There has been a lot of anticipation of what will win Best Picture for the past two months. Lately the recently-released 1917 has become the front-runner. Does it have what it takes to win it?
One thing we should keep in mind is that this is not a completely true story that takes place during World War I on April 6, 1917. This is a story about a messenger delivering a message during the war. According to Sam Mendes, this is a story that has been lodged with him as a child. It’s quite likely the stories came while listening to the tales his grandfather, Lance Corporal Alfred H. Mendes, would tell. In fact he dedicates the film to him ‘for telling us the stories.’
Another thing we should remember about World War I is not just how it would be the most brutal war in history before World War II, but also of how it changed how wars are fought. In the past, soldiers would fight on horses with swords. Here in World War I, it was mostly ammunition related which made horse fighting useless from this point on. Also with the airplane being invented back in 1903, this was the first war ever that would involve airfighting. That would present a new danger for soldiers fighting on the ground as they would also have to avoid shooting from the air.
We should also take into account that despite the advances in warfare, communication between infantries were limited. It seems odd to see the need for a message to stop a battle to be sent through two men. I remember seeing messages submitted in such fashion in Lincoln which was set during the Civil War. One in today’s modern world would find ‘walking’ this message from the trenches to former enemy territory to the infantry to be an odd thing, considering the technologies we now have. We shouldn’t forget that during World War I, the most communication they had was either Morse Code or landline telephone. As you would see when the scene approaches, the infantry of which the leader would need to receive the message would have no access to any of those forms of communication. Telephone lines were cut out in the field and ‘walking’ the message to the infantry would be the only way they can be reached.
We’ve seen war movies in the past. Most war movies consist of frequent battles and action scenes. Mostly to stir up excitement for the purpose of being an action movie. This is a different story. This is a message of two men who are given the responsibility to deliver a message to a battalion to cease fighting and prevent huge loss. This is not just a message a soldier has to relay to prevent a devastating battle, but one in which threatens his brother. Blake not only must deliver the message but have someone else as the second should one die. He chooses his best friend Schofield who’s reluctant at first. The two put themselves out in the mission but encounter danger after danger. Blake is stabbed to death and then it becomes Schofield’s mission to deliver the message. This is a story that focuses less on battles and more on getting a task done. If you get into the story, you will see this is a task which will put one in the middle of the horrors of war. This being a war movie, there are scenes of action and intensity. Those are scenes that can’t be compromised in a war movie and there’s no compromise here. This film also shows a lot of the horrors and devastations caused during World War I like a devastated town, a brutal plane crash, rat-infested areas, bodies left around decaying, and even how every soldier had to see people from another army as the enemy. No exceptions. This story is a telling account of what those fighting in the war had to deal with.
I know I’ve seen many films by Steven Spielberg where he not only tells a war story but also shows how the war was done back then. Often when he does his story that occurs during times of war, it’s like we receive a lesson of how war was done and are even reminded of the politics and hostilities of the time. Sam Mendes takes a different approach in telling his story in 1917. It’s not as telling as how World War I was done as a Spielberg movie would be, but it does remind you of many horrors a soldier would endure. Keep in mind, this is a single story of a message to be delivered and the treacherous journey to deliver it. One can go through enough horrors in that one journey to know how much war is hell. Even the stories from one person is enough to be a telling account.
Mendes does do something in which Spielberg never did in any of his war movies. Mendes makes this a ‘follow-around’ story. I’ve seen films which have been cases where the story is told by following the lead protagonist around. It’s added to the story in most cases. Here in this film, it not only tells the story but makes one part of the journey. It makes the audience experience the horrors and dangers as they happen. Another addition to the story is how it makes like this film is all one take. It’s not really a single take for almost two hours. In fact I saw in Birdman how they’re able to make a film set in real-time appear to be only one take through some cinematography and editing angles. This is the same here where it does an excellent job of making it look like one take from start to finish. There are many times in which the story is done in real-time and there are time elapses where the audience won’t notice. Nevertheless it works for the film and for the storytelling.
Top acclaim has to go to Sam Mendes. I have something to tell you all. Back when I first arrived in Vancouver, I celebrated my first weekend there watching American Beauty in the movie theatres. It left me captivated from start to finish and I never checked my watch once! Which was rarely the case for me back then. That film, as well as other films that made 1999 a landmark year for film, and the Oscar race that followed would kick-start my enthusiasm for film and the Oscar Race.
