The Altered States series at the VIFF provide for a lot of films that cross into the genres and subject of horror, paranormal and the supernatural. Animals is a Swiss film that taps into the supernatural with mysterious results.
The film begins with a suicide outside an apartment building in Austria. A young woman falls to her death. Soon after, a couple by the name of Nick and Anna are to leave on a long trip in the Swiss Alps. Nick rents his suite out during the trip. The taker is a woman named Mischa, who looks very similar to the woman from the floor above.
The two then go on their vacation. Nick is a celebrity chef and Anna is a children’s book author. You can tell the marriage has been going through a lot of difficulties. Some things, like how Nick doesn’t want to have children, are said, but some aren’t. Then all of a sudden, Nick accidentally hits a sheep on the road. The collision kills the sheep and damages the car, but the two aren’t hurt seriously. Later that night, Nick receives the dead sheep wrapped up.
Back at the apartment, a man comes knocking to win back the love of Andrea. He keeps insisting in tears that he wants her back terribly and that his life is nothing without her, but Mischa keeps insisting: “I don’t know you.”
Nick and Anna try to go on with their lives and their marriage after the collision. However Anna is very suspicious of infidelity. Especially after she sees Nick get too friendly with a waitress by the name of Andrea. An attack by a robber on Anna from their car late at night seems to reconfirm Nick’s love to Anna. However Anna had a dream days earlier that Nick was the one who pulled her out, which is why she’s uncomfortable. Nick keeps notes of recipes that he is to use for some of his shows, but Anna is suspicious. Anna gets what she suspects; there is another woman in Nick’s life. When she tells him the news, it appears that Nick hears something completely different. It’s like he’s deaf and in another world.
Back at the apartment, Mischa is in love with another man. Two men are outside her apartment how they were both loved and neglected by her. Days pass and Nick comes across a news article about a ‘horrific sheep collision’ on a country road. The picture of the incident shows Nick looking distraught with a woman being carried away in an ambulance. Nick is shocked. That can’t be since they both survived the incident. They next day, another collision with a sheep happens. This time Anna is taken away in an ambulance. The film ends with a surprise, albeit too rushed.
The film focuses on a wide variety of common themes in a thriller. It focuses on the supernatural, a case of image versus reality, the power of dreams, and even the foretelling of the future. Nick and Anna are living out a slow but intense personal drama in their lives. However things intertwine right after they rent the house to Mischa. There are images of the future, not all pleasant. There is a barrier of communication, or Nick could be in another world of his own. There is a housesitter who either looks like a person who used to live at the apartment or is the same person with a completely different identity. Plus there are the animals that appear to tell something about what will happen in the future. There’s the sheep on the road, the birds that hit the house, and the cat that talks in French. The film can often be seen as including many thriller elements Alfred Hitchcock included in his films. It’s not just the birds reminding one of The Birds. It’s even the feel of the unknown, the mysterious and even the feel of being chased down that adds to the Hitchcock feel in this film.
The problem with this thriller is that it sometimes moves too slowly. The film has a lot of moments that create suspense, but it drags on in a pace that can be too slow for a thriller of such. I can understand why directors would want to slow scenes down for the sake of creating the intensity of the moment, but it appeared to take too long. The film creates intrigue, but it doesn’t keep its feel of the thriller consistent. It also seems like Swiss-born Polish director Greg Zglinski is trying to pack too many elements into the film. It’s impressive that it uses a lot of common thriller elements like the supernatural, the power of dreams, and the future happening in the moment, but it gives a sense that something’s missing. On top of it, Zglinski and co-writer Jorg Kalt appear that they don’t have the story stitched together properly. It’s a film that like a puzzle set that needs to be pieced together, but it doesn’t feel like it’s pieced together well. Even the ending that shows two completely different emotions on Nick gets one wondering.
The film’s actors are the highlight of the film. Birgit Minichmayr does a very good job of playing the wife caught between a fading marriage and this mystery happening before her eyes. Philipp Hochmayr is not given very much range in his role, but he does a good job in what he is given. Mona Petri also does a good job with her multi-personality role as Mischa/Andrea. In addition, the music by Bartosz Chajdecki adds to the drama of the film when it’s there.
Animals is a thriller that shows a lot of potential at first, but comes off as slow, not all together and even incomplete at the end.
The VIFF is my best chance to see a Canadian feature film each year. I got my chance with Suck It Up. I’m glad I saw it.
The film begins with Ronnie collapsing by a lawnmower drunk. Ronnie has just lost her older brother Garrett. Faye is in Vancouver having a job interview for a school board job she really wants when she learns the news about Ronnie. Ronnie was her best friend until Faye broke up with Garrett last year. She is encouraged by Ronnie’s guardian aunt and uncle to come over to Calgary. Faye meets with them all and they feel the best way to help Ronnie recuperate is for her and Faye to go someplace for a getaway. Faye decides to go to their old cabin in Invermere.
At first, you think things won’t work. Faye is the cool one under control while Ronnie is outrageous enough to flash her breasts to any car full of guys passing by. Once in Invermere, they try to make themselves comfortable in the cabin. However it seems Ronnie is making herself all too comfortable with every guy she meets up with. Especially this creepy guy names Dale who rubs Faye the wrong way. As Ronnie is getting closer to a guy names Shamus and his freewheeling friends from the bowling alley, Faye meets a guy of her own. His name is Granville. Granville may come across as geeky at first because of his asthma and diabetes, but the two connect as Faye is charmed by his artistic dreaminess.
Things prove too much for Faye as Ronnie’s craziness is cramping her style and her life. Faye tries to have a good time, but can’t deny that she has things to take care of in her life, like a potential job in Vancouver. One day, Ronnie and her friends come after a day of fun and give Faye some lemonade. It’s after Faye drinks it that she finds out it’s laced with MDMA, and just 1/2 an hour before her job interview on Skype! Faye humiliates herself during the interview.
Even though Faye is given a second interview days from now, Faye appears to be the one falling apart now. It’s not just about the interview and dealing with Ronnie. It’s because Faye is having trouble dealing with Garrett’s death. She can’t handle that she didn’t answer the call from Garrett’s phone just hours before he died. She came to Invermere with Garrett’s ashes and two envelopes from Garrett: one for her and one for Ronnie. She open’s Ronnie’s envelope instead. Even hearing info about Garrett from a woman names Alex who works at the town ice cream parlor makes things all that more frustrating for Faye.
Then the two decide to hold a party at the cabin. All of their Invermere friends are invited and they all show up, including shady Dale and his mud-filled inflatable pool for mud wrestling. Ronnie’s in a partying mood but Faye is having issues. It’s still all about Garrett. Spending time with Granville doesn’t make things easier and talking with Alex makes things worse. Then Ronnie films out what Faye did with her letter. She confronts Faye with harsh words about the phone call from Garrett’s phone. This leads to a fist fight where they both end up in the pool of mud. But after that, the two suddenly make peace and resolve all that happened. Even the opened letter. It turns out Garrett was a controlling person in his life and tried to control both of them. Faye and Ronnie pack up with Ronnie being in great spirits and not looking as troubled as she was at the beginning. They promise to get together again soon.
At first, I found this comedy entertaining. Then I did a bit of thinking. This is a kind of comedy that I can see the script working in Hollywood. Have you seen a lot of the Hollywood comedies in theatres now? They’re pretty dreadful, eh? They’re relying too much on jokes with shock value and even lewd or crude one-liners to get a laugh. They make you think they’re that desperate for laughs. This comedy doesn’t need to rely on one-liners or crude jokes. All it has to rely on are the characters and the scenarios to make this work. That’s what made this comedy work. We have a bizarre situation of two friends who are two opposites going away to a resort town to help one recover from her brother’s death. The other friend has unresolved issues over his death too. The mix of the two causes havoc, but it all ends when they get into a fight where they accidentally end up in the mud wrestling pool. Then the friendship is rekindled and they’re both able to make peace with his death. To think Hollywood couldn’t think this up, but Canadians did!
The film is also about ironies. The two girls are complete opposites. You first wonder how on earth they became friends in the first place. You first think Granville is a nerdy guy, but he becomes the perfect one for Faye. There are even times later on when you wonder which of the two are having a harder time dealing with Garrett’s death. It’s the fistfight that becomes the turning point where Faye and Ronnie are finally able to resolve things and go back to being the good friends they were. In the end, both get over his death when they come to terms with what a control freak he was in his lifetime. Even seeing Ronnie toss Garrett’s ashes off a cliff with them still in the jar is a bit of comedic irony too.
