I’m lucky to be living in Vancouver. It’s one of the few cities one can be able to see the nominated shorts in a big-screen theatre. Gives me a chance to review them myself and even make a should-win pick for myself. This year is quite an array of nominees in both animation and live-action. So without further ado, here are my thoughts on the nominated shorts:
-Blind Vaysha (Canada/France): dir. Theodore Ushev- This is a unique 2D animation story of a Bulgarian folk-tale. A story of a girl with one eye that can see the past and one eye that can see the future and cannot live in the present. The story also shows the attempts of others to fix Vaysha’s blindness. The linocut-style animation, however, was unique and had a lot of style and flare to it.
The story doesn’t really end. Instead the film ends asking the audience their perspective. It has a unique narrative point and I get why it’s done that way, but I often wonder if the film ended on the right note.
-Borrowed Time (USA): dirs. Andrew Coats and Lou Hamou-Lhadj – At first you’ll think this is a family-friendly story at the beginning but soon learn it’s not such as you move on. It’s a dark Western story of a man returning to the spot of a family tragedy from his childhood. The hurt comes back from it and he decides to do something drastic but something happens.
I have to admire Pixar animators Coats and Hamou-Lhadj for making a brief departure from their traditional family fare and doing something more mature under Quorum Films. No, it’s not R-rated like Pear Cider And Cigarettes but it’s dark enough to be adult. I think this short is most likely to upset my pick for the winner.
-Pear Cider and Cigarettes (Canada): dirs. Robert Valley and Cara Speller- Now this is a refreshing R-rated alternative. It sometimes reminds you of a Grand Theft Auto video game or the film Waltz With Bashir. However it is a personal story from director Valley. It’s a story that makes you wonder how far would you go for a friend? Especially if that friend is selfish, conniving, irresponsible and manipulative?
It’s a story that entertains and charms and even gets you to hate Techno too. Sometimes I wonder why was he friends with that jerk? I don’t know if it’s because it was set in Vancouver or because it was an R-rated alternative but it won me over and I make it my Should Win pick.
-Pearl (USA): dir. Patrick Osborne- This is the first VR short to be nominated for an Academy Award. A musician and his daughter travel in a hatchback with a song as a bond between the two. We see the two age, the daughter mature into a musician of her own and have her own version of the song. The viewer gets a 360 degree view of the whole 5-minute story.
Looks like something Richard Linklater would do. Actually it might remind you of Waking Life. An excellent short that’s entertaining and will touch you too. Might even make you go to iTunes and download No Wrong Way Home.
-Piper (USA): dirs. Alan Barillaro and Marc Sondheimer- This is the short shown before Finding Dory. A baby bird looking for food on the beach with her mother looking on and guiding her. Pixar does it again by delivering a clever, charming, and entertaining short with the dialogue absent and the animation as detailed to a tee as it gets. It’s excellent, but it’s something we’ve come to expect from Pixar even with their shorts. Nevertheless this is my Will Win prediction.
And those are my thoughts for the Animated Shorts up for the Oscar. A lot of styles of animation between Canadian and American companies. All five were very entertaining. We’ll see who wins.
LIVE-ACTION SHORT FILMS
This year there are no films with English as the language of the majority. All five are from European countries. Here’s the rundown:
-Ennemis interieurs (France): dir. Selim Azzazi – A man from Algeria seeks to be a French citizen but the interrogator at immigration has big questions for him about meeting with a group of Algerian men back some years ago which led to him being arrested and imprisoned for two years. The interrogator keeps insisting he answers but he’s very reluctant to do so. Even to the point of neglecting his chances of French Citizenship. Why? What will make the man give his answers?
It’s a story that appears boring at first but grows with intrigue with each minute and with each new detail. The interest builds over time. It even makes you wonder why is he withholding the names of the other men? Feelings of brotherhood? Fear of retaliation from them? Also this may be about an incident in the past but it’s very relevant, especially with the Paris bombings happening in November 2015. This is my Will Win pick.
