I ended my VIFF with the French film Jumbo. It was part of the Altered States slate. I agree the film was something else!
The film begins in an amusement park in a French city. Jeanne Tantois is the park custodian. Her job over there is just her labor. She has a fascination with many of the rides there, but she doesn’t get along well with too many of the men that she works with. She’s a young girl who lives with her parents. Her mother Margarette wonders when she will find the right boy. At home, she creates things like celestial ceiling images or mobiles consisting of a lot of LED lights. There in her room, she lets her imagination run free. She even has a belief that objects have souls, even moving motorized objects.
One day, a new ride comes to the amusement park. It’s a 25-foot tall ride set to accommodate 32 at a time. Jeanne cleans the light bulbs, but soon notices the ride, named ‘Jumbo,’ is communicating with her. She’s surprised by it all. Jumbo offers her a ride. She accepts with her riding alone, and she appears to enjoy it in an erotic sense. Over time, she has gotten to have a closer liking to Jumbo. Jumbo communicates with her: green lights for yes, red for no. Soon her liking for Jumbo isn’t just simple. It’s intimate.
Not everybody is accepting upon hearing Jeanne’s love for this carnival ride. The other teens from her school including a group of boys poke fun at her. Her boss and the head custodian look at her with huge suspicion or something’s wrong with her. Margarette meets Jumbo, rides him, and is shocked that she could be attracted to an object. However it takes a lot of convincing to her mother that her attraction to Jumbo is real and is her everything.
The relationship between her and Jumbo grows. One night she lays down on Jumbo and his oils enter into her almost as if a sexual pleasure. Then the workers at the amusement park are given awards for the best services. Jeanne is given an award for her services with the bullying boys watching from the back. Then the shocking news. Jumbo will no longer be at the amusement park. Jeanne is devastated. Even more so when she learns Jumbo will be transported to an amusement park in Belgium. Her boss makes it clear it’s her attraction to Jumbo that caused their decision. That leaves Jeanne no other choice. She must marry Jumbo before he’s taken away. Margarette and her stepfather are willing to assist her in the marriage. The two perform the rites as both Jumbo and Jeanne accept. All three go for one last ride and get off in time before the bullying boys from her school can get them.
Now there have been films about people having feelings of love to objects in the past. However this is something unique as it’s of a young female with an attraction to a carnival ride. This could have come across as a dumb story. However there is such a thing as objectophilia. Writer Zoe Wittock learned of a story of a Florida woman who was in so love with a carnival ride, she tried to marry it. Even then, to make it believable, it required that from a believable character. Jeanne is that character. She herself is a dreamer who likes to draw and is fascinated by lights and stars. She even mentions at the beginning of her belief that objects have souls of their own. It was necessary for her to say something like that for her objectophilia to be believable.
Even with the imagination, the film had to make Jumbo come alive as well. If Jeanne sees the soul inside Jumbo, we the audience have to see it too. It works as we see Jumbo come to life whenever Jeanne is around and when Jeanne conveys her emotions and feelings. Plus right at the end, Jeanne’s mother and stepfather have to see Jumbo’s soul for themselves in order for Jeanne to marry it. As bizarrely erotic this story is, it needs to have the scenes to make us believe it and the characters to make it work. And it does.
Top credit goes to writer/director Zoe Wittock. Before Jumbo, she wrote and directed four short films. Jumbo is her first feature-length film. It’s also marks her return to film work after a five-year hiatus. A woman sexually attracted to a carnival ride looks like the premise for a bad movie or something completely freakish. Zoe, however, is able to make it work with the story and making the story of Jeanne’s love believable and also giving character to the ride. Additional credit should go to Noemie Merlant. It’s also the believability of Noemie’s performance that keeps Jumbo from being dismissed as a stupid movie. She made the objectophilia believable and not look as freaky as one would anticipate. It’s very surprising to see her play a completely different character than Marianne from Portrait Of A Lady On Fire as well as a different time period. There’s also excellent acting from Emmanuelle Bercot as the mother who has to struggle to accept her daughter’s objectophilia and in the end be encouraging to Jeanne in marrying Jumbo.
Jumbo appears like a film that would not win too many awards on the film festival circuit, but it has won one and has received nominations. It won Best Feature Film at the Chattanooga Film Festival, nominated for a New Direction award at the Cleveland Film Festival, nominated for a Best First Feature Award at the Philadelphia Film Festival, a New Visions Award nominee at the Sitges – Catalonian Film Festival and Best International Film at the Jeongju Film Festival.
Jumbo has what would first be dismissed as a ridiculous story. What made it work was the actors making the story and the bizarreness believable as we watch.
And there you have it! That’s the last of my film reviews of this year’s VIFF! my wrap-up of this year’s Festival is coming soon!
There has been a lot of anticipation of what will win Best Picture for the past two months. Lately the recently-released 1917 has become the front-runner. Does it have what it takes to win it?
One thing we should keep in mind is that this is not a completely true story that takes place during World War I on April 6, 1917. This is a story about a messenger delivering a message during the war. According to Sam Mendes, this is a story that has been lodged with him as a child. It’s quite likely the stories came while listening to the tales his grandfather, Lance Corporal Alfred H. Mendes, would tell. In fact he dedicates the film to him ‘for telling us the stories.’
Another thing we should remember about World War I is not just how it would be the most brutal war in history before World War II, but also of how it changed how wars are fought. In the past, soldiers would fight on horses with swords. Here in World War I, it was mostly ammunition related which made horse fighting useless from this point on. Also with the airplane being invented back in 1903, this was the first war ever that would involve airfighting. That would present a new danger for soldiers fighting on the ground as they would also have to avoid shooting from the air.
We should also take into account that despite the advances in warfare, communication between infantries were limited. It seems odd to see the need for a message to stop a battle to be sent through two men. I remember seeing messages submitted in such fashion in Lincoln which was set during the Civil War. One in today’s modern world would find ‘walking’ this message from the trenches to former enemy territory to the infantry to be an odd thing, considering the technologies we now have. We shouldn’t forget that during World War I, the most communication they had was either Morse Code or landline telephone. As you would see when the scene approaches, the infantry of which the leader would need to receive the message would have no access to any of those forms of communication. Telephone lines were cut out in the field and ‘walking’ the message to the infantry would be the only way they can be reached.
We’ve seen war movies in the past. Most war movies consist of frequent battles and action scenes. Mostly to stir up excitement for the purpose of being an action movie. This is a different story. This is a message of two men who are given the responsibility to deliver a message to a battalion to cease fighting and prevent huge loss. This is not just a message a soldier has to relay to prevent a devastating battle, but one in which threatens his brother. Blake not only must deliver the message but have someone else as the second should one die. He chooses his best friend Schofield who’s reluctant at first. The two put themselves out in the mission but encounter danger after danger. Blake is stabbed to death and then it becomes Schofield’s mission to deliver the message. This is a story that focuses less on battles and more on getting a task done. If you get into the story, you will see this is a task which will put one in the middle of the horrors of war. This being a war movie, there are scenes of action and intensity. Those are scenes that can’t be compromised in a war movie and there’s no compromise here. This film also shows a lot of the horrors and devastations caused during World War I like a devastated town, a brutal plane crash, rat-infested areas, bodies left around decaying, and even how every soldier had to see people from another army as the enemy. No exceptions. This story is a telling account of what those fighting in the war had to deal with.
I know I’ve seen many films by Steven Spielberg where he not only tells a war story but also shows how the war was done back then. Often when he does his story that occurs during times of war, it’s like we receive a lesson of how war was done and are even reminded of the politics and hostilities of the time. Sam Mendes takes a different approach in telling his story in 1917. It’s not as telling as how World War I was done as a Spielberg movie would be, but it does remind you of many horrors a soldier would endure. Keep in mind, this is a single story of a message to be delivered and the treacherous journey to deliver it. One can go through enough horrors in that one journey to know how much war is hell. Even the stories from one person is enough to be a telling account.
Mendes does do something in which Spielberg never did in any of his war movies. Mendes makes this a ‘follow-around’ story. I’ve seen films which have been cases where the story is told by following the lead protagonist around. It’s added to the story in most cases. Here in this film, it not only tells the story but makes one part of the journey. It makes the audience experience the horrors and dangers as they happen. Another addition to the story is how it makes like this film is all one take. It’s not really a single take for almost two hours. In fact I saw in Birdman how they’re able to make a film set in real-time appear to be only one take through some cinematography and editing angles. This is the same here where it does an excellent job of making it look like one take from start to finish. There are many times in which the story is done in real-time and there are time elapses where the audience won’t notice. Nevertheless it works for the film and for the storytelling.