Mendes does an excellent job in directing the story and using multiple angles that add to the story instead of distract. The story in which he co-wrote with Krysty Wilson-Cairns is actually the very first feature-length film script both have written! Wilson-Cairns however has had more experience as she’s written for television and various short films. This is a unique story and a unique way in filmmaking of telling the story. The story succeeds in delivering excitement and intensity as the viewer watches it. The journey ends in a manner different from how the viewer would expect it to end, but it ends on the right note. It even ends on a personal note as Schofield confronts Blake with the bad news. The ending is possibly the most human note of the film and it reminds you of the dignity of the soldiers who sacrificed their lives to fight or prevent tyranny. I admire Mendes and Wilson-Cairns for incorporating that in the story.
As for acting, this is a film that doesn’t allow too much in terms of a developed ensemble cast. Many action films and war films usually don’t have room for well-developed acting; it’s mostly action-oriented. Even the role of the protagonist Schofield, played by George MacKay, is not exactly a role with too much dimension. I do give it credit as the film is more about the story than it is about the characters. Nevertheless I do admire for MacKay delivering a solid performance with a role that lacked dimension. Actually he succeeds in giving the role its most feeling at the very end. The acting of the main supporting role of Dean-Charles Chapman was also very good. His role was given more feeling as this was the character’s brother he was most concerned about. Chapman also does a good job with his role. Most of the other supporting roles had minimal screen time in the film. Nevertheless the performances of Colin Firth, Benedict Cumberbatch, Robert Maaser and Richard Madden were well-acted despite how limited their roles were.
The film also has a lot of stand-out technical efforts too. First is the cinematography of Roger Deakins which is unique for a war-film and it adds to the thrills and excitement. Next is the film editing by Lee Smith who successfully makes it look like a single take. Next is set designers Lee Sandales and Dennis Gassner for recreating the trenches, battlefields and sunken bridges of the war. Another of top acclaim is the score from Thomas Newman. Newman has composed scores for six of Mendes’ seven films and this is his fourth Oscar nomination for a score for a Mendes film. The score fits the intensity of the story and moments of action. Finally the visual effects team did an excellent job of recreating the war and the battle scenes.
1917 isn’t your typical war movie. It’s a movie that takes you on the journey and involves you in the drama. It even reminds you of the horror while restoring your belief in humanity.
And there you have it! That’s the last of my reviews of the Best Picture nominees! This makes it nineteen straight years of seeing all the Best Picture nominees before Oscar Night! Just a review of the Oscar Shorts and my Oscar-winner predictions yet to come.
I’ll admit I had my review of Doctor Strange started back when I saw it in November: Election Day to be exact. The reason for its late publish has a lot to do with my lack of ambition. Paying attention to my hit statistics and seeing how 2016 gave me my lowest annual hit stats since 2011 kept me from publishing. However the recent upswing of hits in January rejuvenated my blogging energy and I can finally publish my review!
Dr. Strange is not a new Marvel superhero. He first appeared in a 1963 addition of Strange Tales created to bring a different type of character and themes of mysticism to comics. It wasn’t completely welcome during its early years as some people thought those at Marvel comics must be on some kind of drugs. Dr. Strange would continue to have his own comic series for decades until the early 2000’s. Then he was placed as a supporting character in comic books of The Amazing Spider-Man and The Avengers. Dr. Strange has been able to reclaim his own at the start of this decade.
Marvel faced a huge task in bringing a superhero most people are unfamiliar with and making them a household name. They’ve done it before, with The Guardians Of The Galaxy being the most recent example. However it’s still a case of hit-and-miss as last year Ant-Man didn’t get the success most were hoping for. 2016 has been a good but complex year for the Marvel studios. Their latest X-Men movie didn’t go off so well. Captain America: Civil War was a hit but it didn’t have the same muscle as past Captain America movies. Deadpool was a big hit, especially as an R-rated movie about an anti-hero, but Marvel still wants to excel in creating superheroes, especially in a family-friendly format.
Now in order to make Doctor Strange come alive on the big screen, Marvel had to create the right story. This is the first Doctor Strange movie so the origin is a definite must. Also a must is Stephen Strange’s personality as the surgeon who lives for the fame but is given a reality check after the car accident and subsequent adoption of a superhero persona. In addition, morals are necessary for superhero movies. It’s like my brother-in-law said today’s people are tired out with life. People want entertainment that gives us heroes to look up. I agree. Despite the onslaught of Deadpool, Suicide Squad and Sausage Party, people welcome heroes and are comfortable with seeing morals redeemed. It’s not like the 90’s where we all has an insatiable appetite for entertainment that was ruthless, obnoxious and appeared to be an artistic middle-finger.
