I’m good at keeping count of all the years I’m able to see all the Best Picture nominees, but I don’t know how many consecutive years I’ve seen the shorts. However I did it again this year. I lucked out and saw all the shorts for this year’s Best Live-Action Short Film and Best Animated Short Film categories. There were a lot of differences of the films, but a lot of similarities too. Here’s my review of the films:
LIVE-ACTION SHORT FILMS:
The col thing about this year is that two films — Fauve and Marguerite — come from Canada. More specifically, Quebec. The five films nominated are very different in genre and story, but all are deserving of their nominations:
Detainment: dir. Vincent Lambe – This is the most controversial of the five films. February 12, 1993 started off as a day in which two 10 year-old boys named Jon Venables and Robert Thompson simply played truant from school and stole items from nearby stores. That all changed when they saw 2 year-old James Bulger standing outside the butcher shop unattended. The film focuses intensely on the police interrogations. Both Thompson and Venables are interrogated separately. Both boys’ parents are in the room listening in, and in complete paralyzing shock.
The film is based off of some of the recorded interrogations of the two boys. The film appears to be a character study of the two individual boys. Thompson appears defiant and remorseless while Venables is constantly lying and frequently cries, even hysterically. The film also relives the moments such as when adults butt in and how they walked Bulger the long distance to the track where he died. It becomes gripping without getting too disturbing.
NOTE: The film has attracted a lot of controversy because of its subject matter. The James Bulger murder is a murder that still upsets the UK, especially Liverpool, to this day. The mother has gone on BBC speaking her anger and demanded the film be removed from the list of nominees. That’s why even though I think it’s the best film of all five, I feel it should not win the Oscar. I don’t see it trying to bring any sympathy to the two boys, but it still upsets many from the UK to this day.
Fauve: dir. Jeremy Comte – Two boys, Tyler and Benjamin, are playing an innocent power game. They first do it around an abandoned train. However they decide to take their game to a surface mine for a concrete factory. Then the game becomes deadly as Benjamin finds himself sinking in the wet cement. Tyler tries to help, but to no avail as it stops him too. Any help from Tyler helps to no avail. Then the aftermath as a woman offers a ride home tells a lot.
The film is a good short story. The story starts off as simple fun and games, but then turns to a dark tragic drama when you least expect it. Even the ending leaves you asking questions at the end. Very good short.
Marguerite: dir. Marianne Farley – Marguerite is an elderly lady nearing the last years of her life at home. She is nursed on a daily basis by a young nurse named Rachel. One day, she overhears a phone conversation between Rachel and another woman. It sounds romantic. Later, Marguerite notices Rachel’s phone in the bathroom and sees romantic photos of Rachel and the other woman. One day, Marguerite unearths a photo album. The photos are back in the 1960’s and are of her and another woman named Cecile. It brings back memories of the two. Cecile would later marry a man. After being put to bed early because of a fall, Marguerite confesses in her bed to Rachel of Cecile and why she never ‘loved’ her.
This is a story that is slow, but it tells a lot. It’s about two women, both lesbians, who are a product of their times. One couldn’t love a woman because it was considered a ‘mortal sin’ and was criminalized. The other is free to love another woman without guilt. It’s there where they share their special bond at the end. That’s why I declare this my Should Win pick.
Mother: dir. Rodrigo Sorogoyen – Marta is relaxing at her place with her mother around. Her son Ivan is on the coast of the French Riviera with his father on vacation. Soon Marta receives a phone call from Ivan. Ivan is alone on a remote area of the coast. The father abandoned him. Nobody except a strange man is around. The battery in Ivan’s phone is dying. Soon Marta calls the police, but the police have no way to locate Ivan as Ivan doesn’t know where he is. Then a second phone call from Ivan happens. That leaves Marta even more frightened and causes Marta to rush out.
The film’s best attribute is that it captures the moment. It’s between cellphones and Marta’s domain. The qualities are what we know and what we don’t know and it builds on the suspense. The weakness is that it appears to be part of a film rather than a full film. It feels like it has a beginning and a middle, but no end. I’m sure the purpose of the director was to give us a film that leaves us in suspense, but it leaves you wondering what was the point of this partial-film? Social message? Suspense story? What?
Skin: dir. Guy Nattiv – Troy is a ten year-old boy growing up in a remote area of the southern USA. The father, Johnny Aldd, is bringing him up to be rough and tough. The father even teaches Troy how to shoot a real gun with the help of his neo-Nazi friends. One day at a supermarket, Troy smiles at an African American man just simply buying groceries. Johnny gets angry and shouts racist slurs, but the black man walks off calm, collect, but angry and lets him know it. Johnny response by getting his friends to rush over and beat the black man up near his van while his family watches in horror, and Troy watches on.
Days later, Troy and Johnny go out somewhere, but the father is captured by a van of African American men. They put a sleeping injection in Johnny and a tattoo artist goes over his racist tattoos, leaving you wondering what will come. After eleven days, Johnny is dropped back at his home. The tattoo artist completely covered him in black, to Johnny’s horror. As Johnny tries to come home, his wife and son react in fear. It ends with a surprise ending.
No question the main theme of the film is about racism. However the film is also about cliques and breeding fear into people. The film can say that the culture of fear can also be why the United States has a gun problem. Seeing how neo-Naziism exposed its face in the Unite-The-Right rally in August 2017, this is a film very relevant to our times. Even with its bizarre story and surprise ending. That’s why I pick it at my Will Win pick.
This makes for a very eclectic five films chosen for this year. One of the films is from a Canadian animation company. However there are two American films that hint they may have some Canadian ingredients:
Animal Behaviour: dirs. Alison Snowden and David Fine – Various animals walk into a psychology group meeting with a dog doctor leading the meeting. All have a problem to confess. However problems arrive when a gigantic ape with an anger problem comes in. He doesn’t want to be helped. The pig, the leech and the moth are all cooperative, but the ape is disruptive. Then the ape confesses his problem, but also throws a fit in the process and all havoc is wreaked. Right at the end, and with all the damage done, the ape appears helped and will be back next week.
This is some clever 2D animation that may appear simple and crude by most, but fits the story well. Also the whole story of all the animals involved and their problems makes for funny hilarity.
Bao: dirs. Domee Shi and Becky Neiman-Cobb – A Chinese-Canadian woman makes dumplings for her busy husband, but one comes alive. She raises it to be like her own baby. She mothers it with her caring nature, but the son grows up out to be rebellious and even leaves to marry a white woman he loves. She can’t handle it and eats him. Heartbroken after ‘eating’ him, she wakes up to find out it’s just a dream. She’s a mother going through empty-nest syndrome and the child dumpling in her dream was mirroring her own son’s life. It ends on a happy note.
This is the short shown before Incredibles 2. Once again, Pixar adds another excellent writer to its dream team. Director Domee Shi started as a storyboard artist for The Good Dinosaur and Inside Out. Here she has a chance to let her creativity flow with a charming story which transcends race and delights people of all ages and backgrounds.