Top acclaim has to go to Sam Mendes. I have something to tell you all. Back when I first arrived in Vancouver, I celebrated my first weekend there watching American Beauty in the movie theatres. It left me captivated from start to finish and I never checked my watch once! Which was rarely the case for me back then. That film, as well as other films that made 1999 a landmark year for film, and the Oscar race that followed would kick-start my enthusiasm for film and the Oscar Race.
Mendes does an excellent job in directing the story and using multiple angles that add to the story instead of distract. The story in which he co-wrote with Krysty Wilson-Cairns is actually the very first feature-length film script both have written! Wilson-Cairns however has had more experience as she’s written for television and various short films. This is a unique story and a unique way in filmmaking of telling the story. The story succeeds in delivering excitement and intensity as the viewer watches it. The journey ends in a manner different from how the viewer would expect it to end, but it ends on the right note. It even ends on a personal note as Schofield confronts Blake with the bad news. The ending is possibly the most human note of the film and it reminds you of the dignity of the soldiers who sacrificed their lives to fight or prevent tyranny. I admire Mendes and Wilson-Cairns for incorporating that in the story.
As for acting, this is a film that doesn’t allow too much in terms of a developed ensemble cast. Many action films and war films usually don’t have room for well-developed acting; it’s mostly action-oriented. Even the role of the protagonist Schofield, played by George MacKay, is not exactly a role with too much dimension. I do give it credit as the film is more about the story than it is about the characters. Nevertheless I do admire for MacKay delivering a solid performance with a role that lacked dimension. Actually he succeeds in giving the role its most feeling at the very end. The acting of the main supporting role of Dean-Charles Chapman was also very good. His role was given more feeling as this was the character’s brother he was most concerned about. Chapman also does a good job with his role. Most of the other supporting roles had minimal screen time in the film. Nevertheless the performances of Colin Firth, Benedict Cumberbatch, Robert Maaser and Richard Madden were well-acted despite how limited their roles were.
The film also has a lot of stand-out technical efforts too. First is the cinematography of Roger Deakins which is unique for a war-film and it adds to the thrills and excitement. Next is the film editing by Lee Smith who successfully makes it look like a single take. Next is set designers Lee Sandales and Dennis Gassner for recreating the trenches, battlefields and sunken bridges of the war. Another of top acclaim is the score from Thomas Newman. Newman has composed scores for six of Mendes’ seven films and this is his fourth Oscar nomination for a score for a Mendes film. The score fits the intensity of the story and moments of action. Finally the visual effects team did an excellent job of recreating the war and the battle scenes.
1917 isn’t your typical war movie. It’s a movie that takes you on the journey and involves you in the drama. It even reminds you of the horror while restoring your belief in humanity.
And there you have it! That’s the last of my reviews of the Best Picture nominees! This makes it nineteen straight years of seeing all the Best Picture nominees before Oscar Night! Just a review of the Oscar Shorts and my Oscar-winner predictions yet to come.
“You’re not a Nazi, Jojo. You’re a ten-year-old kid who likes dressing up in a funny uniform and wants to be part of a club.”
You’ll think that now is not a good time for a film like Jojo Rabbit. A film about a Hitler youth who has Adolf Hitler as an imaginary friend? I mean you have the rise of neo-Nazi groups and alt-right factions creeping up as well as the ‘woke’ people on the internet getting offended and hostile over things. Is this the right film to have out now?
The film begins in Berlin in the latter years of World War II. A ten year-old boy named Johannes ‘Jojo’ Betzler is all dress for the weekend at Hitler Youth, or Hitlerjugend, camp. He’s not confident he can do this; he’s socially awkward and can’t even tie his shoelaces right. However he does receive encouragement from his imaginary friend: Adolf Hitler. Hitler hypes him up with so much excitement, Jojo goes running down the street shouting “Heil Hitler” like a maniac! That is until he meets up with his best friend Yorki just before arriving for what he expects to be the ‘best weekend ever.’
The camp is being taught by former army officer Captain Klenzendorf and assisted with Fraulein Rahm who’s dedicated to the Third Reich and even gave birth to fifteen children! The boys are taught all sorts of attack games and they end the first night with a book burning rally. The next day during a training session, some older boys give a lecture to the younger boys about being brutal and having no mercy when killing. They hand-pick Jojo to kill a rabbit with his bare hands. Despite all the boys except Yorki urging Jojo to kill it, he doesn’t have what it takes. The older boy then snaps the rabbit’s neck and calls Jojo ‘Jojo Rabbit’ which all the other boys except Yorki do. Hitler spots Jojo alone crying. Hitler then reminds Jojo of the cunning feisty traits of the rabbit and encourages him to ‘be the rabbit.’ This pumps Jojo up so much, he’s““` all in to try the next exercise, which is throwing a Stielhandgranate. Jojo yanks it out of Klenzendorf’s hand and throws it without fear. Thing is the grenade bounces off a tree and lands by Jojo’s feet which Hitler runs off from. The grenade explodes with Jojo alone!
After months of hospitalization, Jojo has mostly recovered but his left face has visible facial scars and walks with a limp on his left leg. His mother Rosie is happy to take him home for some time. However Rosie does bring him to the office where she kicks Klenzendorf for allowing Jojo to be exposed to something so dangerous. Klenzendorf has been demoted to the office and is given the task by Rosie to make Jojo feel included. Klenzendorf agrees to let Jojo spread propaganda leaflets and collect scrap metal for the war effort, which Jojo does wearing a cardboard robot outfit and carry a wagon!
Jojo comes home one day expecting his mother. Instead he hears a rattle in the house. He senses it’s coming from the room of his older sister Inge, who died of an illness years ago. Jojo later finds out a teenage girl is hiding between the walls. The girl is a Jewish girl his mother is hiding and is a former classmate of Inge’s. Jojo threatens to expose her to the Gestapo but the girl named Elsa reminds him if he does, his mother will be executed. Hitler is shocked when he hears a Jew is hiding in the house. Hitler asks Jojo to work something out. Jojo works out he will keep Elsa a secret as long as she helps him with a book he’s writing: a book about Jews. Elsa agrees to do the writing and drawing. Elsa makes up things like Jews having horns and mind-reading. That especially shocks Hitler to learn about this girl and her powers. The book impresses Klenzendorf as he meets Jojo at the army pool as Jojo undergoes physical rehab.
This puts a strain on the relationship between Jojo and his mother, which Hitler slyly observes at the dinner table. Jojo accuses Rosie of being unpatriotic and his angry that his father has been away for a long time. Rosie tries to reassure Jojo of having a positive attitude, even as she knows the truth of what happened to her husband. There’s even one day Rosie gets Jojo out of his Nazi uniform and into real clothes for a nice day out and a fun bike ride home, much to Hitler’s chagrin! As time passes, Jojo continues to ask Elsa questions and even tries to deliver fake letters in the name of Elsa’s boyfriend Nathan. Elsa helps Jojo with his book and Jojo realizes he’s in love with Elsa. This gets on Hitler’s nerves as he’s insisting to Jojo that she’s evil.
One day the Gestapo search Jojo’s house along with Klenzendorf. They come across Elsa and she poses as Inge. She even answers the question about Inge’s birthday properly. The Gestapo decide to leave them alone. However it doesn’t stop Elsa from fearing she will die soon. That day out while collecting metal, Jojo is mesmerized when he sees a butterfly, but soon sees his mother hanged. He tries to take his heartbreak out on Elsa with a knife, but fails. Elsa nevertheless hugs Jojo as he’s crying. As the two watch the city get bombed, they both learn that they’re both orphans who lost all their family.
As the city lays in ruins, war action have to be carried out. Jojo is shocked to see Yorki as a soldier and given military actions. All the Hitler Youth have to become soldiers now! He’s even shocked to learn from Yorki that Hitler committed suicide and Germany’s being attacked by almost every front. The boys are given military actions by Fraulein Rahm including Yorki as a sniper and Jojo given a soldier’s coat to disguise himself. Jojo is shocked at everything he sees from dead civilians to children firing guns off to an explosion that kills Rahm. At first Jojo is imprisoned by Soviet soldiers. However he bumps into Klenzendorf. As he knows he will be executed by the Soviets, Klenzendorf tells Jojo he has an admiration for his late mother’s courage. He also tries to get Jojo out of any Soviet mistreatment and has him passed off as a Jew.
