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Oscars 2019 Best Picture Review: Once Upon A Time In Hollywood

Once Upon A Time

Leonardo di Caprio (right) plays a legendary movie star and Brad Pitt (left) plays his stunt-double best friend in the surprising Once Upon A Time In Hollywood.

Normally when one hears of another Quentin Tarantino film, some will look forward to it while others will think “Not more blood and guts!” Even when I heard Once Upon A Time In Hollywood was about the Manson murders, I too was expecting that and killers with no mercy and no regrets. Instead I got more than I thought. And you will too.

It’s interesting that this is a fictional story of a friendship taking place around a real murder that happened. We have a movie star whose heyday seems to be fading just like Hollywood’s Golden Era. Rick Dalton was part of that Golden Era too. If there’s one person that doesn’t leave Rick, it’s his best friend Cliff. Even Cliff has trouble finding work because of what he’s rumored to have committed. Not to mention getting fired for having Bruce Lee injured in a sparring competition on set. Also this happens around the time of the Manson murders. Some could argue that Hollywood’s Golden Era ended with the Manson murders. Others like Tarantino could argue it ended before.

On the subject of the murders, the film does a good job in presenting the Manson family as people that were brainwashed into being evil. It does seem that Manson created a cult of followers to carry out his evil deeds and were every bit as blood-thirsty as him. One thing we should remember is that the murders took place at the former home of record producer Terry Melcher. Charles Manson first came to California with the dreams of becoming a musician. He was first approached by Beach Boy Dennis Wilson who introduced him to Melcher. Melcher was the producer who took one of Manson’s songs and rearranged it for the Beach Boys. No doubt Manson was furious and that’s why he wanted blood. I always wondered why did they kill anyone in Melcher’s house? Why didn’t they save their attack on Melcher and Melcher alone? I always wondered that. However that scene where the girl from the Manson family talks how she wants blood and doesn’t care answers that question for me. It’s obvious they were blood-thirsty and they didn’t care if Melcher was no longer there. As far as they were concerned, the five at the house were worthy of being killed just by being there.

One thing people frequently think of when they hear of a ‘Tarantino Movie’ is ‘blood and guts.’ Tarantino has developed a reputation for that, and for ruthless merciless villains with no regrets. There wasn’t as much of that here in the film, but there were a lot of scenes which would make one nervous. The biggest of which was when Cliff visits Spahn Ranch just to simply drop off a girl who goes by the name Pussycat. Also that scene when Booth walks into Spahn’s house. Those scenes will make anyone nervous, especially those that know the story behind the Manson murders.

What a lot of people overlook in a Tarantino film is that Tarantino has a love for film as a whole. Many of his latest works, if you look closer, have a style of cinema mixed into his story. The two Kill Bills, Inglourious Basterds, Jackie Brown and the Deathproof part of Grindhouse show Tarantino paying tribute to cinema genres of decades past. The style can be a film noir style, or a cult move style from decades past or a spaghetti western style or even an Asian style. Just look closer. However he does his story, even his most brutal and bloodiest stories, with a style of film genre mixed in. Here, it’s obvious this film is about his passion for the old Hollywood: the Hollywood that was one glorious city. That was Hollywood before the Manson murders. However you can still see how Tarantino shows Hollywood in possibly the last of its golden age in this film. Tarantino himself talks about growing up as a child in Hollywood in the 60’s and being mesmerized by its charm. I think that’s what he’s trying to incorporate in this film.

I know I mentioned that Tarantino’s films are known for have ruthless, merciless villains and that you should not expect to see sentimentality in a Tarantino film. In fact I’ve sometimes joked that the ending of the Hateful Eight is the most sentimentality you’ll get out of a Tarantino film. Of course even in this film,  there will be some type of merciless bloodshed. We’re talking Quentin Tarantino! Despite the ending being as brutal as you’d expect of a Tarantino film,  there are some moments of feeling in the film. There’s that scene where Dalton is between shoots of Lancer and is sitting near his eight year-old co-star Trudi Fraser. He breaks down because he can’t remember his lines, but Trudi gives words of encouragement, which gives him the drive to deliver an excellent performance. I’ll admit I was not expecting that. Another thing I was not expecting in a Tarantino film was the depiction of Sharon Tate. There’s that scene where Sharon goes into the movie theatre to watch herself in The Wrecking Crew, a screening which Booth is attending too. She’s thrilled to see her face on the screen. She’s also happy to see the audience loves how she’s making a klutz of herself on screen. That scene of an actress and her dreams. That shows another side of Tarantino few knew.