However there were two major things needed to make Doctor Strange take off. The first was Benedict Cumberbatch had to make the character of Doctor Strange work. Cumberbatch had to be able to portray Doctor Strange’s pre-accident arrogance well and to make his change in personality transfer successfully. Cumberbatch was very good in portraying the character. The other major thing needed most for this movie is top-of-the-line visual effects. Already Doctor Strange’s unique superpowers mostly involve the use of pyrotechnics. They had to look like the magic they are. The shifts from one world to the next would also require top-of-the-line visual effects. If you saw the movie yourself, I’m sure you would also be dazzled by the effects of the film from the pyrotechnics to the various worlds to the freezing of time.
Although Cumberbatch’s acting and the visual effects were the highlights of the movie, it had a lot of other ingredients responsible for its success. Scott Derrickson did a very good job of directing. Derrickson has developed a reputation with directing and writing sci-fi movies in the past and he was the right man for the job here. The script he co-wrote with Jon Spaihts and C. Robert Cargill also had to be very good because this was one superhero movie that was not too heavy on the action and placed more emphasis on the story, putting the thriller emphasis more on the slow intensity of the moment. It even included some humor which Marvel likes to include in the first movie of one of their superheroes. They succeeded in accomplishing that. The supporting acting performances like Chiwetel Ejiofor as the mentoring Karl Mordo, Benedict Wong as a non-stereotypical Asian martial arts master, Tilda Swinton as the Ancient One also mentoring Strange, and Rachel McAdams as Christine Palmer, the woman who gives Stephen Strange his reality check, also added to the strength to the story. The music from Michael Giacchino also fit the film and its various moments well.
Doctor Strange was released at the right time. It was released in November when movie crowds are starting to grow again right after the end of the summer season. Usually November is the biggest movie month outside the summer. People are used to settling back to their routines and they can now go out for enjoyment. Dr. Strange won its opening weekend with a draw of $88 million and remained on top for another week despite challenges from Trolls and Arrival. Even after facing rivalry from the following weeks with new releases like Fantastic Beasts and Moana, Doctor Strange did strong spending seven weeks in the box office Top 10 and grossing $231.6 million in North America and almost $665 million worldwide. As the Oscar nominations have approached, its visual effects were nominated. If you remember the effects, you too would think they were some of the best of the year.
As for a possible Doctor Strange sequel, Derrickson talked of a sequel even a month before its release. He mentioned he had fun with the character. The success of it is the perfect green light for a future sequel.
Doctor Strange is the biggest debut movie for a superhero since the Guardians Of The Galaxy. In a year that was a bit of a struggle for Marvel, it delivered in entertainment and thrills.
DISCLAIMER: Okay, I know I’m late in reviewing a lot of movies, including this one. I’m hoping to do some catching up in this time. So please bear with me.
James ‘Whitey’ Bulger is a man of infamy. Black Mass is a movie that attempts to reveal what type of person Bulger was and how he was able to get away with what he did all this time.
It’s 1975. The streets of South Boston are ruled by James ‘Whitey’ Bulger and his Irish-American Winter Hill Gang with Stephen Flemmi as his right-hand man, Kevin Weeks as his rising rookie and Johnny Martorano as his merciless hitman. However it’s rivaled by the Angiullo brothers who have ties to the New England Mafia family.
In the middle of this, former FBI Agent John Connolly returns to Boston in hopes of stopping the Angiullo brothers and does the tricky task of trying to get Whitey’s help to do so. Besides Whitey and brother Billy Bulger, who’s the president of the Massachusetts State Senate, are childhood friends. At first, Whitey is reluctant to be an informant but agrees after one of his Winter Hill Gang members is gunned down.
No kidding having Whitey as an informant for an FBI agent is touchy stuff and it even causes suspicion from Connolly’s boss. However it becomes a case where Bulger is the one pulling Connolly’s strings as he uses Connolly’s ‘protection’ for covering his crimes. Whitey becomes more violent after his six year-old son dies of an allergic reaction to aspirin. He even gains more success in achieving FBI control in terms of trying to down the Angiullos. Connolly however becomes more attached to Whitey which interferes with his marriage.
