At first one would think that The Shape Of Water is another science fiction movie with a bizarre story, but it turns out to be a story that’s a lot more than that.
Eliza Esposito is a mute woman in Baltimore in 1962. Orphaned at a young age, she lives in an apartment just above a movie theatre and works as a janitor in a secret government laboratory. She only has two friends. The first is Giles: a gay advertising artist who lives next door to her. They often eat pie and watch entertainment together. The second is Zelda: an African American woman she communicates with in sign language. It’s through Zelda she can tell her biggest secrets.
One day, a creature is brought to the laboratory. It’s a sea creature from South America captured by Colonel Richard Strickland. Right when she sees the creature, she notices something about him. That the creature has some human-like traits. Both Zelda and Eliza sense something wrong with Colonel Strickland as he comes across in a gruff manner. They also notice he brought a cattle prod that has blood on it. Eliza notices the blood travels in a unique pattern.
Later Strickland is attacked by the creature, bleeding badly and lost two of his fingers which get reattached shortly after. As Strickland is being tended to, Eliza wonders who is this creature and what do they want from him? Eliza soon develops a bond with the creature and discovers it’s a humanoid amphibian. She gives him eggs to eat, music to listen to, and communicates with him through sign language.
There are different plans people have for this creature. General Hoyt wants Strickland to dissect it for the possibility of an advantage in the Space Race. Scientist Robert Hoffstetler, who is secretly a Soviet spy, tries to convince his masters to keep the creature alive for scientific study. The Soviet spymasters disagree and want him euthanized.
When Eliza learns of Hoyt and Strickland’s plans for the creature, she tried to persuade Giles to assist, but he rejects at first. It’s after a failed attempt at hitting on the pie man that he agrees to comply. Zelda is also opposed to it at first, fearing for but her job and Eliza’s, but she agrees to help. Hoffstetler tells Eliza he’s aware of her plan and is willing to help.
The plan is to help the creature escape where no one can see. Zelda keeps a close eye on the coast. Hoffstetler helps in the distracting of the surveillance cameras just as Zelda makes the adjustment, and even has a bomb on the power base set to explode at the right minute. Giles rents a truck and paints it to look like the laundry pick-up truck. Eliza is able to get the creature into the laundry bin. Just as it appears that Giles is about to get stopped by security, Hoffstetler injects sleeping medicine into the guard’s neck. The pick-up and escape is successful, but not without smashing Strickland’s new blue Cadillac!
Eliza keeps the creature in her apartment. She keeps it in her bathtub which she mixes with salt and plants. She plans to release it into a canal in a few days one it opens to the ocean. She’s well aware that Strickland still wants the creature. Strickland even meets with Eliza and Zelda to interrogate, but both are able to keep the truth hidden from him.
Back at the apartment, the creature leaves Eliza’s suite and visits Giles’ suite. He takes an interest in his drawings and the television, and thinks one of his cats is food! The creature runs off again just after he slashes Giles’ arm. Eliza goes searching for the creature and finds him in the movie theatre staring at the screen. The relationship between Eliza and the creature grows. She becomes more than just his protector, but his lover. She herself can even acquire the ability to make shapes with water. She even tells all to Zelda, to her surprise. The creature even helps Giles heal from his wounds. Giles eventually opens up to him just after. Eliza gets sexually involved with the creature even to the point she tries to flood her whole bathroom to have underwater sex! Much to the disappointment of the cinema owner down below!
However time is running out for all. General Hoyt gives Strickland an ultimatum of 36 hours to return the creature back. For not helping with keeping the creature, Hoffsteler is told by his superiors he will be extracted in two days. However the creature’s health is failing and he will have to be returned to the water. The day Eliza planned to take the creature to the canal comes. Giles agrees to help drive the creature to the canal when the day comes.
Meanwhile Hoffsteler meets with his handlers and is shot, but not until Strickland intervenes and shoots the handlers dead. He forces Hoffsteler to reveal who took the creature. Strickland then goes to Zelda’s house. To the shock of her and her husband, Strickland arrives and threatens Zelda to reveal Eliza has been keeping the creature. Zelda then telephones Eliza and Giles warning them of Strickland. The time to take the creature to the canal is now. The creature wants Eliza to come with him, but Eliza insists it’s better for him to go alone. The scene ends on a dramatic note and an ending that’s unexpected, but is the right ending for the film.
This does make for a bizarre story of a recently-discovered sea creature and a woman’s romantic connection to the creature. We’ve seen Beauty-And-The-Beast type of movies before like King Kong or Creature Of The Black Lagoon. The funny thing about this is that it actually succeeds as a romance. The first thing that makes it work is that there’s a real connection between the woman and the creature. Rightly so because Eliza is the first to connect with the creature and connects with him in the biggest way. All Eliza had before was her job and the friendships with Giles and Zelda. Here she finds a being that she not only connects with, but becomes her soul mate. The one that completes her. They were two lonely people who were united by fate of the most impossible kind. You could understand why the ending made sense. It was through the magic of the creature’s healing that she is able to live in his world and his world only.
The most interesting thing of the film is its connection of the various arts. It’s more than just nostalgia. It reminds you of the charm and the feel of such entertainment back then that most people overlook. However it’s through those various arts that the sea creature gets a sense of human vitality and even embraces it into his own life. The art he comes across helps him communicate in the human world and gives him his human-like qualities. From the music Eliza plays to the images on the movie screen to even watching a hokey episode of Mr. Ed on Giles’ television, the entertainment is his connection to his human traits. It even helps him experience his feelings of love which he has for Eliza. You could understand why that one scene where Eliza was not a mute –that musical number where she dances with the creature– makes sense. It’s through art that she’s able to express her love for the creature: the one being that doesn’t make her feel like an outsider at all.
The creature doesn’t just affect the lives of Eliza, but of the two closest to her too. Soon after Giles has a change of heart and helps the creature’s escape, Giles opens up to the creature and soon makes him a part of his own art. As Zelda helps the creature escape, she too develops an inner strength in her and is able to stand up for herself to her husband. It’s something to think about. The three main characters are all misfits in 1962 Baltimore. Eliza is a mute, Giles is gay, and Zelda is black. However it’s through this creature that Eliza finds a soul mate, Giles finds a purpose and Zelda finds an inner strength.
I give top credit to Gullermo del Toro. The story he directed and co-wrote with Vanessa Taylor is comical and had a lot of good drama, but it’s the human element that shines in the story line. Del Toro would admit in an interview that this is inspired by The Creature From The Black Lagoon and always dreamt of seeing Gill-Man succeed in the romance to Kay Lawrence. I can sometimes see hints of Pan’s Labyrinth in the story. It’s interesting how he creates this story that romanticizes the entertainment of the time as well as reminds us of the hysteria of Communism at the time too, as well as the racism. All of this makes the charm of the film.
The acting is the biggest strength of the film. The best comes from Sally Hawkins in playing a mute who best communicates to the sea creature with her feelings and with the power of art. Richard Jenkins is also excellent as Eliza’s loner friend who finds a new purpose in life through the creature. Another excellent performance is from Octavia Spencer playing the friend closest to her side. Also very good acting from Michael Shannon. You often wonder if Strickland is heartless or just plain under the thumb of the Colonel. You know he’s troubled when you see the amount of pills he takes. Excellent work for Doug Jones. One again, he does excellent work as the creature in Guillermo del Toro’s movies. Most of you remember him as the Faun in Pan’s Labyrinth. You could say Doug Jones is to del Toro’s movies what Andy Serkis is to Lord Of The Rings’ Gollum.
The film has a lot of excellent technical aspects too. There’s the costuming and make-up team that made up the costume of the creature, as well as the visual effects team that made the ‘blue effect’ of the creature’s skin. There’s the production design team that made an excellent set that dates back to the early 1960’s to a tee, even with the movie theatre. There’s Luis Sequeira that designed the right costumes and outfits for the actors as well. Finally, there’s the mix of the music of the time mixed with the imaginative score of Alexandre Desplat. Desplat knows how to compose for a movie.
The Shape Of Water is more than just a creature-and-woman romance we’re familiar with. It succeeds in having the feel of an actual romance and successfully convey the feelings of love. In the end, the romance looks so right! That’s its magic.
The subject matter of The Post doesn’t sound like the type of subject matter that would win a big crowd, but it is a film worth seeing.
