The subject matter of The Post doesn’t sound like the type of subject matter that would win a big crowd, but it is a film worth seeing.
The story goes back in 1966 during the Vietnam War. Military analyst Daniel Ellsberg is in Vietnam with General Robert McNamara to document the progress of the war. McNamara admits to Ellsberg and President Johnson that the war is hopeless but has confidence in the effort, leaving Ellsberg disillusioned.
Years later, Ellsberg is now working for a military contractor and comes across classified documents showing the US’s decades-long involvement in the conflict in Vietnam going back to just a few years after World War II ended. Ellsberg discloses the documents to the New York Times.
It’s 1971. Katharine Graham is head of the Washington Post. It’s been a position she mastered with a lot of difficulty as it’s commonly seen as a ‘man’s position.’ Even though her family founded the Post, the position of the head went to her husband Philip instead of her. It was right after Philip’s suicide that Katharine became head. It’s not easy for a female to be head of a newspaper. Especially someone like Graham who has a good work ethic, but lacks experience and is constantly overruled by the aggressiveness of the men of the Post. On top of that, she seeks to gain an IPO for a stock market launch to propel the Post to greater strength. The Washington Post however is second-fiddle to the New York Times which always has the biggest news scoops, even the scoops of what’s happening in Washington.
Editor-in-chief Ben Bradlee is one of the men who work for her. He tries in vain to be one step ahead of the New York Times in coming up with the latest scoops, but falls short each time. Meanwhile McNamara, who is a friend of Graham’s, confesses to her of how he’s the subject of bad news in the New York Times. It’s through their constant expose of the government’s deception of the American public. However a court injunction blockades any further publication of such news by the Times.
Ellsberg is willing to provide the documents and opportunity to the Post to publish the stories. As they look through the stories to publish, lawyers to the Post advise against publishing the story, fearing the Nixon administration will press criminal charges. Graham seeks advice from McNamara, Bradlee and Post chairman Fritz Beebe of whether to publish. It’s made even more frustrating when the lawyer note that since the sources are the same as the New York Times, Graham herself could be charged with contempt of court. It’s a gamble. Graham risks terminating the newspaper her family established. Alternatively, the Post won such a legal battle, it would establish itself as a major journalism source, much on the same level as the New York Times.
She agrees to have the story published. The White House retaliated by taking both the Times and the Post to the Supreme Court to argue their case of publishing classified document information being a First Amendment Right. Both newspapers receive almost unanimous support from the other newspapers in the US and they win their Supreme Court battle 6-3. An infuriated Nixon bans the Post from the White House. And the rest is infamy… for Nixon.
The film is more than just about a top secret story that needed to be exposed and makes journalism history. The story is also about the newspaper behind the story. We shouldn’t forget that this came at a time when The New York Times was the newspaper that delivered the biggest news about what was happening in the Oval Office and the ones to do it first. Even though the Washington Post was the newspaper of Washington, DC, it was more of a second-fiddle newspaper like the newspapers of the rest of the cities. The New York Times lead and all other newspapers, including the Washington Post followed. This story allowed the Washington Post take pole position towards what was happening in Washington. This would also allow for the Washington Post to be the prime newspaper to go to upon the breaking of the Watergate Scandal. Even despite the Post competing against the Times, they united when they faced the heat of the freedom-of-speech debate and won together.
The film is not simply about a history-making story, a legal breakthrough or even a milestone for a newspaper. It’s also the personal story of Katharine Graham and how she had to achieve greatness for herself. Katharine Graham was born into the paper and assumed control of it right after her husband died. It was always tradition that a man headed the newspaper. After the suicide of her husband, she headed it. The paper her ancestors founded and the paper she wants to propel into marketability. This news story could help be the boost she needed, but the court injunction against the New York Times causes her to put it on hold. Basically she’s gambling everything with this touchy story: the Times, her status as a leader, her role as a woman with power, her role as a mother, even her own personal freedom. In the end, that one decision caused left all of us convinced she did the right thing. She did more than just allow a story. She did more than boost the profile of the Washington Post. She created a breakthrough in freedom of speech and freedom of press. On top of that, she earned the respect from her male colleagues. That was rare back in the early 70’s.
This story is very relevant to the present. We always hear those words ‘fake news.’ We have a feeling that Donald Trump is like a big brother monster who wants to control everything. There are often times in which I wonder if the times of Nixon were worse than the times of Trump. I know all about Nixon and his lust for control. Whatever the times, the story and the court ruling against government censorship of the press serves as a reminder to all citizens that the press has the right to publish the truth to the public. The ruling of the New York Times vs. The United States of America back then was clear: “‘In the First Amendment the Founding Fathers gave the free press the protection it must have to fulfill its essential role in our democracy. The press was to serve the governed, not the governors.” That ruling still applies today.
Leave it to Steven Spielberg to direct a story that will capture our intrigue. Some would describe this type of story as a ‘boring story.’ Steven Spielberg knows how to direct it into something interesting and have us glued to the screens. The screenplay by Josh Singer and Liz Hannah also creates the right interest and intrigue. They’re able to take the chain of events surrounding the publishing of the story and turn it into a story of intrigue. Even a story from a humanist side.
Once again, Meryl Streep delivers in creating depth in a public figure. She gave Katharine Graham the right dimension and the right humanistic tone to make the story work. Tom Hanks also does an excellent job in his role as Ben Bradlee. He delivers in the character very well as he adds some dimension to Bradlee too. The supporting actors may have minor or limited roles, but they add to the film too. Janusz Kaminski does an excellent job of cinematography and John Williams again delivers a fitting score.
The Post is a journalism story that will keep one intrigued. It’s a story that’s very relevant today as it’s also about our own right to know the truth.
Usually around the latter part of the year, historical dramas are common for release. Darkest Hour is one, focusing on Winston Churchill and World War II. The question is does it fare well as a film? And does it have relevance to the present?
The film is set in May 1940. World War II had just begun eight months ago with the fall of Poland. France is next. The film hits hard in the UK as they fear war is looming. It hits so hard, Prime Minister Neville Chamberlain is pressured by the opposing Labour Party to resign for not doing enough. Neville needs to find a successor, but his first choice, Lord Halifax, declines. He goes for his second choice: Winston Churchill.
Now Winston Churchill was seen as a bad choice as the successor to Chamberlain. He has a bad record with his roles in the Admiralty, the Gallipolli Campaign During The First World War, his views on India, and his support for Edward VIII during the Abdication Crisis. Even his own personal manner is of question as he is oafish and has a reputation for infidelity and a quick temper. He’s even temperamental to his new secretary when she mishears him, but his wife Clementine gets him to come to his senses.
King George VI encourages Churchill to form a coalition government along with Halifax and Chamberlain. Churchill’s first response to Hitler’s invasion of France is fast and immediate: no surrender to Hitler and fight if we have to. He made it clear on May 13 1940 in his ‘blood, toil, tears, and sweat’ speech.
The speech is not well-received by the Parliament. They think he’s delusional. The Nazi army is too powerful. It even gets flack from King George VI. The French Prime Minister thinks he’s delusional for not admitting the Allies lost in the Battle Of France. People in his party offer Churchill to accept Hitler’s offer to negotiate for a peaceful end to the War, but Churchill declines. He does not trust Hitler.
