Most of you have already seen my first summary or even my second summary. This last summary will have a look at the last three Best Picture nominees I saw. They were Lion, Hidden Figures and Hell Or High Water.
Lion is one of those films which came out of nowhere to surprise everyone who has been lucky to see it.
We have seen many against-all-odds stories in the past. This is something because this is a true story of something that really was against all odds. It wasn’t just about making it happen but also of the family relations Saroo has developed over his lifetime. What will happen? Will he leave the family he’s always known? Is the family he’s searching for still alive? The best quality of this story is that it keeps us intrigued and hoping Saroo reunites, but also has us concerned of what will happen after.
Another quality of this story is that it does not forget the cause of the problem. Saroo is seen as the lucky one who was able to reunite with his family after all these years. However throughout the film, especially at the beginning, we see the cause of the problem. Saroo was unsupervised when he boarded the express train. The language barriers caused problems. Even Saroo’s mispronunciation of Bengali words caused problems. The train stations of Calcutta are loaded with stray children ready for abductors to prey on, and station police looking the other way. Even the missing posters advertised before his adoption were no good as his mother is illiterate. India failed Saroo and Saroo succeeded thanks to Google Earth and his fierce will. The film at the end lets people aware of the problem; 80,000 children go missing in India each year. The film’s website informs people of how they are making a difference in aiding to protect children in India.
This film is an accomplishment for the Australian film industry. I don’t know if Australia has ever had a film nominated for Best Picture before. This is director Garth Davis’ first ever feature length film. Bet you wouldn’t believe that. Luke Davies did an excellent job in adapting Saroo’s biography into a winning screenplay that keep the audience intrigued and hoping for the best in the end. Dev Patel’s performance as Saroo was the highlight as he did a great portrayal of a young man who’s angry on the inside and knows what he needs to do. Nicole Kidman was also excellent as the mother who appears grateful on the outside but has some inner hurt waiting to come out. Young Sunny Pawar was also very good playing the young Saroo. He was cute but he didn’t take it overboard. He played his part well. The film also featured top notch cinematography from Greig Fraser and excellent original music from Dustin O’Halloran and Hauschka.
Lion is an excellent film featuring a story you won’t forget. A surprise contender this year and a worthy one.
It’s good that we have a film like Hidden Figures to tell us about a piece of history that we never knew about.
The film comes at the right time as it deals with a lot of situations that are relevant in our world. This may be set in the early 60’s and revolves around a moment in space history but it has a lot of situations relevant to today. One is of workplace racism. It’s not as bad now as it is then but there are still a lot of unsolved problems. The second is of technology being so good, it can replace workers. These three women had iron wills. They knew they had potential, they knew they had what it takes and they wouldn’t let racism or the threat of modern technology stop them from reaching for their achievements.
The year of 2016 was a crushing year. It was a year that constantly reminded us that there was still a lot of racism to overcome. Despite the improvement over the decades, it was able to show its ugly head with low employment rates and police beatings. This is a film that reminds us that racism can be overcome. When you look at it, the women were doing this all during a turning point in the history of African Americans. African Americans in Virginia had less rights than they do now and discrimination was perfectly legal. Back then there were still separate washrooms for colored people, separate library books for white and colored people, and police beatings during civil rights marches. The women overcame these barriers and they opened doors for other colored people for generations to come.
This is only the second film Theodore Melfi has directed and written. This is the first feature-length script Alison Schroeder has written. Does come across as like something you’d get from Hollywood, but it’s not a weakness. It does all the right moves. Taraji Henson was great as the protagonist Katherine Goble-Johnson, but the show-stealer was Octavia Spencer. She was not only good at playing a woman who wouldn’t let technology kill her job, and the jobs of 30 other black women, but she was a colorful scene-stealer too. Janelle Monae completes the trio as one who just wouldn’t say die to her ambitions. The male actors were mostly supporting roles but Mahershala Ali was the biggest one as Jim Johnson, Katherine’s new husband. The mix of Motown music mixed in with the original score from Hans Zimmer, Pharrell Williams and Benjamin Wallfisch also added to the spirits of the movie.
Hidden Figures showcases a little-known fact about a big moment in American space history. It’s also the right uplifting movie needed at this time.
HELL OR HIGH WATER
I missed Hell Or High Water when it first came out in the theatres in August. I admit I was caught up in the summer fare and I overlooked it. I finally saw it recently and I’m glad I did.
One thing is I miss seeing is crime comedies. You know, the dark comedies featured in crime stories. This film has a good amount of comedy to it with their failures at robbing first. Even the situation where the brothers rob the Texas Midlands Bank and pay the mortgages they have with the bank off with the robbery money is full of surprising irony. It’s not even the robbery spree that has all the comedy. There’s the comedy when the rangers visit the places they question. There’s even comedy with that hard waitress at a restaurant they eat at: “What don’t you want?” The comedy doesn’t last as the story gets darker later on. However it does end on an ironic note as the now-retired Officer Hamilton does meet up with Toby Howard, perfectly free, and inquires of the robberies he and brother Tanner committed together.
One thing about this crime drama is that it has a lot to say. We have two brothers–Tanner who appears to have no redeeming values and Toby who’s as cool as a cookie– robbing various branches of the same bank. You see signs advertising debt relief. You hear from people– both family and people the brothers run into– talking of their own economic hardships. You see the indigenous people, who are still referred to as ‘Indians’ with their own outlook on things. Mostly negative. Looks like this story has a lot to say. Even hearing Alberto Parker say that he believes the true criminal is the Texas Midlands Bank does get you thinking. Maybe it’s the Bank that are the true robbers around here.
This is actually the first American production from Scottish director David MacKenzie. He has a reputation back in the UK with films like Young Adam, Hallam Foe and Starred Up. His first American production is top notch and really delivers as both a crime story and an offbeat Western. This is also an accomplishment for writer Taylor Sheridan. Already having made a name for himself in Sicario, he delivers again in what is actually his second feature-length script. Of all acting performances, Jeff Bridges is the one that was the best. He delivered a top job in character acting from head to toe. He was completely solid in character. Chris Pine was also good as the brother Toby who’s smart, tries to play it cool and possibly the one person in the world who could see redeeming qualities in brother Tanner. Ben Foster was also a scene-stealer as Tanner who a complete ruthless loose cannon who appears to have a bone to pick with everyone over anything and possesses a false sense of invincibility. Gil Birmingham was also good coming across as the wise partner who plays it cool. The country music in both recorded format and original from Nick Cave and Warren Ellis fit the film perfectly.
Hell Or High Water makes for an intense thrill ride that’s big on thrills but also takes you to the heat of the moments. The story even gets you thinking. Now why did I miss it during the summer?
That does it. My final summary of the Best Picture nominees for 2016. After seeing Hell Or High Water, that makes it 16 straight years of seeing all the Best Picture nominees before Oscar night. My predictions for the wins coming on Saturday.
One of my Christmas treats was seeing Rogue One: A Star Wars Story. I’m glad I had my chance because it was an excellent movie.