As the war ends, Jojo is relieved that Yorki survived the warfare. He just won’t die! However with the war over, it might mean saying goodbye to Elsa, which Jojo doesn’t want to do. Jojo gets that message as Elsa has the book completed with an image of Jojo next to a rabbit in a cage. Before he could, Hitler returns with a bullet-wound in his head. He’s lost it all, but Jojo has had it with him. Hitler tries to get one last piece of appreciation from him, but fails in grand style. The film ends on a positive uplifting note that’s fun to watch.
Now a lot of people have the attitude that Hitler and Nazism and the harms they caused should not be parodized. Especially in a time when even the slightest off-color comment from a well-known person can unleash a wave of wrath on social media like Twitter and could pave their way to their downfall. We should not forget that there have been parodies of Adolf Hitler in the past. There was animation like Looney Tunes’ The Ducktator, Walt Disney’s Stop That Tank and even Der Fuehrer’s Face where Donald Duck poses as Hitler. There has been live action film, especially from some Mel Brooks’ movies like The Producers and To Be Or Not To Be, and even recent examples like in Tarantino’s Inglourious Basterds. The most famous film parody of Hitler is 1940’s The Great Dictator. Charlie Chaplin didn’t exactly play Hitler but its obvious who he’s parodizing in his character of Adenoid Hynkel. Actually it was around World War II where Hollywood unleashed possibly released the most parodies of Hitler. And rightly so because Hitler wanted to take over the world, including the USA.
We should also keep in mind that this parody is not an original creation of Taika Waititi. Jojo is actually based off of a book by New Zealand-Belgian author Christina Leunens titled Caging Spies. The novel caught the attention of Waititi and he took a liking to it, especially since he himself is half-Jewish and half-Maori. Waititi has frequently described New Zealand as a racist country and a lot of negative comments about Jews you hear in this film are comments Waititi himself heard. So if anyone is alarmed with the Anti-Semitism they hear, basically it’s what has been said in the past and what was common belief in the past. Both the film and the novel also touch on a lot of things and experiments the Nazis used to do in the past. They may not have successfully cloned humans, but they did experiment with it. Fraulein Rahm may have shocked us in saying she had fifteen children, but there were women who bred constantly for creating more Aryan children. That scene where Yorki becomes a soldier and the scenes where the children have to fight as Germany was losing is also a disturbing truth. The Hitlerjugend was created to raise the boys to become soldiers as they reach adulthood but when it became clear Germany was losing, the Hitlerjugend became soldiers in vain to keep the Nazi regime alive. Those scenes were possibly the biggest non-comedic scenes of the film.
This film concept of a Hitler Youth having Adolf Hitler as an imaginary friend is a concept that’s supposed to fail, but somehow it works like a charm. One thing we should keep in mind is that the Adolf Hitler we see on the screen is not the Adolf Hitler we know but the Adolf Hitler in Jojo’s mind. This Adolf who’s idiotic, incompetent, immature and even jealous represents the boy’s feelings of nationalism and there are many times he’s pushed to confront his feelings or even question them. In the end it’s clear Adolf is nothing but a bad influence on him. The film does not shy away from the anti-Semitic attitudes most of the Hitler Youth had, albeit making it look comedic.
The story is also a case where that grenade accident is the best thing to happen to Jojo. Being too injured to be involved with the Hitler Youth, it’s his mother Rosie that reminds him of the truth about love and beauty and what being a child should be. It’s also Elsa who is best at teaching Jojo about love and how it helps to overcome prejudices. Not to mention that Jews are people too with similar feelings like Jojo. It’s also where we learn the true heroes are Jews like Elsa who survived and Rosie who was hanged for being part of the resistance. Even that scene where Klenzendorf is captured by the Russians and about to face execution is powerful. There he admits to Jojo that being left out of the Nazi Youth was the best thing for him and his mother is the true brave one, and Jojo should have no part in any of the imprisonment or executions the Nazis like him are about to face.
SPOILER WARNING: This paragraph has details of the end. The ending is a unique situation. Elsa experiences the freedom she never thought she’d get in her lifetime. Even though she learns Jojo lied about who won. That dance scene is important as you have two children. One is Jewish and the other was a Nazi boy who first saw her as someone to bully but fell in love with her. Elsa lucked out from being captive from the Nazis. Jojo lucked out as he isn’t seen as a Nazi and he’s spared by Russian and American soldiers. Elsa lost her family and the boy she loves. Jojo lost his family. They have nothing but each other but they dance together. That’s a powerful scene, especially as Rosie talks of how dancing means freedom. The dance represents those two free orphans who lost a lot but both won in the end.
I have to give top acclaim to director/writer Taika Waititi. He takes an oddball story about a Hitler-obsessed Nazi child and turns it into a story with both humor and heart. He doesn’t shy away from humor that punches. It doesn’t punch as brutal as some of the humor from South Park or The Family Guy, but it does punch and somehow can even make those that claim they’re ‘woke’ laugh. Even the Anti-Semitic comments. I would describe this as ‘evil genius,’ but it’s the ‘evil genius’ of the best kind! Also deserving of acclaim is Roman Griffin Davis playing the little protagonist. This is his first-ever film role but he holds the film together from start to finish and masters it with near-perfect comedic charm. I expect to see more of him in the future. Back to Waititi, he was also excellent in playing the idiotic Hitler. Playing Hitler as an idiot is a big gamble in any film. I’ve seen portrayals of idiot-Hitlers before and most fail. Waititi’s Hitler works like a charm in this film.
Also worthy of acclaim is Scarlett Johannson. She does an excellent job of portraying a mother who’s hurting of loss of her husband and daughter, knows that her days are numbers as being a member of the resistance, and trying to get her son to adopt human values and lose his Nazi ways. Thomasin McKenzie is also excellent as Elsa, the girl who is determined to make Jojo see the light, but knows she’s up for a big challenge. Archie Yates is also a delight as Yorki, Jojo’s best friend, who adds in the right comedic touches. Additional humorous performances include Sam Rockwell as the depressed Captain Klenzendorf and Rebel Wilson as the ruthless, but colorful, Fraulein Lahm.
Jojo Rabbit also has a lot of standout technical efforts too. There’s the editing from Tom Eagles, the costuming from Mayes Rubio, the set designs from Ra Vincent and Nora Sopkova and the music from Michael Giacchino. Actually the mix of Giacchino’s score and classic rock songs, including some with a German-language version from the original artist, fit the film perfectly.
At the end, you will be convinced that Jojo Rabbit is the ideal comedy to be having in a hostile time right now. I will guarantee that even the ‘superwoke’ on Twitter who are set out to vilify any famous person who makes even the slightest off-color comment will be laughing too.
Very rarely do I see documentaries, including around Oscar-time. However Honeyland caught my attention. I felt it was a documentary well worth seeing.
The film opens in Bekirlija, a village in North Macedonia that’s part of the Balkan mountain range. Near Bekirlija, a woman of Turkish descent named Hatidze Muratova comes to gather honey from the various beekeeping farms around her home. She’s what’s called a ‘wild beekeeper’ as she keeps bees in the traditional methods and traditional apiaries. Whenever she gathers honey and honeycomb, she always says “Half for me, half for you” as she believes it’s the right thing to leave some behind for the bees. With the honey she reaps, she’s able to sell it at the open air markets of Skopje. Her honey sells better at a higher cost than other honey farmers. She uses the money for goods and food for herself, her cat and dog, and her ailing mother. Her house has no electricity and no running water. However this is the traditional way of beekeeping she wants to do.
Things suddenly change. A Turkish farmer named Hussein Sam arrives. He intends to set up farm in the area near Hatidze. He brings with him his wife Ljutvie, six children, many trailers, a lot of clutter and a lot of cattle. He’s a cattle farmer but he also plans to do a lot of bee farmings as well. Although Hatidze confides to her mother she fears for her future, she does try to be friendly about it. Hatidze introduces herself to Hussein, Ljutvie and the children. They welcome her in, the wife spends time with her, the children find her fun to be around and look up to her. She even tries to be friendly with Hussein and informs him of her beekeeping. Even as he starts beekeeping of his own, she tells him to make sure his bees don’t attack her bees.
Time passes and Hatidze appears to be doing fine. She still continues to feed her mother and her pets, she continues to reap more honey. She’s still friendly with the Sams and even goes to a local Turkish festival with them. However it’s evident there are difficulties coming. First off the children are rowdy. Especially the boys who wrestle. Also Hussein has to up his beekeeping ways to fulfill expectations from contractors. That adds frustration to him. He has built lots of apiaries around the farm to fulfill the expectations. He even recommends that his children don’t learn beekeeping ways from Hatidze, despite how much they admire her.
