Tag Archives: Belgium

VIFF 2017 Review: Félicité

Felicite

Félicité is the story of a Congolese singer (played by Véro Tshanda Beya Mputu) who life struggles mirror that of most African women.

Félicité appears to be a film about an African woman who sings in bars to make a living, but it’s a lot more.

Félicité is a woman living in DR Congo. The film begins with her waiting for the result on a repair for her refrigerator. It needs a new fan and it will cost. She then goes to the local bar to perform her music. That’s how Félicité makes her money, by singing. The bar is mostly locals. The repairman Tabu is one of those who catches her performance. However the bar has a lot of roughness and fights are frequent.

One day, her 14 year-old son is hospitalized. He was in a motorcycle crash. His leg is so badly injured, an operation is needed or else it will be amputated. Félicité is told she needs 1,000,000 Congolese Francs in order for the operation to happen. Singing from bar to bar is not enough. Félicité first tries locals who know her, but gets either little money or negative flack. Félicité then goes around the richer areas of Kinshasa posing as family members asking for money.

She’s close to the amount she needs, but it’s too late. The leg became so terribly bruised, amputation was needed. Félicité is shattered. However she develops a loving relationship with the repairman Tabu after he successfully repairs her fridge. He’s able to give the comfort she needs. She develops the confidence to start singing with an elite choir in a college as a hobby. Tabu is also able to talk to Samo and instill in him the confidence to live again.

Tabu again returns to one of Félicité‘s shows, but leaves with another woman. Félicité sees him the next day. She is very unhappy with him, but admits her heart is still with him. Félicité returns to singing in night clubs and singing with the high choir.

The way this film is made is common what one would have for a French film. There’s a storyline with a beginning, middle and end, but there’s also a lot in the background that adds greatly to the story. We see it in Félicité‘s singing. She sings the common African songs in the bars. She also sings gracefully in the elite choir. A lot of what she sings about in the night clubs is the struggle of African people in their daily lives and she belts out her emotions when she sings. A lot of what she sings in the high-class choir is graceful and gives acclaim to God and acclaim to life. Singing is not just a profession for Félicité; it’s a way of life.

Another background element of the film is Félicité‘s life and the lives of all those around her. She exhibits the struggles common of African women of trying to raise a child and trying to make pay. There are many scenes where you see Félicité walking down the streets of Kinshasa. Often the film shows about the difficulty of those living in the DR Congo, or Africa as a whole. We’re talking about a country with a very low wage and people struggling very hard to make ends meet no matter how much or how little they get. The 1,000,000 francs Félicité needs for her son’s operation translates to $650 American dollar. It may not sound like too much to you and me, but it’s almost two years income for the average Congolese. Even seeing how Félicité poses as a family member to rich people in their gated and locked houses shows the rich-poor divide in the country. Often I felt when I was watching Félicité, I was seeing a glimpse of African life.

Alain Gomis does a very good job of storytelling here in this film he directed and co-wrote with Olivier Loustau and Delphine Zingg. Gomis himself is a French director of Senegalese parents. You can see this story is personal to him too. He does a very good job of telling Félicité‘s story while giving people a god look at what life in Africa is like. Véro Tshanda Beya Mputu does a very good job in her debut role. She was able to play Félicité like she is the African ‘everywoman.’ Papi Mpaka also plays Tabu very well. At first, Tabu is just there in Félicité‘s presence, but soon becomes part of her life and her son’s life. It’s like he come from nowhere to be what Félicité needed. The music is one of the biggest elements of the film. The film may be about a night club singer but the music Félicité engages in says a lot about the film and about life in Africa in all its joys and heartaches.

Félicité is a four-nation film collaboration of Senegal, Belgium, France and Lebanon. The film is Senegal’s official submission in the category of Best Foreign Language Film for the 2017 Academy Awards. This is the first time the nation of Senegal has ever submitted an entry into this category. The film won the Silver Bear at the Berlin Film festival, won a Human Rights In Cinema award at the Istanbul Film Festival and was nominated for Best Film at the Sydney Film Festival and the Chicago International Film Festival.

Félicité is a film that doesn’t just dimply tell a story. It gives a glimpse into the difficulties of life in Africa.