The story goes back in 1966 during the Vietnam War. Military analyst Daniel Ellsberg is in Vietnam with General Robert McNamara to document the progress of the war. McNamara admits to Ellsberg and President Johnson that the war is hopeless but has confidence in the effort, leaving Ellsberg disillusioned.
Years later, Ellsberg is now working for a military contractor and comes across classified documents showing the US’s decades-long involvement in the conflict in Vietnam going back to just a few years after World War II ended. Ellsberg discloses the documents to the New York Times.
It’s 1971. Katharine Graham is head of the Washington Post. It’s been a position she mastered with a lot of difficulty as it’s commonly seen as a ‘man’s position.’ Even though her family founded the Post, the position of the head went to her husband Philip instead of her. It was right after Philip’s suicide that Katharine became head. It’s not easy for a female to be head of a newspaper. Especially someone like Graham who has a good work ethic, but lacks experience and is constantly overruled by the aggressiveness of the men of the Post. On top of that, she seeks to gain an IPO for a stock market launch to propel the Post to greater strength. The Washington Post however is second-fiddle to the New York Times which always has the biggest news scoops, even the scoops of what’s happening in Washington.
Editor-in-chief Ben Bradlee is one of the men who work for her. He tries in vain to be one step ahead of the New York Times in coming up with the latest scoops, but falls short each time. Meanwhile McNamara, who is a friend of Graham’s, confesses to her of how he’s the subject of bad news in the New York Times. It’s through their constant expose of the government’s deception of the American public. However a court injunction blockades any further publication of such news by the Times.
Ellsberg is willing to provide the documents and opportunity to the Post to publish the stories. As they look through the stories to publish, lawyers to the Post advise against publishing the story, fearing the Nixon administration will press criminal charges. Graham seeks advice from McNamara, Bradlee and Post chairman Fritz Beebe of whether to publish. It’s made even more frustrating when the lawyer note that since the sources are the same as the New York Times, Graham herself could be charged with contempt of court. It’s a gamble. Graham risks terminating the newspaper her family established. Alternatively, the Post won such a legal battle, it would establish itself as a major journalism source, much on the same level as the New York Times.
She agrees to have the story published. The White House retaliated by taking both the Times and the Post to the Supreme Court to argue their case of publishing classified document information being a First Amendment Right. Both newspapers receive almost unanimous support from the other newspapers in the US and they win their Supreme Court battle 6-3. An infuriated Nixon bans the Post from the White House. And the rest is infamy… for Nixon.
The film is more than just about a top secret story that needed to be exposed and makes journalism history. The story is also about the newspaper behind the story. We shouldn’t forget that this came at a time when The New York Times was the newspaper that delivered the biggest news about what was happening in the Oval Office and the ones to do it first. Even though the Washington Post was the newspaper of Washington, DC, it was more of a second-fiddle newspaper like the newspapers of the rest of the cities. The New York Times lead and all other newspapers, including the Washington Post followed. This story allowed the Washington Post take pole position towards what was happening in Washington. This would also allow for the Washington Post to be the prime newspaper to go to upon the breaking of the Watergate Scandal. Even despite the Post competing against the Times, they united when they faced the heat of the freedom-of-speech debate and won together.
The film is not simply about a history-making story, a legal breakthrough or even a milestone for a newspaper. It’s also the personal story of Katharine Graham and how she had to achieve greatness for herself. Katharine Graham was born into the paper and assumed control of it right after her husband died. It was always tradition that a man headed the newspaper. After the suicide of her husband, she headed it. The paper her ancestors founded and the paper she wants to propel into marketability. This news story could help be the boost she needed, but the court injunction against the New York Times causes her to put it on hold. Basically she’s gambling everything with this touchy story: the Times, her status as a leader, her role as a woman with power, her role as a mother, even her own personal freedom. In the end, that one decision caused left all of us convinced she did the right thing. She did more than just allow a story. She did more than boost the profile of the Washington Post. She created a breakthrough in freedom of speech and freedom of press. On top of that, she earned the respect from her male colleagues. That was rare back in the early 70’s.
This story is very relevant to the present. We always hear those words ‘fake news.’ We have a feeling that Donald Trump is like a big brother monster who wants to control everything. There are often times in which I wonder if the times of Nixon were worse than the times of Trump. I know all about Nixon and his lust for control. Whatever the times, the story and the court ruling against government censorship of the press serves as a reminder to all citizens that the press has the right to publish the truth to the public. The ruling of the New York Times vs. The United States of America back then was clear: “‘In the First Amendment the Founding Fathers gave the free press the protection it must have to fulfill its essential role in our democracy. The press was to serve the governed, not the governors.” That ruling still applies today.
Leave it to Steven Spielberg to direct a story that will capture our intrigue. Some would describe this type of story as a ‘boring story.’ Steven Spielberg knows how to direct it into something interesting and have us glued to the screens. The screenplay by Josh Singer and Liz Hannah also creates the right interest and intrigue. They’re able to take the chain of events surrounding the publishing of the story and turn it into a story of intrigue. Even a story from a humanist side.
Once again, Meryl Streep delivers in creating depth in a public figure. She gave Katharine Graham the right dimension and the right humanistic tone to make the story work. Tom Hanks also does an excellent job in his role as Ben Bradlee. He delivers in the character very well as he adds some dimension to Bradlee too. The supporting actors may have minor or limited roles, but they add to the film too. Janusz Kaminski does an excellent job of cinematography and John Williams again delivers a fitting score.
The Post is a journalism story that will keep one intrigued. It’s a story that’s very relevant today as it’s also about our own right to know the truth.
Call me by your name,
And I’ll call you by mine.
This year’s Best Picture nominees feature a wide variety of themes and subjects. Call Me By Your Name may get note about its gay subject matter, but it’s a lot more.
Elio is a 17 year-old American boy living with his father, a Jewish-American archaeology professor, and his Italian mother in his father’s summer getaway in Northern Italy in the summer of 1983. He has a passion for reading and is prodigious in playing the piano. During the summer, his father invites Oliver, a 24 year-old Jewish American graduate student, up for three months to help with his academic paperwork.
Elio’s first impressions of Oliver are not the best, especially since Elio has to give up his bedroom for him. He finds him arrogant, a show-off, and it annoys Elio when Oliver flirts with one of the local Italian girls he knows. Why should it matter to Elio? He has a girlfriend named Marzia.
However Elio and Oliver develop a friendship as the two spend a lot of time together. You don’t know if something’s happening between them or not. You’re tempted to think the latter as Elio is trying to get more sexual with Marzia and even talks about it at the dinner table. However it becomes obvious Elio is attracted to Oliver as Elio smells his swimsuit and masturbates. Elio makes the first move, but Oliver tells Elio he should not act on his feelings. Even a kiss at the post office doesn’t work on Oliver.
After being distant for a few days, Oliver gives Elio a note to meet him at a tree by midnight. The two kiss. The relationship grows more intimate and more sexual, but they have to keep it a secret, not knowing how their Jewish families will react. Meanwhile Marzia notices Elio has become more distant with her.
Then the time comes when Oliver’s stay is nearing its end. They don’t know what to do. The parents sense the relationship with them, but recommend the two spend a three-day trip in Bergamo. The trip eventually becomes their last intimate time together. Oliver leaves for the US and Elio returns home brokenhearted. Marzia gives him sympathy and agrees to stay friends and his father tells him he should be lucky because a true love like that is rare. A phone call from Oliver on Hanukah where Oliver discloses that he is to marry a woman, leaves Elio with mixed feelings over what should be but will never be.
The story is not as thick on the drama as the other Best Picture nominees. This is a story that simply unravels itself slowly and quietly. Nevertheless the events are consistent and they all fit within the story. This story bears a lot of similarities with Blue Is The Warmest Color where the protagonist is just becoming an adult and just learning of their same-sex attraction after believing they were hetero the whole time. Like Blue, the story is as much about the protagonist’s progression into adulthood and meeting their first same-sex love. Like Blue, the protagonist struggles with their same-sex attraction even as they pursue love with someone of the opposite sex. Also like Blue, it’s about a person of the same gender that sweeps them of their feet. Another element where it’s like Blue is that the story takes place along an artistic setting. While Blue is about Adele becoming infatuated with Emma through her paintings, it’s Elio becoming infatuated with Oliver in Northern Italy in an environment full of art: both natural and man-made. It’s also Oliver becoming infatuated with Elio through his readings and his piano playing. It’s a unique story how two young men– one who’s artistically-inclined and one who’s academically-inclined– both feel like polar opposites at the beginning, but come to love each other over time.
