Tag Archives: Awards

MTV Awards No Longer Rewarding Just Movies

mtv_movie_awards

After rewarding movies only for 25 years, the MTV Awards are now including television nominees. The actual award may no longer be the bucket of popcorn.

The MTV Movie Awards have been a source of intrigue of mine for many years. Sure, I have an interest in the Oscar race and the Golden Globes but I like the MTVs as they would deliver surprising results. Even if I was disgusted with what won what category, it would still capture my intrigue.

This year is a new chapter in the awards. After 25 years, they are no longer giving awards to movies only. This time they are making their awards a mix of both movies and television. It’s a question of why. Some would say it’s because the Movie Awards in past years have been sagging in the ratings. Some would argue these are an awards that’s just there, without any legitimate relevance. Others would say that MTV having an awards for TV are long overdue. I admit I too thought there should be an MTV television awards many years ago consisting of categories of MTV shows and shows from other networks.

This year, there is a change in the way of doing things. For the first time, television shows and performances are included in an MTV awards show. However the awards are part of the movie awards; kind of like the Golden Globes. Unlike the Golden Globes which has all their movie and television categories separate, the MTVs have a mix of movie-only categories, TV-only categories and categories where movie and TV performances are mixed together. Those would be categories like Best Kiss, Best Villain, Best Hero and Best Comedic Performance. However some categories from the movie awards days had to be taken away like the Best Breakthrough Performance, Best Fight and Best WTF Moment. As for nominations, Get Out is the most-nominated film and Stranger Things is the most-nominated show.

Anyways here are the nominees for this year’s MTV Movie and TV Awards. Categories where movie performances and TV performances are mixed together are marked with an asterisk:

MOVIE OF THE YEAR

  • Beauty and the Beast
  • Get Out
  • Logan
  • Rogue One: A Star Wars Story
  • The Edge of Seventeen

BEST ACTOR IN A MOVIE

  • Daniel Kaluuya – Get Out
  • Emma Watson – Beauty and the Beast
  • Hailee Steinfeld – The Edge of Seventeen
  • Hugh Jackman – Logan
  • James McAvoy – Split
  • Taraji P. Henson – Hidden Figures

SHOW OF THE YEAR      

  • Atlanta
  • Game of Thrones
  • Insecure
  • Pretty Little Liars
  • Stranger Things    
  • This Is Us      

BEST ACTOR IN A SHOW

  • Donald Glover – Atlanta
  • Emilia Clarke – Game of Thrones
  • Gina Rodriguez – Jane the Virgin
  • Jeffrey Dean Morgan – The Walking Dead
  • Mandy Moore – This Is Us
  • Millie Bobby Brown – Stranger Things

BEST KISS*

  • Ashton Sanders and Jharrel Jerome – Moonlight
  • Emma Stone and Ryan Gosling – La La Land
  • Emma Watson and Dan Stevens – Beauty and the Beast
  • Taraji P. Henson and Terrence Howard – Empire
  • Zac Efron and Anna Kendrick – Mike and Dave Need Wedding Dates

BEST VILLAIN*

  • Allison Williams – Get Out
  • Demogorgon – Stranger Things
  • Jared Leto – Suicide Squad
  • Jeffrey Dean Morgan – The Walking Dead
  • Wes Bentley – American Horror Story

BEST HOST

  • Ellen DeGeneres – The Ellen DeGeneres Show
  • John Oliver – Last Week Tonight With John Oliver
  • RuPaul – RuPaul’s Drag Race
  • Samantha Bee – Full Frontal With Samantha Bee
  • Trevor Noah – The Daily Show

BEST DOCUMENTARY

  • 13TH
  • I Am Not Your Negro
  • O.J.: Made in America
  • This Is Everything: Gigi Gorgeous
  • TIME: The Kalief Browder Story

BEST REALITY COMPETITION

  • America’s Got Talent
  • MasterChef Junior
  • RuPaul’s Drag Race
  • The Bachelor
  • The Voice

BEST COMEDIC PERFORMANCE*

  • Adam Devine – Workaholics
  • Ilana Glazer and Abbi Jacobson – Broad City
  • Lil Rel Howery – Get Out
  • Seth MacFarlane – Family Guy
  • Seth Rogen – Sausage Party
  • Will Arnett – The LEGO Batman Movie

BEST HERO*

  • Felicity Jones – Rogue One: A Star Wars Story
  • Grant Gustin – The Flash
  • Mike Colter – Luke Cage
  • Millie Bobby Brown – Stranger Things
  • Stephen Amell – Arrow
  • Taraji P. Henson – Hidden Figures

TEARJERKER*

  • Game of Thrones – Hodor’s (Kristian Nairn) Death
  • Grey’s Anatomy – Meredith tells her children about Derek’s death (Ellen Pompeo)
  • Me Before You – Will (Sam Claflin) tells Louisa (Emilia Clarke) he can’t stay with her
  • Moonlight – Paula (Naomie Harris) tells Chiron (Trevante Rhodes) that she loves him
  • This Is Us – Jack (Milo Ventimiglia) and Randall (Lonnie Chavis) at karate

NEXT GENERATION*

  • Chrissy Metz
  • Daniel Kaluuya
  • Issa Rae
  • Riz Ahmed
  • Yara Shahidi

BEST DUO*

  • Adam Levine and Blake Shelton – The Voice
  • Daniel Kaluuya and Lil Rel Howery – Get Out
  • Brian Tyree Henry and Lakeith Stanfield – Atlanta
  • Hugh Jackman and Dafne Keen – Logan
  • Josh Gad and Luke Evans – Beauty and the Beast
  • Martha Stewart and Snoop Dogg – Martha and Snoop’s Potluck Dinner Party

BEST AMERICAN STORY*

  • Black-ish
  • Fresh Off the Boat
  • Jane the Virgin
  • Moonlight
  • Transparent

BEST FIGHT AGAINST THE SYSTEM*

  • Get Out
  • Hidden Figures
  • Loving
  • Luke Cage
  • Mr. Robot

 

Show will be held at the Shrine Auditorium on May 7th and hosted by Adam deVine who starred in two hit movies from last year. Remember this year is a trial year for this new format. It’s interesting to see how this will work out. It’s even possible MTV may add categories for other media forms in future years, like for video games or online movies or videos. We’ll have to wait and see.

My Predictions For The 2016 Academy Awards

DISCLAIMER: There was an incomplete post like this yesterday. The reason was I was editing from my smartphone and intended to update the draft, not publish the blog. It published anyways. This blog here is my complete blog for Oscar predictions.

Chocolate Oscar

The Academy Awards are here. I’ve seen enough movies to make up 82 of the nominations this year. It was quite the year with lots to offer and a lot of things that appeared guaranteed weren’t. So without further ado, let’s get on with the predictions:

BEST PICTURE WRAP-UP

You all saw my three summaries of all nine nominees. Doing shorter summaries were better for me this year. Maybe next year I won’t be so busy or have as many ailments. So here goes for predicting the winner:

-Arrival-  This is the first movie about aliens to be nominated for an Oscar. A very smart film that was loaded with buzz when it first came out. However its awards excitement faded over time as did its Best Picture chances.

-Fences- I like it when I see a celebrated play brought to the big screen. Especially around Oscar time. I felt it was done excellently. However it is up in this category against meatier competition. This is one category I think Fences won’t win.

-Hacksaw Ridge- Very rarely does a pro-religion movie have a chance for Best Picture. Hacksaw Ridge is the pro-religion film in the past 15 years most deserving of a nomination. However it does have some formulaic elements that come up every now and then and it has better chances in the technical categories instead of Best Picture.

-Hell Or High Water-  This year’s ‘summer survivor.’ Those like me who missed out on it during the summer missed out on a gem. A crime story that’s funny and entertaining, but smart too. However I’m not too optimistic in its Oscar chances here.

-Hidden Figures- This movie started with very little Oscar buzz at first but it increased as rapport from the film–from both critics and audience alike– grew. It seems like it doesn’t have good chances to win Best Picture but it could pull a surprise. A very slim chance of that but it is likely.

-La La Land- What can I say? People have been embracing it in droves. Why? Because people just really like a good musical? Because of its feel? Because it reminds one of the charm of old Hollywood? Whatever it is, it’s made it the frontrunner that looks hard to beat. That’s why it’s my Will Win pick. the biggest reason why I hope it win is because last year I said: “One more Best Picture winner that fails to gross $100 million and I’m done Oscarwatching.” I don’t know what made me carry on even after Spotlight won– and it didn’t even make $50 million— but La La Land makes me glad I did.

-Lion- I’m no expert in Oscar trivia but I think this is the first Australian film to be nominated for Best Picture, and a deserving nominee. It’s won over everyone I know who has seen it. It may have had better Best Picture chances in another year.

-Manchester By The Sea- This is a film that was loaded with buzz at the beginning of the Oscar race and looked to be the one film that could beat out La La Land. The buzz faded over time, despite how great the film was. May have an outside chance but not too likely.

-Moonlight- This is one film that proves that less is more. Less dialogue, more of a feel of what’s happening. Less showy characters, more knowing who the characters are. Less singing and dancing, more feel for the music in the film. This is the surprise of the Oscar race that was able to let it speak for itself. I know it faces a hell of a fight against La La Land to win Best Picture but I give this my Should Win pick.

BEST DIRECTOR:

Should Win – Barry Jenkins, Moonlight

Will Win – Damien Chazelle, La La Land

I felt that Moonlight is the better picture and Jenkins did an excellent job of directing but I know this is the year of La La Land and it’s Damien Chazelle’s to take.

BEST ACTOR:

Should Win and Will Win – Denzel Washington, Fences

These past two years saw the rise of the #OscarsSoWhite outcry. This year there are seven non-white acting nominees. Denzel may have won twice before but his performance as Troy Maxson has been getting loads of buzz and even surprised favorite Casey Affleck at the SAG Awards. The only way I can see Casey winning instead of Denzel is if the Academy doesn’t want to make this his third Oscar, and it is a possibility.