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UEFA Euro 2016: Group E Focus

UEFA-Euro-2016-Live

A lot of you are wondering if a Canadian like me is getting into the fanfare of Euro 2016. Actually I am, though not on a huge basis. I do go the the UEFA website and go to the fanzone area. Yes, I go to the Panini online sticker album. I’m also going into the Hyundai predictor too. I’ll do both match predictor and bracket predictor. I just do it to have fun and who knows? I might win something. In the meantime, more predicting happening. Here’s my rundown of Group E:

BelgiumBelgium (2): This seems to be the time for the Red Devils. They’ve shown a level of consistency and team play that has taken them to the top of FIFA’s World Rankings for the first time ever back in November 2015. What Belgium needs now is a landmark accomplishment. They have achieved third-place and a runners-up finish at the Euro before but that was all the way back in 1972 and 1980 respectively. Also their best World Cup result was a fourth place back in 1986. This is their first Euro since they co-hosted back in 2000. Back then the team wasn’t all there and it took a long time to get off the ground. Their first signs of success came around World Cup qualifying which led them to a quarterfinals finish in Brazil in 2014. Since the 2014 World Cup, Belgium has further extended its reputation of consistency winning twelve of their seventeen matches since. Notable opponents they’ve beaten in that time are France, Italy,Switzerland and Norway. Their only losses came to Portugal and Wales. No doubt they will come to France with something to prove and possibly have their best Euro ever.

Italy ficedItaly (15): Italy is traditionally one of the maverick countries of football. However every maverick country of football have their moments of big glory and their downtimes too. Now seems like the downtime for Azzurri. Their defense isn’t as strong. It’s not like the unbreakable defense they had back in the 90’s. Another thing Italy is missing is their consistency. Sure they were finalists at the last Euro and they finished third at the 2013 Confederations Cup. However they still have the frustration of failing to advance past the Group Stage of the last two World Cups. Their play since World Cup 2014 have had ups and downs of their own. Italy’s wins since include the Netherlands, Norway and Scotland. On top of that, they qualified for the Euro top of their group and without a loss. However they have had losses to Portugal, Belgium and Germany in the meantime. Euro 2016 could either be a time of redemption for them or a time of disappointment. It’s all in their hands.

Ireland fixedRepublic of Ireland (31): Ireland is a team that has moments of success in spurts. They’ve gone as far as the quarterfinals at the World Cup, back in 1990, but have never made it past the group stage in the two Euros they’ve played in. At the last Euro, they exited with the worst result of all teams losing all three games and a goal differential of -8. The team has rebounded considerably especially after being ranked 67th by FIFA back in 2013. Notable wins include Switzerland, Germany and the United States. They’ve only endure three losses: to Scotland, Poland and Belarus. They’ve also had some noteworthy draws to the Netherlands, Slovakia, England and Bosnia. It’s possible the Green Army could be one of the surprises here in Euro 2016.

Sweden FixedSweden (36): Sweden is a team struggling to get their greatness noticed. Sure, they have a star player in Zlatan Ibrahimovic but they have a talented full team too. Their recent results have not been the best as they failed to qualify for the last two World Cups and exited the last two Euros in the Group Stage. Interesting trivia fact: Sweden has never won a knockout game at the Euro. Since the 2014 World Cup which they sat out, they’ve had a mixed record. They’ve had wins against Denmark, Iran, Finland and Wales as well as draws against Russia and Norway. They’ve also had losses to France, Turkey, Austria, Russia and Finland. They will have to come together in France if they want to go further.

Prediction: Okay, now it’s time to predict the group. No doubt about it, I predict Belgium to top it. I predict Italy to be second and Ireland to take third.

And there are my thoughts on Group E. Predictions for Group F coming soon.

UPDATE:

Here are my reviews of other groups:

2016 Eurovision Song Contest Final Preview

eurovision2016euro

I’ll admit I had no intention of posting a preview blog about the final. I was just content with watching the performers and playing ‘armchair judge’ for my own leisure. Besides I intended for my detailed blog of the ESC to be my only blog about it.

However that all changed last night as I was on Youtube and the ESC channel watching video after video of the night’s semi-final performances. Hey, when the show’s on live at noon your time, that’s your resort. That all changed after I added comment after comment with many of the videos. And that’s what inspired me to do this preview of the final for the 2016 Eurovision Song Contest.

For this preview, I’ve decided to post my opinions about the performances in the semi-finals. I will be judging the performances of both the competitors from the semis as well as those from Sweden and the Big 5 whom I will call ‘automatics’ because they automatically have their berths in the Final and their performances in the semis are simply a dress rehearsal for the Finals.

I felt it best that I place my judgements mostly on their semi-final performances. A lot of people have based their judgements from the song’s official music video released on YouTube months before the Contest. The videos are very telling in terms of how well each song will do however I feel the performances in the semis are more telling as it gives a good sense what their live show will be and even how together they are as a performer. Sure the semi won’t tell it all but it will tell it most. I do feel that the song is the key thing to base a judgement on. No matter how big of a show you put on, the song and its content is unavoidable. However I will consider showmanship as a performer will still have to make the song entertaining and eyecatching. Simply put, I will give top kudos to those performances who deliver best.

