with it.
One thing about the film is that it’s obvious Jocelyn and Dawn are aiming for shocks. This film is a film that has people with a lot of experience writing for and acting in comedies. Here you can tell with a lot of the incidents and lines, they are aiming not just to weird us out, but shock us along the way. It’s noticeable with a TV show called Kids With Knives, Nick drinking pool water, the other-spouse kiss (which is full of saliva) and Bob uttering angry lines like “I wish I was aborted!”
The supporting acting is also funny. The husbands are played by two Saturday Night Livers: SNL actor Beck Bennett plays Nick and SNL writer Neil Casey plays Dennis. They both do a good job of adding to the idiocy of the story and even show a good male side to the idiocy in the world of this film. The two boys in the film were also good, but Asher Miles Fallica was quite something as Bob. He goes from a kid that’s your typical kid to a boy who suddenly acts like he’s possessed by the devil after watching Kids With Knives. That’s crazy!
Greener Grass is a comedy about suburban families that mixes in stupid with bizarre and insanity and insecurities. It comes off as a winning feature-length comedy from start to finish.
Foxcatcher isn’t just simply an Olympic story with a tragically bizarre ending. It isn’t completely a crime story either. It’s about the people involved.
It’s 1987. Mark Schultz is an Olympic wrestling champion who’s about to do a talk at an elementary school substituting for his brother Dave who was expected to be the talker. The school gives him a small payment for his time. Dave is coach of the wrestling gym married with two small children and trainer of Mark. Although Dave tries to be a good mentor to Mark, you could tell something’s eating at him.
One day unsuspectingly, he’s greeted by John DuPont, heir to the E.I. DuPont family fortune. He offers to have Mark train at the Team Foxcatcher gym in Pennsylvania he created to promote wrestling. Mark agrees but John also wants Dave to coach. Dave turns it down because he has family commitments miles away. Despite that, Mark continues on with John coaching him even living in a DuPont guest house which John sometimes visits. The training pays off as Mark wins the World Championships later that year. John is even seen as a mentor to Mark and all the other wrestlers at Team Foxcatcher.
However something’s not right. John wants the wrestling trophies won by Team Foxcatcher to overtake one shelf of horseracing trophies his family have won over the years. Mark and John develop a friendship to the point John gets Mark to use cocaine. John even mentions his mother paid a boy to be his ‘friend’ when he was younger. His mother Jean who’s part of the DuPont legacy of horseracing is disapproving of his coaching wrestling feeling that it’s a ‘low’ sport. Then one day it happens. While Team Foxcatcher’s wrestlers take a day off to watch a Mixed Martial Arts event, John becomes furious especially when Mark insists Dave won’t join team Foxcatcher. John tells him he will get Dave by any means necessary.
Dave agrees to Team Foxcatcher where he even moves his wife and family over there. Mark however is going through self-esteem issues with the mental abusiveness of John and moves away to train for the 1988 Olympics. Just before the Olympic trials, John has his mother Jean escorted in her wheelchair to see what John has accomplished. She leaves in disgust after seeing John give his back to one of his students.
At the Olympic trials, you can tell something is bothering Mark. He loses his first match and in response cries, wrecks his room and goes on an eating binge. Dave is alarmed at discovering Mark in his condition in his hotel room and works to get him to lose weight in time for the weigh-in. As Mark competes on, he notices Dave prevent John from speaking to him. Mark wins the Olympic trials but both he and Dave notice John is absent. He returned home as his mother died. Mark lets Dave know he can’t stay with John and Team Foxcatcher after the Olympics and asks Dave to leave with him even though John created a promotional video of Team Foxcatcher with Dave asked to do a speech. Mark finishes sixth at the 1988 Olympics where he loses his last match 14-0. As he said, he leaves Team Foxcatcher for home while Dave agrees to remain training Team Foxcatcher in exchange for John giving Mark financial support.
It’s 1996. John watches the promotional video with the part of Mark’s speech about John. This would pave way to the depiction of the eventual murder. However the film ends showing what happened to Mark shortly after.
