With every VIFF, it’s a goal of mine to see at least one shorts segment. I had the good fortune of seeing a segment as my first VIFF show. The segment titled Escape Routes consisted of six shorts by Canadian directors. Three of them were filmed in BC. All six were intriguing to watch.
The Subject (dir. Patrick Bouchard): We see a body on the table. We see a spike coming out of a foot at first. Then we see it start to be dissected. What’s happening is a whole lot of imagery happens around his body and coming from out of his body. Then when he’s dissected in his upper chest, we see a steel inside.
What’s happening in this film is the animator dissecting his own body. This film is the animator using self-dissection to show what his works are all about. His emotions, his memories, his fears, all go into his work. A couple of religious entendres may be telling how it plays into his fears. Even the artistic patterns that form around his skin give a picture about what the animator is saying about himself and how it plays into his works.
Girl On A Bus (dir. Matthew B. Schmidt): The film begins with people questioning about a girl who disappeared. Then the film shoots to a scene on a bus. A teenage/young adult female is one of the passengers and she’s just relaxing and looking at Instagram photos. The bus takes a break at a gas station along the highway. She uses the outside bathroom and changes her hair, makeup and clothes to something very different and takes social media pictures. The driver can’t recognize her and thinks a passenger is missing. As police are questioning the ‘missing girl,’ she gets interrogated and gives misleading questions. She mentions she’s running away but doesn’t say why. She leaves the interrogation booth. A picture from a child identifies her as the missing, but she walks away when asked.
At first, it seems like a nonsense film. A girl changes her look but is labeled missing? Then you get the sense of what’s happening. She says she’s running away but gives a vague answer why. When told to stay at the booth as the police leave temporarily, she leaves. When asked if the photo of her on a child’s pad is her, she doesn’t answer and walks away. It makes more sense later on. She comes across as a girl who wants to escape from it all. It’s not apparent exactly the reason or reasons why, but it’s obvious she wants to escape from everything. Only on social media would she want to be around people. I can identify because I had those same feelings when I was her age. A very good short story of a film.
Best Friends Read The Same Books (dir. Matthew Taylor Blais): The film consists of no sound at all, but of images of plants, colors, bushes, parks, coasts, and the director reading a book in various places and various seating positions on a bench. The film ends with a set of colors.
I’ll take it for what it is. This is the director trying to film in an abstract sort of way. The images, around various areas of Greater Vancouver, are meant to tell about his surroundings and reading the same book.
Train Hopper (dir. Amelie Hardy): The film begins with a passage of Allen Ginsberg’s poem America. Then cuts into a video of a young man who’s a customer service agent working at his desk with his headset. Later we catch the young man around trains on the train tracks. Then we see him hopping on the trains between the cars and going along for the ride. We even see his self-recorded videos of him during the trips. Within the second-half of the film and video footage, we hear the man talk about his dreams and his imagination and why he takes these trips, which include trips crossing into the United States. The film ends with audio of Ginsberg’s America.
The film begins with a statement that the Beat Generation is not dead. The whole film is a picturesque reminder that even in this day and age, there are still young people who still dare to dream, who dare to still want to live their dream out. This film shows it with this young man who’s a customer service agent by profession, but dreamer by passion. An excellent cinematic portrait.
Acres (dir. Rebeccah Love): The story begins with a young man working on a farm. Later on, his sister, her husband and a former girlfriend of his join for dinner. They talk about him managing his father’s farm after his death, as well as a dispute over use of the land that will require legal attention. The sister and brother-in-law leave for home but the ex-girlfriend decides to stay overnight. Possibly to help him with his situation. She is a photographer by passion. The two were in love while they were in college. This is happening while they’re talking of a way to properly mark the burial site of his father’s ashes. He had ambitions of becoming a businessman, but passions in his life that involved travelling caused him to leave everyone behind, including the family and even her. She tries to get to the bottom of this. Especially since this caused their break-up. Eventually they do rekindle.
