Those that know me will wonder if I will get my shorts fix at the VIFF this year. The answer is ‘Yes.” VIFF had twelve different shorts segments showing online. The shorts I saw were part of a segment titled Programme 2. Nothing fancy this year for the title. However the short films gave a lot of variety to watch and also a lot of Canadian directors to watch out for.
-Toward You (dir. Mayzam ‘Sam’ Motazedi): A young Iranian-Canadian girl dreams of becoming a socially-conscious slam poet. Problem is wherever she tries to do her act, like an Iranian rug store or an Iranian grocery, she gets booted out. Her biggest fan is a family member she lives with. He’s deaf but he can hear her as he puts his hand on her portable speaker. He has a problem. He has a bad health condition and he’s addicted to smoking his hookah pipe. He even forgets about the day she’s to perform at a show she booked. Distraught, she goes to perform at a senior’s center. The nurses find her act hard to deal with and end it. Despite it, she’s applauded by the seniors. She returns home having to deal with the ailing man.
Up until the end, it was a very good film. It shows a good story about a young girl with a creative passion and a dream. It also shows the difficulties she had to deal with in her own life. However the ending didn’t make a lot of sense. I feel it ended on the wrong note, or the ending didn’t appear like its purpose was justified.
-Zoo (dir. Will Niava): Three young adult males of different races are having their ‘fun’ in Montreal. They cause vandalism, act like tough guys and smoke weed al to their pleasure without a care. Then when they’re in a parking lot, a man dressed in normal clothes comes to inspect the boys. He then sets his sights on the black male whom he especially sees him to be a troublemaker. He tries to arrest him, but he does something brutal to him, leaving him what he appears to be unconscious. The man leaves him behind and it’s up to the boys to take him to the hospital.
No doubt the message is about police brutality on black people. That’s a hot topic because of the deaths of Breonna Taylor and George Floyd. In fact, the film maker makes the message seen at the end. I believe the film maker was sending the message that Canada’s no angel either. The interesting thing is the man who arrested him and assaulted him wasn’t even wearing a uniform. Was the man an undercover policeman? Or was he a citizen taking the law in his own hands? Does get you thinking.
-Even In The Silence (dir. Jonathan Elliott): It’s a film with a poem in an Indigenous language in the background as the story is told of a young girl and her boyfriend. They’re madly in love, but things go wrong at a party involving a lot of drinking. She drives him home but they get into an argument and a car crash happens. Sometime later, through embracing her culture, she’s able to find healing. She goes to the area of the crash to lay flowers, and she feels his spirit again.
This is a very brief film with a lot of focus on both the poem and the visuals. It attempts to send the overall message through both means. It’s use of Indigenous language is also important as it’s about young Indigenous people trying to find healing through tragedy.
-Spring Tide (dir: Jean Parsons): Emily and Hannah are two teen friends who just want to relax during their summer days. Maybe meet some boys. They do attract the attention of two older boys who are doing work for a nearby business. Their names are Zach and Austin. They develop conversation with the two boys and Emily catches the attention of Zach. She tells him a humorous story and she attracts him. One night, Zach brings her to his hotel room. She declines his sexual advances and Zack acts like a jerk. Later on, he confesses something to her. At the end she tells Hannah of her experience.
The film is a reflection of a teen girl and her first sexual experiences. It reminds you of how summer is that time when sexual curiosity and expérimentations happen. At the same time, it’s not just about sexual curiosity. It’s also about the two characters. Both are either a teen or a young adult. Their immaturities are made obvious in how they treat each other privately. However it soon becomes a case where Zach shows his insecurities. He goes from a jerk to being the insecure one almost instantly. That’s pretty much it. It showcases the behaviors as much as it showcases the moment.
-Laura (dir. Kaayla Whachell): Laura is in a detention center. She has been arrested for abandoning her child in a motor vehicle. She is met with an Asian-Canadian lawyer. He tries to ask her about her Indigenous heritage or her family history. Laura tells of her own stories of her childhood and how she met her husband. When their baby was born, she was happy as can be. Sometime soon the marriage was falling apart. Then right in the middle of the road, she has an anxiety attack. The lawyer is trying to get to the root of the problem, to see if it has to do with being in an Indigenous family or community, but all Laura wants is her baby back.
I think the message of the film is trying to say how non-Indigenous in the legal system seem not to be able to deal with Indigenous people well. This lawyer appears well-meaning and seems like he’s trying to get to the root of the problem, but Laura is frustrated. She has a mental condition that causes these attacks. She’s in danger of losing her baby, but she feels the lawyer doesn’t get it. He seems not to be paying attention to her issues and desires. It sends a strong message. Both about the justice system and about problems in Indigenous communities.
-Canucks Riot II (dir. Lewis Bennet): The film consists of found footage during the 2011 riot after the Stanley Cup finals game which the Vancouver Canucks lost to Boston Bruins and a riot ensued. The film shows footage of the crowds before the game, during the game, during the rioting and aftermath.
The film isn’t exactly an original film. However it does show a lot of interesting images of the whole incident. There’s footage of people in the crowds shouting “Riot 2011′ before the game begins, sending a message there were people who came to riot, just like during the 1994 Stanley Cup finals (which Vancouver also lost). There were scenes of acts of human selfishness and chaos. There were scenes of people committing the acts of vandalism and looting. There were scenes of an interviewer interviewing a young student from another country who’s both excited and appalled at what he saw. This film sheds a lot of light on the riot and allows you to draw your own conclusions.
–Parlour Palm (dir. Rebeccah Love) : A woman brings a parlour palm plant into the house she shares with her lawyer husband. It appears the relationship is going fine at first. However time will tell a different story. He is overworked and she feels ignored. She keeps on hearing bad environmental news and that causes her to go deeper in depression. She tries to get his attention with the artistic creations she shows, but she gets interrupted by him. Then one night, she finally decides to give him a show. It’s a show where she just lets it all out ‘everything is falling apart!’ It causes him to want to call the emergency crew. However he gets the message in the end.
This is a bizarre story as it involves a woman who appears to have a lot of artistic dreams of her own. She tries to use her artistic performance passions to get his attention, but it appears not to work until the very end. This is a unique story about a relationship that is doomed to end. Two differing personalities and one personality who appears to just explode all of a sudden. You have to get into the characters to fully understand them and the story. It’s funny that this is the one short that doesn’t have a social message, ends in the heaviest fashion.
The films I saw were seven unique films that had a lot to tell. Some had a social message. Some offered a ray of hope. Some just told a story. Some did on a bad note wondering what will happen next. I admire short films as a way for up-and-coming director to express themselves creatively. Often short films are a means to lead the director to bigger and better projects in the future. I see potential in all the directors here. One would be interested in what the next film they create will be.
I was able to complete another one of my three main VIFF goals of watching a shorts segment thanks to Programme 2. I’m glad I saw them. They were all good to watch. Also who knows? This may lead to something bigger and better in the future.