However the bond between Bulger and Connolly reach a turning point as Whitey orders one of his men to kill two men associated with a scheme Whitey was to profit over. One man in whitey’s ring, Brian Halloran, comes across as untrustworthy and senses him to be a possible rat. Fearing for his life, Halloran goes to the FBI for help but to no avail. Connolly informs Whitey of Halloran’s sayings and Halloran is killed.
Bulger’s lust for blood and his own menacing behavior only grow over time and it leads to a downfall in his relationship with Connolly. Over time a new district attorney, Fred Wyshak, is hired in Boston. Despite Connolly’s attempt to befriend the ‘bulldog’ attorney, Wyshak refuses and attempts to have Bulger arrested. Eventually the secrets are unraveled thanks to the help of the Boston Globe which leads to the arrests of Connolly and Bulger’s three other men. Bulger however is successful in avoiding arrest of his own however he would be arrested in 2011 after 16 years ‘on the run.’
I’m sure what most people would be interested in seeing when they watch this film is yet another character played by Johnny Depp. The weird thing is about how unrecognizable he comes across with his balding hair and blue eyes. However I’m sure he was chosen because of how he could embody the character of Whitey with his criminal mentality and his personal demons both on the street and within himself. Mind you Whitey was quite the character in real life to give himself his own exile before ultimately being brought to justice only as he was in his 80’s. Some may find Johnny’s hair and make-up rather distracting but it doesn’t take away from the story.
This is a story of intrigue. Those who know the story of Whitey Bulger, or even those who only know the name but not the whole story, will take an interest in why Whitey carried this all out and why an FBI agent was willing to assist. No doubt the story is mainly about Whitey. However the story is about Connolly too. It makes one wonder why a childhood friend would be so loyal to the point he’d be willing to go against his job in order to help him out despite the fact he’s carrying out such hideous crimes. No doubt the theme of loyalty is very present in the film as it is a common fact that loyalty to family and friends is something valued greatly in Boston. The theme of loyalty comes to the point where we see a scene of Bulger on the run but not before thanking Billy just before he and the other men are sentenced.
The make-up of Depp as Bulger may get a lot of attention but the highlight of the film was his performance of a man who is smart but troubled and very easy to infuriate. Depp also did a good job of conveying Bulger’s growing anger and personal motives in his carrying out in the crime activities but he also did a good job in showcasing Whitey’s mind in why Bulger felt it was right in doing all these hideous crimes and why he needed his men to carry it out and an FBI to be ahead of the game. Even showing how the accidental death of his son would be the turning point in Bulger and his lust for control and vengeance adds to the story and the character. The film rested predominantly on the story of James ‘Whitey’ Bulger but it was Depp’s ability to show Whitey the person that made the story work at its best.
Sure, Johnny Depp carried the film but the film did feature other good supporting performances as well like that of Joel Edgerton as Connolly whose loyalty is questioned, Benedict Cumberbatch as Billy. The performances of the wives caught in the middle–Erica McDermott as Mary Bulger and Julianne Nicholson as Marianne Connolly– added to the human element of the story and kept it from being your typical hard-story crime drama.
This actually Scott Cooper’s third film as a director. The former actor’s best film making feat up to now has been Crazy Heart about a faded country star on a comeback. I don’t know if it’s as good as Crazy Heart but this is a very good film done by Cooper and is definitely his commercial breakthrough. Writers Jez Butterworth and Mark Mallouk did a good job of keeping it from being your typical mob-leader story.
Black Mass isn’t simply about an infamous crime leader. It’s also about the codes of loyalty some people would do for their friends, even if it meant violating their duties as an FBI. Very insightful and full of intense moments.
“Am I a machine? Am I a war hero? Am I a criminal?”
The Imitation Game is a film that presents us a story of legendary scientist Alan Turing. It shows who he is and his life but also sheds light on many things we didn’t know.
The film opens in 1951 with Alan being investigated by detectives Nock and Staehl. This takes the film back to moments of the past starting in 1939. World War II has started and Turing applies to become part of the cryptography team at Bletchley Park. His ability to decode things and his knowledge that the Nazis use a code called Enigma impressed Commander Alasdair Dennison so much, he brings him on with the team of Hugh Alexander, John Cairncross, Peter Hilton, Keith Furman and Charles Richards.
Turing is difficult to work with as he distances himself from his colleagues. He has an idea for a machine to decipher Enigma but Commander Dennison doesn’t approve. Turing writes to Winston Churchill asking for assistance. Churchill is so impressed with Turing’s idea, he declares him the leader upon which he fires Furman and Richards. He uses a crossword puzzle to find his replacement. Upon which he hires a woman, Cambridge graduate Joan Clarke. Joan however has to deal with her overbearing parents as they don’t want her to work with men and marry immediately. However Turing is convinced enough she’s the right person for the job to the point he provides her a room to stay and work with female clerks while he shares his plans with her.