The film is a picturesque way of showing a real-life situation. It’s a quiet situation, but one that needs to be discussed and resolved. The filmmaker does it with good storytelling and honest dialogue.
Biidaaban (dir. Amanda Strong): This is the one short that’s fully animated. There’s one young person of Indigenous decent, Biidaaban, and an older Sasquatch shapeshifter Sabe. They live in the same dwelling. They communicate with what you first think is a smartphone, but is actually a mystic rock that creates images and dialogue. Biidaaban seeks to collect sap from maple trees in a neighborhood. Sabe will assist Biidaaban. As they collect the sap, they are suddenly taken over by spirits and enter into a mystical world.
Upon the film’s Q&A, we learn the film is not just about Indigenous legends and myths. It’s also about gender-fluidity as Biidaaban is a gender-fluid youth. From what I remember about the Q & A, the gender-fluidity does tie in with Indigenous culture. The whole film was very dramatic and very mystical. The genre of animation allows the viewer to feel the imagination of the film and capture the mysticism.
All six shorts were very intriguing to watch. Even with one more thrilling than the other, and one not trying to be thrilling at all, all had something to say. Sometimes you wondered if all six fit the term Escape Routes. Some of the subjects or plots in a film or two didn’t look like physical escapes at all. However many of them turned out to be escapes of the mind. Escaping isn’t just about a road to somewhere.
Escape Routes was an excellent selection of six Canadian shorts. Each were different in their own way. All of them had something to say. And all would come off as an escape from something. You had to see it to know it.
Admit it. This summer was one of the most lackluster summers in a long time. Very few reasons to get people to come to the cinemas. Dunkirk, however, was one of the films that gave people one of the best reasons to go to the cinemas. One can see why.
The film does share some minor similarities with Titanic. Firstly, it’s a film that features a lot of action as part of the story. This being about the Battle of Dunkirk and the evacuation would be a film that would feature a lot of action and a lot of intense drama. Also like Titanic, it features some fictional stories or story lines inside a moment of history. Like Titanic, they also include historical figures who were part of the Battle, however even there the depictions of incidents do stray away from what really happened and go for the story.
Basically film is so loose, I’m okay with seeing a fictional depiction of moments in history as long as I’m made aware of its fiction. This film is a very good, very complex story of the Evacuation of Dunkirk. We should remember that the Battle Of Dunkirk was very important in the history of World War II. It was the first sign to the Allied forces that Hitler and the Nazi army had a vulnerable side and that the Nazis could be the losing side of World War II, despite how menacing Hitler and the German forces appeared. The rescue mission that accompanied it is a sign of the heroism as 300,000 Allied soldiers survived. The story focuses on three different aspects of the Battle– land, sea and air– and captures in the time frame of a week about what the heat of the moment must have been like for soldiers, civilians, casualties and leaders. The stories of what happened during the Battle of Dunkirk can be told through many different aspects and from many different viewpoints. This film succeeds in capturing the moments as the tension begins, the battles ensue, the devastation is done, the rescue has its own friction and the eventual triumph happens. It allows the viewer to relive the moment of all that happened. I even remember for a brief period of time that I thought the Allied soldiers would lose. Of course I learned in history that they did not lose, but the film succeeded in making me forget it sense that they might lose. That’s the magic of film.
The film is not just about giving a moment in history three different sub-plots. The film also captures the human element of the battle for those part of it. Although the characters are fictitious, they are based on real people from the Battle Of Dunkirk. First there’s young Tommy who goes from being the sole survivor of a battle to joining two other Allied survivors in a new fight for survival and shelter. There are the Dawsons who find themselves rescuing a shell-shocked soldier and seeing their friend George die because of his violent reactions. There’s the RAF pilot who goes from one one of the following pilot to leader of the battle as his leader is shot down. All three stories may not be exact true stories, but they capture the human side of the battle. In all three scenarios, it’s the story about surviving right as they’re witnessing death and destruction around them. It’s likely that what we see in the stories of Dunkirk are similar stories that thousands faced during the very battle. It’s even a reminder of why we should look at those who were part of the Battle, both soldiers and civilian participants, as heroes.