The situation gets frustrating to the point both Halifax and Chamberlain are looking to use the Italian Ambassador as a route to negotiate peace with Hitler. Both plan to resign from the Government if Churchill doesn’t comply, hoping to cause a ‘vote of non-confidence’ to allow Halifax to become Prime Minister. Meanwhile Churchill is trying to seek support from the US with President Franklin Roosevelt, but he declines as the US signed an international agreement preventing military action in Europe years ago.
However war is pressing. The UK find themselves in battles in Dunkirk and Calais. Churchill, against the wishes of the War Brigade, orders a 30th Infantry Brigade in Calais to organize a suicide attack to distract the Nazis allowing the soldiers in Dunkirk to evacuate.
The defeat at Calais causes the War Cabinet to want to negotiate with Germany. However as Churchill is about to make his way to Parliament, he receives support from his wife, support from King George VI fearing exile if Germany wins, and support from a group of citizens in the London Underground he takes to parliament. Even members of the Outer Cabinet and other members of Parliament give him their support. News comes that the evacuation in Dunkirk ‘Operation Dynamo’ is successful. At parliament in front of cabinet members and members of the War Cabinet, Churchill delivers his speech of ‘we shall fight on the beaches’ to the support and applause of all, even Halifax and Chamberlain.
Lately there have been a lot of biographical films that don’t thoroughly focus on the person’s life, but instead focuses on the one moment that defined them as a person. We saw in Lincoln how getting the Emancipation Proclamation made constitutional and the political fight to get it done is what defined Abraham Lincoln the most. We saw in Capote that it was the making of In Cold Blood that would become Truman Capote’s biggest legacy of a writer, and would eventually lead to his downfall. Here we see the period of one month how Churchill couldn’t just simply say that Hitler needed to be fought, but had to convince the people and especially the parliament that fighting him is the right thing.
Such a situation in our world history is not uncommon. If you remember Lincoln, you will remember that Abraham Lincoln had to do political campaigning in order to get the Emancipation Proclamation made constitutional. The Proclamation itself was up for vote in the House. Just a reminder that even the most righteous political laws still have to go through the same political processes. Even for powerful speeches, it’s about saying it at the right time and the results to follow. We may remember how back in 1987, Ronald Reagan stood at the Berlin Wall and said, “Mr. Gorbachev, tear down this wall!” This is something JFK could have told Nikita Khruschev to do, or Nixon telling Brezhnev to do, or even Reagan himself telling Brezhnev or Andropov to do, but it would not result. The Soviet leaders were just that stubborn and dead-set on their rigid ways and dismiss what the POTUSes said at hot air. But Reagan said that just during a time when it appeared the Cold War appeared to be thawing and Gorbachev was the first Soviet leader to appear cooperative with the US, but not without its friction. That sentence is memorable because the Wall did come down in a matter of two years.
Here in Darkest Hour, we see another example of how words that are true in conviction and the right thing to say still faced political opposition. When Churchill was placed as Prime Minister, he didn’t waste time in speaking his opposition to Hitler and that the UK should not surrender. However those in the office all thought his words were deluded. They knew of the Nazi army and the invasions it’s caused already in less than a year. Hitler and the Nazi army were just that menacing. They also saw the efforts, or lack thereof, from the previous Prime Minister fail. On top of that, France had just fallen to the Nazis. They were simply afraid.
It was easy for people to think of Churchill’s words as deluded. He already had a reputation in the British parliament of being quite the buffoon. In fact the opening scene of the film shows his buffoonish nature. Churchill knew in his heart that the UK had to fight the Nazis, but he had to convince the British parliament. And he had to do it fast. Over time, more tyranny from the Nazis occurred and the UK was feeling the heat. Churchill was denied support from US president Franklin Roosevelt because of an agreement signed the year before. That negotiation for peace from the Germans would seem like something one would cave into and it was easy to see why the British politicians thought it right, even though we all know it to be wrong.
The last fifteen minutes of the film just as Churchill is about to deliver the ‘fight on the beaches’ is a very powerful scene as it shows how Churchill is able to win support in his stance from his wife, the King of England and even people on the subway as he makes his way to parliament. I don’t know if that really happened to Churchill in real life, but that subway scene is a powerful scene. Sometimes I think that scene is telling me that all too often, the common person has a better sense of what’s right than the people in power.
For the most part, the film is as much of a biographical drama as it is an historic drama. The film is very much about the speeches of Churchill and the start of the mission of British forces to fight Nazi Germany. The film not only focuses on Churchill’s quest to fight in the war, but his quest to convince the people in political power to believe him. It focuses on Churchill as a man of great conviction, but also a man of noticeable flaws. That had a lot to do with why people first thought he was a madman or deluded. It reminds you that a head of state can sometimes be reduced to a pawn in their political building. The film does remind people of the common saying that: ‘What’s right isn’t always what’s popular and what’s popular isn’t always what’s right.” Churchill knew in his heart he was right, but he had to fight to make it believed by all. It was necessary as the Battle of Dunkirk would soon happen
It’s interesting how Darkest Hour is release in the same year Dunkirk is. I find it very appropriate because it was actually just right after the Battle Of Dunkirk and the subsequent evacuation that Churchill delivered his speech of “We shall fight on the beaches.” The fight on the beaches of Dunkirk and the evacuation and rescue mission was the first significant sign of what the UK needed to do to win against the Nazis. Churchill was there to pay all respect to those heroes, the survivors and fatalities, who were a part of it.
Director Joe Wright and writer Anthony McCarten deliver a very good historical story. However there are times when it does feel like it’s completely restricted to being about Winston Churchill. I understand what the story is all about, but they could have explored some additional angles to go with it. Without a doubt, the film is owned by Gary Oldman. He does an excellent job of delivering a performance of Winston Churchill. His depiction of Churchill first appears cartoonish at the beginning, but the depth and dimension develops over the film and he really comes out shining.
Although the film is dominated by the portrayal of Winston Churchill, there are supporting performances from Kristin Scott Thomas as Clementine Churchill and Lily James as Elizabeth Layton that are able to steal the moment. Also capturing the moment are Ben Mendelsohn as King George who slowly supports Churchill and Ronald Pickup as Neville Chamberlain who supports Churchill despite his own political downfall. The film also does an excellent job in the technical aspects such as the Production Design to reconstruct parliament, costuming from Jacqueline Durran and the makeup and hairstylists to fit the era, the cinematography from Bruno Delbonnel and the musical score from Dario Marianelli which capture the intensity and triumphs of the moments.
Darkest Hour is more than just an historical drama or biographical drama. It’s an excellent film about standing by your convictions without crossing the line of being preachy.
2016 was seen as a weak year for comedies, unless they were animated. Possibly the most overlooked gem of 2016 was the Irish musical comedy Sing Street. I passed it up when it first came out, but I finally saw it recently. I’m glad I did.
We see Conor Lawlor strumming his guitar in his bedroom. Conor is a 15 year-old boy living in a shabby suburb of Dublin in 1985. Right now, Ireland is going through difficult times. It’s economy has been hit hard and many young people are fleeing to the UK, most notably London, for a future. His family is also going through difficulties as his father is struggling in his architecture practice and is struggling in his marriage and drinks excessively. Because of that, Conor is taken out of his high-class Catholic school and put into an all-boys free state school in Synge Street. A move older brother Brendan objects to, knowing how terrible the priests are there.