Difficulties continue as the code of Enigma needs to be reached. First the Germans change the code daily so that the enemies don’t succeed in breaking it. Secondly, Dennison is infuriated with the machine which Turing names Christopher and wants it destroyed and Turing fired. It’s only after the team threaten to leave if Turing is fired that he’s able to continue. Joan is pressured by her parents to either marry or leave her job, to which Turing proposes to her. On top of it, Turing’s team know of his homosexuality but promise to keep it secret.
Even after results happen and Christopher is able to successfully decipher Enigma, the solutions don’t start there. They can’t make it obvious to the Germans that they know Enigma so they have to carefully plan their strategies of attack even if it means considerable time later. Turing learns Cairncross is a spy for the Soviets but is told to keep it a secret or else Cairncross will expose his homosexuality. The place becomes too dangerous for Joan to stay and Turing tells her to leave, outing himself to her and even saying he was only interested in her as a co-worker. Joan leaves angrily. World War II was won and the cryptographers plans are burned.
The film progresses to the 1950’s when Turing was arrested first pursued for hiding confidential information only for them to uncover his homosexuality. His homosexuality was as much of a challenge as his eccentric way of thinking even as far back as his school days when he would be bullied. Fortunately a boy named Christopher befriended him and encouraged him with his coding and shared feelings with him. Unfortunately Christopher died before Alan had a chance to tell him he loved him. At the end, he’s shown with his final struggle with his homosexuality just before his eventual suicide as he’s sentenced to chemical castration: a sentence he chose over two years prison time. In his home where he secludes himself with his own concocted version of the machine Christopher, it’s Joan who comes to him in the end offering moral support and reminding him how significant he was because he was ‘not normal.’
Some would first come to the movie thinking it’s about him and his lifestyle. Some would first think this is autobiographical. It’s more. It presents the story of Alan and his eccentrically intelligent and creative thinking. It presents Alan’s side of the story from beginning to end focusing on the three biggest events in his life: in 1928 as a teenager when he’s first given support of his eccentric imaginative thinking and first learns of his homosexuality; during World War II and the story of the moment and invention that defined him; and in 1951 with Scotland Yard’s trying to link him of a crime only to discover his secret that would lead to his tragic fate. The focus of the story is especially clear at the beginning when Alan asks us: “Are you paying attention?” The film also presents why it was so important for this machine to crack Enigma had to be created as Alan would remind us it wasn’t simply against the War but against time. Especially for the UK which was suffering terribly. It also presents their strategy for helping to win the war as soon as they could.
It’s also very much about Alan the person as it is about Alan and the team working to crack the code. It presents Alan’s intelligence as creative in which he can decipher things through his work on crossword puzzles. It presents Alan as one who also has a very unlikable side including a ruthlessness his coworkers found hard to deal with though they stick with him because they feel he’s the only one who can succeed at cracking the code. They can’t stand him but they believe in him. It especially presents Alan’s homosexuality as for why he was about to go on trial. As he is about to be tried, he looks back on his life for when he was part of the mission to his schoolboy days and his encouragement from Christopher: the one person who truly understood him. It ends with Joan, the one colleague who knew him best and deserves to desert him after what he said to her but comes in the end to remind him of his significance to this world.
It’s obvious that Alan was able to solve Enigma in time but appeared unable to solve himself and even doubt his self-worth just after his sentencing of ‘chemical castration.’ A common thing as we see all too often in history how some of history’s biggest heroes would eventually become rejected by the people and even die lonely. Nevertheless we’re reminded that he still had people willing to stand by him even as he felt worthless. Especially Joan as she reminds him after he becomes a recluse after his defamation: “Do you know, this morning I was on a train that went through a city that wouldn’t exist if it wasn’t for you. I bought a ticket from a man who would likely be dead if it wasn’t for you. I read up, on my work, a whole field of scientific inquiry that only exists because of you.”