Now just a reminder to you all, this is not part of the nine-episode Star Wars saga we all know. This is part of the Anthology Films of the Star Wars franchise. Actually this is the very first Anthology film to be released. The film is a triumph for writers of ‘fan fiction’ or ‘fanfic’ as it’s commonly called on the internet. However bringing fanfic like this to wide release on the big screen was no easy task. We all know how Star Wars has become a cinematic phenomenon like no other. George Lucas knows about it. Lucas himself is comfortable with ‘standalone’ films based on the Star Wars stories but wanted to make very clear that any standalone stories could not carry characters between the Saga films.
Here we have a story that is to take place between Episode III: Revenge Of The Sith and the very verse Star Wars film that’s now referred to as Episode IV: A New Hope. It’s a pretty lengthy amount of time between when Anakin Skywalker becomes Darth Vader and Luke Skywalker seeks to become a Jedi. Nevertheless it does make for ample time for any Star Wars fan to create a story of what happens in between. Storywriters John Knoll and Gary Whitta aren’t just any Star Wars fans. Knoll has done camera operations and visual effects supervision for many science-fiction films including four Star Trek films and the three Star Wars prequels. Whitta is a scriptwriter for The Book Of Eli and After Earth.
The adaptation of the story to screenplay had to fall into the right hands as well. Scriptwriter Tony Gilroy may have had his biggest renown with 2007 Best Picture nominee Michael Clayton (for which he himself was nominated for Best Director and Best Original Screenplay) but his he’s also made his biggest impact in writing the scripts for all four Jason Bourne movies. Chris Weitz has an eclectic resume of writing and directing from Antz to American Pie to About A Boy to The Golden Compass to one of the Twilight films. Then there’s the film being directed properly. Gareth Edwards may have not had the most experience in directing but he has developed his reputation in recent years upon films like 2010’s Monsters and 2014’s Godzilla.
Then there’s the story itself. There are possibly loads of Star Wars-inspired stories. The story would have to be true to the Star Wars saga without it being a rip-off. There’s lots of that and even professional writers can make something that’s a Star Wars rip-off. Most Star Wars fans will not go for something insulting. True, there are a lot of people that are Star Wars-crazy but most will not go for something if they sense it’s a rip-off. Don’t forget many felt insulted by the prequels so that’s a reminder.
They succeeded. They provided a very good story about the completion of the Death Star and the family behind it and the rebellion attempting to steal the plans leading to the hope in the end. The story had to be well-researched in order for it to make the right connection between Episode III and IV. Any new characters like the Ursos, Cassian Andor and K-2SO had to fit with the story as well as include original Star Wars characters like C3P0 and Darth Vader properly. On top of that, it had to have the right action scenes and the right battles done. Basically the whole movie had to have it all to work. The story could not be compromised despite the action sequences. The acting also had to be top notch from Felicity Jones, Diego Luna, Mads Mikkelsen, Ben Mendelsohn and Forest Whitaker. Even the theme of the story of heroism has to be present. It’s there, but in a way like no other Star Wars saga film does it. For the first time, self-sacrifice is needed for heroism.
The story worked very well. The critics on Rotten Tomatoes gave a total percentage of 85% approval. Many praised it for its depth in the Star Wars mythology and for breaking new narrative and aesthetic ground while paving way to a potential future for other blockbusters. The film scored well with crowds too as it would become the 20th movie to gross over $1 billion worldwide.
Rogue One: A Star Wars Story is not just an excellent movie. It’s an accomplishment. It’s proof that Star Wars standalone movies can not only be a hit but be excellent in their own right.
Some of you may be confused about the order of how I do each film of my Best Picture summary. It’s definitely not alphabetical. How I do it is in the order in which I saw the nominees. For example, I saw all the films in my first summary before Christmas. I saw La La Land on my father’s birthday, Fences the day after New Years, and Manchester By The Sea on the day of the Golden Globes. That explains why they’re the three films part of my next Best Picture summary.
LA LA LAND
We don’t see musicals on the big screen as often as we did back in the 60’s and 70’s. La La Land may not make the musical phenomenon come back but it is very entertaining.
We’re constantly reminded that bringing a musical to the big screen is a very tricky job. In the past 15 years, I’ve seen a lot of cases of musicals being put on the big screen– most of which are adaptations of Broadway musicals– and it’s always been a case of sink-or-swim. There have been those done successfully like Moulin Rouge, Chicago, Dreamgirls and Les Miserables. There have also been adaptations with bad results like Rent, Nine, The Phantom Of The Opera and Mamma Mia. It’s a very tricky job and it may explain why we don’t have musicals as frequent as in decades past.
Now try putting a fresh original musical on the big screen. That’s what writer/director Damien Chazelle does here in cooperation with composer Justin Hurwitz who was Chazelle’s Harvard classmate. The musical is a story we’re familiar with: boy meets girl, boy learns girl also has showbiz dreams, both boy and girl are supportive of each other’s dreams, boy and girl both have long bumpy roads to get to their successes, boy and girl both achieve their own successes but their love is put to the test. One could argue anyone could create a musical with that kind of premise. Whatever the situation, it would have to take a lot of hard work and a lot of brainstorming to make a very good musical out of this. In addition, it would have to have the right songs, the right singing moments and the right dancing moments to make it succeed.
Chazelle and Hurwitz succeed in pulling it off. The story is familiar but they deliver all the right moves in making the story and the songs of the musical work. It’s not just about making a common story work as a musical on screen but have it set in the modern times too. I’ll admit that opening in the movie where there’s a song-and-dance number on a jammed-up freeway was unexpected. It’s not just set in modern time but it also brings back a lot of the classic scenes of Hollywood; the Hollywood we’ve all come to know and love. I think that’s why La La Land comes off as a gem. Because it’s a reminder of the great musicals of the past and why we love them so much. It’s just that charm.
It’s not just up to Chazelle and Hurwitz to make this musical work but also the actors too. Both Ryan Gosling and Emma Stone had to make things work as well both as individuals and both as the couple Mia and Sebastian. They had to tell their own stories of love and passion for their crafts and the heartbreak they had to endure to achieve their dreams. They both also had to play a couple with the right chemistry to work. They pull it off excellently both as a couple and in their own individual moments too. The supporting actors/singers/dancers also had their parts to play too and add to the zest of the musical. Their own participation also added to the movie. Sure some of the bigger supporting performances from John Legend, J.K. Simmons and Tom Everett Scott lacked range–I mean Mia and Sebastian were the dominant focus of the musical– but they did very well too. The film did a very good job in terms of the use of sets both set up and various Los Angeles locations. The film even scouted out some ‘old L. A.’ locations to add the charm. That was not an easy find, I’m sure.
And now onto the songs. My father who likes musicals believes having a memorable song is what makes a musical a masterpiece. I have to agree. I’ll say I agree with him that there is no single song in La La Land destined to be a memorable classic. True, ‘City Of Stars’ is getting a ton of awards but I don’t think it will be a classic 20 years from now. Actually my favorite songs were the opener ‘Another Day Of Sun’ and ‘Audition (Here’s To The Ones Who Dream).’
It’s funny. Years ago, I jokes the unique thing about my father is that he’s straight and he likes musicals. He was quick to remind me that back when he was dating my mother, musicals were the ideal date movie. My how times have changed. What defines a date movie has changed as much over the decade as ‘real man’ standards.
La La Land may not have what it takes to bring the musical phenomenon back to the big screen but it’s winning in it’s own right. Anytime soon I’m expecting a stage adaptation of this.