Another element in common with Blue is that it features a lot of elements one would commonly find in French films. We see how the imagery of the Northern Italian country side and even all the art and artifacts in the more urban areas play in with the story. We see how the elements of Oliver’s academia and Elio’s passion for the arts also help colorize the story and even heat up the romance. We also see the environment of the 1980’s and the music in the film adds to the story line. And we especially see how the theme of apricots plays into the romance. It goes from simple academia discussion to an element of their love. The film could have simply been titled Love And Apricots! Such background elements found here are common in French films as it helps provide a lot of value and background to the story and even the themes of the film.
However the biggest difference between Blue and Call Me By Your Name is that the story of Adele meeting Emma is more about meeting her first same-sex love and Emma being more like a chapter in Adele’s life. Call Me By Your Name is different because it’s a case where Olivier is more than Elio’s first same-sex love, Oliver becomes his soul-mate. The film is also a sad love story because it’s a case of what was meant to be can’t be. We don’t learn of the true divide of the two until the very end. While Mr. Perlman is supportive of Elio’s love to Oliver, Oliver has to marry as he knows his parents not only would disapprove, but send him to a psychiatrist for therapy. I won’t say the reason being because Oliver’s family’s Jewish, but more because the US in the early 1980’s was still very hostile towards homosexuality. That was it. Two soul mates from two different worlds that would face their big divide at the end.
The film is the accomplishment of the collaboration of director Luca Guadagnino and scriptwriter James Ivory. Both openly gay, they did a very good job of creating a story about meeting the love of one’s life and placing it in a glorious picturesque background that gives the story its charm and its feel. The film is also an accomplishment for young actor Timothee Chalamet. Most of the film revolved around Elio and Chalamet delivered an excellent job of a 17 year-old who learns of his sexuality through meeting the love of his life. That end scene where the film focuses on his face and his various emotions is as much the best part of Chalamet’s acting as it is a heartbreak for the audience to see.
Also excellent is the acting of Armie Hammer as Oliver. He portrays a man who first appears arrogant, but possesses an excellent gift of making his academia sound almost like poetry. It’s easy to see why Elio would be charmed to him. Also very good is Michael Stuhbarg. He first just appears in the movie simply as the father and a professor, but his characters fruition comes out at the end as he tells Elio of how happy he is Elio loved Oliver. The choreography by Sayombhu Mukdeeprom was spot-on as it was the various camera angles and capturing the Italian beauty that was needed to make the story.
It’s funny how most people thought that Sherwin and Johnathan from the viral animated short In A Heartbeat were to be 2017’s top gay pair on film. Looks like Elio and Oliver overtook them in the end. They may not be as cute-as-a-button as Sherwin and Johnathan, but they are better at giving the romantic feel to their respective film.
Call Me By Your Name may be a gay-themed film, but it’s a lot more. It’s a film that will charm those who see it with its beauty and its story.
The Altered States series at the VIFF provide for a lot of films that cross into the genres and subject of horror, paranormal and the supernatural. Animals is a Swiss film that taps into the supernatural with mysterious results.
The film begins with a suicide outside an apartment building in Austria. A young woman falls to her death. Soon after, a couple by the name of Nick and Anna are to leave on a long trip in the Swiss Alps. Nick rents his suite out during the trip. The taker is a woman named Mischa, who looks very similar to the woman from the floor above.
The two then go on their vacation. Nick is a celebrity chef and Anna is a children’s book author. You can tell the marriage has been going through a lot of difficulties. Some things, like how Nick doesn’t want to have children, are said, but some aren’t. Then all of a sudden, Nick accidentally hits a sheep on the road. The collision kills the sheep and damages the car, but the two aren’t hurt seriously. Later that night, Nick receives the dead sheep wrapped up.
Back at the apartment, a man comes knocking to win back the love of Andrea. He keeps insisting in tears that he wants her back terribly and that his life is nothing without her, but Mischa keeps insisting: “I don’t know you.”
Nick and Anna try to go on with their lives and their marriage after the collision. However Anna is very suspicious of infidelity. Especially after she sees Nick get too friendly with a waitress by the name of Andrea. An attack by a robber on Anna from their car late at night seems to reconfirm Nick’s love to Anna. However Anna had a dream days earlier that Nick was the one who pulled her out, which is why she’s uncomfortable. Nick keeps notes of recipes that he is to use for some of his shows, but Anna is suspicious. Anna gets what she suspects; there is another woman in Nick’s life. When she tells him the news, it appears that Nick hears something completely different. It’s like he’s deaf and in another world.
Back at the apartment, Mischa is in love with another man. Two men are outside her apartment how they were both loved and neglected by her. Days pass and Nick comes across a news article about a ‘horrific sheep collision’ on a country road. The picture of the incident shows Nick looking distraught with a woman being carried away in an ambulance. Nick is shocked. That can’t be since they both survived the incident. They next day, another collision with a sheep happens. This time Anna is taken away in an ambulance. The film ends with a surprise, albeit too rushed.
The film focuses on a wide variety of common themes in a thriller. It focuses on the supernatural, a case of image versus reality, the power of dreams, and even the foretelling of the future. Nick and Anna are living out a slow but intense personal drama in their lives. However things intertwine right after they rent the house to Mischa. There are images of the future, not all pleasant. There is a barrier of communication, or Nick could be in another world of his own. There is a housesitter who either looks like a person who used to live at the apartment or is the same person with a completely different identity. Plus there are the animals that appear to tell something about what will happen in the future. There’s the sheep on the road, the birds that hit the house, and the cat that talks in French. The film can often be seen as including many thriller elements Alfred Hitchcock included in his films. It’s not just the birds reminding one of The Birds. It’s even the feel of the unknown, the mysterious and even the feel of being chased down that adds to the Hitchcock feel in this film.
The problem with this thriller is that it sometimes moves too slowly. The film has a lot of moments that create suspense, but it drags on in a pace that can be too slow for a thriller of such. I can understand why directors would want to slow scenes down for the sake of creating the intensity of the moment, but it appeared to take too long. The film creates intrigue, but it doesn’t keep its feel of the thriller consistent. It also seems like Swiss-born Polish director Greg Zglinski is trying to pack too many elements into the film. It’s impressive that it uses a lot of common thriller elements like the supernatural, the power of dreams, and the future happening in the moment, but it gives a sense that something’s missing. On top of it, Zglinski and co-writer Jorg Kalt appear that they don’t have the story stitched together properly. It’s a film that like a puzzle set that needs to be pieced together, but it doesn’t feel like it’s pieced together well. Even the ending that shows two completely different emotions on Nick gets one wondering.
The film’s actors are the highlight of the film. Birgit Minichmayr does a very good job of playing the wife caught between a fading marriage and this mystery happening before her eyes. Philipp Hochmayr is not given very much range in his role, but he does a good job in what he is given. Mona Petri also does a good job with her multi-personality role as Mischa/Andrea. In addition, the music by Bartosz Chajdecki adds to the drama of the film when it’s there.
Animals is a thriller that shows a lot of potential at first, but comes off as slow, not all together and even incomplete at the end.
The VIFF is my best chance to see a Canadian feature film each year. I got my chance with Suck It Up. I’m glad I saw it.
The film begins with Ronnie collapsing by a lawnmower drunk. Ronnie has just lost her older brother Garrett. Faye is in Vancouver having a job interview for a school board job she really wants when she learns the news about Ronnie. Ronnie was her best friend until Faye broke up with Garrett last year. She is encouraged by Ronnie’s guardian aunt and uncle to come over to Calgary. Faye meets with them all and they feel the best way to help Ronnie recuperate is for her and Faye to go someplace for a getaway. Faye decides to go to their old cabin in Invermere.