BEST ACTRESS:

Should Win – Isabelle Huppert, Elle

Will Win – Emma Stone, La La Land

Some are saying that Isabelle Huppert looks to be the biggest threat to Emma Stone’s win. It is a possibility but I think Casey Affleck beating out Denzel appears more likely. It’s Emma’s to lose.

BEST SUPPORTING ACTOR:

Should Win and Will Win – Mahershala Ali, Moonlight

Mahershala Ali may have only been seen in the first part of Moonlight but there was something about his performance of Juan that stood out like no other supporting performance this year. Was it Juan’s charisma? Was it his silent coolness? Whatever it is, it’s what made Mahershala stand out this year among all the supporting actor performances.

BEST SUPPORTING ACTRESS:

Should Win and Will Win – Viola Davis, Fences

What can I say? If there’s anyone who can steal the show from Denzel, it’s Viola Davis. She reminded us very well that Fences wasn’t just about Troy Maxson. It was about Rose too.

BEST ORIGINAL SCREENPLAY:

Should Win – Taylor Sheridan, Hell Or High Water

Will Win – Kenneth Lonergan, Manchester By The Sea

A lot of people are expecting Damien Chazelle to do it again here but I feel that Kenneth Lonergan will take it for one of the best scripts of the year. It was a film that cuts deep and doesn’t water down.

BEST ADAPTED SCREENPLAY:

Should Win and Will Win – Barry Jenkins and Terell Alvin McCraney, Moonlight

It all started with a short story by McCraney, then Jenkins developed a screenplay, and now it’s one of the best of the year. No stopping it.

BEST ANIMATED FEATURE:

Should Win: Kubo And The Two Strings

Will Win: Zootopia

Kubo was the best at taking your imagination away this year. However in comparison to frontrunner Zootopia, it isn’t really all that family friendly and that I believe is where it will hurt it. Zootopia was without a doubt this year’s crowd charmer. Besides this is the one category Disney wants to take year after year.

BEST ART DIRECTION:

Will Win: La La Land

Let’s face it. Any movie that shows off the classic areas in Los Angeles and even meshes it into the present will win this category.

BEST CINEMATOGRAPHY:

Will Win: Linus Sandgren, La La Land

BEST COSTUME DESIGN:

Will Win: Madeline Fontaine, Jackie

BEST DOCUMENTARY FEATURE:

Will Win: O. J. Simpson: Made In America

BEST FILM EDITING:

Will Win: Tom Cross, La La Land

BEST FOREIGN LANGUAGE FILM:

Will Win: The Salesman (Iran)

Salesman director Asghar Farhadi has been the subject of news as it was believed Donald Trump’s travel ban could prevent him from attending the Oscars. Whatever the situation, he boycotted the Oscars in protest of Trump’s policies.

BEST MAKEUP AND HAIRSTYLING:

Will Win: A Man Called Ove

BEST ORIGINAL SCORE:

Will Win: Justin Hurwitz, La La Land

I’m sure we’ve all been waiting for the longest time for a musical of original composition. Especially the Academy.

BEST ORIGINAL SONG:

Should Win: ‘Audition (The Fools Who Dream)’, La La Land

Will Win: ‘City Of Stars’, La La Land

BEST SOUND MIXING:

Will Win: La La Land

BEST SOUND EDITING:

Will Win: Hacksaw Ridge

BEST VISUAL EFFECTS:

Will Win: The Jungle Book

I think the reason why Star Wars lost this category last year is because having the best digital effects of the year is expected for a Star Wars movie. That’s where The Jungle Book has the edge for this year.

BEST LIVE-ACTION SHORT FILM:

Click here for reviews and predictions.

BEST ANIMATED SHORT FILM:

Click here for reviews and predictions.

BEST DOCUMENTARY SHORT SUBJECT:

Will Win: Joe’s Helmet

JUST ONE MORE – TOP OSCAR UPSETS

I did this for the first time last year. I want to do it again this year.:

  • Moonlight wins Best Picture
  • Casey Affleck wins Best Actor for Manchester By The Sea
  • Kubo And The Two Strings wins Best Animated Feature
  • Arrival wins Best Adapted Screenplay
  • Greig Fraser wins Best Cinematography for Lion.

And there you have it. My predictions for Hollywood’s night of nights. Let’s see how Jimmy Kimmel does as host this time.

Oscars 2016 Shorts Reviews: Animation and Live-Action

Cinema

I’m lucky to be living in Vancouver. It’s one of the few cities one can be able to see the nominated shorts in a big-screen theatre. Gives me a chance to review them myself and even make a should-win pick for myself. This year is quite an array of nominees in both animation and live-action. So without further ado, here are my thoughts on the nominated shorts:

ANIMATED:

-Blind Vaysha (Canada/France): dir. Theodore Ushev- This is a unique 2D animation story of a Bulgarian folk-tale. A story of a girl with one eye that can see the past and one eye that can see the future and cannot live in the present. The story also shows the attempts of others to fix Vaysha’s blindness. The linocut-style animation, however, was unique and had a lot of style and flare to it.

The story doesn’t really end. Instead the film ends asking the audience their perspective. It has a unique narrative point and I get why it’s done that way, but I often wonder if the film ended on the right note.

-Borrowed Time (USA): dirs. Andrew Coats and Lou Hamou-Lhadj – At first you’ll think this is a family-friendly story at the beginning but soon learn it’s not such as you move on. It’s a dark Western story of a man returning to the spot of a family tragedy from his childhood. The hurt comes back from it and he decides to do something drastic but something happens.

I have to admire Pixar animators Coats and Hamou-Lhadj for making a brief departure from their traditional family fare and doing something more mature under Quorum Films. No, it’s not R-rated like Pear Cider And Cigarettes but it’s dark enough to be adult. I think this short is most likely to upset my pick for the winner.

-Pear Cider and Cigarettes (Canada): dirs. Robert Valley and Cara Speller- Now this is a refreshing R-rated alternative. It sometimes reminds you of a Grand Theft Auto video game or the film Waltz With Bashir. However it is a personal story from director Valley. It’s a story that makes you wonder how far would you go for a friend? Especially if that friend is selfish, conniving, irresponsible and manipulative?

It’s a story that entertains and charms and even gets you to hate Techno too. Sometimes I wonder why was he friends with that jerk? I don’t know if it’s because it was set in Vancouver or because it was an R-rated alternative but it won me over and I make it my Should Win pick.

-Pearl (USA): dir. Patrick Osborne- This is the first VR short to be nominated for an Academy Award. A musician and his daughter travel in a hatchback with a song as a bond between the two. We see the two age, the daughter mature into a musician of her own and have her own version of the song. The viewer gets a 360 degree view of the whole 5-minute story.

Looks like something Richard Linklater would do. Actually it might remind you of Waking Life. An excellent short that’s entertaining and will touch you too. Might even make you go to iTunes and download No Wrong Way Home.

-Piper (USA): dirs. Alan Barillaro and Marc Sondheimer- This is the short shown before Finding Dory. A baby bird looking for food on the beach with her mother looking on and guiding her. Pixar does it again by delivering a clever, charming, and entertaining short with the dialogue absent and the animation as detailed to a tee as it gets. It’s excellent, but it’s something we’ve come to expect from Pixar even with their shorts. Nevertheless this is my Will Win prediction.

And those are my thoughts for the Animated Shorts up for the Oscar. A lot of styles of animation between Canadian and American companies. All five were very entertaining. We’ll see who wins.

LIVE-ACTION SHORT FILMS

This year there are no films with English as the language of the majority. All five are from European countries. Here’s the rundown:

-Ennemis interieurs (France): dir. Selim Azzazi – A man from Algeria seeks to be a French citizen but the interrogator at immigration has big questions for him about meeting with a group of Algerian men back some years ago which led to him being arrested and imprisoned for two years. The interrogator keeps insisting he answers but he’s very reluctant to do so. Even to the point of neglecting his chances of French Citizenship. Why? What will make the man give his answers?

It’s a story that appears boring at first but grows with intrigue with each minute and with each new detail. The interest builds over time. It even makes you wonder why is he withholding the names of the other men? Feelings of brotherhood? Fear of retaliation from them? Also this may be about an incident in the past but it’s very relevant, especially with the Paris bombings happening in November 2015. This is my Will Win pick.

-La Femme et le TGV (Switzerland): dirs. Timo von Gunten and Giacun Caduff – Elise is a woman who wave her Swiss flag at the passing TGV train to Zurich every time it passes her house at 6 in the morning and 6 in the evening . After that she bicycles to her job at the town patisserie. It’s her daily routine for 30 years; a routine she doesn’t want to change. One day, she comes across a letter that was thrown to her by a man who goes on that daily TGV. He’s a man from France looking for work. The two develop a friendship only by mail and packages. Over time she hopes to meet this man. Then one day the train stops coming. It’s changed route? How will she deal with the change? Will she ever see the man?

It’s a charming comedy that has you engaged with the character (based on a person who has existed and did wave her Swiss flag at passing TGV trains). Gets you thinking about the woman. Is she an eccentric? Is she naive? Lonely? Unpredictable ending but a happy one.

-Silent Nights (Denmark): dirs. Aske Bang and Kim Magnusson – Inger is a young Danish woman who helps at the Salvation Army during the day and looks after her ailing mother at night. Kwame is a Ghanian immigrant who came to Denmark for a better future and to support his wife and children at home. However he’s been left homeless and makes money from recycling.

They both meet as Kwame agrees to help. The two develop a mutual friendship and even progress into something more. However it’s put to the test when Kwame steals money from the charity to pay for his daughter’s malaria treatments. Even though Kwame is banned for life, Inger forgives him and still loves him. Then Inger’s mother dies and she learns about Kwame’s family in Ghana just as she learns she is pregnant. It’s over between the two. However Inger sees Kwame one last time where she gives him advice, and something else.

It’s obvious that this story is about the immigrant situation in Denmark and the difficultly of the times for all. It presents both Inger’s side and Kwame’s side. However it’s more. It’s about a love that’s true. Inger loves Kwame so much, she’s willing to forgive him for all the terrible things he did. It makes the choice she makes for her and her baby look like the right thing. This is my Should Win pick.