Late Afternoon: dirs. Louise Bagnall and Nuria Gonzales Blanco – Emily is an elderly woman who is constantly tended to by Kate. Frequently Emily’s memory goes back to her past from moments in her childhood and her carefree nature and then to moments in her young adulthood. Her memory keeps going in and out. Then at the end, she’s reminded Kate is her daughter.
This does seem like a heavy short as the story appears to be either about Dementia or Alzheimers. The use of animation helps with the drifting of Emily’s mind from the present to the past back to the present again. A very good short, but it may be too deep for some.
One Small Step: dirs. Andrew Chesworth and Bobby Pontillas – Luna is a Chinese-American girl with dreams of becoming an astronaut. She lives with her father, a shoe cobbler. He has always let Luna know how much he loves her with the shoes he crafts for her and with his business. He uses his money to promote Luna’s dream. As a young child, Luna cherishes every minute of her father. As she grows up, she becomes more distant from her father and even too busy with her college work. Things take a turn for the worse as she starts failing courses and is denied acceptance into astronaut training. Then one day she comes home and learns that her father has passed. Heartbroken, she then turns her life around and starts a new ambition. This leads to the happy ending we all want.
The story is a very good story as it deals with a common theme of father-daughter relationships. The story may appear heartbreaking, but ends with the positive energy it began with. The animation was excellent and the story, with no dialogue at all, told us a lot. I call this my Should Win and Will Win pick.
Weekends: dir. Trevor Jimenez – A young boy living in downtown Toronto in the mid-1980’s is divided between the time between the homes of his father and his mother. The father is more playful with an imagination into samurai swords. The mother is more serious while she’s dating a man who doesn’t take well to the boy. As the stories shift between the two world, they become intertwined with the boy’s dreams and the dreams tell a lot about the realities of the home lives he’s going through.
Trevor Jimenez has been a storyboard artist for Pixar films and has his chance at doing his own short film. It’s all hand-drawn which adds to the effect of the story. The point of this story was to mix the eerie dreams with the boy’s unfriendly reality. It does a great job in creating the right environment for the film and the drama.
And that’s my look at this year’s Oscar nominated short films. Last year I was better at predicting the shorts winners, but this year looks to be very open. There are some that look like clear winners, but anything can happen in these categories. It will all be decided on Sunday the 24th.
Once again, I had the luck to see the shorts nominated for the Oscars for Best Live-Action Short Film and Best Animated Short Film. All were entertaining in their own way and all showed the qualities of why they were nominated.
Anyways here are my thoughts on this year’s nominated shorts:
LIVE ACTION SHORT FILMS:
Last year, all nominated shorts were in a language other than English. This year, four of the nominated shorts were in English. This year’s crop of stories are impressive to see. All five have a wide variety from the funny to the thought-provoking.
DeKalb Elementary: dir. Reed van Dyk – Today is supposed to be an ordinary day at an elementary school in the US, but a young man with an assault rifle comes in and threatens people. The receptionist tries deal one-on-one with him. She notices some mental instability and even some flaws in his thinking. She feels she can talk him into withdrawing his gun. She is able to talk with him, talk to law authorities, and get him to cooperate. In the end, the man is arrested and no one dies.
This is a remarkable story, especially since this is being shown during a time when a shooting incident in a Florida high school made headlines. It’s remarkable because it takes you there into the moment. You feel the intensity. Plus seeing in the film how brains win over brawn make this an incredible story to watch. That’s why this is my Will Win pick.
The Eleven O’Clock: dirs. Derin Seale & Josh Lawson – A psychiatrist in 1980’s Australia has an appointment with a delusional mental patient who thinks he’s a psychiatrist. The doctor thinks he can handle it until he meets face to face with the patients. Soon it becomes an all-out verbal battle of madness and idiocies. Looks like he finally met his match.
For once, it’s nice to take a break from some of the more serious stuff and see something comedic. It was very enjoyable and can leave you hating the patient. However it has an appropriately bizarre ending where you’re left to wonder is he the doctor or the patient?
My Nephew Emmett: dir. Kevin Wilson Jr. – This is a depiction of what may have happened the night before the 1955 abduction and lynching of 14 year-old Chicago boy Emmett Till who was just staying with his uncle’s family in Money, Mississippi, but was a victim of racism instead. His murder and his alleged killer’s acquittal would play a part in the Civil Rights Movement.
This might be a fictional depiction of what happened before, but it was very good in sending the message that all Emmett Till was doing was being a typical 14 year-old boy. Having it from the uncle’s point of view is important as the uncle would be interviewed by the media shortly after. It does a very good job of storytelling from the uncle’s point of view as well as recapturing the moments as they happen.
The Silent Child: dirs. Chris Overton & Rachel Shenton – A rich family hires a tutor to help with their 4 year-old deaf daughter. The tutor works very well with the daughter and gets her to sign. The results are pleasing to the father and her siblings, but the mother has higher demands. It gets to the point the mother makes a questionable drastic choice for the daughter.
The story is very good. It also catches your intrigue whether the mother has these high demands because she has high expectations or because she’s trying to cover up a family secret? The story reminds us that the connection between the deaf child and the tutor is a bond we so easily forget about.
Watu Wote/ All Of Us: dirs. Katja Benrath & Tobias Rosen – This is based on a true story. This takes place on a bus trip close to the Kenyan-Somali border. Christians and Muslims travel in the same bus. All have animosity towards each other. One passenger, Jua, has a certain animosity towards Muslims. Her husband and child were killed by a Muslim. She lets the Islamic ‘teacher’ raising money for his student know it. Then the bus is attacked by the group Al-Shabaab. They demand that all Christians be brought forth, but the Muslims defend by quoting scriptures from the Koran to protect them. At the end, police arrive and the teacher is shot. Jua is the one looking after him as they drive to safety.
This is the only film not in the English language. This story may be the darkest of all the stories nominated, but it’s very thought-provoking and it sticks with you. It packs a lot in its 20 minutes of time. You can really feel the hurt in Jua and you’re surprised to see her compassion in the end. That’s why I make this my Should Win pick.
This year’s animated shorts made news of what was included and what was not included. Ever since In A Heartbeat, the animated short of boy meets boy, went viral on YouTube back in August, people predicted it would win the Oscar. Even though it made the shortlist of ten back in December, it did not get nominated. A shock to all fans of the short! As for those that did get nominated:
Dear Basketball: dirs. Glen Keane & Kobe Bryant – This is a pencil-and-paper style of animation drawn by Glen Keane, son of Family Circus cartoonist Bil Keane, and narrated by Kobe Bryant. It’s of the letter Kobe wrote to the sport of basketball upon his retirement.
The film is excellent in how it takes a simple style of animation and successfully makes the audience embrace the athlete’s story of passion. Excellently done. You’ll feel the heart and soul of the story within its four minutes. That’s why I choose this as my Will Win prediction.
Garden Party: dirs. Victor Caire & Gabriel Grapperon – This is funny. A bunch of frogs find themselves over at a mansion. They go around exploring and eating whatever comes their way. Then right as they make their way to the pool area, we learn it’s party time for all!