Those who know my film watching during the VIFF know that I try to watch at least one segment of short films. I saw a segment of seven films by Canadian directors entitled To Live In Infamy. In each of the films, there is some element of crime or taboo. Even some things that don’t qualify as a penal code may be seen as a crime of some sort, or even a simple wrongdoing. All of them are interesting in their own way.
Delphine (dir. Chloe Robichaud): A woman named Nicole looks back to a girl she only encountered for two brief times in her childhood. Her name was Delphine and she was a Lebanese immigrant to Quebec. The first flashback is in a private grade school where Delphine could only say one word in French: ‘oui.’ The other classmates make fun of her. Nicole, who is Lebanese-Canadian, doesn’t participate with her peers, silently shares in Delphine’s ostracism. The vice-principal of the school however does scold Nicole and the girls for lewdness. The second meeting between Nicole and Delphine is at sixteen in a public school. Delphine has a bully named Aminata who appears to try to dominate over every female. She attempts to dominate over Nicole too, but Nicole is physically resistant.
The story leaves us with the necessary questions. Some may ask were Nicole and Delphine lesbians? However the story is reflective of childhood. It reflects on fun memories like of some mischief and of family warmth. But also of upsetting memories like of being made to feel different and facing nemeses either violent or non-violent. We all have those moments in our childhood where we’re reminded how the world is a cruel place. It’s a story many can connect with, even if they didn’t live it exactly.
I’ll End Up In Jail (dir. Alexandre Dostie): A woman named Maureen is frustrated with her life. She tries to cover it up from her son and his boyfriend, but she can’t take it no more. One day, she drives off on an icy hilly road hoping for an escape but crashes into a parked car. It appears the car is parked so that a teen boy and his girlfriend can get stoned in the trunk of a car together. The girlfriend is dead. The boy learns she’s the mother of his classmates. They work to hide the body of the girl, but while Maureen is stuck underneath a tree, she learns a truth. She acts out in a way where she really has to be on the run from the law.
This film is a dark comedy that makes a lot of humorous situations in crime and personal problems. Even the uncovering of a dark truth appears humorously surprising, if not disturbing. The ending however feels a bit incomplete or doesn’t appear clear enough. I know it’s about Maureen’s escape and how it doesn’t go as planned, but it still looks like it’s missing something.
Shadow Trap (dirs. Damien Gillis and Michael Bourquin): In 1909, a white bounty hunter is out searching for Gitxsan business man Simon Gunanoot who is wanted for murder. The bounty hunter stocks up with a lot of supplies ready to find Simon, a reputed trapper and fur-trader, for a big reward. However the frontiers of Okanagan B.C. prove too much for him and he is in danger of freezing to death, until he’s rescued and sheltered by an Indigenous man. Is it Simon in hiding? He returns to the town with hides to trade.
This is a fictionalization of a true incident in Canadian history that says a lot. The message I seemed to get from the story may be about the common perception of Indigenous peoples by whites at the time as ‘savages,’ and how wrong they are. Even now as we’re trying to make reconciliation happen, I feel this story has a lot of value.
The Beach Raiders (dir. Tyson Breuer): A teen couple– the boyfriend having photography ambitions– is savoring the last days of summer at an Ontario beach. They have one last summer goal: steal some beer. They try to get it from the kitchen of a restaurant. However their attempt is not only in danger of being stopped by the owner, but their own relationship as both have differing goals. However their pursuit ends with a bang!
This film is a bit of an ode to the ‘young and stupid’ days. What starts with stealing one beer leads to a chance for something bigger. The film does however focus on a reality, though it is resolved in light fashion at the end.
Main Squeeze (dir. Brendan Prost): It’s Christmas. Benjy and Kiersey, a couple in an open relationship, are having fun in their apartment. However the fun is threatened when a young drunk woman smashes their window. It’s not just any woman, but Jacqui: Kiersey’s ‘other woman.’ He is not comfortable about having Jacqui in, but Kiersey insists. Benjy had every reason to be nervous because Jacqui says things making it clear she’s his rival. This not only threatens the relationship but the Christmas spirit too.
It’s a story that makes good use of a single location. It consists of a lot of moments where you don’t know what will happen next. It surprisingly ends with all conflict over.
Ghoulish Galactic Grievances (dir. Josh Owen): Wanna have some weird fun? A ghoul lives in a swamp, but she has a desire to pursue her friends in outer space. Her swamp friends want her to stay.
This is a fun and entertaining story of ghouls and aliens and creatures. It is definitely a fun comedic story to watch, but it succeeds in delivering a smart message within the theme.
Finding Uranus (dir. Ivan Li): This is the one short of this segment that is animated. A man is lost in a sea of internet porn and desires to find real sexual satisfaction. He pursues it through a very unorthodox trip.
This was entertaining, but bizarre at the same time. However I admire how the animator is not afraid to go crazy and let his creativity tread in territories many would not touch!
All seven shorts were entertaining in their own way. Some had a story to tell, while some were more about the show. Many were dramatic while some aimed more for comedy. All were good at telling their story, even if told in a bizarre style.
At the end, I can understand why this shorts segment is called To Live In Infamy. All of them had an infamy of some kind, whether big or small. Nevertheless all of them told their story well.
I’m good at keeping count of all the years I’m able to see all the Best Picture nominees, but I don’t know how many consecutive years I’ve seen the shorts. However I did it again this year. I lucked out and saw all the shorts for this year’s Best Live-Action Short Film and Best Animated Short Film categories. There were a lot of differences of the films, but a lot of similarities too. Here’s my review of the films:
LIVE-ACTION SHORT FILMS:
The col thing about this year is that two films — Fauve and Marguerite — come from Canada. More specifically, Quebec. The five films nominated are very different in genre and story, but all are deserving of their nominations:
Detainment: dir. Vincent Lambe – This is the most controversial of the five films. February 12, 1993 started off as a day in which two 10 year-old boys named Jon Venables and Robert Thompson simply played truant from school and stole items from nearby stores. That all changed when they saw 2 year-old James Bulger standing outside the butcher shop unattended. The film focuses intensely on the police interrogations. Both Thompson and Venables are interrogated separately. Both boys’ parents are in the room listening in, and in complete paralyzing shock.
The film is based off of some of the recorded interrogations of the two boys. The film appears to be a character study of the two individual boys. Thompson appears defiant and remorseless while Venables is constantly lying and frequently cries, even hysterically. The film also relives the moments such as when adults butt in and how they walked Bulger the long distance to the track where he died. It becomes gripping without getting too disturbing.
NOTE: The film has attracted a lot of controversy because of its subject matter. The James Bulger murder is a murder that still upsets the UK, especially Liverpool, to this day. The mother has gone on BBC speaking her anger and demanded the film be removed from the list of nominees. That’s why even though I think it’s the best film of all five, I feel it should not win the Oscar. I don’t see it trying to bring any sympathy to the two boys, but it still upsets many from the UK to this day.