At first, you think things won’t work. Faye is the cool one under control while Ronnie is outrageous enough to flash her breasts to any car full of guys passing by. Once in Invermere, they try to make themselves comfortable in the cabin. However it seems Ronnie is making herself all too comfortable with every guy she meets up with. Especially this creepy guy names Dale who rubs Faye the wrong way. As Ronnie is getting closer to a guy names Shamus and his freewheeling friends from the bowling alley, Faye meets a guy of her own. His name is Granville. Granville may come across as geeky at first because of his asthma and diabetes, but the two connect as Faye is charmed by his artistic dreaminess.
Things prove too much for Faye as Ronnie’s craziness is cramping her style and her life. Faye tries to have a good time, but can’t deny that she has things to take care of in her life, like a potential job in Vancouver. One day, Ronnie and her friends come after a day of fun and give Faye some lemonade. It’s after Faye drinks it that she finds out it’s laced with MDMA, and just 1/2 an hour before her job interview on Skype! Faye humiliates herself during the interview.
Even though Faye is given a second interview days from now, Faye appears to be the one falling apart now. It’s not just about the interview and dealing with Ronnie. It’s because Faye is having trouble dealing with Garrett’s death. She can’t handle that she didn’t answer the call from Garrett’s phone just hours before he died. She came to Invermere with Garrett’s ashes and two envelopes from Garrett: one for her and one for Ronnie. She open’s Ronnie’s envelope instead. Even hearing info about Garrett from a woman names Alex who works at the town ice cream parlor makes things all that more frustrating for Faye.
Then the two decide to hold a party at the cabin. All of their Invermere friends are invited and they all show up, including shady Dale and his mud-filled inflatable pool for mud wrestling. Ronnie’s in a partying mood but Faye is having issues. It’s still all about Garrett. Spending time with Granville doesn’t make things easier and talking with Alex makes things worse. Then Ronnie films out what Faye did with her letter. She confronts Faye with harsh words about the phone call from Garrett’s phone. This leads to a fist fight where they both end up in the pool of mud. But after that, the two suddenly make peace and resolve all that happened. Even the opened letter. It turns out Garrett was a controlling person in his life and tried to control both of them. Faye and Ronnie pack up with Ronnie being in great spirits and not looking as troubled as she was at the beginning. They promise to get together again soon.
At first, I found this comedy entertaining. Then I did a bit of thinking. This is a kind of comedy that I can see the script working in Hollywood. Have you seen a lot of the Hollywood comedies in theatres now? They’re pretty dreadful, eh? They’re relying too much on jokes with shock value and even lewd or crude one-liners to get a laugh. They make you think they’re that desperate for laughs. This comedy doesn’t need to rely on one-liners or crude jokes. All it has to rely on are the characters and the scenarios to make this work. That’s what made this comedy work. We have a bizarre situation of two friends who are two opposites going away to a resort town to help one recover from her brother’s death. The other friend has unresolved issues over his death too. The mix of the two causes havoc, but it all ends when they get into a fight where they accidentally end up in the mud wrestling pool. Then the friendship is rekindled and they’re both able to make peace with his death. To think Hollywood couldn’t think this up, but Canadians did!
The film is also about ironies. The two girls are complete opposites. You first wonder how on earth they became friends in the first place. You first think Granville is a nerdy guy, but he becomes the perfect one for Faye. There are even times later on when you wonder which of the two are having a harder time dealing with Garrett’s death. It’s the fistfight that becomes the turning point where Faye and Ronnie are finally able to resolve things and go back to being the good friends they were. In the end, both get over his death when they come to terms with what a control freak he was in his lifetime. Even seeing Ronnie toss Garrett’s ashes off a cliff with them still in the jar is a bit of comedic irony too.
One thing about the film is that it doesn’t try to mess with the crowd too much. The subject of death and how Ronnie’s family is full of cancer-related deaths even makes you wonder if this would become a tragedy soon, but it doesn’t. It’s able to take a dark troubling matter and turn it into a good comedy. It also won’t get too manipulative. One thing you’ll notice is that there are no flashbacks to when Garrett was alive, nor are there scenes of Garrett coming from nowhere to talk to either of the two. Another thing about this film is that the story lines are placed out very well. I’ll admit the film starts on a scene that makes you think it could have been given another take, but the film gets better over time and the whole story is kept consistent from start to finish.
This film directed by Jordan Canning and written by Julia Hoff was very well-done and well put-together, even more than most Hollywood comedies nowadays. This is kudos for Julia because this is her first screenplay for a feature-length film. Erin Carter did a great job as Faye and Grace Glowicki was great as Ronnie. The film needed them to be in their characters to make it work, but they were able to keep their roles from being one-dimensional. I addition, they had the right chemistry together to make this story work on screen. Dan Beirne was also very good portraying the misfit Granville who wins Faye’s love. Toby Marks was also great as Alex: the one caught in the middle between Faye and Garrett.
Suck It Up is a Canadian-made comedy that is way better-done than most of today’s Hollywood comedies. It starts out sluggish and even may appear to tread into ‘drama territory’ at times, but it ends on the right note.
We first met the Guardians Of The Galaxy back in 2014. The Guardians are back in Guardians Of The Galaxy Volume 2. But do they have what it takes to deliver this time?
Back when the first Guardians Of The Galaxy came to the big screen, most people have not heard of them. This was a chance for Marvel to introduce them to the world. It was a unique mix of quirky characters, both virtual and live, loads of action, and a mix of both music and humor that made it a hit with families and superhero movie fans alike. The movie became the third-highest grossing movie of 2014 and turned the Guardians into household names. In fact “I am Groot,” became the top movie line of that year.
This time around is about bringing about the sequel. Most of you already know my feeling of Hollywood sequels in my review of Furious 7. However sequels can either propel a movie franchise further or sink it. Sequels are hit and miss. I’ve seen so many sequels where they simply rehash the formula of the first movie plot-for-plot, moment-for-moment. That’s why I’m mostly turned off sequels. That’s also often all one needs to do to end a franchise. Nevertheless there are a good number of sequels or second-movies that do differ a lot from the original. That’s often the better idea but even that’s a gamble. One example is the second and third film of The Matrix. It was too different from the original film that blew audiences away in 1999 and they disappointed fans.
This sequel for Guardians takes the chance of being very different from the first film. One can already notice the differences here: animosity between the members, the stormy family relations of Peter and his father and Gamora and her sister, the people of the various galaxies going against each other and all galaxies being threatened by Ego. I appreciate them creating a scenario different from the original. Nevertheless there were some things from the original that they had to bring back into the sequel like the humorous tones in various scenes, the unique and sometimes crazy personalities of each of the Guardians, and of course the use of 70’s songs in the many scenes. It was all a case of making the right choices of what to include from the first and what to change up. I feel they made a lot of the right choices here.
Another difference I noticed in Volume 2 is that there are a lot more ‘salty’ and ‘spicy’ things in the film. For example, I noticed there was more swearing included and a lot more lewd talk. There were even scenes hinting towards sex or even showing suggestive situations like a stripper bar in another galaxy. Sometimes I think ever since Deadpool shook things up in the world of superhero movies, directors are less afraid of including risque stuff even if they know children will be watching. However unlike Deadpool, the film knows it’s supposed to be a superhero movie and the theme of heroes and the values they stand for and fight for is definitely not forsaken. Whether it’s okay for parents to take their children to see it or not is completely the parents’ call. I’d say it’s best for 11 and older.
James Gunn again delivers as a director and a writer in this sequel. He takes some of the first, some new ideas, and some racy choices and turns it into a movie that works. Chris Pratt delivers again as Peter and Kurt Russell does a very good job in playing a deceptive villain. Zoe Saldana again proves why she’s the top actress in sci-fi movies with her performance as Gamora. Dave Bautista was hilarious as Drax as was Bradley Cooper as Rocket. Michael Rooker was also good as Nebula. Baby Groot had a lot of funny moments but there are times I felt in retrospect that he went too much on the ‘cutesy’ side. Michael Rooker was also good as Yondu. The two newcomers–Karen Gillan as Nebula and Pom Klementieff–were good in their roles even if Mantis did come across as too weird or ditzy. Judianna Makofsky did a very good job in designing the costumes to fit the story, Tyler Bates delivers a fitting score to the film, and the visual effects team with hundreds of credits again delivered effects to make the action and drama that more exciting.
