Tag Archives: Vancouver

VIFF 2018 Wraps Up Another Good Year

Cinema

I know I’m late in doing my VIFF Wrap-Up blog. It’s been a crazy time. It’s not just seeing a total of twenty-one films but craziness involving work, a computer with faults, illnesses and injury, and post-secondary classes. Nevertheless I finally have the ambition to complete it today.

The 2018 Vancouver Film Fest ended on Friday, October 12th. There were big crowds throughout the festival. There was a lot to see with over 300 films from almost 70 countries and territories.

The 2017 Vancouver Film Fest ended on Friday, October 12th. Crowds came again and again. There was a lot to offer with over 300 films from 69 countries. There were at least fifteen films that are official entries for the Academy Awards category of Best Foreign Language Film for this year. Fourteen films made their World Premiere at the Festival (six were from Canada and four were from BC), one their International Premiere, 38 their North American Premiere and 42 their Canadian Premiere.

Oscar Bingo

How about that? I got 21 out of 24 at VanCity’s Oscar Bingo…

The VIFF again offered Hub events and special lectures on film making topics from various professionals in its many fields.  There was the VIFF Immersed virtual reality exhibit in which I will reflect on later in this blog. The Director’s Guild of Canada held Creator Talks. The first Saturday was Totally Indie Day with focuses on independent film from project to creation to promotion. There was the VIFF AMP conference which was a series of talks about musical promotion, primarily in film. There was even a Sustainable Production Forum on topics of how to makes films through environmentally-friendly means to promoting environmentalism in films.

The award winners were announced at the closing gala on Friday:

BC Spotlight Awards

Sea To Sky Award

Presented by Telus

WINNER: Broken Bunny (dir. Meredith Hama-Brown)

Special Mention: Anthem Of A Teenage Prophet (dir. Robin Hays)

Best BC Film Award
Presented by the Harold Greenberg Fund, Encore by Deluxe
WINNER: Edge Of The Knife (dirs. Gwaii Edenshaw & Helen Haig-Brown)

BC Emerging Filmmaker Award
Presented by UBCP/ACTRA & William F. White
WINNER: Freaks (dirs. Zac Lipovsky & Adam Stein)

Canadian Film Awards

Narrative Features

Best Canadian Film
Presented by Directors’ Guild of Canada

WINNER: Edge Of The Knife (dirs. Gwaii Edenshaw & Helen Haig-Brown)

Special Mentions: Genesis (dir. Philippe Lesage) & the Grizzlies (dir. Miranda de Pencier)

Emerging Canadian Director
Presented by Directors’ Guild of Canada
WINNER: When The Storm Fades (dir. Sean Devlin)

Special Mention: M/M (dir. Drew Lint)

Documentary Features

Best Canadian Documentary
Presented by the Rogers Documentary Fund
WINNER: The Museum Of Forgotten Triumphs (dir. Bojan Bodruzic)

Special Mention: A Sister’s Song (dir. Danae Elon)

Short Film Awards
Best BC Short Film
Presented by CreativeBC
WINNER: Biidaaban (The Dawn Comes) (dir. Amanda Strong)

Best Canadian Short Film
Presented by Lexus
WINNER: Fauve (dir. Jeremy Comte)

Most Promising Director of a Canadian Short Film
Presented by Delta Air Lines
WINNER: EXIT (dir. Claire Edmonson)

VIFF Impact Award
Presented by The Lochmaddy Foundation

WINNER: The Devil We Know (dir. Stephanie Soechtig)

Special Mentions: The Silence Of Others (dirs. Almudena Carraceco & Robert Bahar) & Samouni Road (dir. Stefano Savona)

Vancouver Women In Film And Television Artistic Merit Awards:

Award For Drama:

WINNER: Mouthpiece (dir. Patricia Rozema)

Award For Documentary:

WINNER: What Walaa Wants (dir. Christy Garland)

Audience Awards

Super Channel People’s Choice Award
WINNER: Finding Big Country (dir. Kathleen Jayne)

VIFF Most Popular International Feature
WINNER: Shoplifters– Japan (dir. Kore-eda Hirokazu)

VIFF Most Popular International Documentary
WINNER: Bathtubs Over Broadway (dir. Dava Whisenant)

VIFF Most Popular Canadian Feature
WINNER: Edge Of The Knife (dirs. Gwaii Edenshaw & Helen Haig-Brown)

#mustseebc Presented by Storyhive
WINNER: Finding Big Country (dir. Kat Jayme)

As for my volunteer experience, this was a different time. I was originally given office work to do over at the head office. One of the more difficult things was that the office positions were only announced just two days or even a single day before the shift. That didn’t fit very well with me as I work a job from 830 to 430 and if I were to take one of those positions, I would have to let my place know a good three working days in advance, especially this time of year. I did however do a variety of volunteering. I did some ushering over at the SFU and International Village cinemas as well as the Centre For Performing Arts. I did some work over at the virtual reality exhibit, which I will focus on a bit later. I helped serve one morning at the VIFF AMP conference over at The Annex which I will also touch on a bit later. I ended my volunteering with the takedown at the International Village. Their takedown was Thursday the 11th: the day before the VIFF concluded. It was late at night and we finished at midnight. We were rewarded with free passes to VanCity Theatre films. The rewards of being a volunteer.

There was a volunteer party at the VanCity the following Friday. It was great. We had catered food with a Southern USA atmosphere. It consisted of a mix of vegetables and meats like pulled pork and roast chicken. There was also the VIFF bank playing bluegrass.

Platinum Pass

…and I won a VIFF Platinum Pass!

For those who didn’t know, I won a Platinum Pass on the day of the Oscars. How did it happen? The VanCity Theatre, the main venue for the VIFF, had their annual Oscar party and their Oscar Bingo Contest. How Oscar Bingo works is you fill out your predictions for all 24 categories on the bingo squares. Here’s how good my predictions were. I was the first to get a row. I soon got a second row, but that was it for minor prizes for me. At the end of the night, I got 21 out of 24 right. The Oscars were that predictable. Plus I took a gamble on guessing The Shape Of Water to win Best Picture, and it paid off! As the night ended, I found out one other person had 21 out of 24 right. We both won Platinum Passes! It was exciting as I would experience having a Platinum Pass for the first time.