I will also start with my first section where I give opinions of the performances that have qualified for the final. I will then give my personal picks for who I would give the biggest point to if I were a jury. Note I will not be making predictions like I normally do. I will be giving my preferences and opinions. I’m not familiar with the music tastes of most European countries nor am I familiar with jury tastes. So here goes:

SEMIFINAL 1:

  • Hungary: Freddie  ‘Pioneer’ Very good song with a very dramatic opening. Freddie has very good vocals in singing the song. The song is far from boring. It will catch your ears. A deserving finalist.
  • Croatia: Nina Kraljic ‘Lighthouse‘ – Nina came to Stockholm in hopes of breaking Croatia’s bad-luck spell of missing out in the finals since 2009. She did exactly that. As for her performance, you’ll think her outfit at the beginning is ridiculous but that’s part of adding drama or theatrics to the song. I’m cool with that as long as it’s done right. Her performance was very good and deserving of her final berth.
  • Netherlands: Douwe Bob ‘Slow Down‘ – This is one of my delights of the night. I’m impressed to see how the Dutch know how to do bluesy rock or rockabilly. The Dutch did it before in 2014 with ‘Calm After The Storm‘ and they do it again here. Best song of the evening that delivers as a great alternative after so many techno numbers. Stage show is minimal but it works for the song instead of against it. I ranked it my 3rd place of this semi.
  • Armenia: Iveta Mukuchyan ‘LoveWave‘ – It’s not the best of the night but it’s still good and a deserving finalist. Very good song with good vocals. I felt the stage show was a bit iffy. Otherwise very deserving nonetheless.
  • Russia: Sergei Lazarev ‘You Are The Only One‘ – What can I say? For me that was the show of the first semi and my #1 pick for that night. It didn’t have the same song quality the Netherlands had but still an entertaining song with the most entertaining stage show of the evening. Definitely an eye-catcher and it will not surprise me if this song is a top contender for the win on Saturday.
  • Czech Republic: Gabriela Guncikova ‘I Stand‘ – Not exactly a song that stands out too much. Nevertheless Gabriela did sing it well and perform it well on stage. what it lacks in catchiness, it makes up for in its consistency and professionalism. A very deserving finalist. Especially since this is the first time in five tries a Czech performer qualifies for the final. Great job!
  • Cyprus: Minus One ‘Alter Ego‘ – You’d think with this being Cyprus, it would be ethnopop, right? Actually this is a hard rock song high in energy. I could even feel the energy of the song while watching it. Great song and great performance which was one of my favorites of the night. I feel it should do strong on Saturday.
  • Austria: Zoe ‘Loin d’Ici‘ – This was my surprise of the night. I like it when a song goes beyond my expectations. At first you’d think a number too sweet would come off as saccharine to you. However this is one ‘sweet’ song that actually did everything right and even charmed me. Excellent stage show that tried mimicking what was in her video. However if anyone had doubts about her song while watching her video before the Semi, I think her performance in the semi increased her chances of winning. It was better than the video. I consider this my 2nd place of the semi.
  • Azerbaijan: Samra ‘Miracle‘ – Once again a case of an Azerbaijani singer performing a song written by Swedes. This is one of only two semifinalists whom I did not have on my list of my ten ‘finals picks.’ The song was good but I’ve seen better performances by Azerbaijani acts in past ESCs. I think 2013’s ‘Hold Me‘ is their best ever.  Also the back-up dancers did a real tacky job of dancing. That’s all I can describe about it. Their dancing was tacky. Nevertheless Samra was dressed well and she did sing her song very well despite t not being much of a song. I just feel it didn’t deserve to be in the semis.
  • Malta: Ira Losco ‘Walk On Water‘ – Once again a case of a stageshow that was hard to swallow thanks to backup dancing. Ira did her song very well. However the dancer on stage just plain came off as ridiculous and irritating. It actually turned me off the song. This is the other finalist from the first semi that I felt didn’t deserve it.