One thing about the film is that it doesn’t try to mess with the crowd too much. The subject of death and how Ronnie’s family is full of cancer-related deaths even makes you wonder if this would become a tragedy soon, but it doesn’t. It’s able to take a dark troubling matter and turn it into a good comedy. It also won’t get too manipulative. One thing you’ll notice is that there are no flashbacks to when Garrett was alive, nor are there scenes of Garrett coming from nowhere to talk to either of the two. Another thing about this film is that the story lines are placed out very well. I’ll admit the film starts on a scene that makes you think it could have been given another take, but the film gets better over time and the whole story is kept consistent from start to finish.
This film directed by Jordan Canning and written by Julia Hoff was very well-done and well put-together, even more than most Hollywood comedies nowadays. This is kudos for Julia because this is her first screenplay for a feature-length film. Erin Carter did a great job as Faye and Grace Glowicki was great as Ronnie. The film needed them to be in their characters to make it work, but they were able to keep their roles from being one-dimensional. I addition, they had the right chemistry together to make this story work on screen. Dan Beirne was also very good portraying the misfit Granville who wins Faye’s love. Toby Marks was also great as Alex: the one caught in the middle between Faye and Garrett.
Suck It Up is a Canadian-made comedy that is way better-done than most of today’s Hollywood comedies. It starts out sluggish and even may appear to tread into ‘drama territory’ at times, but it ends on the right note.
We first met the Guardians Of The Galaxy back in 2014. The Guardians are back in Guardians Of The Galaxy Volume 2. But do they have what it takes to deliver this time?
Back when the first Guardians Of The Galaxy came to the big screen, most people have not heard of them. This was a chance for Marvel to introduce them to the world. It was a unique mix of quirky characters, both virtual and live, loads of action, and a mix of both music and humor that made it a hit with families and superhero movie fans alike. The movie became the third-highest grossing movie of 2014 and turned the Guardians into household names. In fact “I am Groot,” became the top movie line of that year.
This time around is about bringing about the sequel. Most of you already know my feeling of Hollywood sequels in my review of Furious 7. However sequels can either propel a movie franchise further or sink it. Sequels are hit and miss. I’ve seen so many sequels where they simply rehash the formula of the first movie plot-for-plot, moment-for-moment. That’s why I’m mostly turned off sequels. That’s also often all one needs to do to end a franchise. Nevertheless there are a good number of sequels or second-movies that do differ a lot from the original. That’s often the better idea but even that’s a gamble. One example is the second and third film of The Matrix. It was too different from the original film that blew audiences away in 1999 and they disappointed fans.
This sequel for Guardians takes the chance of being very different from the first film. One can already notice the differences here: animosity between the members, the stormy family relations of Peter and his father and Gamora and her sister, the people of the various galaxies going against each other and all galaxies being threatened by Ego. I appreciate them creating a scenario different from the original. Nevertheless there were some things from the original that they had to bring back into the sequel like the humorous tones in various scenes, the unique and sometimes crazy personalities of each of the Guardians, and of course the use of 70’s songs in the many scenes. It was all a case of making the right choices of what to include from the first and what to change up. I feel they made a lot of the right choices here.
Another difference I noticed in Volume 2 is that there are a lot more ‘salty’ and ‘spicy’ things in the film. For example, I noticed there was more swearing included and a lot more lewd talk. There were even scenes hinting towards sex or even showing suggestive situations like a stripper bar in another galaxy. Sometimes I think ever since Deadpool shook things up in the world of superhero movies, directors are less afraid of including risque stuff even if they know children will be watching. However unlike Deadpool, the film knows it’s supposed to be a superhero movie and the theme of heroes and the values they stand for and fight for is definitely not forsaken. Whether it’s okay for parents to take their children to see it or not is completely the parents’ call. I’d say it’s best for 11 and older.
James Gunn again delivers as a director and a writer in this sequel. He takes some of the first, some new ideas, and some racy choices and turns it into a movie that works. Chris Pratt delivers again as Peter and Kurt Russell does a very good job in playing a deceptive villain. Zoe Saldana again proves why she’s the top actress in sci-fi movies with her performance as Gamora. Dave Bautista was hilarious as Drax as was Bradley Cooper as Rocket. Michael Rooker was also good as Nebula. Baby Groot had a lot of funny moments but there are times I felt in retrospect that he went too much on the ‘cutesy’ side. Michael Rooker was also good as Yondu. The two newcomers–Karen Gillan as Nebula and Pom Klementieff–were good in their roles even if Mantis did come across as too weird or ditzy. Judianna Makofsky did a very good job in designing the costumes to fit the story, Tyler Bates delivers a fitting score to the film, and the visual effects team with hundreds of credits again delivered effects to make the action and drama that more exciting.
It seems appropriate that Guardians Of The Galaxy Volume 2 kicks off the 2017 Summer Movie Season. It’s a sequel that delivers the right stuff most of the time. It’s able to deliver some new magic without compromising the magic of the original and keeps one thrilled one moment, laughing another moment, and entertained throughout.
One of my Christmas treats was seeing Rogue One: A Star Wars Story. I’m glad I had my chance because it was an excellent movie.
Now just a reminder to you all, this is not part of the nine-episode Star Wars saga we all know. This is part of the Anthology Films of the Star Wars franchise. Actually this is the very first Anthology film to be released. The film is a triumph for writers of ‘fan fiction’ or ‘fanfic’ as it’s commonly called on the internet. However bringing fanfic like this to wide release on the big screen was no easy task. We all know how Star Wars has become a cinematic phenomenon like no other. George Lucas knows about it. Lucas himself is comfortable with ‘standalone’ films based on the Star Wars stories but wanted to make very clear that any standalone stories could not carry characters between the Saga films.
Here we have a story that is to take place between Episode III: Revenge Of The Sith and the very verse Star Wars film that’s now referred to as Episode IV: A New Hope. It’s a pretty lengthy amount of time between when Anakin Skywalker becomes Darth Vader and Luke Skywalker seeks to become a Jedi. Nevertheless it does make for ample time for any Star Wars fan to create a story of what happens in between. Storywriters John Knoll and Gary Whitta aren’t just any Star Wars fans. Knoll has done camera operations and visual effects supervision for many science-fiction films including four Star Trek films and the three Star Wars prequels. Whitta is a scriptwriter for The Book Of Eli and After Earth.
The adaptation of the story to screenplay had to fall into the right hands as well. Scriptwriter Tony Gilroy may have had his biggest renown with 2007 Best Picture nominee Michael Clayton (for which he himself was nominated for Best Director and Best Original Screenplay) but his he’s also made his biggest impact in writing the scripts for all four Jason Bourne movies. Chris Weitz has an eclectic resume of writing and directing from Antz to American Pie to About A Boy to The Golden Compass to one of the Twilight films. Then there’s the film being directed properly. Gareth Edwards may have not had the most experience in directing but he has developed his reputation in recent years upon films like 2010’s Monsters and 2014’s Godzilla.
Then there’s the story itself. There are possibly loads of Star Wars-inspired stories. The story would have to be true to the Star Wars saga without it being a rip-off. There’s lots of that and even professional writers can make something that’s a Star Wars rip-off. Most Star Wars fans will not go for something insulting. True, there are a lot of people that are Star Wars-crazy but most will not go for something if they sense it’s a rip-off. Don’t forget many felt insulted by the prequels so that’s a reminder.
They succeeded. They provided a very good story about the completion of the Death Star and the family behind it and the rebellion attempting to steal the plans leading to the hope in the end. The story had to be well-researched in order for it to make the right connection between Episode III and IV. Any new characters like the Ursos, Cassian Andor and K-2SO had to fit with the story as well as include original Star Wars characters like C3P0 and Darth Vader properly. On top of that, it had to have the right action scenes and the right battles done. Basically the whole movie had to have it all to work. The story could not be compromised despite the action sequences. The acting also had to be top notch from Felicity Jones, Diego Luna, Mads Mikkelsen, Ben Mendelsohn and Forest Whitaker. Even the theme of the story of heroism has to be present. It’s there, but in a way like no other Star Wars saga film does it. For the first time, self-sacrifice is needed for heroism.
The story worked very well. The critics on Rotten Tomatoes gave a total percentage of 85% approval. Many praised it for its depth in the Star Wars mythology and for breaking new narrative and aesthetic ground while paving way to a potential future for other blockbusters. The film scored well with crowds too as it would become the 20th movie to gross over $1 billion worldwide.
Rogue One: A Star Wars Story is not just an excellent movie. It’s an accomplishment. It’s proof that Star Wars standalone movies can not only be a hit but be excellent in their own right.
I know I’ve done individual reviews of Best Picture nominees in the past. This year I thought I’d try something new. I thought I’d do summaries of the nominees. Three blogs analyzing three of the nominees. It’s something new this year and I hope you like it. For my first summary, I’ll be reviewing the first three Best Picture nominees I saw: Arrival, Hacksaw Ridge and Moonlight.