As for the films I saw, here’s a list of them. I have the country of origin in brackets and an asterisk marking those that are their country’s official Best Foreign Language Film entry:

I’m happy with the choices I saw. Some I was able to choose well in advance while some I chose because of the time. Some I wanted to see I did. Some I wasn’t so lucky. Like Can You Ever Forgive Me? showed at the same time as Boy Erased. I can only choose one! However I did achieve my usual VIFF goals of seeing one shorts segment, one Canadian feature and one nation’s entry for the Best Foreign language Film Oscar. It was crazy juggling having my volunteer pass and my Platinum pass on the same chain. Often if I wanted to see a film, I’d use my Platinum Pass and I’d get any seat I wanted! That was the best thing about having a Platinum Pass.

The biggest thing I learned about having a Platinum Pass this year is that they’re best for people who have all sixteen days of the festival available. I see a lot of seniors with the Platinum Passes and they make good use out of it. They are the ones that can see five films in one day, if they have the tenacity to do so. I still had my jobs to attend to during the time so that really kept me from seeing a lot. Also volunteering kept me from seeing a lot too. I remember I told one of the VIFF supervisors during Oscar night “Even though I won, I still plan to volunteer.” It was a double-edged sword to do both volunteering and own a platinum pass as most of the time, you’re outside the action. If I ever pay $900 for a Platinum Pass in the future, it will be after I retire.

Virtual Reality

The VIFF isn’t all about big screen films. It also includes virtual reality films.

There were two things I attended as a volunteer that I could not attend for free via my Platinum Pass. That was the VIFF Immersed virtual reality exhibit and the VIFF AMP conference. If I wanted to attend it, I would have to pay full admission. Being a volunteer was a good experience in both cases. For virtual reality, I learned quite a lot about a new means of film making and animation. I’ll admit I haven’t caught onto the VR craze. I had my first experience with VR at the exhibit as volunteers were allow to try things out. It was nice to try two of the VR films; both films were made in BC. I also assisted in showing a VR exhibit to students from a Vancouver high school who were on a field trip. My shift was ending just as they were about to set the place up for ticketholders. As my shift ended, I tried a state-of-the-art animated VR show called Fire Escape. It was too technical for me to handle. It’s good that the VIFF have a virtual reality exhibit. One thing we shouldn’t forget is that VIFF focuses on all formats of film: not just feature-length. They also focus on writing in film and even music in film. It was a good experience to attend the VIFF AMP conference for the morning. I was given the duty to have musicians onstage sign waivers for VIFF promotional videos. I learned a lot from some of the musicians and producers and agents about the challenges of getting music promoted in your film as well as the worldwide promotion of music in general.

So overall I’d say it was an excellent VIFF and a unique experience this year. This was the first year I saw over twenty films! Next year’s VIFF is anticipated to be from September 26th to October 11th, 2019 and should also be a unique experience. No doubt I will be back to volunteer!

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VIFF Is Back!

Cinema

Yes, the Vancouver International Film Festival is back for 2018. Yesterday began the 37th installment of the Film Festival. This year promises more excitement, more films and more events.

The biggest thing VIFF will have for this year is Creator Talks and Master Classes. Slated lecturers include The Good Place writer Michael Schur, Canadian writer/director Patricia Rozema, production designed Paul Austerberry, director Paris Barclay, rapper RZA and a Showrunners event where they feature nine writers all on one stage. There will be other events too like giving director Jean-Marc Vallee a Tribute Award and a fundraiser event featuring Jane Goodall.

As for volunteering, this year there were 1200 volunteers signing up. Bigger than last year. One thing that’s changed is now volunteers are all owed to do a minimum of four shifts. That’s different from the old minimum of 32 hours. Volunteers and free films are the same situation as last year. As for my volunteering, I will do a wide variety of things like assist with the virtual reality exhibit over at the Centre for Digital Media, do ushering duties at the International Village, or do office work for the Exhibitions team.

This year’s roster of films promises a lot of attractions This year’s VIFF claims to show over 300 shorts and feature films from 84 countries or regions. As of press time, 14 films are official submissions for the category of Best Foreign Language Film for this year’s Oscars. One thing is that while most films are shown twice or three times during the fest, there will be more films that will get only one showing during the fest. There will even be a fourteen-hour three-film trilogy at the VanCity Theatre. La Flor by director Mariano Llinas will be shown as the three films will be aired consecutive nights. Canadian films will remain the focus as has been in past Festivals.

This year’s top sponsors include Telus, Telefilm Canada, Christie screens, CinePlex, Delta Airlines, Lexus and Creative BC. SuperChannel will take over the People’s Choice awards again.

As for highlights, here’s a list of some of the films headlining the VIFF:

  • OPENING GALA: The Hummingbird Project. Canadian director Kim Nguyen highlights competitive stock trading in this film starring Salma Hayek and Jesse Eisenberg.
  • CLOSING GALA:  The Front Runner – Jason Reitman delivers a film chronicling the rise and fall of Democratic candidate Gary Hart. Hugh Jackman plays Hart while Sarah Paxton plays ‘other woman’ Donna Rice.
  • Boy Erased – Rising star Lucas Hedges stars in this film about a young gay male forced into conversion therapy by his heavily-religious family.
  • Can You Ever Forgive Me? – Melissa McCarthy stars in this biographical film of Lee Israel: one of the biggest literary fraudsters of modern time.
  • Cold War – A Polish film about a showbiz couple who try to love and perform just shortly after the end of World War II. Director Pawel Pawlikowski won Best Director at this year’s Cannes festival.
  • Collette – Keira Knightley stars in this film of revolutionary French writer Sidonie-Gabrielle Collette. Her relationship with her husband comes into play.
  • Everybody Knows – Iranian director Asghar Farhadi, who’s won the Best Foreign Language Film Oscar twice, directs Javier Bardem and Penelope Cruz in a story about mistrust and deceit.
  • The Favorite– Yorgos Lanthimos, whose most famous work is The Lobster, returns with Emma Stone and Rachel Weisz starring in this comedy on who can win the most praise from the queen.
  • The Grizzlies – The story of a teacher who tries to start pride in a Nunavut town by building up a local lacrosse team.
  • The Happy Prince– British actor Rupert Everett writes, directs and acts in this film of the last years of Oscar Wilde.
  • Non-Fiction – Olivier Assayas tells a humorous story of the marriage of an actress, played by Juliette Binoche, and her publisher husband who’s fearing the ‘death of print.’
  • The Old Man And The Gun – David Lowery directs what is believed to be Robert Redford’s last film as an actor as bank-robber Forrest Tucker.
  • A Private War –  Rosamund Pike stars in this biographical film of war correspondent Marie Colvin.
  • Shadow – Chinese film from Zhang Yimou directs a kung fu romance that promises to be an unforgettable story.
  • Sharkwater Extinction – Rob Stewart directed 2006 documentary Sharkwater highlighting how important sharks are to the ecosystem. This sequel shows the threats sharks face in today’s world.

