Those that know me will wonder if I will get my shorts fix at the VIFF this year. The answer is ‘Yes.” VIFF had twelve different shorts segments showing online. The shorts I saw were part of a segment titled Programme 2. Nothing fancy this year for the title. However the short films gave a lot of variety to watch and also a lot of Canadian directors to watch out for.
-Toward You (dir. Mayzam ‘Sam’ Motazedi): A young Iranian-Canadian girl dreams of becoming a socially-conscious slam poet. Problem is wherever she tries to do her act, like an Iranian rug store or an Iranian grocery, she gets booted out. Her biggest fan is a family member she lives with. He’s deaf but he can hear her as he puts his hand on her portable speaker. He has a problem. He has a bad health condition and he’s addicted to smoking his hookah pipe. He even forgets about the day she’s to perform at a show she booked. Distraught, she goes to perform at a senior’s center. The nurses find her act hard to deal with and end it. Despite it, she’s applauded by the seniors. She returns home having to deal with the ailing man.
Up until the end, it was a very good film. It shows a good story about a young girl with a creative passion and a dream. It also shows the difficulties she had to deal with in her own life. However the ending didn’t make a lot of sense. I feel it ended on the wrong note, or the ending didn’t appear like its purpose was justified.
-Zoo (dir. Will Niava): Three young adult males of different races are having their ‘fun’ in Montreal. They cause vandalism, act like tough guys and smoke weed al to their pleasure without a care. Then when they’re in a parking lot, a man dressed in normal clothes comes to inspect the boys. He then sets his sights on the black male whom he especially sees him to be a troublemaker. He tries to arrest him, but he does something brutal to him, leaving him what he appears to be unconscious. The man leaves him behind and it’s up to the boys to take him to the hospital.
No doubt the message is about police brutality on black people. That’s a hot topic because of the deaths of Breonna Taylor and George Floyd. In fact, the film maker makes the message seen at the end. I believe the film maker was sending the message that Canada’s no angel either. The interesting thing is the man who arrested him and assaulted him wasn’t even wearing a uniform. Was the man an undercover policeman? Or was he a citizen taking the law in his own hands? Does get you thinking.
-Even In The Silence (dir. Jonathan Elliott): It’s a film with a poem in an Indigenous language in the background as the story is told of a young girl and her boyfriend. They’re madly in love, but things go wrong at a party involving a lot of drinking. She drives him home but they get into an argument and a car crash happens. Sometime later, through embracing her culture, she’s able to find healing. She goes to the area of the crash to lay flowers, and she feels his spirit again.
This is a very brief film with a lot of focus on both the poem and the visuals. It attempts to send the overall message through both means. It’s use of Indigenous language is also important as it’s about young Indigenous people trying to find healing through tragedy.
-Spring Tide (dir: Jean Parsons): Emily and Hannah are two teen friends who just want to relax during their summer days. Maybe meet some boys. They do attract the attention of two older boys who are doing work for a nearby business. Their names are Zach and Austin. They develop conversation with the two boys and Emily catches the attention of Zach. She tells him a humorous story and she attracts him. One night, Zach brings her to his hotel room. She declines his sexual advances and Zack acts like a jerk. Later on, he confesses something to her. At the end she tells Hannah of her experience.
The film is a reflection of a teen girl and her first sexual experiences. It reminds you of how summer is that time when sexual curiosity and expérimentations happen. At the same time, it’s not just about sexual curiosity. It’s also about the two characters. Both are either a teen or a young adult. Their immaturities are made obvious in how they treat each other privately. However it soon becomes a case where Zach shows his insecurities. He goes from a jerk to being the insecure one almost instantly. That’s pretty much it. It showcases the behaviors as much as it showcases the moment.
-Laura (dir. Kaayla Whachell): Laura is in a detention center. She has been arrested for abandoning her child in a motor vehicle. She is met with an Asian-Canadian lawyer. He tries to ask her about her Indigenous heritage or her family history. Laura tells of her own stories of her childhood and how she met her husband. When their baby was born, she was happy as can be. Sometime soon the marriage was falling apart. Then right in the middle of the road, she has an anxiety attack. The lawyer is trying to get to the root of the problem, to see if it has to do with being in an Indigenous family or community, but all Laura wants is her baby back.
