DISCLAIMER: VIFF 2019 has ended, but I will continue to post reviews of the films I’ve seen as many will be released in theatres later this year or next year.
At first you’ll think I saw The Death Of Dick Long because of the title. In actual fact, I’ve heard so many lewd jokes in my life, I’m no longer charmed by it. I’m actually more bored with lewd humor. As for the film, I found the film to be funny in a bizarre and dark sort of way.
The film begins with Dick Long playing in his band Pink Freud with his bandmates Zeke Olson and Earl. The night consists of playing and partying, especially with fireworks. However overnight, Zeke and Earl leave a severely-wounded Dick by the entrance of the emergency room of a hospital and take his wallet for the sake of ‘anonymity.’ It’s now up to Earl and Zeke to hide everything.
Earl loads up his truck with several items. He tells his casual girlfriend Lake that he’s leaving for a family emergency, but goes to work. Zeke showers to get all the blood off him and lies down next to his wife Lydia to think he slept the whole night with her. Upon waking up, Lydia asks Zeke to drive their daughter Cynthia to school. When she asks for cash, he accidentally pulls out Dick’s wallet . He gives her cash, but puts Dick’s driver’s license on the counter. Before he takes the daughter to school, he sees Dick’s blood from last night on the backseat. He covers it with a sheet to make like nothing’s happening.
Over at the hospital, Dr. Richter, the doctor who discovered Dick at the door, has learned that Dick has died overnight. He notices that his wounds are severe anal wounds and he calls the police over it. The case is handled and investigated by Sherriff Spenser, a vet in the town police department, and she enlists her young inexperienced trainee Officer Dudley to help solve the death.
However Zeke and Earl learn you can’t keep things secret for long. Zeke drives Cynthia to school, but stops to fill the car up with gas. Cynthia leaves the car to go the store and talks with Officer Dudley. Zeke notices Dick’s blood soaked through the cloth and onto Cynthia’s dress. Zeke then rushes in to take Cynthia without Dudley seeing and gives her the wallet.
Before dropping Cynthia off, he makes a call to Earl to see him immediately. Earl has to be away from his girlfriend Lake for the day. The two scrub all the blood off the seat from the car while Cynthia is bathing. Earl offers to drive Cynthia to school and then calls Dick’s widow Jane to see if she knows anything. She knows nothing and thinks Dick is either missing or just away for a long time. This allows Earl and Zeke to fake a scenario that the car was stolen. They try dumping it in the river, but the river is too shallow and it only falls in halfway.
Sherriff Spenser and Officer Dudley get into the case, which they assume it to be a murder, but are unable to keep it a secret from the rest of the town. Word hits Lydia and she calls Zeke in fear of her life. Zeke insists the car is stolen, but he still has to meet with the police. Spenser and Dudley arrive at his house to ask him the questions. The questioning is to be brief as forensics have turned up some positive results. However Cynthia’s in the room. Whenever Zeke tells a lie, Cynthia is the first to point it out and to correct. Lydia is there hearing it all. Lydia tells Cynthia to watch television as she tries to get to the bottom with Zeke about his inconsistencies and demands the truth. Zeke confesses the truth of Dick’s death, by breaking down. Lydia is heartbroken. However Lydia is soon horrified when she learns of the shocking details of Dick’s death and demands that Zeke leave.
Zeke meets up with Earl in a bar and the two resolve that they won’t run away. However there’s a need for tactics as they learn Spenser and Dudley will be heading over to the Olsons for further questioning and then to Jane’s house to tell the news of what happened to Dick. Zeke rushes over to Jane’s house and she finds him in the stable drunk and shirtless. Zeke reassures Jane that Dick’s not having an affair and agrees to take her to his house. There, Officer Dudley and Lydia are there demanding answers. Dudley even just noticed the drivers license of Richard Long on the counter. Zeke agrees to do so with Lydia and Dudley sitting at the dinner table. The various conflicting stories of Zeke and Lydia spiral out of control with Zeke running out with Dudley chasing after him. Lydia is the one to break the news to Jane. Meanwhile Zeke is at Dick’s stable attempting to free Dick’s horse Comet before he will surrender himself to Dudley.
The final scene shows the aftermath. The big shocker to Dudley from Spenser is that Zeke has been released, feeling keeping him incarcerated before the trial would cause more harm than good to Lydia, Cynthia and Jane. Zeke may be a released man before the trial, but he still tries to maintain a closeness with Cynthia despite Lydia wanting him out of their lives. Even Jane’s life is not the same. The film ends with Zeke meeting up at a hotel room with Earl and Lake. The two talk about what the next plan is for all three to survive the aftermath of all this.