The movie tries to show more of what Alan Turing did as an effort to combat the war rather than focus on his lifestyle. Actually the movie does show about the struggle with his homosexuality throughout his life. His first difficulty came in high school as he fell in love with his friend Christopher and had to pass notes in his special code to him. We should remember that Alan was not beaten up in high school because he was gay but because of his intellectual eccentricities where it first showed its presence. He had continued difficulty during his work as even though his colleagues were supportive of him, they did remind him he could lose his job and be imprisoned because of it. Joan appeared to be the one who dealt with it best as she was not afraid to be in a sham marriage with him especially since it would help get her parents off her case. Then we see at the end as Alan has to deal with his ‘chemical castration’ which would eventually lead to his suicide at 41. We should remember those were the times. It’s because of the criminalization of homosexuality in the past that we had the pride movements that spawned out of the 70’s and are what they are today.
Benedict Cumberbatch did an excellent job in his portrayal of Turing. His performance was full of dimension for a person who was hard to like and had quite an imagination but quite smart and even troubled in the end. It’s a role where he not only acts off of his actors but us the audience too filling us in on all the details and making us think too. You can tell when Alan as narrator tells us to pay attention. Of the supporting players, it’s Keira Knightly as Joan who shines the best as the one who not only helps decipher Enigma but is the one person who can decipher Alan as a person in the end. The actors making up the cryptography team–Matthew Beard, Matthew Goode and Allen Leech– did great both as a team unit and in their own individual moments. Other standout supporting performances came from Rory Kinnear as detective Nick and young Alex Lawther who did a remarkable job playing the young Alan Turing.
Also deserving of acclaim is director Morten Tyldum. Very experienced in his home-country of Norway, this is actually his first direction of a English language feature and it’s an excellent first-effort. Also excellent is the script from Graham Moore. He did an excellent job in creating the story off of Andrew Hodges’ biography setting the three periods of Alan’s life that defined him most and piecing it all together. It succeeds in keeping us interested. Technical aspects were also excellent such as the set design, costuming, cinematography and the composed score by Alexandre Desplat.
The Imitation Game is a unique story about a scientist who went from a hero to a criminal of his time. It tells the story through his eyes and leaves us both interested and getting us to think as well. That’s the movie’s best quality.
Twelve Years A Slave is a landmark book for what it helped to overthrow. Adapting it to the big screen is a new challenge. Did the attempt from British director Steve McQueen work?
The movie begins with Solomon Northup in captivity. However it flashes back to when he lived as a free man in a town in New York. New York was a free state during the days of slavery and blacks were free even to the point where they could be businessmen. However he was tricked during a trip one day by slavetraders into touring with the circus. He was drunk that night and the following morning he finds himself chained to a floor and beaten. He was forced through brutal punishment to accept the name Platt and was sold in New Orleans to plantation owner William Ford.
His first experiences as a slave were not bad under Ford. Ford actually treats him with enough respect for Northup to give him a violin in gratitude. However things change when his boss becomes carpenter John Tibeats. Tibeats is terrible as he mocks all his slaves but takes a special dislike to Northup. Tensions go from Tibeats harassing Northup to the two fighting to Tibeats getting his men to hang Northup. Ford notices this and sells Northup away from Tibeats to cotton planter Edwin Epps.
Both Ford and Northup know Epps is cruel to his slaves and believes his right to be cruel to them is in the Bible. Northup insists to Ford that he’s a free man but Ford believes it’s not for him to say because he has a debt to pay. Epps places a demand on all his slaves they pick 200 pounds of cotton a day or be whipped. Throughout his stay, he is subject to brutal treatment from the Eppses and even a plague of the cotton worm where he and the other slaves are sent away to a temporary field. He is even betrayed in his attempts to freedom and has his letter to New York burned by Epps.
Meanwhile Epps is observant to the other brutality going on. Most notably to the female slave Patsey. She is excellent at picking cotton but has caught the jealous of Edwin Epps’ wife who repeatedly beats her. Edwin himself rapes her repeatedly and worsens over time. Patsey’s mental condition worsens to the point where she wants a suicide and even welcomes a whipping from Solomon ordered by Mistress Epps.
There is a ray of hope as Northup works construction along with a Canadian named Bass. Northup knows of Bass’ opposition to slavery by how much it disgusts Edwin Epps. Northup confides to Bass of his experiences. Northup again attempts a letter to pass on but Bass agrees to do so despite that being a risk to his life. The movie ends on a bittersweet positive note and provides information on what happened after the novel was published.
