People have been waiting for the longest time for a superhero movie to get nominated for Best Picture. If there’s a movie genre the 2010’s will most be remembered for, it will be for the heydays of the superhero movie. Deadpool and Wonder Woman were heavy favorites that ‘missed by that much.’ However it’s Black Panther that finally did it. And rightly so!
Now I’m not going to give a brief synopsis of the plot because most of you already know the story and saw the action. I will talk about superhero movies and how it lead to Black Panther’s most recent Oscar success. Now we’ve had superhero movies in previous decades and back in the 20th Century. I’m sure many of you can remember the old Superman and Batman movies from the 80’s and 90’s. The problem is around that time, the emphasis on popcorn movies back then was to be heavy on the action, and even heavy on the market hype, but comparatively minor attention to the characters and story-line. You couldn’t blame them; action movies blew people away and won big at the box office. However the flaws of a shotty script with minimal character development would soon become noticeable, especially by the critics. Around the 90’s as independent films were winning people over with storylines and well-developed characters, the stories and characters in action movies were starting to look either cardboard or idiotic. 1998’s Godzilla was possibly the best example of a film loaded with hype and action, but a ridiculous cookie-cutter story with foolish acting.
The 21st Century would mark a turning point for popcorn movies and especially for superhero movies for them to deliver better stories and better acting. Some say 9/11 became a turning point for movie watchers as they became less interested in cheering for villains and sleazes, but there’s more to that. The first sign was 2002’s SpiderMan. The producers were aware that despite the love for action in movies, the films story and acting could not be compromised. The film was loaded with action, as expected, but it did an excellent job in delivering a good story along with good acting as a result. That would not only open the doors for more superhero movies to come, but would also change the way superhero movies were done too. Marvel and their cooperating studios would become less focused on marketing hype — have you noticed there are less fast food chains plugging action movies lately? — and more focused on developing a well-written and well-acted story. It’s not to say that there were duds. There were a few SpiderMan sequels that were lousy and the 2015 rehash of the Fantastic Four was lame, but most superhero movies were very winning and easily demonstrated why they were winning crowds over.
Also on the subject of superheroes, I remember there were groups from religious organizations highly critical of the movies Hollywood was shelling out. They were complaining about all the ‘hazardous’ things in movies and how it threatened their values. Although no censorship occurred from their pleas, it did have an effect on the way superheroes are portrayed in the big-screen movies. One thing the studios were reminded of was that superheroes didn’t just simply do amazing things with their hands. They were characters that took a stand for values and were not afraid to do what’s right and be unafraid to deliver in their call of duty. In fact there have been many cases of some studios’ writing teams hiring Christian writers for the task. In most cases (obviously not for Deadpool), the superhero movies of the 21st Century were often praised by Christian critics of promoting values and dignity in a winning way. To think back in the 1990’s while gangsta rap and anti-hero entertainment were the call of the day, most people thought a story promoting values would come across being like a Mister Rogers. The 21st Century superhero movies proved that promoting values can be done in a winning way.
However it’s only been in recent years that superhero movies have the potential to do very well in the Oscar race. Most of the time, the best chances superhero movies had at scoring Oscars or Oscar nominations were in the technical categories like Best Visual Effects, Best Sound Mixing, Best Sound Editing. Sometimes they would win nominations in Best Costume Design, Best Production Design or Best Original Score despite nominations going mostly to ‘timepiece’ movies. The big turning point came in 2008 when The Dark Knight was a heavy favorite to get a Best Picture nomination. It didn’t happen, but Heath Ledger won an Oscar for his portrayal as The Joker. It was the biggest sign of how much better superhero movies, and even popcorn movies in general, became. In the past two years, there were two superhero movies, 2016’s Deadpool and 2017’s Wonder Woman, that were nominated for Best Motion Picture for the Producers Guild Awards. The Oscar nomination however did not happen: for Best Picture or any category!