Things don’t go well for Conor on the first day. Being the new kid, he gets bullied. On top of it, he has the principal Br. Baxter giving him a hard time because he’s wearing brown shoes instead of black shoes in the dress code. Conor does end up with a bully name Barry but he makes a new friend in Darren who has big-time entrepreneur dreams. Conor also meets a 16 year-old girl named Raphina living at the orphanage nearby the school. He learns that Raphina is a budding model who’s headed to London. Conor impresses Raphina saying he’s in a band.
Now it’s up for Conor to create the band with the help of Darren. Darren is quick to act as Conor is introduced to Eamon: an awkward looking teen with a passion for music and can play many an instrument. Conor is able to meet a local black teen who is mostly shunned away from the others and two other awkward but musically-inclined students from his school. They start out pretty flat together and create a demo tape of popular 80’s songs. Conor gives it to Brandon but he’s unimpressed. He instructs Brandon not to be a cover band but do their own original stuff. That helps Conor to meet with Eamon to compose a song about his infatuation with Raphina: The Riddle Of The Model. The boys try on various costumes for filming a video and Raphina even volunteers to be their makeup artist and ingenue.
The song and video impress Brendan, feeling they’re off to a good start. However Conor’s rocker image of dyed hair and makeup gets on the nerves of Br. Baxter who insists in turning all boys into men at the school. Baxter even grabs Conor and washes the makeup off his face in a bathroom sink with hot water. But Conor and the band are undaunted. They continue making music and Raphina even advises that Conor be known as Cosmo. Conor develops the self-confidence to stand up to school bully Barry. The romance between Raphina and Conor heat up too, despite Raphina claiming an older man is her boyfriend. Conor even talks of sailing to London with Raphina.
However things soon take a turn for the worse. Conor’s parents are on the verge of separating with the mother moving in to her new lover’s place. Plus Raphina doesn’t show up when Sing Street are shooting a Back To The Future style video for their song Drive It Like You Stole It. Raphina later revealed she was set to leave for London, but her boyfriend abandoned her. A disheartened Conor breaks up with her. The breakup affects Conor in writing new songs for the band.
However it’s Brendan who encourages him to get back with Raphina and get back into playing. It’s through Brendan’s own personal feelings of past failures that drive him to give Conor the advise. Sing Street have a chance to perform a gig at school. Conor even offers Barry a chance to become a roadie for the band to escape his abusive household. The band performs their gig to the delight of the school and a condescending Br. Baxter looking on in disappointment, but they saved the best for last. The film ends not as one would expect but one that would leave the audience happy and hopeful.
I won’t deny this is a common story you’d expect to see in a film. I’m sure the story of a person growing up in a trash-bin of a city starting a band has been done before. The thing with this story is that for a common story like this to work again, the characters have to connect with the audience. They have to make the audience want them to succeed. The film succeeds in making the audience want Conor, or should I say ‘Cosmo,’ and Sing Street to succeed. The film succeeds in making the audience want Conor win Raphina’s love. The film succeeds in making the audience want the bullying of Barry to Conor to end and for Conor to get even with Br. Baxter. The connection of Conor with the audience is one of the biggest elements of magic in this story.
It’s not just the connection of Conor with the audience. It’s the connection with Raphina too. You get a sense Raphina is the right one for Conor, despite being confused about her love to her older boyfriend. However you get a sense that Conor will win her love. Raphina believes in the band and believes in Conor. You can see it in her eyes. Also Raphina shares Conor’s dreams of leaving for London. Seeing how unpromising Ireland looked with its economic drabness back then and the people seeing the priests as ‘rapists’ leaves you sensing life would be better for the both over in London.
It’s also the connection with Brendan with the audience too. Brendan is the first character in the film outside of Conor that’s easy to like because Brendan believes in Conor’s talents. Brendan’s also the type of brother that would be honest about how Conor is doing. Even after he disses what Sing Street does at first, he will give Conor words of encouragement. He will give Conor music albums to give him a sense about what makes rock and roll. It’s Brendan’s embrace of music in both its past influences and future directions that become a huge boost for Conor. However it’s also Brendan’s past failures that we get a better understanding. We see why Brendan pushes Conor in that scene after the parents’ separation and he throws a violent fit over his past failures. Because Brendan views himself as a failure who doesn’t have a chance, so he wants Conor to chase his dreams and be the one that has what it takes to go to London. It’s easy to feel for Brendan. It’s also easy for a viewer to see their own feelings of failure and regret in Brendan too.
With this being a film about a rock and roll band, the music has to be as important as the story itself. Brendan’s embrace for music is a big quality of the film, but it has to rub off on Conor as he’s the one with the gift of music. The film gets focused on the themes of music like themes of love, themes of heartache, themes of frustration, themes of emptiness and themes of hope. We learn about the ‘happy-sad’ feeling that we all get, but may not know it. The ‘happy-sad’ element is definitely influential in music. Now once all the themes and elements of music are put together, the film has to have catchy songs. The film succeeds in doing so with songs like Riddle Of The Model, Drive It Like You Stole It and Brown Shoes. Brown Shoes made the perfect end-number for the school show. Even music from other musicians like Duran Duran, The Cure, The Jam, and many others add to the theme of music in the film. The film is as much about music as it is about love and dreams.
Writer/director John Carney succeeds in delivering an enjoyable film to the big screen. Music has been a common theme in past films of his like Once and Begin Again. He succeeds here again in delivering a film that’s enjoyable and keeping you engaged in the story. The film featured a very good debut performance for Ferdia Walsh-Peelo who was 16 years old when this film debuted at Sundance 2016. Ferdia is actually a singer who has performed professionally as a child in Ireland for years. This is his first acting role and he does an excellent job. Lucy Boynton also did a very good job in playing Raphina. The best thing is she made Raphina appear older than she really was. Jack Reynor was also very good as Brendan. He made Brendan into a likeable character, but also made you feel for him too.
Sing Street is a musical comedy that delivers excellently. It delivers a story and characters that connect with the audience very well. It also delivers entertaining music, which is what a film about a rock and roll band should do.
Most of you have already seen my first summary or even my second summary. This last summary will have a look at the last three Best Picture nominees I saw. They were Lion, Hidden Figures and Hell Or High Water.
Lion is one of those films which came out of nowhere to surprise everyone who has been lucky to see it.
We have seen many against-all-odds stories in the past. This is something because this is a true story of something that really was against all odds. It wasn’t just about making it happen but also of the family relations Saroo has developed over his lifetime. What will happen? Will he leave the family he’s always known? Is the family he’s searching for still alive? The best quality of this story is that it keeps us intrigued and hoping Saroo reunites, but also has us concerned of what will happen after.
Another quality of this story is that it does not forget the cause of the problem. Saroo is seen as the lucky one who was able to reunite with his family after all these years. However throughout the film, especially at the beginning, we see the cause of the problem. Saroo was unsupervised when he boarded the express train. The language barriers caused problems. Even Saroo’s mispronunciation of Bengali words caused problems. The train stations of Calcutta are loaded with stray children ready for abductors to prey on, and station police looking the other way. Even the missing posters advertised before his adoption were no good as his mother is illiterate. India failed Saroo and Saroo succeeded thanks to Google Earth and his fierce will. The film at the end lets people aware of the problem; 80,000 children go missing in India each year. The film’s website informs people of how they are making a difference in aiding to protect children in India.
