Normally I don’t like to see documentaries. I’ve seen enough one-sided documentaries in the previous decade to turn me off them. However I took an interest in Time. Injustice to African-Americans has been a heated topic this year and I felt Time was worth seeing.
The documentary consists mostly of filmed footage from court appearances, church appearances and camera phone videos of various moments and shown in black and white. The film begins with Sibil Fox Richardson trying to get a result back from the legal system for the freedom of her husband Robert. Robert was sentenced to prison for 60 years for an armed robbery he committed. It was his first offence. It’s a sentence many, including Sybil, feel is unjust and she’s working to get him freed.
The story is a long process as Sibil is trying to get a result or even a simple answer from the Louisiana Justice Department. It’s been a long wait over years. Each time she’s been calling, she gets a message that they don’t have a result or even an answer for her. Even when they give Sibil a due date when they’ll have it ready, it’s the same response: no answer.
You may ask how did this all start? It was in the 1990’s when Robert and Sibil had plans to start a business of their own. They planned on starting a sportswear store of their own in Lafayette. It seemed destined for promise as sportswear was all the rage in the 1990’s and Lafayette is a big football town. However business didn’t go as well as they hoped. The two decided to rob a bank in 1997; Robert did the robbery and Sibil drove the getaway car. They were eventually caught and convicted. Robert’s sentence was 60 years in prison and Sibil’s was 2 1/2 years.
Since Sibil’s release, she’s been able to get her life together. She’s been able to maintain a successful career, become a responsible member of the community, and has had six children — all boys including two twins — through Robert. She’s also done a very good job of raising her sons. Her oldest son graduated from a medical college. Her twins are also very good academically. One son is on the school debating team and plans to pursue a career in justice.
One thing is still missing. Robert is not free from prison. His prison sentence was excessive. Sibil has stayed loyally married to Robert during the time and it has been her goal to get him out of prison. It’s a goal in which she’s been struggling with for years involving lawyers, court appearances, legal department negotiations, and even media interviews. She even has a life-sized picture of Robert in his prison uniform glued to a cardboard cutout in the kitchen. It’s a reminder to her and her sons what she’s fighting for.
The battle is undoubtedly a personal one. She loves Robert unconditionally, but it’s hard seeing him imprisoned. It’s hard for her to see it both as a wife and as a mother. She knows how hard it is for her sons to see their father imprisoned. It’s hard when the Justice Department promises something by a certain date, and even has a time limit by law, but they don’t have the answers and it is delayed. She’s polite about it over the phone to whoever she calls about it, but her angry feelings become obvious once she hangs up. It’s also a personal burden for her with her being the getaway driver of the robbery. She served her time, raised her family well, received forgiveness from others, but something’s missing. She may have been forgiven by others, but she never asked her own mother for forgiveness. She’s even seen at her local church during a service asking for forgiveness from her community.
SPOILER WARNING: Do not read this paragraph if you don’t want to know the ending. However at long last, Robert is free. We see the video of the day Robert is released and driven home by Sibil. The trip ends with a kiss: the first kiss during Robert’s freedom! The family celebrates with a backyard barbecue. The final act of the celebration is the family can take the cardboard picture of Robert and burn it on the barbecue.
This is a case of the right documentary at the right time. Systemic racism has been a very heated topic of 2020. George Floyd isn’t the first African-American to be killed at the hands of police. Police brutality has caused the deaths of many African Americans for decades. However when the news and video hit the public eye, the outrage grew. It was like the outrage over a common injustice had been hidden for so long and just exploded at that moment. Like a bubble bursting. It’s especially frustrating when they live in a country with a president who denies the wrongdoing and wants to label protesters ‘thugs’ and ‘extremists’ all for the sake of winning the upcoming Presidential Election. And talk from right-wing media pundits who remind the public of crime statistics involving African Americans aren’t helping to put out the fire either. The outrage was not restricted to the United States. Protests were worldwide as people were united in solidarity not only of what happened in the US but of racism in their own countries.
This documentary is about another failure of the system towards African-Americans: the justice system. In the 1980’s, a lot of Tough On Crime acts were enforced into law. This has especially hurt African Americans as prison populations escalated and African Americans make up more of the percentage of prisoners that white prisoners. Much of the problem is predominantly black neighborhoods being overpoliced and black convicts receiving harsher prison sentences. While crime by whites have gone either overlooked or underpunished.
The documentary gives a very good example of this injustice. It puts a human face on what it’s like to be the wife of a husband of a harsh prison sentence. Times like these make you wonder what they’d give a white man who committed the same crime. Sibil comes across as a strong woman who’s determined to beat the odds on the outside, but her inner frailty soon becomes obvious. She ends a phone call with the justice board politely despite the disappointing news, but speaks her anger about how she feels about it. She isn’t afraid to speak her mind about the racism she senses once the call ends. She’s proud of how her sons have grown up but she is still upset that they’ve all only own their father behind bars. She talks of how difficult, but necessary, it is to keep her family intact. She even wrestles with the personal demon of being part of the crime. She served her full sentence long ago and appears to have more than made up for it, but personal things like repentance to those she hasn’t repented to still bother her. The use of personal camera work is best at showing the human side of the matter because it gets the honesty of what’s happening.