Fences is a play by August Wilson that won raves when it first came out in the 1980’s. Denzel Washington brings Fences to the big screen at long last and the end result is something wonderful.
Fences is unique as a stage play. It’s a story about Troy Maxson: an African-American man in 1950’s Pittsburgh who makes like he has it together but he doesn’t. He thinks he could have been the next Jackie Robinson but feels racism kept him from moving out of the Negro League. He wants to mould his son the way he feels right and wants him to be better than him but doesn’t sense how harsh he is. He wants to be seen as a loving husband to his wife Rose but secrets of his infidelity are about to unfold. He gets an opportunity as a driver of a garbage truck–the first ever for a black man in Pittsburgh– but is reminded of his weaknesses when he accidentally signs for his brother to be admitted into a mental hospital. He has his own feelings about what should be right such as how he feels it’s better to raise his son right than like him only to see it backfire. I’ve heard some writers say that every African-American male has some aspect of Troy Maxson in them. Some people say that Troy Maxson is the African-American everyman. Some can even say Troy Maxson is the black Willy Loman. Whatever the situation, it was the toast of the 1987 Tony Awards and definitely made a legend out of scriptwriter August Wilson.
Now Wilson had always dreamed of bringing Fences to the big screen. I know one of the things he insisted on was that it be directed by an African-American. That may or may not have been the biggest obstacle but it was never realized in Wilson’s lifetime; he died in 2005. Hope was revived in 2013 when Denzel Washington expressed interest in bringing it to the big screen and star as Troy Maxson. Washington played Maxson in a Broadway revival in 2010. He’s even had experience as a director with 2002’s Antwone Fisher and 2007’s The Great Debaters. The production was realized early in 2016 when Washington was joined by producer Scott Rudin who also produced the 2010 revival. Viola Davis who was also part of the revival as Rose Maxson soon joined in along with other actors from the revival like Mykelti Williamson, Russell Hornsby and Stephen Henderson. One thing was that Washington wanted to remain true to Wilson’s own adaptation in respect to his work.
Now adapting a play to the big screen is as much a tricky challenge as bringing a musical to the big screen. It’s a matter of choices of what to include and what to keep as is. Theatre and film are two different formats of medium. Film scenes are numerous and can be set in an unlimited number of places in various amounts of time. Theatre scenes are often few, often quite lengthy, set in a limited number of places, and often consists of ‘moments of monologues.’ There’s even that 20-minute final scene in Fences where the family is getting ready for Troy’s funeral. Rarely in film do you have a scene after the death of the protagonist that’s even five minutes long. It’s a matter of making the adaptation work on the big screen. It’s also about what choices to add to the film adaptation and if they work. It was about choosing to add the scene of Troy and Jim Bono on the back of the garbage truck at the start. It was about including the scene without dialogue of Troy and Gabriel in the mental hospital. It was about keeping Alberta the mistress from being seen in the film in any which way.
Then there’s the acting. Of course it’s beneficial for most of the actors to have previous experience with the roles. However, it’s a known fact that stage acting and film acting have their differences. The biggest difference for film is that the audience expects a 100% believable performance, especially since it will be witnessed on a screen five-stories tall.
Overall I feel that Denzel Washington as a director/producer did a good job in adapting the play to the screen. It may not have the fast brief dialogues you get in your typical big screen fare but it was still done well and with the same truthfulness. The choices of what to add to the big screen adaptation were good choices, if not perfect. Denzel as an actor was definitely phenomenal in embodying the role of Troy in all of his triumphs and struggles. You could feel the pride and demons Troy was struggling with. Just as excellent is Viola Davis as Rose. The role of Rose was also a strong challenging role: a wife who appears happy and loving on the outside only to suddenly let out her hurt and inner wrath towards Troy and somehow come to peace with him upon his death. She does an excellent job of finally exposing Rose’s inner hurt and inner personal strength at the right times and even ending with believable delivery. The acting of the whole ensemble was very much there and as excellent as it can get. Of all the supporting performances, the one that stood out most was Stephen Henderson whose performance as Jim Bono came across as a common man at first but would soon come off as the man with a lot of wisdom and was able to see the good in Troy even while his terrible misdoings were being exposed. The ‘newcomers’ Jovan Adepo and Saniyya Sidney were also very good in their roles. Jovan especially did well as the son struggling to relate to Troy.
Fences is a triumph of a twelve year-old dream coming true. August Wilson dreamed it. Denzel achieved it. The end result is a masterpiece.
MANCHESTER BY THE SEA
Manchester By The Sea is a film that has been loaded with Oscar buzz ever since it made its debut at last year’s Sundance Film Festival. It’s easy to see why all the buzz.
The film presents a hurting person and showcases all the things that led to his hurt. It shows why he had to leave the town he always had as his home and why returning can’t be done. It shows why Lee Chandler comes across as a jerk in the present when he wasn’t like that at all years ago. The film is also about the relationship of Lee and Patrick. Rarely do we see a film about an uncle-nephew relationship. You think the relationship is something all of a sudden at first forced by something in his brother’s estate but it was always there even when the two were apart.
The film also presents a situation where healing or leaving the past behind is next-to-impossible. I’ve always believed people need to heal. It’s not right to hurt. I still believe it. However I can easily see how healing is very hard. You can see why it’s extremely hard for Lee to heal, especially upon returning to Manchester By The Sea, Massachusetts. His negligence that one night is why all three of his children were killed in that fire. The divorce from his wife Randi was bitter and she gave him hurtful words in the process. The town has not forgiven him for what he did: his name is still mud. Even moving to a suburb of Boston has not ended his hurt as he’s rude during his job and starts bar fights over the simplest thing.
The film does showcase Lee’s attempt to assimilate into the town and try to become the guardian to Patrick he hopes to be. The story does not water down as it exposes Lee’s failings. It also exposes how complicated the situation is as Patrick’s mother is a recovering alcoholic and still under strict control by her husband. It also shows how hard it is for Lee to forgive himself. Even as Randi says she’s forgiven him, Lee still can’t heal.
The story does not water down the situation or try to aim for the type of happier ending you’d get in a film like Arrival. The story does not end the way you hope it does. Nevertheless it does end with a ray of hope. Patrick is the closest relative to Lee. His parents and brother are gone and his other brother lives with his own family in Minnesota. Patrick is the one person in Manchester By The Sea outside of family friend George who doesn’t see Lee as this terrible person or rubs into Lee the tragedy he caused.
The film was not just about Lee trying to heal for Patrick but about Patrick too. Patrick is a teen with a lot of common ‘teenage make jerk’ traits like starting fights in hockey and cheating on girls but you know he has a naïve, innocent and even sensitive side and it comes out in his relationship with Lee that starts uneasy at first. Patrick still wants to live a normal teenage life by dating around, playing with his band, and talking about Star Trek with his friends, but you know he has feelings of hurt and frustration on the inside and you know they’ll come out eventually. For all the teenage jerk traits Patrick has, his respect for Lee is his best quality. Patrick could have easily come across as a rebellious teen and gone as far as calling Lee a ‘child killer’ but he doesn’t. Possibly it’s being Joe’s son that may be why Patrick is the person most forgiving to Lee now that Joe is gone. Joe was the one person willing to help Lee live life again after the tragedy and Patrick accompanied Lee and Joe during that time. You can see how Patrick adopted his father’s sensitivity to Lee.