I’ll admit I’ve never read the actual book ‘Twelve Years A Slave.’ Nevertheless I consider it an accomplishment to bring it to the big screen for the first time. It gave an excellent depiction of the horrors and brutalities the slaves went through during the times of slavery. Those who don’t know all the details of what was all involved with slavery other than simply owning black people don’t know all the details. The movie in itself was a recreation of the slave life Northup experienced. This is a life that Northup experienced and witnessed and was a life with thousands or even millions of slaves experienced in the United States. It will shed quite a light and will give all the reason why slavery had to be ended. It will also surprise you with the fact that Solomon was one of the few slaves to escape to freedom. It will even cause you to think of the slaves that weren’t lucky enough to be free.
One thing that made me question was the state of slavery laws at the time. I may be Canadian but I knew of the Dred Scott Decision that had a bearing to the Civil War and the eventual end of slavery. What surprised me is that Northup was a free man living in New York State when he was kidnapped and sold off to Southern slave owners. That had me thinking there must have been some laws against kidnappings and even selling of African Americans from free states. I’m actually surprised to see that kidnappings of free black people by Southern slave traders happened back then. Makes me wonder if there were those that unlike Northup never got their freedom back.
Another thing that caught my attention was the scene where Edwin Epps whips Solomon mercilessly. A white man tries to stop him but he rejects, saying; “he’s my property.” It’s a reminder of the reason why African-American slaves were treated so abhorrently. The white owners looked at them as property that they can do whatever they wanted to them. They could whip them all they wanted or even kill them. They could even be raped in the case of Patsey. None of it would matter because they weren’t considered people. They were considered ‘property.’ And one thing that will strike you once you leave the theatre was how much the Southern states treasured slavery. This was something they valued to the point that when it became clear slavery would end in the United States, they declared their own nation: The Confederate States of America. They would even fight a brutal Civil War over four years with hundreds of thousands of soldiers killed for the sake of keeping their slavery, in which they’d eventually lose. Really makes you think.
The biggest accolade for the efforts given to the film have to be given to director Steve McQueen. Steve is actually a mostly unknown director in the past who had previously directed two previous feature-length films and 23 shorts. Watching Twelve Years A Slave will cause many including myself not to believe this is only his third feature-length. This is excellent and impressive. He did an excellent job of recreating the story and also bringing out excellent performances of actors famous, well-accomplished and those short on experience. What’s also surprising is that Steve McQueen is not African-American but British of Grenadian descent. I too find it surprising that it’s a black British director that has best depicted American slavery to the big screen. He already looks poised to become the third black director to be nominated for a Best Director Oscar. Not even Spike Lee was nominated in that category. The big buzz is will he win? If he does, he’ll be the first black director to do so.
The acting was also excellent. Chiwetel Ejiofor was excellent as Solomon Northup. It was not only of what he said and what he did but also what he witnessed that made his performance of Solomon. Supporting performances were also excellent too. Lupita Nyong’o was the one that stood the most out as Patsey: a slave that’s as tortured inside as outside. This is actually Lupita’s feature-length film debut. Excellent work. Michael Fassbender was also excellent as Edwin Epps. His jerk attitude made him that hateable. Sarah Paulson was also excellent as Mistress Epps. Even though her role didn’t have as much dimension as Edwin, she was just as hateable. Both made it look like the Eppses had a lust for blood and abuse. Even the performances from Benedict Cumberbatch, Brad Pitt and Paul Dano added to the film.
John Ridley did an excellent job of adapting Northup’s biography to the big screen. This is surprising as Ridley has more of a reputation for writing for television comedy. However he did write the story for 1999’s Three Kings. This was an excellent job for him. Sean Bobbitt did an excellent job of cinematography and Hans Zimmer did a great job for composing original music.
Twelve Years A Slave is an accomplishment of a film. An accomplishment in both acting and directing. The story may be too unwatchable for some but its brutal honesty is its best quality and help make it one of the best films of 2013.
The Star Trek franchise has really come a long way since its days as a television series, hasn’t it? Movies, a new series in the 90’s, a loyal following of Trekkies and even a 2009 remake of the original. Now Star Trek returns to the big screen with a remake of the sequel entitled Star Trek Into Darkness. Does it still entertain current audiences?
The movie opens with Captain Kirk defamed and demoted from his Captain position after Spock’s life is jeopardized while prevent a volcano from erupting on the planet Nibiru that would have wiped out all civilization and would have exposed all of Nibiru’s lives to the Enterprise. Admiral Pike has been reinstated but believes Kirk deserves a second chance and successfully lobbies for Kirk to be his first Officer.