The film focuses on the injustice, but it also focuses on rays of hope. Getting Robert freed from prison isn’t the only ray of hope in the film. The first ray of hope is seen in Sibil’s own life and parenting. Sibil is an oddsbeater. She refuses to make a repeat offender of herself. She’s become a responsible person in her community and church. She acknowledges the past wrongs she and her husband did and wants to move forward. As for parenting, statistics state children of parents in prison most likely grow up to become criminals themselves. That’s not the case for her sons. Their oldest graduates from a medical college. Both of her twins do well in high school and one is active on the school debating team. He plans on pursuing a career in justice. I’m sure seeing the unfairness his father endured is probably what fuels his ambition. The husband’s freedom is also a symbol of why it’s important never to quit on doing the right thing. There are a lot of injustices to overcome, but it’s worth it no matter how hard it gets.
The biggest praise should go to director Garrett Bradley. This film won the Best Director award in the US Documentary competition at the Sundance Film Festival (the first African American director to win this award), the Charles Guggenheim Emerging Artist Award and the Filmmaker Award at the Full Frame Documentary Film Festival.
Bradley does an excellent job in showing the images that tell the story. With straight film footage that doesn’t have a voiceover and allows the main subject do most of the talking, we get a no-nonsense undistorted story and a proper unmanipulated point of view. Filming takes places from multiple angles and we get the truth exposed. It presents the solution, but also with the huge problems it overcomes. Showing the images in black and white is appropriate because while justice shouldn’t be black and white, the system has turned it into a black and white issue. Even titling the film Time adds to the film’s quality. It’s about time served, time to rebuild your life, time to make a family happen, time to raise your children, more-that-necessary time behind bars and the seemingly-endless time to make justice for your husband happen. Above all, the time to tell the whole story and time to expose the problems in achieving the solution.
Time is more than just an excellent non-nonsense documentary that does an honest portrayal of its theme. It’s the exact documentary we need at a time like this. Also it’s a reminder that ‘Liberty and Justice for all,’ should mean all! No exceptions!
Normally when one hears of another Quentin Tarantino film, some will look forward to it while others will think “Not more blood and guts!” Even when I heard Once Upon A Time In Hollywood was about the Manson murders, I too was expecting that and killers with no mercy and no regrets. Instead I got more than I thought. And you will too.
It’s interesting that this is a fictional story of a friendship taking place around a real murder that happened. We have a movie star whose heyday seems to be fading just like Hollywood’s Golden Era. Rick Dalton was part of that Golden Era too. If there’s one person that doesn’t leave Rick, it’s his best friend Cliff. Even Cliff has trouble finding work because of what he’s rumored to have committed. Not to mention getting fired for having Bruce Lee injured in a sparring competition on set. Also this happens around the time of the Manson murders. Some could argue that Hollywood’s Golden Era ended with the Manson murders. Others like Tarantino could argue it ended before.
On the subject of the murders, the film does a good job in presenting the Manson family as people that were brainwashed into being evil. It does seem that Manson created a cult of followers to carry out his evil deeds and were every bit as blood-thirsty as him. One thing we should remember is that the murders took place at the former home of record producer Terry Melcher. Charles Manson first came to California with the dreams of becoming a musician. He was first approached by Beach Boy Dennis Wilson who introduced him to Melcher. Melcher was the producer who took one of Manson’s songs and rearranged it for the Beach Boys. No doubt Manson was furious and that’s why he wanted blood. I always wondered why did they kill anyone in Melcher’s house? Why didn’t they save their attack on Melcher and Melcher alone? I always wondered that. However that scene where the girl from the Manson family talks how she wants blood and doesn’t care answers that question for me. It’s obvious they were blood-thirsty and they didn’t care if Melcher was no longer there. As far as they were concerned, the five at the house were worthy of being killed just by being there.
One thing people frequently think of when they hear of a ‘Tarantino Movie’ is ‘blood and guts.’ Tarantino has developed a reputation for that, and for ruthless merciless villains with no regrets. There wasn’t as much of that here in the film, but there were a lot of scenes which would make one nervous. The biggest of which was when Cliff visits Spahn Ranch just to simply drop off a girl who goes by the name Pussycat. Also that scene when Booth walks into Spahn’s house. Those scenes will make anyone nervous, especially those that know the story behind the Manson murders.
What a lot of people overlook in a Tarantino film is that Tarantino has a love for film as a whole. Many of his latest works, if you look closer, have a style of cinema mixed into his story. The two Kill Bills, Inglourious Basterds, Jackie Brown and the Deathproof part of Grindhouse show Tarantino paying tribute to cinema genres of decades past. The style can be a film noir style, or a cult move style from decades past or a spaghetti western style or even an Asian style. Just look closer. However he does his story, even his most brutal and bloodiest stories, with a style of film genre mixed in. Here, it’s obvious this film is about his passion for the old Hollywood: the Hollywood that was one glorious city. That was Hollywood before the Manson murders. However you can still see how Tarantino shows Hollywood in possibly the last of its golden age in this film. Tarantino himself talks about growing up as a child in Hollywood in the 60’s and being mesmerized by its charm. I think that’s what he’s trying to incorporate in this film.