This film is arguably writer/director Christopher Nolan’s best film to date. He came across the idea of doing this film in the 1990’s as he and his wife sailed across the English Channel along the same path of the Dunkirk evacuation. This was no easy film to make. He had his concept of three different scenarios of the Battle Of Dunkirk. He not only had to give the human element to his stories, but also include the action of the battles and the intensity of the various moments. He did an excellent job of constructing such a story that was not only well-done and well-pieced, but was also able to engage the audience as well.
As for the acting, there was not a single stand-out role. Nolan even admitted he didn’t want to put emphasis on the characters for who they are, but instead on will they survive this. Even the role of Tommy was kept very minimal, but Fionn Whitehead did a very good job in his performance as the young soldier struggling to survive. I believe the best acting performance came from Mark Rylance as Peter the mariner who’s caught in the intense situation, but tries to remain cool and calm. Another standout is Tom Hardy as the Spitfire pilot who’s thrown into the leadership role. I know some that are loyal to One Direction may take interest in this because of the appearance of Harry Styles. His performance is good, but his role is limited.
The film needed to have top technical efforts in order to be successful and it had some of the best of the year. There was cinematographer Hoyte Van Hoytema who delivered excellent camera angles,editor Lee Smith who was able to piece the three stories together very well, production designers Nathan Crowley and Gary Fettis who did an excellent job of constructing seaside Europe in 1940, composer Hans Zimmer who delivered yet another score that fits the movie to a tee, and the visual effects team for recreating the battles and attacks that occurred.
On an Oscars note, the craziest thing about the months before December is that one does not know which films will have enough juice to qualify for a Best Picture nomination. It’s become very obvious in the last few decades that the big studios save the release for their ‘Oscar bait’ movies for December because they know how things work. Most of the time, a lot of excellent movies that get released in the summer or earlier often miss getting nominated for Best Picture. The year when it was best made obvious was 2002 when all five Best Picture nominees were films either released in December or given wide release in the New Year. Winning an Oscar or even getting nominated is as much about studios doing a strategy or ‘playing the game’ as it is about doing an excellent effort. Don’t forget this is showbiz. Even awards of merit like the Oscars, guild awards or even critics circle awards need to be campaigned and marketed for the win.
The expansion from five Best Picture nominees to a maximum of ten back in 2010 opened doors to a lot of films that were released in much earlier months to have better chances of earning a Best Picture nomination. Dunkirk is one of two films released before the month of November that received a Best Picture nomination. Even before the Oscar season began, Dunkirk was seen as a favorite to be nominated for Best Picture. I myself am relieve to see it as a ‘summer survivor.’
Dunkirk is not just a simple re-enactment of one of the first major battles of World War II. It delivers in the human side of the story as it delivers in the action of the battles. This explains why while the summer movie season of 2017 was known for being lackluster, this movie was a top highlight. And a top-quality highlight too.
If there’s one movie that’s had its box office results significantly after the nominations, It’s The Revenant. If you’ve seen it already, you’ll easily see why it could have done excellently even without the Oscar buzz.
It’s 1823 in an unsettled wilderness part of the northern area of the Louisiana Purchase. A group of trappers under the command of Captain Andrew Henry search for pelts until a surprise attack from Arikara Native Americans kills many from the camp and cause the survivors to flee on a boat. Part of the camp is Hugh Glass who is on friendly terms with the Natives–even being a widow to a Native American woman and fathering their ‘half-breed’ son Hawk who’s part of the camp– and knows the area well. At Glass’ recommendation, they abandon ship and walk on foot to return to their outpost Fort Kiowa. This does not settle well with some of the trappers including John Fitzgerald who has a hostile attitude towards Natives after being scalped years ago. He is noticeably hostile to Hawk.