This film is an accomplishment for the Australian film industry. I don’t know if Australia has ever had a film nominated for Best Picture before. This is director Garth Davis’ first ever feature length film. Bet you wouldn’t believe that. Luke Davies did an excellent job in adapting Saroo’s biography into a winning screenplay that keep the audience intrigued and hoping for the best in the end. Dev Patel’s performance as Saroo was the highlight as he did a great portrayal of a young man who’s angry on the inside and knows what he needs to do. Nicole Kidman was also excellent as the mother who appears grateful on the outside but has some inner hurt waiting to come out. Young Sunny Pawar was also very good playing the young Saroo. He was cute but he didn’t take it overboard. He played his part well. The film also featured top notch cinematography from Greig Fraser and excellent original music from Dustin O’Halloran and Hauschka.
Lion is an excellent film featuring a story you won’t forget. A surprise contender this year and a worthy one.
It’s good that we have a film like Hidden Figures to tell us about a piece of history that we never knew about.
The film comes at the right time as it deals with a lot of situations that are relevant in our world. This may be set in the early 60’s and revolves around a moment in space history but it has a lot of situations relevant to today. One is of workplace racism. It’s not as bad now as it is then but there are still a lot of unsolved problems. The second is of technology being so good, it can replace workers. These three women had iron wills. They knew they had potential, they knew they had what it takes and they wouldn’t let racism or the threat of modern technology stop them from reaching for their achievements.
The year of 2016 was a crushing year. It was a year that constantly reminded us that there was still a lot of racism to overcome. Despite the improvement over the decades, it was able to show its ugly head with low employment rates and police beatings. This is a film that reminds us that racism can be overcome. When you look at it, the women were doing this all during a turning point in the history of African Americans. African Americans in Virginia had less rights than they do now and discrimination was perfectly legal. Back then there were still separate washrooms for colored people, separate library books for white and colored people, and police beatings during civil rights marches. The women overcame these barriers and they opened doors for other colored people for generations to come.
This is only the second film Theodore Melfi has directed and written. This is the first feature-length script Alison Schroeder has written. Does come across as like something you’d get from Hollywood, but it’s not a weakness. It does all the right moves. Taraji Henson was great as the protagonist Katherine Goble-Johnson, but the show-stealer was Octavia Spencer. She was not only good at playing a woman who wouldn’t let technology kill her job, and the jobs of 30 other black women, but she was a colorful scene-stealer too. Janelle Monae completes the trio as one who just wouldn’t say die to her ambitions. The male actors were mostly supporting roles but Mahershala Ali was the biggest one as Jim Johnson, Katherine’s new husband. The mix of Motown music mixed in with the original score from Hans Zimmer, Pharrell Williams and Benjamin Wallfisch also added to the spirits of the movie.
Hidden Figures showcases a little-known fact about a big moment in American space history. It’s also the right uplifting movie needed at this time.
HELL OR HIGH WATER
I missed Hell Or High Water when it first came out in the theatres in August. I admit I was caught up in the summer fare and I overlooked it. I finally saw it recently and I’m glad I did.
One thing is I miss seeing is crime comedies. You know, the dark comedies featured in crime stories. This film has a good amount of comedy to it with their failures at robbing first. Even the situation where the brothers rob the Texas Midlands Bank and pay the mortgages they have with the bank off with the robbery money is full of surprising irony. It’s not even the robbery spree that has all the comedy. There’s the comedy when the rangers visit the places they question. There’s even comedy with that hard waitress at a restaurant they eat at: “What don’t you want?” The comedy doesn’t last as the story gets darker later on. However it does end on an ironic note as the now-retired Officer Hamilton does meet up with Toby Howard, perfectly free, and inquires of the robberies he and brother Tanner committed together.
One thing about this crime drama is that it has a lot to say. We have two brothers–Tanner who appears to have no redeeming values and Toby who’s as cool as a cookie– robbing various branches of the same bank. You see signs advertising debt relief. You hear from people– both family and people the brothers run into– talking of their own economic hardships. You see the indigenous people, who are still referred to as ‘Indians’ with their own outlook on things. Mostly negative. Looks like this story has a lot to say. Even hearing Alberto Parker say that he believes the true criminal is the Texas Midlands Bank does get you thinking. Maybe it’s the Bank that are the true robbers around here.
This is actually the first American production from Scottish director David MacKenzie. He has a reputation back in the UK with films like Young Adam, Hallam Foe and Starred Up. His first American production is top notch and really delivers as both a crime story and an offbeat Western. This is also an accomplishment for writer Taylor Sheridan. Already having made a name for himself in Sicario, he delivers again in what is actually his second feature-length script. Of all acting performances, Jeff Bridges is the one that was the best. He delivered a top job in character acting from head to toe. He was completely solid in character. Chris Pine was also good as the brother Toby who’s smart, tries to play it cool and possibly the one person in the world who could see redeeming qualities in brother Tanner. Ben Foster was also a scene-stealer as Tanner who a complete ruthless loose cannon who appears to have a bone to pick with everyone over anything and possesses a false sense of invincibility. Gil Birmingham was also good coming across as the wise partner who plays it cool. The country music in both recorded format and original from Nick Cave and Warren Ellis fit the film perfectly.
Hell Or High Water makes for an intense thrill ride that’s big on thrills but also takes you to the heat of the moments. The story even gets you thinking. Now why did I miss it during the summer?
That does it. My final summary of the Best Picture nominees for 2016. After seeing Hell Or High Water, that makes it 16 straight years of seeing all the Best Picture nominees before Oscar night. My predictions for the wins coming on Saturday.
One of my Christmas treats was seeing Rogue One: A Star Wars Story. I’m glad I had my chance because it was an excellent movie.
Now just a reminder to you all, this is not part of the nine-episode Star Wars saga we all know. This is part of the Anthology Films of the Star Wars franchise. Actually this is the very first Anthology film to be released. The film is a triumph for writers of ‘fan fiction’ or ‘fanfic’ as it’s commonly called on the internet. However bringing fanfic like this to wide release on the big screen was no easy task. We all know how Star Wars has become a cinematic phenomenon like no other. George Lucas knows about it. Lucas himself is comfortable with ‘standalone’ films based on the Star Wars stories but wanted to make very clear that any standalone stories could not carry characters between the Saga films.
Here we have a story that is to take place between Episode III: Revenge Of The Sith and the very verse Star Wars film that’s now referred to as Episode IV: A New Hope. It’s a pretty lengthy amount of time between when Anakin Skywalker becomes Darth Vader and Luke Skywalker seeks to become a Jedi. Nevertheless it does make for ample time for any Star Wars fan to create a story of what happens in between. Storywriters John Knoll and Gary Whitta aren’t just any Star Wars fans. Knoll has done camera operations and visual effects supervision for many science-fiction films including four Star Trek films and the three Star Wars prequels. Whitta is a scriptwriter for The Book Of Eli and After Earth.