So this is what this year’s VIFF has in store. It all starts September 27th and it all ends October 12th. Definitely lots to enjoy

VIFF 2017 Wraps Up

Cinema

This year, I’m late again in wrapping up my experience at the VIFF. Actually I’m way earlier than last year. This time, I publish my wrap-up just three weeks after it ended.

The 2017 Vancouver Film Fest ended on Friday, October 12th. Crowds came again and again. There was a lot to offer with over 300 films from 69 countries. There were 19 films that are official entries for the Academy Awards category of Best Foreign Language Film for this year. Eleven films made their World Premiere at the Festival, nine their International Premiere, 37 their North American and 46 their Canadian Premiere.

The VIFF again offered Hub events and special lectures on film making topics from various professionals in its many fields. There was the Buffer Festival dedicated to the topic of online film making which included lectures on such filmmaking and even a Q&A featuring a lot of top Canadian YouTube personalities.

The award winners were announced at the closing gala on Friday:

BC Spotlight Awards

Sea To Sky Award

Presented by Telus
WINNER: Never Steady, Never Still (dir. Kathleen Hepburn)

Best BC Film Award
Presented by the Harold Greenberg Fund, Encore by Deluxe
WINNER: Luk’l Luk’l (dir. Wayne Wapeemukwa)

BC Emerging Filmmaker Award
Presented by UBCP/ACTRA & William F. White
WINNER: Never Steady, Never Still (dir. Kathleen Hepburn)

Canadian Film Awards

Narrative Features

Best Canadian Film
Presented by Directors’ Guild of Canada
WINNER: Black Cop (dir. Cory Bowles)

Emerging Canadian Director
Presented by Directors’ Guild of Canada
WINNER: Never Steady, Never Still (dir. Kathleen Hepburn)

Documentary Features

Best Canadian Documentary
Presented by the Rogers Documentary Fund
WINNER: Unarmed Verses (dir. Charles Office)

Short Film Awards
Best BC Short Film
Presented by CreativeBC
WINNER: Rupture (dir. Yassmina Karajah)

Best Canadian Short Film
Presented by Lexus
WINNER: Shadow Nettes (dir. Phillip Barker)

Most Promising Director of a Canadian Short Film
Presented by Delta Air Lines
WINNER: The Crying Conch (dir. Vincent Coi)

VIFF Impact Award
Presented by The Lochmaddy Foundation

WINNER: BLUE (dir. Karina Holden)

Audience Awards

Super Channel People’s Choice Award
WINNER: Indian Horse (dir. Stephen Campanelli)

VIFF Most Popular International Feature
WINNER: Loving Vincent – Poland & UK (dirs. Dorota Kobiela & Hugh Welchman)

VIFF Most Popular International Documentary
WINNER: Faces Places – France (dir. Agnes Varda Jr.)

VIFF Most Popular Canadian Documentary
WINNER: Shut Up And Say Something (dir. Melanie Wood)

#mustseebc Presented by Storyhive
WINNER: Shut Up And Say Something (dir. Melanie Wood)

As for my volunteer experience, this was a unique experience in doing driving for the VIFF for a change. It wasn’t all about driving VIPs or those involved in film. There was one Friday just days before the VIFF where we had to bring two cars, an SUV, a moving van and a hauling truck from a Langley rental agency over to the VIFF theatre. It was crazy because this was my first time learning on how to drive an automatic car. All my life, I’ve started cars by turning the key. This was completely different and even had me freaked out. Nevertheless things got easier over time.

Our shifts were mostly simple. We’d wait at the Sutton Hotel to find out who we’d be picking up and from where. My first day was a Tuesday and it was confusing as I was getting used to driving the downtown Vancouver streets for the first time. Believe me, Burrard St. has very limited left-turn options and it was annoying. The second trip on my first day driving was crazier as we had to drop some people off at the back entrance of a hotel. The entrance is located at a ramp to a parkade and there was a car being us trying to enter the parkade as I was dropping the people off. vacating the hotel was a headache. The days after were easier as I mostly had to pick people up either at the Sutton Hotel or at the theatres and drive them to the airport. There were even a couple of times I had to pick people up from the airport and bring them to the Sutton Hotel. One of which I was transporting an orchestra’s musical instruments in the moving van. That was definitely interesting. On closing Friday, I was with five people who had to bring five of the ten vans back to the auto dealer’s headquarters. I thought I knew my way, but Surrey’s highway system is extremely confusing and I got lost. I did make it there, half an hour late.

As for films, I feel I saw a good variety of film. I saw thirteen feature-length films and at least one shorts segment. I was lucky to see at least three Canadian features. I saw a lot of foreign films. I saw two films that were official Oscar entries for the Best Foreign Language Feature category. I even saw an African film for the first time. I saw at least three Altered States films that were either bizarre or ridiculous. The biggest standout for this year’s films I saw had to be experimental films. I saw three such films: two Canadian. One was good while the two others came off as either a failed experiment or just something ridiculous. That’s one thing about experimental films. You have to welcome them first and then make your own judgement after.

For the end of the VIFF, there was a volunteer party held the Saturday after closing. Volunteers were treated to films shown at this year’s VIFF. Three of the best. After that, they were treated to a Mexican buffet and to karaoke singing. It was fun and I even sang three numbers. I always sing at least one Elvis number at a karaoke party!

So there you go. The 2017 Vancouver International Film Festival ended very well and it was another good year of films and volunteering for me. Next year’s VIFF is anticipated to be from September 27th to October 11th, 2018 and should offer a lot, if not more. I may end up being an usher or I may end up driving again next year. I’ll see what they have to offer me. In the meantime, see you next year!

VIFF 2017 Review: Forest Movie

ForestMovie

This year seems like the year I’ve seen more experimental film at the VIFF than ever before. The latest experimental feature I saw was Forest Movie. It was shot all in  Vancouver and it does a lot with the 65 minutes it has.

The film begins with images of a forest and then phases into a young woman sleeping. The young woman was actually dreaming of the forest. She sends a text message to her friend that she can’t meet up: she’s sick. The friend accepts.

What she does right after is put on a jacket and bring along her bag and portable chair. She simply leaves from her apartment suite near Powell St. and Nanaimo St. and walks to a forest inside the city. The visit is simple as she walks across the paved trails over the rocks and branches with her cellphone turned off. A complete getaway. There are times she takes breaks like for when she eats something or feels she needs to write poetry or prose in her notebook. Other than that, just simply walking through the forest.