It seems appropriate that Guardians Of The Galaxy Volume 2 kicks off the 2017 Summer Movie Season. It’s a sequel that delivers the right stuff most of the time. It’s able to deliver some new magic without compromising the magic of the original and keeps one thrilled one moment, laughing another moment, and entertained throughout.
One of my Christmas treats was seeing Rogue One: A Star Wars Story. I’m glad I had my chance because it was an excellent movie.
Now just a reminder to you all, this is not part of the nine-episode Star Wars saga we all know. This is part of the Anthology Films of the Star Wars franchise. Actually this is the very first Anthology film to be released. The film is a triumph for writers of ‘fan fiction’ or ‘fanfic’ as it’s commonly called on the internet. However bringing fanfic like this to wide release on the big screen was no easy task. We all know how Star Wars has become a cinematic phenomenon like no other. George Lucas knows about it. Lucas himself is comfortable with ‘standalone’ films based on the Star Wars stories but wanted to make very clear that any standalone stories could not carry characters between the Saga films.
Here we have a story that is to take place between Episode III: Revenge Of The Sith and the very verse Star Wars film that’s now referred to as Episode IV: A New Hope. It’s a pretty lengthy amount of time between when Anakin Skywalker becomes Darth Vader and Luke Skywalker seeks to become a Jedi. Nevertheless it does make for ample time for any Star Wars fan to create a story of what happens in between. Storywriters John Knoll and Gary Whitta aren’t just any Star Wars fans. Knoll has done camera operations and visual effects supervision for many science-fiction films including four Star Trek films and the three Star Wars prequels. Whitta is a scriptwriter for The Book Of Eli and After Earth.
The adaptation of the story to screenplay had to fall into the right hands as well. Scriptwriter Tony Gilroy may have had his biggest renown with 2007 Best Picture nominee Michael Clayton (for which he himself was nominated for Best Director and Best Original Screenplay) but his he’s also made his biggest impact in writing the scripts for all four Jason Bourne movies. Chris Weitz has an eclectic resume of writing and directing from Antz to American Pie to About A Boy to The Golden Compass to one of the Twilight films. Then there’s the film being directed properly. Gareth Edwards may have not had the most experience in directing but he has developed his reputation in recent years upon films like 2010’s Monsters and 2014’s Godzilla.
Then there’s the story itself. There are possibly loads of Star Wars-inspired stories. The story would have to be true to the Star Wars saga without it being a rip-off. There’s lots of that and even professional writers can make something that’s a Star Wars rip-off. Most Star Wars fans will not go for something insulting. True, there are a lot of people that are Star Wars-crazy but most will not go for something if they sense it’s a rip-off. Don’t forget many felt insulted by the prequels so that’s a reminder.
They succeeded. They provided a very good story about the completion of the Death Star and the family behind it and the rebellion attempting to steal the plans leading to the hope in the end. The story had to be well-researched in order for it to make the right connection between Episode III and IV. Any new characters like the Ursos, Cassian Andor and K-2SO had to fit with the story as well as include original Star Wars characters like C3P0 and Darth Vader properly. On top of that, it had to have the right action scenes and the right battles done. Basically the whole movie had to have it all to work. The story could not be compromised despite the action sequences. The acting also had to be top notch from Felicity Jones, Diego Luna, Mads Mikkelsen, Ben Mendelsohn and Forest Whitaker. Even the theme of the story of heroism has to be present. It’s there, but in a way like no other Star Wars saga film does it. For the first time, self-sacrifice is needed for heroism.
The story worked very well. The critics on Rotten Tomatoes gave a total percentage of 85% approval. Many praised it for its depth in the Star Wars mythology and for breaking new narrative and aesthetic ground while paving way to a potential future for other blockbusters. The film scored well with crowds too as it would become the 20th movie to gross over $1 billion worldwide.
Rogue One: A Star Wars Story is not just an excellent movie. It’s an accomplishment. It’s proof that Star Wars standalone movies can not only be a hit but be excellent in their own right.
I know I’ve done individual reviews of Best Picture nominees in the past. This year I thought I’d try something new. I thought I’d do summaries of the nominees. Three blogs analyzing three of the nominees. It’s something new this year and I hope you like it. For my first summary, I’ll be reviewing the first three Best Picture nominees I saw: Arrival, Hacksaw Ridge and Moonlight.
When you learn Arrival is about aliens, I’m sure you have an idea of what you’d anticipate what a movie about aliens would be about. However, you’re in for a big surprise.
This is probably the first movie about aliens to earn a Best Picture nomination. The film appears to set up for a story that would most likely lead to big-time action sequences. Instead we get a film that’s very intellectual in dealing with aliens. Don’t forget Louise is a linguistics professor who was hired for this duty because of her language expertise. In this film, the focus is on communication. Louise has a way to communicate with the aliens and earn their trust even while those around her grow more hostile to the beings. Louise’s gift for communication goes beyond the aliens and she’s able to say to General Shang the words his late wife said to her. It’s like she has a sense for this.
Even with all this, the film is not just about aliens and preventing a human-alien war. The film is about Louise trying to heal after her daughter’s death. Her marriage is no more as well and she’s looking for her purpose. It’s even about Louise and her ability to foresee the future and the possibilities they can unfold. Louise is the central protagonist whom the whole story revolves around. She finds her true gifts at a time she least expects it and she’s able to find her life again. It’s almost like this alien invasion is like a godsend to her life. Right after her daughter dies, she learns of her purpose to the world and to others.
Denis Villeneuve did a top job of directing this film. He already has a reputation for films like Maelstrom, Incendies and Sicario. He’s also been hired to do the Blade Runner sequel. This film he directs is very tricky but he does all the right work for it. The script by Eric Heisserer is very smart and very deep. It does a very good job of getting the right moments of action and the right moments of drama pieced out.
The story also rested on the performance of Amy Adams. She knew the story was primarily about Louise and she had to make it work. Although the role didn’t have too much in terms of character development, her performance was solid and it held the story together. The supporting performers may not have had as big of roles but they still did well with their performances. Jeremy Renner definitely could have had more depth in his role. The music from Johann Johannson and Max Richter fit the movie perfectly. The visual effects were also excellent and just what the movie needed.
Arrival is a very intelligent movie. It’s an alien movie not like one you’d anticipate at first but you will leave the theatre pleased.
Mel Gibson is back. This time he has Hacksaw Ridge. It’s a war drama that’s about more than just the war.
This film makes for an interesting topic: conscientious objection. I know all about it. For years I went to a Protestant church where the people were known for their anti-war beliefs. Conscientious objection is something that’s bound to make one question their morals and even act out of hostility. I know that we have conservative pundits who insist that fighting in a war is the definition of patriotism and will even use scriptures to justify why was is the right thing. Upon release of this film, I was anticipating a conservative backlash against it. So far no ‘Diss The Doss’ movement has happened. No movement to have his Medal Of Honor posthumously revoked. Nothing. It’s a good thing because the film does make one reconsider what defines a ‘patriot.’ I’m glad this story was told.
One of the biggest complaints from conservatives in the last 40 years has been either the negative depictions of religion or lack of positive depictions of religion in movies. True, this is not the Hollywood where the Hays Code calls the shots. For those that read my review of Of Gods And Men, I have a quote from Barbara Nicolosi about why that’s the problem. That explains why it’s hard to get a pro-religion movie to compete for Best Picture nowadays. There’s a fine line of showing a film with a positive depiction of Christianity without it being schmaltzy, hokey or overly sentimental. Plus with all the ‘game changers’ in the last few decades, writing a winning script or creating a winning film is just that much of a challenge.
I feel they did a very good job in Hacksaw Ridge. It was a very good story of the persecution Desmond Doss had to face for his beliefs. It was a very gritty story of the war and all the damage it caused. Some say the graphicness was comparable to Saving Private Ryan. It was an honest portrayal about someone’s faith. However there was one point when I felt it was borderlining on hokey during the scenes of: “Please, Lord. Help me find one more.” I know that was something Doss said in real life but I’m just wondering if it could have been done better.
This film is the first film directed by Mel Gibson in a decade. I know he had to take a break as he had a very public meltdown with the things he said about others and problems with alcohol. You could rightfully call this film the redemption of Mel Gibson. He directs an excellent film that took a lot of effort to make. 14 years to be exact even while Doss himself was still alive going from one writer to the next until finally they had the right script and right story thanks to Andrew Knight and Robert Schenkkan. Gibson and the writers did an excellent job with the film with the story and the depiction of war.