When you learn Arrival is about aliens, I’m sure you have an idea of what you’d anticipate what a movie about aliens would be about. However, you’re in for a big surprise.
This is probably the first movie about aliens to earn a Best Picture nomination. The film appears to set up for a story that would most likely lead to big-time action sequences. Instead we get a film that’s very intellectual in dealing with aliens. Don’t forget Louise is a linguistics professor who was hired for this duty because of her language expertise. In this film, the focus is on communication. Louise has a way to communicate with the aliens and earn their trust even while those around her grow more hostile to the beings. Louise’s gift for communication goes beyond the aliens and she’s able to say to General Shang the words his late wife said to her. It’s like she has a sense for this.
Even with all this, the film is not just about aliens and preventing a human-alien war. The film is about Louise trying to heal after her daughter’s death. Her marriage is no more as well and she’s looking for her purpose. It’s even about Louise and her ability to foresee the future and the possibilities they can unfold. Louise is the central protagonist whom the whole story revolves around. She finds her true gifts at a time she least expects it and she’s able to find her life again. It’s almost like this alien invasion is like a godsend to her life. Right after her daughter dies, she learns of her purpose to the world and to others.
Denis Villeneuve did a top job of directing this film. He already has a reputation for films like Maelstrom, Incendies and Sicario. He’s also been hired to do the Blade Runner sequel. This film he directs is very tricky but he does all the right work for it. The script by Eric Heisserer is very smart and very deep. It does a very good job of getting the right moments of action and the right moments of drama pieced out.
The story also rested on the performance of Amy Adams. She knew the story was primarily about Louise and she had to make it work. Although the role didn’t have too much in terms of character development, her performance was solid and it held the story together. The supporting performers may not have had as big of roles but they still did well with their performances. Jeremy Renner definitely could have had more depth in his role. The music from Johann Johannson and Max Richter fit the movie perfectly. The visual effects were also excellent and just what the movie needed.
Arrival is a very intelligent movie. It’s an alien movie not like one you’d anticipate at first but you will leave the theatre pleased.
Mel Gibson is back. This time he has Hacksaw Ridge. It’s a war drama that’s about more than just the war.
This film makes for an interesting topic: conscientious objection. I know all about it. For years I went to a Protestant church where the people were known for their anti-war beliefs. Conscientious objection is something that’s bound to make one question their morals and even act out of hostility. I know that we have conservative pundits who insist that fighting in a war is the definition of patriotism and will even use scriptures to justify why was is the right thing. Upon release of this film, I was anticipating a conservative backlash against it. So far no ‘Diss The Doss’ movement has happened. No movement to have his Medal Of Honor posthumously revoked. Nothing. It’s a good thing because the film does make one reconsider what defines a ‘patriot.’ I’m glad this story was told.
One of the biggest complaints from conservatives in the last 40 years has been either the negative depictions of religion or lack of positive depictions of religion in movies. True, this is not the Hollywood where the Hays Code calls the shots. For those that read my review of Of Gods And Men, I have a quote from Barbara Nicolosi about why that’s the problem. That explains why it’s hard to get a pro-religion movie to compete for Best Picture nowadays. There’s a fine line of showing a film with a positive depiction of Christianity without it being schmaltzy, hokey or overly sentimental. Plus with all the ‘game changers’ in the last few decades, writing a winning script or creating a winning film is just that much of a challenge.
I feel they did a very good job in Hacksaw Ridge. It was a very good story of the persecution Desmond Doss had to face for his beliefs. It was a very gritty story of the war and all the damage it caused. Some say the graphicness was comparable to Saving Private Ryan. It was an honest portrayal about someone’s faith. However there was one point when I felt it was borderlining on hokey during the scenes of: “Please, Lord. Help me find one more.” I know that was something Doss said in real life but I’m just wondering if it could have been done better.
This film is the first film directed by Mel Gibson in a decade. I know he had to take a break as he had a very public meltdown with the things he said about others and problems with alcohol. You could rightfully call this film the redemption of Mel Gibson. He directs an excellent film that took a lot of effort to make. 14 years to be exact even while Doss himself was still alive going from one writer to the next until finally they had the right script and right story thanks to Andrew Knight and Robert Schenkkan. Gibson and the writers did an excellent job with the film with the story and the depiction of war.
In addition, the story was made thanks to the performance of Andrew Garfield. This was more than just a war story. This was a story of a person’s heart and soul. Garfield knew he had to personify Doss in his convictions in order to make this story work. He did it excellently. It’s hard to pick out any supporting players who stood out. None of the roles of the supporting actors were as developed. However Teresa Palmer did a very good job as Dorothy Doss and portraying the concerned fiancee, as is Hugo Weaving as the father Tom Doss and Vince Vaughn as the hard Sargent Howell. The visual effects and the sound mixing were top notch, as it should be in a film like this. The score from Rupert Gregson-Williams fit the film excellently.
Hacksaw Ridge is a surprising film. Who would’ve thought that the best war movie in years would be about a man that didn’t fire a single bullet? Definitely a story worth telling.
At some point, you gotta decide for yourself who you’re going to be. Can’t let nobody make that decision for you.
This year’s surprise critical success is Moonlight. It’s a very unique film like no other seen this year.
The film is unique as it sets itself around three key periods in the life of Chiron. There’s his childhood where he’s known as Little, there’s his teenagehood where he’s simply known as Chiron and there’s his adulthood where he’s known as Black. The film does tell a story of a man who you think would die young. He has all the ingredients: gay, living in inner city Miami, a verbally-abusive mother addicted to crack, arrested at a young age and a future of being a pusher himself. Somehow he finds the will to survive. He’s able to withstand the bullying he faces for being gay, he’s able to decide his life to the best of his abilities without his mother. Often it’s not the best choices he makes in his life but he finds the ability to survive. You wonder how does he do that? Was it from that brief time with Juan and his mentoring? Was it the love from Kevin he always knew was there? I remember that scene of Little in the school dancing classes dancing like he was in 7th heaven: his escape from the bullying. Was it a spark within Chiron himself? Whatever the situation, it results in beauty at the end.
The film is not just about Chiron. As one can see, it showcases the lives of many different African-American people living in the inner city. It may show some of the more negative depictions like drug dealers, poverty and drug addicts but it also shows positive images too like in the case of Juan and his girlfriend or even in music being played. It showcases some surprising things as well as how Juan the pusher can be a very smart man. It even dispels some myths we have of inner city people. Like how Juan was good at handling Chiron’s homosexuality and gave him words of comfort while Paula acted out in hostility. Usually you’d expect ‘gangstas’ to have a homophobic attitude. It showcases what it’s like to be black and gay in the inner city. It also showcases people’s insecurities. It is overall one man’s attempt to find himself in the harsh world that he lives in. Yet despite all its harshness, it becomes something beautiful in the end.
The film is a triumph for Barry Jenkins. This is actually his second feature as a director. His first film, 2008’s Medicine For Melancholy, won a lot of attention and even earned him many directorial debut awards. Moonlight is only his second feature. This film which he adapts a script from a drama school project from Tarell McCraney is a masterpiece in both the story and its direction. The script is also excellent that there is not too much dialogue but is able to say lots even in the silent parts. Another quality of the film; it says a lot while saying very little. Overall the film is a real delight to watch and leaves one wondering what Jenkins will have next.
The three actors who portrayed Chiron– Alex Hibbert, Ashton Sanders, and Trevante Rhodes- all did a very good job with the role and portraying him at the right ages. Mahershala Ali was excellent as Juan: the pusher who becomes a mentor to little Chiron for that brief period of time. Ali had to bring the right charisma and character for a role like Juan to work not just in his scenes but to have an influence throughout the whole film. He did a stellar job. Also excellent was Naomie Harris. Possibly the one actor or actress to be a part of all three scenes, Harris was excellent as the drug-addicted mother Paula. She had to go through three stages with her role from a simple crack user to a crack addict to recovering in rehab. Each time she had to give her role dimension and inner depth to keep it from being cardboard. She did excellent too. There were additional supporting roles that were also good like Janelle Monae as Teresa and Andre Holland as the adult Kevin.
The technical bits were also excellent. The film was edited very well, the cinematography from James Laxton was possibly the best of the year. The score from Nicholas Britell was excellent but the inclusion of track music from classical to Latin to funk to hip-hop to Aretha Franklin to Motown really added to the feel of the movie. Almost feels like an anthology. In fact that scene when Kevin sees Chiron (as Black) after so many years and plays the classic Hello Stranger is one of the best scenes of the film.
Moonlight is a story of a young black man coming of age in the big city but it’s a lot more too. Those who’ve seen it will know why this film is a masterpiece.