The story of this film is definitely not a crowd-winner. You can understand why a film like this would rely on the Film Festival circuit to get its exposure and its chances of making it to the box office. Nevertheless it is an excellent story about loss, grief, hurt and an attempt at healing. The film fest circuit was the best way for a story like this to get a box office release. It’s good because it is a story worth seeing.
Writer/director Kenneth Lonergan delivers an excellent original story. Lonergan has few works writing and/or directing to his credit but they have a lot of merit: like Analyze This, You Can Count On Me and The Gangs Of New York. This is his best work to date. He delivers a story that’s honest and even brutal at times and doesn’t water down but doesn’t try to rip at your heartstrings too often. He also gives characters that are three-dimensional and will remind you of people or situations you may know about.
Actor Casey Affleck fit the role of Lee excellently. He captured Lee’s inner demons excellently and played them very truthfully. He was able to make you hate Lee at first but come to understand him later, even feel for him, and make you want the best to work out for Lee in the end. Also excellent was Lucas Hedges. Hedges’ role of Patrick grows in its complexity over time and he does an excellent job of it. The two together had to have the right chemistry to make an uncle-nephew relationship like this work and they had it.
The only other significant supporting role in the film is Michelle Williams as Randi. The various scenes as the typical wife before the tragedy to being the remarried ex-wife who healed better than Lee and wants to make peace with him is also a complex role too and she does an excellent job of it too. Actually the whole cast did an excellent job of acting and they delivered one of the best ensemble performances of the year. It’s not just the basics that made this film great. There’s also the cinematography from Jody Lee Lipes where she’s able to get some of the most picturesque shots of the east coast. There’s the editing of the story shifting from the present to the past back to the present on a constant basis at the right times. There’s the inclusion of dialogue at the right moments and even moments of dialogue muted at the right times where you just know what they’re saying. The muted parts work to the story’s advantage. There’s also the arrangement of music–original, classical and choral– that add to the story.
Manchester By The Sea may come across as a film that’s unwatchable if you take its premise at face value. In the end, it turns out to be a great story that’s worth seeing.
And there you go. That’s the second of my review of the nominees. One’s an original musical, one’s an original story and one’s an adaptation of a renowned stage play. All three make it obvious why they were nominated for Best Picture as all three have what it takes to be among the Top 10 films of the year.
Final Best Picture summary is expected to be up by Tuesday.
I was originally planning on saving my review for Star Trek Beyond for a summer movie summary on science fiction movies outside of superhero movies. That was not to be the case as most of the top sci-fi movies were superhero movies. Nevertheless Star Trek Beyond is a movie worth reviewing by itself.
For the third of four movies of the revamped Star Trek series, the writers and director Justin Lin had to deal with making a 2-hour movie that is a continuation of the series while leading to an ending setting up for the fourth and final movie, which currently has no set year of release right now. The trick is trying to make the right choices of what to include, whether it be pieces from the original television series of the 60’s or of movies of the past, and create the right third-movie.
One thing about this installment is that the focus is more about exploring new worlds which is what Star Trek is all about. However it’s also about friction as smaller ships ambush and wreck the USS Enterprise. Even the threat of an intergalactic race in another galaxy under a tyrannous villain adds to the drama this time. This is a case of a fresh story for the Star Trek franchise while trying to maintain the same spirit of the whole Star Trek series.
I mentioned back in my review of superhero movies that despite the action scenes, morals and values are essential for a superhero movie. Morals and values are also essential for a movie like Star Trek as well. The Starship voyage continues in its quest to discover new intergalactic worlds and develop ties between the life forms. The value of doing what’s right is present in this Star Trek movie as Kirk is about to go on a rescue mission that might endanger his life. He responds by saying; “I would rather die saving lives than live knowing that I took them.”
The movie sometimes seems like it wants to be a sweet farewell to Leonard Nimoy. It’s evident in the story as Spock receives news that Lieutenant Spock has died. Reminders pop up in the story line as Spock plans to leave the Starship to carry on the Lieutenant’s duties and even a sentimental scene near the end. I don’t think it did any wrong moves in doing so. Memorializing an actor, especially if they had such a memorable role in their lifetime, is never an easy thing. There are some times in retrospect I felt there were some wrong moves in memorializing Paul Walker in Furious 7 like the farewell image of his character played by his look-alike brother. However I feel they did it right here, including the toast ‘to absent friends.’ Even at the end the movie is dedicated ‘In Loving Memory’ of Nimoy.
Unexpected was the death of Anton Yelchin who played Chekov in the three revamped Star Trek films. He was a gifted actor capable of doing an excellent job in each role he played. In Star Trek, he delivered a Chekov that was half the age of the original Chekov but made it work on screen. He even added some charming humor to the movie series with lines like “Nine-Five-Wictor-Wictor-Two” or “I can do zat! I can do zat!” Unfortunately he was killed an a car accident one month before the film’s premiere. He was 27. The film didn’t make any major last-minute changes in editing or storyline upon news of his death but he is memorialized after Nimoy’s dedication with ‘For Anton.’
New to directing the Star Trek series is Justin Lin. He’s best known as the director of four Fast And The Furious movies. With his first attempt at directing Star Trek, he does a very good job in maintaining the spirit of the Star Trek franchise along with delivering the right storyline and right action to the movie. For the record, J. J. Abrams is producer this time. The script written by Simon Pegg who plays Scotty and Doug Jung who’s past work is mostly writing for television is consistent with the story and the spirit of Star Trek despite it being short on the expected action. All the returning actors still maintain their respective characters well. One thing noticeable is Chekov has more of a presence and he doesn’t deliver so many humorous lines this time. Another new addition is Idris Elba doing an excellent convincing role as the villain Krall. Visual effects were still good even if they weren’t the most spectacular. Also the addition of the Beastie Boys song ‘Sabotage’ got me thinking again to how Guardians Of The Galaxy and The Martian has made it a must to include musical moments in such movies.
The big surprise is the lack of box office success that came with this film. The film currently has a North American gross of over $157 million and a total worldwide gross of over $333 million. Since it cost $180 million to make, it’s labeled a ‘flop,’ especially knowing the first two revamped Star Trek movies starting back in 2009 both made over $200 million. People are wondering why? The film has an approval rating at Rotten Tomatoes of over 80% and there was expected to be big fare since this year is the 50th anniversary of the Star Trek franchise starting all the way back with the TV series. Some are saying Yelchin’s sudden death may have a lot to do with it, like it ‘spoiled the fun.’ It’s wrong to make such an accusation. Nobody saw his death coming. Not even Anton himself, if you’ve bothered to read the news about it. Some are saying the story lacks excitement. Possibly but it still has a lot of ingredients win crowds and Star Trek fans alike. Hard to say exactly. My assumption is that simply this is the third movie, not the first and not the last. Plus it faced competition from a wide variety of other movies this summer. I feel that the final movie can achieve more at the box office because it will be the final movie of a revamped film series that worked rather than flopped.
