Most of you have already seen my first summary or even my second summary. This last summary will have a look at the last three Best Picture nominees I saw. They were Lion, Hidden Figures and Hell Or High Water.
Lion is one of those films which came out of nowhere to surprise everyone who has been lucky to see it.
We have seen many against-all-odds stories in the past. This is something because this is a true story of something that really was against all odds. It wasn’t just about making it happen but also of the family relations Saroo has developed over his lifetime. What will happen? Will he leave the family he’s always known? Is the family he’s searching for still alive? The best quality of this story is that it keeps us intrigued and hoping Saroo reunites, but also has us concerned of what will happen after.
Another quality of this story is that it does not forget the cause of the problem. Saroo is seen as the lucky one who was able to reunite with his family after all these years. However throughout the film, especially at the beginning, we see the cause of the problem. Saroo was unsupervised when he boarded the express train. The language barriers caused problems. Even Saroo’s mispronunciation of Bengali words caused problems. The train stations of Calcutta are loaded with stray children ready for abductors to prey on, and station police looking the other way. Even the missing posters advertised before his adoption were no good as his mother is illiterate. India failed Saroo and Saroo succeeded thanks to Google Earth and his fierce will. The film at the end lets people aware of the problem; 80,000 children go missing in India each year. The film’s website informs people of how they are making a difference in aiding to protect children in India.
This film is an accomplishment for the Australian film industry. I don’t know if Australia has ever had a film nominated for Best Picture before. This is director Garth Davis’ first ever feature length film. Bet you wouldn’t believe that. Luke Davies did an excellent job in adapting Saroo’s biography into a winning screenplay that keep the audience intrigued and hoping for the best in the end. Dev Patel’s performance as Saroo was the highlight as he did a great portrayal of a young man who’s angry on the inside and knows what he needs to do. Nicole Kidman was also excellent as the mother who appears grateful on the outside but has some inner hurt waiting to come out. Young Sunny Pawar was also very good playing the young Saroo. He was cute but he didn’t take it overboard. He played his part well. The film also featured top notch cinematography from Greig Fraser and excellent original music from Dustin O’Halloran and Hauschka.
Lion is an excellent film featuring a story you won’t forget. A surprise contender this year and a worthy one.
It’s good that we have a film like Hidden Figures to tell us about a piece of history that we never knew about.
The film comes at the right time as it deals with a lot of situations that are relevant in our world. This may be set in the early 60’s and revolves around a moment in space history but it has a lot of situations relevant to today. One is of workplace racism. It’s not as bad now as it is then but there are still a lot of unsolved problems. The second is of technology being so good, it can replace workers. These three women had iron wills. They knew they had potential, they knew they had what it takes and they wouldn’t let racism or the threat of modern technology stop them from reaching for their achievements.
The year of 2016 was a crushing year. It was a year that constantly reminded us that there was still a lot of racism to overcome. Despite the improvement over the decades, it was able to show its ugly head with low employment rates and police beatings. This is a film that reminds us that racism can be overcome. When you look at it, the women were doing this all during a turning point in the history of African Americans. African Americans in Virginia had less rights than they do now and discrimination was perfectly legal. Back then there were still separate washrooms for colored people, separate library books for white and colored people, and police beatings during civil rights marches. The women overcame these barriers and they opened doors for other colored people for generations to come.
This is only the second film Theodore Melfi has directed and written. This is the first feature-length script Alison Schroeder has written. Does come across as like something you’d get from Hollywood, but it’s not a weakness. It does all the right moves. Taraji Henson was great as the protagonist Katherine Goble-Johnson, but the show-stealer was Octavia Spencer. She was not only good at playing a woman who wouldn’t let technology kill her job, and the jobs of 30 other black women, but she was a colorful scene-stealer too. Janelle Monae completes the trio as one who just wouldn’t say die to her ambitions. The male actors were mostly supporting roles but Mahershala Ali was the biggest one as Jim Johnson, Katherine’s new husband. The mix of Motown music mixed in with the original score from Hans Zimmer, Pharrell Williams and Benjamin Wallfisch also added to the spirits of the movie.
Hidden Figures showcases a little-known fact about a big moment in American space history. It’s also the right uplifting movie needed at this time.
HELL OR HIGH WATER
I missed Hell Or High Water when it first came out in the theatres in August. I admit I was caught up in the summer fare and I overlooked it. I finally saw it recently and I’m glad I did.
One thing is I miss seeing is crime comedies. You know, the dark comedies featured in crime stories. This film has a good amount of comedy to it with their failures at robbing first. Even the situation where the brothers rob the Texas Midlands Bank and pay the mortgages they have with the bank off with the robbery money is full of surprising irony. It’s not even the robbery spree that has all the comedy. There’s the comedy when the rangers visit the places they question. There’s even comedy with that hard waitress at a restaurant they eat at: “What don’t you want?” The comedy doesn’t last as the story gets darker later on. However it does end on an ironic note as the now-retired Officer Hamilton does meet up with Toby Howard, perfectly free, and inquires of the robberies he and brother Tanner committed together.