That’s an added headache for Hatidze as all his farming is causing disorder. She goes to one of the apiaries she made and notices so many dead bees. She’s not making the honey she used to. He accidentally burns a bush. The bush is vital in luring the bees over to Hatidze’s farms. The Hussein cuts down one of the branches: a branch that contains one of Hatidze’s hives. Everything Hussein Sam has done has come at the expense of Hatidze’s way of life. But it’s not without a price on the Sams. Fifty of the cattle had died. Hussein was so fixated on getting honey for his contractors, he and his children neglected the cattle. That leads the Sams to leave the area and find another area to farm. Then one day shortly after, Hatidze’s mother dies. The film ends with Hatidze with her dog and cat all alone.
The message is clear in this film. It showcases a woman’s traditional way of life of making pure honey and shows how big business makes a mess of things. Especially an environmental mess. The film makes its point as it shows two different beekeepers. It shows Hatidze doing her beekeeping craft the traditional way humbly, and for the good of the land she lives in. It also shows the Sams who make honey in massive levels because of the demands of the contractors they work for. In the end, it becomes a case that neither win. Hatidze loses her business and the Sams have to move because of what they did to the land. In the end, it shows that the ‘half for me, half for you’ Hatidze does is the right thing.
The film is not just about a person trying to keep their beekeeping the way it is. It’s also about the person themselves. We learn of Hatidze and her loneliness. In accordance to tradition in her culture, the last-born female stays single to look after the parents. Any other younger sisters of Hatidze dies. You can understand the added problem when the Sams come in. She may face competition with the family in terms of farming and beekeeping, but the appearance of the Sams helps with her loneliness. Before they came, it was just her and her mother. When they came, the Sams made her feel like she was part of a family. I think that had a lot to do with the beekeeping issue because strife with the Sams could lead to her being lonely again. I think the filmmakers wanted to show that added difficulty with the problem. The inclusion of the song ‘You Are So Beautiful’ that we hear over radios also symbolizes that.
I also think the filmmakers wanted to send another message too. The Sam adults feuded with Hatidze over time, but the kids looked up to her and found her a delight to be around. They even had more appreciation for her way of beekeeping than their father’s, which irritated Hussein. I think they wanted to send the message of how children and adults view others differently.
It’s not just the message that makes the film. It’s the documentary itself. This documentary is filmed over a three-year period and there’s no narration. The film has Hatidze tell her story through the conversations she has with her mother and with others, including the Sams. Even silent moments with Hatidze tell a lot with the story. The film also tells a lot with the conversations Hussein Sam has, mostly with his wife and with the contractor he’s hired by. We learn that Hussein may do a lot and it’s intruding on Hatidze, but he’s put under a lot of demand and heavy expectation. The film also shows his side of the story too. Even as it tells each other’s sides of their story, the film does it in an excellent way. It also delivers a lot of great cinematographic images and shots, as well as excellent sound mixing. The story also gives you a feel for the land where this is happening.
The most unique thing about Honeyland is that it’s not only North Macedonia’s first nomination in the Best International Feature Film category in 25 years, but because it’s the first film to earn Oscar nominations in the Feature Film category and Best Documentary Feature! The film has won a wide number of awards including the documentary prize at the Sundance film festival, the Best First Documentary Feature at the Critics Choice Documentary awards, as well as the Best Cinematography in a Documentary at the American Society of Cinematographers Awards. Also interesting to note is that the money the filmmakers won at the Sarajevo Film Festival, they used it to buy a new house for Hatidze. In addition the film’s website is giving 30g jars of the honey from Hatidze and the Sams for the Donate For The Honeyland Community fundraising initiative at a minimum donation. All donated money with go to improve the lives of Hatidze, the Sams and the local community. You can do so yourself by clicking here.
Honeyland is a documentary without a narrator. Instead it’s a documentary where the protagonist tells the story by living their life. That’s enough to send a powerful message and remind you of others on the ‘other side of the world.’
As the world becomes more and more confusing, we tend to focus on the things that are right there in front of us. While ignoring the massive forces that actually change and shape our lives. With people working longer and longer hours, for less and less. When we do have free time, the last thing we want is complicated analysis of our government, lobbying, international trade agreements, and tax bills.
You would wonder would a film like Vice work at this time? A film about former US Vice-President Dick Cheney and his wife Lynne? A film about politics of the past? Turns out there’s more than meets the eye.
The film opens in the White House as the September 11th attacks happen. Instead of talking things out, Dick Cheney gives an immediate order. The film then flashes back to Wyoming in 1963. Dick Cheney and Lynne are married and living in Lynne’s parents’ house. Dick was originally a student at Yale University but his persistent alcoholism caused him to drop out. He takes work as an electrical lineman, but that doesn’t satisfy his in-laws at all. It’s after he gets busted by a cop for driving drunk, his second DUI, that Lynne tells Dick to clean up his life. All of this is narrated through a man named Kurt: a typical ‘middle-class’ American.
Fast forward to 1969; Republican president Richard Nixon is in the White House and Cheney has been hired as an intern. He meets a slimy scheister named Donald Rumsfeld who is Nixon’s policy advisor. Cheney works under Rumsfeld’s wing and tries to juggle family and political commitments. Cheney also overhears a conversation between Henry Kissinger and Richard Nixon about the bombing operation in Cambodia. There, Cheney learns about the true power of the executive branch. Rumsfeld’s abrasive attitude has an effect on Cheney as both distance themselves from Nixon. After Nixon resigns in the heat of the Watergate Scandal, both men are promoted: Cheney to Chief Of Staff to the new President Ford and Rumsfeld to Secretary Of Defense. Their jobs only last two years as a Democrat, Jimmy Carter, is elected president.
After leaving the Oval Office in 1977, Dick decides to pursue politics on a state level by running for the seat of House Representative for Wyoming; Wyoming is a state that has only one seat in Congress. Dick’s campaign starts on a lackluster note as he delivers an uncharismatic speech. However he soon suffers his first heart attack. While recovering in the hospital, Lynne decides to deliver speeches for him. Her speeches are more winning to the public and it succeeds in helping him to win his House seat.
Then Reagan becomes president in 1980. Cheney is able to provide influence to the agenda promoting conservative pro-business polices like promoting fossil fuels (which puts an end to Carter’s goal of more solar power) and also ending news media showing both sides of the issue, which paves the way for one-sided media like Fox News on the right and CNN on the left. In the meantime, Dick and Lynne are shocked to learn that their teenage daughter Mary is a lesbian. Nevertheless Dick agrees to be supportive to her, despite being a right-wing politician.
Dick is promoted to Secretary Of Defense during the tenure of George H. W. Bush and has a pivotal role in the Gulf War of 1991. Also during the time of the senior Bush, Dick meets his son George W. Bush, who’s a clumsy nimrod. Dick has desires to be President but after Bill Clinton is elected, he decides to retire from public life to spare the scrutiny for the sake of Mary. Cheney then becomes CEO of Haliburton while Lynne raises golden retrievers and writes books. Then starts an epilogue claiming Cheney lived the rest of his life happy and healthy with his family out of the public eye, then the credits roll.
But wait. That’s not really the end of the film. Dick is still CEO of Haliburton, but he meets with George W. Bush who’s the Governor of Texas. He wants to run for President for the 2000 Election not because he desires the power to himself, but to please his father. Cheney agrees to be his running mate provided Bush delegates ‘mundane’ executive responsibilities to him like foreign policy and energy. Things like family values issues, he doesn’t want to get involved with for the sake of Mary. Bush is elected president despite a hugely controversial election. On his first day as Vice-President, he learns Rumsfeld is back as Secretary Of Defense, and is still as slimy as he was when they first met. Added to the team of making foreign policy and defense decisions is legal counsel David Addington and Chief Of Staff Scooter Libby.
The film then returns to the 9/11 attacks and when Dick gave the immediate orders. After that, Cheney and Rumsfeld team up over initiating and presiding over the US attacks in Iraq and Afghanistan (which Kurt finds himself a soldier in both those wars). Cheney struggles with his heart attacks as the War Of Terror mounts. Nevertheless he continues through his vice-presidency which includes instituting the Unitary Executive Theory, his role in the Plame Affair, the accidental shooting of Harry Whittington (which he never apologized to him for). His actions are shown to cause thousands of deaths overseas, the rise of the Islamic State of Iraq and Syria, and record-low approval ratings upon leaving office. Rumsfeld is even forced to resign. Nobody likes him in Washington.
