Admit it. This summer was one of the most lackluster summers in a long time. Very few reasons to get people to come to the cinemas. Dunkirk, however, was one of the films that gave people one of the best reasons to go to the cinemas. One can see why.
The film does share some minor similarities with Titanic. Firstly, it’s a film that features a lot of action as part of the story. This being about the Battle of Dunkirk and the evacuation would be a film that would feature a lot of action and a lot of intense drama. Also like Titanic, it features some fictional stories or story lines inside a moment of history. Like Titanic, they also include historical figures who were part of the Battle, however even there the depictions of incidents do stray away from what really happened and go for the story.
Basically film is so loose, I’m okay with seeing a fictional depiction of moments in history as long as I’m made aware of its fiction. This film is a very good, very complex story of the Evacuation of Dunkirk. We should remember that the Battle Of Dunkirk was very important in the history of World War II. It was the first sign to the Allied forces that Hitler and the Nazi army had a vulnerable side and that the Nazis could be the losing side of World War II, despite how menacing Hitler and the German forces appeared. The rescue mission that accompanied it is a sign of the heroism as 300,000 Allied soldiers survived. The story focuses on three different aspects of the Battle– land, sea and air– and captures in the time frame of a week about what the heat of the moment must have been like for soldiers, civilians, casualties and leaders. The stories of what happened during the Battle of Dunkirk can be told through many different aspects and from many different viewpoints. This film succeeds in capturing the moments as the tension begins, the battles ensue, the devastation is done, the rescue has its own friction and the eventual triumph happens. It allows the viewer to relive the moment of all that happened. I even remember for a brief period of time that I thought the Allied soldiers would lose. Of course I learned in history that they did not lose, but the film succeeded in making me forget it sense that they might lose. That’s the magic of film.
The film is not just about giving a moment in history three different sub-plots. The film also captures the human element of the battle for those part of it. Although the characters are fictitious, they are based on real people from the Battle Of Dunkirk. First there’s young Tommy who goes from being the sole survivor of a battle to joining two other Allied survivors in a new fight for survival and shelter. There are the Dawsons who find themselves rescuing a shell-shocked soldier and seeing their friend George die because of his violent reactions. There’s the RAF pilot who goes from one one of the following pilot to leader of the battle as his leader is shot down. All three stories may not be exact true stories, but they capture the human side of the battle. In all three scenarios, it’s the story about surviving right as they’re witnessing death and destruction around them. It’s likely that what we see in the stories of Dunkirk are similar stories that thousands faced during the very battle. It’s even a reminder of why we should look at those who were part of the Battle, both soldiers and civilian participants, as heroes.
This film is arguably writer/director Christopher Nolan’s best film to date. He came across the idea of doing this film in the 1990’s as he and his wife sailed across the English Channel along the same path of the Dunkirk evacuation. This was no easy film to make. He had his concept of three different scenarios of the Battle Of Dunkirk. He not only had to give the human element to his stories, but also include the action of the battles and the intensity of the various moments. He did an excellent job of constructing such a story that was not only well-done and well-pieced, but was also able to engage the audience as well.
As for the acting, there was not a single stand-out role. Nolan even admitted he didn’t want to put emphasis on the characters for who they are, but instead on will they survive this. Even the role of Tommy was kept very minimal, but Fionn Whitehead did a very good job in his performance as the young soldier struggling to survive. I believe the best acting performance came from Mark Rylance as Peter the mariner who’s caught in the intense situation, but tries to remain cool and calm. Another standout is Tom Hardy as the Spitfire pilot who’s thrown into the leadership role. I know some that are loyal to One Direction may take interest in this because of the appearance of Harry Styles. His performance is good, but his role is limited.
The film needed to have top technical efforts in order to be successful and it had some of the best of the year. There was cinematographer Hoyte Van Hoytema who delivered excellent camera angles,editor Lee Smith who was able to piece the three stories together very well, production designers Nathan Crowley and Gary Fettis who did an excellent job of constructing seaside Europe in 1940, composer Hans Zimmer who delivered yet another score that fits the movie to a tee, and the visual effects team for recreating the battles and attacks that occurred.