Then she finds a grassy spot that’s open and surrounded by the trees. She uses that spot as a place to set up her chair and relax. There’s a twenty-minute shot of the area of the forest she witnesses from her chair. It just consists of that view, changes of sunshine or cloud, and the surrounding sounds of the outdoors or her dealing with her chair, bag or notebook.

Night soon falls. She actually fell asleep during her time sitting in the forest. Night approaches. She’s all alone in the dark relying on her cellphone as a flashlight. She rushes to find the exit to the forest, but is lost. Images of her attempt to exit consist of her cellphone light shining or complete darkness with nothing but sound. Morning breaks and we see her walking back to her apartment as if nothing dreadful happened.

No question this film can be defined as experimental. The film is what it is. It’s a story about a young woman seeking tranquility in a forest and is willing to deal with whatever comes to her. The director Matthew Taylor Blais was in the audience and would later hold a Q&A after. Before the film started, he said: “No two people will have the same impression of this film.”

I got what he was after in this film: he wanted us to create our own thoughts, impressions and opinions about this film. That explains why actress Ana Escorse is given no dialogue at all in this film. The film is all about what we see and what we hear. I was open to this. The film gives us images and scenes that try to get us to form our own opinions. For starters, I actually thought the woman really was sick from the texts she sent. I though she went to the forest possibly for natural healing therapy. That scene in her apartment that shows an Aboriginal dream catcher could may have made some, including myself,  believe she’s into Aboriginal spirituality and may see the forest as the medicine she needs. Even the scene where you see trees just outside a condo leads you to think this is an urban forest close to downtown Vancouver in Stanley Park, when it’s actually shot in Pacific Spirit Regional Park close to UBC.

Later shots add into the opinions we form about this film. The scenes where she takes out her notebook and writes or draws might get one to think she’s using the forest for creative inspiration. That twenty-minute shot of the forest’s view is an attempt to get us to rely on the background sounds to form our own opinions about what’s happening from this view. The end scene of her trying to leave the forest at night is also one that gets us to rely on our thoughts of what’s happening. The scene with the biggest impact is the scene where the camera makes like we see her escape through her eyes. It consists of the background sounds and the cellphone light cutting in and out. It’s actually the scene with the most drama as one would wonder will she make it? Will she get lost?

Matthew Taylor Blais does a very good job with this film. I was more welcoming with the experimentation in this film than I was in PROTOTYPE. I think Blais’ intro before it began helped me to be more welcoming.  It’s an experimental film that pays off and allows the audience to create their own impression. It allowed me to create mine. However it is to say that it does take some creative risks that would be questionable. I welcomed that twenty-minute shot of the forest scenery, but some were not so welcoming. In fact I saw a few people leave the theatre during that scene, including a group of four. That’s one of the risks of creating an experimental film like this. Not everyone is as welcoming as me to such experimentation.

Forest Movie is an experimental film that allows the audience to exercise their imagination and make their own judgements about what’s happening in the story. This is experimental film that pays off greatly.

It’s VIFF Time Again

Cinema

Yes, the Vancouver International Film Festival is back for 2017. Today begins the 36th installment of the Film Festival. This year promises more excitement, more films and more events.

The biggest thing VIFF will have for this year is its Films+ talks. This is where there will be talks and lectures on film and its technicalities. The Creator Talk events promise big names and top experts in the field such as: Carlton Cuse, showrunner for Bates Motel; director Jeremy Podeswa and cinematographer Greg Middleton from Game Of Thrones; and costume designer Ane Crabtree from The Handmaid’s Tail. The festival also includes Industry Hub events which are full-day events focusing on industry activity and promoting film in the future. Such events include VR: Expanding frontiers In Storytelling, one day focused on the indie film industry, industry exchange events and a Buffer Festival.

As for volunteering, this year there were 1100 volunteers signing up. That is as big as it was during last year. Because of that, they’ve developed a new system for how volunteers can see a film for free. They would now have to wait in the rush line and wait until availability is know in order to get a seat for the film. Makes sense since it is quite common for volunteers to horde a lot of free showings during the fest. There is a plus: volunteers that serve their shift in its entirety can receive a voucher to get their own free ticket for certain films. It has to be done online. That makes better sense. I anticipate to see a lot of good films. I’m doing something new for volunteering. This year, I’ll be a driver. I am to drive people from the Sutton Hotel to the cinemas, the hotel to the airport, or pick people up from the airport to the Sutton Hotel or wherever they want to be dropped off. They will range from actors to directors to film crew to special guests. This is something new to look forward to. And I drive a Lexus SUV!

This year’s roster of films promises a lot of attractions This year’s VIFF claims to show over 300 shorts and feature films from 84 countries or regions. As of press time, 11 films are official submissions for the category of Best Foreign Language Film for this year’s Oscars. A footnote worth adding is Quit Staring At My Plate from last year’s VIFF is Croatia’s official entry in the category for this year. Canadian films will remain the focus as has been in past Festivals.

This year’s top sponsors include Telus, Telefilm Canada (which is celebrating its 50th year), Christie screens, Delta Airlines, Lexus and Creative BC. SuperChannel will take over the People’s Choice awards again.

As for highlights, here’s a list of some of the films headlining the VIFF:

  • OPENING GALA: Meditation park – Chinese Canadian director Mina Shum directs a live-action story set in Vancouver. Stars Sandra Oh..
  • CLOSING GALA:  Wonderstruck – Todd Haynes worked with Julianne Moore in 2002’s Far From Heaven. Here, Haynes and Moore return in a film that promises to be another delight.
  • Borg vs. McEnroe – A film starring Shia LaBeouf about one of the greatest tennis rivalries of all-time.
  • Breathe – Andy Serkis’ directorial debut about a young couple (Andrew Garfield and Claire Foy) whose young marriage is threatened by the husband’s sudden disability.
  • Call Me By Your Name – Stars Armie Hammer. A story about sexual awakening in the 1980’s.
  • A Fantastic Woman – A Spanish film of a trans woman dealing with life after losing the man she loves. won Best Screenplay at the Berlin Film Festival
  • The Florida Project – Willem Dafoe stars in this film about a hotel manager with a hard heart who changes thanks to a six year-old girl.
  • Happy End – Michael Haneke is back! This is a story of a privileged family living alone in their estate with their fortunes threatened over time.
  • The Hidden Sword– Considered to be the biggest highlight of Asian film in the festival. This promises a lot of sword action.
  • Indian Horse– This is a Canadian story that’s far-reaching. It focuses on a boy who’s a victim of the Canadian Residential School System but finds an escape in dance.
  • The Killing Of A Sacred Deer – Yorgos Lanthimos, director of The Lobster,  is back along with Colin Farrell to create another dark comedy. This time Nicole Kidman joins in this bizarre dark story. won Best Screenplay at Cannes.
  • Loving Vincent – An animated film with a focus on the artwork of Vincent Van Gogh. More than 120 paintings are involved in this film.
  • Okja–  A South Korean drama about a young girl who develops a friendship with a giant animal in the mountains.
  • The Square – Winner of the Palme d’Or at Cannes this year, this is a bizarre comedy about an artist who creates his own eccentric world and bounds.
  • The Party – British film about a politician (Kristin Scott Thomas) who holds a dinner for her contemporaries, only to wreak a lot of verbal havoc.