The adaptation of the story to screenplay had to fall into the right hands as well. Scriptwriter Tony Gilroy may have had his biggest renown with 2007 Best Picture nominee Michael Clayton (for which he himself was nominated for Best Director and Best Original Screenplay) but his he’s also made his biggest impact in writing the scripts for all four Jason Bourne movies. Chris Weitz has an eclectic resume of writing and directing from Antz to American Pie to About A Boy to The Golden Compass to one of the Twilight films. Then there’s the film being directed properly. Gareth Edwards may have not had the most experience in directing but he has developed his reputation in recent years upon films like 2010’s Monsters and 2014’s Godzilla.
Then there’s the story itself. There are possibly loads of Star Wars-inspired stories. The story would have to be true to the Star Wars saga without it being a rip-off. There’s lots of that and even professional writers can make something that’s a Star Wars rip-off. Most Star Wars fans will not go for something insulting. True, there are a lot of people that are Star Wars-crazy but most will not go for something if they sense it’s a rip-off. Don’t forget many felt insulted by the prequels so that’s a reminder.
They succeeded. They provided a very good story about the completion of the Death Star and the family behind it and the rebellion attempting to steal the plans leading to the hope in the end. The story had to be well-researched in order for it to make the right connection between Episode III and IV. Any new characters like the Ursos, Cassian Andor and K-2SO had to fit with the story as well as include original Star Wars characters like C3P0 and Darth Vader properly. On top of that, it had to have the right action scenes and the right battles done. Basically the whole movie had to have it all to work. The story could not be compromised despite the action sequences. The acting also had to be top notch from Felicity Jones, Diego Luna, Mads Mikkelsen, Ben Mendelsohn and Forest Whitaker. Even the theme of the story of heroism has to be present. It’s there, but in a way like no other Star Wars saga film does it. For the first time, self-sacrifice is needed for heroism.
The story worked very well. The critics on Rotten Tomatoes gave a total percentage of 85% approval. Many praised it for its depth in the Star Wars mythology and for breaking new narrative and aesthetic ground while paving way to a potential future for other blockbusters. The film scored well with crowds too as it would become the 20th movie to gross over $1 billion worldwide.
Rogue One: A Star Wars Story is not just an excellent movie. It’s an accomplishment. It’s proof that Star Wars standalone movies can not only be a hit but be excellent in their own right.
Once you see The Lobster, I’m sure it will make you think twice about going to one of those matchmaker hotels. Okay, maybe not but the whole scenario of matchmaking and the single life depicted in the film is downright bizarre.
The film is set in a dystopian future where single people are brought to a hotel in accordance to the rules of The City. The hotel gives people forty-five days to find a match. If they succeed, the couple is given a month to develop their relationship in a special section of the facility. After which, they are freed. If anyone fails in any which way, they are killed and reincarnated as an animal of their choice and sent into The Woods. People can extend their stay with The Hunt: people from The Hotel shoot tranquilizer darts at any of the ‘loners.’ One ‘loner’ capture gives one an extra day.
A man named David arrives at The Hotel. He brings with him a dog whom we learn to be his brother as he too was subject to The Hotel and failed to find a match in due time. David tries to get used to the hotel and its methods. He chooses to be a lobster if he does not succeed in finding a new woman. He even participates in The Hunt. He learns of the other leisurely activities at The Hotel. One awkward rule is masturbation is banned by painful punishment but stimulation from the maid is a requirement.
David first makes friends with The Limping Man and The Lisping Man. The Lisping Man would have to stick his hand in a toaster for masturbating one night. The Limping Man hopes to find a woman with a limp like him. Instead he’s attracted to a woman who has frequent nosebleeds. He fakes nosebleeds to win the love of The Nosebleed Woman.
David is inspired by this and first attempts to win the love of a woman whom everyone knows to have no heart. He’s impressed by her hunting skills and he’s attracted to her as she’s choking to death. He attempts to start a relationship with her but it turns out to be a disaster even to the point she kills the dog: David’s brother. He’s able to tranquilize her and bring her to the transformation room so she’ll be an animal forever.
It then gets to the point David can’t handle it anymore and escapes. He finds himself with the ‘loners:’ they live a wild life catching rabbits and hiding from the hunt. The rules are not as hard but they don’t permit any flirting or entanglement as they will punish it badly. David wins the affection of a short-sighted woman. This helps since he is short-sighted too. The loners give the two missions to go to The City and pose as a couple but it causes them to become more affectionate.
The loners go on a rampage where they try and split up the couples in The Hotel. David even goes as far as trying to split up The Limping Man and The Nosebleed Woman and others going as far as pulling a stunt with the Hotel Manager. Meanwhile the leader of the loners learns that David and the Shortsighted Woman are in love and blinds the woman. They attempt an escape. This leads to an ending as bizarre and unpredictable as the whole story.
It’s hard to see if this film was trying to make a point about dating life, being single and marrying. This is a very bizarre scenario from start to finish. Plus I would find it hard that such a situation would be for single people with our current human rights. Keep in mind this is set in the future. Hey, depictions of the future like that in The Hunger Games don’t paint a pretty picture. It’s interesting how the army of loners raid the Hotel. Makes you wonder if their mutiny is a form of rebellion or of personal anger.
I will have to say this is the most bizarre romantic movie I’ve seen since Eternal Sunshine Of The Spotless Mind. That movie was what you’d call the ‘romance of the absurd.’ I do feel it is about love and surrounding human emotions magnified 100 times. The time limit put on those at the hotel to find love could be seen as the personal time limits one puts on one’s self to find love. The case of the leader of the loners trying to split all the couples up could be a case of one’s unhappiness and how one could try to impose it on others. Even those that end up in the hotel like the limping man, lisping man, heartless woman, nosebleed woman and the short-sighted woman may reflect on people’s insecurities. Meanwhile David is in the centre of it all. He starts out as possibly the most normal of the bunch but it isn’t until the end that he resorts to eccentric extremes of his own for the sake of love.
This is the brainchild of Greek director Yorgos Lanthimos. He has accomplished a lot in his directing career. His film Dogtooth was nominated for an Oscar five years ago. This is his first English-language film. In directing and co-writing the story with Efthimis Filippou, he creates a set of worlds that could easily look ridiculous on screen but worked with careful writing and careful directing. I see many cases with the hunt, the transformation room, the mutiny and even the character of the Heartless Woman that could have easily come across as dumb but was done right and was sensibly done.
Colin Farrell did a good job of playing this bizarrely comedic role well that’s completely different from any of his blockbuster roles of the past. He had to portray a man who treats this bizarre situation as something sane and normal. Even going from the sanest person in the film to committing an insane act for love at the right moment. He does it very well and gives the comedy the right tone. Although Farrell owned the film, Rachel Weisz as the Shortsighted Woman and Lea Seydoux as the Loner Leader were the strongest supporting performers. Some of the other minor characters were also very good such as Ben Whitshaw as the Limping Man, Angeliki Papoulia as the Heartless Woman and Jessica Barden as the Nosebleed Woman.
The Lobster is a film collaboration of five nations: UK, Greece, Ireland, Netherlands and France. It won the Jury Prize at the Cannes Film Festival and was a nominee for the Palme d’Or. It has also won top film awards at the Rotterdam and Ghent Film Festivals.
The Lobster is both bizarre and amusing in its depiction of a futuristic world and its ways of dealing with dating. It’s both bizarre and charming at the same time.
