Can you imagine a party where everything that could go wrong does? The British comedy The Party is a film that shows exactly that!
The film begins with Janet waiting for her party to begin. She just won a seat in parliament. The party is expected to be a private one with her husband Bill, best friend April and her husband Gottfried, close couple Martha and Jinny and her son Tom. Bill is frail and not in the most pleasant of moods. April has a very blunt mouth and isn’t afraid to say what she believes to be true, no matter how spiteful. Gottfried appears not to be with his wits. Tom is trying to keep his cocaine habit a secret. The couple of Martha and Jinny appear to be the only guests who have it together. Of course, they’re happy as they’re expecting triplets.
The party is supposed to go smooth, but April appears to be saying something to start a spat anytime soon. Gottfried is always embarrassing April. Tom’s frustrations about his marriage are becoming obvious. Nevertheless Janet is toasted by all.
Then the chaos begins. Janet first receives a text from a man wanting her back in her life, to which she declines. Bill announces he’s dying to all. Janet is broken, but he’s vague on what his condition is. Only Gottfried appears to believe him and is willing to help him. Then unfaithfulness has been revealed about both Martha and Jinny and it threatens not just their relationship, but the birth of their children. Then Bill admits to Janet, he’s been seeing another woman. Janet is infuriated. Only Gottfried stands by his side. Tom does more coke and contemplates hosting himself, but later throws the gun in the garbage. Janet is upset by the whole thing with no one but April to give her words of comfort. However Janet soon finds Tom’s gun in the garbage. Then Bill reveals to Tom the ‘other woman’ is his wife. Tom responds by punching Bill. Bill appears dead on the floor and is being resuscitated. Martha and Jinny try to look like the happy couple they were. Then Janet goes to the door after hearing the doorbell. It’s the other man. To which, she points the gun at him: “You said you loved me. You liar!”
At first, I thought The Party would be a political film. I was tempted to think that at first glance. Instead it became the perfect location for a single-location film. It does a very good job in packing in just about anything and everything that can destroy all seven involved in the story. One thing does lead to another and the results are crazy. However a story like this about a party where everything goes wrong for everybody has to have situations that don’t come across as ridiculous. You have enough slapstick movies doing that.
To make a party where everything goes wrong, but still look intelligent takes a lot of effort in writing. It succeeds in doing that. The characters in which the actors adapt had to make the comedic situations work. The situations looked quite believable, despite the banality of all of them happening at once. Even the most bizarre situations didn’t come across as looking stupid. This is one of the best over-the-top comedies I’ve seen in a long time. The over-the-top elements aren’t even physical or slapstick; it’s all about the story and characters. Even filming this comedy in black and white added to the film.
The biggest accolades in making this bizarre story work goes to writer/director Sally Potter. This story packs in a lot of comedic punch that appears to work every time and does not cross over the line into stupidity and ridiculous. It takes a lot of effort to create something like that and make it work, and Potter made it work. Everyone who saw it the same time I saw it was laughing a lot. It’s hard to pick who the biggest performer was. Kristin Scott Thomas was definitely the protagonist, but Patricia Clarkson was able to steal the show with whatever she said each time. Bruno Ganz and Timothy Spall owned their moments by playing their characters well. Cherry Jones and Emily Mortimer also grabbed their moments, and Cillian Murphy knew how to come out of nowhere to get his moments too. Basically it’s not on the strength of a single actor, but of all seven in the ensemble. They all made this comedy work with whatever they did or said.
The Party is 71 minutes of tragicomedy energy of the best kind. It’s a reminder of how writing rather than cheap one-liners is what works best in comedy. I guarantee you will be laughing.
Last year the first film I saw at the VIFF was a French movie that was three hours long. I’m sure most of you know which one I’m talking about. This year the first movie I see at the VIFF is another three hour long French movie. This time it’s titled Li’l Quinquin and it’s a very different French film.
Quinquin is a young boy growing up on a farm in northern France where his parents for the Lebleu family. He likes playing games with his friends and being bad by razzing people with his firecrackers. He also has a crush on Eve, the girl from the neighboring farm who plays trumpet for the legion and has a sister Aurelie with singing ambitions. It’s the summer and it should be fun time for all the kids in the village.
However the village is hit with shock as one of its people was murdered. Mme Lebleu’s remains were found stuffed in the carcass of a cow found inside a war bunker located near the Lebleu farm Quinquin’s family works. On the case is Commandant van der Weyden: an incompetent officer with uncontrollable facial twitching and a suspicion for certain people like young people like Quinquin. He is assigned to look into this along with his partner Lieutanant Carpentier.
After the funeral for Mme Lebleu–which was bizarrely conducted with a happy organist, Aurelie singing her pop song and the baton team Lebleu instructed twirling at the burial– another murder happens with the remains also stuffed in the cow. This time it’s Mr. Bhiri, the African father whom Mme Lebleu had an affair with. The suspicion continues to grow and van der Weyden pursues others he feel may be linked like Mr. Lebleu and even Mme Campin, the new leader of the baton team who has been known to have an affair with Mr. Lebleu. Meanwhile Quinquin and the kids are still trying to be kids swimming in the ocean, performing during the Bastille Day parade, playing games, Aurelie competing in a local talent contest and winning and Quinquin falling in love with Eve.