In addition, the story was made thanks to the performance of Andrew Garfield. This was more than just a war story. This was a story of a person’s heart and soul. Garfield knew he had to personify Doss in his convictions in order to make this story work. He did it excellently. It’s hard to pick out any supporting players who stood out. None of the roles of the supporting actors were as developed. However Teresa Palmer did a very good job as Dorothy Doss and portraying the concerned fiancee, as is Hugo Weaving as the father Tom Doss and Vince Vaughn as the hard Sargent Howell. The visual effects and the sound mixing were top notch, as it should be in a film like this. The score from Rupert Gregson-Williams fit the film excellently.
Hacksaw Ridge is a surprising film. Who would’ve thought that the best war movie in years would be about a man that didn’t fire a single bullet? Definitely a story worth telling.
At some point, you gotta decide for yourself who you’re going to be. Can’t let nobody make that decision for you.
This year’s surprise critical success is Moonlight. It’s a very unique film like no other seen this year.
The film is unique as it sets itself around three key periods in the life of Chiron. There’s his childhood where he’s known as Little, there’s his teenagehood where he’s simply known as Chiron and there’s his adulthood where he’s known as Black. The film does tell a story of a man who you think would die young. He has all the ingredients: gay, living in inner city Miami, a verbally-abusive mother addicted to crack, arrested at a young age and a future of being a pusher himself. Somehow he finds the will to survive. He’s able to withstand the bullying he faces for being gay, he’s able to decide his life to the best of his abilities without his mother. Often it’s not the best choices he makes in his life but he finds the ability to survive. You wonder how does he do that? Was it from that brief time with Juan and his mentoring? Was it the love from Kevin he always knew was there? I remember that scene of Little in the school dancing classes dancing like he was in 7th heaven: his escape from the bullying. Was it a spark within Chiron himself? Whatever the situation, it results in beauty at the end.
The film is not just about Chiron. As one can see, it showcases the lives of many different African-American people living in the inner city. It may show some of the more negative depictions like drug dealers, poverty and drug addicts but it also shows positive images too like in the case of Juan and his girlfriend or even in music being played. It showcases some surprising things as well as how Juan the pusher can be a very smart man. It even dispels some myths we have of inner city people. Like how Juan was good at handling Chiron’s homosexuality and gave him words of comfort while Paula acted out in hostility. Usually you’d expect ‘gangstas’ to have a homophobic attitude. It showcases what it’s like to be black and gay in the inner city. It also showcases people’s insecurities. It is overall one man’s attempt to find himself in the harsh world that he lives in. Yet despite all its harshness, it becomes something beautiful in the end.
The film is a triumph for Barry Jenkins. This is actually his second feature as a director. His first film, 2008’s Medicine For Melancholy, won a lot of attention and even earned him many directorial debut awards. Moonlight is only his second feature. This film which he adapts a script from a drama school project from Tarell McCraney is a masterpiece in both the story and its direction. The script is also excellent that there is not too much dialogue but is able to say lots even in the silent parts. Another quality of the film; it says a lot while saying very little. Overall the film is a real delight to watch and leaves one wondering what Jenkins will have next.
The three actors who portrayed Chiron– Alex Hibbert, Ashton Sanders, and Trevante Rhodes- all did a very good job with the role and portraying him at the right ages. Mahershala Ali was excellent as Juan: the pusher who becomes a mentor to little Chiron for that brief period of time. Ali had to bring the right charisma and character for a role like Juan to work not just in his scenes but to have an influence throughout the whole film. He did a stellar job. Also excellent was Naomie Harris. Possibly the one actor or actress to be a part of all three scenes, Harris was excellent as the drug-addicted mother Paula. She had to go through three stages with her role from a simple crack user to a crack addict to recovering in rehab. Each time she had to give her role dimension and inner depth to keep it from being cardboard. She did excellent too. There were additional supporting roles that were also good like Janelle Monae as Teresa and Andre Holland as the adult Kevin.
The technical bits were also excellent. The film was edited very well, the cinematography from James Laxton was possibly the best of the year. The score from Nicholas Britell was excellent but the inclusion of track music from classical to Latin to funk to hip-hop to Aretha Franklin to Motown really added to the feel of the movie. Almost feels like an anthology. In fact that scene when Kevin sees Chiron (as Black) after so many years and plays the classic Hello Stranger is one of the best scenes of the film.
Moonlight is a story of a young black man coming of age in the big city but it’s a lot more too. Those who’ve seen it will know why this film is a masterpiece.
And there’s the first of my Best Picture summaries for this year. Next one coming up in a few days.
I’ll admit I had my review of Doctor Strange started back when I saw it in November: Election Day to be exact. The reason for its late publish has a lot to do with my lack of ambition. Paying attention to my hit statistics and seeing how 2016 gave me my lowest annual hit stats since 2011 kept me from publishing. However the recent upswing of hits in January rejuvenated my blogging energy and I can finally publish my review!
Dr. Strange is not a new Marvel superhero. He first appeared in a 1963 addition of Strange Tales created to bring a different type of character and themes of mysticism to comics. It wasn’t completely welcome during its early years as some people thought those at Marvel comics must be on some kind of drugs. Dr. Strange would continue to have his own comic series for decades until the early 2000’s. Then he was placed as a supporting character in comic books of The Amazing Spider-Man and The Avengers. Dr. Strange has been able to reclaim his own at the start of this decade.
Marvel faced a huge task in bringing a superhero most people are unfamiliar with and making them a household name. They’ve done it before, with The Guardians Of The Galaxy being the most recent example. However it’s still a case of hit-and-miss as last year Ant-Man didn’t get the success most were hoping for. 2016 has been a good but complex year for the Marvel studios. Their latest X-Men movie didn’t go off so well. Captain America: Civil War was a hit but it didn’t have the same muscle as past Captain America movies. Deadpool was a big hit, especially as an R-rated movie about an anti-hero, but Marvel still wants to excel in creating superheroes, especially in a family-friendly format.
Now in order to make Doctor Strange come alive on the big screen, Marvel had to create the right story. This is the first Doctor Strange movie so the origin is a definite must. Also a must is Stephen Strange’s personality as the surgeon who lives for the fame but is given a reality check after the car accident and subsequent adoption of a superhero persona. In addition, morals are necessary for superhero movies. It’s like my brother-in-law said today’s people are tired out with life. People want entertainment that gives us heroes to look up. I agree. Despite the onslaught of Deadpool, Suicide Squad and Sausage Party, people welcome heroes and are comfortable with seeing morals redeemed. It’s not like the 90’s where we all has an insatiable appetite for entertainment that was ruthless, obnoxious and appeared to be an artistic middle-finger.
However there were two major things needed to make Doctor Strange take off. The first was Benedict Cumberbatch had to make the character of Doctor Strange work. Cumberbatch had to be able to portray Doctor Strange’s pre-accident arrogance well and to make his change in personality transfer successfully. Cumberbatch was very good in portraying the character. The other major thing needed most for this movie is top-of-the-line visual effects. Already Doctor Strange’s unique superpowers mostly involve the use of pyrotechnics. They had to look like the magic they are. The shifts from one world to the next would also require top-of-the-line visual effects. If you saw the movie yourself, I’m sure you would also be dazzled by the effects of the film from the pyrotechnics to the various worlds to the freezing of time.
Although Cumberbatch’s acting and the visual effects were the highlights of the movie, it had a lot of other ingredients responsible for its success. Scott Derrickson did a very good job of directing. Derrickson has developed a reputation with directing and writing sci-fi movies in the past and he was the right man for the job here. The script he co-wrote with Jon Spaihts and C. Robert Cargill also had to be very good because this was one superhero movie that was not too heavy on the action and placed more emphasis on the story, putting the thriller emphasis more on the slow intensity of the moment. It even included some humor which Marvel likes to include in the first movie of one of their superheroes. They succeeded in accomplishing that. The supporting acting performances like Chiwetel Ejiofor as the mentoring Karl Mordo, Benedict Wong as a non-stereotypical Asian martial arts master, Tilda Swinton as the Ancient One also mentoring Strange, and Rachel McAdams as Christine Palmer, the woman who gives Stephen Strange his reality check, also added to the strength to the story. The music from Michael Giacchino also fit the film and its various moments well.