I think the message of the film is trying to say how non-Indigenous in the legal system seem not to be able to deal with Indigenous people well. This lawyer appears well-meaning and seems like he’s trying to get to the root of the problem, but Laura is frustrated. She has a mental condition that causes these attacks. She’s in danger of losing her baby, but she feels the lawyer doesn’t get it. He seems not to be paying attention to her issues and desires. It sends a strong message. Both about the justice system and about problems in Indigenous communities.
-Canucks Riot II (dir. Lewis Bennet): The film consists of found footage during the 2011 riot after the Stanley Cup finals game which the Vancouver Canucks lost to Boston Bruins and a riot ensued. The film shows footage of the crowds before the game, during the game, during the rioting and aftermath.
The film isn’t exactly an original film. However it does show a lot of interesting images of the whole incident. There’s footage of people in the crowds shouting “Riot 2011′ before the game begins, sending a message there were people who came to riot, just like during the 1994 Stanley Cup finals (which Vancouver also lost). There were scenes of acts of human selfishness and chaos. There were scenes of people committing the acts of vandalism and looting. There were scenes of an interviewer interviewing a young student from another country who’s both excited and appalled at what he saw. This film sheds a lot of light on the riot and allows you to draw your own conclusions.
–Parlour Palm (dir. Rebeccah Love) : A woman brings a parlour palm plant into the house she shares with her lawyer husband. It appears the relationship is going fine at first. However time will tell a different story. He is overworked and she feels ignored. She keeps on hearing bad environmental news and that causes her to go deeper in depression. She tries to get his attention with the artistic creations she shows, but she gets interrupted by him. Then one night, she finally decides to give him a show. It’s a show where she just lets it all out ‘everything is falling apart!’ It causes him to want to call the emergency crew. However he gets the message in the end.
This is a bizarre story as it involves a woman who appears to have a lot of artistic dreams of her own. She tries to use her artistic performance passions to get his attention, but it appears not to work until the very end. This is a unique story about a relationship that is doomed to end. Two differing personalities and one personality who appears to just explode all of a sudden. You have to get into the characters to fully understand them and the story. It’s funny that this is the one short that doesn’t have a social message, ends in the heaviest fashion.
The films I saw were seven unique films that had a lot to tell. Some had a social message. Some offered a ray of hope. Some just told a story. Some did on a bad note wondering what will happen next. I admire short films as a way for up-and-coming director to express themselves creatively. Often short films are a means to lead the director to bigger and better projects in the future. I see potential in all the directors here. One would be interested in what the next film they create will be.
I was able to complete another one of my three main VIFF goals of watching a shorts segment thanks to Programme 2. I’m glad I saw them. They were all good to watch. Also who knows? This may lead to something bigger and better in the future.
With every VIFF, it’s a goal of mine to see at least one shorts segment. I had the good fortune of seeing a segment as my first VIFF show. The segment titled Escape Routes consisted of six shorts by Canadian directors. Three of them were filmed in BC. All six were intriguing to watch.
The Subject (dir. Patrick Bouchard): We see a body on the table. We see a spike coming out of a foot at first. Then we see it start to be dissected. What’s happening is a whole lot of imagery happens around his body and coming from out of his body. Then when he’s dissected in his upper chest, we see a steel inside.
What’s happening in this film is the animator dissecting his own body. This film is the animator using self-dissection to show what his works are all about. His emotions, his memories, his fears, all go into his work. A couple of religious entendres may be telling how it plays into his fears. Even the artistic patterns that form around his skin give a picture about what the animator is saying about himself and how it plays into his works.
Girl On A Bus (dir. Matthew B. Schmidt): The film begins with people questioning about a girl who disappeared. Then the film shoots to a scene on a bus. A teenage/young adult female is one of the passengers and she’s just relaxing and looking at Instagram photos. The bus takes a break at a gas station along the highway. She uses the outside bathroom and changes her hair, makeup and clothes to something very different and takes social media pictures. The driver can’t recognize her and thinks a passenger is missing. As police are questioning the ‘missing girl,’ she gets interrogated and gives misleading questions. She mentions she’s running away but doesn’t say why. She leaves the interrogation booth. A picture from a child identifies her as the missing, but she walks away when asked.