Star Trek Beyond may not be as action-packed as most of the other summer fare out right now or even past Star Trek films but it is a movie that delivers on the Star Trek franchise and stays true to its spirit. It even paves way to the fourth and final Star Trek movie to come.
I admit I’ve come to accept it after the Sochi Olympics. Since the late-90’s Canada has become a winter sports superpower but field a very good Summer Olympics team. In past Olympic Games, both Canada’s summer and winter teams were on the same levels. Very often the summer team would outperform the winter team. That has changes since the late-90’s as you can tell by the medal totals with each Games.
However it’s not fair at all to say our Summer Olympic team is lousy. Here in Canada, we have a lot to deliver. The 2015 Pan Am Games and the recent World Championships in various sports have shown we have a lot of athletes in contention. Sure we only won a single gold out of our 18 medals back in London but we have a solid team this year. Sports Illustrated predicts Canadians to win a total of seventeen medals including four gold.
Anyways you saw my focus on foreign contenders in Rio yesterday. Without further ado, here are the seven Canadians of focus:
Brianne Theisen-Eaton – Athletics: The last time a Canadian woman won a gold medal in track and field was in 1928 and that was the very first Olympics track and field events for women were contested! Canada was one of the best countries in women’s track and field in 1928 winning two of the five events and two additional medals. Yeah, what has happened since? Well the drought could very well be over. When Brianne Theisen graduated from high school, she went to the University of Oregon and it was the best decision. She represented Canada in London and finished 11th. She would later marry American decathlete Ashton Eaton and she’s been on a roll since finishing second at the last two World Championships. She also won the Goetzis HypoMeet this year with a points total that’s the highest of 2016 and has propelled herself as the favorite. She will face stiff rivalry from defending Olympic Champion and reigning World Champion Jessica Ennis-Hill and Worlds bronze medalist Laura Ikauniece-Admidiņa of Latvia. 2016 could just be Brianne’s year. Also look to see if Brianne and Ashton become the first married couple since the Zatopeks in 1952 to both win athletics golds in the same games.
Shawnacy Barber – Athletics: Canada is not known for its pole vaulters. Our last Olympic entry was back in 1992. Our only two medals in the men’s event came all the way back in 1908 and 1912. That can all change thanks to New Mexico-born Shawn Barber. He didn’t qualify for London at the tender age of 18 but his talent was obvious that year as he already broke the Canadian record. He has improved in both his vaulting heights and his competitive consistency over the years and even won the World Championship last year. He even vaulted six metres for the first time ever during an indoor meet this year. He will face challenges from defending Olympic champion Renaud Lavillenie of France, American newcomer Sam Kendricks and even home-country threat Thiago da Silva. Whatever the situation, Barber is sure to deliver.
Brooke Henderson – Golf: Here in Rio there won’t be any new sports on the program but there are two sports that were part of the Olympic program in the past that were cancelled out. The two returning sports are Rugby, albeit in Sevens format, and Golf. Golf was contested at the 1900 and 1904 Olympics. The last Olympic gold in golf was won by a Canadian: George Lyon. Professionalism may have a lot to do with that. Since there’s now no such thing as ‘amateur’ anymore, it seems right that golf returns especially since it’s international enough. Canada has a strong shot at winning through 18 year-old Brooke Henderson. Already displaying a combination of talent, drive and youthfulness that has best been seen in the past through Se-Ri Pak and Nancy Lopez, Henderson has already won three LPGA events. Her last two– the KPMG women’s PGA Championship and the Cambia Portland Classic–came this June and propelled her to 2nd-place World ranking. She’s a heavy favorite to win in Rio but she will face challenges from World #1 Lydia Ko of New Zealand, latest American great Lexi Thompson and last year’s British Open winner Ariya Jutanugarn of Thailand. Win or lose, Brooke has a bright future ahead of her.
Mark de Jonge – Canoeing: Until 2008, there were the 500m and 1000m events in flatwater canoeing for men. In 2012, the program replaced the 500m events with 200m sprints. That has worked for the advantage of Canadian kayaker Mark de Jonge. The Calgary-born Dalhousie grad won bronze in London the first Olympics it was contested. Since then, de Jonge has moved up in the ranks from silver at the 2013 Worlds to gold at the 2014 and 2015 Worlds. De Jonge will face challenges from France’s Maxime Beaumont and Sweden’s Peter Menning who finished second and third to him respectively last year. It could just well be de Jonge’s moment here in Rio.
Rosannagh MacLennan – Trampolining: Ever since trampolining has been introduced to the Olympic program in 2000, the Canadian team has left each Olympics with at least one medal. The women’s event has always had a Canadian medalist with Karen Cockburn winning 2000 bronze, 2004 silver and 2008 silver. In London, Rosie MacLennan became Canada’s first ever Olympic champion in trampolining. Rosie also had the bizarre distinction as being Canada’s only Olympic champion at those Games. Rosie has since won the 2013 World Championship and finished second the following year. She found herself out of the medals in 2015. She plans to return to her winning form in Rio but she will face the rivalry of 2015 champ Li Dan of China and two Belarussians: 2015 bronze medalist Tatiana Piatrenia and Hanna Harchonak. 2016 will be the arena for her to prove herself on top again.
Brittany MacLean – Swimming: Canada is known for its medal-winning swimmers. Sports Illustrated predicts Canada to win no medals. However one that could prove SI wrong is distance freestyler Brittany MacLean. The Etobicoke native who swims for the University of Georgia has a reputation in the distance freestyles with a 7th place finish in the 400 in London. However she was too injured in the 2015 season and had to miss out on the Worlds. This year, MacLean has the 6th-fastest time in the world in the 400 free and the 4th-fastest in the 800 free. Sure the distance freestyles are where Katie Ledecky is all the talk but Brittany MacLean just could win Canada’s first Olympic medal for a female swimmer since 1996. That feat could also be achieved by backstroker Kylie Masse or butterfliers Penny Oleksiak or Noemie Thomas. Actually Canada has its strongest women’s swim team in a long time. While the men’s team could only qualify ten swimmers. Looks like it’s the girls’ turn to shine.
AND ONE TEAM:
Canada’s Women’s Soccer Team: I’ll admit I didn’t review them when I did my pre-Olympic preview for London. And good reason why not. Back at the 2011 WWC Canada lost all three of their Group Stage games. However the turnabout the team made under the new coach John Herdman was evident as the team left the Olympics with the bronze medal. Their performance won the hearts of so many Canadians, I referred to them as ‘Our Girls.’ Canada has continued to show consistency with a quarterfinal finish at the 2015 WWC. Since then, the team have won most of their games losing only to Brazil, Denmark, USA and France. Canada won this year’s Algarve Cup and 19 year-old defender Kadeisha Buchanan was named the best player of the tournament. They’re not expected to win a medal in Rio but the team could just surprise the world again like they did four years ago.
And there you have it. My review of Canadian athletes to look out for in Rio. Notice that I reviewed the four Canadians Sports Illustrated predicts to win gold? Whatever the situation, I’m sure they’ll do our country proud.
It never fails with me. I have the habit of ‘waiting until the crowds die down’ to see a blockbuster movie. I don’t think it’s the right thing to do when it involves a Star Wars movie, especially not Star Wars: The Force Awakens. I saw it three weeks after its release. I’m glad I finally saw it.