It’s 2018; enter Black Panther. The Black Panther is a hero that actually made its debut in the Marvel universe in a Fantastic Four strip in 1966. The Black Panther has made many appearances in various Marvel comic stories. In film, the first appearance of the Black Panther was in 2016’s Captain America: Civil War where he was played by Chadwick Boseman. That of course was an Easter Egg of what was yet to come. The movie of The Black Panther was released in 2018. As expected, it was to tell the story of how the Black Panther came to be and how the Black Panther had to achieve their first defining moment of greatness. However it did a very good job in presenting a story of a moment in the distant past, to the ‘near-past’ of 1992 to the present. The story doesn’t just simply focus on T’Challa becoming the Black Panther, but also on his family and restoring the dignity of the Jabari Tribe and the wealth of the kingdom of Wakanda.
The film also does a good job in developing a story that’s entertaining for adults but also not too confusing for children. Another hard job of superhero movies is developing a story that works for both children and adults. It shows the conflicts abounding between T’Challa and Killmonger, as well as Killmonger’s pursuit of the throne of Wakanda with the intent to rule corruptly. It delivers the story in an excellent and entertaining manner with well-developed characters. Of course a superhero film needs to have its action moments, but the film does not compromise at all on the story or the characters.
The best efforts of the film come from director/co-writer Ryan Coogler and co-writer Joe Robert Cole. Coogler has had a steady progression in the film world. His first film was the 2013 independent arthouse film Fruitvale Station, then progressed to popcorn movies with 2015’s Creed, and now Black Panther. All have had winning results. Black Panther could have gone to another white director that was part of the Marvel team, but marvel made the right choice to have Coogler direct despite never directing a sci-fi movie. The result is winning. Cole has also been able to make his mark in this film. The most writing experience he had before the film was 2011’s Amber Lake and the TV series The People vs. O.J. Simpson. Here, he’s able to make a name for himself in a big way and should open bigger doors in the future.
With the great directing and the great story, the acting is also excellent. Chadwick Boseman delivers very well as the Black Panther and succeeds in delivering a three-dimensional role for the character. Michael B. Jordan (who also acted in Fruitvale Station and Creed) also does a great job portraying the villain. Lupita Nyong’o was possibly the biggest scene-stealer of the movie. She was enjoyable. The costuming by Ruth E. Cater worked excellently for the film as well as the sets for the film. It made Wakanda look very believable as a place. The music by Ludwig Goransson also fit the film excellently and the special effects were dazzling and entertaining.
It’s easy to see why Black Panther is a winning film. It’s a superhero story that delivers in all facets and manages to dazzle crowds too. It also succeeds in again taking a seldom-known Marvel superhero and turning him into a household name.
I admit I was very late on the draw for watching Get Out. Could’ve been the schoolwork I had to deal with or I just didn’t rush out like I should’ve. I finally had the chance to see it a month ago and I can easily see why it’s one of the best films of 2017.
The story begins with a young black man abducted on the street. Soon after, black photographer Chris Washington is packing with white girlfriend Rose Armitage for a meet-the-parents visit. Rose insists to Chris that his race won’t matter, even though he is her first black boyfriend. Chris says goodbye to his friend Rod, a black TSA agent, and insists to him things will be fine. On the ride there with Rose driving, they hit a deer. The police visit the two and the white officer wants to look at Chris’ identification, even though he wasn’t driving. It took Rose’s intervention to stop this.
The two arrive at the home where they meet Rose’s brain-surgeon father Dean, hypnotist mother Missy and student brother Jeremy. All three make discomfiting comments about black people. Additional uneasiness to Chris comes when he notices housekeeper Georgina and groundskeeper Walter, both black, show strange behavior. Things get even weirder when Chris steps outside to smoke and notices Walter sprinting through the grounds and Georgina prowling through the house.
To try and take his mind off things, Missy gives Chris a hypnotherapy session to cure his smoking. During the session, he’s taken back to his childhood and the memory of his mother’s hit-and-run death: a death he feels guilty of. After that comes the void Missy calls ‘the sunken place.’
Chris wakes up the next morning wanting to think it was all a nightmare. Instead he’s surprised to learn that cigarettes turn him off and Walter even confirms Chris was in Missy’s office. Chris also notices Georgina unplugged his phone leaving the battery to die, but she claims it was an accident.
The next day, Chris is at a get-together hosted by the Armitage with dozens of wealthy couples; most of them white. However the topic is almost always the same from person to person. They all ask about his race and even bring up talk of prominent black figures. The only person who doesn’t bring up race is Jim Hudson, a blind art dealer, who takes an interest in Chris’s photography.