So this is what this year’s VIFF has in store. It all starts September 28th and it all ends October 13th. Looking forward to it.

VIFF 2016 Wrap-Up And Introduction To My New Blog

Cinema
I’ll admit I’ve been delaying my wrap-up to this year’s Vancouver Film Festival for the longest time. Heck, VIFF 2016 ended exactly two months ago! Hey I’ve been bogged down with work, school and this surprisingly blizzard-like weather which is extremely rare in Vancouver. On top of it, VIFF stats I was hoping to get after the Fest didn’t come. Nevertheless I feel a wrap-up is still worth publishing even if it’s this late.

The 2016 Vancouver Film Fest ended on Friday, October 13th. This was the first VIFF since 2011 that took place during Thanksgiving weekend. Crowds came again and again. There was a lot to offer with over 300 films from 70+ countries. There were even VIFF late night Hubs around the VIFF theatre held during the first ten days of the festival. I missed my chance because I was thinking of catching a hub during the second week. I didn’t know they ended that soon. Maybe next year.

The award winners were announced at the closing gala on Friday:

BC Spotlight Awards

Best BC Film Award
Presented by the Harold Greenberg Fund, Encore by Deluxe
WINNER: Window Horses (dir. Ann Marie Fleming)

BC Emerging Filmmaker Award
Presented by UBCP/ACTRA & William F. White
WINNER: Hello Destroyer (dir. Kevan Funk)

Ignite Award
Recognizes the outstanding work of a female key creative on a BC-produced feature or short.
Presented by TELUS
WINNER: Cabbie (dirs. Jessica Parsons, Jennifer Chiu)
Honourable Mention: Here Nor There (dir. Julia Hutchings)

Canadian Film Awards

Narrative Features

Best Canadian Film
Presented by Directors’ Guild of Canada
WINNER: Window Horses (dir. Ann Marie Fleming)

Emerging Canadian Director
Presented by Directors’ Guild of Canada
WINNER: Never Eat Alone (dir. Sofia Bohdanowicz)

Documentary Features

Best Canadian Documentary
Presented by the Rogers Documentary Fund
WINNER: Living With Giants (dirs. Sebastien Rist, Aude Leroux-Lévesque)
Honourable Mention: Quebec My Country Mon Pays (dir. John Walker)

Short Film Awards
Best BC Short Film
Presented by CreativeBC
WINNER: Here Nor There (dir. Julia Hutchings)
Honourable Mention: Srorrim (dir. Wayne Wapeemukwa)

Best Canadian Short Film
Presented by Lexus
WINNER: Ceux qui restent/Those Who Remains (dir. Mathieu Vachon)
Honourable Mention: Fish (dir. Heather Young)

Most Promising Director of a Canadian Short Film
WINNER: Parent, Teacher (dir. Roman Tchjen)
Honourable Mention: Old Man (dir. Alicia Eisen)

Impact Awards

Radcliffe Foundation Refugee Crisis Awareness Short Film Competition
Presented by The Radcliffe Foundation
WINNER: Helpful Hand (dir. Alex Nagy)

VIFF Impact Award
Presented by Leonard Schein to one of the nine issue-oriented documentary films in the Impact Stream

WINNER: Power to Change – The Energy Rebellion (dir. Carl-A. Fechner)

VIFF Industry Builder Award
Presented by MPPIA to celebrate BC Creates with support from Western Economic Diversification and CreativeBC

2016 Honoree: Chris Carter

Audience Awards

Super Channel People’s Choice Award
WINNER: Maudie (dir. Aisling Walsh)

VIFF Most Popular International Feature
WINNER: I, Daniel Blake (dir. Ken Loach)
Runner up: The Salesman (dir. Asghar Farhadi)

VIFF Most Popular International Documentary
WINNER: Human (dir. Yann Arthus-Bertrand)

VIFF Most Popular Canadian Documentary
WINNER: Spirit Unforgettable (dir. Pete McCormack)

#mustseebc Presented by TELUS Optik Local
WINNER: Cadence (dir. Alex Lasheras)

As for my volunteer experience, it was all at the International Village this year and it was a good experience. I had a mix of shifts from early morning to late evening to middle of the day. I volunteered both during the Sunday and Monday of thanksgiving. I also volunteered all day Thursday the 12th. I had more chances this year to watch films than I did last year. Last year, I only had the luck of seeing one during my volunteer work. If you can ask me what my favorite film of the ones I saw was, I would have to say it was the first one I saw: Barakah Meets Barakah. It was entertaining and very intelligent.

For the end of the VIFF, there was a volunteer party held the Saturday before Halloween. Volunteers were treated to films shown at this year’s VIFF. Three of the best. After that, they were treated to a Jackrabbit Slims party which consisted of the VanCity Theatre turned into a 1950’s diner, like in Pulp Fiction, and people treated to hamburgers, cupcakes, a complimentary drink and dancing to a jukebox. It was fun and it had me looking forward to next year.

My New Blog

One of the things I’ve been thinking about this year is the way I do blogging. This is nearing my sixth year. I’m not getting the amount of hits I was hoping to this year. Blog topics that normally get a lot of hits on my site didn’t this time. In fact this year is set to have the least amount of total hits for the year since 2011. I won’t quit blogging but the lack of hits have taken away from my ambition and I don’t post as often as I normally do, as you may have noticed.

One thing I’ve thought of doing is setting up one blog focused on a single topic. The first single-topic blog I’m starting is about the Vancouver Film Festival and it’s called VIFFin’ It Up. It will consist of reviews I’ve seen at the VIFF and reviews of VIFF films I saw after the fest. It will also consist of news related to the Fest and the usual annual previews and wrap-ups. If you want to follow it or enter your email to subscribe, just click here. Right now I just have the intro. Over the days, I will post reviews and previews of past VIFFs starting with 2011: the first VIFF I blogged about.