Fauve: dir. Jeremy Comte – Two boys, Tyler and Benjamin, are playing an innocent power game. They first do it around an abandoned train. However they decide to take their game to a surface mine for a concrete factory. Then the game becomes deadly as Benjamin finds himself sinking in the wet cement. Tyler tries to help, but to no avail as it stops him too. Any help from Tyler helps to no avail. Then the aftermath as a woman offers a ride home tells a lot.
The film is a good short story. The story starts off as simple fun and games, but then turns to a dark tragic drama when you least expect it. Even the ending leaves you asking questions at the end. Very good short.
Marguerite: dir. Marianne Farley – Marguerite is an elderly lady nearing the last years of her life at home. She is nursed on a daily basis by a young nurse named Rachel. One day, she overhears a phone conversation between Rachel and another woman. It sounds romantic. Later, Marguerite notices Rachel’s phone in the bathroom and sees romantic photos of Rachel and the other woman. One day, Marguerite unearths a photo album. The photos are back in the 1960’s and are of her and another woman named Cecile. It brings back memories of the two. Cecile would later marry a man. After being put to bed early because of a fall, Marguerite confesses in her bed to Rachel of Cecile and why she never ‘loved’ her.
This is a story that is slow, but it tells a lot. It’s about two women, both lesbians, who are a product of their times. One couldn’t love a woman because it was considered a ‘mortal sin’ and was criminalized. The other is free to love another woman without guilt. It’s there where they share their special bond at the end. That’s why I declare this my Should Win pick.
Mother: dir. Rodrigo Sorogoyen – Marta is relaxing at her place with her mother around. Her son Ivan is on the coast of the French Riviera with his father on vacation. Soon Marta receives a phone call from Ivan. Ivan is alone on a remote area of the coast. The father abandoned him. Nobody except a strange man is around. The battery in Ivan’s phone is dying. Soon Marta calls the police, but the police have no way to locate Ivan as Ivan doesn’t know where he is. Then a second phone call from Ivan happens. That leaves Marta even more frightened and causes Marta to rush out.
The film’s best attribute is that it captures the moment. It’s between cellphones and Marta’s domain. The qualities are what we know and what we don’t know and it builds on the suspense. The weakness is that it appears to be part of a film rather than a full film. It feels like it has a beginning and a middle, but no end. I’m sure the purpose of the director was to give us a film that leaves us in suspense, but it leaves you wondering what was the point of this partial-film? Social message? Suspense story? What?
Skin: dir. Guy Nattiv – Troy is a ten year-old boy growing up in a remote area of the southern USA. The father, Johnny Aldd, is bringing him up to be rough and tough. The father even teaches Troy how to shoot a real gun with the help of his neo-Nazi friends. One day at a supermarket, Troy smiles at an African American man just simply buying groceries. Johnny gets angry and shouts racist slurs, but the black man walks off calm, collect, but angry and lets him know it. Johnny response by getting his friends to rush over and beat the black man up near his van while his family watches in horror, and Troy watches on.
Days later, Troy and Johnny go out somewhere, but the father is captured by a van of African American men. They put a sleeping injection in Johnny and a tattoo artist goes over his racist tattoos, leaving you wondering what will come. After eleven days, Johnny is dropped back at his home. The tattoo artist completely covered him in black, to Johnny’s horror. As Johnny tries to come home, his wife and son react in fear. It ends with a surprise ending.
No question the main theme of the film is about racism. However the film is also about cliques and breeding fear into people. The film can say that the culture of fear can also be why the United States has a gun problem. Seeing how neo-Naziism exposed its face in the Unite-The-Right rally in August 2017, this is a film very relevant to our times. Even with its bizarre story and surprise ending. That’s why I pick it at my Will Win pick.
This makes for a very eclectic five films chosen for this year. One of the films is from a Canadian animation company. However there are two American films that hint they may have some Canadian ingredients:
Animal Behaviour: dirs. Alison Snowden and David Fine – Various animals walk into a psychology group meeting with a dog doctor leading the meeting. All have a problem to confess. However problems arrive when a gigantic ape with an anger problem comes in. He doesn’t want to be helped. The pig, the leech and the moth are all cooperative, but the ape is disruptive. Then the ape confesses his problem, but also throws a fit in the process and all havoc is wreaked. Right at the end, and with all the damage done, the ape appears helped and will be back next week.
This is some clever 2D animation that may appear simple and crude by most, but fits the story well. Also the whole story of all the animals involved and their problems makes for funny hilarity.
Bao: dirs. Domee Shi and Becky Neiman-Cobb – A Chinese-Canadian woman makes dumplings for her busy husband, but one comes alive. She raises it to be like her own baby. She mothers it with her caring nature, but the son grows up out to be rebellious and even leaves to marry a white woman he loves. She can’t handle it and eats him. Heartbroken after ‘eating’ him, she wakes up to find out it’s just a dream. She’s a mother going through empty-nest syndrome and the child dumpling in her dream was mirroring her own son’s life. It ends on a happy note.
This is the short shown before Incredibles 2. Once again, Pixar adds another excellent writer to its dream team. Director Domee Shi started as a storyboard artist for The Good Dinosaur and Inside Out. Here she has a chance to let her creativity flow with a charming story which transcends race and delights people of all ages and backgrounds.
Late Afternoon: dirs. Louise Bagnall and Nuria Gonzales Blanco – Emily is an elderly woman who is constantly tended to by Kate. Frequently Emily’s memory goes back to her past from moments in her childhood and her carefree nature and then to moments in her young adulthood. Her memory keeps going in and out. Then at the end, she’s reminded Kate is her daughter.
This does seem like a heavy short as the story appears to be either about Dementia or Alzheimers. The use of animation helps with the drifting of Emily’s mind from the present to the past back to the present again. A very good short, but it may be too deep for some.
One Small Step: dirs. Andrew Chesworth and Bobby Pontillas – Luna is a Chinese-American girl with dreams of becoming an astronaut. She lives with her father, a shoe cobbler. He has always let Luna know how much he loves her with the shoes he crafts for her and with his business. He uses his money to promote Luna’s dream. As a young child, Luna cherishes every minute of her father. As she grows up, she becomes more distant from her father and even too busy with her college work. Things take a turn for the worse as she starts failing courses and is denied acceptance into astronaut training. Then one day she comes home and learns that her father has passed. Heartbroken, she then turns her life around and starts a new ambition. This leads to the happy ending we all want.
The story is a very good story as it deals with a common theme of father-daughter relationships. The story may appear heartbreaking, but ends with the positive energy it began with. The animation was excellent and the story, with no dialogue at all, told us a lot. I call this my Should Win and Will Win pick.