Chris meets one other black person at the party. His name’s Logan; he’s married to a white woman and he acts rather strangely. Chris telephones his friend Rod and lets him know of all the suspicious activity at the Armitage house. Chris snapped a flash photo of Logan from his phone, but Logan’s personality changes to a hostile manner, shouting for him to ‘get out.’
Despite Dean claiming it’s an epileptic seizure, Chris isn’t fooled. He knows there’s something wrong happening and persuades Rose to leave with him. Meanwhile Rod notices the Logan in the photo is Andre Hayworth: the man who went missing earlier. Rod tried to get his police department to go to the Armitage household, get Chris, and arrest whoever’s involved. His colleagues all think it’s a joke. Rod is on his own.
As Chris is about to leave, Chris comes across photos of Rose with other black boyfriends. As he tries to leave, Chris is blocked by the family from leaving and even Rose is part of the heist to abduct him. Jeremy acts violent but as Chris tries to fight back, Missy imposes hypnosis to make him weaker. While wrapped in bondage in a chair, Chris watches a video from Rose’s grandfather Roman where they take the brains of white people and puts them into black people. The host remains in the ‘sunken place’: watching but powerless. Hudson tells Chris through the screen he wants his body for his sight and his artistic talents. Meanwhile Rod telephones Rose to find out what’s happening, but Rose declines, making like Rod is a past boyfriend.
The night before surgery, Chris puts the cotton stuffing from the chair in his ears to block the hypnosis. The day of a surgery is when Chris has to make his getaway. The movie ends with a lot of surprises– including some surprising facts about the surgery — but it ends with the pleasing ending many would have hoped for.
This is a rarity. A horror film where racism is one of the main themes of the film. The story starts out as something simple: boyfriend meets girlfriends’ parents. The fact that he’s black shouldn’t make that much of a deal. I mean Guess Who’s Coming To Dinner was 50 years ago and lots has changed, right? You get the first impression race will be a topic when they hit a deer and Chris is asked for his identification. It becomes further evident when Chris is with Rose’s family and the father brings up Jesse Owens. I was actually surprised to see how often race was brought up in conversations between Chris. It was always a topic in Chris’ conversations with people, if not the first. And then a case of mental enslavement: white brains in black bodies. I notice the familiarity here.
I’m sure race has a lot to do with the police scenarios, but even then, there was one area that didn’t seem about race. That’s when Rod describes the situation to the police and all three laugh. The three Rod talked to were of various races, even one black woman. I felt that was trying to send me a message that even African Americans in the police force look at their own in a negative light. The end definitely had something to say. A cop car arrives with Rose shot and dying on the ground and Chris thinks he’s about to get arrested, only for Rod to be the cop. Glad to see it gave a happy ending. I think it was also trying to say something; about the importance of having friends who know the truth.
Even without the subject of race, this stands out as a psychological thriller in its own right. One of the difficulties of horror or thriller movies is including supernatural or paranormal things without looking ridiculous. The theme of hypnosis and mind control really makes itself present in a smart way. The inclusion of such themes even the addition of the brain surgery right in the family’s house didn’t look cheesy at all, fitting well within the story. Showing how Chris broke the mind-control aspect when he took a photo of Andre/Logan is shown intelligently and added to the story without looking ridiculous. The scene near the end where Walter shoots himself after shooting Rose didn’t appear dumb as it showed this mind-control was something only death can free them of. Even the goriness of the deaths didn’t look dumb. In summary, all the thriller or horror aspects had to make sense in order for them to work, and they did.
This film had to be 2017’s ‘sleeper success.’ The film made its debut at the 2017 Sundance Film Festival. Lately Sundance movies haven’t been as big of a draw to the box office as they were ten or even twenty years ago. This film really caught people’s attention and grossed $176 million at the box office. It was no wonder it would be one of the stand-out films of 2017. It reminds you that 2017 wasn’t such a bad year in movies after all, and Get Out was one of the highlights. Get Out also contributed highly to the resurgence of the horror/thriller genre. Sure, the biggest news came from It, but Get Out is admired for its ability to create an original story and even add African-American elements to the horror genre, which is extremely rare.