And there’s the first of my Best Picture summaries for this year. Next one coming up in a few days.
I’ll admit I had my review of Doctor Strange started back when I saw it in November: Election Day to be exact. The reason for its late publish has a lot to do with my lack of ambition. Paying attention to my hit statistics and seeing how 2016 gave me my lowest annual hit stats since 2011 kept me from publishing. However the recent upswing of hits in January rejuvenated my blogging energy and I can finally publish my review!
Dr. Strange is not a new Marvel superhero. He first appeared in a 1963 addition of Strange Tales created to bring a different type of character and themes of mysticism to comics. It wasn’t completely welcome during its early years as some people thought those at Marvel comics must be on some kind of drugs. Dr. Strange would continue to have his own comic series for decades until the early 2000’s. Then he was placed as a supporting character in comic books of The Amazing Spider-Man and The Avengers. Dr. Strange has been able to reclaim his own at the start of this decade.
Marvel faced a huge task in bringing a superhero most people are unfamiliar with and making them a household name. They’ve done it before, with The Guardians Of The Galaxy being the most recent example. However it’s still a case of hit-and-miss as last year Ant-Man didn’t get the success most were hoping for. 2016 has been a good but complex year for the Marvel studios. Their latest X-Men movie didn’t go off so well. Captain America: Civil War was a hit but it didn’t have the same muscle as past Captain America movies. Deadpool was a big hit, especially as an R-rated movie about an anti-hero, but Marvel still wants to excel in creating superheroes, especially in a family-friendly format.
Now in order to make Doctor Strange come alive on the big screen, Marvel had to create the right story. This is the first Doctor Strange movie so the origin is a definite must. Also a must is Stephen Strange’s personality as the surgeon who lives for the fame but is given a reality check after the car accident and subsequent adoption of a superhero persona. In addition, morals are necessary for superhero movies. It’s like my brother-in-law said today’s people are tired out with life. People want entertainment that gives us heroes to look up. I agree. Despite the onslaught of Deadpool, Suicide Squad and Sausage Party, people welcome heroes and are comfortable with seeing morals redeemed. It’s not like the 90’s where we all has an insatiable appetite for entertainment that was ruthless, obnoxious and appeared to be an artistic middle-finger.
However there were two major things needed to make Doctor Strange take off. The first was Benedict Cumberbatch had to make the character of Doctor Strange work. Cumberbatch had to be able to portray Doctor Strange’s pre-accident arrogance well and to make his change in personality transfer successfully. Cumberbatch was very good in portraying the character. The other major thing needed most for this movie is top-of-the-line visual effects. Already Doctor Strange’s unique superpowers mostly involve the use of pyrotechnics. They had to look like the magic they are. The shifts from one world to the next would also require top-of-the-line visual effects. If you saw the movie yourself, I’m sure you would also be dazzled by the effects of the film from the pyrotechnics to the various worlds to the freezing of time.
Although Cumberbatch’s acting and the visual effects were the highlights of the movie, it had a lot of other ingredients responsible for its success. Scott Derrickson did a very good job of directing. Derrickson has developed a reputation with directing and writing sci-fi movies in the past and he was the right man for the job here. The script he co-wrote with Jon Spaihts and C. Robert Cargill also had to be very good because this was one superhero movie that was not too heavy on the action and placed more emphasis on the story, putting the thriller emphasis more on the slow intensity of the moment. It even included some humor which Marvel likes to include in the first movie of one of their superheroes. They succeeded in accomplishing that. The supporting acting performances like Chiwetel Ejiofor as the mentoring Karl Mordo, Benedict Wong as a non-stereotypical Asian martial arts master, Tilda Swinton as the Ancient One also mentoring Strange, and Rachel McAdams as Christine Palmer, the woman who gives Stephen Strange his reality check, also added to the strength to the story. The music from Michael Giacchino also fit the film and its various moments well.
Doctor Strange was released at the right time. It was released in November when movie crowds are starting to grow again right after the end of the summer season. Usually November is the biggest movie month outside the summer. People are used to settling back to their routines and they can now go out for enjoyment. Dr. Strange won its opening weekend with a draw of $88 million and remained on top for another week despite challenges from Trolls and Arrival. Even after facing rivalry from the following weeks with new releases like Fantastic Beasts and Moana, Doctor Strange did strong spending seven weeks in the box office Top 10 and grossing $231.6 million in North America and almost $665 million worldwide. As the Oscar nominations have approached, its visual effects were nominated. If you remember the effects, you too would think they were some of the best of the year.
As for a possible Doctor Strange sequel, Derrickson talked of a sequel even a month before its release. He mentioned he had fun with the character. The success of it is the perfect green light for a future sequel.
Doctor Strange is the biggest debut movie for a superhero since the Guardians Of The Galaxy. In a year that was a bit of a struggle for Marvel, it delivered in entertainment and thrills.
The Rio Olympics is coming our way. Of course the media being what it is, it chooses to focus on all the bad news with the bad construction problems and the Zika virus and the slow ticket sales. The story of the Russian track team being systematically doped added to the fire and has led to scrutiny of the whole Russian team in recent weeks. However there have been tales of woe before past Olympic Games and they’ve gone off excellently so it would be fair to give Rio a chance. So without further ado, here’s my focus on thirteen to watch–eight individual athletes, a duo, and four teams:
-Katie Ledecky/USA – Swimming: You all thought Michael Phelps would be the top swimmer of focus in my blog, right? Wrong. He will be looked into in a focus on another swimmer later in my blog but now the swimmer of top focus here is the US’s next big swimming sensation: Katie Ledecky. As a 15 year-old, she competed in London as the youngest member of the US Olympic team. She won gold in the 800m freestyle and broke the American record along the way. Since then, she has become a distance freestyle ace with world records in the 400, 800 and 1500m freestyles along with World Championship golds in those events as well as the 200 free. She is poised to win gold in the 200, 400 and 800 freestyles in Rio: a feat only achieved once before by American swimmer Debbie Meyer in 1968. Katie can even add a bonus gold with the 4*200m free relay. Her chances are good as her best time in the 800 this year is 12 seconds faster than the second-best and her top 2016 time in the 400 is 1.5 seconds faster than that of American teammate Leah Smith. However the 200 will be her toughest event to win as Sweden’s Sarah Sjostrom’s 2016 best is less than .1 faster than Katie and just .12 behind her is Italy’s Federica Pellegrini: 2008 Olympic champion who finished fifth in London. Nevertheless it will be a brave attempt from the 19 year-old.
-Simone Biles/USA – Gymnastics: Women’s gymnastics has become a complicated sport ever since it was revolutionized by ‘pixies’ like Olga Korbut and Nadia Comaneci. It seems a gymnast’s career at the top is very short. It’s very hard to develop consistency especially with time encroaching. However one gymnast who can beg to differ is 19 year-old Simone Biles. She has shown a consistency in World gymnastics not demonstrated since Ludmilla Tourischeva back in the 70’s. In the past three World Championships starting in 2013, Biles has won fourteen medals including ten gold. She has also won the last three World all-around titles. Biles appears invincible but she does face rivalry from her own teammates Gabby Douglas (defending champ from London) and Laurie Hernandez as well as Russia’s Angelina Melnikova. Rio could just be the arena to crown her greatness in the sport.
-Ashton Eaton/USA – Athletics: There have only been two decathletes who have won back-to-back Olympic gold medals: The US’s Bob Mathias and the UK’s Daley Thompson. Ashton Eaton looks poised to become the third. He first burst onto the scene at the 2011 Worlds as a 23 year-old when he finished second behind his American teammate Trey Hardee. Hey, the US is known for their decathletes as they have won a total of 28 medals including thirteen gold. The following year, Eaton beat Hardee at the US Olympic Trials with a world record points total. Eaton went on to win gold in London as well as the last two World Championships. Eaton appears invincible having the year’s best result at the US trials but he does have rivals in Germany’s Arthur Abele and Canada’s Damian Warner who finished behind Eaton in second at the Worlds. Rio could just be the arena for a great to deliver.
-Usain Bolt/Jamaica – Athletics: What can I say? The ‘Lightning Bolt’ has proven himself to be the biggest thing in athletics since Carl Lewis. He has an unmatched streak at dominating sprinting in major events. It all started when he won the 100, the 200 and the 4*100 relay in Beijing in 2008 all in world record time. Since then every Olympics or Worlds he entered, he’d leave with golds in all those events each time with the exception of the 100 in 2011 where he received a false-start disqualification. Already people are ruling Bolt to achieve the triple-triple here in Rio. However it’s not 100% guaranteed. Bolt had to pull out of the Jamaican Olympic trials because of a pulled hamstring injury. He has since recovered well and even won a major 200 in London a few weeks ago. However the 100m has three runners that have a faster year’s best than Usain. Topping the list is 2004 Olympic champion Justin Gatlin. The 200m features four runners who ran a faster time this year than Usain’s 2016 best. Topping that list is American LaShawn Merritt: 2008 Olympic 400m champion. Win or lose, chasing Olympic history will make for an exciting show from a legend.