SEMIFINAL 2:

  • Latvia: Justs ‘Heartbeat‘ – The biggest thing about the song is its arresting instrumentation. The stage graphics fit the song very well and Justs delivers the song in style and with the right moves you’d expect from a male pop singer. Justs does it solo without backup singers or backup dancers and does it with style. I ranked it the best performance of this semi because it grabs your attention from the very start and won’t let go.
  • Poland: Michal Szpak ‘Color Of Your Life‘ – This is a good ballad delivered very well from Michal. Its style really stands out. Michal delivered it very professionally despite missing a note near the first chorus. The biggest glitch I feel has to be the vintage military jacket he wears on stage. I don’t think it fit the performance that well. Especially since Justs that was on just before him came on stage with a leather jacket. Backup violinists and stage graphics blended well with the performance.
  • Israel: Hovi Star ‘Made Of Stars‘ – This is an excellent ballad delivered very well with excellent singing from Hovi. I almost thought he was doing a cover of an Adele song. The stage graphics added excellently to the song. However the two dancers on the spinning hoop had me questioning whether they were worth it or not? Do they add or subtract? Because Hovi delivers well in a no nonsense performance.
  • Serbia: Sanja Vucic ZAA ‘Goodbye‘ – It’s both a ‘Balkan Ballad’ and a power ballad. Excellent vocals full of emotion and a set up back-up singers that add to the drama and power. Might bring back memories to some of 2007 winner ‘Molitva’ but it holds its own. The male backup dancer didn’t add but he didn’t subtract from the performance either. If there’s one weakness, it’s her stiff black dress. Overall an excellent package and I rank it second-best of this semifinal.
  • Lithuania: Donny Montell ‘I’ve Been Waiting For This Night‘ – A powerful song with a lot of energy and Donny knows how to deliver it vocally. However I didn’t like how he added Michael Jackson-like dance moves to his performance. I feel it did not fit the song at all. Maybe the front flip near the end helped but the dancing didn’t. This is one of two from this semi that qualified for the final that didn’t make my personal Top 10.
  • Australia: Dami Im ‘Sound Of Silence‘ – A very powerful ballad delivered excellent by Dani. I also have no problem with the dress since it was meant to fit the song. However I’m not too happy about some of the stage choices she was given such as sitting on that platform until after the second chorus. She does walk around after that and deliver the song well but I don’t think she was given enough movement.
  • Bulgaria: Poli Genova ‘If Love Was A Crime‘ – Many people felt Poli was robbed of a finals berth five years ago with ‘Na Inat‘ but she finally gets it here. I’ll admit this is not that much of an attention-grabber of a song. Nor were a few of her dance moves the best. Nevertheless Poli delivered the song well and gave it its energy and made it enjoyable to hear. It’s very good for the most part.
  • Ukraine: Jamala ‘1944‘ – This is the first song at the ESC with Crimean Tatar lyrics. This is probably the most political song at this Contest. She has a song with a message and she delivers it with emotion in the song. The wailing at the end of the song is a big plus and especially shows off her vocal abilities. However political songs are touchy grounds at the ESC. They welcome it as long as it’s subtle. I feel this is deserving of its finals berth.
  • Georgia: Nika Kocharov and Young Georgian Lolitaz ‘Midnight Gold‘ – The number starts with a lot of potential with some exciting rock instrumentation and fitting stage graphics. However it goes downhill when the singer delivers vocals with notes that don’t seem to fit the song. I don’t know if he did it for creative purposes but his choices don’t really fit at all. Can’t complain about the instrumentation as it’s the best part. However this is the second qualifier to the final from this semi that I felt didn’t deserve it. Actually I ranked it second-to-last of this semi.
  • Belgium : Laura Tesoro ‘What’s The Pressure‘ – At last! A song that makes you wanna get down! Laura delivers a funky, feel-good energetic number that delivers all the best qualities of a pop number including vocals, dancing and even trying to get the crowd involved. I ranked this the third-best of this semi.

AUTOMATICS:

  • France: Amir ‘J’ai Cherche‘ – Good song, has a lot of energy, very good singing, but it comes across as rather boring. I don’t know what it is but when I saw Amir perform, I felt like there was something missing. I don’t know how this will fare on Saturday.
  • Spain: Barei ‘Say Yay!‘ – Now this is one number I feel will go far. A very good song that is full of energy and has good potential of being catchy. Also she performs excellently on stage. She dances like she’s in control and delivers the song as she should. I question her dress, especially with the 03 on it. However I feel she will be great on Saturday night.
  • Sweden: Frans ‘If I Were Sorry‘ – Sweden has one of the best success records at Eurovision. This number however is very questionable. Frans delivered a boring performance where the background tries to make the song interesting by flashing key words. He does sing the song well but his accent is too thick to comprehend some of the lyrics. I think he might score well in the popular vote because of his teen idol status but I don’t think he’ll score well with the judges.
  • Germany: Jamie-Lee ‘Ghost‘ – I have to say a good song and Jamie-Lee is a very good singer. However her outfit was too over the top. I’m cool with a weird outfit done for theatrical purposes such as Nina Kraljic’s outfit during the opening of ‘Spotlight’ but that was too ridiculous like Alice In Wonderland went through a flower garden. The backup singers had on sensible clothes and the trees that shot laser beams worked good but that outfit is dumb and works against her performance. However the outfit will make her win the Barbara Dex award.
  • United Kingdom: Joe & Jake ‘You’re Not Alone‘ – I have to say it’s a very good song with a very good performance. The two sing the song very well and add to the young energy of the song. It’s hard to find something to dislike about this number, especially since it’s very low in gimmicks. I think the one cheesy thing was probably the jumping near the end. One thing we have to keep in mind is that ‘no nonsense’ performances like these are great but they face the obstacle of winning attention from both televoters and the juries. Nevertheless I do wish the best for both of them. Especially since the UK used to have quite a Eurovision legacy and the 21st century has been very unkind to them with only two Top 10 finishes.
  • Italy: Francesca Michielin ‘No Degree Of Separation‘ – Italy rarely disappoints. They’ve mostly delivered some top notch performances to the Contest over the years, even in the last few years. And this year’s entry is a delight too. 21 year-old Francesca Michielin is already a seasoned pro. You’ll notice it as she sings the song consistently and with feeling. Adding the feeling to the song is a big plus. A big minus to the song however is all those stage props and stage graphics. I don’t know if they were trying to reflect a theme or emulate the music video but I feel it went too far and they were distracting from the song. This could work against her performance which holds its own without all the added stuff.