Weekends: dir. Trevor Jimenez – A young boy living in downtown Toronto in the mid-1980’s is divided between the time between the homes of his father and his mother. The father is more playful with an imagination into samurai swords. The mother is more serious while she’s dating a man who doesn’t take well to the boy. As the stories shift between the two world, they become intertwined with the boy’s dreams and the dreams tell a lot about the realities of the home lives he’s going through.
Trevor Jimenez has been a storyboard artist for Pixar films and has his chance at doing his own short film. It’s all hand-drawn which adds to the effect of the story. The point of this story was to mix the eerie dreams with the boy’s unfriendly reality. It does a great job in creating the right environment for the film and the drama.
And that’s my look at this year’s Oscar nominated short films. Last year I was better at predicting the shorts winners, but this year looks to be very open. There are some that look like clear winners, but anything can happen in these categories. It will all be decided on Sunday the 24th.
With every VIFF, it’s a goal of mine to see at least one shorts segment. I had the good fortune of seeing a segment as my first VIFF show. The segment titled Escape Routes consisted of six shorts by Canadian directors. Three of them were filmed in BC. All six were intriguing to watch.
The Subject (dir. Patrick Bouchard): We see a body on the table. We see a spike coming out of a foot at first. Then we see it start to be dissected. What’s happening is a whole lot of imagery happens around his body and coming from out of his body. Then when he’s dissected in his upper chest, we see a steel inside.
What’s happening in this film is the animator dissecting his own body. This film is the animator using self-dissection to show what his works are all about. His emotions, his memories, his fears, all go into his work. A couple of religious entendres may be telling how it plays into his fears. Even the artistic patterns that form around his skin give a picture about what the animator is saying about himself and how it plays into his works.
Girl On A Bus (dir. Matthew B. Schmidt): The film begins with people questioning about a girl who disappeared. Then the film shoots to a scene on a bus. A teenage/young adult female is one of the passengers and she’s just relaxing and looking at Instagram photos. The bus takes a break at a gas station along the highway. She uses the outside bathroom and changes her hair, makeup and clothes to something very different and takes social media pictures. The driver can’t recognize her and thinks a passenger is missing. As police are questioning the ‘missing girl,’ she gets interrogated and gives misleading questions. She mentions she’s running away but doesn’t say why. She leaves the interrogation booth. A picture from a child identifies her as the missing, but she walks away when asked.
At first, it seems like a nonsense film. A girl changes her look but is labeled missing? Then you get the sense of what’s happening. She says she’s running away but gives a vague answer why. When told to stay at the booth as the police leave temporarily, she leaves. When asked if the photo of her on a child’s pad is her, she doesn’t answer and walks away. It makes more sense later on. She comes across as a girl who wants to escape from it all. It’s not apparent exactly the reason or reasons why, but it’s obvious she wants to escape from everything. Only on social media would she want to be around people. I can identify because I had those same feelings when I was her age. A very good short story of a film.
Best Friends Read The Same Books (dir. Matthew Taylor Blais): The film consists of no sound at all, but of images of plants, colors, bushes, parks, coasts, and the director reading a book in various places and various seating positions on a bench. The film ends with a set of colors.
I’ll take it for what it is. This is the director trying to film in an abstract sort of way. The images, around various areas of Greater Vancouver, are meant to tell about his surroundings and reading the same book.
Train Hopper (dir. Amelie Hardy): The film begins with a passage of Allen Ginsberg’s poem America. Then cuts into a video of a young man who’s a customer service agent working at his desk with his headset. Later we catch the young man around trains on the train tracks. Then we see him hopping on the trains between the cars and going along for the ride. We even see his self-recorded videos of him during the trips. Within the second-half of the film and video footage, we hear the man talk about his dreams and his imagination and why he takes these trips, which include trips crossing into the United States. The film ends with audio of Ginsberg’s America.
The film begins with a statement that the Beat Generation is not dead. The whole film is a picturesque reminder that even in this day and age, there are still young people who still dare to dream, who dare to still want to live their dream out. This film shows it with this young man who’s a customer service agent by profession, but dreamer by passion. An excellent cinematic portrait.
Acres (dir. Rebeccah Love): The story begins with a young man working on a farm. Later on, his sister, her husband and a former girlfriend of his join for dinner. They talk about him managing his father’s farm after his death, as well as a dispute over use of the land that will require legal attention. The sister and brother-in-law leave for home but the ex-girlfriend decides to stay overnight. Possibly to help him with his situation. She is a photographer by passion. The two were in love while they were in college. This is happening while they’re talking of a way to properly mark the burial site of his father’s ashes. He had ambitions of becoming a businessman, but passions in his life that involved travelling caused him to leave everyone behind, including the family and even her. She tries to get to the bottom of this. Especially since this caused their break-up. Eventually they do rekindle.
The film is a picturesque way of showing a real-life situation. It’s a quiet situation, but one that needs to be discussed and resolved. The filmmaker does it with good storytelling and honest dialogue.
Biidaaban (dir. Amanda Strong): This is the one short that’s fully animated. There’s one young person of Indigenous decent, Biidaaban, and an older Sasquatch shapeshifter Sabe. They live in the same dwelling. They communicate with what you first think is a smartphone, but is actually a mystic rock that creates images and dialogue. Biidaaban seeks to collect sap from maple trees in a neighborhood. Sabe will assist Biidaaban. As they collect the sap, they are suddenly taken over by spirits and enter into a mystical world.
Upon the film’s Q&A, we learn the film is not just about Indigenous legends and myths. It’s also about gender-fluidity as Biidaaban is a gender-fluid youth. From what I remember about the Q & A, the gender-fluidity does tie in with Indigenous culture. The whole film was very dramatic and very mystical. The genre of animation allows the viewer to feel the imagination of the film and capture the mysticism.
All six shorts were very intriguing to watch. Even with one more thrilling than the other, and one not trying to be thrilling at all, all had something to say. Sometimes you wondered if all six fit the term Escape Routes. Some of the subjects or plots in a film or two didn’t look like physical escapes at all. However many of them turned out to be escapes of the mind. Escaping isn’t just about a road to somewhere.
Escape Routes was an excellent selection of six Canadian shorts. Each were different in their own way. All of them had something to say. And all would come off as an escape from something. You had to see it to know it.
Once again, I had the luck to see the shorts nominated for the Oscars for Best Live-Action Short Film and Best Animated Short Film. All were entertaining in their own way and all showed the qualities of why they were nominated.
Anyways here are my thoughts on this year’s nominated shorts:
LIVE ACTION SHORT FILMS:
Last year, all nominated shorts were in a language other than English. This year, four of the nominated shorts were in English. This year’s crop of stories are impressive to see. All five have a wide variety from the funny to the thought-provoking.
DeKalb Elementary: dir. Reed van Dyk – Today is supposed to be an ordinary day at an elementary school in the US, but a young man with an assault rifle comes in and threatens people. The receptionist tries deal one-on-one with him. She notices some mental instability and even some flaws in his thinking. She feels she can talk him into withdrawing his gun. She is able to talk with him, talk to law authorities, and get him to cooperate. In the end, the man is arrested and no one dies.