Doctor Strange was released at the right time. It was released in November when movie crowds are starting to grow again right after the end of the summer season. Usually November is the biggest movie month outside the summer. People are used to settling back to their routines and they can now go out for enjoyment. Dr. Strange won its opening weekend with a draw of $88 million and remained on top for another week despite challenges from Trolls and Arrival. Even after facing rivalry from the following weeks with new releases like Fantastic Beasts and Moana, Doctor Strange did strong spending seven weeks in the box office Top 10 and grossing $231.6 million in North America and almost $665 million worldwide. As the Oscar nominations have approached, its visual effects were nominated. If you remember the effects, you too would think they were some of the best of the year.
As for a possible Doctor Strange sequel, Derrickson talked of a sequel even a month before its release. He mentioned he had fun with the character. The success of it is the perfect green light for a future sequel.
Doctor Strange is the biggest debut movie for a superhero since the Guardians Of The Galaxy. In a year that was a bit of a struggle for Marvel, it delivered in entertainment and thrills.
The Rio Olympics is coming our way. Of course the media being what it is, it chooses to focus on all the bad news with the bad construction problems and the Zika virus and the slow ticket sales. The story of the Russian track team being systematically doped added to the fire and has led to scrutiny of the whole Russian team in recent weeks. However there have been tales of woe before past Olympic Games and they’ve gone off excellently so it would be fair to give Rio a chance. So without further ado, here’s my focus on thirteen to watch–eight individual athletes, a duo, and four teams:
-Katie Ledecky/USA – Swimming: You all thought Michael Phelps would be the top swimmer of focus in my blog, right? Wrong. He will be looked into in a focus on another swimmer later in my blog but now the swimmer of top focus here is the US’s next big swimming sensation: Katie Ledecky. As a 15 year-old, she competed in London as the youngest member of the US Olympic team. She won gold in the 800m freestyle and broke the American record along the way. Since then, she has become a distance freestyle ace with world records in the 400, 800 and 1500m freestyles along with World Championship golds in those events as well as the 200 free. She is poised to win gold in the 200, 400 and 800 freestyles in Rio: a feat only achieved once before by American swimmer Debbie Meyer in 1968. Katie can even add a bonus gold with the 4*200m free relay. Her chances are good as her best time in the 800 this year is 12 seconds faster than the second-best and her top 2016 time in the 400 is 1.5 seconds faster than that of American teammate Leah Smith. However the 200 will be her toughest event to win as Sweden’s Sarah Sjostrom’s 2016 best is less than .1 faster than Katie and just .12 behind her is Italy’s Federica Pellegrini: 2008 Olympic champion who finished fifth in London. Nevertheless it will be a brave attempt from the 19 year-old.
-Simone Biles/USA – Gymnastics: Women’s gymnastics has become a complicated sport ever since it was revolutionized by ‘pixies’ like Olga Korbut and Nadia Comaneci. It seems a gymnast’s career at the top is very short. It’s very hard to develop consistency especially with time encroaching. However one gymnast who can beg to differ is 19 year-old Simone Biles. She has shown a consistency in World gymnastics not demonstrated since Ludmilla Tourischeva back in the 70’s. In the past three World Championships starting in 2013, Biles has won fourteen medals including ten gold. She has also won the last three World all-around titles. Biles appears invincible but she does face rivalry from her own teammates Gabby Douglas (defending champ from London) and Laurie Hernandez as well as Russia’s Angelina Melnikova. Rio could just be the arena to crown her greatness in the sport.
-Ashton Eaton/USA – Athletics: There have only been two decathletes who have won back-to-back Olympic gold medals: The US’s Bob Mathias and the UK’s Daley Thompson. Ashton Eaton looks poised to become the third. He first burst onto the scene at the 2011 Worlds as a 23 year-old when he finished second behind his American teammate Trey Hardee. Hey, the US is known for their decathletes as they have won a total of 28 medals including thirteen gold. The following year, Eaton beat Hardee at the US Olympic Trials with a world record points total. Eaton went on to win gold in London as well as the last two World Championships. Eaton appears invincible having the year’s best result at the US trials but he does have rivals in Germany’s Arthur Abele and Canada’s Damian Warner who finished behind Eaton in second at the Worlds. Rio could just be the arena for a great to deliver.
-Usain Bolt/Jamaica – Athletics: What can I say? The ‘Lightning Bolt’ has proven himself to be the biggest thing in athletics since Carl Lewis. He has an unmatched streak at dominating sprinting in major events. It all started when he won the 100, the 200 and the 4*100 relay in Beijing in 2008 all in world record time. Since then every Olympics or Worlds he entered, he’d leave with golds in all those events each time with the exception of the 100 in 2011 where he received a false-start disqualification. Already people are ruling Bolt to achieve the triple-triple here in Rio. However it’s not 100% guaranteed. Bolt had to pull out of the Jamaican Olympic trials because of a pulled hamstring injury. He has since recovered well and even won a major 200 in London a few weeks ago. However the 100m has three runners that have a faster year’s best than Usain. Topping the list is 2004 Olympic champion Justin Gatlin. The 200m features four runners who ran a faster time this year than Usain’s 2016 best. Topping that list is American LaShawn Merritt: 2008 Olympic 400m champion. Win or lose, chasing Olympic history will make for an exciting show from a legend.
-Mo Farah/Great Britain – Athletics: Seven male distance runners have won both the 5000m and 10000m runs in the same Olympics. However one–Finland’s Lasse Viren– has done it twice back in 1972 and 1976. Mo Farah, A Somali who moved to the UK when he was eight, appears poised to duplicate Viren’s feat. Farah’s last loss of a major 5000 or a 10000 came at the 2011 World Championships. Since then he has taken gold at the 2012 Olympics and both the 2013 and 2015 World Championships in both events. There will be rivals trying to block his path like Ethiopian Muktar Edris, American Galen Rupp, his Portland training partner, and Kenyans like Caleb Ndiku, Paul Tanui and Geoffrey Kanworor. Whatever the situation, Farah’s pursuit will be one to watch.
-Cate and Bronte Campbell/Australia – Swimming: Admit it. You get intrigued when you see a pair of sibling athletes either competing together or against each other. Enter the Campbell sisters from Australia who are at the top of the world in sprint freestyle. 24 year-old Cate is the one with Olympic medals–two bronze in 2008 and a relay gold in 2012–along with 100 free gold at the 2013 Worlds. 22 year-old Bronte won the 2015 World Championship in the 50 and 100 free with Cate winning silver in the 50 and bronze in the 100. However Cate that this year’s fastest times in the world in the 50 and 100. Bronte has the second-fastest in the 100 and fifth-fastest in the 50. Ah, don’t you wish sibling rivalry was this civil? However the Malawi-born Campbell sisters are not alone at the top. They will face challenges from Sweden’s Sarah Sjostrom who also made the 2015 Worlds podiums in both events and 2012 Olympic champion from both events Ranomi Kromowidjojo of the Netherlands. The Rio stage should provide for some fun drama. And after all that rivalry, the two could just team up for a gold in the 4*100 free relay!
-Laszlo Cseh/Hungary – Swimming: All eyes will be on Michael Phelps. He may have won it all with 22 medals over three Games including 18 gold but he’s making a comeback after a troubling time since London which included his second DUI arrest. Who’s also worth looking at is 30 year-old Hungarian Laszlo Cseh. When Phelps won six golds and two bronze in Athens, Cseh won 400 individual medley bronze. While Phelps won eight golds in Beijing, Cseh won three silvers. While Phelps won four golds and two silvers in London, Cseh won 200 IM bronze. In all cases, Phelps was the Olympic champion. Here in Rio, we have a different scenario. We have Phelps trying to get back his old form while Cseh appears to be in the best form of his life. Cseh has the world fastest times this year in both the 100 and 200 butterflies. Cseh is a heavy favorite for the 200 but he does face rivalry from Phelps, American Tom Shields and Poland’s Konrad Czerniak in the 100. Cseh has never been called ‘Phelps’ Shadow’ in his career but Rio could become the first Olympic arena to finally beat Phelps and win Olympic gold.