SPOILER ALERT: Ending Revealed In This Paragraph. Now there was a lot of concern about the making of the film. The Tate family was especially concerned about Sharon’s murder being exploited. One can understand. Her murder has already been exploited enough with people’s intrigue of the Manson murders. Instead the murder doesn’t happen at all. For those that didn’t notice, the film also leaves out the marital troubles of Sharon and Roman Polanski as well as the fact Sharon was pregnant at the time of her murder. This story is more about the friendship of a fading Hollywood legend and his stuntman double who stays with him through think and thin. It takes place during the time of the Manson murders, but there’s a twist of plot which both Cliff and Rick are involved. In short, we don’t get what really happened in the film. This is another case where Tarantino plays around with history just like he did with Inglourious Basterds and with Django Unchained. Instead he gives us the history that we want. And right at the end, we see Rick go to Sharon Tate’s party. Sharon and her friends are happy and safe from harm, and you leave the theatre satisfied knowing that’s how it should be.

Quentin Tarantino does it again. I have to say this is the least blood and guts I’ve seen in a Tarantino film. Mind you this is is less about blood and guts than it is about a unique transition in Hollywood. It’s Golden Days were fading and Hollywood was going in a new path. Many major movie stars saw television as a domain of wash-ups back then. However Tarantino reminds you of a charm of Hollywood that didn’t leave, but just changed for a new era. It’s not the same, but it’s a charm all its own. As I mentioned previously, we’ve seen Tarantino incorporate many different past style of films when he tells his stories. He doesn’t just simply tell a story, he adds an atmosphere and a feel to his films. We see it here again as we get various feelings through various scenes.

Top acting credits have to go to Brad Pitt. Funny how he’s nominated for the Supporting acting category for the Oscars while Leo is nominated in Lead. The film does belong to Cliff Booth as it is mostly his story. He’s the friend of Rick’s through thick and thin, he’s the stuntman who has trouble finding a job, but he’s the right person when trouble arises near his house and has what it takes to stop it. Brad does an excellent job of creating the character of Booth and owning the film. Leonardo di Caprio was also excellent as a fading movie star. The role of Rick Dalton reminds you that behind the glamor of movie stars, they still faced difficulties such as pushy producers, demanding directors and an industry that considers even the most legendary actors disposable. Yes, even back then, the powers that be in Hollywood still believed an actor was only as good as their last opening weekend. Leo was good at showing the insecurities of Rick, but ending on a positive uplifting note. Leo’s performance as Rick was just as arresting as Brad’s performance as Cliff and the chemistry between the two were excellent.

It wasn’t just Brad and Leo that made the film. There was Margot Robbie who gave a 3D performance as Sharon Tate. She did a great job of showing Sharon as a girl with big dreams and big hopes. There’s also Mike Moh’s performance as Bruce Lee. Note that the Lee family were angered how Bruce was made to look egotistical. However Quentin stands by his claims. There’s the performance of Julia Butters as Trudi Fraser. She’s in the film for one brief scene, but she steals it. The actors who portrayed members of the Manson family were also good as a team. The film also has a lot of great technical efforts like Robert Richardson in cinematography, Arianne Phillips in costume design, and the production design team in setting up the various sets. The film also shows another Tarantino film trademark: excellent music. The film had to have excellent songs from that era to fit the film. Tarantino delivers an excellent selection of songs from the late-1960’s that fit the movie perfectly.

Once Upon A Time In Hollywood is less about Tarantino’s blood lust than it is about his love for cinema and the days of Hollywood’s Golden Age. It also ends unlike any Tarantino film before. Which is what makes this film so unique and worth seeing.