However it doesn’t end there. Cheney is about to die of heart failure while waiting for a new heart. Just as he says his teary goodbye to Lynne, Liz and Mary, Kurt is killed in an auto accident while jogging. Sure enough, Kurt’s heart is the perfect match for Dick’s transplant in March 2012. Then Liz runs for the House seat of Wyoming where she announces during a debate her opposition to same-sex marriage. This causes Mary to cease communication with Liz. Liz is now the Rep of Wyoming. At the end, Cheney says to us all he regrets nothing.
When you see one renowned film by a certain director, you are impressed, or interested, with what you see. When you see a second film by that director, you get a better sense of what their film making style is all about. I’ve seen The Big Short and I was very impressed with what I saw. However, when I saw Vice, I liked what I saw but throughout the film, I was thinking “Okay, I get Adam McKay’s filmmaking style.” I’ll admit throughout the film, I was seeing a lot of elements similar with what I saw in The Big Short. However I saw some new elements in Vice as well. Basically Vice told me more about Adam McKay than it did about the Cheneys. I noticed in both films, Adam likes to toy around with the story. He also likes to include references to the time of the story both in terms of the political landscape and of pop culture moments. Adam even admits that Vice is a ‘true story’ or as true as it gets since Dick is a private person.
The events in the film are events that are widely known, but are seen through the eyes and imagination of Adam McKay. The characters of the various politicians are also through McKay’s eyes, which may explain why they come off as cartoonish. It almost seems like the Cheneys are the only political figures that don’t come across as cartoon characters, despite also being portrayed as crazy and conniving. Like is Rumsfeld right? Is the top job of the Vice President to ‘wait for the president to die?’ The influence of Cheney’s decisions and politicking are shown to have a huge presence in American life and politics for many decades and have a huge influence now. Even the reason why Donald Trump became president.
However the biggest standout is having the story of Dick Cheney narrated by Kurt: a fictitious veteran of both the wars in Afghanistan and Iraq. Kurt even narrated while he’s dead and his heart is inside Cheney! I think the point of having Kurt, the average American, narrate the story is to show how much Dick’s decisions and political influence us Americans. It shows why we get such empty promises in terms of our economy, it shows why the middle-class is shrinking. It also even shows why we’re all so frustrated, we turn to dumbed-down entertainment to escape this frustration of American politics in our lives. No matter what serious issues we have to deal with in our lives, we’d rather tune out and watch another Fast And The Furious sequel. Adam demonstrates it all, through Kurt.
Kudos to Adam McKay for delivering another bizarrely-constructed but thought-provoking sad comedy. His direction and writing didn’t work as well as it did for The Big Short, but it worked well too and was very entertaining. Christian Bale was excellent as Dick Cheney. He did an excellent job in depicting both the young Dick and the older Dick Cheney too. Amy Adams also did an excellent job in depicting Lynne Cheney throughout the film and as she aged too. The film also showed how Lynne had an impact on some of Dick’s choices and how she acquired political influence of her own. Dick knew how to deliver policies and decisions, but didn’t know how to make speeches. Lynne knew how to deliver a speech. Amy did a very good job in demonstrating Lynne’s political savvy. The most surprising performance came from Sam Rockwell as George W. Bush. He was completely unrecognizable and dead-on! Steve Carell may not have delivered an accurate performance of Donald Rumsfeld but he was dead-on as the slimeball Rumsfeld as seen through McKay’s eyes. Also Jesse Plemons was an entertaining scene-stealer as Kurt. Instead of making Kurt look like something ridiculous, he made Kurt work.
Vice is a sad comedy about Dick Cheney and American politics. We both laugh and mourn how all this came to be.
Right now we seem to have a lot of reboots in terms of entertainment. Reboots of TV series, reboots in music and reboots in movies too. A Star Is Born is a reboot of a film done three times before, but does it translate for the present?
I know I mentioned about a lot of reboots happening in my introduction. There are a lot of successful reboots right now, but there have also been some reboots that flopped too. What makes a successful reboot isn’t just rehashing something people loved in the past. It also involves making it relevant to the present and also have the ability to both please fans of the past materials and win over new fans. One of the best cinematic examples of a reboot is last year’s It. The cinematic version of It worked last year because of two smart choices. The first being it would divide 28 years earlier to the time of the plot in two separate films. The second being the childhood part of the story would be set in 1989 and the adulthood part of the story to be set in the present, unlike setting the childhood part in 1958 and the adulthood part in 1986 as in the novel and the miniseries.
Moving onto A Star Is Born, we’re dealing with a film that has been done three times before. The first being in 1937 starring Janet Gaynor and Fredric March, the second being in 1954 starring Judy Garland and James Mason, and the third being in 1976 starring Barbra Streisand and Kris Kristofferson. For Bradley Cooper to take on the project and turn it into something winning for the present, he had to make a lot of choices.
Some elements would be very similar to what was done in films past, while some elements would have to be new and relevant and believable for the present. There were a lot of elements of all three past editions that worked very well such as a singer struggling to make it, the wash-up who discovers her and promotes her to greatness and even loves her, and the man encountering a substance problem which hurts his marriage and ultimately takes his life.
There were some elements from the separate films that he had to include. For example 1937 and 1954 were about an actress trying to make it and a washed-up actor promoting her and loving here. 1976 was about singers for the first time. The choice to have singers and in the field of country music as in 1976 worked well for the film. I will focus more on that later. Also the tribute Ally gave to Judy Garland was a subtle reminder in the film of the most famous version of the story.
Then there were the more complicated choices. First off, Bradley Cooper may have proven himself as an actor, but not as a singer or a director in the past. Bradley had to give himself the practice and even have the duet scene done in front of a live crowd. Sometimes only the real thing can work. Secondly, there were two factors involving Lady gaga. One factor was she had limited acting experience with her biggest previous role being her minor role in Sin City: A Dame To Kill For. The other factor was to present Gaga as a country singer. We all know her as the modern flamboyant pop icon and most of us could not see her as a country star. Even seeing Gaga portray Ally as a common pop star later on was challenging because of her ‘grand diva’ image. However Gaga made it work and came off as a very believable country singer. Her songs from the film have also won her fans over too. Thirdly is the chemistry between the two. The two had to come across not just as two singers but as a couple in love. The chemistry between Jackson and Ally worked excellently and made for a believable story. Star power can only go so far. They have to make it work on screen and they did it. Fourthly is the music. In order to make this version of A Star Is Born about two contemporary singers, the reboot had to have original songs that fit the film and fit the genres of country of pop, whatever genre was needed in what scene. The songs fit the film to a tee and proved to be winners off the screen too as Shallow and I’ll Never Love Again have charted.
Top accolades go to Bradley Cooper. The reboot was originally intended in 2011 to be directed by Clint Eastwood and have Beyonce as the lead. Beyonce’s pregnancy interfered with the story and it lead to four years of chaos with both Beyonce and Eastwood eventually leaving the project. Cooper picked it up, joined co-writer Will Fetters, and saw it as his chance for his directorial debut. He was first trying to get Beyonce to agree to the project, but it was decided in 2016 that Lady Gaga would be the lead. This proves to be a success in acting, directing, co-writing with Fetters and Eric Roth, and co-producing. The story comes across as relevant and believable to the current times and winning with the public once again.
It’s not just Cooper. Lady Gaga comes off excellent in what is her first lead role. We all know how Lady Gaga can really go into a character as seen in her on-stage performances and her music videos. However this was her first major acting role and singers are a bit of a gamble in terms of casting them as actors in movies; they’re either sink or swim. Sure, she knows how to sing, but the challenge was for her to handle a lead role. She handled the role of Ally with believability from start to finish. Even with the singing, Gaga showed she can sing country very well and also make for a believable common pop star. The film is as much Gaga’s triumph as it is Cooper’s.
There’s also more winning performances than just Cooper and Gaga. There’s also veteran actor Sam Elliott not just coming across as a believable cowboy half-brother in Bobby, but also stealing each scene he was in. That’s what makes a winning supporting actor. Andrew Dice Clay is not only good as Ally’s father Lorenzo, but is unrecognizable! Rafi Gavron also comes across well as Ally’s manager who has an axe to grind with Jackson. He did a good job in making Rez hateable. Dave Chappelle and Anthony Ramos were also very good in their supporting roles, despite having roles that weren’t that challenging or lacked screen time.
A Star Is Born goes beyond being a simple reboot. The story is made relevant to the times, the actors deliver a believable story and a love with chemistry, and the music is winning. This is not just another reboot. This is a reboot that works big-time!
Three Billboards Outside Ebbing, Missouri is a film that has got a lot of people talking since its release. Talk is of its unique story line, but also of its themes.