This is a fun humorous story. The events are slow, but they’re still fun to watch. They’re especially funny when the frogs accidentally find themselves in a mess. The ending is a complete surprise. Nevertheless the short is enjoyable from start to finish.
Lou: dirs. Dave Mullins & Diana Murray – This is the short shown before Cars 3. When kids come in from recess at an elementary school, you can guarantee there will be lots of things left behind. A certain ‘thing’ comes from the lost-and-found bin, which have its L, O and U missing, and gathers up all the stuff in the bin. The school bully J.J. steals the kids’ toys and it’s up for this thing to teach J.J. a lesson, and actually be a friend.
Pixar not only knows how to make a great feature, but they also know how to make a great short too. Even though there’s some dialogue in this short, it is definitely entertaining and fun to watch.
Negative Space: dirs. Max Porter & Ru Kuwahata – A son talks of how his father taught him how to pack and how it’s been passed on as a skill. The son reminisces about it at his father’s funeral.
This is an adaptation of a poem by Ron Koertge. This is a charming story with stop-motion animation. It has a humorous look at a story a son reflects around his father’s funeral. The story ends on a note one didn’t expect it to end on. Nevertheless it’s funny and it has its own unique charm.
Revolting Rhymes: dirs. Jakob Schuh & Jan Lachauer – This is done by the same studio that did the Gruffalo series. This time they return with a story of a babysitter meeting up with a wolf. There we learn the shocking truth of what happened to Little Red Riding Hood, Snow White, and The Three Little Pigs!
It’s a funny and charming short. Does get a bit confusing when you learn about these new ‘truths’ and even surprising when you learn some shocking things like the Seven Dwarfs’ gambling problem. Well-written, well-animated and very entertaining. That’s why I give it my Should Win pick.
And there’s my look at this year’s Oscar nominated short films. Lots of creativity and a lot of good storytelling. However the shorts are two of the hardest categories to predict the winner. The winners are often a surprise. Time will tell this Sunday.
I’m lucky to be living in Vancouver. It’s one of the few cities one can be able to see the nominated shorts in a big-screen theatre. Gives me a chance to review them myself and even make a should-win pick for myself. This year is quite an array of nominees in both animation and live-action. So without further ado, here are my thoughts on the nominated shorts:
-Blind Vaysha (Canada/France): dir. Theodore Ushev- This is a unique 2D animation story of a Bulgarian folk-tale. A story of a girl with one eye that can see the past and one eye that can see the future and cannot live in the present. The story also shows the attempts of others to fix Vaysha’s blindness. The linocut-style animation, however, was unique and had a lot of style and flare to it.
The story doesn’t really end. Instead the film ends asking the audience their perspective. It has a unique narrative point and I get why it’s done that way, but I often wonder if the film ended on the right note.
-Borrowed Time (USA): dirs. Andrew Coats and Lou Hamou-Lhadj – At first you’ll think this is a family-friendly story at the beginning but soon learn it’s not such as you move on. It’s a dark Western story of a man returning to the spot of a family tragedy from his childhood. The hurt comes back from it and he decides to do something drastic but something happens.
I have to admire Pixar animators Coats and Hamou-Lhadj for making a brief departure from their traditional family fare and doing something more mature under Quorum Films. No, it’s not R-rated like Pear Cider And Cigarettes but it’s dark enough to be adult. I think this short is most likely to upset my pick for the winner.
-Pear Cider and Cigarettes (Canada): dirs. Robert Valley and Cara Speller- Now this is a refreshing R-rated alternative. It sometimes reminds you of a Grand Theft Auto video game or the film Waltz With Bashir. However it is a personal story from director Valley. It’s a story that makes you wonder how far would you go for a friend? Especially if that friend is selfish, conniving, irresponsible and manipulative?
It’s a story that entertains and charms and even gets you to hate Techno too. Sometimes I wonder why was he friends with that jerk? I don’t know if it’s because it was set in Vancouver or because it was an R-rated alternative but it won me over and I make it my Should Win pick.
-Pearl (USA): dir. Patrick Osborne- This is the first VR short to be nominated for an Academy Award. A musician and his daughter travel in a hatchback with a song as a bond between the two. We see the two age, the daughter mature into a musician of her own and have her own version of the song. The viewer gets a 360 degree view of the whole 5-minute story.
Looks like something Richard Linklater would do. Actually it might remind you of Waking Life. An excellent short that’s entertaining and will touch you too. Might even make you go to iTunes and download No Wrong Way Home.
-Piper (USA): dirs. Alan Barillaro and Marc Sondheimer- This is the short shown before Finding Dory. A baby bird looking for food on the beach with her mother looking on and guiding her. Pixar does it again by delivering a clever, charming, and entertaining short with the dialogue absent and the animation as detailed to a tee as it gets. It’s excellent, but it’s something we’ve come to expect from Pixar even with their shorts. Nevertheless this is my Will Win prediction.
And those are my thoughts for the Animated Shorts up for the Oscar. A lot of styles of animation between Canadian and American companies. All five were very entertaining. We’ll see who wins.
LIVE-ACTION SHORT FILMS
This year there are no films with English as the language of the majority. All five are from European countries. Here’s the rundown:
-Ennemis interieurs (France): dir. Selim Azzazi – A man from Algeria seeks to be a French citizen but the interrogator at immigration has big questions for him about meeting with a group of Algerian men back some years ago which led to him being arrested and imprisoned for two years. The interrogator keeps insisting he answers but he’s very reluctant to do so. Even to the point of neglecting his chances of French Citizenship. Why? What will make the man give his answers?
It’s a story that appears boring at first but grows with intrigue with each minute and with each new detail. The interest builds over time. It even makes you wonder why is he withholding the names of the other men? Feelings of brotherhood? Fear of retaliation from them? Also this may be about an incident in the past but it’s very relevant, especially with the Paris bombings happening in November 2015. This is my Will Win pick.
-La Femme et le TGV (Switzerland): dirs. Timo von Gunten and Giacun Caduff – Elise is a woman who wave her Swiss flag at the passing TGV train to Zurich every time it passes her house at 6 in the morning and 6 in the evening . After that she bicycles to her job at the town patisserie. It’s her daily routine for 30 years; a routine she doesn’t want to change. One day, she comes across a letter that was thrown to her by a man who goes on that daily TGV. He’s a man from France looking for work. The two develop a friendship only by mail and packages. Over time she hopes to meet this man. Then one day the train stops coming. It’s changed route? How will she deal with the change? Will she ever see the man?
It’s a charming comedy that has you engaged with the character (based on a person who has existed and did wave her Swiss flag at passing TGV trains). Gets you thinking about the woman. Is she an eccentric? Is she naive? Lonely? Unpredictable ending but a happy one.
-Silent Nights (Denmark): dirs. Aske Bang and Kim Magnusson – Inger is a young Danish woman who helps at the Salvation Army during the day and looks after her ailing mother at night. Kwame is a Ghanian immigrant who came to Denmark for a better future and to support his wife and children at home. However he’s been left homeless and makes money from recycling.