So those are my thoughts for the qualifiers. As for the ‘also-rans’:

Semi-Final 1: I know I said Malta and Azerbaijan didn’t deserve to be in the final. In their place should be Iceland and Moldova. They did their performance better. Finland’s Sandhja was good but came off as flat. That’s not good especially when you’re first up. Greece must have forgotten the golden rule of rap acts at Eurovision: rap acts go nowhere, even if it’s mixed with ethnopop. It’s a shame because I usually like the Greek numbers. San Marino’s Serhat had a style but I didn’t see it as enough to qualify for the final. Estonia came off as ridiculous in his stage antics and his voice. Montenegro’s number sounded like a mashed-up song and Bosnia’s on-stage theatrics made me wonder if it was really necessary for the song.

Semi-Final 2: If I were to trade Georgia and Lithuania from the finals, I’d put in Ireland and Macedonia. Ireland was full of energy and delivered well. Macedonia was also excellent, especially in her vocal range. Switzerland had a good song but it all fell apart with all the on-stage props and moves she was given. Belarus had potential but I thought the face stripes were dumb. Slovenia was good but the singer delivered awkward stage poses that worked against her. The Danish vocal trio came across as rather boring. Norway delivered a song that alternate from one tempo and mood of the verses to a different tempo and completely different mood in the chorus. It didn’t really mix well. And Albania had good potential but I feel her chances were marred by lousy backup singers.

Overall I have to say this is a mostly good set of performers for this Contest. There is a bit of the eccentric in some elements but it’s nothing compared to the ‘freak shows’ of five years ago or even ten years ago. I think the freakiest moments will come from Germany and Italy. I guess the country’s are now getting the message that doing something super-eccentric or super-gimmicky doesn’t pay. I didn’t notice too many off-key moments and those that did recovered well.

Like I said, I don’t know enough about European music tastes to make predictions. So instead I’m giving my personal Top 10. Eurovision style, of course:

  • Poland, 1 point.
  • Australia, 2 points.
  • Spain, 3 points.
  • Cyprus, 4 points.
  • Netherlands, 5 points.
  • Belgium, 6 points.
  • Serbia, 7 points.
  • Austria, 8 points.
  • Latvia, 10 points.
  • And my personal 12 points goes to…Russia!

So there’s my summary of the 2016 Eurovision finalists and their semifinal performances. I’m glad I don’t have to be a jury member because it’s a headache ranking them. Mind you anything can change on Saturday. They may go off key or something may malfunction or the energy that was there in the semi may not be there in the final. Even things like performance order can play a factor. How ironic how Belgium who ended the second semifinal will open the final? Ending the final will be Armenia. Whatever the situation, I wish all the performers the best and the winning performer’s country to get ready to host next year!