This film is an ambitious attempt at a crime comedy. You have a man left for dead at a hospital and you wonder what’s going on. You have the two trying to cover it up and hide from the law, but fail in a spectacularly hilarious way. You have law enforcers that are two opposites– one experienced and relaxed and the other inexperienced and both excited but nervous– at getting the job done. It tries to do it in a slow-but-steady manner. It’s not the most entertaining, but it does it well and will keep your intrigue. Mind you the story of Dick’s death will keep you intrigued, if not weirded out. The whole story leaves you wondering from the very start what’s the main motive of the cover up? Is it their involvement in his death? Or is it because of Dick’s humiliating death? It is bizarre.
Now the redneck stereotype is one people often get a laugh out of. However there are many times in entertainment where the redneck stereotype is often reduced to cartoonish or stock characters. Here, the characters are more three-dimensional. Yes, they have their idiotic moments and comedic moments common with the ‘redneck’ we’re familiar with, but they are more down-to-earth and have more dimension. They come across as common people. One thing that’s surprising is you see a multi-racial couple. Usually redneck couples are nothing but white.
The rednecks aren’t the only characters with more dimension in this film. The police force whose lack of intellect doesn’t come across like your typical stocky ‘dumb cop.’ They are dim-witted, but they don’t cross the line as cartoonish either.
Finally another difference from your typical redneck comedy is the ending is very much in sync with human feelings. The story is about a hilarious way of covering up a friend’s humiliating death and failing, but the human factor is there at the very end. Zeke may have failed in spectacular fashion, but he still knows he has to deal with a daughter he loves very much and a wife who turns against him that faithful night. We have Jane, Dick’s widow, trying to live her life, but it’s hard. Everything changed that night. The film ends Earl and Lake: the two people in the world that understand Zeke and what happened that night best. I think the ending is what best made the film work in being a redneck comedy with actual dimension.
The film is directed well by Daniel Scheinert. He’s the director best known for Swiss Army Man. Here he doesn’t shine as a director, but he does piece together the story by Billy Chew in a way that works. The acting also made the story work. Janelle Cochran and Sarah Baker were good at playing their roles of the two officers with different personalities and different approaches. Michael Abbott Jr. and Andre Hyland were good at playing Zeke and Earl. They did a good job of playing rednecks that had dimension instead of coming off as cartoonish. Virginia Newcomb and Jess Weixler were also good as playing the redneck wives who did lack some smarts at first, but would appear headstrong but hurt in the end.
The Death Of Dick Long is a humorous redneck crime story that is able to make a comedy out of a manslaughter incident, but doesn’t forget the human factor either. This is the least cartoonish ‘redneck comedy’ I’ve seen, and it works.
There are some things iconic with disco from the 1970’s. There’s the film Saturday Night Fever, the music of Donna Summer, and the night club Studio 54. Co-founder Ian Schrager has mostly been quiet about his years of Studio 54 and how he and Steve Rubell ran it. In the documentary Studio 54, he finally breaks his silence.
The film begins as Ian Schrager is about to have the book of Studio 54 published. Ian starts talking about his upbringing. He grew up in Brooklyn. He came from a neighborhood mostly of working class Jewish families who worked in hopes that their children would have a better life. Ian met Steve Rubell in college. He attended Syracuse University where he earned a BA and later earned a JD from St. John’s Law School. It was through a fraternity at Syracuse that he met Steve Rubell.
It was the mid-1970’s. Two important things were happening. Firstly, Manhattan had lost its charm. It became dumpy and seedy with the times. Instead of being this place of charm and pizzazz, it had fallen on hard times where it was full of crime and X-rated lewdness and trashiness. Secondly was the emergence of disco music and its style of partying. Already in areas of Brooklyn and Queens, there were night clubs or discotheques that were very popular with their free-spirited dancing and flamboyant styling. The feel of disco came at the right time as it was right after the end of the brutal Vietnam War and the Watergate scandal left many Americans disheartened. It’s like Ian said, “People were tired of being serious.”
Ian and Steve took it into a chance for opportunity. The first thing they did was rent out a theatre that was originally an opera house and was last used as a CBS Studio. Steve and Ian hired workers, most gay men, for months to do all sorts of construction and all sorts of decorations. They also hired Jack Dushey as their financial backer. It was their vision to create a night club no one on earth had ever seen before. Even before opening day, they went around advertising to celebrities that this was the place to go to.