They both meet as Kwame agrees to help. The two develop a mutual friendship and even progress into something more. However it’s put to the test when Kwame steals money from the charity to pay for his daughter’s malaria treatments. Even though Kwame is banned for life, Inger forgives him and still loves him. Then Inger’s mother dies and she learns about Kwame’s family in Ghana just as she learns she is pregnant. It’s over between the two. However Inger sees Kwame one last time where she gives him advice, and something else.
It’s obvious that this story is about the immigrant situation in Denmark and the difficultly of the times for all. It presents both Inger’s side and Kwame’s side. However it’s more. It’s about a love that’s true. Inger loves Kwame so much, she’s willing to forgive him for all the terrible things he did. It makes the choice she makes for her and her baby look like the right thing. This is my Should Win pick.
-Sing (Hungary) dirs. Kristof Deak and Anna Udvardy – Zsofi is the new girl at a school. She most looks forward to singing in the choir. However on her first rehearsal, the instructor talks of a choir competition where the prize is a performance in Sweden. She also tells Zsofi her voice is not ready for the choir and tells her to lip sync. Along the way, Zsofi finds a friend in star singer Liza. The two become good friends. However Liza notices Zsofi not singing but others. When she brings this up with the instructor, she not only admits it but tries to convince the children it’s the right thing for the competition. All of which leads to a surprise ending and the ending you think is right.
Often I question what the point of this film is. Is it about competitiveness to the point the ‘lesser’ singers are not allowed to sing for the sake of the big prize? Or is it a reminder of Hungary’s past communist regime; of how those that fit in are allowed to and those that don’t aren’t, but make like everything’s okay? Even the choir director could remind you of a communist dictator on retrospect. Whatever the point, the story was entertaining and sweet. Reminds you of the joys of childhood and the right thing paying off in the end.
-Timecode (Spain) dir. Juanjo Gimenez – It starts as a check for a woman on a security job during the day. One day she learns of a broken car light. Upon viewing the video of what happened, she sees the worker before her dancing before hitting the car. She decides to give him a dancing video of her own. Video after video follows. Then on their last day, magic happens.
At first you think the man is something eccentric but this story builds into something that ends on a bizarre note. A very good film.
And there are my thoughts on this year’s nominated shorts. Now remember both categories are the hardest to predict the winner. For example, last year the consensus of critics ranked Stutterer the least likely to win Best Live Action Short and it won. Even Annie wins for Piper and Pear Cider and Cigarettes are not a guarantee that either will win.
With my shorts predictions out of the way, I just have my main predictions for all the categories to deliver. But not before my last Best Picture summary. Coming up tomorrow morning.
The Oscar-nominated short films were back in theatres again. However this year I only had the chances to see the live-action one day and the animated another. I have no problem writing separate reviews for both. So here’s my take on the live-action shorts:
–Ave Maria (Palestine/France/Germany): dirs. Eric Dupont and Basil Khalil – Five nuns pray at a convent in a ‘war-zone’ area of Palestine. Then they hear what sounds like an explosive car crash. One tries to help despite the fact they are under a vow of silence. What happened was a car driven by Jewish residents accidentally crashed into the Virgin Mary statue. They try to help but there are conflicts with the nuns’ vows of silence and the family’s strict adherence to the Sabbath and with kosherisms. Not to mention they don’t want to be noticed by Arab residents in the area.
The film does focus on the religious tensions in Palestine but in a humorous way. All of this takes place in the area of the convent. However it’s funny how something as little as a car crash and people trying to seek out help can lead to such religious conflicts. That may have been the least of problems in Palestine but even then it just shows the humor of the whole situation and of how in the end it’s all about doing the right thing. I feel the film’s mix of humor while conveying a social message is why I predict it Will Win the Oscar.
–Shok (Kosovo/UK): dir. Jamie Donoughue – A car driving on a Kosovo road stops at an abandoned child’s bicycle. But why would a grown male from the car leave the car to look at the bicycle? And why would he ride it soon after?
The answer flashes back to the mid-90’s. Two Kosovar Albanian boys Petrit and Oki are the closest of friends. They frequently go to school riding on the bicycle Oki bought after a year of selling almonds. Petrit wants a bike of his own but feels he can get it by selling drugs and rolling papers to Serbian soldiers who’ve taken over the area. He feels it could also prevent them invading their village despite news stories of other areas of Kosovo being invaded. He even tells Oki he’s safe with him.
However Petrit’s promise and ‘business’ is put under heavy question during one of his ‘deals’ as a Serbian soldier wants Oki’s bicycle. It’s not the lost bicycle Oki’s angry about but the fact Petrit is willing to do something dangerous and dishonest for money and it threatens their friendship. They reconcile after Petrit is willing to take an assault from a soldier after Albanian books are found in Oki’s bag and Petrit claims them as his own. Unfortunately the invasion of their village eventually comes and with it the tragic end of the friendship of Oki and Petrit.
Of all five shorts, this is the one that still stayed with me long after I left the theatre. This is a story based on true events. I easily remember the war in the Balkans, especially the bloodshed in Bosnia, back in the 90’s. It dominated the news that decade. The war in Kosovo just years after the war in Bosnia ended was another example of the tyranny and I remember that as well. It does leave you feeling it was unfair of what happened to Oki. He was the smart one. He was the one who kept Petrit’s head on straight. But he was the one killed. Also that end scene where we see a grown-up Petrit still haunted by the war more that fifteen years later reminds you that war still haunts even as time passes and even if Kosovo did get its independence. My cousin once said: “No country’s freedom came without some amount of bloodshed.” True, but the bloodshed still leaves people with a trauma not even independence can solve. That’s why I pick Shok to be my Should Win pick.
–Eveything Will Be Okay (Austria/Germany): dir. Patrick Vollrath – The film starts on a simple note. A man named Michael goes to see his daughter Lea for visitation. His ex-wife and new boyfriend don’t have a problem with that at all so we think it will just be a fun day of the two of them without incident. It starts on a fun note as he buys her a big Playmobil toy and promises to taker her to the fair afterwards. However things get a bit suspicious as the two go to a photo booth where he gets Lea to have a photo of her own and takes to a passport office for rush processing. Things get even fishier when Michael sells his car and they take a cab to the airport. Soon we get what’s going on. It’s a miracle the flight to Dubai was cancelled but they have a replacement flight the next morning. Despite Lea wanting to go home, Michael is insistent on taking her and for her to cooperate. It’s by the luck of Lea making a phone call to her mother overnight that they’re able to prevent an abduction from happening. But not without a struggle.
This is a film of a scenario that happens all too often. A broken marriage and children caught in the middle even to the point of them being abducted. This is something that happens all over the world. However the story is not just about the child caught in the middle but the parent who’s hurting and feels that the child is being taken away from him. The film leaves you wondering if Michael suffers from a mental illness or if he’s just a hurting person. It leaves you feeling that way of a lot of parents from failed marriages. Is that why they abduct their children? The film also leaves you relieved that the flight was cancelled and that Lea was able to make that phone call to her mother in the early morning. Not as many children are as lucky.