-Sing (Hungary) dirs. Kristof Deak and Anna Udvardy – Zsofi is the new girl at a school. She most looks forward to singing in the choir. However on her first rehearsal, the instructor talks of a choir competition where the prize is a performance in Sweden. She also tells Zsofi her voice is not ready for the choir and tells her to lip sync. Along the way, Zsofi finds a friend in star singer Liza. The two become good friends. However Liza notices Zsofi not singing but others. When she brings this up with the instructor, she not only admits it but tries to convince the children it’s the right thing for the competition. All of which leads to a surprise ending and the ending you think is right.

Often I question what the point of this film is. Is it about competitiveness to the point the ‘lesser’ singers are not allowed to sing for the sake of the big prize? Or is it a reminder of Hungary’s past communist regime; of how those that fit in are allowed to and those that don’t aren’t, but make like everything’s okay?  Even the choir director could remind you of a communist dictator on retrospect. Whatever the point, the story was entertaining and sweet. Reminds you of the joys of childhood and the right thing paying off in the end.

-Timecode (Spain) dir. Juanjo Gimenez – It starts as a check for a woman on a security job during the day. One day she learns of a broken car light. Upon viewing the video of what happened, she sees the worker before her dancing before hitting the car. She decides to give him a dancing video of her own. Video after video follows. Then on their last day, magic happens.

At first you think the man is something eccentric but this story builds into something that ends on a bizarre note. A very good film.

And there are my thoughts on this year’s nominated shorts. Now remember both categories are the hardest to predict the winner. For example, last year the consensus of critics ranked Stutterer the least likely to win Best Live Action Short and it won. Even Annie wins for Piper and Pear Cider and Cigarettes are not a guarantee that either will win.

With my shorts predictions out of the way, I just have my main predictions for all the categories to deliver. But not before my last Best Picture summary. Coming up tomorrow morning.

 

MTV Movie Awards Holds Its 25th

mtv_movie_awards

The MTV Movie Awards, the awards that’s been come to be known as the anti-Oscars, will hold their 25th edition this year.

Back in 1992, producer Joel Gallen founded a movie awards show for MTV completely unlike the Oscars. It may not have reached to same status as the Oscars but it has grown over the years as an event of significant popularity.

MTVs

The first MTV Movie awards were held in 1992. The film reel was the award and Terminator 2: Judgement Day was the big winner. It was obvious these awards were going to send a message to the Oscars.

Now back in 1992, MTV had already been known for their Video Music Awards. The event which was started in 1984 was seen as a music awards that appeared more relevant with what was happening in music as compared to the Grammys. It also offered notorious on stage events, either planned or spontaneous, that would get people talking. While such events would threaten the popularity of some musicians or even make the Grammys nervous, it made MTV.

The first MTV Movie Awards were held in 1992. Its nominations featured movies that the Oscars would either turn their noses up to or just relegate to nominations in the technical categories like Terminator 2: Judgement Day, Backdraft, Boyz N The Hood and Wayne’s World. In fact the Silence Of The Lambs which was the apple of the Academy’s eye that year did not even receive a single nomination. The event also featured unorthodox categories like Best Kiss, Best Villain, Best Action Sequence, Best Breakthrough Performance, Most Desirable Male and Female and its Lifetime Achievement Award which went to Jason Voorhees of Friday the 13th infamy. Instead of Best Picture, Best Actor and Best Actress, they had categories like Best Male Performance, Best Female Performance and Best Movie. Even animated performances could be nominated in the various categories. On top of that, they had people call in to vote for who they felt should win the awards in the weeks leading up to the event.

Basically the point of the awards was to have a movie awards show that was current and more in line with the people’s movie tastes. Especially young people since they made up most of the movie-going crowd. The awards didn’t simply want to give accolades to movies that made big money but gave people their enjoyment and their money’s worth. In fact Terminator 2: Judgement Day, which won four Oscars in the technical categories, was the big winner at the first MTV Movie Awards. Basically the focus is on movies instead of films and stars instead of actors. MTV turned out to be only domain likely to start such a movie awards show at the time. In fact the award which is a golden bucket of popcorn is meant to symbolize its rewarding of crowdwinning.

There’s also the entertainment factor of the awards too. There were frequent movie spoofs, often starring the awards’ host, that still happen quite often. The event was also used to promote upcoming summer releases with presenters often people starring in movies to be released later that summer. Also the musical performers would often have nothing to do with the movies and more to do with summer album releases. Performers of movie songs were more commonly featured in the 90’s editions of the awards show as movie music was bigger then than it is now.

There would be category changes and category drops of awards categories. However the standard would be the same where performances and movies that gave people their enjoyment would get top wins. Only three times has the Oscar winner for Best Picture won Best Movie. In addition, nine movies that didn’t receive a single Academy Award nomination won Best Movie including Scream, There’s Something About Mary, four of the five Twilight movies and the most recent Movie Of The Year winner, The Fault In Our Stars. That’s another thing too, how the MTV’s aren’t afraid to even give teen movies accolades. No wonder the show has been come to be known as the anti-Oscars.

There have even been times when the MTV Movie Awards would appear to ‘make right’ what the Academy did wrong as most saw. In 1995 when Hoop Dreams was snubbed of a Best Documentary Oscar nomination, director Steve James would receive the Best New Filmmaker Award: an honorary award from 1992 to 2002 which honored filmmakers whose debut film would introduce a new element to film making. In 1998 when most people thought Leonardo diCaprio was snubbed of a Best Actor Oscar nomination for Titanic, he won Best Male Performance at the MTVs.

Now onto this year’s Awards. This is the 25th annual MTV Movie Awards. As noted, it’s come a long way. It’s still a big public event where a lot of big stars show up. Stars from upcoming summer releases are planned to be among the presenters. However the list is still incomplete even among musical performers. Categories from the first Awards are still here like Movie Of The Year (retitled from Best Movie) , Best Male and Female Performance, Best Breakthrough Performance, Best Comedic Performance,  Best Villain and of course their trademark category: Best Kiss. New categories this year are Best Documentary, Best Action Performance, Best Ensemble Cast and Best True Story. Returning categories not at the first Awards are Best Fight and Best Hero. In addition, the category of Best Virtual Performance returns this year.

This year’s Awards are again focusing on big crowd winners. One trivia note: the highest-grossing film of the previous year would always get at least one MTV Movie Awards nomination. This year is far from an exception as Star Wars: The Force Awakens received eleven nominations including Best Movie. Deadpool is the next-most nominated with eight and Avengers: Age Of Ultron is next with six. Four of the six movies nominated for Best Movie are sci-fi or action movies and none of the Best Picture nominees for this year’s Oscars, not even Mad Max: Fury Road, were nominated for Best Movie. Mad Max still got four nominations as did The Revenant. Five of the eight Best Picture nominees have received at least one nomination but Spotlight didn’t get a single one. Can you believe it? While the hard-to-watch Room got a nomination with Brie Larson for Best Breakthrough Performance. In addition, this year’s nominees are way more mixed in terms of race and gender than this year’s Oscars by far.

Also you may remember I talked about a Best New Filmmaker category? That was there during the first Awards but was dropped after 2002. Now the honorary award at the MTV’s is the Generation Award: like a ‘lifetime achievement’ award but going to a star whom the generations born and bred on MTV made. The first one back in 2005 went to Tom Cruise. This year, it goes to Will Smith. Even though he’s not my favorite actor, I wonder what took MTV so long to award it to him.

Now onto my predictions for this year’s MTV Movie Awards winners. Note I’m better at prediction the Oscars than predicting MTV winners. With this being a ‘people’s choice’ awards, they can go any which way. So here goes:

Movie of the Year
Avengers: Age of Ultron
Creed
Deadpool
Jurassic World
Star Wars: The Force Awakens
Straight Outta Compton

Will Win (WW): Star Wars: The Force Awakens

Most Likely Upsetter (MLU): Straight Outta Compton

Yes, Star Wars mania returned. However underdogs have come and taken the Best Movie award before. People’s tastes may surprise you. I predict Straight Outta Compton to be the movie most likely to pull an upset.

True Story
Concussion
Joy
Steve Jobs
Straight Outta Compton
The Big Short
The Revenant

WW: Straight Outta Compton

MLU: The Revenant

I strongly believe with this being MTV, Straight Outta Compton will rule this category. However The Revenant could upset.

Documentary
Amy
Cartel Land
He Named Me Malala
The Hunting Ground
The Wolfpack
What Happened, Miss Simone?

WW: Amy

MLU: He Named Me Malala

It’s a surprise to see a documentary category for the MTVs. I thought the awards were about movies instead of films. With this being MTV, I think Amy is the hands-down winner here.

Best Female Performance
-Alicia Vikander, Ex Machina
-Anna Kendrick, Pitch Perfect 2
-Charlize Theron, Mad Max: Fury Road
-Daisy Ridley, Star Wars: The Force Awakens
-Jennifer Lawrence, Joy
-Morena Baccarin, Deadpool

WW: Daisy Ridley, Star Wars: The Force Awakens

MLU: Charlize Theron, Mad Max: Fury Road

Looking at the nominees, I feel the biggest star-buzz would go to Daisy Ridley. However Charlize could win because of how she stole the show from Max.

Best Male Performance
-Chris Pratt, Jurassic World
-Leonardo DiCaprio, The Revenant
-Matt Damon, The Martian
-Michael B. Jordan, Creed
-Ryan Reynolds, Deadpool
-Will Smith, Concussion

WW: Leonardo DiCaprio, The Revenant

MLU: Ryan Reynolds, Deadpool

Leo has already won this award before in 1998 for Titanic (of course) and 2005 for The Aviator. He may seem like a guarantee here since everyone wanted him to win the Oscar. However don’t count out Michael B. Jordan or Ryan Reynolds as they charmed crowds too.

Breakthrough Performance
-Amy Schumer, Trainwreck
-Brie Larson, Room
-Daisy Ridley, Star Wars: The Force Awakens
-Dakota Johnson, Fifty Shades of Grey
-John Boyega, Star Wars: The Force Awakens
-O’Shea Jackson Jr., Straight Outta Compton

WW: Daisy Ridley, Star Wars: The Force Awakens

MLU: Amy Schumer, Trainwreck

Interesting how both Amy Schumer and Brie Larson were co-stars in Trainwreck and they’re now competing against each other in this category. However I feel this is Daisy Ridley’s for the taking.