At first, it seems like a nonsense film. A girl changes her look but is labeled missing? Then you get the sense of what’s happening. She says she’s running away but gives a vague answer why. When told to stay at the booth as the police leave temporarily, she leaves. When asked if the photo of her on a child’s pad is her, she doesn’t answer and walks away. It makes more sense later on. She comes across as a girl who wants to escape from it all. It’s not apparent exactly the reason or reasons why, but it’s obvious she wants to escape from everything. Only on social media would she want to be around people. I can identify because I had those same feelings when I was her age. A very good short story of a film.
Best Friends Read The Same Books (dir. Matthew Taylor Blais): The film consists of no sound at all, but of images of plants, colors, bushes, parks, coasts, and the director reading a book in various places and various seating positions on a bench. The film ends with a set of colors.
I’ll take it for what it is. This is the director trying to film in an abstract sort of way. The images, around various areas of Greater Vancouver, are meant to tell about his surroundings and reading the same book.
Train Hopper (dir. Amelie Hardy): The film begins with a passage of Allen Ginsberg’s poem America. Then cuts into a video of a young man who’s a customer service agent working at his desk with his headset. Later we catch the young man around trains on the train tracks. Then we see him hopping on the trains between the cars and going along for the ride. We even see his self-recorded videos of him during the trips. Within the second-half of the film and video footage, we hear the man talk about his dreams and his imagination and why he takes these trips, which include trips crossing into the United States. The film ends with audio of Ginsberg’s America.
The film begins with a statement that the Beat Generation is not dead. The whole film is a picturesque reminder that even in this day and age, there are still young people who still dare to dream, who dare to still want to live their dream out. This film shows it with this young man who’s a customer service agent by profession, but dreamer by passion. An excellent cinematic portrait.
Acres (dir. Rebeccah Love): The story begins with a young man working on a farm. Later on, his sister, her husband and a former girlfriend of his join for dinner. They talk about him managing his father’s farm after his death, as well as a dispute over use of the land that will require legal attention. The sister and brother-in-law leave for home but the ex-girlfriend decides to stay overnight. Possibly to help him with his situation. She is a photographer by passion. The two were in love while they were in college. This is happening while they’re talking of a way to properly mark the burial site of his father’s ashes. He had ambitions of becoming a businessman, but passions in his life that involved travelling caused him to leave everyone behind, including the family and even her. She tries to get to the bottom of this. Especially since this caused their break-up. Eventually they do rekindle.
The film is a picturesque way of showing a real-life situation. It’s a quiet situation, but one that needs to be discussed and resolved. The filmmaker does it with good storytelling and honest dialogue.
Biidaaban (dir. Amanda Strong): This is the one short that’s fully animated. There’s one young person of Indigenous decent, Biidaaban, and an older Sasquatch shapeshifter Sabe. They live in the same dwelling. They communicate with what you first think is a smartphone, but is actually a mystic rock that creates images and dialogue. Biidaaban seeks to collect sap from maple trees in a neighborhood. Sabe will assist Biidaaban. As they collect the sap, they are suddenly taken over by spirits and enter into a mystical world.
Upon the film’s Q&A, we learn the film is not just about Indigenous legends and myths. It’s also about gender-fluidity as Biidaaban is a gender-fluid youth. From what I remember about the Q & A, the gender-fluidity does tie in with Indigenous culture. The whole film was very dramatic and very mystical. The genre of animation allows the viewer to feel the imagination of the film and capture the mysticism.
All six shorts were very intriguing to watch. Even with one more thrilling than the other, and one not trying to be thrilling at all, all had something to say. Sometimes you wondered if all six fit the term Escape Routes. Some of the subjects or plots in a film or two didn’t look like physical escapes at all. However many of them turned out to be escapes of the mind. Escaping isn’t just about a road to somewhere.
Escape Routes was an excellent selection of six Canadian shorts. Each were different in their own way. All of them had something to say. And all would come off as an escape from something. You had to see it to know it.