Glass scouts ahead alone for a while but he is mauled by a mother bear protecting her cubs. The attack is brutal and Glass is severely mauled but he’s able to stab the bear. The other people in the camp find Glass but doubt his chances for survival. Henry commands to three men in the camp–Hawk, Fitzgerald and the young Jim Bridger–to stay with Glass until he dies and give him a proper burial. Fitzgerald tries to smother Glass when alone but Hawk stops him. Unfortunately stabbed is killed by Fitzgerald as Glass can only lie and watch. Fitzgerald attempts to bury Glass prematurely but stops when he sees Bridger flee and follows.
Abandoned with only a canteen, Glass is somehow able to survive and slowly heal. Days later, he’s able to heal to the point he can move, then crawl, then walk. As he heals he’s haunted by visions of his deceased wife. He even sees visions of her as he comes across an abandoned church. However he also has to deal with the Arikara whose chief is searching for his kidnapped daughter Powaqa and trusts no white man.
Both Fitzgerald and Bridger are heading to Fort Kiowa but Fitzgerald scares Bridger into being fully under his control. One at the Fort, Fitzgerald tells Henry that Glass died and Hawk was attacked by the Arikara. Henry gives both Fitzgerald and Bridger a cash reward. Fitzgerald accepts without guilt but Bridger refuses.
Glass encounters Hicuk, a friendly Pawnee who gives him food and shelter and helps him along the path back to Fort Kiowa. Hikuc has also lost his family. Upon hearing from Glass his intent for revenge, he tells Glass “Revenge is in the Creator’s hands.” The day after the blizzard, Glass wakes to find Hikuc hanged by French pelters. Not only that, he finds Powaqa being raped by leader of the French pelters. He’s able to kill the two leaders and free Powaqa but has to escape with Hikuc’s horse and Bridger’s canteen. An ambush by the Arikara causes Glass to flee on horse only to fall off a cliff. Glass survives but the horse is dead. Glass uses the horse’s carcass as a shelter overnight.
Meanwhile word has gotten around to Fort Kiowa that Glass is in fact alive. This is known as a French hunter brings Bridger’s canteen there. Henry however thinks it’s stolen from Hawk and organizes a search party but Fitzgerald knows the truth and flees. Henry finds Glass alive in the search. Infuriated, he charges Bridger with treason after returning to the Fort but Glass insists it’s all Fitzgerald’s doing.
The operation then goes to find Fitzgerald and bring him to justice. Henry however is caught by Fitzgerald in an ambush and is killed and scalped. It’s now up to Glass who hatches a plan to finally get his revenge. It works in catching Fitzgerald and having him shot but not without Fitzgerald being able to run off. It then comes down to a fight between the two for Glass to get his revenge. It ends with Glass making a decision and an ending we’re all left to decide for ourselves Glass’ fate.
Now just to get things straight, this is not the true story of Hugh Glass getting revenge on John Fitzgerald. In fact historic documentation shows Glass let Fitzgerald live because he knew the heavy penalty of killing a soldier in the U.S. Army. Fitzgerald became a soldier in the U.S. army and was stationed in Fort Atkinson, Nebraska. Fitzgerald did give Glass his rifle back.
This film is actually a revenge story adapted from the 2002 novel The Revenant: A Story Of Revenge by Michael Punke. I think the focus of the film is more about telling the story than it is about retelling history. I have not read Punke’s novel but I’m sure that was how Punke would have wanted Fitzgerald to face the music upon abandoning Glass to die. There is actually very little information about who John Fitzgerald was or even what type of person he was in real life. We have the historical documentation of what happened to Glass and what happened in his pursuit of Fitzgerald but not much else. The novel was not only Punke’s chance of creating his own revenge fantasy in Fitzgerald but giving Fitzgerald a character of his own. The film helps Punke’s story come alive and even paint a picture of Glass, Fitzgerald, the times, the terrain and the domain of all that happened.