Best Comedic Performance
-Amy Schumer, Trainwreck
-Kevin Hart, Ride Along 2
-Melissa McCarthy, Spy
-Rebel Wilson, Pitch Perfect 2
-Ryan Reynolds, Deadpool
-Will Ferrell, Get Hard

WW: Kevin Hart, Ride Along 2

MLU: Amy Schumer, Trainwreck

It seems like Kevin Hart is the comedy phenom right now. However Amy Schumer is the one having him look over his shoulder.

Best Action Performance
-Chris Pratt, Jurassic World
-Dwayne Johnson, San Andreas
-Jennifer Lawrence, The Hunger Games: Mockingjay — Part 2
-John Boyega, Star Wars: The Force Awakens
-Ryan Reynolds, Deadpool
-Vin Diesel, Furious 7

WW: John Boyega, Star Wars: The Force Awakens

MLU: Vin Diesel, Furious 7

Best Hero
-Charlize Theron, Mad Max: Fury Road
-Chris Evans, Avengers: Age of Ultron
-Daisy Ridley, Star Wars: The Force Awakens
-Dwayne Johnson, San Andreas
-Jennifer Lawrence, The Hunger Games: Mockingjay — Part 2
-Paul Rudd, Ant-Man

WW: Daisy Ridley, Star Wars: The Force Awakens

MLU: Charlize Theron, Mad Max: Fury Road

This seems to be the year of the heroine instead of the year of the hero. Rey and Furiosa. Rey seems like the best bet but Furiosa could overtake her for the win.

Best Villain
-Adam Driver, Star Wars: The Force Awakens
-Ed Skrein, Deadpool
-Hugh Keays-Byrne, Mad Max: Fury Road
-James Spader, Avengers: Age of Ultron
-Samuel L. Jackson, Kingsman: The Secret Service
-Tom Hardy, The Revenant

WW: Adam Driver, Star Wars: The Force Awakens

MLU: Hugh Keays-Byrne, Mad Max: Fury Road

This seems like another category where it’s a foregone conclusion Star Wars will win. Mind you there have been surprises in the past. Hugh Keays-Byrne could upset.

Best Virtual Performance
-Amy Poehler, Inside Out
-Andy Serkis, Star Wars: The Force Awakens
-Jack Black, Kung Fu Panda 3
-James Spader, Avengers: Age of Ultron
-Lupita Nyong’o, Star Wars: The Force Awakens
-Seth MacFarlane, Ted 2

WW: Amy Poehler, Inside Out

MLU: Lupita Nyong’o, Star Wars: The Force Awakens

This category only existed once before: back in 2003. Andy Serkis, I mean Gollum, won. I think Amy Poehler will take it here as she was the most charming.

Ensemble Cast
Avengers: Age of Ultron
Furious 7
Pitch Perfect 2
Star Wars: The Force Awakens
The Hunger Games: Mockingjay — Part 2
Trainwreck

WW: Star Wars: The Force Awakens

MLU: Furious 7

Now this is one category I’d like to see at the Oscars. Hey, the SAGs have it. I’m surprised Straight Outta Compton didn’t get nominated.

Best Kiss
-Amy Schumer & Bill Hader, Trainwreck
-Dakota Johnson & Jamie Dornan, Fifty Shades of Grey
-Leslie Mann & Chris Hemsworth, Vacation
-Margot Robbie & Will Smith, Focus
-Morena Baccarin & Ryan Reynolds, Deadpool
-Rebel Wilson & Adam DeVine, Pitch Perfect 2

WW: Dakota Johnson & Jamie Dornan, Fifty Shades of Grey

MLU: Morena Baccarin & Ryan Reynolds, Deadpool

This is the category that separates the MTV Movie awards from all other movie awards. Hey, the biggest stars want to win this. The winning kisses have ranged from innocent kisses (My Girl) to romantic kisses (The Notebook) to same-sex kisses (Cruel Intentions) to unique kisses (SpiderMan) to threeways (Starsky and Hutch) to even humorous kisses (American Pie 2). I think the Fifty Shades of Grey kiss will take it.

Best Fight
-Deadpool (Ryan Reynolds) vs. Ajax (Ed Skrein), Deadpool
-Hugh Glass (Leonardo DiCaprio) vs. The Bear, The Revenant
-Imperator Furiosa (Charlize Theron) vs. Max Rockatansky (Tom Hardy), Mad Max: Fury Road
-Iron Man (Robert Downey Jr.) vs. Hulk (Mark Ruffalo), Avengers: Age of Ultron
-Rey (Daisy Ridley) vs. Kylo Ren (Adam Driver), Star Wars: The Force Awakens
-Susan Cooper (Melissa McCarthy) vs. Lia (Nargis Fakhri), Spy

WW: Rey (Daisy Ridley) vs. Kylo Ren (Adam Driver), Star Wars: The Force Awakens

MLU: Hugh Glass (Leonardo DiCaprio) vs. The Bear, The Revenant

This is always a hard one because any fight could end up a winner. However I give it to Star Wars. You can’t beat Star Wars in this category.

Hey, I told you the categories were unorthodox. Anyways those are my predictions for the 25th annual MTV Movie Awards. Tune in Sunday, April 10th to watch who wins what, who’s performing and what notorious acts happen.

 

 

2015 Oscars: The Buzz And The Biz

Best Picture 2015

This year’s Best Picture nominees brought in the most box office gold since 2012 but the winner…

Once again, it’s my annual look at this year’s top Academy Awards contenders and how they fared at the Box Office. This was something that once again had to wait until one month after the end of the Oscars to get the full picture. Boy did they have a lot to tell. Once again, all credits for my research to Box Office Mojo.

Before I get into explaining the box office results, I’ll let you all in that Awards Daily showed an interesting graph. It showed how not even $500,000 was spent on a For Your Consideration ad for a Golden Globe win but a win brought in megamillions. It also showed how millions are spent on For Your Consideration ads for the Oscar but the box office draw isn’t even half of what one gets from a Golden Globe win. Something to think about. Especially as we all read on.

When the nominations were announced, two of the eight Best Picture nominees–Mad Max:Fury Road and The Martian— had already grossed over $100 million. That wasn’t the case last year when none of them passed that mark on ‘Nomination Day.’ And that was the Thursday just before American Sniper had its wide release. Actually the eight-set of Best Picture nominees turned in an average of over $75 million. Very impressive.

The film that definitely had its biggest boost since its Best Picture nomination was The Revenant. Between Nomination Day and Awards day, it grossed $116.5 million. A significant boost also came to Room which only grossed $5.2 million before the nominations but $8.2 million between Nomination Day and Awards Day. Films like Spotlight, The Big Short and Brooklyn didn’t double their grosses after their nominations like The Revenant and Room did but their Oscar nominations did give them a good added boost. The Big Short received an additional 423.9 million: more than 50% more than before its nominations. Brooklyn also showed a bigger-than-50% increase in its box office results after their nominations. Spotlight also had an increase but it was just slightly over $10 million.

The only three movies that didn’t see a significant boost after their Oscar nominations were Mad Max: Fury Road, Bridge of Spies and The Martian because they had already neared completion of their box office run with their totals as impressive as they would get. Actually Mad Max: Fury Road wasn’t re-released after its Oscar nominations.

Now Awards Day came and three of the eight Best Picture winners had grossed over $100 million. However the Best Picture winner was a film that was one of the lowest-grossing of the eight nominees: Spotlight. It didn’t even have $40 million grossed by Awards Night. Ever since it’s only grossed an additional $5.2 million and it’s highly unlikely it will hit $50 million. This makes it the second year in a row the Best Picture winner failed to gross $50 million and the third year in a row it fails to gross $100 million. This is a bit of a surprise since I said to myself months earlier: “One more Best Picture winner that fails to gross $100 million and I’m done with Oscar tracking.”

Actually those were temporary feeling as despite Spotlight‘s low gross, it was a film that gave something to admire. However it does point some interesting stats. This will make it the fourth Best Picture winner of the 2010’s that didn’t gross $100 million and there’s still four more years left. The naughts, the decade before the 2010’s, only had three that failed to do so as did the 90’s. You’d figure that the title of Best Picture Winner’ would be a draw to the box office but now it appears less than ever. This shows an interesting detail about how the Academy is in terms of voting for Best Picture. In the past, it was almost always a Hollywood picture. Then things changed with the 1996 Oscars when Jerry Maguire was the only one of the five Best Picture nominees done by a major Hollywood studio to receive a Best Picture nomination. All of the other four nominees including winner The English Patient were independent films.

Since then, the independent films have been winning the Academy over. This has led to a bigger gap than ever between blockbuster films and critical darlings. It has definitely become evident over these last ten years. It’s a bit of a downer for me because I’d really like to see good cinema do well at the box office deep down inside. However it’s becoming more fact. I read an article from Awards Daily which talked about how independent films and films of critical renown don’t so well nowadays at the box office. In the past, you had the movie box office which gave a first run and second run of movies before it even hit video. Now we have such a wide variety of media methods like Netflix and Shomi. It seems like if you want to bring people to the movies, you have to have what it takes to do it. Moviegoers are now choosier as they can decide whether a movie is worth seeing in a cinema or worth waiting for it on Netflix. That would often mean big special effects and often theatre things like showing them in 3D or AVX or in D-Box seats. You mostly won’t get that with the films that win the biggest critical renown. That could have a lot to do with the Best Picture winner constantly grossing lower and lower. For the record, the last Best Picture winner that grossed $100 million+ is 2012’s Argo.

The box office may not have been friendly to Spotlight but it was friendly to the eight Best Picture winners as a whole. The eight have grossed a combined total of $803.8 million– just over $100 million per film for the first time since 2012– an all of them have grossed over $10 million. Spotlight wasn’t the only nominee to bag some extra money after the Oscars. The Revenant took an extra $11.4 million, The Big Short gained an extra $1.6 million, Brooklyn grossed an extra $1.5 million and Room grabbed an extra $1.2 million. Overall The Revenant and Room were the two with the biggest boosts from the Oscar buzz.