The person who deserves the most acclaim here is writer/director Jordan Peele. He is one driven person. Past work of his includes acting and writing for MadTV as well as stand-up comedy. This is his first feature-length film as a writer and director and it really stands out because of its excellent story line. Also excellent is the lead acting from Daniel Kaluuya. He succeeded in making a performance in a horror movie three-dimension: something very rare. There were also good standout supporting performances from Lil Red Howery as Rod. Makes sense as Rod was the comic relief. Also a good scene-stealer was Betty Gabriel. Her portrayal as Marianne/Georgina best personified what it was like to be under this mind-control lobotomy. Smiling on the outside, but mentally-enslaved on the inside. Alison Williams also made a good villain, switching from the loving girlfriend to helping the family get their next ‘slave.’
Get Out did two things that most people would believe is impossible to do nowadays. The first is create a horror film that is as intense as it is smart. The second is for an African-American to create such a horror film. The film achieves all that, and more.
The VIFF is my best chance to see a Canadian feature film each year. I got my chance with Suck It Up. I’m glad I saw it.
The film begins with Ronnie collapsing by a lawnmower drunk. Ronnie has just lost her older brother Garrett. Faye is in Vancouver having a job interview for a school board job she really wants when she learns the news about Ronnie. Ronnie was her best friend until Faye broke up with Garrett last year. She is encouraged by Ronnie’s guardian aunt and uncle to come over to Calgary. Faye meets with them all and they feel the best way to help Ronnie recuperate is for her and Faye to go someplace for a getaway. Faye decides to go to their old cabin in Invermere.
At first, you think things won’t work. Faye is the cool one under control while Ronnie is outrageous enough to flash her breasts to any car full of guys passing by. Once in Invermere, they try to make themselves comfortable in the cabin. However it seems Ronnie is making herself all too comfortable with every guy she meets up with. Especially this creepy guy names Dale who rubs Faye the wrong way. As Ronnie is getting closer to a guy names Shamus and his freewheeling friends from the bowling alley, Faye meets a guy of her own. His name is Granville. Granville may come across as geeky at first because of his asthma and diabetes, but the two connect as Faye is charmed by his artistic dreaminess.
Things prove too much for Faye as Ronnie’s craziness is cramping her style and her life. Faye tries to have a good time, but can’t deny that she has things to take care of in her life, like a potential job in Vancouver. One day, Ronnie and her friends come after a day of fun and give Faye some lemonade. It’s after Faye drinks it that she finds out it’s laced with MDMA, and just 1/2 an hour before her job interview on Skype! Faye humiliates herself during the interview.
Even though Faye is given a second interview days from now, Faye appears to be the one falling apart now. It’s not just about the interview and dealing with Ronnie. It’s because Faye is having trouble dealing with Garrett’s death. She can’t handle that she didn’t answer the call from Garrett’s phone just hours before he died. She came to Invermere with Garrett’s ashes and two envelopes from Garrett: one for her and one for Ronnie. She open’s Ronnie’s envelope instead. Even hearing info about Garrett from a woman names Alex who works at the town ice cream parlor makes things all that more frustrating for Faye.
Then the two decide to hold a party at the cabin. All of their Invermere friends are invited and they all show up, including shady Dale and his mud-filled inflatable pool for mud wrestling. Ronnie’s in a partying mood but Faye is having issues. It’s still all about Garrett. Spending time with Granville doesn’t make things easier and talking with Alex makes things worse. Then Ronnie films out what Faye did with her letter. She confronts Faye with harsh words about the phone call from Garrett’s phone. This leads to a fist fight where they both end up in the pool of mud. But after that, the two suddenly make peace and resolve all that happened. Even the opened letter. It turns out Garrett was a controlling person in his life and tried to control both of them. Faye and Ronnie pack up with Ronnie being in great spirits and not looking as troubled as she was at the beginning. They promise to get together again soon.
At first, I found this comedy entertaining. Then I did a bit of thinking. This is a kind of comedy that I can see the script working in Hollywood. Have you seen a lot of the Hollywood comedies in theatres now? They’re pretty dreadful, eh? They’re relying too much on jokes with shock value and even lewd or crude one-liners to get a laugh. They make you think they’re that desperate for laughs. This comedy doesn’t need to rely on one-liners or crude jokes. All it has to rely on are the characters and the scenarios to make this work. That’s what made this comedy work. We have a bizarre situation of two friends who are two opposites going away to a resort town to help one recover from her brother’s death. The other friend has unresolved issues over his death too. The mix of the two causes havoc, but it all ends when they get into a fight where they accidentally end up in the mud wrestling pool. Then the friendship is rekindled and they’re both able to make peace with his death. To think Hollywood couldn’t think this up, but Canadians did!