On an Oscars note, the craziest thing about the months before December is that one does not know which films will have enough juice to qualify for a Best Picture nomination. It’s become very obvious in the last few decades that the big studios save the release for their ‘Oscar bait’ movies for December because they know how things work. Most of the time, a lot of excellent movies that get released in the summer or earlier often miss getting nominated for Best Picture. The year when it was best made obvious was 2002 when all five Best Picture nominees were films either released in December or given wide release in the New Year. Winning an Oscar or even getting nominated is as much about studios doing a strategy or ‘playing the game’ as it is about doing an excellent effort. Don’t forget this is showbiz. Even awards of merit like the Oscars, guild awards or even critics circle awards need to be campaigned and marketed for the win.
The expansion from five Best Picture nominees to a maximum of ten back in 2010 opened doors to a lot of films that were released in much earlier months to have better chances of earning a Best Picture nomination. Dunkirk is one of two films released before the month of November that received a Best Picture nomination. Even before the Oscar season began, Dunkirk was seen as a favorite to be nominated for Best Picture. I myself am relieve to see it as a ‘summer survivor.’
Dunkirk is not just a simple re-enactment of one of the first major battles of World War II. It delivers in the human side of the story as it delivers in the action of the battles. This explains why while the summer movie season of 2017 was known for being lackluster, this movie was a top highlight. And a top-quality highlight too.
Most of you have already seen my first summary or even my second summary. This last summary will have a look at the last three Best Picture nominees I saw. They were Lion, Hidden Figures and Hell Or High Water.
Lion is one of those films which came out of nowhere to surprise everyone who has been lucky to see it.
We have seen many against-all-odds stories in the past. This is something because this is a true story of something that really was against all odds. It wasn’t just about making it happen but also of the family relations Saroo has developed over his lifetime. What will happen? Will he leave the family he’s always known? Is the family he’s searching for still alive? The best quality of this story is that it keeps us intrigued and hoping Saroo reunites, but also has us concerned of what will happen after.
Another quality of this story is that it does not forget the cause of the problem. Saroo is seen as the lucky one who was able to reunite with his family after all these years. However throughout the film, especially at the beginning, we see the cause of the problem. Saroo was unsupervised when he boarded the express train. The language barriers caused problems. Even Saroo’s mispronunciation of Bengali words caused problems. The train stations of Calcutta are loaded with stray children ready for abductors to prey on, and station police looking the other way. Even the missing posters advertised before his adoption were no good as his mother is illiterate. India failed Saroo and Saroo succeeded thanks to Google Earth and his fierce will. The film at the end lets people aware of the problem; 80,000 children go missing in India each year. The film’s website informs people of how they are making a difference in aiding to protect children in India.
This film is an accomplishment for the Australian film industry. I don’t know if Australia has ever had a film nominated for Best Picture before. This is director Garth Davis’ first ever feature length film. Bet you wouldn’t believe that. Luke Davies did an excellent job in adapting Saroo’s biography into a winning screenplay that keep the audience intrigued and hoping for the best in the end. Dev Patel’s performance as Saroo was the highlight as he did a great portrayal of a young man who’s angry on the inside and knows what he needs to do. Nicole Kidman was also excellent as the mother who appears grateful on the outside but has some inner hurt waiting to come out. Young Sunny Pawar was also very good playing the young Saroo. He was cute but he didn’t take it overboard. He played his part well. The film also featured top notch cinematography from Greig Fraser and excellent original music from Dustin O’Halloran and Hauschka.
Lion is an excellent film featuring a story you won’t forget. A surprise contender this year and a worthy one.
It’s good that we have a film like Hidden Figures to tell us about a piece of history that we never knew about.
The film comes at the right time as it deals with a lot of situations that are relevant in our world. This may be set in the early 60’s and revolves around a moment in space history but it has a lot of situations relevant to today. One is of workplace racism. It’s not as bad now as it is then but there are still a lot of unsolved problems. The second is of technology being so good, it can replace workers. These three women had iron wills. They knew they had potential, they knew they had what it takes and they wouldn’t let racism or the threat of modern technology stop them from reaching for their achievements.