The box office results of this year’s nominees told a lot about moviegoers and their choices this year. The winner told lots about the Academy and how they’ve changed as far as voting for Best Picture. Next year should tell more.

My 2015 Academy Award Predictions

Chocolate Oscar

No kidding there was a lot of news about this year’s Oscar nominees from the lack of diversity and the boycotts and AMPAS reform that followed to how this being one of the most unpredictable years as far as Best Picture is concerned. Despite the protests, Chris Rock will still host the Oscars.

As for me, I’ve seen all the Best Picture nominees. This makes it the fifteenth year in a row I’ve seen them all before the awards night. It almost would have been my last as I was losing faith in the Academy as the last two Best Picture winners failed to gross $100 million both individually and combined. For the record, 2012’s Argo is the last Best Picture winner with a gross of higher than $100 million. However that could change with The Revenant being a strong favorite.

Collectively I have seen enough films and shorts to make up 86 of this year’s nominees. It’s a shame there won’t be any more members at large because I think I’d make a better Oscar voter. Anyways here are my predictions for this year’s Oscar winners. Note that the bigger categories will get the focus as well as my prediction. Only in few smaller categories will I elaborate. Also you will receive links to my reviews.

Best Picture 2015

BEST PICTURE SUMMARY

This year’s eight Best Picture nominees are quite different. Some have a lot of similarities but there are some surprises. Who would’ve though a Mad Max movie would be one of the nominees? Or even The Big Short would be a heavy favorite? Anyways here’s my summary with the titles hyperlinked to my review:

-The Big Short –  My favorite of the Best Picture nominees and my Should Win pick. I admire it for it being unconventional and making sense of something very technical. However I feel it may come up a bit short to my prediction for the winner.

-Bridge Of Spies –  I feel this is the most underrated movie of the whole Best Picture race. It did a great job in capturing the eerie feel of the Cold War and even the political tension behind it. Too bad it finds itself out of contention for the win because it is deserving of it.

-Brooklyn – It’s easy to think Brooklyn has all the bait of what would win the Academy over. However this was a tightly competitive year. Plus the Academy will always surprise you about what it thinks ids the best.

-Mad Max: Fury Road –  Very rarely does a science fiction movie have a chance at winning Best Picture. This film surprised everyone about how good a sci-fi story can go. A deserving winner, but the competition was tight and also I don’t think the Academy will make it Best Picture.

-The Martian –  Space stories have been winning over the Academy more often lately. Two years ago, it was Gravity.Now The Martian. A good choice for a nominee but I think there were too many parts that were a bit cornball.

-The Revenant –  It may have a lot of buzz but it doesn’t completely guarantee it will win Best Picture. The Revenant may have won the Golden Globe and BAFTA but Spotlight won the Critics Choice award and The Big Short won the Producers Guild. The buzz however is too hard to ignore and I feel that The Revenant Will Win Best Picture. Anyways I find it refreshing having a movie that made over $100 million win Best Picture, especially after Birdman’s poor gross.

-Room – One of two Canada/Ireland entries for Best Picture. Very well-acted and well-written but I don’t think a movie about two young people abducted makes for a Best Picture winner. It deserves respect for making this scenario watchable on screen but not enough to make it a winner.

-Spotlight –  This is this year’s critical darling. It has a lot to offer with a great ensemble of acting, an excellently-written story and well-directed. It has what it takes to win Best Picture. However I feel its November release has hurt its chances for the win. It still has some good chances to win but it faces rivalry against later releases like The Revenant and The Big Short.

BEST DIRECTOR:

-Should Win and Will Win – Alejandro Gonzalez Inarritu – The Revenant – This last while has been the emergence of Inarritu. He first burst onto the scene in 2000 with Amores Perros. He received his first Best Director nomination for Babel. Last year, he won for Birdman. This time around he directs an epic thriller and he succeeds excellently at it. Also it pays off at the box office this time.

BEST ACTOR:

-Should Win and Will Win – Leonardo DiCaprio – The Revenant – Everybody’s saying “Leo should win it.” It’s easy to see why. He’s done a lot of great performances. Plus winning the Oscar could be the case of career culmination for him. It’s too easy to declare career culmination for his anticipated Oscar win. However you have to see The Revenant for yourself to see why. It involved a lot of physical acting as well as a lot of acting moments involving no speaking at all. You can easily see why he’s a deserving winner.

BEST ACTRESS:

-Should Win and Will Win – Brie Larson – Room – Often enough winning an acting Oscar is often a case of career culmination. Other times it can be that case where you’re lucky to have that role of a lifetime. This is the case for Brie Larson. She was mostly unknown and her biggest work up to then was acting in Trainwreck. However her turn as Joy Newsome as a woman braking free from her kidnapping and struggling to live life in what should be freedom is that role of a lifetime.

BEST SUPPORTING ACTOR:

-Should Win – Mark Rylance – Bridge Of Spies – I’ll only base my decision on the supporting performances I’ve seen. Mark was excellent as he had to embody the character of a frail 50 year-old man from head to toe. Not only that but give him a unique charm that’s able to steal the show away from Tom Hanks.

-Will Win – Sylvester Stallone – Creed – I’m not a fan of Sylvester Stallone. In fact I can easily see why the Golden Raspberry awards like to give him accolades. However if there’s one role in which he knows how to do right, it’s Rocky Balboa. I believe with this being possibly the last movie of the Rocky saga, Stallone will win it.

BEST SUPPORTING ACTRESS:

-Should Win – Rooney Mara – Carol – I have to say of all the supporting actress performances I’ve seen, I’m most impressed with Rooney Mara. She played a young woman who was insecure with herself and just learning about herself until Carol helps her to understand herself and not be afraid to love.

-Will Win – Alicia Vikander – The Danish Girl – I admit I have not seen The Danish Girl. However Alicia’s performance has already generated a ton of buzz. It seems like a no-brainer she’ll win. Some are already touting her as the biggest thing out of Scandinavia since Liv Ullmann. We’ll see.

BEST ORIGINAL SCREENPLAY:

-Should Win – Matt Charman, Joel Coen and Ethan Coen – Bridge Of Spies – I liked Bridge Of Spies and how it captured the time of fear and paranoia of the Cold War. This was a unique collaboration of Spielberg and the Coen brothers. I thought Bridge Of Spies was one of the smartest films this year.

-Will Win – Tom McCarthy and Josh Singer – Spotlight – Spotlight is one film that has gotten a lot of renown for its story of trying to bring a story to the presses. It’s a deserving winner as it is a story that will keep you interested and intrigued from star to finish. At the same time, it makes a film about sexual abuse by the clergy actually watchable.

BEST ADAPTED SCREENPLAY:

-Should Win & Will Win- Adam McKay and Charles Randolph – The Big Short – All I can say is the script was full of energy. It defied convention and at the same time made sense out of a confusing topic which only those inside the banking world can fully understand. A deserving winner here.

BEST ANIMATED FEATURE:

-Should Win & Will Win- What can I say? Inside Out is the animated movie of the year. It’s very much the case that when Disney/Pixar releases an original film, it’s bound to be the class of the field in terms of animated films. Heck, the script was even nominated for Best Original Screenplay so how can you rival that?

Here are the rest of the categories. I will only predict who Will Win. As well as give some notes if I feel so.

BEST ART DIRECTION:

Colin Gibson & Lisa Thompson – Mad Max: Fury Road

BEST CINEMATOGRAPHY:

-Robert Richardson – The Hateful Eight

BEST COSTUME DESIGN:

-Jenny Beavan – Mad Max: Fury Road

BEST DOCUMENTARY FEATURE:

Amy

BEST FILM EDITING:

-Margaret Sixel – Mad Max: Fury Road

BEST FOREIGN LANGUAGE FILM:

-Son Of Saul – Hungary

BEST MAKEUP AND HAIRSTYLING:

-The Revenant

BEST ORIGINAL SCORE:

-Ennio Morricone – The Hateful Eight

BEST ORIGINAL SONG:

-“Til It Happens To You” – The Hunting Ground

As far as songs go, that’s the biggest talk about Til It Happens To You and Lady Gaga winning the Oscar. I’m cool with it. As long as she doesn’t wear a meat dress.

BEST SOUND MIXING:

The Revenant

BEST SOUND EDITING:

-Mad Max: Fury Road

Actually I will have my final prediction in this category Saturday evening as that’s when we’ll know the Motion Picture Sound Editors Guild winner.

BEST VISUAL EFFECTS:

-Star Wars: The Force Awakens

It seemed like a no-brainer to predict Star Wars to win that category. However it’s not to say it didn’t have it rivals. Accolades have also been given to the effects of The Revenant and Mad Max: Fury Road.

BEST LIVE-ACTION SHORT FILM:

Click here for reviews and predictions.

BEST ANIMATED SHORT FILM:

Click here for reviews and predictions.

BEST DOCUMENTARY SHORT SUBJECT:

-Chau: Beyond The Lines

JUST ONE MORE – TOP OSCAR UPSETS

This is something new for me. I’m picking the five most likely upsets of the evening, especially those that will go against my own predictions:

  • The Big Short to win Best Picture
  • Mark Rylance wins Best Supporting Actor for Bridge Of Spies
  • Mad Max: Fury Road win Best Visual Effects
  • Mustang (from France) wins Best Foreign Language Film
  • Sandy Powell wins Best Costume Design for Cinderella

And there you have it. My predictions for Hollywood’s night of nights. You might only care about who wears what but see who wins on Sunday the 28th. Even attend a party. You might win prizes.

Reviews Of Other Nominated Movies Viewed:

-Joy

-Ex Machina

-Straight Outta Compton

-Anomalisa

-Boy And The World

-Cinderella

Oscars And Diversity: The Struggle Continues

Elba

Idris Elba in his supporting performance in Beasts Of No Nation had the best chances for a non-white actor to receive an acting nomination for this year’s Oscars. Despite being heavily favored, it didn’t happen.

Remember last year I talked about the issue of Oscars and race that took over headlines? Yes, it’s nice to see people pay attention to something about the Oscars besides who wears what? However it did focus on a problem in which many people including myself hoped would only exist last year. Unfortunately it was not the case.