-La Femme et le TGV (Switzerland): dirs. Timo von Gunten and Giacun Caduff – Elise is a woman who wave her Swiss flag at the passing TGV train to Zurich every time it passes her house at 6 in the morning and 6 in the evening . After that she bicycles to her job at the town patisserie. It’s her daily routine for 30 years; a routine she doesn’t want to change. One day, she comes across a letter that was thrown to her by a man who goes on that daily TGV. He’s a man from France looking for work. The two develop a friendship only by mail and packages. Over time she hopes to meet this man. Then one day the train stops coming. It’s changed route? How will she deal with the change? Will she ever see the man?
It’s a charming comedy that has you engaged with the character (based on a person who has existed and did wave her Swiss flag at passing TGV trains). Gets you thinking about the woman. Is she an eccentric? Is she naive? Lonely? Unpredictable ending but a happy one.
-Silent Nights (Denmark): dirs. Aske Bang and Kim Magnusson – Inger is a young Danish woman who helps at the Salvation Army during the day and looks after her ailing mother at night. Kwame is a Ghanian immigrant who came to Denmark for a better future and to support his wife and children at home. However he’s been left homeless and makes money from recycling.
They both meet as Kwame agrees to help. The two develop a mutual friendship and even progress into something more. However it’s put to the test when Kwame steals money from the charity to pay for his daughter’s malaria treatments. Even though Kwame is banned for life, Inger forgives him and still loves him. Then Inger’s mother dies and she learns about Kwame’s family in Ghana just as she learns she is pregnant. It’s over between the two. However Inger sees Kwame one last time where she gives him advice, and something else.
It’s obvious that this story is about the immigrant situation in Denmark and the difficultly of the times for all. It presents both Inger’s side and Kwame’s side. However it’s more. It’s about a love that’s true. Inger loves Kwame so much, she’s willing to forgive him for all the terrible things he did. It makes the choice she makes for her and her baby look like the right thing. This is my Should Win pick.
-Sing (Hungary) dirs. Kristof Deak and Anna Udvardy – Zsofi is the new girl at a school. She most looks forward to singing in the choir. However on her first rehearsal, the instructor talks of a choir competition where the prize is a performance in Sweden. She also tells Zsofi her voice is not ready for the choir and tells her to lip sync. Along the way, Zsofi finds a friend in star singer Liza. The two become good friends. However Liza notices Zsofi not singing but others. When she brings this up with the instructor, she not only admits it but tries to convince the children it’s the right thing for the competition. All of which leads to a surprise ending and the ending you think is right.
Often I question what the point of this film is. Is it about competitiveness to the point the ‘lesser’ singers are not allowed to sing for the sake of the big prize? Or is it a reminder of Hungary’s past communist regime; of how those that fit in are allowed to and those that don’t aren’t, but make like everything’s okay? Even the choir director could remind you of a communist dictator on retrospect. Whatever the point, the story was entertaining and sweet. Reminds you of the joys of childhood and the right thing paying off in the end.
-Timecode (Spain) dir. Juanjo Gimenez – It starts as a check for a woman on a security job during the day. One day she learns of a broken car light. Upon viewing the video of what happened, she sees the worker before her dancing before hitting the car. She decides to give him a dancing video of her own. Video after video follows. Then on their last day, magic happens.
At first you think the man is something eccentric but this story builds into something that ends on a bizarre note. A very good film.
And there are my thoughts on this year’s nominated shorts. Now remember both categories are the hardest to predict the winner. For example, last year the consensus of critics ranked Stutterer the least likely to win Best Live Action Short and it won. Even Annie wins for Piper and Pear Cider and Cigarettes are not a guarantee that either will win.
With my shorts predictions out of the way, I just have my main predictions for all the categories to deliver. But not before my last Best Picture summary. Coming up tomorrow morning.
Nameless Gangster looks like South Korea’s attempt to try and make a gangster movie. The one thing is it does a very good job at making one. This film is more than what one bargained for.
Choi Ik Hyun doesn’t seem like the type to become a gangster. He’s a customs officer in Busan who was pilfering goods and taking bribes along with colleagues at the most. On top of it, he gets drunk very often and comes off as both clumsy and idiotic after a lot of drinking. That all changes when he comes across 10kg of heroin in the warehouse. He and a friend approach a gangster, Choi Hyung-bae, to sell it to Japan’s yakuza that he’s tied to. He also learns that Hyung-bae is from the same family tree.