-Mo Farah/Great Britain – Athletics: Seven male distance runners have won both the 5000m and 10000m runs in the same Olympics. However one–Finland’s Lasse Viren– has done it twice back in 1972 and 1976. Mo Farah, A Somali who moved to the UK when he was eight, appears poised to duplicate Viren’s feat. Farah’s last loss of a major 5000 or a 10000 came at the 2011 World Championships. Since then he has taken gold at the 2012 Olympics and both the 2013 and 2015 World Championships in both events. There will be rivals trying to block his path like Ethiopian Muktar Edris, American Galen Rupp, his Portland training partner, and Kenyans like Caleb Ndiku, Paul Tanui and Geoffrey Kanworor. Whatever the situation, Farah’s pursuit will be one to watch.
-Cate and Bronte Campbell/Australia – Swimming: Admit it. You get intrigued when you see a pair of sibling athletes either competing together or against each other. Enter the Campbell sisters from Australia who are at the top of the world in sprint freestyle. 24 year-old Cate is the one with Olympic medals–two bronze in 2008 and a relay gold in 2012–along with 100 free gold at the 2013 Worlds. 22 year-old Bronte won the 2015 World Championship in the 50 and 100 free with Cate winning silver in the 50 and bronze in the 100. However Cate that this year’s fastest times in the world in the 50 and 100. Bronte has the second-fastest in the 100 and fifth-fastest in the 50. Ah, don’t you wish sibling rivalry was this civil? However the Malawi-born Campbell sisters are not alone at the top. They will face challenges from Sweden’s Sarah Sjostrom who also made the 2015 Worlds podiums in both events and 2012 Olympic champion from both events Ranomi Kromowidjojo of the Netherlands. The Rio stage should provide for some fun drama. And after all that rivalry, the two could just team up for a gold in the 4*100 free relay!
-Laszlo Cseh/Hungary – Swimming: All eyes will be on Michael Phelps. He may have won it all with 22 medals over three Games including 18 gold but he’s making a comeback after a troubling time since London which included his second DUI arrest. Who’s also worth looking at is 30 year-old Hungarian Laszlo Cseh. When Phelps won six golds and two bronze in Athens, Cseh won 400 individual medley bronze. While Phelps won eight golds in Beijing, Cseh won three silvers. While Phelps won four golds and two silvers in London, Cseh won 200 IM bronze. In all cases, Phelps was the Olympic champion. Here in Rio, we have a different scenario. We have Phelps trying to get back his old form while Cseh appears to be in the best form of his life. Cseh has the world fastest times this year in both the 100 and 200 butterflies. Cseh is a heavy favorite for the 200 but he does face rivalry from Phelps, American Tom Shields and Poland’s Konrad Czerniak in the 100. Cseh has never been called ‘Phelps’ Shadow’ in his career but Rio could become the first Olympic arena to finally beat Phelps and win Olympic gold.
-Majlinda Kelmendi/Kosovo – Judo: 75 nations competing in Rio have never won an Olympic medal. Two nations–Kosovo and South Sudan– will be making their Olympic debut. Kosovo’s team will consist of eight athletes in five sports. Leading the team is 25 year-old judoka Majlinda Kelmendi. Back in 2012, Kosovo was not officially recognized by the IOC and Kelmendi opted to compete for Albania. Since then Kelmendi has won gold at the World Championships in the lightweight category in 2013 and 2014. She missed out on the 2015 season because of an injury but is poised for a comeback in time for Rio. She has already won this years’ European championship. She faces rivalry from Japan’s Misato Nakamura and Brazil’s Erica Miranda. Whatever the outcome, be sure she’ll do her country proud. She will also be the flagbearer during the opening ceremonies.
FROM THE HOST NATION:
Of course there is to be some focus on athletes of the host nation. I make it a priority as it makes some of my favorite Olympic moments with athletes winning gold or a medal in front of their home crowd. And in Rio, Sports Illustrated predicts Brazil to win 20 medals including six gold. The most medals Brazil has won in a single Olympics is 17 back in London. The most golds, five in Athens in 2004.
Focus on the two teams later. Here are the duo and individual of focus:
Isaquias Queiroz and Erlon Silva – Canoeing: Brazil has won Olympic medals in thirteen sports but canoeing isn’t one of them. In recent years, Brazil has fielded a canoeing duo who have emerged at the top of the world in the 1000m event. Isaquias won the Worlds in 2013 and 2014 in the individual 500m. Erlon was part of the bronze medal-winning 200m pair in 2014. However both were competing in events that won’t be contested in Rio. Leading to last year’s Worlds, the two were paired together and trained for the 1000m pairs event. They entered that event at the Worlds and won. They will face challenges from the duos of Hungary and Poland. They could just make Brazilian Olympic history here in Rio.
Fabiana Murer – Athletics: Brazil is not expected to win any medals in athletics, according to Sports Illustrated. Overlooked must be pole vaulter Fabiana Murer. She’s a 2011 world champion and she finished second at last year’s World but is known for Olympic choking. In 2008, she finished 10th. In 2012 she failed to qualify for the finals. 2016 looks to be a good year for Murer as she set a new South American record back in July. However she faces challenges from London Olympic champion Jennifer Suhr of the US, last year’s World champ Yarisley Silva of Cuba, last year’s World bronze medalist Nikoleta Kyriakopolou of Greece and American Sandi Morris who’s the only vaulter to have a higher 2016’s best than Murer as of now. Whatever the situation, the home country has her back.
Refugee Olympic Athletes Team: In the past, you had to have some citizenship ties in order to compete at the Olympic Games. Refugees in the past have been overlooked as they were believed to have bigger problems than sports to deal with. Some would have to wait many years to represent the nation they’ve been adopted into. At the last Olympics in London, some refugees participated as Individual Olympic Athletes. IOC president Thomas Bach has taken note of the current worldwide refugee crisis by trying to break barrier for refugee athletes who want to compete at the Olympics. In March of this year, Bach announced his intention to create a team of refugees to compete in Rio taking into account the athletes’ sporting ability, personal circumstances and United Nations-verified refugee status. A $2 million fund created by the IOC was used to help train the athletes for Rio. At these Olympics, there will be ten athletes competing as Refugee Olympic Athletes. Five are runners from South Sudan who reside in Kenya. One is an Ethiopian marathoner who sought refuge in Luxembourg. Two are Congolese judokas living in Brazil and two are Syrian swimmers who have sought refuge in Belgium and Germany. They may not have much of a medal chance but they will already achieve victory by just competing at the Olympics.
United States Women’s Football Team: If there’s one team that one can call the class of the field, it’s the American women’s football (soccer) team. The US Women have won three of seven Women’s World Cups and four of the five Olympic gold medals. Those who saw last year’s Women’s World Cup know about how well the American women continue to play brilliantly. Here in Rio, fourteen women from last year’s WWC squad are part of the Olympic squad including stars Megan Rapinoe, Carli Lloyd and Hope Solo. There are also four newcomers including Mallory Pugh and Crystal Dunn. Since their WWC win, the team has won all but three of their matches since, losing only once to China 1-0 in a friendly back in December. WWC finalists Japan may not have qualified but it’s not to say the US won’t face some tough rivalry from China, France and even hosts Brazil. Nevertheless if they’re as brilliant together in Rio as they were in Canada last year, magic can happen again.
TRIVIA: Being WWC-holder is actually bad luck for the Olympics. In the previous five Olympics, no team that was the WWC-holder at the time has won Olympic gold. They’d make the Olympic podium, yes, but never the top step. Can the US break this bad-luck spell?
FROM THE HOST NATION:
Brazil’s Olympic Volleyball Teams: Football may be Brazil’s #1 sport. It’s safe to say volleyball is Brazil’s #2 sport. Ever since the men’s team won Brazil’s first ever court volleyball medal, Brazil has been on a roll winning a total of nine Olympic medals including four gold. They’ve also won 11 of the 30 Olympic medals awarded in Beach Volleyball including two gold medal-winning duos. Brazil is expected to dominate here. In beach volleyball, Brazil’s pairs won five of the six medals with only the men’s silver conceded to a Dutch pair. Brazil is not as dominant in court volleyball at the Worlds but the teams have what it takes to deliver as the women have won Olympic gold back in 2008 and 2012. Here in Rio, the women will face tough competition from the US and China who finished ahead of them at the 2014 Worlds. The men appear heavy favorites to win but they will face challenges from 2012 Olympic champs Russia and 2014 Worlds champs Poland. It could be possible the home crowd’s cheering could propel them both to win gold.