This is a remarkable story, especially since this is being shown during a time when a shooting incident in a Florida high school made headlines. It’s remarkable because it takes you there into the moment. You feel the intensity. Plus seeing in the film how brains win over brawn make this an incredible story to watch. That’s why this is my Will Win pick.
The Eleven O’Clock: dirs. Derin Seale & Josh Lawson – A psychiatrist in 1980’s Australia has an appointment with a delusional mental patient who thinks he’s a psychiatrist. The doctor thinks he can handle it until he meets face to face with the patients. Soon it becomes an all-out verbal battle of madness and idiocies. Looks like he finally met his match.
For once, it’s nice to take a break from some of the more serious stuff and see something comedic. It was very enjoyable and can leave you hating the patient. However it has an appropriately bizarre ending where you’re left to wonder is he the doctor or the patient?
My Nephew Emmett: dir. Kevin Wilson Jr. – This is a depiction of what may have happened the night before the 1955 abduction and lynching of 14 year-old Chicago boy Emmett Till who was just staying with his uncle’s family in Money, Mississippi, but was a victim of racism instead. His murder and his alleged killer’s acquittal would play a part in the Civil Rights Movement.
This might be a fictional depiction of what happened before, but it was very good in sending the message that all Emmett Till was doing was being a typical 14 year-old boy. Having it from the uncle’s point of view is important as the uncle would be interviewed by the media shortly after. It does a very good job of storytelling from the uncle’s point of view as well as recapturing the moments as they happen.
The Silent Child: dirs. Chris Overton & Rachel Shenton – A rich family hires a tutor to help with their 4 year-old deaf daughter. The tutor works very well with the daughter and gets her to sign. The results are pleasing to the father and her siblings, but the mother has higher demands. It gets to the point the mother makes a questionable drastic choice for the daughter.
The story is very good. It also catches your intrigue whether the mother has these high demands because she has high expectations or because she’s trying to cover up a family secret? The story reminds us that the connection between the deaf child and the tutor is a bond we so easily forget about.
Watu Wote/ All Of Us: dirs. Katja Benrath & Tobias Rosen – This is based on a true story. This takes place on a bus trip close to the Kenyan-Somali border. Christians and Muslims travel in the same bus. All have animosity towards each other. One passenger, Jua, has a certain animosity towards Muslims. Her husband and child were killed by a Muslim. She lets the Islamic ‘teacher’ raising money for his student know it. Then the bus is attacked by the group Al-Shabaab. They demand that all Christians be brought forth, but the Muslims defend by quoting scriptures from the Koran to protect them. At the end, police arrive and the teacher is shot. Jua is the one looking after him as they drive to safety.
This is the only film not in the English language. This story may be the darkest of all the stories nominated, but it’s very thought-provoking and it sticks with you. It packs a lot in its 20 minutes of time. You can really feel the hurt in Jua and you’re surprised to see her compassion in the end. That’s why I make this my Should Win pick.
This year’s animated shorts made news of what was included and what was not included. Ever since In A Heartbeat, the animated short of boy meets boy, went viral on YouTube back in August, people predicted it would win the Oscar. Even though it made the shortlist of ten back in December, it did not get nominated. A shock to all fans of the short! As for those that did get nominated:
Dear Basketball: dirs. Glen Keane & Kobe Bryant – This is a pencil-and-paper style of animation drawn by Glen Keane, son of Family Circus cartoonist Bil Keane, and narrated by Kobe Bryant. It’s of the letter Kobe wrote to the sport of basketball upon his retirement.
The film is excellent in how it takes a simple style of animation and successfully makes the audience embrace the athlete’s story of passion. Excellently done. You’ll feel the heart and soul of the story within its four minutes. That’s why I choose this as my Will Win prediction.
Garden Party: dirs. Victor Caire & Gabriel Grapperon – This is funny. A bunch of frogs find themselves over at a mansion. They go around exploring and eating whatever comes their way. Then right as they make their way to the pool area, we learn it’s party time for all!
This is a fun humorous story. The events are slow, but they’re still fun to watch. They’re especially funny when the frogs accidentally find themselves in a mess. The ending is a complete surprise. Nevertheless the short is enjoyable from start to finish.
Lou: dirs. Dave Mullins & Diana Murray – This is the short shown before Cars 3. When kids come in from recess at an elementary school, you can guarantee there will be lots of things left behind. A certain ‘thing’ comes from the lost-and-found bin, which have its L, O and U missing, and gathers up all the stuff in the bin. The school bully J.J. steals the kids’ toys and it’s up for this thing to teach J.J. a lesson, and actually be a friend.
Pixar not only knows how to make a great feature, but they also know how to make a great short too. Even though there’s some dialogue in this short, it is definitely entertaining and fun to watch.
Negative Space: dirs. Max Porter & Ru Kuwahata – A son talks of how his father taught him how to pack and how it’s been passed on as a skill. The son reminisces about it at his father’s funeral.
This is an adaptation of a poem by Ron Koertge. This is a charming story with stop-motion animation. It has a humorous look at a story a son reflects around his father’s funeral. The story ends on a note one didn’t expect it to end on. Nevertheless it’s funny and it has its own unique charm.
Revolting Rhymes: dirs. Jakob Schuh & Jan Lachauer – This is done by the same studio that did the Gruffalo series. This time they return with a story of a babysitter meeting up with a wolf. There we learn the shocking truth of what happened to Little Red Riding Hood, Snow White, and The Three Little Pigs!
It’s a funny and charming short. Does get a bit confusing when you learn about these new ‘truths’ and even surprising when you learn some shocking things like the Seven Dwarfs’ gambling problem. Well-written, well-animated and very entertaining. That’s why I give it my Should Win pick.
And there’s my look at this year’s Oscar nominated short films. Lots of creativity and a lot of good storytelling. However the shorts are two of the hardest categories to predict the winner. The winners are often a surprise. Time will tell this Sunday.
One thing of the VIFF I consider to be a treat is whenever I attend a shorts segment. The segment I saw entitled New Skins And Old Ceremonies was a selection of seven shorts from Canadian directors. They were all unique in their own way.
Lost Paradise Lost: dir. Yan Groulx- Two people named Julie and Victor are out of love and find themselves boarding a bus full of strangers to anywhere. Where it takes them is a bizarre place for those out of love and rivals and threats to deal with. An eccentric short nonetheless, but it captures the feel well and makes sense in the end.
Flood: dir. Amanda Strong- It’s an animated short about an indigenous person and how the Canadian system did what it could to make them and their people feel inferior. It’s a story worth telling. The mix of stop-motion for modern images and traditional indigenous art adds to the story. The film ends with a renewed sense of pride.