THIS YEAR’S HOPE

Last year was a big focus of the lack of diversity. I even did a focus on it myself and even explained how things worked in all my 15 years of ‘OscarWatching.’ Many including myself were hoping that this year would not have the same mistake this year. And this year had a performance by a black actor eligible for a nomination: Idris Elba in the Supporting Actor category for Beasts Of No Nation. It had all the eligible clout: a Golden Globe nomination, a Screen Actors Guild nomination and a BAFTA nomination. Although nothing is guaranteed or earned in showbiz, it had the right amount of juice to clinch the nomination in that category. Many wanted to see the nomination happen. I also wanted to see it happen. I know that if it didn’t happen, there would be a whole whack of controversy and outrage. I even thought the Academy wouldn’t deny him the nomination, not after the #OscarsSoWhite embarrassment from last year.

The nominations were announced on January 14th. Elba was not among the nominees in that category. There were the nominations of Christian Bale and Mark Rylance which were also nominated for the same awards previously mentioned, the was Golden Globe winner Sylvester Stallone. However there was Mark Ruffalo who had earned a SAG nomination and Critics Choice nomination and Tom Hardy who had amassed only a Critics Choice nomination. All the acting nominees were white. All eight Best Picture nominees consisted of a predominantly white cast and predominantly white crew. As for directing and writing, the only non-white nominee was Mexican Alejandro Gonzalez Inarritu.

The lack of diversity wasn’t just the black-and-white issue. Gay director Todd Haynes was heavily favored to be nominated for Best Director for Carol and even for Carol itself to be nominated for Best Picture but those didn’t happen either. If there’s one positive thing, there were four women who receive scriptwriting nominations: up from zero from last year.

THE BACKLASH

People were already speaking their outrage. A new Twitter hashtag– #OscarsStillSoWhite– came about. Civil Rights leader Al Sharpton, whom last year said he would set up a ‘diversity task force,’ was outspoken in his outrage and urged boycotts. Boycotts did happen from Spike Lee, Will Smith and Jada Pinkett Smith. Some actors who did not intend to boycott like George Clooney, Viola Davis and Lupita Nyong’o spoke their criticism. Host Chris Rock was under pressure to boycott the Oscars. He declined but he will be focusing on it during his opening routine at this year’s ceremony. Even Barack Obama spoke out about the controversy: “I think that when everyone’s story is told then that makes for better art, it makes for better entertainment it makes everybody feel part of one American family, so I think as a whole the industry should do what every other industry should do which is to look for talent, provide opportunity to everybody. And I think the Oscar debate is really just an expression of this broader issue. Are we making sure that everybody is getting a fair shot?”

racist-oscarsThe Academy especially came under fire as they were scrutinized and analyzed and it was revealed that over 90% of the Academy were white in comparison to 65% of the population of the United States being white. In addition three out of every four Academy members were male. Despite the criticism and outrage, there were defenders coming from the likes of actress Penelope Ann Miller:  “I voted for a number of black performers, and I was sorry they weren’t nominated. To imply that this is because all of us are racists is extremely offensive. I don’t want to be lumped into a category of being a racist because I’m certainly not and because I support and benefit from the talent of black people in this business. It was just an incredibly competitive year.” Even black actors like Ice Cube and Whoopi Goldberg  dismissed the labeling of the Academy as racist. Ice Cube described the labeling of racism as “crying about not having enough icing on your cake.” Whoopi whom herself has won an Oscar and even host the Oscar ceremonies for many years stated: “Even if you fill the Academy with black and Latino and Asian members, if there’s no one on the screen to vote for, you’re not going to get the outcome that you want. I won once, so it can’t be that racist. I’ve been black the whole time.”

THE AMPAS PRESIDENT

With all the criticism the Academy faced this year, the one person who had to do the responding was AMPAS president Cheryl Boone Isaacs. Born in Springfield, Massachusetts in 1949, Boone Isaacs grew up in a middle-class African-American family. She graduated from Springfield Central High School in 1967 and from Whittier College in 1971 with a degree in political science. Her studies in college included a program studying abroad in Denmark.

Her introduction to showbiz came at the age of 25 through her older brother Ashley Boone Jr. who worked as an executive in Hollywood. She started work in Hollywood as a publicist for Columbia Pictures. Her first job was being a publicist for Close Encounters Of The Third Kind. She would work for various film companies as a publicist. Her publicity work on films would eventually lead to higher stature such as Vice President, Worldwide Advertising and Publicity of Melvin Simon Productions and Director of Advertising and Publicity for The Ladd Company. Under Paramount Pictures starting in 1984, she would start as Director, Publicity and Promotion, West Coast and then eventually become the Worldwide Publicity Director. Some of her marketing campaigns included successful Oscar campaigns for Best Picture winners Forrest Gump and Braveheart.

Success continued for Boone Isaacs as she would become President of Theatrical Marketing for New Line Cinema, the first black woman to hold such a position. She even has her own promotion company, CBI Enterprises, Inc., where she has worked on successful promotion of Best Picture winners: The King’s Speech and The Artist.

Boone Isaacs has been a member of the Academy since 1988. In 2013, she was promoted to the position of AMPAS president in 2013and became the first African-American president of the Academy as well as only the third woman, after only Bette Davis and Fay Kanin. Since her inception as president, he achievements have included lifting the cap or restriction on the number of Academy members. she also initiated a drive to invite over 400 new members coming from many ages and backgrounds.

THE PRESIDENT AND THE ISSUE OF DIVERSITY

“It’s easier to be the president of the United States as a black person than to be the head of a studio.”

-Spike Lee

The issue of the Academy and diversity appeared to be making progress since the start of the new millennium. Actors of various races were earning nominations more than ever before as well as non-white directors. Even in the minor categories, minorities were getting an increasing number of nominations. However it’s almost always in the acting categories where the issue of the Academy and racial diversity gets the heaviest scrutiny. That was the case last year when the first hashtag #OscarsSoWhite came out.

Isaacs

AMPAS president Cheryl Boone Isaacs didn’t hesitate to make changes to the Academy in response to the backlack which included boycotts from Spike Lee and Will Smith.

Cheryl Boone Isaacs, an African-American woman herself, knew this was an issue that needed looking into and she made her efforts. This was especially noteworthy at the AMPAS’s annual Governor Awards  on Saturday November 14th. One of those awarded was Spike Lee where he was given an honorary Oscar. Before Boone Isaacs announced her plans, Lee talked about the lack of diversity even commenting that when he goes through Hollywood offices, he only sees white faces and the only non-white is the person checking his name at the door.

At those Awards, Boone Isaacs announced her plan which she called A2020: an initiative to age, gender, race, national origin and point-of-view, in Hollywood over the next five years.  Her A2020 initiative is a five-year plan to study practices at the Academy with the aim of improving the diversity of its own staff and governance while also bringing new voices into the organization. Outside of the Academy, the plan is also intended to encourage and to push the industry to examine its hiring practices and to begin to make changes. Boone Isaacs stated: “When it comes to fair and equal representation in our industry, words are not enough. We also have a responsibility to take action and we have an unique opportunity to do so now.” At those ceremonies, Lee thanked her and said: “she’s trying to do something that needs to be done.”

THE PRESIDENT RESPONDS TO THE CONTROVERSY

“The Academy is going to lead and not wait for the industry to catch up.”

-Cheryl Boone Isaacs

If there’s one thing most people would feel upon learning of this year’s nominees, it’s that Cheryl’s A2020 plan isn’t happening fast enough. Even though the set of 51 new members of the Academy was more diverse especially with 17 of them being women, the end result on nomination day was one of disappointment. Boone Isaacs herself came under fire by some for not doing enough. Even civil rights leader Al Sharpton ridiculed her by referring to her as a pawn in a predominantly white members-only club.

No doubt Boone Isaacs felt the heat. It was only a matter of a mere eight days after the nominations were announced that Boone Isaacs announced the sweeping changes to the membership rules for Academy members. This was published on the AMPAS website under the title ‘Academy Takes Historic Action To Increase Diversity.’ For those interested in the plans, click here to the official document.

The day before, the Board Of Governors approved through a unanimous vote a set of sweeping changes coming to the Academy’s membership. Its intent was to make the Academy members more diverse and open the door to more women and visible minorities. However one of the things they most wanted to get tough on was the membership of their older members. Examples of the proposed changes starting this year are:

  • New members lasting 10 years and renewed if that new member has been active in motion pictures during that decade.
  • Lifetime voting rights after three ten-year terms or if they’ve won or have been nominated for an Academy Award. Standards also applied retroactively to current members.
  • Current members that have not been active for 10 years can still qualify if they meet the other criteria.
  • Members not qualifying for active status will be moved to emeritus status and will be denied voting privileges.
  • An ambitious global campaign will be launched to identify and recruit qualified new members who represent greater diversity.
  • To increase diversity in its Board Of Governors, the Academy will establish three new governor seats that will be nominated by the president for three year terms and confirmed by the board.
  • New members who are not governors will be added to its executive and board committees where key decisions about membership and governance are made. This allows for new members to become more active in the Academy’s decision-making and help the Academy identify and nurture future leaders.

Most of the response has been good. Some of the biggest came from Selma director Ava DuVernay through Twitter: “One good step in a long, complicated journey for people of color + women artists. Shame is one helluva motivator.” Lee stood by his boycott but applauded Boone Isaacs and the Board of Governers for: “trying to do the right thing. It’s a start.” Steven Spielberg also reminded us: “I do think that what the Academy is doing, in a proactive way, to open up the membership to diversity, I think that’s very, very important. But it’s not just the Academy, and I think we have to stop pointing fingers and blaming the Academy. It’s people that hire, it’s people at the main gate of studios and independents. It’s the stories that are being told. It’s who’s writing diversity — it starts on the page. And we all have to be more proactive in getting out there and just seeking talent.”

I admire Cheryl Boone Isaacs for taking the initiative for making these needed changes. The Academy always was aboard with its own membership rules and needed reform back in the 1960’s because of its own issues then. Issues came again now and reform was needed. The changes proposed look great: less members for life.