The film begins seven months after a teenager from Ebbing, Missouri named Angela Hayes was brutally raped and murdered. The case remains unsolved. Mother Mildred Hayes goes to the office of businessman Red Welby to rent three billboards outside her home and unused for 30 years to post a message directed to the police of Ebbing, especially officer Willoughby, advertising what she sees of a lack of action. She isn’t even afraid to be interviewed by the media where she doesn’t hesitate to mention the negative treatment of African Americans by the police.
This hits the police hard. Chief Willoughby is angry about this, but sympathetic to her situation as DNA tests failed to result in a lead. Officer Jason Dixon is a lot more hostile as he goes about angrily arguing with Mildred, threatening Red, and even arresting Mildred’s African American co-worker from her shop on suspicious marijuana charges. Dixon is the cop in ebbing who has been acting the most hostile to African Americans.
Outside the police, the hype surrounding the billboards creates a lot of heated discussion throughout the town. Many throughout the town find it insensitive as Willoughby is battling terminal pancreas cancer. Robbie is upset about it, especially since it made him a victim of harassment at school. Her ex-husband Charlie, who’s currently dating a 19 year-old named Penelope, even visits and violently blames her for Angela’s death.
Nevertheless Mildred stays firm, even despite knowing she can expect violence any minute. Mildred even receives a surprise when she learned an anonymous person gave her money to keep the signs active for another month. Her dentist makes mention that he heard the story, but she impulsively reacts by using his dental drill on his fingernail. Chief Willoughby brings her into questioning after the incident, but accidentally coughs up blood on her. It’s obvious his cancer is getting worse and he will die very soon. Willoughby is to be in the hospital for a set period of time, but leaves early despite doctor’s demands. Willoughby sets out to the lake to have an idyllic day with his wife Anne and two daughters. The next day, he commits suicide, leaving behind suicide notes for Anne, Mildred and Jason.
The police react with hurt over Willoughby’s death. A male customer in Mildred’s store reacts angrily over his death and even threatens her. Jason reacts to his death by assaulting Red in his office and even throwing him out of the window. This is all witnessed by Ebbing’s new chief of police, who happens to be black. On his first day, the new Chief fires Dixon. Dixon however does not return his badge, claiming it’s missing. Right after Anne reads her suicide note, she angrily hands Mildred her note. Willoughby tells her she’s not responsible for his death and he’s the one who paid for the extra month, admiring her stunt and wishing her justice in the future. Shortly after, the billboards are set ablaze.
Jason learns he has a note from Willoughby waiting at the police office. He goes during a night during the closed hours. Willoughby writes he thinks Dixon would make a great detective as long as he learns to slow down, think and not react so hostile. Mildred reacts to the sign burning by burning the police office, believing it to be closed and no one there. Right in the blaze, Dixon comes falling out of the building in from of Mildred with the suicide note and the Angela Hayes case in his hands. Dixon is hospitalized for his burns in the same room as Red, recovering from Dixon’s assault. Dixon apologizes.
After Dixon is released, he goes into a bar. He comes across the male customer who threatened Mildred. What catches his ear is that he brags about an incident similar to the Angela Hayes murder. Dixon gets into a brawl with him, but only to use the brawl as opportunity to gather DNA evidence for the Angela Hayes case, as well as his Idaho license place number. He even phones Mildred to inform her. However the DNA results prove unsuccessful and that the man was an armed forces officer overseas at the time. To which, Dixon returns his badge.
After an unsuccessful date with James, who witnessed Mildred torch the police officer and cover her up, Mildred sees Charlie on a date with Penelope and even learned he was the one who burned the signs. Mildred gives him a bottle of champagne and tells him to treat her well. The film ends in a way one doesn’t expect and even leaves one questioning.
The thing about this film is that the audience will expect the film to be about something and for it to end in a certain way, but it doesn’t. Most of you probably expect this film to be like a crime story where those billboards succeed in bringing Angela Hayes’ killer to justice, but it ends in a completely different way. The film may be about the themes you think it’s about, but its main theme appears to be something else. Yes, there’s the theme of racism in there. We see that even in the name of racist officer Jason Dixon; possibly a reference to the Mason/Dixon line under which Missouri was a ‘slave state.’ Sure, there’s the theme of police brutality and how they sometimes act before they think, especially in Ebbing as we witness. However the film is a lot more. The film has themes about stories and truths. There are the stories we hear, the ‘truths’ we assume, and what is the real story. We see that in the town of Ebbing, Missouri, we see it in the individual residents, we see it in people’s family members, we see it in their police force, and we see that in the media team filming story after story.
I feel the biggest theme of the film had to be about two people who were polar opposites that somehow found themselves coming together at the end as they’re both fighting their personal demons: demons they both had in common and their own personal demons.
The first demon is their impulsiveness. Mildred Hayes is a mother angry because of what she sees as justice denied. She wants her daughter’s murder solved and hopes those three billboards will be the trick to do it. She appears ignorant towards how her son Robbie feels about the issue and is ignorant over his hurt and depression. Mildred is a woman fast on the draw with what she says and fast on the draw for the way she reacts. We learn how impulsive a person she is when she impulsively attacks her dentist just by simply mentioning he learned of the story. He didn’t voice support for it or show anger for it. He just mentioned it and that’s all it took for her to drill that hole in his fingernail. We also see her impulsiveness as the billboards are set ablaze right after Chief Willoughby’s death and she rushes out to put out the flames. The sign company would later fix the signs as it was part of her policy. Jason Dixon’s impulsiveness and acting before he thinks is also a problem. He feels that using brute force or use arrests to look menacing would get justice done. His violence even becomes a case of revenge on Red Welby. He doesn’t hesitate to use his racism when carrying out his police ‘efforts.’ This all makes the police unit of Ebbing look bad.
Both also had their own separate demons. Jason had his racism problem. It’s evident as he lives with his mother who also has a racist attitude. It’s obvious where he learned to be bigoted. Mildred also had her problem with her family life. She had just gone through a divorce with her abusive husband and is trying to live life again despite everything. Her ex-husband has not lost his abusive ways despite the divorce and even while he’s dating a woman half his age. There’s even the memory of the last words she said to her daughter. Words of anger: “I hope you get raped!” And it happened as she was murdered. Maybe it’s her own personal blame.
The most bizarre thing is that Chief Willoughby eventually ends up being the mediator between the two and hit was his suicide that would lead the two onto their meeting and their eventual road to healing. However it was not without its friction immediately after. First came the hate from the male customer to Mildred , then Jason assaulting Red Welby witnessed by the new Chief of Police, then Jason’s firing and finally the billboards being torched. It was through the suicide notes to Mildred and Jason that we all learn what really happened despite what everyone else thought. It’s that scene when Jason comes out of the burning police building in from of Mildred holding the Angela Hayes file for protection that it was a turning point for the behavior of both. The film does a very good job of placement of both the main characters and the events. That scene where Jason is in the hospital recovering from his burns in the same room as Red especially serves as a scene of the main characters knowing they need to change.
One of the top qualities of a film is delivering an ending of a film that the audience doesn’t expect or anticipate, but turns out to be right. We all thought that Mildred’s hopeless date with James would end up in a brawl with Charlie just after Mildred buys the bottle of champagne. Admit it! We all thought she’d smash it across his head! Instead she gives it to him and tells him to treat Penelope well. A sign of her personal changes. Most of us all thought that Jason’s evidence he collected from the brawl with that customer would lead to Angela Hayes’ killer being identified, but it doesn’t. It shows how Jason has become a person who now thinks before he acts, but not the result we hoped for. Even that common plotline in police movies where a cop saves the day after losing his job gets defeated there too.
SPOILER ALERT – Do Not Read This Paragraph If You Don’t Want To Know The Ending: That end-scene where we see Mildred and Jason in the same car on their vigilante mission against that man will surprise a lot of people and even ask “That’s it?” I even thought that too. However it does seem appropriate as it’s a case of two impulsive people who were two polar opposites and even at each other’s throats find themselves together as allies. It even makes one wonder if the ‘abrupt’ ending was the right decision. However I constantly remind myself of what Sean Penn said many years ago: “Movies should leave people asking questions rather than give the answers.” Maybe that’s the quality of the ending; get the audience to decide for themselves what happens next.
This film is the best work of writer/director Martin McDonagh. Dark comedies appear to be McDonagh’s expertise as he has delivered before with In Bruges and Seven Psychopaths. Here, McDonagh delivers something I thought would be impossible. I was surprised to learn this is a drama-comedy of a mother trying to get justice for the rape-murder of her daughter. I find nothing funny at all about rape and murder, or even the hurt family members go through. However McDonagh achieved it through clever plotting of the story and the events as well as placing of the humorous dialogue without compromising the drama behind it. He delivers a story that’s very thematic and gets people thinking.