The film is also about ironies. The two girls are complete opposites. You first wonder how on earth they became friends in the first place. You first think Granville is a nerdy guy, but he becomes the perfect one for Faye. There are even times later on when you wonder which of the two are having a harder time dealing with Garrett’s death. It’s the fistfight that becomes the turning point where Faye and Ronnie are finally able to resolve things and go back to being the good friends they were. In the end, both get over his death when they come to terms with what a control freak he was in his lifetime. Even seeing Ronnie toss Garrett’s ashes off a cliff with them still in the jar is a bit of comedic irony too.
One thing about the film is that it doesn’t try to mess with the crowd too much. The subject of death and how Ronnie’s family is full of cancer-related deaths even makes you wonder if this would become a tragedy soon, but it doesn’t. It’s able to take a dark troubling matter and turn it into a good comedy. It also won’t get too manipulative. One thing you’ll notice is that there are no flashbacks to when Garrett was alive, nor are there scenes of Garrett coming from nowhere to talk to either of the two. Another thing about this film is that the story lines are placed out very well. I’ll admit the film starts on a scene that makes you think it could have been given another take, but the film gets better over time and the whole story is kept consistent from start to finish.
This film directed by Jordan Canning and written by Julia Hoff was very well-done and well put-together, even more than most Hollywood comedies nowadays. This is kudos for Julia because this is her first screenplay for a feature-length film. Erin Carter did a great job as Faye and Grace Glowicki was great as Ronnie. The film needed them to be in their characters to make it work, but they were able to keep their roles from being one-dimensional. I addition, they had the right chemistry together to make this story work on screen. Dan Beirne was also very good portraying the misfit Granville who wins Faye’s love. Toby Marks was also great as Alex: the one caught in the middle between Faye and Garrett.
Suck It Up is a Canadian-made comedy that is way better-done than most of today’s Hollywood comedies. It starts out sluggish and even may appear to tread into ‘drama territory’ at times, but it ends on the right note.
“My name is Jordan Belfort. The year I turned 26 as the head of my own brokerage firm, I made 49 million dollars, which really pissed me off because it was three shy of a million a week.”
“Let me tell you something. There’s no nobility in poverty. I’ve been a poor man, and I’ve been a rich man. And I choose rich every fucking time.”
I was curious about Martin Scorsese’s latest film The Wolf Of Wall Street. I was wondering if it was something Martin’s never done before or just simply a great movie to have out at the time.
The film is a semi-biographical picture of Jordan Belfort, Wall Street scammer extraordinaire. At the start of 1987, Jordan is just a rookie in the stock-broking business who manages to come through and successfully woo clients. He even wins the appeal of his boss who tells him during a dinner that a lifestyle of casual sex and cocaine will help him succeed. However Black Monday happens and the business collapses, leaving Belfort unemployed. While looking for work, his first wife Teresa recommends he work for a small boiler room office that invests in penny stock. He agrees and the rest…is infamy.
That penny stock job pays off for Belfort as his aggressive style of selling earns him top sales and a higher commission rate than at his former Wall Street job. That inspires him to start his own business. It’s starts rather humbly first with furniture salesman Donnie Azoff who lives in the same building as him, along with his accountant parents and several friends of his, three of which were experienced marijuana dealers. He forms Stratton Oakmont, a penny stock company with a professional-sounding name. The business however is fueled by ‘pump and dump’ scamming promoted by Belfort. The business is so successful, it lands Belfort in a Forbes magazine article of him titled ‘The Wolf Of Wall Street’ and soon attracts hundreds of financers who are ‘young, hungry and stupid.’
The business skyrockets and every successful salesperson benefits with bonuses and privileges. Belfort however benefits the most with big-time pay. With it however came the lavish lifestyle of parties, sex and drugs where Belfort frequents prostitutes and becomes addicted to cocaine and Quaaludes. His excess even leads to the end of his marriage with Teresa as she catches him having sex with Naomi LaPaglia, an attendee at one of his parties whom Belfort eventually marries after the divorce and gives birth to their daughter Skylar months later.