However I do believe they are not a 100% guarantee of diversity happening on a consistent basis. No kidding diversity will be increasing at double the rate it’s been happening in past years. However it doesn’t mean that every year from next year onward will feature a diverse array of nominees. I’ve seen the various film seasons over the years and see how certain films excel more than others. I’ve seen years that have been very generous towards minority actor and have given them roles that can contend for glory at various awards shows including the Oscars. However I’ve also seen years which have been lackluster for them and they would lack parts that can propel them among the ‘elite of the year.’ I know it’s a start and there will be more to come but I’m still a bit cynical it’s a solve-all.

Also it also depends on the media too. I’ve seen them label some films long before the Oscars full of ‘Oscar buzz.’ And most of them are predominantly white. The media can’t just simply label a film ‘Oscar bait’ because it has characteristics that are common with what wins the Academy over. They should call it ‘Oscar bait’ because of top notch quality, and skin color should not matter.

Nevertheless next year is the first year when these changes are to come into effect. Hopefully over time we will see a more diverse Academy. And not just more blacks; more women, more Hispanics, more Asians, more of all minorities. As for 2016, potential is already showing as this year’s Sundance showed The Birth Of A Nation: a film with a predominantly African-American cast that had rave reviews and huge buzz. The release date to the box office has not been set but Fox Searchlight has bought the film’s rights at $17.5 million, the most ever for a Sundance film.

The outrage over the lack of diversity at this year’s Academy Award nominees was just the catalyst needed for the necessary changes to happen. The future will tell if these changes pay off or not. However the lack of diversity is still an ugly reminder of what happens when you turn art into a competition.

WORKS CITED:

WIKIPEDIA: 88th Academy Awards. Wikipedia.com. 2016. Wikimedia Foundation Inc. <https://en.wikipedia.org/wiki/88th_Academy_Awards>

WIKIPEDIA: Cheryl Boone Isaacs. Wikipedia.com. 2016. Wikimedia Foundation Inc.  <https://en.wikipedia.org/wiki/Cheryl_Boone_Isaacs>

Kilday, Gregg. “Spike Lee: Getting a Black President Is Easier Than a Black Studio Head” The Hollywood reporter. 14 November 2015 <http://www.hollywoodreporter.com/news/spike-lee-getting-a-black-840371>

Gray, Tim. “Governors Award Winner Spike Lee to Hollywood: ‘You Better Get Smart’” Variety. 15 November 2015 <http://variety.com/2015/film/news/governors-award-winner-spike-lee-to-hollywood-you-better-get-smart-1201640307/>

“ACADEMY TAKES HISTORIC ACTION TO INCREASE DIVERSITY” Oscars.org 22 January 2016 <http://www.oscars.org/news/academy-takes-historic-action-increase-diversity>

 

Oscars 2015 Shorts Review: Best Animated Short Film

Cinema

Just recently I published my review of the live-action shorts nominees of this year. Now’s my chance to publish my thoughts on the nominated animated shorts of this year. They range in variety from 2D artistic to primitive 2D to common 3D computer animated to 3D with a unique style. All five are excellent and unique in their unique way but who deserves to win?

Bear Story (Chile): dirs. Gabriel Osorio Vargas and Pato Escala Pierart – It’s a story of a bear who misses his wife and son dearly. Every day he goes out on the street and shows a diorama show to those of the story of how he was abducted from them both and taken away to be part of the circus. The show also ends showing his hope that one day he will be reunited with them both.

The film is a sad story that touches your heart without trying to mess with it. It’s 3D animation but instead of the characters looking human, it comes looking like toy soldiers. I’m not too sure of the creative purpose of that. Nevertheless it does make for an entertaining short film.

Prologue (UK): dirs. Richard Williams and Imogen Sutton – This is one film where there was a viewer discretion warning and advised minors to leave the theatre before it was shown. The film takes part 2,400 years in the past. A child watches a brutal war between two teams of Spartan and Athenian warriors.

This is the rawest nominated short I’ve ever seen ever since they’ve shown the shorts in theatres. The art is simplistic as it consists mostly of pencil drawings with very little coloring. However it merits a lot in terms of its artistry. It also tells a story in brutally relentless fashion even depicting the battles in gory manner. It’s very rare to see a short animated film that’s strictly adults only. It also made it refreshing to see such a short.

Sanjay’s Super Team (USA): dirs: Sanjay Patel and Nicole Paradis Grindle – Sanjay loves watching the Super Team on television but his father is very insistent on a religious prayer habit, even at Sanjay’s young age. Right during the prayer ritual, Sanjay’s imagination comes alive. The gods he’s praying to form a Super Team of his own and they join Sanjay in the battle against a nemesis.

This is from Pixar and was the short before The Good Dinosaur. Director Sanjay Patel has an impressive resume working as an animator for Pixar in films like A Bug’s Life, Toy Story 2, the two Monsters movies, The Incredibles and Ratatouille. This film in which he co-directs is his directing debut. The film shows similar imagination to that of the Pixar team while also taking us into a brief but memorable time into an incredible fantasy world. Very good from start to finish. I predict it as my Should Win pick and Will Win pick.

We Can’t Live Without Cosmos (Russia): dir. Konstantin Bronzit – Two childhood friends train to be cosmonauts in space. Only one will go off into space. The other will be the alternate or next in line if something bad happens to the first. One friend got picked. The other friend wishes him well on his voyage. However shortly after blast off, the friend disappears. The friend down on earth is unhappy. He can’t even adjust well to his alternate whom he doesn’t get along with at all. Actually the alternate can’t get along with anyone. The friend makes a decision to the surprise of many, and to us. It’s a decision we’re glad he made.

It’s a 2D film with a story that doesn’t need dialogue for us to get the messages. Over time we learn the story isn’t about trying to make it into space but about just how close the friendship is. The two train together and dream together. When his friend is lost into oblivion, his ambition to be the next in space disappears just like that. You can easily see why he made the decision to do what he did.

World Of Tomorrow (UK) dir. Don Hirtzfeldt – The story begins with a toddler named Emily in a room. Out of nowhere comes a clone also named Emily who came from 227 years into the future back to the present. The adult Emily, ‘Emily Clone,’ tells the child Emily, ‘Emily Prime,’ of the human’s attempts to achieve immortality through cloning and showcasing the various worlds including the ‘Outernet’ and the various memories of the clone Emily. Very different and very unique.

This is another 2D short. The drawing is very simplistic. However it’s the story that’s the top quality of the film. We see a bizarre but unique story of Emily Clone and Emily Prime the future world and the future of Emily. The funniest element of the short is Emily Clone keeps on talking in her highly scientific speech and all Emily Prime does is just respond back in her childish gibberish. That adds to the humor of the short.

In conclusion I know I picked Sanjay’s Super Team as both my Should Win and Will Win choice. Normally I wouldn’t pick such a film to win but I find it hard to see any of the other four films try to top it. All five are excellent but I think Sanjay stands alone. I know World Of Tomorrow won the Annie Award but I have my feeling about Oscars voters. Mind you the shorts categories are some of the least predictable categories of the Oscars.

And there you go. My thoughts on the Oscar nominated Animated Shorts. Winner to be decided in two weeks.

My 2015 Golden Globe Predictions

Cinema

Hi all. With the Golden Globes coming this Sunday night, it is the time where I make my predictions for the winners. For this, I not only predict the Winner but also the Most Likely Upsetter who could pull the biggest surprise. So without further ado:

FILM:

Best Motion Picture, Drama
Winner:
Spotlight
Most Likely Upsetter: The Revenant

Best Motion Picture, Musical or Comedy
Winner:
 The Martian
Most Likely Upsetter: The Big Short

Best Actor in a Motion Picture, Drama
Winner:
 Leonardo diCaprio, The Revenant
Most Likely Upsetter: Bryan Cranston, Trumbo

Best Actor in a Motion Picture, Musical or Comedy
Winner:
 Matt Damon, The Martian
Most Likely Upsetter: Christian Bale, The Big Short

Best Actress in a Motion Picture, Drama
Winner:
 Cate Blanchett, Carol
Most Likely Upsetter: Brie Larson, Room

Best Actress in a Motion Picture, Musical or Comedy
Winner:
Amy Schumer, Trainwreck
Most Likely Upsetter: Jennifer Lawrence, Joy

Best Supporting Actor in a Motion Picture
Winner:
 Mark Rylance, Bridge Of Spies
Most Likely Upsetter: Idris Elba, Beasts Of No Nation

Best Supporting Actress in a Motion Picture
Winner:
Alicia Vikander, Ex Machina
Most Likely Upsetter: Jennifer Jason Leigh, The Hateful Eight

Best Director
Winner:
Thomas McCarthy, Spotlight
Most Likely Upsetter: Ridley Scott, The Martian

Best Screenplay, Motion Picture
Winner:
 Tom McCarthy & Josh Singer, Spotlight
Most Likely Upsetter: Adam McKay, The Big Short

Best Foreign-Language Film
Winner:
 Son Of Saul (Hungary)
Most Likely Upsetter: The Brand New Testament (Belgium)

Best Animated Feature Film
Winner:
 Inside Out
Most Likely Upsetter: Anomalisa

Best Original Song, Motion Picture
Winner:
“See You Again”, Furious 7
Most Likely Upsetter: “One Kind Of Love”, Love & Mercy

Best Original Score, Motion Picture
Winner:
 Carter Burwell, Carol
Most Likely Upsetter: Ennio Morricone, The Hateful Eight

Okay, so I decided not to give a Most Likely Upsetter prediction for the television categories. Hey what can I say? I’m better at predicting the movie awards. Plus with a lot of categories appearing radically different from last year, it makes it all the much harder. So here are my TV predictions for the winners:

TELEVISION:

Best TV Movie or Miniseries: American Horror Story Hotel

Best TV Series, Drama: Game of Thrones

Best TV Series, Comedy: Veep

Best Actor in a TV Series, Drama: Jon Hamm, Mad Men

Best Actor, TV Series Comedy: Jeffrey Tambor, Transparent

Best Actress in a TV Series, Drama: Viola Davis, How To Get Away With Murder

Best Actress in a TV Series, Comedy: Gina Rodriguez, Jane The Virgin

Best Actor in a Miniseries or TV Movie: Mark Rylance, Wolf Hall

Best Actress in a Miniseries or TV Movie: Queen Latifah, Bessie

Best Supporting Actor in a Series, Mini-Series or TV Movie: Damian Lewis, Wolf Hall

Best Supporting Actress in a Series, Miniseries, or TV Movie: Regina King, American Crime

And there you go. Those are my predictions for Sunday’s Golden Globe Awards. I don’t think I’ll completely be in sync with the Hollywood Foreign Press but anyways tune in to see the winners and the show.