The acting performances definitely boosted the film’s excellence. Frances McDormand’s performance as the protagonist was an excellent mix of both drama and humor. For those who saw her in Fargo, you’ll know she knows how to make that work. That’s where she won her Best Actress Oscar. Her ability in handling a character that’s both dramatic and humorous again shines here and could win her another Oscar. Also Oscar-worthy is Sam Rockwell who plays what first appears to be a stock character of a redneck cop, but later shows his dimension after the later chain of events. Also a standout is Woody Harrelson. He delivers an excellent performance as the cop under fire who handles the billboard situation cooler than Dixon and even uses his suicide as the event to start the resolve. His character even makes the words in his suicide notes sound like poetry. There were also minor supporting performances that stood out and owned the film like Lucas Hedges as the son hurting inside, Caleb Landry Jones as the well-meaning businessman, Peter Dinklage as the man trying to win Mildred despite his hopeless chances, Abbie Cornish as the wife of the chief, and John Hawkes as the abusive ex-husband trying to change.
The film also features a lot of standout technical aspects too. There’s the cinematography from Ben Davis that add to the power of the story. There’s the editing from Jon Gregory that places the chain of events and plotlines together in a creative way. There’s also the addition of music from the mix of classic songs from the 60’s and 70’s to the blending of Carter Burwell’s score in between scenes
Three Billboards Outside Ebbing, Missouri is a film whose best qualities are delivering a story different from what you thought it would end up being. You will appreciate it for being just that.
I know I’ve done individual reviews of Best Picture nominees in the past. This year I thought I’d try something new. I thought I’d do summaries of the nominees. Three blogs analyzing three of the nominees. It’s something new this year and I hope you like it. For my first summary, I’ll be reviewing the first three Best Picture nominees I saw: Arrival, Hacksaw Ridge and Moonlight.
When you learn Arrival is about aliens, I’m sure you have an idea of what you’d anticipate what a movie about aliens would be about. However, you’re in for a big surprise.
This is probably the first movie about aliens to earn a Best Picture nomination. The film appears to set up for a story that would most likely lead to big-time action sequences. Instead we get a film that’s very intellectual in dealing with aliens. Don’t forget Louise is a linguistics professor who was hired for this duty because of her language expertise. In this film, the focus is on communication. Louise has a way to communicate with the aliens and earn their trust even while those around her grow more hostile to the beings. Louise’s gift for communication goes beyond the aliens and she’s able to say to General Shang the words his late wife said to her. It’s like she has a sense for this.
Even with all this, the film is not just about aliens and preventing a human-alien war. The film is about Louise trying to heal after her daughter’s death. Her marriage is no more as well and she’s looking for her purpose. It’s even about Louise and her ability to foresee the future and the possibilities they can unfold. Louise is the central protagonist whom the whole story revolves around. She finds her true gifts at a time she least expects it and she’s able to find her life again. It’s almost like this alien invasion is like a godsend to her life. Right after her daughter dies, she learns of her purpose to the world and to others.
Denis Villeneuve did a top job of directing this film. He already has a reputation for films like Maelstrom, Incendies and Sicario. He’s also been hired to do the Blade Runner sequel. This film he directs is very tricky but he does all the right work for it. The script by Eric Heisserer is very smart and very deep. It does a very good job of getting the right moments of action and the right moments of drama pieced out.
The story also rested on the performance of Amy Adams. She knew the story was primarily about Louise and she had to make it work. Although the role didn’t have too much in terms of character development, her performance was solid and it held the story together. The supporting performers may not have had as big of roles but they still did well with their performances. Jeremy Renner definitely could have had more depth in his role. The music from Johann Johannson and Max Richter fit the movie perfectly. The visual effects were also excellent and just what the movie needed.
Arrival is a very intelligent movie. It’s an alien movie not like one you’d anticipate at first but you will leave the theatre pleased.
Mel Gibson is back. This time he has Hacksaw Ridge. It’s a war drama that’s about more than just the war.
This film makes for an interesting topic: conscientious objection. I know all about it. For years I went to a Protestant church where the people were known for their anti-war beliefs. Conscientious objection is something that’s bound to make one question their morals and even act out of hostility. I know that we have conservative pundits who insist that fighting in a war is the definition of patriotism and will even use scriptures to justify why was is the right thing. Upon release of this film, I was anticipating a conservative backlash against it. So far no ‘Diss The Doss’ movement has happened. No movement to have his Medal Of Honor posthumously revoked. Nothing. It’s a good thing because the film does make one reconsider what defines a ‘patriot.’ I’m glad this story was told.
One of the biggest complaints from conservatives in the last 40 years has been either the negative depictions of religion or lack of positive depictions of religion in movies. True, this is not the Hollywood where the Hays Code calls the shots. For those that read my review of Of Gods And Men, I have a quote from Barbara Nicolosi about why that’s the problem. That explains why it’s hard to get a pro-religion movie to compete for Best Picture nowadays. There’s a fine line of showing a film with a positive depiction of Christianity without it being schmaltzy, hokey or overly sentimental. Plus with all the ‘game changers’ in the last few decades, writing a winning script or creating a winning film is just that much of a challenge.
I feel they did a very good job in Hacksaw Ridge. It was a very good story of the persecution Desmond Doss had to face for his beliefs. It was a very gritty story of the war and all the damage it caused. Some say the graphicness was comparable to Saving Private Ryan. It was an honest portrayal about someone’s faith. However there was one point when I felt it was borderlining on hokey during the scenes of: “Please, Lord. Help me find one more.” I know that was something Doss said in real life but I’m just wondering if it could have been done better.
This film is the first film directed by Mel Gibson in a decade. I know he had to take a break as he had a very public meltdown with the things he said about others and problems with alcohol. You could rightfully call this film the redemption of Mel Gibson. He directs an excellent film that took a lot of effort to make. 14 years to be exact even while Doss himself was still alive going from one writer to the next until finally they had the right script and right story thanks to Andrew Knight and Robert Schenkkan. Gibson and the writers did an excellent job with the film with the story and the depiction of war.
In addition, the story was made thanks to the performance of Andrew Garfield. This was more than just a war story. This was a story of a person’s heart and soul. Garfield knew he had to personify Doss in his convictions in order to make this story work. He did it excellently. It’s hard to pick out any supporting players who stood out. None of the roles of the supporting actors were as developed. However Teresa Palmer did a very good job as Dorothy Doss and portraying the concerned fiancee, as is Hugo Weaving as the father Tom Doss and Vince Vaughn as the hard Sargent Howell. The visual effects and the sound mixing were top notch, as it should be in a film like this. The score from Rupert Gregson-Williams fit the film excellently.
Hacksaw Ridge is a surprising film. Who would’ve thought that the best war movie in years would be about a man that didn’t fire a single bullet? Definitely a story worth telling.
At some point, you gotta decide for yourself who you’re going to be. Can’t let nobody make that decision for you.
This year’s surprise critical success is Moonlight. It’s a very unique film like no other seen this year.
The film is unique as it sets itself around three key periods in the life of Chiron. There’s his childhood where he’s known as Little, there’s his teenagehood where he’s simply known as Chiron and there’s his adulthood where he’s known as Black. The film does tell a story of a man who you think would die young. He has all the ingredients: gay, living in inner city Miami, a verbally-abusive mother addicted to crack, arrested at a young age and a future of being a pusher himself. Somehow he finds the will to survive. He’s able to withstand the bullying he faces for being gay, he’s able to decide his life to the best of his abilities without his mother. Often it’s not the best choices he makes in his life but he finds the ability to survive. You wonder how does he do that? Was it from that brief time with Juan and his mentoring? Was it the love from Kevin he always knew was there? I remember that scene of Little in the school dancing classes dancing like he was in 7th heaven: his escape from the bullying. Was it a spark within Chiron himself? Whatever the situation, it results in beauty at the end.
The film is not just about Chiron. As one can see, it showcases the lives of many different African-American people living in the inner city. It may show some of the more negative depictions like drug dealers, poverty and drug addicts but it also shows positive images too like in the case of Juan and his girlfriend or even in music being played. It showcases some surprising things as well as how Juan the pusher can be a very smart man. It even dispels some myths we have of inner city people. Like how Juan was good at handling Chiron’s homosexuality and gave him words of comfort while Paula acted out in hostility. Usually you’d expect ‘gangstas’ to have a homophobic attitude. It showcases what it’s like to be black and gay in the inner city. It also showcases people’s insecurities. It is overall one man’s attempt to find himself in the harsh world that he lives in. Yet despite all its harshness, it becomes something beautiful in the end.