Not all of it is innocent fun as two boys of African and Moroccan descent are harassed by Quinquin and his friends. One boy, Mohammed the African who was the son of Mr. Bhiri, is especially harassed. The harassment gets to him as he is interrupted by them as he’s sharing an intimate moment with Aurelie. Meanwhile van der Weyden and Carpentier are being pressed by their superior to find the killer behind all these murders. They try to find out more information like the bunker near the Lebleu farm, the connection with Mme. Campin and even the feudal situation with led to the younger Mr. Lebleu owning Dany, the mentally impaired nephew.
Then things take a turn for the worse in the town. Mohamed goes on a shooting rampage from the top of his house. The rampage ends with him committing suicide. Aurelie finds the news hard to bear. Soon she is found dead inside of a pig. Possibly also a victim of murder. Then Mme Campin is found murdered on the beach but all in one piece. This soon leads van der Weyden to pursue a final answer to who the murderer is. This leads to an ending that is unexpected and anticipated by nobody.
One of the things about this film is that it tries to blend bizarre humor in the midst of what is a grisly set of murders. There are a lot of tragic parts to it but the humor mixes itself into it. The humorous bits seem bizarre at first but later on you think that it did fit the film well and helped make it. I’m unsure what is big in terms of French comedy but it definitely worked well. Even a character like Commandant van der Weyden will remind a lot of people of Inspector Cluseau with his bumbling. One thing about van der Weyden is even with his clumsiness and his twitchy face, he does have a serious side. I think that’s what the focus of the film was: ironies and humor in what is a horrific situation in a town. The humor does fade away after each additional murder happens and as it leads to its conclusion.
The funny thing is how this story of a string of murders intertwines with the life of the little boy Quinquin. Quinquin is just a young farm boy doing what most boys his age do: play games, act tough with his peers and fall in love. He may have been questioned about the murders at first but they don’t begin to affect him. It’s only once those he knows dies within that circle that it does start to change him. Especially since one victim is his girlfriend’s sister. It becomes more obvious later on.
The crazy thing is that the ending is not the clearest. You first think it’s a murder story and we’ll get the answer to who did it at the end. However those who saw it were still left both surprised and confused. Almost as if to debate what the point of the film was. Or maybe the main purpose of the film wasn’t to be about the murders but rather about Quinquin. One thing we notice is how Quinquin only has simple curiosity in the murders or just giving Commandant van der Weyden a hard time at first that is until the victims become people he knows or had somewhat of a connection to. He didn’t have too much of a connection to Mr. and Mme. Lebleu or Mohamed’s father but he knew Mohamed and he knew Aurelie. He went from a typical boy who liked playing naughty games and just falling in love with Eve to having his childhood fun end and being the one person who can console Eve. That could be the main theme of the film rather than it being a ‘whodunit’ story.
The film features a wide variety of themes added into the story. One of the two most present is the theme of nationalism with the whole situation happening in the summer especially around Bastille Day. The theme of racism is present as France may be a country with a lot of immigrants from central and North Africa, there’s still a lot of racism and xenophobia especially in the smaller towns. The second is the theme of disabilities or physical awkwardness. Quinquin is a boy with a harelip. Commandant van der Weyden has uncontrollable facial twitching. Dany is mentally impaired and there’s even a conversation between van der Weyden and his superior in a restaurant while a British family with a mentally impaired son is trying to dine. I feel Dumont is trying to add a point here. I’m sure Dumont was trying to add in more points with bodies being found in animal carcasses or even about Aurelie’s song ‘Cause I Knew’ or even the ties of French inheritances but it’s too much to say and will require a lot of afterthought.
Overall this may be a long film by Bruno Dumont but it tells an intriguing story. Actually it’s not really a film but a four-part miniseries compiled as a big screen film. Most outside of France wouldn’t know this was originally on television. Nevertheless Dumont does a great job here by taking a dark story and mixing surprise humor in there but still keeping the story sensitive. I think he aimed for irony in this series. Bernard Pruvost was a great scene stealer as the commandant. He could have easily been seen as a ‘rip-off’ of Inspector Cluseau’ but he didn’t go over-the-top in terms of his character’s awkwardness or his klutziness. He also made his character’s facial twitching look natural as if it was uncontrollable rather than wooden. Alane Delhaye was very good as Quinquin. He was good at playing a child who was natural and not your typical sugar-coated child character. The end especially was the best part of Delhaye’s performance. Lucy Caron was also good as Eve as she was able to go from your typical carefree girl to a girl now hurt. There were additional good performances from Lisa Hartmann, Stephane Boutillier and Jason Cirot.
Li’l Quinquin is an intriguing film to watch despite it being long and despite the ending being unexpected. Actually it does fare best as the miniseries it originally was. Nevertheless regardless of the format, it will keep your attention onto what will happen next.