World Cup 2014 Preview: Group H

Funny how people refer to ‘Groups Of Death’ to groups packed full of the best talent in the world. Group H consists of four teams that are not considered major threats to the World Cup but any of the two can move to the Round of 16. Also don’t count any of them out as possible challengers for the cup. So for my final group rundown, here’s my take on Group H:

Belgium-Belgium (12)- If you thought it was a surprise to see Switzerland among the seded team in FIFA’s World Cup draw, it should have been just a surprising to see Belgium. Even though Belgium was in the FIFA Top 8 at the time, Belgium is a country one would not normally expect to see as a seded team. Their best World Cup finish ever of the eleven previous World Cups they’ve played in was fourth in 1986. The last World Cup they played in was 2002 and they didn’t even qualify for Euro 2012. However that all changed in 2012 when they hired Marc Wilmots as head coach after being assistant coach for three years. Wilmots himself had played for Belgium in four World Cups and even scored five goals in World Cup play. Belgium was placed in possibly the most difficult European qualifying group for 2014 but they played like magic. They won eight games and tied the other two en route to coming first in their group and automatically qualifying with just one game to go. The spirit of the Red Devils was felt again in their homeland as the country greeted them upon their return in big fanfare. Their success helped put them in FIFA’s Top 8 around the time of the draw which led to them classed as one of the seded teams. Their performance in qualifying was so impressive, Wilmots was signed on to be coach for another four more years. However Belgium’s play in friendlies have not been so spectacular as they’ve lost to Romania, Colombia and Japan. They do have impressive wins against the U.S.A. and Sweden and even tied France. Nevertheless their lackluster friendly play has dropped them from the Top 8 and now stand 12th. Nevertheless this is a big boost for country as this will be their first World Cup in 12 years. Half the team play for top European teams like Manchester United, Bayern Munich and Atletico Madrid. Whatever the situation, no doubt they’ll send the message that Belgium is back.

Algeria-Algeria (25)- Algeria is another team coming to this year’s World Cup hoping for a breakthrough moment. They’ve competed in three World Cups before: in 1982, 1986 and 2010. They have had better luck defining themselves at the Africa Cup of Nations where they’ve made it as far as the semifinals five times and even won back in 1990. However they’re hoping this World Cup to finally progress past the Group Stage. Their squadron is coached by Bosnian Vahid Halilhodzic who coached the Ivory Coast at the 2010 World Cup. Top players include Madjid Bougherra, Islam Slimani and Sofianne Feghouli who’s already being called ‘the New Zidane.’ Algeria won their opening group in qualifying for the World Cup. They would then face Burkina Faso for the berth. The first game ended with a 3-2 loss but Algeria came back 1-0 to clinch their trip to Brazil. They’ve also not lost a friendly in the past two years and would include wins against Slovenia and Romania and ties to South Africa and the Ivory Coast. If they play consistently, Algeria could have their best ever World Cup here.

Russia Fixed-Russian Federation (18)- Russia is a team that has struggled to prove itself since the breakup of the USSR back in 1991. Back during the days when the USSR did well by advancing past the Group Stage in all but one of their seven World Cup appearances and even finishing fourth in 1966, the majority of Soviet players were Russian. Since the collapse of the USSR in 1991, Russia has continued to shell out remarkable talents in the years since. However the national team has always fallen short of making a statement of their prowess. They’ve only qualified for two World Cups–1994 and 2002– and only went as far as the Group Stage in both cases, even though Ukrainian-born Oleg Salenko set a World Cup record in 1994 with the most goals in a single World Cup game: five. They did however have a moment of glory by finishing third at Euro 2008. However they come to Brazil looking for more as they will have the task of hosting the next World Cup in 2018. No doubt they want to create an impression here. Although all the players play for Russian League teams with many playing for Dynamo Moscow, their coaching staff is almost all Italians and the head coach is Fabio Capello who has coached AC Milan, Real Madrid, Juventus and England up to 2012. Russia performed well enough in qualifying to win their qualifying group over heavily-favored Portugal. They’ve showed their abilities by scoring wins against Portugal, Slovakia, South Korea and Morocco. They’ve also tied countries like the U.S.A. 2-2, Serbia 1-1 and Brazil 1-1. It’s make or break for the Russian team here in Brazil. They come to play well and learn.

Korea-South Korea (55)- Isn’t it interesting that Group H has two teams named The Red Devils? There’s Belgium, where the Belgians call them les Diables Rouges or de Rode Duivels, and there South Korea who also go by the name the Taegeuk Warriors. South Korea has traditionally been the best team in Asia. None of the other Asian countries here in Brazil have as much of a track record as South Korea who will be playing in their eighth straight World Cup. Their best finish ever was a fourth-place finish in 2002 when they co-hosted with Japan. Much of their prowess has to be with the K-League that was started in 1983 and has really taken off since. However South Korea appears they don’t have the prowess they’re used to showing. They’ve had wins against Greece and Switzerland in the past two years. However they’ve had to endure losses to Brazil, Croatia, the U.S.A., Russia and Mexico. Since qualifying for the World Cup, they’ve changed coaches to Hong Myung-Bo who’s had experience coaching in the MLS. They’re hoping he can make an improvement for the team and he’s already helped Korea move up to 55th from 59th a month ago. It’s quite possible they might prove in Brazil those low FIFA rankings are just bad estimates.