So there you go. The 2016 Vancouver International Film Festival ended with continued success if not a record and fun for all volunteers. Next year’s VIFF is anticipated to be from September 28th to October 12th, 2017 and should be bigger and better. Hopefully next year I’ll attend a hub. See you next year!

 

It’s VIFF Time Again

Cinema

Yes, the Vancouver International Film Festival starts again. Today begins the 35th installment of the Film Festival. This year will not only be exciting because of what to see but also what new additions are happening.

This year’s theme is: “Expand the frame.” Part of the aim of this year’s VIFF is to make the Festival more accessible and more creative. One of the new additions is the VIFF Hub. The Hub and surrounding area will be the location for lectures and exhibitions surrounding film and art. There will even be art exhibitions, virtual reality exhibits and music performances from DJs, local performers and performers from around the world. Some events are free of charge as long as you’re a VIFF member while some may be ticketed events. The VIFF website will explain it all.

Film is still the centre of it all. There will not only be films shown but lectures from industry professionals as well. Directors, producers and actors will appear at some showings for Q&A’s including an appearance of Tatiana Maslany. Deal-making will also be included in the process. This year, for the first time, there will be an IMAX film shown over at the Telus World of Science for the Closing Gala.

As for volunteering, this year there were 1100 volunteers signing up. Way higher than the usual 800 that serve the required 32 hours of work. Because of that, volunteer seating will be limited during many films or not allotted at all. Nevertheless I should be able to get in to see a lot of good films. This year promises to have hundreds of shorts and feature films from 73 countries, including five ‘globetrotting’ films. As of press time, 13 films are official submissions for  the category of Best Foreign Language Film for this year’s Oscars. A footnote worth adding is A Flickering Truth from last year’s VIFF is New Zealand’s official entry in the category for this year. Canadian films will remain the focus as has been in past Festivals. This year’s top sponsor is no longer Rogers but a more local big name in telecommunications: Telus. SuperChannel will take over the People’s Choice awards.

As for highlights, here’s a list of some of the films headlining the VIFF:

  • OPENING GALA: Maudie – A biographic film of Canadian folk artist Maude Lewis starring Sally Hawkins and Ethan Hawke.
  • CLOSING GALA:  Voyage of Time: The IMAX Experience – An IMAX spectacle of the universe from the beginning of time to today. Written and directed by Terrence Malick and narrated by Brad Pitt.
  • American Honey – A drama about a teenage orphan trying to grow up. Directed by Andrea Arnold and stars Shia LaBeouf.
  • The Birth Of A Nation – This Sundance’s hot ticket and the hottest thing to come from the fest in years. Nate Parker writes, directs and stars in this drama of a slave rebellion that occurred decades before the Civil War.
  • Elle – The latest black comedy from controversy-causing director Paul Verhoeven. Isabelle Huppert plays a video game CEO with a lust for power and revenge.
  • The Girl With All The Gifts – A British zombie drama directed by Colm McCarthy and stars Gemma Arterton and Glenn Close.
  • Graduation – A Romanian drama of a doctor doing what he can to insure his daughter gets into a presigious university. Director Cristian Mungiu won Best Director at this year’s Cannes Film Fest for this.
  • The Handmaiden – A Korean drama of a pickpocket who plays a Japanese maid of an heiress whose fortunes he plans to steal. Divided by chapters and loaded with sensuality.
  • Human – A documentary by French director Yann Arthus-Bertrand. It focuses on the world from on high from positive things like love to even negative things like murder.
  • I, Daniel Blake – This year’s Palme d’Or winner at Cannes, this film focuses on a man getting his disability status reassesses and denied benefits. Ken Loach’s look at one man rivaling the system.
  • Julieta – Pedro Almodovar is back! Spain’s submission for the Best Foreign Language film for this year’s Oscars, Almodovar returns to the heart-on-the sleeve melodramas with female lead characters he’s most famous for.
  • Manchester By The Sea – Another highlight from this year’s Sundance. Director Kenneth Lonergan showcases a story of a man (Casey Affleck) returning to his Massachusetts home after the death of his brother and trying to sort out his family’s past.
  • Milton’s Secret – A Canadian hot ticket directed by Barnet Bain, it’s a unique story of how a troubled 12 year-old teenager finds relief from the frustrations of his life through his grandfather. Stars Donald Sutherland and Michelle Rodriguez.
  • Moonlight – Director Barry Jenkins showcases a drama of an African-American man struggling to come out despite the past troubles that haunt him.
  • Toni Erdmann – Germany’s submission for the Best Foreign Language film for this year’s Oscars, the film tells the story of a woman frustrated with her conniving father and his female disguise that irritates her to the point of leaving him behind after her promotion.

So this is what this year’s VIFF has in store. It all starts September 29th and it all ends October 14th. Lots of excitement to come.

 

 

Movie Review: Beeba Boys

Randeep Hooda plays Jeet Johar, a leader of an organized crime syndicate in Beeba Boys.

Randeep Hooda plays Jeet Johar, a leader of an organized crime syndicate in Beeba Boys.

Back at this year’s VIFF, I was hoping to see at least one Canadian live-action feature. I didn’t have the luck. I was actually luckier after the VIFF ended as Beeba Boys hit theatres just a week after. I had the chance to finally see it for myself.

The story is about Jeet Johar, a Punjabi-Canadian mob boss who is seen as the big man in Greater Vancouver, especially Surrey. He’s seen by many in the Indo-Canadian community what many would see of a mob boss: a father figure, a leader, a man who helps his community and a man who tells other not to mess with their own.

However there’s another side to Jeet. Despite having a set of loyal men who carry out his actions, he’s a loyal father who’s concerned about his well-being. He’s very upset when his father drinks in front of his son and he’s concerned how his mother feels about him, even though he acts like it doesn’t bother him.

One time, Jeet is arrested for murder. The jury finds him not guilty and he wins the attraction of one of the jurors, the daughter of Polish immigrants. However the police know he’s guilty and they set up a man to join Jeet’s gang and have him set up for what they hope will be his capture.

Jeet faces a load of rivalry from other mob leaders, an Indo-Canadian business leader who has become hugely successful and various other Indo-Canadians trying to get a piece of their own crime action for their own gain. Meanwhile his love for Katya is growing despite her family’s opposition to her love to Jeet.