The best quality of the film is that it helps the audience live the moment. We don’t know what’s really happening at first but we soon get a better understanding of what’s happening as time goes on. Even as they go to the fair and ride the bumper cars, we still can’t take our mind off of what we suspect will happen. And as time moves on, what we suspect is exactly what’s happening. In addition that scene which we think is the end where the police, Lea’s mother and the hotel personnel try to stop the heist ends up being a scene where a new conflict begins. Michael still struggle to hang onto Lea. That’s another quality of the film where right where we think it’s all over, it’s not and a new struggle begins. On top of that the film’s story is shown without any musical score which adds to the intensity of the drama.
This is a film of a story of an incident that happens all too often in our world. The film’s best qualities are the story unfolding quietly as time unfolds and the unexpected twists in the drama.
-Stutterer (UK/Ireland): dirs. Benjamin Cleary and Serena Armitage – Greenwood, a twentysomething London male with a stutter finds life difficult. His stutter is so severe, it causes problems when calling customer service. He has a job as a typographer but his social life is limited to him with his father. Often he fakes himself as death to try and avoid conversation. His thoughts however are perfectly coherent.
Despite his social flaws and his speech problem, he has developed an online relationship with a woman named Ellie. That works excellently and they keep the relationship going for six months despite never meeting face to face. However the day comes when Ellie would like to meet Greenwood for the first time. He’s in a crisis of what to do and abandons her at first but agrees to do so the next day despite being nervous as hell. The ending will surprise you.
This is a charming story. It takes you into the person’s feelings as well as their insecurities. You learn of Greenwood’s stutter and of what he’s really thinking and easily see the barriers he has to face. You learn about Greenwood the person and hope that in the end he does win Ellie. The ending will delight you. Very clever short film.
–Day One (USA): dir. Henry Hughes – Feda is a young woman just hired by the U.S. Army to act as interpreter. She’s in her 30’s and admits to her colleague who also speaks Arabic that she’s never been married and has no children. Her operation on Day One involves dealing with an enemy bomb maker the army is about to arrest. The operation involves a lot more. It also involves bring his fatherless niece to safety. It also involves dealing with his wife who’s about to give birth.
As if trying to deliver the baby isn’t stressful enough, there’s the fact the baby’s hand is hanging out. The doctor tests for a pulse from the baby and assumes there isn’t one. Feda is given orders to cut the deceased baby’s limbs so that the mother doesn’t bleed to death. Even before Feda attempts the first cut, she notices the hand move. The baby’s alive. There is a sigh of relief but there’s the new stress of making sure the baby’s born right and the mother not bleeding to death. The film ends on a sad but hopeful note.
Just like Everything Will Be Okay, it captures the drama of the moment and allows the audience to capture the intensity as the events are slowly unfolding. The various twists and turns in the story also adds to the continuous drama. The happy ending we all hope for doesn’t happen but it does end with a moment of hope, especially for Feda.
In conclusion, I feel Shok should win the Oscar because of how it’s a story that stays with you long after you leave the theatre. It was creative and it told a story that will touch you deep down inside. I still remember hearing a couple of people in tears after Oki was shot. However I don’t know if the Academy will pick a short that’s all too serious. I think they might want to go for a story leading more to the humorous side. I think Ave Maria with its mix of humor and social awareness will take the Oscar. I think the Academy would prefer a film like that.
And there are my thoughts for this year’s five nominees in the category of Best Live Action Short Film. Winners to be decided on the big night. Also click here for my reviews of the animated shorts.
Most years I have the luxury of seeing both the animated and live-action shorts nominees back-to-back. This year I didn’t have that much of a luxury because of how tightly scheduled my life is right now. Actually I could’ve waited to see the ‘double feature’ the day before the Oscars but why should I wait when I have many chances in the days and weeks leading up? I had the good luck of seeing the animated nominees last week. I had my chance to see the live-action ones just a couple of days ago. I’m glad so I can make my predictions well ahead of time. So here’s my review of the shorts and my predictions:
Parvaneh – dirs. Talkhon Hamzavi and Stefan Eichenberger – Parvaneh is a teenage Afghani girl living in the Swiss alps trying to make money for her family, especially her ailing father to afford medicine. It’s hard enough staying in refugee housing away from her family and being around young sleazy guys. It’s not clear whether she’s a legal emigre or illegal. However it’s hard to get good work. It’s also hard for her to send money since she doesn’t have the right ID to send and she’s under 18.
While in Zurich where she traveled to in order to send money via Western Union, she asks a street girl for help. She’s willing to but at a percentage: she starts at 50% but is negotiated down to 10%. At first the girl decides to just simply help Parvaneh or ‘Pari’ by just having her at her mother’s, whom she’s not on good terms with, while she’s showering. Both arrive too late as the Western Union is closed.
The girl decides to take Pari out to a party while she’s staying overnight. Pari is reluctant at first but starts getting more comfortable over time to the point she is enjoying herself. The girl has her own fun but doesn’t let Pari out of her sights. Unfortunately more drinking than Pari can handle leaves her feeling sick. Outside she’s approached by a young male trying to seduce her. Her refusal to accept only leads him to get even more invasive with her. It isn’t until the other girl comes out and attacks the male that he stops and runs off, only for Pari to find out her money was stolen by him. They are able to get the money back. The film ends on a delightful note.
The film can be seen by having a lot of themes about it. One theme could be of all the young males who think they’re God’s gift to women and hit on a girl like Parvaneh. Another could be on the theme of the relation between native Swiss and emigres. I don’t know how the native Swiss population treat emigres or foreigners so I can’t say. However seeing what became of two young girls who are complete strangers– an Afghani emigre and a Swiss street girl — and cultivate into a friendship overnight feel this may be a story with a social message. And one with a happy ending. Very well-written and well-acted. That’s why I feel this Should Win the Oscar.
Butter Lamp – dirs. Wei Hu and Julien Feret – Two Chinese men are taking portraits in a Tibetan village. They’re of various Tibetan families, children, people of authority and even a newlywed Chinese couple that live there. Many of the Tibetans wear traditional clothes. Some wear modern clothes. Some pose with props like their yak, their religious items and even a motor scooter for the couple. They pose by the various backdrop that include Tiananmen Square, Tibetan Himalayas, downtown Shanghai, gardens, the inside of the Beijing 2008 stadium (where children pose on a podium wearing plastic medals and a paper torch) and Jokhang Temple whom an elderly woman mistakes as the real thing. Most of the time it works well. In one case, a man walked off because they thought a jacket he was wearing wasn’t right. It turns out it belonged to his late mother.