Meanwhile the FBI get suspicious and it prompts agent Patrick Denham to begin investigation of Stratton Oakmont and include the Securities and Exchange Commission in on it. While Belfort doesn’t know what the FBI is doing, he even opens a Swiss bank account to evade being taxed for the $22 million deal made with Steve Madden Ltd. and uses Naomi’s wealthy aunt’s name to disguise it. He even uses friends with European passports to smuggle in cash to the account. However there were some close calls to that scheme when the participation of Donnie and friend Brad would get into fights.
Belfort does sense the FBI is on his case, especially after Denham meets with him personally in his yacht. He hires his own private investigator Bo Dietl to stay one step ahead of the law. But there are soon giveaways, like the time Donnie made a phone call to the Swiss Bank associate from a wire Jordan knew was tapped. He tried to stop him but the seemingly-weak Quaaludes given by Donnie suddenly kick in. By the time he tries to stop Donnie, Donnie himself his high on the Quaaludes during the phone call and is choking on a ham sandwich. Fortunately through a sniff of cocaine, Jordan is able to save Donnie’s life. Nevertheless it doesn’t take away from the threat of legal enforcement. It gets to the point even Jordan’s father is pressuring him to step down. Jordan refuses and the whole office cheers on the rebellion from Belfort and Donnie to the FBI’s subpoenas.
It’s not long before Jordan gets signs that his luck is about to run out. The first big sign came on a yacht trip with Donnie and their wives in Italy. They’re given the news that Naomi’s wealthy aunt has died of a heart attack. Jordan decides to sail to Monaco to avoid capture along the way to Switzerland for the bank accounts but a violent storm sinks the ship. All survive but the rescue plane sent to take them to Geneva for the accounts explodes. This causes Jordan to decide break free from drugs.
Eventually the FBI do crack down on Jordan, while filming an infomercial. The Swiss banker, who was arrested in Florida over an unrelated charge, tells the FBI everything about Belfort. The evidence against Belfort is overwhelming but Belfort decides to cooperate by giving the FBI information about his colleagues in exchange for leniency. Jordan’s optimism over the possibility of leniency starts to run out as his wife decides to divorce him with full custody of their children. Jordan reacts angrily, even abusively, and attempts unsuccessfully to abscond with his daughter while high on cocaine behind the wheel. Any hope of leniency all ends when Jordan interrogates Donnie, warning him in a piece of paper about the wire. Agent Denham finds out about it and it’s the end for Jordan’s freedom and Stratton Oakmont. However after his three years in prison, Jordan has found a new life…hosting seminars on sales techniques.
Looking back, I don’t think Martin Scorsese was trying to reflect on too much of a current theme in his movie. I feel he was trying to tell the story of Jordan Belfort most of the time. Often it would come across as another example of the American Dream gone wrong or how it’s often mistaken as the quest to be the richest. Nevertheless the narration from Leonardo as Jordan does give a reflection of our business society. Many of the quotes Jordan and others say are reflections of the drive of the business world and sometimes a reflection of how many in the business world often are oblivious to the difference between their own greed and personal drive and ambition to be #1.
Another reflection Martin was probably trying to show was how being at the top of the game in the United States is like living in a jungle. The office of Stratton Oakmont did come across as a wild jungle in the corporate wilderness known as Wall Street. All the workers who wanted to excel came across as the vicious ferocious animals with a false sense of invincibility, especially Jordan. Sometimes you’re left thinking the business world is so vicious, one has to make a wild animal of themselves to excel. Is it worth it?
If there are any core themes of this movie, I believe it would have to be about lust and addiction. Right as a young investor when he gets the advice from his boss about a steady habit of sex and drugs, it already set the stage. Jordan became addicted to sex with his wives and other women. Jordan also made a steady habit of drugs to make him excel in the business world only to end up addicted to them. However it appears that the biggest drug in Jordan’s life had to be the money. Working in the stock market, Jordan gets the popular first-hand feel that ‘more is never enough.’ Money gave him that sense of power and invincibility one can get from a steroid. It also made him a slave to his habits and act out of control like any other addictive drug. “We were making more money than we knew what to do with it,” Jordan says. Eventually it would hurt him and everyone else around him in the end.