I won’t explain the story line like I do in most reviews, especially since most of you have already seen it by now, unless of course you’ve been under a rock. One thing about this movie is that it wasn’t just simply bringing another volume of the Star Wars series to the screen. The film’s job was also to bring back the magic of Star Wars people have come to know and love. No kidding the first three Star Wars movies from 1977 to 1983, those that are now referred to as episodes 4 to 6, captivated the world. Watch any one of them nowadays and you’ll see why.
However when George Lucas did the three prequels from 1999 to 2005, many fans felt something was missing. No doubt The Phantom Menace had huge expectations but they missed them and disappointed a lot of fans. Attack Of The Clones tried to be better but still something was noticeably missing. The scene of the fighting Yoda added excitement but it was one small added element. Revenge Of The Sith was the best of the prequels but the feel of Star Wars was still not there. I think it was best summed up by my sister who’s a huge Star Wars fan: “George Lucas knows how to direct sci-fi but he doesn’t know how to direct actors.” Good point because it’s been proven in other action movies or sci-fi movies in the past that special effects no matter how dazzling cannot overtake a lousy story or lousy acting.
Now we should remember that The Force Awakens or Episode Seven was actually thought up by George Lucas way back in the 1970’s as he was dreaming out and writing out the whole Star Wars series. Lucas made it clear after Revenge Of The Sith he will no longer direct Star Wars movies. In fact he sold LucasFilm to the Walt Disney Company in 2012. The first thing Disney did was bring The Force Awakens on screen. The director they hired was J.J. Abrams who has an extensive resume in writing and directing thrillers and sci-fi like Armageddon, Mission Impossible III (his directorial debut), Super 8 and the last two Star Trek movies. Hired to adapt the story to screenplay was Abrams, Lawrence Kasdan who co-wrote the scripts for Empire Strikes Back and Return Of The Jedi but didn’t help co-write any of the prequels, and rising writer Michael Arndt.
The mix turned out to be the right chemistry as it was able to bring the magic of the story back to life. The recreation of the two worlds also worked excellently. There was however one challenge I feel it didn’t overcome. That was when they brought back Harrison Ford as Han Solo, Carrie Fisher as Princess Leia, and Mark Hamill as Luke Skywalker. There were a few times that I felt that instead of adding to the latest Star Wars story, it almost made it seem like a ‘Star Wars reunion.’ Even adding C3P0, Chew and R2D2 in there also added to that feeling this was like a ‘reunion” I don’t know if the huge following of Star Wars had a lot to do with why I felt that it seemed like a ‘Star Wars reunion’ but that’s how I felt.
One thing I have to say is the best thing about this Star Wars story are the new elements and the new characters of the story. One thing you hope to get with each Star Wars film are new characters that are able to charm us whether it be the philosopher Yoda in The Empire Strikes Back or even villains like Jabba The Hutt in Return Of The Jedi. Here was get appealing characters like Rey and Poe Dameron and even villains like Kylo Ren. I don’t know if they will deliver the same craze Luke, Leia and Han first did but moviegoers have welcomed them to the Star Wars saga. In addition we have a plot twist in this film as Storm Trooper Finn deserts his duty to fight against the Dark Side. That’s a key element leading into Episode Eight in anticipation in what will happen next.
In addition, adding BB-8 to the Star Wars saga was a plus. Usually adding in something cutesy to the Star Wars Saga is a risk. C3P0 and R2D2 had a big part in making the first Star Wars‘ greatness. The Ewoks of Return Of The Jedi helped make the story. However Jar Jar Binks of The Phantom Menace was too irritating and had a lot to do with that episode’s constant panning. BB-8 was cute but he was more the cute one would welcome and be entertained by rather than easily get irritated with. BB-8 actually added to the quality of The Force Awakens. Even the scenes where R2D2 meets BB-8 for the first time come across as funny instead of ridiculous.
It’s not to say the older elements weren’t good. They may not have stood out like the newer elements but they still fit the movie excellently. I know I talked about bringing Harrison Ford, Carrie Fisher and Mark Hamill back made it feel like a ‘Star wars reunion’ but they were intended to be in the story from the start and intended to age 30 years. I can’t think of anyone else who could play their characters. The Dark Side and its darkness still maintained its mystery and villainous feel. The battles were also excellent to watch. Oh yes, the light saber battles. You can’t have a Star Wars episode without light saber battles. There weren’t as many this time around but they still dazzled.
I will have to say J.J. Abrams succeeds with flying colors in directing and co-writing the latest in the Star Wars saga. He’s proven in the past he can direct sci-fi and direct actors and he was the right man to take over the Star Wars series right after George Lucas let it go. The acting was not stellar but it was very good. The best acting came from those performing the ‘new roles’ like Daisy Ridley, Adam Driver, John Boyega and Oscar Isaacs. Driver especially delivered an unpredictable villain. The set designs fit the movie perfectly and were able to replicate the ships, planets and lands of the story perfectly. The visual effects were top notch again and worked the movie excellently. And of course they had to bring back John Williams as the score’s composer. Even at 83, Williams is still at it. It seems as though there’s no other composer who can do it for Star Wars and he delivers again.
Without a doubt the biggest news about Star Wars 7 is all the box-office records it’s breaking. It already broke the opening weekend record with $247.9 million: almost breaking the quarter-billion barrier. It would go on to break the North American total box office record held by Avatar on January 5th: the very day I saw it! It now stands at $879.3 million and currently sits at #2 at the box office. Worldwide it sits at $1.94 billion currently and appears poised to break Avatar’s record of $2.788 billion. Only time will decide that.
Star Wars: The Force Awakens is a very good addition to the Star Wars series. Not only that but it brings back a lot of the Star Wars magic that appeared missing from the prequels. What can I say? Star Wars mania is back and rightly so.
Brooklyn looks like a film that would be a favorite for a Best Picture Oscar, under traditional standards. Nevertheless it’s worth seeing.
It’s 1952 and Eilis Lacey is about to emigrate from Ireland to the United States through the arrangements of her sister Rose. It’s not like Eilis will miss much. Life in her hometown of Enniscorthy has been redundant as she works at the mercantile run by the spiteful Miss Kelly part-time and she’s also unable to win the affection of a man at the local dance hall while her best friend has better luck. So what does she have to lose?
She bids a tearful farewell to her mother and sister Rose as she departs. The ship ride is trying as she has to cope with rocky waves that make her seasick and cabin neighbors who lock her out of the bathroom. Nevertheless she finds a cabin mate whom she gets along with well. Her cabin mate is actually on her second trip to the United States returning home. She gives her advise on what to do at immigration and informs her of what to anticipate in the United States.
Once in New York she makes her home at an Irish boarding house in Brooklyn run by a traditionalist woman housing young women. She’s able to find a job at a Manhattan department store but is uneasy with it at first. She meets with Fr. Flood who helped her make her job arrangements and she’s able to enroll in bookkeeping classes. She goes to dances at the Irish hall but is surprised to learn the young man who’s interested in her is Italian. He’s smitten over her but she’s reluctant to admit she loves him. Eventually she finally does and meets his family.