This revenge story is not your typical revenge story you’d see in your typical Hollywood movies or even from the likes of Quentin Tarantino. This revenge story is also a story of survival and also shows a human side of the perpetrator Hugh Glass. Yes, he was as tough as a frontiersman and a trapper of the time should be. However he did have a soft side. He still has feelings towards his deceased wife who was a Native American woman and he truly loved his son despite others seeing him as a ‘half-breed.’ He also had to be tough as he needed to survive the brutal bear attack and recover from his wounds in order to pursue Fitzgerald. He also had to develop the will to live knowing that his son was killed by Fitzgerald. He also had to be right in his mind in deciding what he had to do to Fitzgerald in the end.
I will admit there were times when I questioned if this film was becoming too much of a tall tale. One example is when seeing Glass pursue Fitzgerald in what appeared to be just days before his attack. I often asked: “Would someone who suffered such a brutal bear attack recover in that fast of a time?” Even that scene where Glass and his horse fall off a cliff. The snowy tree broke Glass’ fall and helped him live without any severe bodily damage but the horse died. That scene also had me scratching my head. Maybe those scenes and the elapsed time were also part of Punke’s novel. Nevertheless it still had me questioning its believability.
First off I’d like to give respect to Alejandro Gonzalez Inarritu for delivering an excellent movie. He may be renowned for his ‘filmwork’ but here he takes his first steps in directing a movie intended to draw big crowds while still maintaining some top film making qualities. Very little was compromised and the end result was excellent as it both succeeds as a film and as a movie. I’ll admit I was unhappy about Birdman winning Best Picture last year because it didn’t give much for a film audience to either enjoy or appreciate. Yes, it had top-notch acting, directing and scriptwriting but who truly enjoyed it? This is ten times more enjoyable while still maintaining top acting and directing. Yes, there were some scenes that can scare many. In fact I’ll admit the film made me hope I never walk in the woods again. Nevertheless it was a very good movie full of drama and thrills. As I said, I have never read Punke’s novel but the script Inarritu co-wrote with Mark L. Smith definitely makes the novel come alive. I know the script was not nominated for an Oscar. However the unspoken scenes in the movie told as much as the scripted scenes.
The film would simply be a popcorn movie if it weren’t for the acting. Leonardo DiCaprio did an excellent job of Hugh Glass. He said a lot especially in the scenes where Hugh Glass was unable to speak. His performance was as much about telling a lot through physical actions as it was through dialogue. Hey, it’s been said 80% of communication is non-verbal and Leo was able to say a lot in those scenes. That’s why I’d be shocked if he doesn’t win the Oscar. Also just as excellent is Tom Hardy. He didn’t play your typical rotten-to-the-core villain. He gave John Fitzgerald some fears and insecurities to the role and conveyed them well. Nevertheless he also made Fitzgerald hateable as a remorseless villain who even calls the dead Hawk a ‘pussy’ in Glass’ face. Additional performances of respect include Bill Poulter as Jim Bridger, the young trapper who possesses the conscience Fitzgerald lacks, and Forrest Goodluck as Hawk.
Additional qualities of acclaim is the cinematography from Emmanuel Lubezki, the costuming by Jacqueline West including its use of furs and hides, the film editing by Stephen Mirrione, the visual effects including that of the bear attack, the excellent use of both natural settings and constructed sets that fit the times and scenes perfectly and the film’s score by Ryuichi Sakamoto, Carsten Nicolai and Bryce Dessner.
An additional note. I also give the film respect for its treatment of Native Americans. I may have been a baby when Sacheen Littlefeather refuted Marlon Brando’s Oscar on his behalf and spoke of his protest to the on-screen depiction of Native Americans or First Nations peoples as Canadians commonly refer to them as. However I already know of Hollywood’s past and how they’re famous for shelling out ‘cowboys and indians’ movies from decades past. I can completely understand why Brando would have been angry with that depiction as Brando has had a history of activism in the 1970’s on behalf of people of various races. I will admit Hollywood has been better at its depiction of indigenous Americans from films like 1990’s Dances With Wolves and even the character of Chief in One Flew Over The Cuckoo’s Nest that was shown in theatres a mere three years after Brando’s Oscar protest. I’m sure there are some people that can spot imperfections in Hollywood’s current treatment of Native Americans including in this film but I found it hard to pinpoint a scene that was insulting to them. Sure there were battles with tribes and there were bigoted attitudes among many white characters but there were many positive Native American characters in this movie. In addition the main protagonist Hugh Glass had positive interaction with the Native people including marrying one and treating his son with love while many despised him as a ‘half-breed.’