During the various photo shoots, you feel that the film is trying to send a message about Tibetans in China. You feel like it’s confirmed at the end as they shut down for the day, take down the backdrop setting exposing a bridged highway under construction in the mountain area, and talk about ‘authorities’ coming the next day. It’s a very impressive short as this short does send a statement about the mistreatment of Tibetans by the People’s Republic and the encroachment of modernization in their region, especially with various Chinese peoples coming to the ‘province.’ Very good short that says a lot just by showing a common situation.
The Phone Call – dirs. Matt Kirkby and James Lucas – It stars Sally Hawkins and James Broadbent. Heather is a shy woman who works as a helpline call centre respondent with Daniel who’s just simply her co-worker. Her first call of the day comes from a man names Stan. Stan is in tears as he is a widowed man for two years. He has just taken a load of pills. Heather does what she can to find help for him but he refuses as he wants to die. Heather tries to develop conversation in hopes of getting results. She finds out more about his history with his late wife Joan and even learns about their one child, a stillborn daughter. Just as things get friendlier and there appears to be a ray of hope that he’ll want to live, a surprise happens. It leads to an unexpected ending that appears to turn for the better for both.
It’s hard to tell if it’s giving a social message or not. You could assume it’s to do about the lonely people in England or even depression. You could even assume at the end as Stan (whose real name is John) and Joan are reunited in death that the filmmaker is saying this is how it’s supposed to be or even about true love forever. Even at the end as Heather has wine with Daniel could send a message about love that’s meant to be. Nevertheless it does make for a good story that keeps you paying attention and wondering what will happen next.
-Aya – dirs. Oded Binnun and Mihal Brezis – Aya is a 29 year-old woman at Tel Aviv airport waiting for a family to arrive. A chauffer to a Jerusalem hotel who’s waiting for a Danish man named Mr. Overby to arrive has to leave and gives Aya the sign while he’s gone temporarily. As Mr. Overby arrives, Aya doesn’t tell him to wait for his chauffeur. Instead she acts as the chauffeur and even has a dinner with him. As she drives him to the hotel, which she doesn’t know how to drive to, the conversation gets more personal as she learns he’s a musical judge in Jerusalem for a competition. It even gets more personal for her as she wants his attention. She does eventually reveal she’s not his driver and welcomes an intimate moment with him. You think that she has met a new love but you get a surprise ending.
I will admit I thought this would end up being political. It’s hard to blame me as year by year, many of the nominated shorts in this category end up having a political message. However this turns out to be something different. It’s entertaining too because how the story of a mismatch appears to lead to something romantic. This is my prediction on which short Will Win the Oscar.
-Boogaloo and Graham – dirs. Michael Lennox and Ronan Blaney – The story is set in Belfast in 1978 and narrated by a grown-up Jamesy. Back then, Jamesy and Malachy are two brothers growing up in Belfast. Their father is a bit of a dreamer and lousy at keeping jobs and the mother is unhappy with the marriage, even constantly calling him a ‘fool.’ One day the father brings the two baby chicks. The boys immediately fall in love with the two and the chicks become the best of friends. They’d much rather have the chicks than a dog because ‘everybody has a dog.’ They’ll even make themselves partial vegetarians because of their friendship with the chicks whom they named Boogaloo and Graham.
Months pass by, Boogaloo and Graham grow up to be full-grown chickens but the brothers’ friendship with them is still as thriving as ever. However their parents announce that they’re expecting a new baby and the chickens will have to be killed. The boys refuse to accept this to the point they’ll even run away right in the middle of the dangerous inner city streets of Belfast. However just as the chickens are about to be killed, they all learns Boogaloo’s a female that lays eggs. Renamed Boogalooloo, the parents change their mind.
No question there is a political message. It’s a reminder of children that grow up in political hot spots that they face a load of dangers and ugly realities most children don’t have to face and grow up too fast. Jamesy and Malachy are boys growing up in Belfast in 1978 when political tension was at its most heated. Bombings and shootings between Catholics and Protestants were all too common at the time and children like Jamesy and Malachy were not immune. However it was a story where Jamesy and Malachy found an escape from it and they found it with Boogaloo and Graham. Having Boogaloo and Graham as pets and even friends helped Jamesy and Malachy stay children during that time. It’s a funny charming story which allowed the children to be cute without being hard to stomach. Even the boys’ talk about sex will have you laughing. A charming comedy. Also the inclusion of the song ‘Why Do Fools Fall In Love’ may seem odd in a film like this but later on you’ll think it fit the film well.
This is a unique selection of short films this year. Some were political while some just wanted to tell a simple story. Some did have a dark story to it while some were more comedic. It’s always hard to predict which short will win or whether they will choose a political one or non-political one. We’ll have to see on Sunday which one wins.
I saw the Oscar-nominated shorts yesterday and this makes it the sixth year in a row I’ve seen them. However it almost wasn’t the case. By the time I arrived for the first segment, for the animated shorts, news was they were all sold out and those interested had to stand in a rush line. By the time the rush line were allowed, only those with orange tickets could get in. That had me waiting for a bit longer. Fortunately I was able to get in but I was probably the fourth-last in and my friend the third-last.
Nevertheless I was able to see all the shorts. And I’m able to give you all my thoughts as well as my picks for what Should Win and what Will Win:
BEST ANIMATED SHORT FILM:
- Get A Horse! – dir. Lauren MacMullan – If you’ve seen Frozen, you’ve already seen this short. At first you think this is a Disney cartoon from the 1930’s until Peg-Leg Pete gets nasty with Mickey and punches him off through the theatre screen and into the present as 3D. The whole story is a battle between the good characters and Peg-Leg Pete which has them all going from the black-and-white past to the 3D color present with humorous results. Very entertaining and funny and that’s why I pick it as my Will Win pick.
- Mr. Hublot – dirs. Laurent Witz & Alexandre Espigares – This is very unique and also quite futuristic. It’s of a robot man who has a robot dog as a pet. He’s man’s best friend but gets bigger and bigger over time. So what’s Mr. Hublot to do? The short is more focused on the animation than in telling the story. It comes off as both intriguing and quite charming.
- Feral – dir. Daniel Sousa – This may remind some of the 1960’s French film The Wild Child. This 2D film is of a boy found in the wilds of the wood by a hunter. He is taken and raised to be a human but finds at times he has to rely on his animal skills for survival. This short reminds us that not all the stories involve humor. Some are dark. This 2D short does capture the darkness of the story and one can get an understanding of it without any dialogue.
- Possessions – dir. Shuhei Morita – This is a unique style of Japanese anime: not of the style we commonly call ‘anime.’ This was not too focused on the plot as it was about the style of animation and the entertainment factor. Nevertheless very colorful and very entertaining. It also included a lot of elements of Japanese culture which I really liked. That’s why I give it my Should Win pick.
- Room On The Broom – dir. Jan Lachauer & Max Lang – This is another entertaining short from the team of animators responsible for the Gruffalo shorts. Here they tell a different story of a witch with a broom whom she first uses for herself and her cat. Soon other animals find a place on it until it becomes too small and it stars to break. Features voices of Simon Pegg, Gillian Anderson, Timothy Spall and Sally Hawkins. Very charming story which is great for all ages. It will also remind you of the Gruffalo shorts.