Opening day, Studio 54 is a big hit.Celebrities do show and lots of people from the public were let in too. From that period on, you had what could be an oasis from the real world as you had all sorts of people of race, gender, sexual orientation and class status getting in and having a good time. While people mostly shunned others out in their day-to-day lives, people came together in Studio 54 and had a good time. The place was seen as a must-visit for celebrities and they had a blast with the dancing atmosphere and the special one-of-a-kind effects and decorations in the place. News had come about that Studio 54 was the place to be.
However there were some realities that would come about. First of all Studio 54 was known for Ian and Steve to go out into the crowd of people outside and pick-and-choose who got in. They let in a lot of people, especially gay men, but they left others out. At first people were understanding, but a backlash would soon brew. Also there was the hidden secret that there were people using drugs in Studio 54. The club had a reputation for freeness and drugs were part of it. Then there was the fact that Studio 54 couldn’t wait for their liquor license at first and relied on catering permits during their waiting period to serve liquor. The authorities didn’t overlook that and soon they had Studio 54 closed temporarily. It put a damper in a lot of attendee’s lives. It was within time that Ian and Steve finally did get the liquor license.
However the success of that would only be temporary. Soon Steve gave an interview to Playboy that was ‘Only the mafia does it better.’ He also said ‘don’t tell the IRS about our practices.’ That’s all it took for the club to get raided. What was found was cocaine with the intent to traffic and $2 million in unrecorded under-the-table money. The arrests of Schrager and Rubell made headlines. Soon Studio 54 was no longer the place to be. The club reopened, but for a life of only a few months. The two hired Roy Cohn and had recruited an army of lawyers to defend their case. In the end, the two plead guilty and were sentenced to 3 1/2 years in prison. They were let out after serving one year each.
After Studio 54, both Rubell and Schrager looked for other ways to succeed after their release. They tried their hand at opening new night clubs that fit with the 80’s times. Constantly before the opening, Rubell would be interviewed about Studio 54’s infamy. Rubell would confess that they did a lot of wrong things and that they both changed and smartened up. Rubell’s time to redeem himself after Studio 54 was short-lives. Rubell had AIDS and he died of it in 1989. Schrager was luckier as he would later open the night club Palladium and manage the Morgans Hotel Group. Ian married twice and has fathered three children. He even received an unconditional pardon from Barack Obama in January 2017; three days before Obama stepped down from his presidency.
The documentary is a film that allows Schrager to tell his whole story and break the silence of what he was holding back for a long time. Over the 35 years since his release from prison, Schrager has worked to make Studio 54 a thing of the past and establish himself as a responsible successful businessman. He has succeeded in doing so and even gives lectures for people involved in business.
However the film also reminds us of what we knew of Studio 54 and what we didn’t know. For a long time, it was seen as a place for celebrities, disco dancing and culture of freeness. It was a place where hundreds of celebrities came to visit or eventually became regulars. It was also a place which gave many gay men a sense of belonging. We should not forget that the 1970’s was a time when a lot of laws criminalizing same-sex activity were being struck down and declared unconstitutional. Gay men who were long seen as outsiders or scums of the earth were now given a sense of belonging and a sense of freedom and Studio 54 was the place in New York to do it. Even Steve Rubell who kept his homosexuality hidden from his own family found Studio 54 as a place where he could freely love.
One thing is that the image of Studio 54 as a place for celebrities and dancing would make it too iconic to the disco era. Many claim that it was the closure of Studio 54 that led to the end of the disco era and the slow fading of the freeness that came with it. We should remember that the 1980’s would come about heavy stock trading and Wall Street becoming the place to do intense business. There was also the AIDS epidemic as it not only took the life of Steve but the lives of many construction men and dancers. The documentary does give the sense that when Studio 54 died, that’s when these ugly realities came to be. The documentary even shows of Ian and Steve’s friendship and how it was something that still lived on after Studio 54’s demise. Upon Steve’s death, Ian felt it was like losing a brother.
Studio 54 is unique for that it tells all from those survivors who had a big impact in the business. There’s Ian and there’s Jack. There were also some men who did a lot of the construction and renovating. There was also Steve Rubell’s brother who told his side from what he witnessed of Steve. The film includes a lot of imagery through photos and footage. The film also includes a lot of disco music that was part of Studio 54’s heyday. Seeing Studio 54 almost takes you back to that time and you can feel the freeness of that era.
Studio 54 is the ideal documentary for those who still fondly remember the disco era of the 1970’s. It brings back a lot of memories and tells you things you never knew about the place to your surprise.