However with Jeet’s lust for power comes incidents along the way that send him a message he’s doomed to downfall. This comes from members of his gang being killed to even a shootout at his place, endangering his own family. This leads to an ending that is far from predictable but doesn’t make a lot of sense in retrospect.

The film has a lot of of good elements and ingredients brought by writer/director Deepa Mehta: the separation of the values held by the older Punjabis from the younger Punjabis who question and can even ridicule the values and loyalty held by older Punjabis. There’s even the perceived jealousy felt by a lot of young Punjabis towards those who have made it successfully and feel that they have to kill them to get ahead. There’s even the scene of how some children of those who have made it feel a distance from their parents and even feel neglected because of their parents’ focus on making it.

There’s also how one looks at the leader of organized crime as a positive thing, especially the young. That was especially seen in that young Punjabi boy at the beginning talking how Jeet tells others not to mess with them the same way Bruce Lee showed others not to mess with the Chinese. Typical young male with a ‘might is right’ attitude. There’s the feel of power associated by many with the might of the gun. That was shown when one of Jeet’s men gets a young boy to feel what a ‘real gun feels like.’ Even though he unloaded the gun before, it sends a message about how addicting the power of the gun can get. There’s even the feeling they have to rule the night club scenes as shown in many scenes in the film.

The film also includes many other unique and vital ingredients. One unique ingredients to the film include the mix of languages as it goes from English to Punjabi to ‘Punglish.’ Another good ingredient is not just the focus on Punjabi immigrants but also some minor focus on the Ukrainian aquacize teacher and Katya Drobot. Sometimes I think the film is not just showing the struggle of Punjabi-Canadians to exist socially in Canada but the struggles of many immigrants. I found it surprising since I live in Vancouver that is one of the most immigrant-friendly cities in the world.

There’s also the character of Jeet who’s trying to make like he’s the boss but struggles to be a responsible father and is easily infuriated when his father drinks. Soon Jeet would have to fess up as his son now thinks violence is cool.

However the main problem is that the film does not put it all together in a well-constructed manner. The film shows a lot of potential as it features a story within a topic that rarely gets proper focus and has offered few effective solutions in the past. However there are times in which the news stories and even the newscaster herself come off as too cartoonish. There are times when the story goes from telling a story of an Indo-Canadian mob boss turns into ‘preaching’ about the problem. I’ve seen other gangster films before that told a story that reflected a common problem in society without resorting to ‘preaching’ methods. There were even parts that came off as ridiculous such as mob rival Jamie being intruded upon during a fellatio by one of Jeet’s men. All I can say is for each Canadian gangster film like this, there are at least 50 American gangster films that are better.

Mehta brings an ambitious project with Beeba Boys however the problem is it’s not done in a well-edited, well-pieced manner and it comes off as unsteady, sometimes preachy and even confusing at times. I will however give Mehta credit. It’s obvious Mehta, whose 2005 film Water was nominated for an Oscar in the Best Foreign Language Film category, is presenting a topic very close to her concern: the rise in crime among young Indo-Canadians, especially around Surrey and other part of Greater Vancouver. Being a resident of Greater Vancouver myself, I often hear the news stories and concerns however I myself can’t really make a statement about this topic because I don’t have direct involvement with the Indo-Canadian communities in Greater Vancouver. Mehta however is very knowledgeable about this and she feels she has something to say about this. I give Mehta credit for presenting a topic on the big-screen that gets so little focus but I feel that it could have been done better as a big-screen film.

The acting was good but it wasn’t stellar. Randeep Hooda did a good job as playing Jeet Johar: a gangster leader who’s art tough guy, part concerned father and part troubled man. Balinder Johal was the best supporting player as the concerned mother. The mix of IndoPop or IndoRock were some of the best music that could have been added to the score while the more synthesized parts of the score didn’t fit well and took away from the professionalism.

Beeba Boys is an ambitions movie that attempt to send a message as it tells a story. However it makes a lot of noticeable mistakes and it doesn’t compare to many of the crime dramas before it.

2015 VIFF Wrap-Up: An Excellent Year

CinemaDISCLAIMER: Okay, I know this is a month late but I’ve had some busy times and two colds plus I was waiting for some certain facts that took forever to come. Nevertheless I decided to finally publish this VIFF wrap-up today.

The Vancouver International Film Festival wrapped itself up the night of Friday, October 9th. The sixteen days were full of excitement throughout the city. It was also quite warm which allowed for some people to pass up films in favor of savoring whatever sunny weather we’ll have left for the year. Nevertheless this year’s VIFF was still bustling.  The format that worked the two previous years continued to work again this year. The three Tinseltown theatres gave the VIFF four extra days.

Volunteering was also good this year. Funny thing is this year we were only to do a single theatre this time around. I originally requested to volunteer for the VanCity theatre. Thing is it was loaded with volunteer requests. They asked me to do one of the other theatres. I obliged to do Tinseltown. That worked for the most part but the thing with me is I like to volunteer on both opening day and closing day: the two days Tinseltown isn’t part of the VIFF. That led me during the volunteer training to negotiate with one of the heads of volunteering and she gave me the option of doing Cinematheque those two days. I was happy with that, especially since I could get free popcorn.

Volunteering started off somewhat easy on opening day at the Cinematheque. Things became a bit more difficult when I worked the Tinseltown theatres. There one would have to deal with big crowds. Almost reminding me how busy it was over at the late Granville 7. There was even one time Tinseltown was so booked with volunteers, I was asked to volunteer the Sunday at the nearby SFU theatre. One film was a special event film where one corporate sponsor was giving people popcorn. Problem was food couldn’t be allowed in the theatre. You can imagine how peeved the people were. I also remember how busy closing Friday was. I had to do something over at the Centre for Performing Arts in between volunteering at the Cinematheque. Hey, film fests are busy things.

As for films I watched, I saw fourteen including the Reel Youth shorts fest. The feature-length films I saw came from Canada, USA, UK, Germany, Japan, South Korea, New Zealand, Greece, Ireland, India and Denmark. I saw a lot of good live-action movies as well as some good documentaries. I think the edgiest film I saw was Nina Forever. Hard to say what my favorite was. I found 100 Yen Love the most entertaining and A Flickering Truth to the the most eye-opening documentary I saw. I was hoping to see some Canadian live-action but it just wasn’t to be this year.