My 2015 MTV Movie Awards Predictions

Movie (640x306)Of course I’m better at predicting Oscar winners than MTV Movie Awards winners. Nevertheless it’s still fun to predict and it would be interesting to see who wins.

MTV Movie Awards have always a ‘people’s choice’ type of awards and they can go to anyone. Even the surest of the sure don’t always happen. One example is in 1998 right when Titanicmania was happening,  Leo & Kate’s kiss in Titanic lost to the kiss between Adam Sandler and Drew Barrymore in The Wedding Singer. Even though the MTV Movie Awards hail themselves as an awards show ‘about movies, not films,’ independent films like Menace 2 Society and Napoleon Dynamite would win the Best Movie award. Even though sure bets have won, there have been some sure bets that weren’t really all that sure.

Anyways before I predict the nominees for the 24th MTV Movie Awards for Sunday, my comments about the nominees. The MTV Movie Awards have been commonly known in the past as the ‘Anti-Oscars’ for the show to give awards and nominations favoring towards popcorn movies with big fanfare that normally get Oscar accolades in the more technical categories like sound mixing or visual effects. Even categories like Best Kiss, Best Villain, Best Hero and most recently Best WTF Moment are an element that separates the MTV’s from the more stuffy Oscars.

This year I’m surprised to see a lot of Oscar fare among the nominations. Just look at the movies with nominations: Selma, Whiplash, Foxcatcher, American Sniper, even Birdman has some nominations. Sure there’s popcorn flavor like Guardians of the Galaxy, The Fault In Our Stars, The Hobbit and of course the latest Hunger Games movie but seeing more Oscar fare than usual this year is a surprise. I often feel it’s because it’s a reflection of the movie year that just passed. If you remember the 2014 movie year, it didn’t give the most memorable of movies. Good fare but not much that would remain beloved over time. I have to say that if there were people complaining about how lackluster this year’s Oscar fare was, they should remember how lackluster the popcorn fare of 2014 was.

Anyways without further ado, here are my predictions for the 2015 MTV Movie Awards. My prediction who I feel will win the bucket of popcorn will be marked with an * and my prediction for the most likely upsetter will be marked with an +. So here goes:

Movie of the Year
“American Sniper” (Warner Bros.)
*“The Hunger Games: Mockingjay – Part 1″ (Lionsgate)*
+“Guardians of the Galaxy” (Disney)+
“Gone Girl” (20th Century Fox)
“The Fault in Our Stars” (20th Century Fox)
“Boyhood” (IFC Films)
“Whiplash” (Sony Pictures Classics)
“Selma” (Paramount Pictures)

While the Academy has eight Best Picture nominees, MTV has eight Movie Of The Year nominees. This year there are four that stick out: Mockingjay because of the Hunger Games following, The Fault In Our Stars because this is the mushy romance with the biggest following since The Notebook, Boyhood because of a story that is a reflection of so many young people and Guardians Of The Galaxy, the summer movie of 2014.  I would still have to go with Mockingjay as the buzz is still active despite lower box office take-in.

Best Female Performance
*Jennifer Lawrence – “The Hunger Games: Mockingjay – Part 1″*
Emma Stone – “Birdman”
+Shailene Woodley – “Fault in Our Stars”+
Reese Witherspoon – “Wild”
Scarlett Johansson – “Lucy”

Jennifer lawrence has been going strong. I think her only real threat would have to be Shailene Woodley as The Fault In Our Stars turned out to have a bigger following than expected. Nevertheless I expect Jennifer to hang on strong.

Best Male Performance
Bradley Cooper – “American Sniper”
+Chris Pratt – “Guardians of the Galaxy”+
*Ansel Elgort – “Fault in Our Stars”*
Miles Teller – “Whiplash”
Channing Tatum – “Foxcatcher”

No doubt about it. This has been the year for newcomer Ansel Elgort. Already I’ve seen his face on magazines and The Fault In Our Stars still has the buzz that it first had when it hit the theatres. It’s his for the taking.

Best Scared-as-S*** Performance
+Rosamund Pike – “Gone Girl”+
Annabelle Wallis – “Annabelle”
Jennifer Lopez – “The Boy Next Door”
*Dylan O’Brien – “The Maze Runner”*
Zach Gilford – “The Purge: Anarchy”

I admit I’ve only seen one performance: Rosamund Pike. So this has to be a random guess. I predict Dylan O’Brien because of the young following of The Maze Runner. Like I say, don’t take my word on these predictions.

Breakthrough Performance
*Ansel Elgort – “The Fault in Our Stars”*
+Rosamund Pike – “Gone Girl”+
David Oyelowo – “Selma”
Dylan O’Brien – “The Maze Runner”
Ellar Coltrane – “Boyhood”

Let’s face it. Ansel is definitely the breakthrough of the year. Even Rosamund doesn’t stand too much of a chance.

Best Shirtless Performance
+Zac Efron – “Neighbors”+
Chris Pratt – “Guardians of the Galaxy
Channing Tatum – “Foxcatcher”
*Ansel Elgort – “Fault in Our Stars”*
Kate Upton – “The Other Woman”

Ansel again. Besides Zach is becoming yesreday’s news according to the young set and Channing is neither a superhero nor Magic Mike.

Best Duo
Channing Tatum & Jonah Hill – “22 Jump Street”
Zac Efron & Dave Franco – “Neighbors”
+Shailene Woodley & Ansel Elgort – “The Fault in Our Stars”+
*Bradley Cooper & Vin Diesel – “Guardians of the Galaxy”*
James Franco & Seth Rogen – “The Interview”

Duos are always a hard call. Couples, partners in crime, partners in biz or buds? I went with the Guardians duo here.

Best Fight
Jonah Hill vs. Jillian Bell – “22 Jump Street”
Chris Evans vs. Sebastian Stan – “Captain America: The Winter Soldier”
+Dylan O’Brien vs. Will Poulter – “The Maze Runner”+
*Seth Rogen vs. Zac Efron – “Neighbors”*
Edward Norton vs. Michael Keaton – “Birdman”

Admit it. Often comedic fights win us more than the intense fights. So I went with the Neighbors fight.

Best Kiss
*Ansel Elgort & Shailene Woodley – “Fault in Our Stars”*
+James Franco & Seth Rogen – “The Interview”+
Andrew Garfield & Emma Stone – “The Amazing Spider-Man 2″
Scarlett Johansson & Chris Evans – “Captain America: The Winter Soldier”
Rose Byrne & Halston Sage – “Neighbors”
This is one where you don’t know where it will go. Will it go to the more romantic kisses or will it go to the more humorous kisses? I still have a feeling the Ansel & Shailene kiss will win.

Best WTF Moment
*Seth Rogen & Rose Byrne – “Neighbors”*
Jonah Hill – “22 Jump Street”
+Jason Sudeikis & Charlie Day – “Horrible Bosses 2″+
Miles Teller – “Whiplash”
Rosario Dawson & Anders Holm – “Top Five”

Best Villain

*Rosamund Pike – “Gone Girl”*
J.K. Simmons – “Whiplash”
Jillian Bell – “22 Jump Street”
Meryl Streep – “Into the Woods”
+Peter Dinklage – “X-Men: Days of Future Past”+

It’s hard to pick out which villain most kept moviegoers spellbound. I picked Rosamund for Gone Girl because it was her story of how clever she was that really had people at the edge of their seats.

Best Musical Moment
Jennifer Lawrence – “The Hunger Games: Mockingjay – Part 1″
*Chris Pratt – “Guardians of the Galaxy”*
+Seth Rogen & Zac Efron – “Neighbors”+
Bill Hader & Kristen Wiig – “The Skeleton Twins”
Miles Teller – “Whiplash”

Musical moment doesn’t necessarily mean singing or performing a straigh number. That explains why none of the numbers of Into The woods are nominated. It can include goofy karaoke or just dancing around. That’s why I went with Chris in Guardians. He had us all laughing.

Best Comedic Performance
Channing Tatum – “22 Jump Street”
Chris Pratt – “Guardians of the Galaxy”
Rose Byrne – “Neighbors”
+Chris Rock – “Top Five”+
*Kevin Hart – “The Wedding Ringer”*

Hard call between Chris Rock and the man many believe to be his heir apparent. I’ll go with Kevin.

Best On-Screen Transformation
Eddie Redmayne – “The Theory of Everything”
Elizabeth Banks – “The Hunger Games: Mockingjay – Part 1″
+Zoe Saldana – “Guardians of the Galaxy”+
Steve Carell – “Foxcatcher”
*Ellar Coltrane – “Boyhood”*

This is interesting to see who will win. My best hunches are with either Ellar and Zoe. I think Ellar because of how Boyhood has a following with the young.

Additional category added after original nominees announced:

Best Hero

Shailene Woodley – The Divergent Series: Insurgent

*Jennifer Lawrence – The Hunger Games: Mockingjay – Part 1*

Dylan O’Brien – The Maze Runner

Martin Freeman – The Hobbit: The Battle of the Five Armies

+Chris Pratt – Guardians of the Galaxy+

The buzz over Jennifer Lawrence and the Hunger Games hasn’t died yet so I assume a win here.

And there you have it for my predictions. There will also be three additional awards given out:

  • MTV Trailblazer Award: Shailene Woodley
  • Comedic Genius Award: Kevin Hart
  • MTV Generation Award: Robert Downey Jr.

Anyways stay tuned for the winners. Comedy Central star Amy Schumer will host. There are five musical performances lined up. Tomorrow should be an exciting night.