The year of 2016 was a crushing year. It was a year that constantly reminded us that there was still a lot of racism to overcome. Despite the improvement over the decades, it was able to show its ugly head with low employment rates and police beatings. This is a film that reminds us that racism can be overcome. When you look at it, the women were doing this all during a turning point in the history of African Americans. African Americans in Virginia had less rights than they do now and discrimination was perfectly legal. Back then there were still separate washrooms for colored people, separate library books for white and colored people, and police beatings during civil rights marches. The women overcame these barriers and they opened doors for other colored people for generations to come.
This is only the second film Theodore Melfi has directed and written. This is the first feature-length script Alison Schroeder has written. Does come across as like something you’d get from Hollywood, but it’s not a weakness. It does all the right moves. Taraji Henson was great as the protagonist Katherine Goble-Johnson, but the show-stealer was Octavia Spencer. She was not only good at playing a woman who wouldn’t let technology kill her job, and the jobs of 30 other black women, but she was a colorful scene-stealer too. Janelle Monae completes the trio as one who just wouldn’t say die to her ambitions. The male actors were mostly supporting roles but Mahershala Ali was the biggest one as Jim Johnson, Katherine’s new husband. The mix of Motown music mixed in with the original score from Hans Zimmer, Pharrell Williams and Benjamin Wallfisch also added to the spirits of the movie.
Hidden Figures showcases a little-known fact about a big moment in American space history. It’s also the right uplifting movie needed at this time.
HELL OR HIGH WATER
I missed Hell Or High Water when it first came out in the theatres in August. I admit I was caught up in the summer fare and I overlooked it. I finally saw it recently and I’m glad I did.
One thing is I miss seeing is crime comedies. You know, the dark comedies featured in crime stories. This film has a good amount of comedy to it with their failures at robbing first. Even the situation where the brothers rob the Texas Midlands Bank and pay the mortgages they have with the bank off with the robbery money is full of surprising irony. It’s not even the robbery spree that has all the comedy. There’s the comedy when the rangers visit the places they question. There’s even comedy with that hard waitress at a restaurant they eat at: “What don’t you want?” The comedy doesn’t last as the story gets darker later on. However it does end on an ironic note as the now-retired Officer Hamilton does meet up with Toby Howard, perfectly free, and inquires of the robberies he and brother Tanner committed together.
One thing about this crime drama is that it has a lot to say. We have two brothers–Tanner who appears to have no redeeming values and Toby who’s as cool as a cookie– robbing various branches of the same bank. You see signs advertising debt relief. You hear from people– both family and people the brothers run into– talking of their own economic hardships. You see the indigenous people, who are still referred to as ‘Indians’ with their own outlook on things. Mostly negative. Looks like this story has a lot to say. Even hearing Alberto Parker say that he believes the true criminal is the Texas Midlands Bank does get you thinking. Maybe it’s the Bank that are the true robbers around here.
This is actually the first American production from Scottish director David MacKenzie. He has a reputation back in the UK with films like Young Adam, Hallam Foe and Starred Up. His first American production is top notch and really delivers as both a crime story and an offbeat Western. This is also an accomplishment for writer Taylor Sheridan. Already having made a name for himself in Sicario, he delivers again in what is actually his second feature-length script. Of all acting performances, Jeff Bridges is the one that was the best. He delivered a top job in character acting from head to toe. He was completely solid in character. Chris Pine was also good as the brother Toby who’s smart, tries to play it cool and possibly the one person in the world who could see redeeming qualities in brother Tanner. Ben Foster was also a scene-stealer as Tanner who a complete ruthless loose cannon who appears to have a bone to pick with everyone over anything and possesses a false sense of invincibility. Gil Birmingham was also good coming across as the wise partner who plays it cool. The country music in both recorded format and original from Nick Cave and Warren Ellis fit the film perfectly.
Hell Or High Water makes for an intense thrill ride that’s big on thrills but also takes you to the heat of the moments. The story even gets you thinking. Now why did I miss it during the summer?
That does it. My final summary of the Best Picture nominees for 2016. After seeing Hell Or High Water, that makes it 16 straight years of seeing all the Best Picture nominees before Oscar night. My predictions for the wins coming on Saturday.