Anyways here is the 2015 Vancouver International Film Festival by the numbers:

140,000: estimated gated attendance

710+: Film and Television forum delegates

930+: hours of film screened

900+: volunteers

-520+ accredited industry guests

549: public screenings

370: films shown (shorts and feature length)

99: Canadian Films and shorts shown

85: countries entering films

114: Canadian premieres

  • 35: North American premieres
  • 24: International premieres (first screening outside home country)
  • 11: World Premieres

-198:  meetings with industry leaders and delegates at VIFF Industry Exchange

104: guest speakers

14: entries in the Best Foreign Language Film category for this year’s Oscars shown

16: days of showing films

9: screens showing films

7: theatres participating in the VIFF

Now I know some of you want to know the award winners. Here they are:

ROGERS PEOPLE’S CHOICE AWARD

-BROOKLYN (UK/Ireland/Canada), dir. John Crowley

VIFF MOST POPULAR INTERNATIONAL DOCUMENTARY FILM AWARD

-INGRID BERGMAN: IN HER OWN (Sweden), dir. Stig Bjorkman

VIFF MOST POPULAR CANADIAN DOCUMENTARY AWARD

-HAIDA GWAII: ON THE EDGE OF THE WORLD, dir. Charles Wilkinson

VIFF IMPACT: CANADIAN AUDIENCE AWARD

-FRACTURED LAND, dirs. Damien Gillis & Fiona Rayher

VIFF MOST POPULAR CANADIAN FILM AWARD

-ROOM (shared with Ireland), dir. Lenny Abrahamson

VIFF IMPACT: INTERNATIONAL AUDIENCE AWARD

-LANDFILL HARMONIC (USA, Paraguay), dir. Brad Algood

#mustseeBC Award (for most anticipated BC film)

-TRICKS ON THE DEAD, dir. Jordan Paterson

BEST CANADIAN FEATURE FILM AWARD

-SLEEPING GIANT, dir. Andrew Cividino

EMERGING CANADIAN DIRECTOR AWARD:

-THE SOUND OF TREES, dir. Francois Peloquin

BEST CANADIAN SHORT FILM AWARD

-BLUE-EYED BLONDE, dir. Pascal Plante

MOST PROMISING DIRECTOR OF A CANADIAN SHORT FILM:

-NEVER STEADY, NEVER STILL, dir. Kathleen Hepburn

BEST BC FILM:

-FRACTURED LAND, dirs. Damien Gillis & Fiona Rayher

BC EMERGING FILMMAKER AWARD:

-THE DEVOUT, dir. Connor Gaston

Those were awarded at Friday’s closing gala. After the VIFF closed, VIFF repeats happened at the VanCity theatre until Thursday the 15th. The volunteer party went from being held close to the end of the fest to being held on Halloween. It all started at the VanCity theatre as volunteers were treated to three circus-themed thriller films. The first one was held at 10 in the morning and was 1933’s Freaks which is frequently shown on Turner Classic Movies. The second was the 1960 British film Circus Of Horrors. The third and last was 1966’s Berserk starring Joan Crawford. Goodies and pastries were around for us to much on. Of course there were candies. There were prizes given away as well as prizes for costumes. Then the festivities ended with a three-hour dinner and dance at a nearby cabaret. It was a fun Halloween, that’s for sure. Great to see this year’s VIFF end on an exciting note.

So there you go. The 2015 Vancouver International Film Festival ended with continued success if not a record and fun for all volunteers. Next year’s VIFF is anticipated to be from September 23rd to October 8th, 2015 and should be bigger and better. It’s 10 months away but I still can’t wait. Anyways we’ll see how things go for next year’s VIFF. See you next year!

VIFF 2015 Review: Reel Youth Film Festival

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I’ve been to the Reel Youth Film Festivals of 2013 and 2014. I went to this Year’s Reel Youth Film Festival to see what they had to offer. I was impressed.

2013 was a focus more on young film makers. 2014 was still a majority of young filmmakers but did more focus on film directed to young people rather than focus on the age of the directors. Films made for young people by directors 20+ in age were more welcome that year than the previous one. This year was return to more focus on filmmakers up to age 19 and less focus on films by directors 20 or older.

This year there were 19 films. Seven were from Canada with four from BC. Six were from the United States with entries from Latvia, Kosovo, Iran, Georgia, India and Australia. Films focused on issues but they also had some fun too. The fun films included an animated short of a man and his dog on a stranded island, a boy asking another boy out and redoing it until he gets it right, a dating situation that can best be described as ‘a gas,’ human life from a dog’s eye view, life that starts in a smalltown and takes you back there, an animated film of a mantis’ first date and a simple task of getting a selfie with a 20 foot pink elephant that’s not so simple.

Issues however was the top focus of the festival and the shorts did speak about their issues. Issues included homelessness, bullying, missing indigenous women in Canada that often go overlooked, harassment at work, youth poverty in Canada and young disabled people.

Some of the films included dramatic settings such as a friendship between a man and a dog in tough times, emotional states relating to colors, a young person’s journey through life and the unfriendliness of our modern times, especially in urban India. There were some films that were biographical or focal like the homeless shelter cook from San Antonio, teenage musicians from BC with dreams that seem ignored by the school system and an 85 year-old woman with the self-confidence of a movie star.

Despite a lot of issues, there were films with messages of hope. Messages focused on homelessness in San Antonio, finding joy in pain the way Charlie Chaplin did, being comfortable in your own skin and making a disabled child feel like they’re not a misfit. Even a plotless short from Iran of a young grandson in a house with a leaky roof trying to keep the rain off his sleeping grandmother seemed like it had a message to say.

I think that was the point of this year’s selected shorts. These were films that focused on life, on emotions, on issues of concern, on problems and on hope. They all had something to say whether it be humorous or whether it be serious. Some had top-notch cameras or animation quality. Some were amateurish in writing, acting or even conveying their issue. Nevertheless all had their qualities that made it worth showing to the audience.

Once again, we were given our ballots to select our three favorite films and our favorite local film. Here were my picks:

  1. Love On Wheels – A Georgian film of a wheelchair-bound boy who’s accompanied by his father (actually played by his brother) who’s also in a wheelchair so that he doesn’t feel cut off from the world.
  2. Priorities – An animated short from Latvia of a man and his dog stranded on a deserted island during a rainstorm. Excellent animation quality.
  3. The Second Right Off Main Street – An Ontario short of an adolescent growing up in a small town, moving away to pursue bigger and better things and finding himself back in his town.
  • Local1 in 5 – About a bully a teen girl can’t seem to stand up for herself against: poverty. Title reflects the statistic of youth poverty in BC. Filmed in New Westminster.

And there you go. That’s my look at this year’s selection of shorts at the Reel Youth Film Festival. If you know a young filmmaker, I recommend you let them know of the Reel Youth film society.