The story begins with what we think is a dead body on the road after an accident. Instead it appears to come alive again and get up. We meet Holly, a young paramedic student who breaks up with her boyfriend because he thinks she’s too nice. While working at her part-time job at a pharmacy, she meets Rob as she comes to help him after an on-the-job accident.
Holly and Rob start a relationship and have sex together but are interrupted all of a sudden by Rob’s deceased girlfriend Nina now undead and bloody. Holly is shocked and Rob is trying to make like nothing happened. They try and go about it and move on but Nina returns again while the two have sex. Holly tries playing seductively with Nina in order to win the battle but it doesn’t work. Holly tries to learn more about Nina and even meets her parents. Holly even tries to get a ‘Nina Forever’ tattoo like Rob’s but Nina keeps on returning. Even the two having sex on Nina’s grave fails to end her recurrences. Moving in with Rob and changing everything about the house every time she returns fails to fix the problem.
It’s then Holly decides she’s had enough and wants out. Holly goes for on-the-job training as a paramedic and a car crash victim she helps save changes her. She even catches the interest of one of her students. She takes him to her place to have sex with him, thinking Nina’s as far gone as Rob only for her and the audience to get a big surprise. The film ends on a confusing note.
I’ve seen films done before of one person in a relationship trying to rid themselves of a past beau before. However this film is something different. This is a case of one person in a relationship trying to move on past his deceased beau. This is no easy task as Nina would even make clear: “We never really ended it.” That adds to the situation and adds to the story. However the story is something funny that it becomes a case of the undead girlfriend unearthing itself. I know the movie is trying to show a bizarre and humorous story on the theme of the difficulties of moving past a deceased beau but this story takes a bizarre and humorous twist.
Overall the film comes across as bizarrely funny and often unpredictable. Even at the beginning, you don’t expect an undead ex-girlfriend to come up from under the bed. You expect the new girlfriend to play along with the undead girlfriend even less. It’s humorous because it’s trying to mesh a romance with a horror movie with a message about human nature. A very unique combination by the Blaine brothers. However there were many areas in the film that didn’t appear to make sense, especially the ending. There were times I had my head scratching. There were even a few times I may have mistaken Rob’s parents as Nina’s parents or if it was a trick from the film makers the whole time.
This is Ben and Chris Blaine’s first attempt at a feature-length film. Both are better known for their television work. Their first effort is good but imperfect and its flaws show. The acting from Abigail Hardingham, Cian Barry and Fiona O’Shaughnessy are very good. They pull all the right moves in making this bizarre film work. Especially the character work of Fiona portraying an undead woman with sexual desires unfaded. The parents were a good addition, especially with them being the ones away from all the supernatural weirdness. The music added to the film also blended in well with the film.
Nina Forever is an original comedy horror film that will get you laughing and even freak you out. However it does have some noticeable imperfections like moments that don’t make a lot of sense. Nevertheless a good first feature film from the Blaine brothers.
Slow West is not your typical western. It also comes off as a love story that’s more than meets the eye.
Jay Cavendish is a sixteen year-old Scottish boy in the frontiers of America. He recently arrived over there in pursuit of Rose Ross, his love from back home who also fled to America along with her father. The frontiers are deadly but Jay is determined to find her. Jay finds himself prey by strangers who were first trying to kill a Native American but is stopped by a bounty hunter named Silas Selleck.
Jay tells Silas his story of his pursuit and even pays him for protection. Silas cooperates at first but when he sees the wanted poster for Rose and her father, he decides to use it for his own pursuit for the bounty of $2,000 and use Jay to get it. During the time, Silas tells Jay about the importance of keeping his guard and why killing is necessary out there. It then becomes evident when a Swedish couple try to rob a store Jay and Silas are shopping at. The man and the owner are shot while Jay is up against the woman. He shoots her, his first murder. That wasn’t all. The couple had their children with them to which Jay and Silas give them food and clothes before leaving them behind.
In the flashback to before Jay and Rose came to America, we learn Jay was a boy of noble birth in Scotland and had a huge love for common girl Rose but deep down Rose thought of him more to be like a ‘little brother.’ One day an intense argument between Rose’s father and Jay’s uncle, the Lord Cavendish, led to the uncle being killed. That’s what led Rose and her father to flee to America with the bounty on their heads.
In a conversation, Jay finds Silas a brute because he doesn’t appear to care about love and seems to only care about ‘surviving.’ Jay leaves one night with his horse and goods but meets up with a writer named Werner who appears to befriend him only to rob him overnight. Silas is able to find Jay and the two return only to be confronted by the gang Silas used to belong to and its leader Payne who plans to beat Silas to catching Rose and her father. Payne even steals their weapons overnight. Unbeknown to Jay and Silas is that Payne and the gang have the orphaned children of the Swedish couple from the robbery.
SPOILER WARNING: The ending will be revealed in the below paragraph.
The two continue on unarmed until they enter a forest. They find themselves prey among a Native American tribe but are saved by the luck of them falling off horses. In the meantime, Payne and the gang pursue Rose and her father who are living in a desolate farm house protected. However the father is shot to death and Silas wants to pursue Payne and his gang alone tying Jay to a tree for his protection. Jay is able to free himself but finds himself in the battle where he is shot by Rose who doesn’t recognize him at first. After a gritty gun battle Silas kills Payne’s gang while a dying Jay is able to kill Payne while comforted by Rose. Silas is shocked to find Jay dead but later on becomes Rose’s love and adopts the orphaned Swedish children.
When you see the whole film, you could easily see it`s not your typical western. Yes, there is gunshooting going on. However the film focuses on motives of the shooting. It focuses on the people and why they`re committing these murders. It can be either for personal greed or vengeance or simply to help themselves and their loved ones survive. Another interesting thing the film focuses on is the wide variety of characters involved in this Wild West scenario. There were your typical villains but there were others like the immigrant couple robbing a store to feed themselves and their starving children. This was a reminder that even the first immigrants the US in the 1800`s had to fight to survive in the New World.
Mind you the shooting in the film isn’t meant to stir up the excitement you’d normally acquire while watching a Western. Instead it focuses on the gun battle’s intensity and gets the audience feel the heat of the friction instead of being dazzled away by the gunslinging. In each case, you’re left with an aftermath that’s ugly. Seeing the bodies on the ground is more disheartening to the viewer instead of satisfaction that the job is done. I guess that’s why the film is called Slow West, because the ruthlessness and friction of the Wild West here is slowed down and the intensity is felt instead of just seen.
The film also focuses on the theme of love during a time and place where it appears people have no heart of soul. Jay is so determined to get back to his love Rose even though her and her father have a bounty on them. It took Jay to convince a bounty hunter who was only interested in using Jay as bait for Rose and her father about what love is. Over time they see the fight to survive and the lack of scruples in the people that surround them during their trip. However it`s Jay that convinced Silas of the power of love even if Jay appeared to be too naïve and deluded for his own good. It`s a common theme in a lot of films that show love in what appears to be a moral wasteland. I’ve seen it before in City Of God where love and hope exist in one of the most brutal favelas of Brazil. Here in Slow West we see love in the lawlessness of the Wild West. Even if Jay`s heart `beat in the wrong places,` he changed the older bounty hunter Silas and his heart. You know it when he says at the end: “There’s more to life than survival. Jay Cavendish taught me that. I owe him my life.”
