I’ll admit the Vancouver Film Festival ended on October 9th and the VIFF repeats ended October 15th. I was hoping to get most of my reviews done soon but many things happened, like an illness and other tasks of my own I was preoccupied. So you will be getting the last five of my VIFF reviews soon. In the meantime, here’s the latest: for the Korean film The Classified File.
In 1978 in Busan, a young girl to a wealthy family named Eun-Joo is kidnapped. Her abductor demands ransom money. The law enforcement team becomes frustrated as time goes on as there’s no further contact from the kidnapper over two weeks nor any more additional clues. Police assume she’s dead but the family refuse to believe so.
Eun-Joo’s mother turns to renowned fortune teller Kim Joong-San for reassurance. He tells her she’s fine but they will need the help of detective Gong Gil-Yong. Gong is reluctant to take on the case and even more reluctant to consult with the fortune teller but he agrees to take it on. Days go by as he has to wire conversations between Eun-Joo’s family and the abductor. There are even times they have to team up with the police force in Seoul but they face a reluctance from them feeling that this too is a hopeless case.
After four weeks Gong starts developing a sense that maybe Kim’s predictions are helping and could actually help to find Eun-Joo. However time is still moving on and they still don’t have Eun-Joo as the abductor continues to taunt them. Then they get a break. It leads to an exciting end of the story and an ending to the movie that wasn’t expected.
This is another example of foreign movie making. Here it’s a story of a crime drama based from evens almost four decades ago. It keeps one intrigued: a story about an abduction and it continues over a long period of time with consistent taunts from the abductor and wrong leads. The story does have an interesting element where a spiritual guide is ‘hired’ to help solve the crime. I’m sure there have been movies before about spiritual people who try to predict or sense where the victim is or where the criminal is. However very rarely is it a case when a real-life situation is depicted. I’m normally one who doesn’t believe in psychic powers but when I see all this on screen, and I know this is based on true events, I’m tempted to believe in it.
I will say that most films about using sorcery or psychic powers to solve a crime often come off as corny. This one didn’t. It did things right in showing the fortune teller’s purpose without the story becoming idiotic. It also kept the family of Eun-Joo in the story as it added to the drama and gave it a human sense. However the biggest glitch in the movie was the ending. I felt for a crime story full of drama, it ended too soft and mushy. I know it was to show the friendship between the fortune teller and the detective that occurs at the end but still I felt it became mush in the end.
Kwak Kyung-Taek did a good job as a director and co-writer. He’s one director with a big reputation in South Korea creating a lot of popular films. This should add to his resume. However I don’t see it getting too much release elsewhere. Kim Yoon-Seok did a good job as Gong despite not having a spectacular role. Yoo hae-Jin was also good as Kim and even stole a few scenes. The actors playing the family of Eun-Joo were also good. The role of the villain however was underdeveloped.
I will admit that I had expectations on this film. I read in the VIFF guide about how the politics of the time were included in the film. I was anticipated it would represent the politics of the time the same way Nameless Gangster did. It wasn’t to representative. Maybe I shouldn’t have placed that expectation on it.
There are many foreign films that made their international debut at the VIFF. The South Korean crime thriller The Classified File was one of them. It was a good, albeit imperfect, drama.