The Revenant isn’t just a dazzling movie. It’s one that will keep you intrigued from start to finish and not know what to expect next.
Here I am back to my blogging habit. Yes, I have quite the backlog in terms of movie reviews. I have the energy to post now and I’m able to post a double review of two of the hottest movies of the summer: Jurassic World and Mad Max: Fury Road. Both were either sequels or part of a franchise. Both cost $150 million each to make. Both are different in terms of the audience they can win over and both have differing success results.
MAD MAX: FURY ROAD
Yes, it’s been a long time since there’s been a Mad Max movie: 30 years to be exact. George Miller is back in directing this Mad Max movie, or picking up where he left off as one could assume. And believe me this movie was quite something else.
Right at the beginning you’re left wondering what kind of world this is. The world is a complete bizarre wasteland and the whole universe in existence is fighting each other and Max. Mind you even the bad guys are insane enough that Joe uses Max as a universal blood donor and has five wives for the sake of breeding purposes. Over time, some of the people become Max’s friend in order to save civilization from Joe.
Already that’s a lot of craziness most fans of the original three Mad Max movies would find hard to fathom but watching the movie even gives it enough craziness for any movie viewer hard to fathom. Even the people all act like they’re all on something–crack, smack, speed–and it’s not just the bad guys. Just one insane place full of insane people. However what would have to make people adjust to this new version of the Max Max franchise would have to be good characters. First would have to be Furiosa. Right in the middle of the movie, you could see the pain in which she’s going through. It’s also a pain shared by the other four wives of Joe. Once these characters were made more human, it made for something for people to connect to the story. In addition is the connection of the character Nux. Nux was very unhuman but his human side was more noticeable later on and it gave cause for people to feel for him even as he sacrifices himself.
The character work couldn’t have been done firstly without Charlize Theron as Furiosa. It’s her performance that made people feel the pain of Furiosa. There’s even talk of Oscar buzz for Charlize this early. Nicholas Hoult’s performance help turn a beast of a character like Nux into a character with dimension and actually makes the audience feel for him. Tom Hardy did a good job as Max Rockatansky. I’m sure in this film he had the duty to try to fill Mel Gibson’s shoes. I don’t know if he did it but he did a good job as Max.
George Miller did a good job not just in directing the movie and co-writing the script with two additional writers. He also created the bizarre world in which Mad Max and his allies had to survive in and fight for their freedom. Also instrumental in creating this bizarre world are the set designers, costumers and the visual effects team. The music from Junkie XL also adds to the drama and the insanity of the movie.
Of the $150 million Mad Max: Fury Road cost to make and produce, it has so far made $152.6 million in North America and $368.6 million worldwide. Not huge spectacular numbers as far as summer movie fare goes but pleasant enough for a sequel– Mad Max The Wasteland— planned for either 2017 or 2018. It has even impressed critics that it received 98% on Rotten Tomatoes. Who says all summer movies are money-grabbing junk?
Mad Max: Fury Road may not be exactly the type of movie most would expect, not even fans of the original Mad Max movies, but it exceeds the expectations of whatever you throw at it. I know for me it didn’t appear at all like what I normally expect from a sequel. And many of you already know what I feel about Hollywood sequels. I don’t even think this is even a sequel. Mad Max may just be a franchise instead of a chronological series. Nevertheless it’s way better than most common summer fare.
Already you know a movie like Jurassic World will be a hit simply because of the title. This is the few times where judging a book by its cover is legit. Whether the movie is all that great remains to be seen.