BEST LIVE-ACTION SHORT FILM:
- Helium – dir. Anders Walter – This Danish short is of Alfred, a dying boy striking an unlikely friendship with Enzo, the hospital janitor. Enzo tells him the story of a place called Helium where he’s about to head to. The place is a wonderful fantasy world. The problem is that Alfred’s condition worsens as the story nears its end. Enzo has to tell Alfred about his trip to Helium before he dies but Enzo being a janitor is not allowed in the area. The story keeps from being your typical story of a dying child that pulls at your heartstrings. Instead it aims for a happy ending. It’s as much a nice trip to a fantasy world as it is a drama. That’s why I give it my Should Win pick. It could pull an upset to the one I think will win.
- The Voorman Problem – dir. Mark Gill – This British short stars appearing as a drama but comes off as a surprise in the end. Dr. Williams feels he’s dealing with yet another mentally ill person when he’s dealing with a man named Voorman. Voorman tells him all sorts of bizarre and eccentric things, even how he destroyed the country of Belgium. Dr. Williams tells his encounters to his wife but is in for a surprise. A bigger surprise awaits him in what would be his last interview with Voorman. The best quality is its unpredictability and surprise ending.
- Just Before Losing Everything – dir. Xavier Legrand – This French short starts off as a melodrama that you think is about the young boy Julien. Instead things take sharp turn as Julien’s mother Miriam picks him up and his sister who leaves her boyfriend in tears. Turns out the mother is hiding herself and her children from her abusive husband and seeks the department store she works at as her refuge. Then her husband shows up. Excellent drama that’s very true to life and you don’t know what will happen next, even though you hope for the best result. That’s why this is my Will Win prediction.
- That Wasn’t Me – dir. Esteban Crespo – The story begins as international doctors going to work in a village in Africa only to be held at gunpoint by child soldiers and then held hostage by an angry and accusative warlord. Frequent flash-forwards to when the young boy soldier is all grown up and telling his story to an audience. The drama of what takes place and how he’s able to escape is a painful reminder of child soldiers but also a message of hope that they can find a way out. Very well-played out and passes on a good message.
- Do I Have To Take Care Of Everything? – dir. Selma Vilhunen – This Finnish short is actually a comedy. A family overslept and is late for a wedding. they’re in a rush to dress themselves and their children. The parents get themselves ready fine but their daughters end up in Halloween costumes. They forgot their present so they take their plant instead. even after they drop it while running to the church and smash the pot, they still take the plant there. The ending is a hilarious surprise. Definitely the funniest of the five and succeeds in entertaining in the seven minutes it has.
And there you have it. My thoughts and predictions of the five nominees from both shorts categories. Any of the five can win. I remember last year the ones I thought would win didn’t. We’ll just see which ones win on Oscar night. For those that want to know my predictions for all the other categories, click here.
Interesting how these past few years, they’ve released the short films nominated for an Academy Award as reels at the box office. They’ve since drawn good-sized crowds as they’ve been doing it again ever since. This marks the fifth year in a row I’ve seen them and this year’s crop of nominees are both entertaining to watch and interesting to see the visions of either the director or the animators. Here’s my rundown of this year’s nominated short films:
BEST ANIMATED SHORT FILM:
–Adam And Dog – dir. Minkyu Lee- Unique story how a dog became man’s best friend as Adam meets the dog before Eve. It seems charmingly cartoonish at first and gives the viewer a feel. Soon it becomes more cartoonish both in drawing and in the characters of the two. Also the plot before the ending becomes a bit awkward. Nevertheless it did end well. Overall I felt something was missing in it and I don’t think it will win.
–Fresh Guacamole – dir. PES-What can an animated film accomplish in two minutes? This film does a lot as it goes from cutting items for guacamole into turning it into gambling goodies and toy bits. It’s both entertaining and charming. It doesn’t even have to tell a story to entertain. Its ability to charm and entertain in its two minutes is why this is my Should Win pick. Great job!
–Head Over Heels – dir. Timothy Reckart- Walter and Madge are an unhappily-married couple. They live in the same house but she lives right side up while he lives upside down as the house floats in the sky. It’s a shame since they used to dance ballet together. One day Walter tries to solve things by repairing Madge’s ballet shoes. However something goes wrong between him and Madge and the separateness grows. Its use of its form of 3D ‘puppetry’ adds to the unique charm of the story but its ability to convey human emotions much like flesh and blood people is its biggest quality that makes it shine and why this is my Will Win pick.
–Maggie Simpson: The Longest Daycare – dir. David Silverman- Maggie Simpson is the star of this funny short where no dialogue is needed. If you’ve seen Ice Age 3 in the theatres, then you’ve seen this short already. Maggie is left at the Ayn Rand School For Tots. And when there’s a daycare run in the spirit of Ayn Rand, you know trouble will abound. This Simpson’s short without dialogue succeeds in entertaining while remaining true to the flavor of the Simpsons show. And you finally find out why Maggie always had animosity to the baby with the unibrow. I always had a feeling he was diabolical!
–Paperman – dir. John Kahrs- If you’ve seen Wreck-It Ralph in the theatres, then you’ve seen this short already. Done in black and white with the only color being the woman’s red lipstick. It’s a charming boy meets girl story where they meet on a subway platform and boy attempts to meet girl again by making paper planes out of his inbox papers. Eventually the paper planes become his destiny as they send the message the two were meant to be. Another charming short from the Disney studios.
One thing to say about all five of the films is that you’ll notice all are done without dialogue. I find it unique that all five nominees possess that quality. Shows how volumes can be spoken without uttering a word. Pixar’s been showing that for years in the shorts they’d shown before their features. Another thing is that it’s something that none of the nominated shorts were done in 3D computer graphics. That’s a bit of a surprise for me considering it’s now all the rage for feature-length animation.
BEST LIVE-ACTION SHORT FILM
–Asad – dirs. Bryan Buckley & Mino Jarjoura- Normally you would not expect a story of Somalian children being caught in the war to be a comedy but this is and it succeeds well. It does show a lot of the nastiness of war with the temptation of young children to become pirates but it has an ironically humorous ending that makes it a delight. Normally a story about a child being caught in an African cival war doesn’t sound like comic material at all but this film does an excellent job in making a comedy out of it without crossing the line. Also this film could be seen as a ray of hope for Somalia as most of the actors are in fact Somali refugees living in South Africa.
–Buzkashi Boys – dirs. Sam French & Ariel Nasr- This is a story of two poor boys in Kabul, Afghanistan. One, Rafi, is the son of a blacksmith whose father expects him to carry on the family tradition. The other, Ahmad, is a young fatherless street urchin who begs on the streets. One day Rafi’s father allows him to see a game of Buzkashi with Ahmad. Ahmad tells Rafi his dreams of being a Buzkashi star and isn’t afraid to shout out his dream from a demolished castle while Rafi is skeptical for his future. One incident changes everything that changes how Rafi thinks and dreams. This story is the one of the five that most stayed with me. It was very well-played out and gets you thinking. That’s why I declare this to be my Should Win pick.