This is actually the first feature-length film directed and written British director John Maclean. He does a very impressive job by packing a lot of intensity into an 85-minute story. For those who don’t know, John is actually a former guitarist for the Beat Band and The Aliens before turning to film directing. Michael Fassbender does a great job of character acting in his supporting role and Kodi Smit-McPhee is also excellent as the young Jay in capturing both his acquiring of the necessary ruthless grit over time while still keeping his passion and innocence. Impressive supporting performances come from Ben Mendelsohn as Payne and Caren Pistorius as Rose. Even minor performances like the Swedish couple committing the robbery and the Congolese singers add to the story.
The film has already won the World Cinema Grand Jury Prize at the Sundance Film Festival in the Dramatic category and has above 90% on Rotten Tomatoes but the film has not been successful in winning a crowd. Not even $250,000. It`s not fair to say Sundance winners are declining at the box office, even though such films have shown a lack of buzz compared to 20 years ago or even 15 years ago. However this film was overshadowed by the Sundance hit comedy Me And Earl And The Dying Girl which ad no star power at all. It`s always hard to predict what will win with the crowds. Right now there’s no data on how much online viewing of the film has happened.
Slow West doesn’t have the fast-pace action one would expect from a Western. Instead its slowness and intensity are its best qualities which allows the audient to feel the grit of the situation and the feelings of its main characters. Qualities that make the story.
Normally I don’t see live-action family movies unless the renown for it catches my eye. In the last three months, there were two that caught my eye: Paddington and Cinderella. I’m glad I had the chance to see them.
For the first time, Paddington Bear comes to the big screen. And in live-action format rather than animation. However this did involve taking some chances. The first chance was making a movie that could entertain today’s children. The second was not having to mess with the Paddington Bear people know and love.
The film does a good job of keeping many aspects of Paddington such as his love of all things British, especially marmalade. The film also does a decent job of not trying to resort to too many cheap laughs like one would come to expect in today’s children’s films. It’s not to say there were some questionable moments, like the scene where Paddington thinks the toothbrushes are ‘earbrushes.’ The film also does a good job in presenting Paddington in today’s world and meeting the Brown family who are actually reluctant to adopt at first.
I give kudos to director/writer Paul King and co-writer Hamish McColl for coming up with a very good adaptation of Paddington Bear into a feature-length film. It was no easy task to make such a film especially when Paddington has resorted to being simple children’s books since the 1950’s. The plot where Paddington boats from Peru to London only to find a cold country, a reluctance to adopt from the Brown family and being pursued by the daughter of a poacher whose goal was to make him hers to kill and stuff worked well to entertain crowds. The inclusion of the effects in the film couldn’t be avoided as nowadays family movies have to have some special effects to win crowds. Even though Paddington wouldn’t be the type of movie for a lot of visual effects, the effects included did things right without messing with the story.
I also give them credit for not messing with the spirit of Paddington whose sweet charm is the reason why he has become one of the most beloved children’s book characters in recent decades. He’s even so beloved in England to the point there’s a bronze statue of Paddington Bear at Paddington Station where he got his name from. I also give them kudos for adding character to the Brown family. They may not be much like the Browns in the Paddington books but the character of the Browns do fit well in the movie.
Just as much deserving of respect are the performances of the actors. Hugh Bonneville and Sally Hawkins did a very good job playing the Brown parents. Madeleine Harris and Samuel Joslin also did well as playing the Brown children. They both played their roles well without being too overly-cutesy. Julie Walters succeeded in stealing scenes as the wise Mrs. Bird. Nicole Kidman also did a good job of playing the evil Millicent Clyde without becoming too hateable. Actually Millicent Clyde was rather entertaining as a villain. Finally Ben Whishaw did a very good voice-over as the voice of Paddington. Paddington needed a sweetness in order to make the story work and Whishaw was the right fit.
Paddington is now out on DVD and BluRay. For those that didn’t see it in theatres, it’s worth seeing. I don’t know if it’s the type of family movie one won’t need to see with a family of their own but it is entertaining and very good quality entertainment.
If you think making a film about Paddington Bear is difficult, try making a live-action version of Cinderella. And knowing that it will be Disney doing the work, you can understand they’d be under a lot of pressure. We’re talking about the film company that made their 1950 animated version a staple into many people’s hearts. So it would not be surprising that there would be a lot of questions surrounding the make of the new live action version. Will it have the same Disney spirit? Will it stray too much from the animated version that lives on in the hearts of millions? Or even the book? How will the sets and costumes be done? And will it entertain crowds of today?
There’s no question that making a live-action version of a fairy tale can be expensive in production. Cinderella wasn’t too expensive to make but $95 million is expensive enough. For a film like Cinderella to work, there’s no question that one of the top aspects to focus on would be the technical areas like set design and costuming. Dante Ferretti was a top choice for set design. We’re talking about a set designer whose works have earned him nine Oscar nominations and three wins for The Aviator, Sweeney Todd and Hugo. Ferretti did not let anyone down. In fact his set designs in all scenes worked perfectly for the movie. It was hard to notice a glitch.
Costumer Sandy Powell was another top pick with loads of cred including ten Oscar nominations and three wins. Here she again adds to the reputation by making costumes perfect not only for Cinderella but for all characters in the movie. My favorite costumes were actually the bratty looking outfits for Drisella and Anastasia. It fit their brattiness perfectly. However Cinderella’s glass slippers really caught my eye. They looked more like crystal slippers. The visual effects team also did a top job in adding the necessary visual effects for the film and giving them the magic that will remind people of the magic Disney movies are famous for. They even succeed in making the mice and lizards human enough without being too ridiculously cartoonish.
Credit should also be given to director Kenneth Branagh and writer Chris Weitz. People easily forget that Branagh is as much of a director as he is an actor directing films from Shakespeare (Henry V) to comedy (Love’s Labor’s Lost) to superhero action flicks (Thor). Now he ventures into the territory of fantasy films. The result is excellent. Just as excellent is the writing from scriptwriter from Chris Weitz. He does a very good adaptation by retaining the spirit of Disney and even including some aspects not included in the original. Actually his writing makes you forget he wrote American Pie!
Despite all those efforts, the success of the movie would have to bow down to the roles being done right. The inclusion of the king, the prince’s father, added to the story as did the appearances of Cinderella’s parents. The characterizations of the mice and lizards were well done and didn’t go over the top or even cheesy. The characters of the two stepsisters were very good depictions. They were nasty and bratty but you’ll actually find yourself laughing at how stupid they are rather than hating them. If there’s one character you will hate, it’s the stepmother Lady Tremaine. Cate Blanchett did an excellent job of depicting Lady Tremaine as both cruel and hurting on the inside to the point she feels she should hurt Cinderella. Her depiction also fits within the common Disney theme of featuring a female villain who’s beautiful rather than ugly. Blanchett’s depiction actually seems more like the queen from Snow White rather than the stepmother of the animated version.
There were some radical choices for character depictions in the movie. The first was the prince as being more of an awkward young adult rather than the flawless Prince Charming we come to expect. Even referring to himself as ‘an apprentice’ during the casual contact with Cinderella is something no one would have expected. The most radical of character depictions has to be Helena Bonham Carter as the fairy godmother. I found it very different to have a clumsy fairy godmother this time around. I wasn’t expecting another fairy godmother that sang ‘Bibbity Bobbity Boo’ but this was way different from what I expected.