Cherry Cola: dir. Joseph Amenta- Two drag queens are out on a night to dress up, have fun, and get revenge on an ex-boyfriend. It seems confusing at first, despite being intriguing to watch. You first think it’s a comedy, but the story ends on a dark note. It exposes an overlooked heartache some transvestites have.
The Good Fight: dir. Mintie Pardoe- A young woman goes into a sex toy shop to buy a toy. This woman is a nun about to be ordained. She struggles with her sworn commitment to celibacy, but the secret does get exposed. And with a surprising ending. Directed by a recent UBC graduate, the story is basically for the sake of shock value as it appears no actually research on the Catholic Church and vocations were done. Basically that’s all it is: entertainment for hedonists.
Sea Monster: dirs. Daniel Rocque and Kassandra Tomczyk- Tomczyk co-wrote, co-directed and stars in this short. Charley and Aria are a couple cooped up in a hotel madly in love, but both are coping with trauma. Aria dreams of a squid. Then the two make out on night in the fashion of a squid, followed by a bizarre aftermath. This is a film that’s nothing short of experimental. This film is good at getting creative in its time frame and setting.
Thug: dir. Daniel Boos- We first see how three friends– Eman, Simon and Josh– are shooting a low-budget gangsta film. Director Josh recommends to Eman that he creates a hold-up scene on Simon unexpectedly to make the film more ‘real.’ Eman agrees, despite the risk to their friendship. It does a lot more; it arouses suspicion from the local police. Later, Eman and Simon talk about roles they wish they could play before Eman auditions for a role as a gangster thug. This short film sends a message about how minorities in acting get the short end of the stick in terms of the roles they are offered and are often limited to racial stereotypes.
Let Your Heart Be Light: dirs. Deragh Campbell and Sophy Romvari- Both Deragh and Sophy write, direct and act in opposite names in this short. Sophy is confined to spend Christmas alone after a break-up. Deragh pays a visit and makes her Christmas. The film is slow and lacking in energy, but it does a good job of making use of its time and keeping with the Christmas vibe.
In summary, all seven were different in their own way it terms of both style and quality. There were a couple that were either inconsistent in story or lacking in energy. There were a couple that were eccentric, but the eccentricities worked for the film. There were also some films that made you think. The ones that made me think were my favorites as the messages came across very well and very effectively.
New Skins And Old Ceremonies makes for a unique array of seven shorts by Canadian directors. Some were good, some were bad, but all were an opportunity for the directors to make names for themselves.
One thing about the VIFF is that you will have the opportunity to see shorts films whether it be a short shown before a feature or a segment of shorts assembled together. They pack a lot of entertainment value for something brief in length. The first shorts segment I was lucky to see was Teen Trouble. It consisted of seven different shorts situated in seven different countries all with a teen-related subject and boy were they entertaining:
-I Love Anna (Finland)- 12 year-old Finnish boy Santeri has always had a crush on Anna: the local farm girl. Anna likes Santeri too. One night Anna’s parents are away and she has to look after her little sister. This could be Santeri’s chance to take it to new levels.
The quality of this short is that it takes you into the excitement of the moment as it progresses without any added music score. It adds to the excitement of the moment. Another added quality is it will remind you of when you fell in love for the first time or even of your own sexual curiosities when you were that age.
-Fabrizio’s Initiation (Argentina)- Sexual feelings many years later. Only Fabrizio is now a 15 year-old Argentinian boy who has been in a relationship with Nadia for over a year. Their chances of doing it for the first time are constantly interrupted. However Fabrizio’s friends derive a plan to make it work by conniving the village elder into giving them his car and fixing it up for the moment. Will this finally be it? The film ends with a surprise in more ways than one.
This is a humorous short about the constant pressure of losing your virginity for the right moment and trying to make it right. Hey, it’s not always prom night! It also will remind you of your own teenage love and of all the stuff you tried to do behind your parents’ back.
-The Law Of Moments (UK)- The lessons of Isaac Newton younger sister Mal studies from physics class play into this drama. Mal and Lucy are teen sisters who lost their closeness as older sister Lucy got involved with partying. It’s been of concern to Mal as she sees Lucy and her mother constantly fighting. One night, Mal goes to the farm to see what kind of crowd she’s hanging with. It’s not pleasant at all. Mal goes to help Lucy only for things to end not as it should.
Here we go from comedy to drama. This is a good story that shows the end at the beginning and how it came to be. The addition of Mal’s physics lesson as well as her childhood memory of her and Lucy on the see saw add style to the story line. Very creative.
-Three Minute Warning (UK/Palestine)- This possibly the darkest short of the segment. Palestinian teen girl Miriam has to look after her mother who has a leg problem. It’s a daily thing which includes cooking for her mother and even assisting her to the bathroom and it robs her of the carefree life most teenage girls have. One night a warning bomb– a bomb sent three minutes before the real bomb is to hit its target– hits their apartment. Miriam has to help her mother make the escape while all the others leave them behind. It’s hopeless and it sets up for the heartbreaking ending.
No doubt Palestinian director Iqbal Mohammed has something to say in this short. It was very well-told and will leave you infuriated with the political situation in the Middle East today.
-On The Roof (Spain)- Five Barcelona teen boys love to go to the top of their apartment balcony to spy on sunbathing women during the summer. Bonus points if they’re topless. One day they go to check out a topless sunbather. One boy, Adrian, spots a naked man showering. He also learns something of himself he never knew. One of Adrian’s friends senses his attraction and reacts with hostility. He even senses it on the youngest of the friends and pressures the young boy to take a photo of the bather standing on the top ledge. Adrian stops and volunteers to do it. The end comes with a surprising result but nothing dreadful.
This short focuses on a teen boy’s discovery of his same-sex attraction which catches him by surprise and causes hostility among one of his friends. The short also focuses on teen male machismo which naturally approaches same-sex attraction with hostile discomfort. A reminder of some of the difficulties gay teens go through.
-Winds Of Furnace (Mexico)- A young Mexican teen boy faces a daily responsibility of looking after his grandmother. One day, two of his friends come to his house with a van they stole. The three go out to have fun in their neighborhood. However you know something will go wrong when they take a body found in the van and dispose of it. It’s the case as a van driven by a cartel crosses their paths and shoots one of the friends. This leads to a vicious chase where the boy fires a gun at the cartel. The ending ends with you thinking this is what’s meant to be.
This short didn’t have its subtitles on at the time so it was hard to make sense. However it was a good story of peer pressure taken to the extreme with the potential for dangerous consequences. The heat of the moment left you wondering if he would be killed by the end. I’m sure a lot of boys in Mexico have gone through this temptation. It’s good to see he was possibly the one who didn’t get killed.
-Aeris (Canada)- A young rising teen snowboarder is seen as a possible future great in the sport. However, the 19 year-old suffers a broken leg during competition requiring plates, screws and months of healing. Months later, she goes snowboarding with her friends to see if she still has it and to get her competitive drive back. This proves difficult as she encounters fans on the mountain and even the fear of her broken leg returning if she tries another jump.