Unfortunately tragedy in back in Ireland interrupts her stay in Brooklyn. Fr. Flood informs Eilis that her sister Rose died and her mother doesn’t know how to cope. Before returning to Ireland, Tony wants to marry Eilis. They wed secretly in a courthouse. Upon returning to Enniscorthy, Eilis already has a return to Brooklyn planned out but over time she feels more at home. Her best friend is about to marry, she gets offered an accounting job on an emergency basis at her sister’s business, and she wins the affections of Jim Farrell, an eligible bachelor who stands to inherit huge property.
Over time she wins the love of Jim, gets admiration from her workplace and starts falling in love with the town she left behind. It’s like the life that eluded her before she left has happened once she returned. Her feeling at home in Enniscorthy has left her comfortable to the point she doesn’t open the letters Tony send her. None of them. However a visit to Miss Kelly and what she has to say to Eilis seals her fate and where she makes her final decision.
This film is one that will remind one of Oscar winners or nominees of the past. Often you think you’re watching a film that would’ve had what it took to win Best Picture 20 years ago. However what it does is it helps bring back the magic of those films set in the past and takes one back to an easier time. Usually nostalgia pictures like these have become too cookie-cutter over the years especially as the critical ‘powers that be’ in the film world have recently been giving the lauds to more innovative fare. I will admit myself this looks like something the Weinstein brothers would have shelled out during their Miramax days. However the film succeed in making such a nostalgia film a refreshing alternative around the awards season. The film even adds a certain charm or magic that seemed to be missing in a lot of nostalgia films as of late.
It’s a question what the film’s best quality is. Whether it’s the story line or setting of the environment. However I think the best quality of the film has to be a very relatable story. Sure, we’ve seen many Ellis Island or ‘Coming To America’ stories before. What I feel is the movie’s best quality is a common story that’s relatable time over time. In fact just last week, a person I know who came here from Ireland years ago and just received her permanent residency just this month said she saw the film and it reminded her of her own homesickness and even her own frustrations of not knowing what will happen next or whether things will work out for the better. Reminiscing over the film, I think that’s it. I believe its magic is this is a common story that any Irish immigrant to the United States, whether they came early in the 20th century or in the 50’s like Eilis or even just recently, can relate to and even see themselves and their own stories in that film.
Saoirse Ronan is the perfect pick for Eilis Lacey. She has the grace and the youthfulness to play her well. She also does a very good job of playing a young woman from back in the 1950’s with the elegance and innocence coming with it. Overall, Ronan’s role of Eilis is the centerpiece of the film. Nevertheless there are good performances from the other actors despite not having as complex of roles. There’s Julie Walters who did a good job as Madge Kehoe as well as Jim Broadbent as Fr. Flood. There are even those that give comic relief like Emily Rickards and Eileen O’Higgins as Patty and Nancy, Eilis’ two laughing girl friends in Brooklyn, and James DiGiacomo as Tony’s littlest brother Frankie who knows how to steal the show. There were however roles that could have been more. Firstly, Emory Cohen was also good as Tony Fiorello and had the right charm to play him but the role lacked complexity. Also there were times I feel Jane Brennan’s role as Mrs. Lacey and Domhnall Gleeson’s role as Jim Farrell could have been more.
Nick Hornby wrote a very good adaptation for the screen despite having some underdeveloped roles. John Crowley also did a good job in direction. This film should be considered the Irish director’s North American breakthrough. The technical aspects of the film like the sets, the costuming, the hair and the make-up worked perfectly for the film as it fit the times and the cities perfectly. Michael Brook also gave a fitting score to the film.
Brooklyn may look like your common Ellis Island story but it’s a film that does all the right moves and captures the right feel that makes this film great.
Once you see The Lobster, I’m sure it will make you think twice about going to one of those matchmaker hotels. Okay, maybe not but the whole scenario of matchmaking and the single life depicted in the film is downright bizarre.
The film is set in a dystopian future where single people are brought to a hotel in accordance to the rules of The City. The hotel gives people forty-five days to find a match. If they succeed, the couple is given a month to develop their relationship in a special section of the facility. After which, they are freed. If anyone fails in any which way, they are killed and reincarnated as an animal of their choice and sent into The Woods. People can extend their stay with The Hunt: people from The Hotel shoot tranquilizer darts at any of the ‘loners.’ One ‘loner’ capture gives one an extra day.
A man named David arrives at The Hotel. He brings with him a dog whom we learn to be his brother as he too was subject to The Hotel and failed to find a match in due time. David tries to get used to the hotel and its methods. He chooses to be a lobster if he does not succeed in finding a new woman. He even participates in The Hunt. He learns of the other leisurely activities at The Hotel. One awkward rule is masturbation is banned by painful punishment but stimulation from the maid is a requirement.
David first makes friends with The Limping Man and The Lisping Man. The Lisping Man would have to stick his hand in a toaster for masturbating one night. The Limping Man hopes to find a woman with a limp like him. Instead he’s attracted to a woman who has frequent nosebleeds. He fakes nosebleeds to win the love of The Nosebleed Woman.
David is inspired by this and first attempts to win the love of a woman whom everyone knows to have no heart. He’s impressed by her hunting skills and he’s attracted to her as she’s choking to death. He attempts to start a relationship with her but it turns out to be a disaster even to the point she kills the dog: David’s brother. He’s able to tranquilize her and bring her to the transformation room so she’ll be an animal forever.
It then gets to the point David can’t handle it anymore and escapes. He finds himself with the ‘loners:’ they live a wild life catching rabbits and hiding from the hunt. The rules are not as hard but they don’t permit any flirting or entanglement as they will punish it badly. David wins the affection of a short-sighted woman. This helps since he is short-sighted too. The loners give the two missions to go to The City and pose as a couple but it causes them to become more affectionate.
The loners go on a rampage where they try and split up the couples in The Hotel. David even goes as far as trying to split up The Limping Man and The Nosebleed Woman and others going as far as pulling a stunt with the Hotel Manager. Meanwhile the leader of the loners learns that David and the Shortsighted Woman are in love and blinds the woman. They attempt an escape. This leads to an ending as bizarre and unpredictable as the whole story.
It’s hard to see if this film was trying to make a point about dating life, being single and marrying. This is a very bizarre scenario from start to finish. Plus I would find it hard that such a situation would be for single people with our current human rights. Keep in mind this is set in the future. Hey, depictions of the future like that in The Hunger Games don’t paint a pretty picture. It’s interesting how the army of loners raid the Hotel. Makes you wonder if their mutiny is a form of rebellion or of personal anger.
I will have to say this is the most bizarre romantic movie I’ve seen since Eternal Sunshine Of The Spotless Mind. That movie was what you’d call the ‘romance of the absurd.’ I do feel it is about love and surrounding human emotions magnified 100 times. The time limit put on those at the hotel to find love could be seen as the personal time limits one puts on one’s self to find love. The case of the leader of the loners trying to split all the couples up could be a case of one’s unhappiness and how one could try to impose it on others. Even those that end up in the hotel like the limping man, lisping man, heartless woman, nosebleed woman and the short-sighted woman may reflect on people’s insecurities. Meanwhile David is in the centre of it all. He starts out as possibly the most normal of the bunch but it isn’t until the end that he resorts to eccentric extremes of his own for the sake of love.