There was a lot of talk about all the elements Martin included in a film like this like over-the-top swearing, sex and drug use. Even with the violence being rather tame for a Scorsese film, there was question of that too. One thing I have to say is that my expectations in film have changed quite a bit since I was a Generation-Xer of the 90’s. I know I first talked about my Generation X attitude towards entertainment back then in my review of Django Unchained. Back then I had the common attitude that the arts should push envelopes and was convinces that the best artists or best works of arts challenged the status quo of their times. I’ve changed since then and even though I like envelope pushing, I don’t believe it should make compromise for entertainment value or showbiz expectations. Yeah, don’t let being an artist get in the way of doing your job in this biz.
Getting back to the content, I came to the movie with the full knowledge of the 500+ f-words and all kinds of raunch and obnoxiousness anticipated for it. So I went with the attitude: “If you’re going to have this many F-words and all sorts of over-the-top stuff, you better justify it.” I wouldn’t approve of censorship but I would question a lot of what happened in those offices. Was it really loaded with foul language and flipping the tweeter at everyone including the boss? Was there really sex on the workfloor? Or a monkey in the office? Or a marching band one day? Did Donnie really pee on his subpoena on his desk for all the office to see and cheer on? Did a female worker really volunteer to have her head shaved if the team hit a target? I find that hard to believe especially since my own workplace imposes professional behavior. However Jordan Belfort has maintained in many interviews it did happen. Scorsese refused to water things down and Leonardo agreed it shouldn’t have been. I myself wasn’t shocked or outraged by the content on screen. As mentioned earlier, I was more shocked at these things as chronological events. Nevertheless it does have me asking: “Blue Is The Warmest Color got an NC-17 rating but this is rated R?”
This was a very good biographical movie done by Martin Scorsese. It’s not done epic-style like The Aviator. Nevertheless it is central to its themes and depicts Jordan as anyone on Wall Street who’s determined to do what it takes to rise amongst the top. Martin and scriptwriter Terence Winter knew how to do a movie very thematic of that. The main glitches is that I feel three hours is too long for a story like this. I question the length of it and I also question certain scenes like the one of Jordan and Donnie having delayed highs from the dated Quaaludes. If there’s one thing I give it kudos for, it’s that human elements didn’t get lost in it. In fact one scene I liked was near the end when Jordan’s parents are in tears when they hear of his sentence. The parent/son part of the whole story was a good addition and it was most valuable in that end scene. For the record, this is not the first movie of Jordan Belfort’s exploits. The first was 2000’s Boiler Room where a rising star by the name of Vin Diesel played Belfort.
As for the acting, Leonardo was excellent as Jordan Belfort. I was first expecting Jordan to be like Gordon Gecko of Wall Street. However while Gordon was more of a control freak, Jordan was like a Trojan warrior on a mission to conquer. Leonardo did an excellent balance of doing a character who appeared invincible but was oblivious to how out of control he was and ignorant to the limits of his power. Name any movie character synonymous with power–Braveheart, King Kong, Maximus from Gladiator— you can see it in Leo’s depiction of Jordan. Jonah Hill also did an excellent job of character acting in his role of Donnie. I have to say Jonah has really grown with his acting abilities ever since I first saw him play his big doofus roles early in his career. His performance as Donnie is a sure sign of his maturity as an actor over the years.
Margot Robbie has the most underrated role in the movie as wife Naomi: possibly the one person that can bring Jordan back to Earth and remind him of the limits of his powers. Sometimes Naomi appears to be one of Jordan’s drugs and Margot did a great job. There were also good minor performances from Jean Dujardin, Kyle Chandler and Joanna Lumley but the best had to come from Rob Reiner. He was great as the father watching both nervously and heartbreakingly as it all comes crashing down. Actually the whole ensemble caught your attention from start to finish. Hardly ever a dull moment. And the mix of music from various decades also added to the energy rush of the movie.
The Wolf Of Wall Street is an intriguing movie and will leave you shocked at the story being told. However it is not worth the three hours of running time given. Yes it does entertain and there’s rarely a dull moment but it makes you question whether all that time is worth it. Yes, it’s worth seeing but worth three hours of time?