This may be the least heavy short of the seven but it does feature a pressure: a personal pressure young rising phenoms in sport know all too well. It makes for a good snowboarding story. It even gets you fearing for her as well as she questions whether to make that big jump.
In summary, all seven shorts were very good and had a lot to say about teen life in the humorous moments, the tense moments and even tragic moments. All definitely gave an image of what it’s like to be young.
Teen Trouble was an impressive selection of shorts. Anyone can be entertained by something in the selection.
Most years I have the luxury of seeing both the animated and live-action shorts nominees back-to-back. This year I didn’t have that much of a luxury because of how tightly scheduled my life is right now. Actually I could’ve waited to see the ‘double feature’ the day before the Oscars but why should I wait when I have many chances in the days and weeks leading up? I had the good luck of seeing the animated nominees last week. I had my chance to see the live-action ones just a couple of days ago. I’m glad so I can make my predictions well ahead of time. So here’s my review of the shorts and my predictions:
Parvaneh – dirs. Talkhon Hamzavi and Stefan Eichenberger – Parvaneh is a teenage Afghani girl living in the Swiss alps trying to make money for her family, especially her ailing father to afford medicine. It’s hard enough staying in refugee housing away from her family and being around young sleazy guys. It’s not clear whether she’s a legal emigre or illegal. However it’s hard to get good work. It’s also hard for her to send money since she doesn’t have the right ID to send and she’s under 18.
While in Zurich where she traveled to in order to send money via Western Union, she asks a street girl for help. She’s willing to but at a percentage: she starts at 50% but is negotiated down to 10%. At first the girl decides to just simply help Parvaneh or ‘Pari’ by just having her at her mother’s, whom she’s not on good terms with, while she’s showering. Both arrive too late as the Western Union is closed.
The girl decides to take Pari out to a party while she’s staying overnight. Pari is reluctant at first but starts getting more comfortable over time to the point she is enjoying herself. The girl has her own fun but doesn’t let Pari out of her sights. Unfortunately more drinking than Pari can handle leaves her feeling sick. Outside she’s approached by a young male trying to seduce her. Her refusal to accept only leads him to get even more invasive with her. It isn’t until the other girl comes out and attacks the male that he stops and runs off, only for Pari to find out her money was stolen by him. They are able to get the money back. The film ends on a delightful note.
The film can be seen by having a lot of themes about it. One theme could be of all the young males who think they’re God’s gift to women and hit on a girl like Parvaneh. Another could be on the theme of the relation between native Swiss and emigres. I don’t know how the native Swiss population treat emigres or foreigners so I can’t say. However seeing what became of two young girls who are complete strangers– an Afghani emigre and a Swiss street girl — and cultivate into a friendship overnight feel this may be a story with a social message. And one with a happy ending. Very well-written and well-acted. That’s why I feel this Should Win the Oscar.
Butter Lamp – dirs. Wei Hu and Julien Feret – Two Chinese men are taking portraits in a Tibetan village. They’re of various Tibetan families, children, people of authority and even a newlywed Chinese couple that live there. Many of the Tibetans wear traditional clothes. Some wear modern clothes. Some pose with props like their yak, their religious items and even a motor scooter for the couple. They pose by the various backdrop that include Tiananmen Square, Tibetan Himalayas, downtown Shanghai, gardens, the inside of the Beijing 2008 stadium (where children pose on a podium wearing plastic medals and a paper torch) and Jokhang Temple whom an elderly woman mistakes as the real thing. Most of the time it works well. In one case, a man walked off because they thought a jacket he was wearing wasn’t right. It turns out it belonged to his late mother.
During the various photo shoots, you feel that the film is trying to send a message about Tibetans in China. You feel like it’s confirmed at the end as they shut down for the day, take down the backdrop setting exposing a bridged highway under construction in the mountain area, and talk about ‘authorities’ coming the next day. It’s a very impressive short as this short does send a statement about the mistreatment of Tibetans by the People’s Republic and the encroachment of modernization in their region, especially with various Chinese peoples coming to the ‘province.’ Very good short that says a lot just by showing a common situation.
The Phone Call – dirs. Matt Kirkby and James Lucas – It stars Sally Hawkins and James Broadbent. Heather is a shy woman who works as a helpline call centre respondent with Daniel who’s just simply her co-worker. Her first call of the day comes from a man names Stan. Stan is in tears as he is a widowed man for two years. He has just taken a load of pills. Heather does what she can to find help for him but he refuses as he wants to die. Heather tries to develop conversation in hopes of getting results. She finds out more about his history with his late wife Joan and even learns about their one child, a stillborn daughter. Just as things get friendlier and there appears to be a ray of hope that he’ll want to live, a surprise happens. It leads to an unexpected ending that appears to turn for the better for both.
It’s hard to tell if it’s giving a social message or not. You could assume it’s to do about the lonely people in England or even depression. You could even assume at the end as Stan (whose real name is John) and Joan are reunited in death that the filmmaker is saying this is how it’s supposed to be or even about true love forever. Even at the end as Heather has wine with Daniel could send a message about love that’s meant to be. Nevertheless it does make for a good story that keeps you paying attention and wondering what will happen next.
-Aya – dirs. Oded Binnun and Mihal Brezis – Aya is a 29 year-old woman at Tel Aviv airport waiting for a family to arrive. A chauffer to a Jerusalem hotel who’s waiting for a Danish man named Mr. Overby to arrive has to leave and gives Aya the sign while he’s gone temporarily. As Mr. Overby arrives, Aya doesn’t tell him to wait for his chauffeur. Instead she acts as the chauffeur and even has a dinner with him. As she drives him to the hotel, which she doesn’t know how to drive to, the conversation gets more personal as she learns he’s a musical judge in Jerusalem for a competition. It even gets more personal for her as she wants his attention. She does eventually reveal she’s not his driver and welcomes an intimate moment with him. You think that she has met a new love but you get a surprise ending.
I will admit I thought this would end up being political. It’s hard to blame me as year by year, many of the nominated shorts in this category end up having a political message. However this turns out to be something different. It’s entertaining too because how the story of a mismatch appears to lead to something romantic. This is my prediction on which short Will Win the Oscar.
-Boogaloo and Graham – dirs. Michael Lennox and Ronan Blaney – The story is set in Belfast in 1978 and narrated by a grown-up Jamesy. Back then, Jamesy and Malachy are two brothers growing up in Belfast. Their father is a bit of a dreamer and lousy at keeping jobs and the mother is unhappy with the marriage, even constantly calling him a ‘fool.’ One day the father brings the two baby chicks. The boys immediately fall in love with the two and the chicks become the best of friends. They’d much rather have the chicks than a dog because ‘everybody has a dog.’ They’ll even make themselves partial vegetarians because of their friendship with the chicks whom they named Boogaloo and Graham.