I know I mentioned that Tarantino’s films are known for have ruthless, merciless villains and that you should not expect to see sentimentality in a Tarantino film. In fact I’ve sometimes joked that the ending of the Hateful Eight is the most sentimentality you’ll get out of a Tarantino film. Of course even in this film, there will be some type of merciless bloodshed. We’re talking Quentin Tarantino! Despite the ending being as brutal as you’d expect of a Tarantino film, there are some moments of feeling in the film. There’s that scene where Dalton is between shoots of Lancer and is sitting near his eight year-old co-star Trudi Fraser. He breaks down because he can’t remember his lines, but Trudi gives words of encouragement, which gives him the drive to deliver an excellent performance. I’ll admit I was not expecting that. Another thing I was not expecting in a Tarantino film was the depiction of Sharon Tate. There’s that scene where Sharon goes into the movie theatre to watch herself in The Wrecking Crew, a screening which Booth is attending too. She’s thrilled to see her face on the screen. She’s also happy to see the audience loves how she’s making a klutz of herself on screen. That scene of an actress and her dreams. That shows another side of Tarantino few knew.
SPOILER ALERT: Ending Revealed In This Paragraph. Now there was a lot of concern about the making of the film. The Tate family was especially concerned about Sharon’s murder being exploited. One can understand. Her murder has already been exploited enough with people’s intrigue of the Manson murders. Instead the murder doesn’t happen at all. For those that didn’t notice, the film also leaves out the marital troubles of Sharon and Roman Polanski as well as the fact Sharon was pregnant at the time of her murder. This story is more about the friendship of a fading Hollywood legend and his stuntman double who stays with him through think and thin. It takes place during the time of the Manson murders, but there’s a twist of plot which both Cliff and Rick are involved. In short, we don’t get what really happened in the film. This is another case where Tarantino plays around with history just like he did with Inglourious Basterds and with Django Unchained. Instead he gives us the history that we want. And right at the end, we see Rick go to Sharon Tate’s party. Sharon and her friends are happy and safe from harm, and you leave the theatre satisfied knowing that’s how it should be.
Quentin Tarantino does it again. I have to say this is the least blood and guts I’ve seen in a Tarantino film. Mind you this is is less about blood and guts than it is about a unique transition in Hollywood. It’s Golden Days were fading and Hollywood was going in a new path. Many major movie stars saw television as a domain of wash-ups back then. However Tarantino reminds you of a charm of Hollywood that didn’t leave, but just changed for a new era. It’s not the same, but it’s a charm all its own. As I mentioned previously, we’ve seen Tarantino incorporate many different past style of films when he tells his stories. He doesn’t just simply tell a story, he adds an atmosphere and a feel to his films. We see it here again as we get various feelings through various scenes.
Top acting credits have to go to Brad Pitt. Funny how he’s nominated for the Supporting acting category for the Oscars while Leo is nominated in Lead. The film does belong to Cliff Booth as it is mostly his story. He’s the friend of Rick’s through thick and thin, he’s the stuntman who has trouble finding a job, but he’s the right person when trouble arises near his house and has what it takes to stop it. Brad does an excellent job of creating the character of Booth and owning the film. Leonardo di Caprio was also excellent as a fading movie star. The role of Rick Dalton reminds you that behind the glamor of movie stars, they still faced difficulties such as pushy producers, demanding directors and an industry that considers even the most legendary actors disposable. Yes, even back then, the powers that be in Hollywood still believed an actor was only as good as their last opening weekend. Leo was good at showing the insecurities of Rick, but ending on a positive uplifting note. Leo’s performance as Rick was just as arresting as Brad’s performance as Cliff and the chemistry between the two were excellent.
It wasn’t just Brad and Leo that made the film. There was Margot Robbie who gave a 3D performance as Sharon Tate. She did a great job of showing Sharon as a girl with big dreams and big hopes. There’s also Mike Moh’s performance as Bruce Lee. Note that the Lee family were angered how Bruce was made to look egotistical. However Quentin stands by his claims. There’s the performance of Julia Butters as Trudi Fraser. She’s in the film for one brief scene, but she steals it. The actors who portrayed members of the Manson family were also good as a team. The film also has a lot of great technical efforts like Robert Richardson in cinematography, Arianne Phillips in costume design, and the production design team in setting up the various sets. The film also shows another Tarantino film trademark: excellent music. The film had to have excellent songs from that era to fit the film. Tarantino delivers an excellent selection of songs from the late-1960’s that fit the movie perfectly.
Once Upon A Time In Hollywood is less about Tarantino’s blood lust than it is about his love for cinema and the days of Hollywood’s Golden Age. It also ends unlike any Tarantino film before. Which is what makes this film so unique and worth seeing.