Finally I focus on the character of Cinderella. Lily James did a very good job as Ella. She’s already an experienced actress in her native England and she does a very good portrayal here. She portrays Ella as a young woman who doesn’t make having an imagination look like a weakness. We shouldn’t forget her imagination has kept her holding her head high during the toughest of times such as the deaths of her parents and keeps her going strong with her stepmother and stepsisters whom even her father described as ‘trying.’ Hah, ‘trying’ is an understatement! However she does not come across as naive as most would come to expect of her or anyone with an active imagination. In fact it’s the scene where she says to her stepmother: “You were never my mother and you never will be.” shows Cinderella to have more inner strength than most thought.
Focusing on Cinderella lastly seems appropriate because she is essentially the epitome of the theme of the movie. The movie showed two people who had a lot of tragedy in their lives: Cinderella and Lady Tremaine. One was bitter about it. The other did what her mother said: “Have courage and be kind.” Cinderella’s courageous positivity upset Lady Tremaine to the point she had to hurt her however she can. Cinderella stayed strong. There were some points where her courage was tested but she still stayed strong. I guess that’s what this version of Cinderella was trying to say. That staying positive is not being oblivious. That having an imagination is not a weakness. That’s what was not only shown in Cinderella but almost every Disney movie.
Both movies have had their own box office success stories. Cinderella has grossed $197 million in North America and over $500 million worldwide. Paddington was not as big of a hit but it did have its own success with $76 million in North America and $259 million Worldwide. Impressive since it was done with a $55 million budget. The marketers of Paddington did a common job but a smart job in releasing it in most of Europe, South America and Asia first during the latter weeks of 2014 before releasing it in the US on January 16th. That’s a common technique used to plug movies with characters common in European pop culture. They did that with Tintin back in 2012.
Paddington and Cinderella are two family movies that have pleased the critics and will also please audiences alike. Both have what it takes to entertain children but they both also have elements that will please adults.
I’ll admit that I’m one of those people that went out to see Gone Girl later than the huge crowds. I will admit I was lax at it because of the tight times I was experiencing. I finally did see it just a while ago and I was impressed.
I usually do a run though the plot in my reviews. I have decided to skip it since most of you have already seen it. Instead I will focus on some of the unique elements and why this movie stands out.
One noticeable thing of the movie is that there is a big focus on the media, especially as it surrounds a murder story. There’s no doubt the message is about how the media takes on crime stories by being its own judge and jury, typing people and packaging them as good people and bad people. This was especially seen on how Nick is typed not only as the bad guy but as the murderer even though no body was found. This was also seen on the police as they eventually felt the pressure to make a move and arrest Nick for the murder. There was also the focus of the egos in the media behind it all and epitomized best by Ellen Abbott who mercilessly defames and slanders Nick as the murderer. Even before the interview of Nick and Amy after Amy’s arrival, you can tell Ellen shows no regrets about it all. Even as Nick confronts Ellen about how she dismissed him as a murderer, she simply says “I go where the story goes” without any noticeable remorse or apology. I guess it shows what it takes to be a talking head in the news.
Despite the exploitative judgmental ego-driven media being a major theme, it’s not the main focus of the film. The main focus is on Amy. Amy first comes across as a warm charismatic person with a lack of confidence but lives her confidence out through the character of Amazing Amy in her Amazing Amy books. As the story goes through the search for Amy day by day, the story flashes back to the first signs of their marriage falling apart. The marital troubles appear so much like millions of marriages before that hit rocky moments during hard times and even face ugly moments like infidelity and even physical abuse. That’s what the first half is all about.
It’s the second half that we see the twist in the story that Amy is not the sweet thing we think she is. She’s conniving, very clever and smart enough to make things work for her revenge plan to have Ben framed for her murder that never happened. Even faking things like her pregnancy, Ben’s alleged credit card debt and agreement to a huge life insurance payout was as clever as it was shallow. Her cleverness especially intriguing that she’s even able to make a calculating change of plans even after some neighbors of her getaway place rob her. She’s able to get Desi back into her life and appear to rekindle the romance only to have another thing up her sleeve after seeing Nick’s interview on the television. Her tricks are even crafty enough to get Nick trapped into the relationship without him being able to escape thanks to a pregnancy. Her tricks are even clever enough that there’s nothing Nick, Margo, Tanner Bolt or even Detective Boney can do to bring out the truth, even though they know it.
The funny thing is I’ve been watching a lot of crime shows like Forensic Files where they show of people committing murders and attempting to cover it up only to have advancing technology over time uncover the truth slowly but surely. They not only tell of people committing the crimes but what they do to get away from it all and even cop a new identity. Seeing Amy go about her charade not only reminds you of those diabolical minds but gets you intrigued in Amy’s own diabolical ways. Throughout the movie I was waiting for the moment for truths to be unraveled and Amy to get caught. Funny thing is that over time, it appears her new actions and tricks appear better executed than the ones Amy had planned on Nick from the start. It appeared Amy’s new plan to have Nick in a loveless marriage raising their child was a better form of torture on Nick than her original plan of having him convicted and executed for her fake murder. It’s like she told him after he hit her: “I’m the c*** you always wanted.”
I think that’s what makes this movie so winsome. Amy is a diabolical mind who’s not only that good but appears to get better and craftier over time. Funny thing is it’s one of those movies that had me leaving the theatre wondering how Amy gets away with it all? How Amy’s able to keep it all covered up even with all this modern technology and in control of everybody else involved including the law? That’s like the same wonder I had at the end of 1999’s Arlington Road of how a couple could pull off a terrorist explosion framing their neighbor and being a step ahead of everybody in every which way to get it done. That’s also like the same wonder I had in 1992’s Basic Instinct when Beth kills Gus with an ice pick and minutes later confronts a gun-wielding Nick with a normal pulse rate and no stress level at all. Then I remind myself it’s the movies where they can make anything happen and make us believe it at that moment.
Top kudos to Rosamund Pike. She delivered a character that made the movie. She gave a feel for the character right from the start and kept us intrigued right until the end. She had to be the top factor on why this movie is so winsome. Ben Affleck did well but he didn’t own the show the way Rosamund did. Carrie Coon was very good in the supporting role of the sister who knows the truth but is helpless to do anything. Tyler Perry was good as the lawyer. Missi Pyle came across as cartoonish as the Ellen Abbott but it fit well with the movie as I will reflect on later.
It seemed like the right thing for Gillian Flynn, the writer of the novel, to also write the screenplay too. It makes sense since she’s the one who knows Amy inside out. It’s also great to see her deliver an ending possibly unlike anyone would anticipate. David Fincher does an excellent job of directing the story. I know there were many times that the people in the murder scenario came off as cartoonish in the film but it seems fitting because all too often, people in the middle of a trial that involved heavy media attention often come off as cartoonish or like drama queens. Even as we read murder stories or murder dramas about real-life murders, it’s as much about personalities as it is about the people. David did a good job of making it the focus in the movie. You could say David delivers another winner. In addition kudos to the music of Trent Reznor and Atticus Ross that added to the feel of the film.
Gone Girl is a story that keeps you interested from start to finish. You think it will go one way but it goes the other way. Even after you leave the theatre, you’re left wondering how she was able to make it work. I guess that was the secret of the movie.