The film doesn’t really carry on the tradition of the Jurassic Park book of Michael Crichton. Instead it’s a new story concocted by Rick Jaffa and Amanda Silver and adapted to screen by Jaffa and Silver along with Derek Connolly and Colin Trevorrow who directs the movie. What happens is Jurassic Park is long defunked especially after the fatalities. The writers and directors create a story in a new park, Jurassic World. Jurassic World is a theme park that`s a whole island that includes exhibits that make it both a museum and like one of those safari parks one can drive through.
Clever work for a popcorn movie but over time, you feel the story is as simplistic as one would expect from a Hollywood story. A park worker is a woman out of love while looking after her about-to-be-divorced sister`s kids and dealing with the dinosaur trainee whom she finds charming but had a flop first date with. Sometimes it seems as though the characters seem too simplistic as well: Owen as the charming but stuffy trainer, Claire as the out-of-love-and-depressed type, Vic as the slacker security operations person, Grey as the cute kid with sad puppy dog eye and his bother Zach as the typical bored miserable teen who somehow gets cheered up by the dinosaurs.
Even the drama becomes a bit predictable over time. You sense there would have to be some sort of havoc at the World to get the story rolling. Sure enough, the escape of Indominus is what starts the drama. You have to admit it was a tad predictable. Even how the two boys become threatened in the ensuing drama is predictable too. I will admit the one unpredictable thing was when Indominus breaks into the park`s pterosaur aviary and has them all on the loose chasing all the other park visitors. I did not expect that nor did I expect the whole Jurassic World to look like a war zone at the end. I give that credit.
Overall, Jurassic World came across as a common popcorn movie where a lot of the excitement was either missing or anticipated right from the start. It`s a movie that appears undecided whether it wants to be charming or a thriller. I kind of blame it on the lack of Spilberg magic that came with the first Jurassic Park movie. I also kind of blame it on some of the character acting that appears so stocky like Bryce Dallas Howard playing another unlucky in love type, Vincent D`Onofrio playing an all-to-common slacker player and Ty Simpkins playing a typical cute kid with sad puppy dog eyes. The one good performance although in a typical popcorn movie character was from Chris Pratt. He was able to make his character of Owen Grady charming and even a bit charismatic. I also give credit to the set design team for creating this island where Jurassic World is situated on and credit to the visual effects team for delivering top notch visual effects and even delivering some thrills to the movie. Although I said the action was mostly predictable, it did deliver in some thrills.
Jurassic World wasn`t too much of a critical darling as it received 71% on Rotten Tomatoes. Good but it could be better. However the big payoff came for Jurassic World at the box office as it broke a ton of records. It all started in breaking the opening weekend record and becoming only the second movie ever to have an opening weekend that grossed more than $200 million (the 2012 Avengers movie is the first ever) and it`s been growing ever since:
- All-Time Opening Weekend: $208.8 million.
- All-Time second weekend: $106.7 million
- Fastest to $500 million (North America): 17 days
- Worldwide Opening Weekend: $524.4 million
- Fastest to $1 billion (Worldwide): 13 days
That`s just a sample of the records Jurassic World broke. I`m sure you`ll find more at Box Office Mojo. I don`t think it will break the all-time gross records especially as it finds itself out of the Top 10 in its ninth week. It may eclipse Titanic as the second-highest grossing movie in North America but it would still need at least $100 million more to contend to beat Avatar`s record.
Sure enough, there will be a Jurassic World sequel. It`s not clear if Trevorrow will return as director but he will write and produce it. Bizarre because if the Jurassic World wreaked that much havoc on that many visitors, you`d figure Jurassic World would mark the absolute end of any Jurassic theme parks. Hey, money talks especially in Tinseltown.
Jurassic World and Mad Max: Fury Road were two of the big movies of the summer of 2015. One didn`t do as well as expected while one was a record-breaker. One had a better story and better character than the other. Both gave a good statement of what the summer movie season of 2015 was like.