–Curfew – dir. Shawn Christensen- This is a dark story that features some humor. The girl is a scene stealer even thought the man is the main protagonist. Often you’d wonder why a sister would let her suicidal brother babysit her daughter but it turns out to be the best thing for both of them in the end. It’s dark humor is what gives it its edge. Definitely the most original of the five.
–Death Of A Shadow – dirs. Tom van Avermaet & Ellen De Waele- This is a haunting story of Nathan, a death photographer who photographs deaths and transfers the shadows onto his master’s wall for his artistic entertainment. We later learn that Nathan died in World War I and the master will give him his life back upon 10,000 photographs. He wants to return to life to return to the love he believes he could’ve had if he wasn’t killed by soldiers. It’s the 10,000th photograph and the aftermath that changes everything including his perspective. Very dark and haunting. Very well-directed and well produced. That’s why I give it my Will Win pick.
–Henry – dir. Yan England- This is a story of an elderly man with Alzeimer’s trying to remember and reclaim the past for his memory. It starts in a bizarre situation. He’s strapped to his hospital bed and can’t remember his wife Maria or daughter Nathalie. His recollection progresses through the help of his daughter, his twentysomething self and the classical music he played with his loved ones. It’s through both of them and the music that he’s able to go back in time to remember the two for their sake and for his. It’s haunting as it is touching. It is a sad story but it does lead to an ending that’s somewhat positive. Very good and very intimate as it’s honest in human feelings.
This is the difficulty of predicting a short film. The winner could be a story that makes you think like recent past winners Toyland or The Shore. Or it could be something humorous like past winners The New Tenants or God Of Love. There’s no telling what will impress the Academy.
And there you have it. My thoughts and predictions for the short films. Predicting short films in never easy. Any five can be the winner. There’s no clear favorite. Nevertheless it’s always great to see that he audience again has a chance to see them on the big screen. Also those interested in seeing some new directing talent or animating talent, here’s your chance.
Now one would wonder why on earth would one want to see a reel of short films. First reason: They’re all nominated for an Oscar for Best Live Action Short Film or Best Animated Short Film. Second reason: a lot of winners of this category would go on to direct bigger and better things. Peter Cattaneo directed the Oscar nominated short Dear Rosie years before his big break with The Full Monty. Taylor Hackford won this category for Teenage Father 25 years before he directed the Oscar-nominated Ray. Most recently, Brutish director Andrea Arnold won seven years ago for Wasp and has gone on to direct two renowned British features: Red Road and Fish Tank.
Now 2011 has a crop of nominees for the categories of Best Animated Short Film and Best Live Action Short Film. I will review each and give my picks for what I feel should win and will win:
BEST LIVE-ACTION SHORT FILM
–Pentecost – dir. Peter MacDonald and Eimear O’Kane -Interesting story about a boy–Damian– who’s a lousy altar boy and is punished by having no football for three months. He has the opportunity to redeem himself with a mass led by the Archbishop. Sure enough it’s in time for when Liverpool is playing the European Cup. Even the priest gives quite a pep talk to all participating in the mass. Will Damian do it right? A big surprise at the end!
–Raju – dir. Max Zahle and Stefan Gieren-This is an excellent story about a German couple who adopt a boy from India only to lose him and find a dirty secret along the way. The story brings up the same moral dilemma Gone Baby Gone brings up. This is of a situation that could be quite real: an orphanage that gives away kidnapped children. The story will leave you wondering what side to choose and the ending will surprise you.
–The Shore – dir. Terry George and Orrlagh George-The story is of two boyhood friends. One, Paddy, stayed in Belfast, lost his arm and continues life as an illegal crab hunter. Another, Joe, moved to the US but returns to Belfast after being away for years. He wants to come and visit again and make peace with Paddy years after Paddy took his girlfriend, and married her. The story is as humorous as it is touching and it provides for a happy ending. I pick this as my Should Win pick.
–Time Freak – dir. Andrew Bowler and Gigi Causey-There have been lots of stories about time travel but none as weird as this. A guy invents a time machine only to go back a few days into the past to correct things he’s done. And he does it again and again until he gets it right. Bizarre is right!
–Tuba Atlantic – dir. Hallvar Witzo-A man has six days to live. A young woman is to be is death angel and help him before he dies. It won’t be easy because he’s quite eccentric: he hunts with a machine gun and fishes with dynamite. Then she learns he has a horn that can send a signal across the Atlantic. He hopes to use it to send a message to his brother whom he hasn’t seen in 30 years. She wants to be a successful death angel and he’s her third chance. It makes for a touching story with a surprise ending. I predict this for the Will Win in this category.
BEST ANIMATED SHORT FILM
–Dimanche/Sunday – dir. Patrick Doyon/NFB of Canada – This is a charming 2D animation story that is coarsely drawn and has hardly any dialogue but tells a lot. It’s about a boy and the town he lives in and the places he visits. Not spectacular but charming and entertaining. One of two Canadian entries in this category this year.
–The Fantastic Flying Books of Mr. Morris Lessmore – dir. William Joyce and Brandon Oldenberg- Morris Lessmore had everything fly by him in a windstorm. Then one day he sees a young woman flying with books instead of baloons, and that changes everything for him forever. Impressive use of 3D animation. Good use of music and of the animated story. I predict this Will Win the animated feature category.
–La Luna – dir. Enrico Casarosa – Interesting that Disney/Pixar’s Cars 2 didn’t get a single nomination but this short that was played before Cars 2 did. While most of Disney/Pixar’s shorts feature a story done without dialogue, this story is mostly in the types of mumbling. As expected from Disney/Pixar, top notch animation and a very unique story about being able to touch the moon and its glitter.
–A Morning Stroll – dir. Grant Orchard and Sue Goffe-Features a chicken’s stroll down a New York neighborhood in 1959, 2009 and 2059. In 1959, people say “How do you do?” don’t get too peeved if you bump into them and the chicken’s able to make it there safely. 2009 and people are too into Starbucks coffee and iPhone using. A bump into someone causes a big coffee spill and a chicken entering into a house is perfect moment for your iPhone video camera. Once again, the chicken makes it there safely. 2059 and New York is filled with zombies. The chicken makes it home but not after a big zombie chase. This was a good mix of 2D and 3D animation with a creative image of the future.
–Wild Life – dir. Wendy Tilbe and Amanda Forbis- A British émigré tries to make his home in a small town in Alberta. While everyone else is either a cowboy or made themselves a villager, he continues to be an Englishman. Interesting and humorous. Plus me knowing Prairie life helped the sort to appeal to me. Both the dialogue from him and the villagers add to the humor of the story. The animation was excellent not just as 2D but as painting animation. The painting animation was its best quality and it makes it stand out from the five nominees. I pick this as my Should Win pick.
And there you have it. The nominated shorts for the 2011 Oscars. Stay tuned to find out the winners. Stay tuned to find out which directors move on to bigger and better things.