Brazil’s Olympic Football Teams: You’d figure Brazil, a country that has won a total of five World Cups, would have at least one Olympic gold in football, right? Wrong! It’s all because of eligibility rules in football over the years. Before 1984, footballers couldn’t even make a penny off their sport if they wanted to compete. That would allow the Eastern Bloc countries to field their best for the Olympics and propel them to the podium while World Cup-winning countries like Brazil, Argentina, Germany and Italy could only field ‘diluted’ teams to the Olympics which would finish in a shabby ranking or not make the Olympics at all. Brazil was able to qualify for six Olympics in that period but failed to win a medal.
In 1984, the Olympic door was open to professionals despite some restrictions or two. In 1992, professionals as long as they were 23 or under could compete. Since 1996, each squad had to have all but a maximum of three footballers under 23 with the other three being anyone they wanted. The opening of the floodgates to pros has boosted Brazil’s men’s team as they’ve qualified for six of the eight previous Olympic competitions and have stood on the podium five times. What they want here in Rio is to stand on the top step for the first time. In London, Brazil fielded a kit featuring a 20 year-old Neymar Jr. and won silver with Mexico taking the gold. Here in Rio, Neymar is back and the other 17 members of the Olympic squad are part of pro teams from Brazil, Spain, France and Italy. The Olympic squad may have finished third at the 2015 Pan Ams but the team has been consistent in friendly play over the last two years losing only to Nigeria back in March. Most of all, the team wants to return the football spirit to the country that left the nation broken-hearted at the 2014 World Cup and achieving shabby results at the last two Copa Americas. Whatever the situation, Brazil may just lift the spirits of their country.
Oh, did you think I’d forget the women’s football team? I didn’t. Women’s football isn’t as restrictive as the men’s competition. Every woman that competed at last year’s WWC is eligible to compete in the Olympics. As for Brazil’s women’s team, they have two Olympic silvers from 2004 and 2008. However they have had difficulties in the last major tournaments with losing in the quarterfinals at the 2012 Olympics and losing to Australia in the Round of 16 at the 2015 WWC. The team has since had their ups and downs with losses to the US, France, Canada and New Zealand they’ve trained hard under coach Vadao and have had mostly wins. Stars Marta, Formiga and Cristiane will be there. Hopefully the Brazilian women will be as victorious as their men and these Olympics here could be the arena for it.
And there you have it. Some of the athletes who to look out for at the Rio Games. Remember the gold medal does not go to the hardest worker, the most deserving, the most talented, the one with the most pre-Olympic accolades or even the best athlete. The gold goes to the one that’s the most there. And Rio will be the arena to decide the Olympic champions. These seventeen days will allow the athletes to “live their passion.” My review of Canadians to watch was printed the following day. Just click here.
Quentin Tarantino is possibly the most uncompromising director in Hollywood. Even when he’s not at his best, he can still make a statement. I gave The Hateful Eight a look. I have to say I found it had a lot to like.
It starts in post-Civil War America in the frontiers. It’s a cold day and there’ signs that there’s a blizzard coming soon. Major Warren, an African-American bounty hunter, has three bodies to take back to Red Rock. He hitches a ride with a stagecoach despite being told by driver O.B. Inside the current passenger wants to be alone. Warren does get the ride and meets his other passengers: another bounty hunter by the name of John Ruth who has his bounty, the ruthless Daisy Domergue, with him handcuffed to him also headed to Red Rock. The ride is not pleasant as Daisy should racial slurs at Warren. To which Ruth response with a punch in her face. However Warren and Ruth are able to bond as Warren reads him his letter from Abraham Lincoln.
Along the way, the coachman comes across a Lost Causer by the name of Chris Mannix who claims he’s to be the new sheriff of Red Rock. Mannix is welcome but tension between him and Warren start over each other’s war records. However both Ruth and Warren make a pact to protect each other’s bounties.
The blizzard becomes so powerful, the four have to take refuge at the nearby Minnie’s Haberdashery, a stagecoach lodge. Minnie’s not there and the four are greeted by Bob, a Mexican who claims Minnie is visiting her mother and he’s in charge. Also at the Haberdashery are Red Rock hangman Oswaldo Mobray, cowboy Joe Gage who’s simply traveling to visit his mother, and former Confederate general Sanford Smithers. Ruth knows they will all be in the lodge overnight and trouble is bound to brew with all these differing and conflicting people. So he gets all but Warren to disarm.
They even try to get the eight to have a civilized dinner of stew at the same table. However Mannix points out to Warren that his letter from Abraham Lincoln is a forgery. Warren admits it, stating his letter gets him respect from white people that he’d otherwise be denied. Ruth is outraged when he hears this. Warren also has another confession, but to Smithers. He provokingly confesses to him that he tortured, sodomized and killed his son in lawful self-defense in revenge for his son executing black soldiers during the Civil War.
Another incident happens known only to Domergue, the coffee was poisoned. She alerts no one of this and allows for Ruth and O.B. to pour a mug. After drinking they both vomit and collapse. Mannix is fortunate enough not to drink the cup he poured after he saw what happened. Domergue is able to kill Ruth but through her own gun. Warren attempts to be the master of justice, determined to find out who poisoned the coffee. Only to uncover that Bob is possibly an impostor because Minnie’s haberdashery does not allow Mexicans. He suspects from the start that Minnie was killed and executes the Mexican. To the surprise of everyone, Warren is shot from below. Further shootouts follow leaving Mannix and Mobray wounded.
The film then flashes back to the beginning of the day when it was to be a typical day for Minnie’s Haberdashery. However a robbery happened where everyone including Minnie were killed. Only Smithers is still alive. The leader of the heist was Jody Domergue, Daisy’s brother, who plans to ambush Ruth knowing they’ll eventually stop here because of the anticipated blizzard and his gang will take Daisy away. Returning back to the current situation, the story goes into various confrontations and leads to an unpredictable ending.
Of all the films that are happening around this Oscar season, this appears to be the one film that shows no real intention of making a political statement or social statement of any kind. Actually what it is doing is telling a story that for the whole of it only takes place not even for a full day. It’s starts with a free African-American major wanting a stagecoach ride only to end up in the same coach as two others. Then another. All of which are polar opposites and you know a fight would start any minute. Then the four get to a shelter during the blizzard which happens to be a haberdashery place with four others, also a set of characters too with traits you know could add to the conflict.With eight spiteful people in the same place at the same time with a bone to pick with at least one of them, you know hell will break loose any minute and you wonder who will be the first to get killed. Even as you watch the whole film unravel, you will end up surprised to see anyone at the end of the movie alive.
Once again Quentin Tarantino delivers. He’s one of few directors that doesn’t have to succumb to the pressures of parental guidance groups, family values groups or even the pressures of Hollywood and be able to deliver his stuff his way. As I said at the beginning, he’s possibly the most uncompromising director in Hollywood. He is no holds barred in terms of the use of profanity and racial slurs in this film and uses no restraint. As is common in his movies, he divides his film into segments or even chapters as he does here. Also like his past films, he plays with the chronology of time as the incidents of what happened before the eight got together is shown as the fifth chapter rather than a simple flashback as most film makers would do.
Another thing Tarantino does here like he does in some of his other films is throw in some subtle humorous moments. One example is the case of a cowgirl from New Zealand. Another is getting all of the eight at a table to eat their dinner in a civilized manner, or as civilized as it can get. Another example of his dark humor is the gory effects of when one gets shot in the face or when one drinks the poisonous coffee. And an additional example is how he has items be a significant part of the film. The same way the watch, Kahuna Burger, suitcase and wallet fit the story of Pulp Fiction to a tee, we have Warren’s letter from Abraham Lincoln. He does the type of movie violence that can even make Martin Scorsese jealous. He always was a film maker who didn’t play by the rules. He always made his own rules.
I will admit being a longtime fan of his movies, I was wondering what The Hateful Eight would be like. His last two films weren’t exactly his best: Inglourious Basterds could dazzle at first but would later be seen as ridiculous in afterthoughts and Django Unchained look both ridiculous and redundant as revenge being rehashed. Here Tarantino takes a chance by having most of the situation happen in a single physical location. Most of the time you have that in the case of student films or feature-length films of rising directors. Here Tarantino uses his experience and his knowledge of directing and writing to create a full intense film that’s predominantly set in a single place. That was very creative of him as he does a good job in the story and directing and delivers a movie that gives you the sense anything can happen any minute.
However the film is awfully long and there are many scenes that seem like they are drawn out. Sometimes there are times you’re actually wondering why something hasn’t happened yet.I do give Tarantino credit for delivering a story that’s unpredictable but I still feel almost three hours is too long for such a film.