And now my prediction for the two advancers: I predict Belgium and Russia with Algeria the one most likely to upset.

STADIUM SPOTLIGHT

Okay, I’m done reviewing the last World Cup group. Now time to focus on the last two World Cup stadiums. My final Stadium Spotlight focuses on the two stadiums in two of Brazil’s biggest cities. One is a new stadium, the other is old and legendary. On will be hosting the opening ceremonies and opening match. The other will be the stage for deciding the winner of the Cup, just like it did 64 years ago.

-SAO PAULO : Arena de Sao PauloSao Paulo

Year Opened: 2014

World Cup Capacity: 61,606

World Cup Groups Hosting: A, B, D, H

Additional World Cup Matches Contested: Round of 16 (F1 vs. E2) & a semifinal

Sao Paulo’s new stadium came about as Estadio Pacaembu was too small to host World Cup games and was getting too old. Also the much bigger Estadio de Morumbi was judged by FIFA as unsuitable to hold World Cup games. Thus the creation of the Arena de Sao Paulo. However creating the stadium came with difficulties. First, national funding for the stadium was delayed for two years. Secondly, the Arena originally planned to hold 72,000 for World Cup games. Relocation of TV Equipment and VIP seating reduced the capacity to 61,606. Even though the stadium has officially been opened on May 10th, it was noted modifications were still underway two weeks ago and people are still unsure if the stadium has been finished. They better be ready June 12th because they’re hosting the opening ceremonies and first match: Brazil vs. Croatia. After the World Cup, the seating will be reduced to 48,234 and will be managed by the Corinthians football team who will have the stadium renamed Arena Corinthians. The stadium is also a venue for the 2016 Summer Olympics.

-RIO DE JANEIRO : Estadio do Maracanamaracana 1

Year Opened: 1950

World Cup Capacity: 78,838

World Cup Groups Hosting: B, E, F, H

Additional World Cup Matches Contested: Round of 16 (C1 vs. D2), a quarterfinal & final for the Cup

If many people view football as a religion, then the Maracana has to be one of its prize temples, especially for Brazilians. This stadium was opened in 1950 to host the World Cup. The final game of that World Cup set a world record that stands today of the largest attendance of a soccer game: official count at 199,854 but actual attendance is estimated around 210,000. Since the World Cup, the Maracana has continued to attract large crowds to games for clubs like Vasco da Gama, Botafogo, Flamengo and Fluminese. The latter two still have the Maracana as their home stadium. However the capacity was greatly reduced in 1992 when an upper stand collapsed, killing three and injuring 50. Remember there was a time when stadiums allowed for both seats and standing area which allowed for such big totals I talked about. The Maracana was converted into an all-seater stadium since the accident. A bit of trivia: The Maracana can never be demolished as it was classified as a national landmark in 1998. Maracana 2

For the 2014 World Cup, major preparations and changes had to take place. The irony being the stadium had already underwent major renovations starting in 2000 just after it celebrated its 50th anniversary and completed in 2007. The original seating bowl that had a two-tier configuration was demolished and made way for the construction of a one-tier seating bowl. New seats in colors of yellow, blue and white form among the green match of the field to create the national colors of Brazil. The renovated Maracana played host to the Confederations Cup last year. After the World Cup, the stadium will return to being the host venue for Flamengo and Fluminese, continue to host major concert and will be the stage during the 2016 Summer Olympics for football games and the opening and closing ceremonies.

And that wraps it up. I’m done predicting World Cup groups and I’m done reviewing World Cup stadiums. All that needs to be done is let the show begin. I’m sure it will be a memorable one.

VIFF 2012 Review: Our Children (À Perdre La Raison)

A movie about a mother scorned is very rare. Our Children is a rare chance to make such a big-screen movie on that subject. The question is does it succeed at making such a movie watchable?

SPOILER WARNING: Many incidents including the ending will be mentioned in this review. So if you want it a complete surprise, please do not read any further.

The film is actually one that begins with the end of the story at the beginning. We see a woman in a hospital bed saying to have her children buried in Morocco. After we see four red coffins being brought onto a plane. Hey, don’t say I didn’t give you a spoiler warning!

We first see a young Murielle in love with a Moroccan medical student named Mounir. He wants to marry but feels he have to have the blessing not of his father but of Dr. Pinget: a Belgian doctor who has helped him out financially and morally to study medicine. The marriage is successful even receiving the blessing of Mounir’s mother. However there’s one catch. Dr. Pinget is to live in the same house. Murielle reluctantly goes along with it. Meanwhile Mounir has to deal with the feeling of animosity from his brother.