It’s funny how around Oscar time, it’s common to expect that most movies with big Oscar buzz would have some sort of political message or humanistic message. So it was quite natural for me to think that Foxcatcher might be a film with things to say about Olympic athletes or how they’re treated in the US. I don’t think it was but it did present a unique time in Olympic sport. Many older people remember that until the 80’s, you had to be a complete amateur in an Olympic sport. Even if you made a single penny off your sport, you were ineligible to compete at the Olympics. That all changed in the early 80’s when the IOC changed its constitution from allowing only ‘amateur’ athletes to allowing ‘eligible’ athletes to compete and it would be each sport’s respective federation decide who’s eligible. There were some sports like track and field, swimming and gymnastics that were the first to make the transition and the pay and sponsorship money was good albeit not the same level it is today. Wrestling was one of the sports to catch on later. In Mark’s time, wrestlers could not make a living off their sport unless you were also a coach like Dave. In fact I remember a quote from Olympic gymnast Bart Conner: “The big myth is that Olympic gold medalists can get rich off their gold medal. I know a lot of Olympic champions that are flipping burgers.” So it’s no wonder that Mark would find sponsorship from John DuPont and the state-of-the-art Team Foxcatcher wrestling gym a welcome relief.
I don’t even think it’s a statement about rich people in the United States. Sure, John was born into money as the DuPont family have a dynasty going all the way back to the 18th century. Sure, John appears to be spoiled living in the same gigantic mansion in the middle of nowhere as his parents. Sure, John has the money to make his dream of being a great wrestling coach come true. Sure, John had a sheltered childhood where he was the youngest of four and had a ‘paid friend’ during his childhood. And sure, John has a mother with a superficial attitude as made evident in her comment of wrestling being a ‘low sport.’ However I don’t feel it’s about the American rich.
What I do feel the movie is to do about are the people. Yes, it’s a crime story but it’s also about the people. John appears to be a person who may have been belittled all his life and dreamed of being a successful wrestling coach or manager. He has written successful books on birds but wanted to become successful as a wrestling coach. This is especially hard for him since his family has a tradition of horse racing. Throughout the movie, we get a sense that he felt that something was missing in him. Even after hiring Dave as the coach, we see friction between the two as they’re both training and managing Mark. Sure, it’s common for two coaches on the same team to have disputes but the disputes make you wonder. In fact that scene where John is watching the video of himself promoting him and his gym just before the shooting may be sending the message he always felt underrespected. Maybe it was because he felt like the misfit of the family. Maybe it was because his family never knew or honored his achievements. We’ll never know. There’s no question he shows his mental illness, especially at the end, but it’s just a wonder if his inferiority complex is what caused him to shoot Dave.
The film is not just about John. It’s about Mark too. The 1984 Olympics was of him and Dave winning gold but the time since then was a struggle. Dave was able to marry, become a father and continue as an athlete by coaching at the same time. He was well to do. Mark was the one who struggled. He lived single in a shabby home, he worked a measly job, he received spare cash from school appearances, he was always living in the shadow of Dave. Even though Dave was never the type of brother that would try to make Mark feel inferior, You could tell it was bothering him in that training scene at the beginning where he gives Dave a bad hit. It was easy for him to see John’s offer as a breakthrough for him but a struggle as he was trying to create his own identity while Dave and John had coaching disputes over him. It seemed more like a threesome rather than him. Possibly even sensing Dave was becoming the apple of John’s eye rather than him. Even after his win of the World Championship, you could tell the whole thing would take a toll on him especially seeing how he had to purge himself at the Olympic trials and struggled to make the team. Eventually it did take its toll right at the Seoul Olympics with his sixth-place finish and the threesome ended there. You can easily understand why when Mark moved out, he wanted to move without turning back.
The highlight of the film was the performance of Steve Carell. In fact even his biggest fans would be surprised to see Steve looking different and acting completely different from the way they’ve always known Steve to act. He embodied John DuPont well in terms of physicality and his mental illness but he also made us feel John’s feelings of inferiority which definitely added to the film. The film also has Channing Tatum’s best acting ever. He also embodies the character of Mark well in terms of his desire to succeed and in terms of his insecurities. Although the film focuses more on the characters of Mark and John than on Dave, it’s Mark Ruffalo’s performance that gives added dimension to a person who is both a coach and a father and tries to do the right thing but ends up an unsuspecting victim in the end. Even supporting performances from Sienna Miller as Dave’s wife and Vanessa Redgrave as John’s mother were done great despite being less than what they should be.
The directing of Bennett Miller was also impressive as he focused on both the story and insight into the people involved in the story. The script by E. Max Frye and Dan Futterman was also good in taking us to the right events even though it did feel slow at times. Even there, I think they were trying to make a murder story that didn’t just simply tell of the events but also give us portrayals of the characters. It’s not to say they haven’t experienced friction about it. There was a story that Mark felt the film made it look like John had a homosexual attraction to him. I didn’t notice it. Besides I later learned John was married for the first and only time at 45 and the divorce occurred just before he met Mark.
Foxcatcher is more than a murder story. It’s also a portrayal of the people involved in both their desires and their insecurities. Often it did feel more like the film was about who than what.