SPOILER ALERT: Ending Will Be Revealed In This Paragraph. Bypass This Paragraph If You Want The Ending To Be a Surprise. If there’s one surprise Tarantino gave me, it’s the ending. Usually Tarantino is one film maker that doesn’t usually have sentimentality in his films. I have never seen a sentimental moment in any of his previous films. However the ending as Mannix and Warren appear dying was possibly the most sentimental thing I’ve ever seen in a Tarantino film. Sure, that’s not saying much but it’s still atypical enough to notice. No, I didn’t shed a tear as didn’t anyone else in the theatre but it was still a surprise.
Tarantino may be the brains behind what’s all happening in the film but it’s the actors that make it come alive. All eight of the main actors had to deliver a character that was as likable as they were hateable. Basically the type of characters whom you wouldn’t shed a single tear over when they die. They succeed in doing so and even make you welcome their deaths at times. Samuel L. Jackson and Kurt Russell were the ones able to command the most attention. However the biggest scene stealer will have to be Jennifer Jason Leigh. Her performance as the uncoothed Daisy Domergue really caught everyone’s attention. Her character of Daisy could have been considered annoying or even a distraction but she made it work. Her turn will also surprise you how a woman can be as ruthless as the men. The second show stealer would have to be Walton Goggins as Sheriff Mannix. Goggins also had a character that could have easily been dismissed as annoying or over the top but he became more likable and oddly enough appreciable by the end. If there was one more scene stealer, it had to be Bruce Dern as the spiteful Confederate General. Even the minor roles such as Minnie and Six Horse Judy were played well.
The film also did well in terms of its technical aspects. Robert Richardson did a very good job of cinematography both among the outside shots and inside shots. The natural and created sets works well too. Once again, Tarantino delivers a film with an excellent mix of songs from the past that fit the film well. However it’s the addition of the score from Ennio Morricone that give the film an added boost.
The Hateful Eight is not Tarantino’s best film ever. In fact it’s imperfections are noticeable. Nevertheless the film rarely gets boring and will still please Tarantino fans.
If there’s one movie that’s had its box office results significantly after the nominations, It’s The Revenant. If you’ve seen it already, you’ll easily see why it could have done excellently even without the Oscar buzz.
It’s 1823 in an unsettled wilderness part of the northern area of the Louisiana Purchase. A group of trappers under the command of Captain Andrew Henry search for pelts until a surprise attack from Arikara Native Americans kills many from the camp and cause the survivors to flee on a boat. Part of the camp is Hugh Glass who is on friendly terms with the Natives–even being a widow to a Native American woman and fathering their ‘half-breed’ son Hawk who’s part of the camp– and knows the area well. At Glass’ recommendation, they abandon ship and walk on foot to return to their outpost Fort Kiowa. This does not settle well with some of the trappers including John Fitzgerald who has a hostile attitude towards Natives after being scalped years ago. He is noticeably hostile to Hawk.
Glass scouts ahead alone for a while but he is mauled by a mother bear protecting her cubs. The attack is brutal and Glass is severely mauled but he’s able to stab the bear. The other people in the camp find Glass but doubt his chances for survival. Henry commands to three men in the camp–Hawk, Fitzgerald and the young Jim Bridger–to stay with Glass until he dies and give him a proper burial. Fitzgerald tries to smother Glass when alone but Hawk stops him. Unfortunately stabbed is killed by Fitzgerald as Glass can only lie and watch. Fitzgerald attempts to bury Glass prematurely but stops when he sees Bridger flee and follows.
Abandoned with only a canteen, Glass is somehow able to survive and slowly heal. Days later, he’s able to heal to the point he can move, then crawl, then walk. As he heals he’s haunted by visions of his deceased wife. He even sees visions of her as he comes across an abandoned church. However he also has to deal with the Arikara whose chief is searching for his kidnapped daughter Powaqa and trusts no white man.
Both Fitzgerald and Bridger are heading to Fort Kiowa but Fitzgerald scares Bridger into being fully under his control. One at the Fort, Fitzgerald tells Henry that Glass died and Hawk was attacked by the Arikara. Henry gives both Fitzgerald and Bridger a cash reward. Fitzgerald accepts without guilt but Bridger refuses.
Glass encounters Hicuk, a friendly Pawnee who gives him food and shelter and helps him along the path back to Fort Kiowa. Hikuc has also lost his family. Upon hearing from Glass his intent for revenge, he tells Glass “Revenge is in the Creator’s hands.” The day after the blizzard, Glass wakes to find Hikuc hanged by French pelters. Not only that, he finds Powaqa being raped by leader of the French pelters. He’s able to kill the two leaders and free Powaqa but has to escape with Hikuc’s horse and Bridger’s canteen. An ambush by the Arikara causes Glass to flee on horse only to fall off a cliff. Glass survives but the horse is dead. Glass uses the horse’s carcass as a shelter overnight.
Meanwhile word has gotten around to Fort Kiowa that Glass is in fact alive. This is known as a French hunter brings Bridger’s canteen there. Henry however thinks it’s stolen from Hawk and organizes a search party but Fitzgerald knows the truth and flees. Henry finds Glass alive in the search. Infuriated, he charges Bridger with treason after returning to the Fort but Glass insists it’s all Fitzgerald’s doing.
The operation then goes to find Fitzgerald and bring him to justice. Henry however is caught by Fitzgerald in an ambush and is killed and scalped. It’s now up to Glass who hatches a plan to finally get his revenge. It works in catching Fitzgerald and having him shot but not without Fitzgerald being able to run off. It then comes down to a fight between the two for Glass to get his revenge. It ends with Glass making a decision and an ending we’re all left to decide for ourselves Glass’ fate.
Now just to get things straight, this is not the true story of Hugh Glass getting revenge on John Fitzgerald. In fact historic documentation shows Glass let Fitzgerald live because he knew the heavy penalty of killing a soldier in the U.S. Army. Fitzgerald became a soldier in the U.S. army and was stationed in Fort Atkinson, Nebraska. Fitzgerald did give Glass his rifle back.
This film is actually a revenge story adapted from the 2002 novel The Revenant: A Story Of Revenge by Michael Punke. I think the focus of the film is more about telling the story than it is about retelling history. I have not read Punke’s novel but I’m sure that was how Punke would have wanted Fitzgerald to face the music upon abandoning Glass to die. There is actually very little information about who John Fitzgerald was or even what type of person he was in real life. We have the historical documentation of what happened to Glass and what happened in his pursuit of Fitzgerald but not much else. The novel was not only Punke’s chance of creating his own revenge fantasy in Fitzgerald but giving Fitzgerald a character of his own. The film helps Punke’s story come alive and even paint a picture of Glass, Fitzgerald, the times, the terrain and the domain of all that happened.
This revenge story is not your typical revenge story you’d see in your typical Hollywood movies or even from the likes of Quentin Tarantino. This revenge story is also a story of survival and also shows a human side of the perpetrator Hugh Glass. Yes, he was as tough as a frontiersman and a trapper of the time should be. However he did have a soft side. He still has feelings towards his deceased wife who was a Native American woman and he truly loved his son despite others seeing him as a ‘half-breed.’ He also had to be tough as he needed to survive the brutal bear attack and recover from his wounds in order to pursue Fitzgerald. He also had to develop the will to live knowing that his son was killed by Fitzgerald. He also had to be right in his mind in deciding what he had to do to Fitzgerald in the end.
I will admit there were times when I questioned if this film was becoming too much of a tall tale. One example is when seeing Glass pursue Fitzgerald in what appeared to be just days before his attack. I often asked: “Would someone who suffered such a brutal bear attack recover in that fast of a time?” Even that scene where Glass and his horse fall off a cliff. The snowy tree broke Glass’ fall and helped him live without any severe bodily damage but the horse died. That scene also had me scratching my head. Maybe those scenes and the elapsed time were also part of Punke’s novel. Nevertheless it still had me questioning its believability.
First off I’d like to give respect to Alejandro Gonzalez Inarritu for delivering an excellent movie. He may be renowned for his ‘filmwork’ but here he takes his first steps in directing a movie intended to draw big crowds while still maintaining some top film making qualities. Very little was compromised and the end result was excellent as it both succeeds as a film and as a movie. I’ll admit I was unhappy about Birdman winning Best Picture last year because it didn’t give much for a film audience to either enjoy or appreciate. Yes, it had top-notch acting, directing and scriptwriting but who truly enjoyed it? This is ten times more enjoyable while still maintaining top acting and directing. Yes, there were some scenes that can scare many. In fact I’ll admit the film made me hope I never walk in the woods again. Nevertheless it was a very good movie full of drama and thrills. As I said, I have never read Punke’s novel but the script Inarritu co-wrote with Mark L. Smith definitely makes the novel come alive. I know the script was not nominated for an Oscar. However the unspoken scenes in the movie told as much as the scripted scenes.