Murielle continues on with her job as a teacher and Mounir starts practicing medicine. They have two daughters. They go through the usual ups and downs of having a family. Dr. Pinget is not that much of an interference although he is strict with the couple that he is the only doctor they see. However it’s obvious about Pinget’s control when Murielle is pregnant with her third child. Mounir thinks of moving to Morocco as it would be less stressful with the couple. Pinget is infuriated and takes it as an insult.

The couple do spend time in Morocco and it helps with Murielle as it alleviates her stress. Mounir’s mother even makes her feel like one of the family. Murielle’s sister even falls in love with Mounir’s brother and they marry.

The stress returns to Murielle as she returns back to Belgium. Pinget is back into her life. The stress of managing three children is catching up to her and a fourth child is expected on the way. The stress has gotten to the point she even takes it out on a student who misbehaves in class. On top of that her husband is always under Pinget’s wing and controlling in his own way. She sees a psychiatrist, Docteur De Clerk, who’s very helpful with her psychological condition even after the birth of her fourth child. However Pinget finds out and is very angry towards her, even threatening. It’s then that Murielle finally decides to commit a rash act to ‘end her troubles’ once and for all.

At first when I saw this, I wondered why on earth would someone try to make a big-screen movie about a mother killing her children. It isn’t until later on I read that this film is based on a story that actually happened in Belgium where a young mother couldn’t take it anymore and she killed all five of her children. This movie attempts to parallel that very story. After reading up more on the story of the event, I could see a lot of parallels: the relationship, the doctor that was controlling and how the children were killed one by one.

I think that’s it about this movie. It echoes a common story we hear many times before: a mother murdering her children. North Americans are familiar with the stories of Susan Smith, Tarajee Maynor and Andrea Yates. A story like this is not that common in Europe but it does happen. The thing about this film is that it is done primarily from the mother’s point of view. I think that was the attempt of the filmmakers: to make such a film that people could relate to. I don’t think people seeing this would want to kill their children but I think people could relate to the struggles of young motherhood and someone interloping into their life and having control over what they do. There have been many murder movies where the murderer is shown as a person that possesses dark personality traits that are inside all of us. I think that may be why this story was done; to show the killer that personality traits and weaknesses we too possess.

Also I have to commend the filmmakers for not crossing the line and making it unwatchable. No one wants to see children murdered on a big screen, especially in a story close to the truth. It made a smart move by making it similar as she called the children one by one but kept the killing part hidden off-screen and completely silent. Even in the aftermath, all we see is a house with her phone call to the police. I remember taking an acting course where a teacher said people like simulation as opposed to the real thing. Good to see them holding off there.

The movie does answer some questions but it also opens for other questions too, especially about the murders that story is based upon. Why did she kill her children? I don’t condone murder of any kind but why didn’t she kill the doctor instead? He was the controlling one. I guess I’ll never know and there’s only one person in the world that can answer those questions. Also the position of Dr. Pinget in the relationship. Why was he that controlling? Was it because of Belgian law? Was it because of his belief that since he was a mentor to Mounir, Mornir’s whole family should do everything he says? Was it Mounir’s own feelings of loyalty for all the mentoring he gave him? We shouldn’t forget Dr. Pinget was as controlling to Mounir as he was to Murielle. That question remains unanswered too.

Emilie Duquenne did an excellent job in her acting as Murielle from the young girl in love to the mother breaking down. That scene where she’s behind the car singing a song and breaking into tears is a very powerful scene and was excellently acted. North American audiences are not familiar with Duquenne but European filmgoers know her as the young teen lead in the Cannes Palme d’Or winning Rosetta from 1999. Tahar Rahim was also very good in his role as Mounir, the one caught in the middle. Niels Arestup was also excellent in his supporting role as the controlling Dr. Pinget. Interesting is that Tahar and Niels have worked with director Joachim Lafosse before in the film Un Prophete. The three are back together with something different. Lafosse does a good job in making a normally-unwatchable story watchable not only with his direction but also co-writing the script with Matthieu Raynart and Thomas Bidegain who also wrote Rust And Bone and co-wrote Un Prophete. The directing and writing did a good job in sending the message to the audience through what was unsaid and silent more than most films can send through dialogue.

Our Children is Belgium’s official entry in the Best Foreign Language Film category for the upcoming Academy awards: one of twelve films at the VIFF that are their respective country’s official entry in that category. The film was nominated for the ‘Un Certain Regard’ award at this year’s Cannes Film Festival and Dequenne’s performance won the Best Actress award in the ‘Un Certain Regard’ category.

I don’t know if Our Children is really all that watchable of a movie about a mother scorned but it does make efforts to be watchable without losing the story and relatable as far as human emotions go.