Months pass by, Boogaloo and Graham grow up to be full-grown chickens but the brothers’ friendship with them is still as thriving as ever. However their parents announce that they’re expecting a new baby and the chickens will have to be killed. The boys refuse to accept this to the point they’ll even run away right in the middle of the dangerous inner city streets of Belfast. However just as the chickens are about to be killed, they all learns Boogaloo’s a female that lays eggs. Renamed Boogalooloo, the parents change their mind.
No question there is a political message. It’s a reminder of children that grow up in political hot spots that they face a load of dangers and ugly realities most children don’t have to face and grow up too fast. Jamesy and Malachy are boys growing up in Belfast in 1978 when political tension was at its most heated. Bombings and shootings between Catholics and Protestants were all too common at the time and children like Jamesy and Malachy were not immune. However it was a story where Jamesy and Malachy found an escape from it and they found it with Boogaloo and Graham. Having Boogaloo and Graham as pets and even friends helped Jamesy and Malachy stay children during that time. It’s a funny charming story which allowed the children to be cute without being hard to stomach. Even the boys’ talk about sex will have you laughing. A charming comedy. Also the inclusion of the song ‘Why Do Fools Fall In Love’ may seem odd in a film like this but later on you’ll think it fit the film well.
This is a unique selection of short films this year. Some were political while some just wanted to tell a simple story. Some did have a dark story to it while some were more comedic. It’s always hard to predict which short will win or whether they will choose a political one or non-political one. We’ll have to see on Sunday which one wins.
I saw the Oscar-nominated shorts yesterday and this makes it the sixth year in a row I’ve seen them. However it almost wasn’t the case. By the time I arrived for the first segment, for the animated shorts, news was they were all sold out and those interested had to stand in a rush line. By the time the rush line were allowed, only those with orange tickets could get in. That had me waiting for a bit longer. Fortunately I was able to get in but I was probably the fourth-last in and my friend the third-last.
Nevertheless I was able to see all the shorts. And I’m able to give you all my thoughts as well as my picks for what Should Win and what Will Win:
BEST ANIMATED SHORT FILM:
- Get A Horse! – dir. Lauren MacMullan – If you’ve seen Frozen, you’ve already seen this short. At first you think this is a Disney cartoon from the 1930’s until Peg-Leg Pete gets nasty with Mickey and punches him off through the theatre screen and into the present as 3D. The whole story is a battle between the good characters and Peg-Leg Pete which has them all going from the black-and-white past to the 3D color present with humorous results. Very entertaining and funny and that’s why I pick it as my Will Win pick.
- Mr. Hublot – dirs. Laurent Witz & Alexandre Espigares – This is very unique and also quite futuristic. It’s of a robot man who has a robot dog as a pet. He’s man’s best friend but gets bigger and bigger over time. So what’s Mr. Hublot to do? The short is more focused on the animation than in telling the story. It comes off as both intriguing and quite charming.
- Feral – dir. Daniel Sousa – This may remind some of the 1960’s French film The Wild Child. This 2D film is of a boy found in the wilds of the wood by a hunter. He is taken and raised to be a human but finds at times he has to rely on his animal skills for survival. This short reminds us that not all the stories involve humor. Some are dark. This 2D short does capture the darkness of the story and one can get an understanding of it without any dialogue.
- Possessions – dir. Shuhei Morita – This is a unique style of Japanese anime: not of the style we commonly call ‘anime.’ This was not too focused on the plot as it was about the style of animation and the entertainment factor. Nevertheless very colorful and very entertaining. It also included a lot of elements of Japanese culture which I really liked. That’s why I give it my Should Win pick.
- Room On The Broom – dir. Jan Lachauer & Max Lang – This is another entertaining short from the team of animators responsible for the Gruffalo shorts. Here they tell a different story of a witch with a broom whom she first uses for herself and her cat. Soon other animals find a place on it until it becomes too small and it stars to break. Features voices of Simon Pegg, Gillian Anderson, Timothy Spall and Sally Hawkins. Very charming story which is great for all ages. It will also remind you of the Gruffalo shorts.
BEST LIVE-ACTION SHORT FILM:
- Helium – dir. Anders Walter – This Danish short is of Alfred, a dying boy striking an unlikely friendship with Enzo, the hospital janitor. Enzo tells him the story of a place called Helium where he’s about to head to. The place is a wonderful fantasy world. The problem is that Alfred’s condition worsens as the story nears its end. Enzo has to tell Alfred about his trip to Helium before he dies but Enzo being a janitor is not allowed in the area. The story keeps from being your typical story of a dying child that pulls at your heartstrings. Instead it aims for a happy ending. It’s as much a nice trip to a fantasy world as it is a drama. That’s why I give it my Should Win pick. It could pull an upset to the one I think will win.
- The Voorman Problem – dir. Mark Gill – This British short stars appearing as a drama but comes off as a surprise in the end. Dr. Williams feels he’s dealing with yet another mentally ill person when he’s dealing with a man named Voorman. Voorman tells him all sorts of bizarre and eccentric things, even how he destroyed the country of Belgium. Dr. Williams tells his encounters to his wife but is in for a surprise. A bigger surprise awaits him in what would be his last interview with Voorman. The best quality is its unpredictability and surprise ending.
- Just Before Losing Everything – dir. Xavier Legrand – This French short starts off as a melodrama that you think is about the young boy Julien. Instead things take sharp turn as Julien’s mother Miriam picks him up and his sister who leaves her boyfriend in tears. Turns out the mother is hiding herself and her children from her abusive husband and seeks the department store she works at as her refuge. Then her husband shows up. Excellent drama that’s very true to life and you don’t know what will happen next, even though you hope for the best result. That’s why this is my Will Win prediction.
- That Wasn’t Me – dir. Esteban Crespo – The story begins as international doctors going to work in a village in Africa only to be held at gunpoint by child soldiers and then held hostage by an angry and accusative warlord. Frequent flash-forwards to when the young boy soldier is all grown up and telling his story to an audience. The drama of what takes place and how he’s able to escape is a painful reminder of child soldiers but also a message of hope that they can find a way out. Very well-played out and passes on a good message.
- Do I Have To Take Care Of Everything? – dir. Selma Vilhunen – This Finnish short is actually a comedy. A family overslept and is late for a wedding. they’re in a rush to dress themselves and their children. The parents get themselves ready fine but their daughters end up in Halloween costumes. They forgot their present so they take their plant instead. even after they drop it while running to the church and smash the pot, they still take the plant there. The ending is a hilarious surprise. Definitely the funniest of the five and succeeds in entertaining in the seven minutes it has.
And there you have it. My thoughts and predictions of the five nominees from both shorts categories. Any of the five can win. I remember last year the ones I thought would win didn’t. We’ll just see which ones win on Oscar night. For those that want to know my predictions for all the other categories, click here.