The film would simply be a popcorn movie if it weren’t for the acting. Leonardo DiCaprio did an excellent job of Hugh Glass. He said a lot especially in the scenes where Hugh Glass was unable to speak. His performance was as much about telling a lot through physical actions as it was through dialogue. Hey, it’s been said 80% of communication is non-verbal and Leo was able to say a lot in those scenes. That’s why I’d be shocked if he doesn’t win the Oscar. Also just as excellent is Tom Hardy. He didn’t play your typical rotten-to-the-core villain. He gave John Fitzgerald some fears and insecurities to the role and conveyed them well. Nevertheless he also made Fitzgerald hateable as a remorseless villain who even calls the dead Hawk a ‘pussy’ in Glass’ face. Additional performances of respect include Bill Poulter as Jim Bridger, the young trapper who possesses the conscience Fitzgerald lacks, and Forrest Goodluck as Hawk.
Additional qualities of acclaim is the cinematography from Emmanuel Lubezki, the costuming by Jacqueline West including its use of furs and hides, the film editing by Stephen Mirrione, the visual effects including that of the bear attack, the excellent use of both natural settings and constructed sets that fit the times and scenes perfectly and the film’s score by Ryuichi Sakamoto, Carsten Nicolai and Bryce Dessner.
An additional note. I also give the film respect for its treatment of Native Americans. I may have been a baby when Sacheen Littlefeather refuted Marlon Brando’s Oscar on his behalf and spoke of his protest to the on-screen depiction of Native Americans or First Nations peoples as Canadians commonly refer to them as. However I already know of Hollywood’s past and how they’re famous for shelling out ‘cowboys and indians’ movies from decades past. I can completely understand why Brando would have been angry with that depiction as Brando has had a history of activism in the 1970’s on behalf of people of various races. I will admit Hollywood has been better at its depiction of indigenous Americans from films like 1990’s Dances With Wolves and even the character of Chief in One Flew Over The Cuckoo’s Nest that was shown in theatres a mere three years after Brando’s Oscar protest. I’m sure there are some people that can spot imperfections in Hollywood’s current treatment of Native Americans including in this film but I found it hard to pinpoint a scene that was insulting to them. Sure there were battles with tribes and there were bigoted attitudes among many white characters but there were many positive Native American characters in this movie. In addition the main protagonist Hugh Glass had positive interaction with the Native people including marrying one and treating his son with love while many despised him as a ‘half-breed.’
The Revenant isn’t just a dazzling movie. It’s one that will keep you intrigued from start to finish and not know what to expect next.
It never fails with me. I have the habit of ‘waiting until the crowds die down’ to see a blockbuster movie. I don’t think it’s the right thing to do when it involves a Star Wars movie, especially not Star Wars: The Force Awakens. I saw it three weeks after its release. I’m glad I finally saw it.
I won’t explain the story line like I do in most reviews, especially since most of you have already seen it by now, unless of course you’ve been under a rock. One thing about this movie is that it wasn’t just simply bringing another volume of the Star Wars series to the screen. The film’s job was also to bring back the magic of Star Wars people have come to know and love. No kidding the first three Star Wars movies from 1977 to 1983, those that are now referred to as episodes 4 to 6, captivated the world. Watch any one of them nowadays and you’ll see why.
However when George Lucas did the three prequels from 1999 to 2005, many fans felt something was missing. No doubt The Phantom Menace had huge expectations but they missed them and disappointed a lot of fans. Attack Of The Clones tried to be better but still something was noticeably missing. The scene of the fighting Yoda added excitement but it was one small added element. Revenge Of The Sith was the best of the prequels but the feel of Star Wars was still not there. I think it was best summed up by my sister who’s a huge Star Wars fan: “George Lucas knows how to direct sci-fi but he doesn’t know how to direct actors.” Good point because it’s been proven in other action movies or sci-fi movies in the past that special effects no matter how dazzling cannot overtake a lousy story or lousy acting.
Now we should remember that The Force Awakens or Episode Seven was actually thought up by George Lucas way back in the 1970’s as he was dreaming out and writing out the whole Star Wars series. Lucas made it clear after Revenge Of The Sith he will no longer direct Star Wars movies. In fact he sold LucasFilm to the Walt Disney Company in 2012. The first thing Disney did was bring The Force Awakens on screen. The director they hired was J.J. Abrams who has an extensive resume in writing and directing thrillers and sci-fi like Armageddon, Mission Impossible III (his directorial debut), Super 8 and the last two Star Trek movies. Hired to adapt the story to screenplay was Abrams, Lawrence Kasdan who co-wrote the scripts for Empire Strikes Back and Return Of The Jedi but didn’t help co-write any of the prequels, and rising writer Michael Arndt.
The mix turned out to be the right chemistry as it was able to bring the magic of the story back to life. The recreation of the two worlds also worked excellently. There was however one challenge I feel it didn’t overcome. That was when they brought back Harrison Ford as Han Solo, Carrie Fisher as Princess Leia, and Mark Hamill as Luke Skywalker. There were a few times that I felt that instead of adding to the latest Star Wars story, it almost made it seem like a ‘Star Wars reunion.’ Even adding C3P0, Chew and R2D2 in there also added to that feeling this was like a ‘reunion” I don’t know if the huge following of Star Wars had a lot to do with why I felt that it seemed like a ‘Star Wars reunion’ but that’s how I felt.
One thing I have to say is the best thing about this Star Wars story are the new elements and the new characters of the story. One thing you hope to get with each Star Wars film are new characters that are able to charm us whether it be the philosopher Yoda in The Empire Strikes Back or even villains like Jabba The Hutt in Return Of The Jedi. Here was get appealing characters like Rey and Poe Dameron and even villains like Kylo Ren. I don’t know if they will deliver the same craze Luke, Leia and Han first did but moviegoers have welcomed them to the Star Wars saga. In addition we have a plot twist in this film as Storm Trooper Finn deserts his duty to fight against the Dark Side. That’s a key element leading into Episode Eight in anticipation in what will happen next.
In addition, adding BB-8 to the Star Wars saga was a plus. Usually adding in something cutesy to the Star Wars Saga is a risk. C3P0 and R2D2 had a big part in making the first Star Wars‘ greatness. The Ewoks of Return Of The Jedi helped make the story. However Jar Jar Binks of The Phantom Menace was too irritating and had a lot to do with that episode’s constant panning. BB-8 was cute but he was more the cute one would welcome and be entertained by rather than easily get irritated with. BB-8 actually added to the quality of The Force Awakens. Even the scenes where R2D2 meets BB-8 for the first time come across as funny instead of ridiculous.
It’s not to say the older elements weren’t good. They may not have stood out like the newer elements but they still fit the movie excellently. I know I talked about bringing Harrison Ford, Carrie Fisher and Mark Hamill back made it feel like a ‘Star wars reunion’ but they were intended to be in the story from the start and intended to age 30 years. I can’t think of anyone else who could play their characters. The Dark Side and its darkness still maintained its mystery and villainous feel. The battles were also excellent to watch. Oh yes, the light saber battles. You can’t have a Star Wars episode without light saber battles. There weren’t as many this time around but they still dazzled.
I will have to say J.J. Abrams succeeds with flying colors in directing and co-writing the latest in the Star Wars saga. He’s proven in the past he can direct sci-fi and direct actors and he was the right man to take over the Star Wars series right after George Lucas let it go. The acting was not stellar but it was very good. The best acting came from those performing the ‘new roles’ like Daisy Ridley, Adam Driver, John Boyega and Oscar Isaacs. Driver especially delivered an unpredictable villain. The set designs fit the movie perfectly and were able to replicate the ships, planets and lands of the story perfectly. The visual effects were top notch again and worked the movie excellently. And of course they had to bring back John Williams as the score’s composer. Even at 83, Williams is still at it. It seems as though there’s no other composer who can do it for Star Wars and he delivers again.
Without a doubt the biggest news about Star Wars 7 is all the box-office records it’s breaking. It already broke the opening weekend record with $247.9 million: almost breaking the quarter-billion barrier. It would go on to break the North American total box office record held by Avatar on January 5th: the very day I saw it! It now stands at $879.3 million and currently sits at #2 at the box office. Worldwide it sits at $1.94 billion currently and appears poised to break Avatar’s record of $2.788 billion. Only time will decide that.
Star Wars: The Force Awakens is a very good addition to the Star Wars series. Not only that but it brings back a lot of the Star Wars magic that appeared missing from the prequels. What can I say? Star Wars mania is back and rightly so.