Soon the two would become partners in crime and they would form their own organized crime syndicate. Soon Choi’s power grows to owning night clubs and one of Busan’s first class hotels. He also faces power struggles from close associates, people within his gang and even among rivals. Some of it has to do with his feisty personality and his habit for getting drunk easily. Other times it’s because of the conflict of who’s really in power. As Choi’s power grows, politics are changing in South Korea. The dictatorship which allowed Choi to prosper in his criminal activity is now making way to democracy with the election of President Roh Tae-woo just before the Seoul Olympics. Just two years after the election, the government proposes a crackdown on organized crime. Choi knows his days are numbered. He knows the connections to prosecutors that helped some of his men get off charges in the past won’t work anymore. The story ends with the predictable as the movie begins with a prosecutor announcing the arrest of Choi in 1990 but it ends on a different and on a note one wouldn’t expect from a gangster movie.
The film’s script is good for that it’s able to mix humor with organized crime the same way Pulp Fiction and Fargo does. However the film is just as smart as it is in its story too. The film’s script is very detailed in how it’s able to take into account the situation in Busan and the rest of South Korea during that time. It takes into good account the situation of crime in Busan in the 80’s during the time South Korea was still under a dictatorship. Yeah, just because South Korea wasn’t under the tight grip the communist North was under as was well-to-do doesn’t mean the people of South Korea were completely free at the time. It also highlights the changes in South Korea as the decade progress from the student protests, to the Seoul Olympics to the election of President Roh Tae-Woo to Roh’s crackdown on organized crime and corruption. This is a part of history few outside South Korea know about. It’s as much of an eye-opener as it is entertaining.
The movie not only shows South Korea’s changing political climate at the time but how it impacted Choi and why he made his choice to organized crime. South Korea was under a dictatorship to the move to democracy to the crackdown on organized crime. While South Korea was still under a dictatorship Choi’s income as a customs officer wasn’t good. Organized crime seemed his way out at the time. He chose it and reaped the lucrative rewards as well as the star status. He also faced threats from outside rivals and rivalry within his own gang. As South Korea made the move to democracy, prosecutors then became the stars of the new Korea and that meant the downfall of Choi. The title Nameless Gangster could be because Choi could be any man in South Korea at that time. The subtitle Rules Of The Time send the message that the movie is as much about the times as it’s about the protagonist.
There were two powerful scenes in the film on that subject. The first was when Choi was having dinner with his children while he knew his arrest would be eventual. He says goodbye to his son as he is about to go to Los Angeles and told him of the importance of learning the English language. Another was when he was at a religious ceremony for his newborn grandchild. It’s the child of his son who’s now a prosecutor. The scene where his grandson grips Choi’s finger is a powerful one of hope. It’s like Choi’s happy that his son and grandson have the better futures that Choi never had the chance for.
Without a doubt, the character of Choi was the top quality of the movie. It’s surprising how a bumbling, clumsy, easy drunk like Choi could ever manage to rise to the top of the organized crime scene in Busan but somehow he does. The movie wasn’t just about Choi and his bumbling meetings or his criminal activities. It was also about Choi the husband and Choi the father. The scenes with his children and grandchild show a different side of Choi and make his character three-dimensional rather than the typical stock character of comedies. Actor Choi Min-shik did a very good job with the role. Scriptwriter and director Yun Jong-bin did an excellent job in writing a script that was as comical as it was smart and bringing it to the screen well. I will admit I was first confused during the movie wondering what the point was in having a clumsy, oafish man as a major organized crime don but it all made sense in the end.
Nameless Gangster has received a lot of buzz. In South Korea, the film was #1 at the box office for three weeks. The film has received many awards and nominations amongst South Korea’s movie awards. Time magazine even described it as: “the Korean mob film Scorsese would be proud of.” Interesting that the Busan-born Yun is almost 32 years-old and he has released two other films that have raised eyebrows, especially in the ways they depict male mannerisms. Already Yun looks like he’s on to a very promising career in directing especially with the success of Nameless Gangster.
Nameless Gangster is more than just an entertaining story of a crime boss. It’s also a statement about South Korea’s politics at the time and about the man caught in between. Definitely a film worth seeing.