-Majlinda Kelmendi/Kosovo – Judo: 75 nations competing in Rio have never won an Olympic medal. Two nations–Kosovo and South Sudan– will be making their Olympic debut. Kosovo’s team will consist of eight athletes in five sports. Leading the team is 25 year-old judoka Majlinda Kelmendi. Back in 2012, Kosovo was not officially recognized by the IOC and Kelmendi opted to compete for Albania. Since then Kelmendi has won gold at the World Championships in the lightweight category in 2013 and 2014. She missed out on the 2015 season because of an injury but is poised for a comeback in time for Rio. She has already won this years’ European championship. She faces rivalry from Japan’s Misato Nakamura and Brazil’s Erica Miranda. Whatever the outcome, be sure she’ll do her country proud. She will also be the flagbearer during the opening ceremonies.
FROM THE HOST NATION:
Of course there is to be some focus on athletes of the host nation. I make it a priority as it makes some of my favorite Olympic moments with athletes winning gold or a medal in front of their home crowd. And in Rio, Sports Illustrated predicts Brazil to win 20 medals including six gold. The most medals Brazil has won in a single Olympics is 17 back in London. The most golds, five in Athens in 2004.
Focus on the two teams later. Here are the duo and individual of focus:
Isaquias Queiroz and Erlon Silva – Canoeing: Brazil has won Olympic medals in thirteen sports but canoeing isn’t one of them. In recent years, Brazil has fielded a canoeing duo who have emerged at the top of the world in the 1000m event. Isaquias won the Worlds in 2013 and 2014 in the individual 500m. Erlon was part of the bronze medal-winning 200m pair in 2014. However both were competing in events that won’t be contested in Rio. Leading to last year’s Worlds, the two were paired together and trained for the 1000m pairs event. They entered that event at the Worlds and won. They will face challenges from the duos of Hungary and Poland. They could just make Brazilian Olympic history here in Rio.
Fabiana Murer – Athletics: Brazil is not expected to win any medals in athletics, according to Sports Illustrated. Overlooked must be pole vaulter Fabiana Murer. She’s a 2011 world champion and she finished second at last year’s World but is known for Olympic choking. In 2008, she finished 10th. In 2012 she failed to qualify for the finals. 2016 looks to be a good year for Murer as she set a new South American record back in July. However she faces challenges from London Olympic champion Jennifer Suhr of the US, last year’s World champ Yarisley Silva of Cuba, last year’s World bronze medalist Nikoleta Kyriakopolou of Greece and American Sandi Morris who’s the only vaulter to have a higher 2016’s best than Murer as of now. Whatever the situation, the home country has her back.
Refugee Olympic Athletes Team: In the past, you had to have some citizenship ties in order to compete at the Olympic Games. Refugees in the past have been overlooked as they were believed to have bigger problems than sports to deal with. Some would have to wait many years to represent the nation they’ve been adopted into. At the last Olympics in London, some refugees participated as Individual Olympic Athletes. IOC president Thomas Bach has taken note of the current worldwide refugee crisis by trying to break barrier for refugee athletes who want to compete at the Olympics. In March of this year, Bach announced his intention to create a team of refugees to compete in Rio taking into account the athletes’ sporting ability, personal circumstances and United Nations-verified refugee status. A $2 million fund created by the IOC was used to help train the athletes for Rio. At these Olympics, there will be ten athletes competing as Refugee Olympic Athletes. Five are runners from South Sudan who reside in Kenya. One is an Ethiopian marathoner who sought refuge in Luxembourg. Two are Congolese judokas living in Brazil and two are Syrian swimmers who have sought refuge in Belgium and Germany. They may not have much of a medal chance but they will already achieve victory by just competing at the Olympics.
United States Women’s Football Team: If there’s one team that one can call the class of the field, it’s the American women’s football (soccer) team. The US Women have won three of seven Women’s World Cups and four of the five Olympic gold medals. Those who saw last year’s Women’s World Cup know about how well the American women continue to play brilliantly. Here in Rio, fourteen women from last year’s WWC squad are part of the Olympic squad including stars Megan Rapinoe, Carli Lloyd and Hope Solo. There are also four newcomers including Mallory Pugh and Crystal Dunn. Since their WWC win, the team has won all but three of their matches since, losing only once to China 1-0 in a friendly back in December. WWC finalists Japan may not have qualified but it’s not to say the US won’t face some tough rivalry from China, France and even hosts Brazil. Nevertheless if they’re as brilliant together in Rio as they were in Canada last year, magic can happen again.
TRIVIA: Being WWC-holder is actually bad luck for the Olympics. In the previous five Olympics, no team that was the WWC-holder at the time has won Olympic gold. They’d make the Olympic podium, yes, but never the top step. Can the US break this bad-luck spell?
FROM THE HOST NATION:
Brazil’s Olympic Volleyball Teams: Football may be Brazil’s #1 sport. It’s safe to say volleyball is Brazil’s #2 sport. Ever since the men’s team won Brazil’s first ever court volleyball medal, Brazil has been on a roll winning a total of nine Olympic medals including four gold. They’ve also won 11 of the 30 Olympic medals awarded in Beach Volleyball including two gold medal-winning duos. Brazil is expected to dominate here. In beach volleyball, Brazil’s pairs won five of the six medals with only the men’s silver conceded to a Dutch pair. Brazil is not as dominant in court volleyball at the Worlds but the teams have what it takes to deliver as the women have won Olympic gold back in 2008 and 2012. Here in Rio, the women will face tough competition from the US and China who finished ahead of them at the 2014 Worlds. The men appear heavy favorites to win but they will face challenges from 2012 Olympic champs Russia and 2014 Worlds champs Poland. It could be possible the home crowd’s cheering could propel them both to win gold.
Brazil’s Olympic Football Teams: You’d figure Brazil, a country that has won a total of five World Cups, would have at least one Olympic gold in football, right? Wrong! It’s all because of eligibility rules in football over the years. Before 1984, footballers couldn’t even make a penny off their sport if they wanted to compete. That would allow the Eastern Bloc countries to field their best for the Olympics and propel them to the podium while World Cup-winning countries like Brazil, Argentina, Germany and Italy could only field ‘diluted’ teams to the Olympics which would finish in a shabby ranking or not make the Olympics at all. Brazil was able to qualify for six Olympics in that period but failed to win a medal.
In 1984, the Olympic door was open to professionals despite some restrictions or two. In 1992, professionals as long as they were 23 or under could compete. Since 1996, each squad had to have all but a maximum of three footballers under 23 with the other three being anyone they wanted. The opening of the floodgates to pros has boosted Brazil’s men’s team as they’ve qualified for six of the eight previous Olympic competitions and have stood on the podium five times. What they want here in Rio is to stand on the top step for the first time. In London, Brazil fielded a kit featuring a 20 year-old Neymar Jr. and won silver with Mexico taking the gold. Here in Rio, Neymar is back and the other 17 members of the Olympic squad are part of pro teams from Brazil, Spain, France and Italy. The Olympic squad may have finished third at the 2015 Pan Ams but the team has been consistent in friendly play over the last two years losing only to Nigeria back in March. Most of all, the team wants to return the football spirit to the country that left the nation broken-hearted at the 2014 World Cup and achieving shabby results at the last two Copa Americas. Whatever the situation, Brazil may just lift the spirits of their country.
Oh, did you think I’d forget the women’s football team? I didn’t. Women’s football isn’t as restrictive as the men’s competition. Every woman that competed at last year’s WWC is eligible to compete in the Olympics. As for Brazil’s women’s team, they have two Olympic silvers from 2004 and 2008. However they have had difficulties in the last major tournaments with losing in the quarterfinals at the 2012 Olympics and losing to Australia in the Round of 16 at the 2015 WWC. The team has since had their ups and downs with losses to the US, France, Canada and New Zealand they’ve trained hard under coach Vadao and have had mostly wins. Stars Marta, Formiga and Cristiane will be there. Hopefully the Brazilian women will be as victorious as their men and these Olympics here could be the arena for it.
And there you have it. Some of the athletes who to look out for at the Rio Games. Remember the gold medal does not go to the hardest worker, the most deserving, the most talented, the one with the most pre-Olympic accolades or even the best athlete. The gold goes to the one that’s the most there. And Rio will be the arena to decide the Olympic champions. These seventeen days will allow the athletes to “live their passion.” My review of Canadians to watch was printed the following day. Just click here.