The movie moves forward to London two centuries from now. A bomb has just exploded and the perpetrator is believed to be Starfleet agent John Harrison. The meeting about how to deal with Harrison is disturbed by Harrison’s jumpship. Kirk destroys the jumpship but Harrison is able to escape to the Klingon planet of Kronos. Meanwhile Pike was killed in the attack which promotes Kirk back to captain of the Enterprise. Kirk is left in charge of dealing with the Enterprise and Harrison whether to have Harrison killed by the torpedoes on board the Enterprise or brought to justice.
Their first attempt at capturing Harrison is by arriving on the Klingon planet even though they know Klingons are set to attack them. Harrison kills the Klingons but appears to surrender when aware of the torpedoes against him. It’s when Khan is held inside the Enterprise that is true identity is learned, Khan: a genetically engineered superhuman designed as a weapon 300 years ago for a war between the Federation and the Klingon Empire. On top of that, the torpedoes each have one of Khan’s crew cryogenically frozen inside. In the meantime Admiral Marcus, engineer of Khan and captain of the USS Vengeance which Khan designed, demands Khan’s release. The Enterprise refuses and that leads to a war leaving the Enterprise severely damaged.
Soon after many giveaways happen to the intentions of both Khan and Marcus which almost leads to the destruction of the Enterprise had it not been for Scotty’s fast thinking on the Vengeance. A confrontation between Kirk, Spock, Marcus’ daughter Carol and Khan leads to Khan succeeding and gaining control of the Vengeance. Khan will only allow the crew of the Enterprise free if given the torpedoes. They agree but just when it’s thought that Khan has the advantage, a surprise occurs. This leads to a battle between Khan and leaders of the Enterprise with a not-so-typical ending to the movie.
This is a continuation from what started in 2009 when the first Star Trek was remade. If you remember then, they attempted to remake the very first Star Trek movie with a modern faced cast and with modern special effects. The end result was one popcorn movie remake that worked well not just with audiences but critics alike. it even became the first Star Trek movie to win an Oscar: winning Best Makeup. Here in 2013 comes a new challenge of remaking The Wrath Of Khan with the new modern cast and the new special effects.
I’ll admit that I have not seen the original Wrath Of Khan so I cannot compare it to Into Darkness. What I can do is compare it with the 2009 remake of the original. The original was good as it was able to remake and even modernize the original well with good writing, good acting and excellent effects. Into Darkness was also very good in its own way with the acting and the directing and especially the effects. There were times where the original actors (William Shatner and Leonard Nimoy) make appearances in the movie with is not uncommon for Hollywood to do in terms of movie remakes and movie versions of TV shows. However Shatner was given a good role that was atypical. As for the story, it was your typical Hollywood formulas in the story but what it lacks in original it, it makes up for in entertainment. It succeeds in being a thrill ride for those who see it with battles and even an ending that it not your typical predictable Hollywood ending.
The acting from the actors was also good. One thing I liked about the 2009 remake is that none of the actors were trying to fill the shoes of the actors past. Chris Pine knew he wasn’t to be a copy of William Shatner. Zachary Quinto knew he wasn’t to fill the shoes of Leonard Nimoy. John Cho knew that he’s not in George Takei’s shadow. Anton Yelchin knew not to compare himself to Walter Koenig. And Zoe Saldana was not trying to be Nichelle Nichols either. Each had their part to do and doing it made it work. The actors again continue to do it in Into Darkness. Mind you the role of Spock was given a new challenge by having him convey emotion despite being a Vulcan. Even Benedict Cumberbatch did a very good job in playing Kahn, even if Khan came across as an unoriginal Hollywood villain.
J.J. Abrams can add this movie to his cloud as one of the top sci-fi directors in Hollywood. He started well with Mission Impossible III, progressed with the first Star Trek in 2009 and did it again in Super 8. Although Into Darkness doesn’t compare to the first Star Trek, it does not hurt his reputation at all and even adds to his consistency. The highlights of the movie of course were the visual effects as should be expected with any sci fi movie. People don’t go to a sci fi movie for the script. They go to escape to another world. And Star Trek Into Darkness succeeds into taking us into our world two centuries from now and into the many worlds in the Star Trek universe. It was a very good trip into escapism that most will enjoy.
Star Trek Into Darkness is a sequel remake that puts its most emphasis in the escapism and the excitement of the action. It succeeds again in giving the audience a trip to another world while staying true to the Star Trek theme. The big question is if there’s to be a remake of The Search For Spock in the future, how soon will it come out and what will the end result be?