This is the brainchild of Greek director Yorgos Lanthimos. He has accomplished a lot in his directing career. His film Dogtooth was nominated for an Oscar five years ago. This is his first English-language film. In directing and co-writing the story with Efthimis Filippou, he creates a set of worlds that could easily look ridiculous on screen but worked with careful writing and careful directing. I see many cases with the hunt, the transformation room, the mutiny and even the character of the Heartless Woman that could have easily come across as dumb but was done right and was sensibly done.
Colin Farrell did a good job of playing this bizarrely comedic role well that’s completely different from any of his blockbuster roles of the past. He had to portray a man who treats this bizarre situation as something sane and normal. Even going from the sanest person in the film to committing an insane act for love at the right moment. He does it very well and gives the comedy the right tone. Although Farrell owned the film, Rachel Weisz as the Shortsighted Woman and Lea Seydoux as the Loner Leader were the strongest supporting performers. Some of the other minor characters were also very good such as Ben Whitshaw as the Limping Man, Angeliki Papoulia as the Heartless Woman and Jessica Barden as the Nosebleed Woman.
The Lobster is a film collaboration of five nations: UK, Greece, Ireland, Netherlands and France. It won the Jury Prize at the Cannes Film Festival and was a nominee for the Palme d’Or. It has also won top film awards at the Rotterdam and Ghent Film Festivals.
The Lobster is both bizarre and amusing in its depiction of a futuristic world and its ways of dealing with dating. It’s both bizarre and charming at the same time.
Slow West is not your typical western. It also comes off as a love story that’s more than meets the eye.
Jay Cavendish is a sixteen year-old Scottish boy in the frontiers of America. He recently arrived over there in pursuit of Rose Ross, his love from back home who also fled to America along with her father. The frontiers are deadly but Jay is determined to find her. Jay finds himself prey by strangers who were first trying to kill a Native American but is stopped by a bounty hunter named Silas Selleck.
Jay tells Silas his story of his pursuit and even pays him for protection. Silas cooperates at first but when he sees the wanted poster for Rose and her father, he decides to use it for his own pursuit for the bounty of $2,000 and use Jay to get it. During the time, Silas tells Jay about the importance of keeping his guard and why killing is necessary out there. It then becomes evident when a Swedish couple try to rob a store Jay and Silas are shopping at. The man and the owner are shot while Jay is up against the woman. He shoots her, his first murder. That wasn’t all. The couple had their children with them to which Jay and Silas give them food and clothes before leaving them behind.
In the flashback to before Jay and Rose came to America, we learn Jay was a boy of noble birth in Scotland and had a huge love for common girl Rose but deep down Rose thought of him more to be like a ‘little brother.’ One day an intense argument between Rose’s father and Jay’s uncle, the Lord Cavendish, led to the uncle being killed. That’s what led Rose and her father to flee to America with the bounty on their heads.
In a conversation, Jay finds Silas a brute because he doesn’t appear to care about love and seems to only care about ‘surviving.’ Jay leaves one night with his horse and goods but meets up with a writer named Werner who appears to befriend him only to rob him overnight. Silas is able to find Jay and the two return only to be confronted by the gang Silas used to belong to and its leader Payne who plans to beat Silas to catching Rose and her father. Payne even steals their weapons overnight. Unbeknown to Jay and Silas is that Payne and the gang have the orphaned children of the Swedish couple from the robbery.
SPOILER WARNING: The ending will be revealed in the below paragraph.
The two continue on unarmed until they enter a forest. They find themselves prey among a Native American tribe but are saved by the luck of them falling off horses. In the meantime, Payne and the gang pursue Rose and her father who are living in a desolate farm house protected. However the father is shot to death and Silas wants to pursue Payne and his gang alone tying Jay to a tree for his protection. Jay is able to free himself but finds himself in the battle where he is shot by Rose who doesn’t recognize him at first. After a gritty gun battle Silas kills Payne’s gang while a dying Jay is able to kill Payne while comforted by Rose. Silas is shocked to find Jay dead but later on becomes Rose’s love and adopts the orphaned Swedish children.
When you see the whole film, you could easily see it`s not your typical western. Yes, there is gunshooting going on. However the film focuses on motives of the shooting. It focuses on the people and why they`re committing these murders. It can be either for personal greed or vengeance or simply to help themselves and their loved ones survive. Another interesting thing the film focuses on is the wide variety of characters involved in this Wild West scenario. There were your typical villains but there were others like the immigrant couple robbing a store to feed themselves and their starving children. This was a reminder that even the first immigrants the US in the 1800`s had to fight to survive in the New World.
Mind you the shooting in the film isn’t meant to stir up the excitement you’d normally acquire while watching a Western. Instead it focuses on the gun battle’s intensity and gets the audience feel the heat of the friction instead of being dazzled away by the gunslinging. In each case, you’re left with an aftermath that’s ugly. Seeing the bodies on the ground is more disheartening to the viewer instead of satisfaction that the job is done. I guess that’s why the film is called Slow West, because the ruthlessness and friction of the Wild West here is slowed down and the intensity is felt instead of just seen.
The film also focuses on the theme of love during a time and place where it appears people have no heart of soul. Jay is so determined to get back to his love Rose even though her and her father have a bounty on them. It took Jay to convince a bounty hunter who was only interested in using Jay as bait for Rose and her father about what love is. Over time they see the fight to survive and the lack of scruples in the people that surround them during their trip. However it`s Jay that convinced Silas of the power of love even if Jay appeared to be too naïve and deluded for his own good. It`s a common theme in a lot of films that show love in what appears to be a moral wasteland. I’ve seen it before in City Of God where love and hope exist in one of the most brutal favelas of Brazil. Here in Slow West we see love in the lawlessness of the Wild West. Even if Jay`s heart `beat in the wrong places,` he changed the older bounty hunter Silas and his heart. You know it when he says at the end: “There’s more to life than survival. Jay Cavendish taught me that. I owe him my life.”
This is actually the first feature-length film directed and written British director John Maclean. He does a very impressive job by packing a lot of intensity into an 85-minute story. For those who don’t know, John is actually a former guitarist for the Beat Band and The Aliens before turning to film directing. Michael Fassbender does a great job of character acting in his supporting role and Kodi Smit-McPhee is also excellent as the young Jay in capturing both his acquiring of the necessary ruthless grit over time while still keeping his passion and innocence. Impressive supporting performances come from Ben Mendelsohn as Payne and Caren Pistorius as Rose. Even minor performances like the Swedish couple committing the robbery and the Congolese singers add to the story.
The film has already won the World Cinema Grand Jury Prize at the Sundance Film Festival in the Dramatic category and has above 90% on Rotten Tomatoes but the film has not been successful in winning a crowd. Not even $250,000. It`s not fair to say Sundance winners are declining at the box office, even though such films have shown a lack of buzz compared to 20 years ago or even 15 years ago. However this film was overshadowed by the Sundance hit comedy Me And Earl And The Dying Girl which ad no star power at all. It`s always hard to predict what will win with the crowds. Right now there’s no data on how much online viewing of the film has happened.
Slow West doesn’t have the fast-pace action one would expect from a Western. Instead its slowness and intensity are its best qualities which allows the audient to feel the grit of the situation and the feelings of its main characters. Qualities that make the story.