The film is a triumph for Barry Jenkins. This is actually his second feature as a director. His first film, 2008’s Medicine For Melancholy, won a lot of attention and even earned him many directorial debut awards. Moonlight is only his second feature. This film which he adapts a script from a drama school project from Tarell McCraney is a masterpiece in both the story and its direction. The script is also excellent that there is not too much dialogue but is able to say lots even in the silent parts. Another quality of the film; it says a lot while saying very little. Overall the film is a real delight to watch and leaves one wondering what Jenkins will have next.
The three actors who portrayed Chiron– Alex Hibbert, Ashton Sanders, and Trevante Rhodes- all did a very good job with the role and portraying him at the right ages. Mahershala Ali was excellent as Juan: the pusher who becomes a mentor to little Chiron for that brief period of time. Ali had to bring the right charisma and character for a role like Juan to work not just in his scenes but to have an influence throughout the whole film. He did a stellar job. Also excellent was Naomie Harris. Possibly the one actor or actress to be a part of all three scenes, Harris was excellent as the drug-addicted mother Paula. She had to go through three stages with her role from a simple crack user to a crack addict to recovering in rehab. Each time she had to give her role dimension and inner depth to keep it from being cardboard. She did excellent too. There were additional supporting roles that were also good like Janelle Monae as Teresa and Andre Holland as the adult Kevin.
The technical bits were also excellent. The film was edited very well, the cinematography from James Laxton was possibly the best of the year. The score from Nicholas Britell was excellent but the inclusion of track music from classical to Latin to funk to hip-hop to Aretha Franklin to Motown really added to the feel of the movie. Almost feels like an anthology. In fact that scene when Kevin sees Chiron (as Black) after so many years and plays the classic Hello Stranger is one of the best scenes of the film.
Moonlight is a story of a young black man coming of age in the big city but it’s a lot more too. Those who’ve seen it will know why this film is a masterpiece.
And there’s the first of my Best Picture summaries for this year. Next one coming up in a few days.
If you’ve seen The Way, Way Back, I’m sure you’d feel it should be described as a ‘summer movie’ because it’s not only released in the summer but is set in the summer too. But it’s not your typical ‘summer movie’ as it doesn’t fit how we interpret the term ‘summer movie.’ Nevertheless it is worth seeing.
We meet Duncan: a socially-withdrawn 14 year-old heading to upstate New York for the summer with his mother Pam, her boyfriend Trent and his daughter Steph. Trent is quite overbearing on Duncan chastising him about his shyness which doesn’t help at all. It’s obvious Duncan is not looking forward to this trip, especially since he wants to spend time with his father. At the beach house, the family meet up with Trent’s friend, the free-spirited Betty and her family including sullen teen daughter Susanna and young son Peter who Betty often chastises about his ‘lazy eye.’ Betty wants Duncan to be a play friend for Peter but Duncan is disinterested. He’s more interested in daughter Susanna but doesn’t know how to talk to her. The place is best describes by Susanna as ‘spring break for adults.’ Over at the beach house, Trent is the life of the party especially to his long-time friends Betty, Kip and Joan. That makes Duncan feel even more alone.
One day Duncan goes biking to the town on Steph’s girlie bike from years ago. He notices a waterslide park: The Water Wizz. Over there he meets the middle-aged man whom one day earlier was playing PacMan at the gas stop and wanted Duncan to keep up the high score. His name is Owen, a carefree easy-going personality, and he runs the Water Wizz. Here he shows Duncan about the Water Wizz with the employees and doing business, teaching him the ‘legend’ of the park, and even introducing a trio of boys he befriends. He also gets Roddy to show him how he sets up the female sliders to slide.
The experience gets Duncan coming back to the Water Wizz day after day and he even gets a job there. First duty was to stop a breakdancer from stealing the crowd. The breakdancer agrees as long as Duncan shows his stuff. Duncan agrees and he would be known at ‘Pop-N-Lock.’ Soon he learns from Owen that one doesn’t just simply work at the Water Wizz but the workers all share a common bond with each other. Meanwhile people back at the resort are wondering about Duncan and why he’s gone biking off so often, including Susanna who’s slowly developing an interest in him. Susanna actually follows Duncan one day, determined to find out what he’s up to. There she’s introduced to the Water Wizz and the two have fun together including Duncan teaching her the ‘legend’ of the park.
However while things are getting better for Duncan at the Water Wizz, things are getting worse for him and his family at the beach house. Trent and Betty are too carefree in their partying and Kip is oblivious to the whole thing. Meanwhile Trent is undecided about rekindling romantic interests with Joan who wants him back. Little do they know Duncan saw the whole thing. It’s at a resort party Trent is hosting at the house where Duncan impulsively blurts out to Trent that he knows what’s going on right for all to hear. The party’s over for the family. It gets to the point they all can’t have a normal dinner together or play a game on a rainy day without some friction. It bears hardest not only on Duncan but on Pam too as she knows the relationship will be over.
Duncan however finds someone to lean on in Owen. Owen reminds him Trent doesn’t know Duncan and how great of a kid he is and it’s more of Trent’s problem. He even offers to cheer him up by inviting him to Lewis’ good-bye party. Duncan comes with Peter and they all not only have a good time but Peter develops a new confidence about his lazy eye. Unfortunately the situation between Pam and Trent has gotten to the point that the ‘family’ has to leave the beach house and return home. This especially shocks Duncan since the people of the Water Wizz make him feel like a somebody although his job is still a secret to his ‘family.’ Yes, it is a goodbye to the town but not without one last ‘moment’ with Susanna and a golden last-hurrah at the Water Wizz that you will have to see for yourself.
The film’s movie poster advertises coming from the studio that brought out Little Miss Sunshine and Juno. The movie does kind of have the same feel as the two previous movies. Unlike the previous two, this film doesn’t seem to have much of a theme or a message to it. But like Juno and Little Miss Sunshine, it shows adults to be the messy ones or the ones who don’t have their head on straight. Also like those two movies, it shows that sometimes the kids or teens are the ones who deal with the situation best despite their own flaws. You could tell with the stupidities of Betty getting drunk constantly and Trent’s cheating that these adults don’t have their head on right. Even the adults’ treatment of the children like Betty getting on Peter’s case about his lazy eye and Trent’s judgment and belittling of Duncan are examples of their stupidity. While Duncan may be sky and Susanna may be unhappy, they’re the ones that actually end up being the smarter ones in the end. Another unique thing about the film is that it showed the career-oriented adults to be the ones playing games and doing stupid things that hurt those that matter most to them while the workers at the Water Wizz are the ones that most have it together. Duncan should be fortunate to have bumped into the park by chance. It was the best thing for him.
This is yet another coming-of-age story but it’s not yet another. Sure the coming-of-age story has been done at great frequency and some would say this story isn’t all that original. What makes this coming-of-age story work is through the character of Duncan. Everyone who’s been through the high school years knows a teen boy that is very quiet and is an anti-social loner. Duncan carries those traits in a comical way without poking too much fun at shy teen boys. But what’s also unique about Duncan is that he makes his anger and frustrations present. The film succeeds in getting us to feel for Duncan and wanting him to find his place despite Trent’s overbearingness. We first think of Owen and the gang at the Water Wizz as overgrown idiots who should get a real job but we soon see them as the friends Duncan needed during his vacation. That’s the movie’s appeal: the young protagonist and the people that change his life.
Without a doubt, young Canadian actor Liam James was the star of the film. He did an excellent job in portraying a shy anti-social boy very well both emotionally and physically. Great to see a young actor like him do an excellent lead amongst an ensemble cast of established actors. Steve Carell was also good playing a person you just wanted to hate. Toni Collette didn’t have that showy of a role but she played it very honestly and added to the story. Sam Rockwell was great in playing a free-spirited middle-aged man. Great character acting also came from Alison Janney and Rob Corddry. AnnaSophia Robb was also very good in playing a young teen girl. Very different from the ‘sweet’ roles she’s been known to play. Also fun to see the writers/directors Nat Faxon and Jim Rash in roles in this film. Nat and Jim were writers who teamed up with Alexander Payne for The Descendants. This movie is a great way to show they can hold their own and hold it well. The movie also included a great mix of music both past and current.
Overall The Way, Way Back is a great summer film if you want to get away from your typical summer movie fare. This is a story you’ll really enjoy. Also movie fans should go see it if they want to get off the beaten path.