One thing about this crime drama is that it has a lot to say. We have two brothers–Tanner who appears to have no redeeming values and Toby who’s as cool as a cookie– robbing various branches of the same bank. You see signs advertising debt relief. You hear from people– both family and people the brothers run into– talking of their own economic hardships. You see the indigenous people, who are still referred to as ‘Indians’ with their own outlook on things. Mostly negative. Looks like this story has a lot to say. Even hearing Alberto Parker say that he believes the true criminal is the Texas Midlands Bank does get you thinking. Maybe it’s the Bank that are the true robbers around here.
This is actually the first American production from Scottish director David MacKenzie. He has a reputation back in the UK with films like Young Adam, Hallam Foe and Starred Up. His first American production is top notch and really delivers as both a crime story and an offbeat Western. This is also an accomplishment for writer Taylor Sheridan. Already having made a name for himself in Sicario, he delivers again in what is actually his second feature-length script. Of all acting performances, Jeff Bridges is the one that was the best. He delivered a top job in character acting from head to toe. He was completely solid in character. Chris Pine was also good as the brother Toby who’s smart, tries to play it cool and possibly the one person in the world who could see redeeming qualities in brother Tanner. Ben Foster was also a scene-stealer as Tanner who a complete ruthless loose cannon who appears to have a bone to pick with everyone over anything and possesses a false sense of invincibility. Gil Birmingham was also good coming across as the wise partner who plays it cool. The country music in both recorded format and original from Nick Cave and Warren Ellis fit the film perfectly.
Hell Or High Water makes for an intense thrill ride that’s big on thrills but also takes you to the heat of the moments. The story even gets you thinking. Now why did I miss it during the summer?
That does it. My final summary of the Best Picture nominees for 2016. After seeing Hell Or High Water, that makes it 16 straight years of seeing all the Best Picture nominees before Oscar night. My predictions for the wins coming on Saturday.
Seeing the documentary Painted Land reminded me just how much we Canadians lack the knowledge of our artistic history.
The film is more than a documentary of art. It’s also a documentary of three adventurers retracing the trips taken by the seven Canadian artists known as the Group of Seven. For those who don’t know, the Group Of Seven were a group of seven Canadian artists from Ontario whom in the 20’s and 30’s visited landscapes of Ontario and painted images of what they saw in their own way. Many can say they were the first artists to define Canadian art. The Seven still rank among Canada’s most renowned artists.
In this documentary are three adventurers: author Joanie McGuffin, photographer Gary McGuffin and art historian Michael Burtch. They go on a journey along the various trails, coastlines and waterlines to retrace the route taken by the Seven and even see for themselves the natural places of Canada depicted in their paintings. The trip would involve many years of research, canoeing, portaging, mountain climbing and bushwhacking to retrace their steps and learn of their inspiration. At times, they’d even bring people along like the McGuffin’s daughter or other teens interested in art.
The documentary is a documentation of their trip as well as a history lesson of the Group of Seven. We’re introduced to Tom Thomson who influenced the Seven shortly before he died mysteriously in 1919. We’re taken on the same journey the Seven took as they took their art from place to place and painted what they saw in their own unique way. Frequently we see images of the landscapes and how they match the paintings they painted. We learn of how each of the Seven dealt with each part of the journey and each town or camp area they took up. We occasionally see some moments of the Seven re-enacted by actors. We’re even taken to a cabin they once held during their journey. It’s an interesting tale as we learn from each story, each trail, each visit and each assimilation of the landscape with the painting that would become the ‘painted land.’
We even learn about the negative reception they received as their art premiered. Some people were unhappy with what they saw. Oddly some thought Canada was not ready to have what defined Canadian Art. Keep in mind Canada was just slightly over 50 years old at the time. The most fascinating comment I heard from one art pundit was she hated the paintings so much, she was afraid if she looked any longer, she might love them! Odd.
I found this documentary very valuable. I feel this is a great lesson for anyone who’s into art, Canadian or not. I especially feel that Canadian artists should see this as this will give them a good sense of their artistic history, even if the painting style of the Group Of Seven is not their style at all. I feel we as Canadians lack the knowledge of our renowned artists. I myself only learned of the Group Of Seven just as I was watching this documentary. Here in B.C., we’re mostly familiar with Emily Carr, who is one of Canada’s best artists in her own right. Nevertheless I found learning of the Group Of Seven very valuable and informative. I give the documentary big kudos for that.
For the most part, I feel this is not really a big screen documentary. Even seeing TVO, which is for the educational channel TV Ontario, at the end credits makes it obvious this is a documentary meant for television airing. I think if it were to be aired on the big screen, it would have to be in an art gallery that has a theatre screen or a performance stage, like the Winnipeg Art Gallery. It’s possible to show it on an art gallery theatre screen whether or not there’s a Group Of Seven exhibit.
Painted Land: In Search Of The Group Of Seven may be more of a television documentary than a big screen documentary. Nevertheless it’s a good educational documentary for both art and history.