Whodunit murder mysteries and movies used to be very popular a long time ago. Can it win crowds again? Knives Out is willing to take that risk.
This film takes the common classic styles of the ‘whodunit’ murder mysteries that used to be very common in Agatha Christie mysteries and in classic movies and television of the past. The film reminds you of that charm. It keeps you intrigued from start to finish of the whole story. The film also provides some comedic twists whether it be the main protagonist’s illness, the eccentricities of the late millionaire in his lifetime, or the characters of the family members Marta has to deal with. However the film does an excellent job in taking this classic style of thriller film to the modern world. It presents a situation in today’s world of a rich eccentric man who dies and people don’t know whether it’s a suicide or murder. To makes things even crazier, the deceased had willed everything to the nurse, leaving the family to suspect the nurse behind this all. It’s a difficult mix to do, but Johnson succeeds in delivering such a film.
One of the things I like about this film is that it’s a ‘whodunit’ film that succeeds in being comical. We all know it’s a suicide, but we are intrigues when we see Marta follow all of Harlan’s instructions so that she’s not framed for his death, that really is a suicide. It presents a bizarre situation where one wonders if Marta really does deserve all the money and the house in Harlan’s will. Over time, you learn that the Thrombeys are first-class lowlives. Even the most liberal of the Thrombeys are ready to exploit Marta’s status as the daughter of an illegal immigrant to get their piece of Harlan’s will. It’s easy to see that at the very end as Ransom is arrested and the whole family watches him being taken away while Marta watches from the balcony of the mansion. By that time, you can understand why it’s Marta looking down upon the surviving Thrombeys. They’re first-class vermin!
The interesting thing about this story is that it not only mixes in the modern along with the comical, but it has something political to say too. With the exception of Great Nana, it appears all of the Thrombey including the in-laws have been spoiled because of their father’s wealth. Linda may have become wealthy on her own, but she did it on a loan from Harlan and her husband is unapologetically adulterous. There’s Walt who’s a fail and feels he has to threaten Marta outside her apartment to get anywhere. There’s Joni, the widow of his son, who embezzled Harlan’s money from her niece’s education fund. There’s Donna, who tags along with Walt and appears to speak a lot of ‘Trump talk’ about illegal immigrants. And then the grandkids. There’s Meg who appears liberal, but becomes two-faced with Marta. There’s Jacob, a masturbating incel who speaks his alt-right mind, when not obsessing over his phone. And then there’s Ransom: the most irresponsible of the bunch and the lowest of all. He’s immature and incompetent and he’s willing to commit murders and even mix up drugs for the death of his own grandfather to get Marta framed.
Now there’s Marta. At first Marta is beloved by the family as she’s the one taking care of Harlan during his last days. She was actually the one most loyal to Harlan during his last days. Then he dies. The family becomes comforting to Marta. But when it’s learned that Marta is the one person who will get Harlan’s major inheritances, the family either turns on her, backstabs her or attempts to blackmail her. She even gets hateful racist text messages from Jacob. The family knows they can get the inheritance is they expose Marta’s mother’s immigration status or if they expose her as committing medical malpractice, which she things she has. Even if Harlan committed suicide, the toxicology results can go against her and she could lose it all through the slayer rule. It’s funny how even the most liberal of the Thrombeys let their true colors out when they’re on Marta’s case. In the end it’s the housekeeper Fran who knows the truth and it’s the detective, whom ironically was hired by Ransom to expose a possible murder, that comes to the truth about what happened. It’s funny that it took a dying housekeeper and a detective from Texas to be the ones that knew Marta’s innocence.
That sends a message that’s fit for the time right now. There may be a lot of sacking of illegal immigrants, but this sends a message about illegals who do work heard in a society full of lazy entitled white people. The daughter of an illegal is the one who was most loyal to Harlan, while money has gotten to the heads of even the most liberal of Harlan’s family. You can see why Harlan would want to will everything to Marta. Money made his family privileged and entitled lowlives, and Harlan knew it. Marta was the only one he knew that worked hard. In the end, you are convinced that Marta, and only Marta, is the one deserving of the inheritances.
The top accolades has to go to writer/director Rian Johnson. He creates a story that reminds us of the charm of the ‘whodunit’ and even remind us that it can still win people to the box office. That’s a remarkable thing especially when it became newsworthy this year of how so many Oscar contenders spent a brief time at the box office and then made its way to NetFlix. As of now, it’s already grossed over $150 million in North America. It takes the ‘whodunit,’ gives it a modern twist, adds a social message and comes off entertaining. It also possesses a unique classy style about it that not even Marta’s vomiting problem can ruin the classiness of the story.
The film possesses a great ensemble of acting performances from all who were involved from major roles like Marta and Detective Blanc who carried the story the most to Great Nana and Jacob who had very little screen time, but make you like Great Nana and hate Jacob. The two biggest standouts were Daniel Craig as the detective with a Texas accent. That’s a surprise; James Bond with a Texas accent? But he succeeds in being the main protagonist that holds the story from start to finish. Also adds a unique twist to the story how a Texas detective could be the one that sides with Marta. Ana de Armas is also excellent as Marta. She starts out well as the one most troubled by the death of Harlan. Then she becomes the victim, only to end up as the one that triumphs at the end.
In terms of supporting performances, the first of the two that stood out the biggest was Christopher Plummer. He was excellent as the millionaire who appeared eccentric, but actually had a brain to know what was going on and have the heart to find Marta the only one deserving of his wealth. The other supporting standout was Chris Evans. He really makes Ransom look like someone without a single positive quality and a complete lowlife who was easy to hate. Top technical accolades go to David Crank and Jeremy Woodward for the production design, Jenny Eagan for the costume design and Nathan Johnson for the musical score.
Knives Out is a modern day whodunit murder mystery that succeeds in charming people and keeping people intrigued. It also has a surprising social message to say, if you look close enough.
We’ve seen many live-action films of Spider-Man in this century. This year, we had an animated twist with the Spider-Man story with Spider-Man: Into The Spider-Verse. The big question is will this story work? Or will it be an insult to Spider-Man fans?
Miles Morales is having the difficulty of going to a special private school, which includes a dorm. He doesn’t want to go to that school, but his police-officer father insists because of his intelligence. After school, Miles visits his uncle Aaron Davis to watch him spray paint graffiti, but is bitten by a radioactive spider. Miles son learns he has superpowers of his own.
Miles goes searching in the same area for the spider, but comes across a particle accelerator built by Wilson Fisk who desires to find the universe where his deceased wife and son are. Soon Peter Parker as Spider-man appears to destroy it, but is confronted by Fisk’s enforcers Green Goblin and Prowler. It’s a losing battle for Spider-Man as he lays dying, but hands Miles the USB drive to disable the accelerator before he dies. While still trying to learn his abilities, Miles damages the USB.
The whole of New York is in mourning over the death of Peter Parker. While at the grave, Miles meets up with Peter B. Parker: a down-and-out Spider-man who’s divorced from his wife. Peter B. had just been dropped out of the accelerator. To get back in, he agrees to train Miles. They soon learn after breaking into Kingpin’s laboratory and confronted by Fisk’s female associate in crime, Peter will die if he doesn’t get back into the accelerator to his universe.
Soon they’re rescued by Gwen Stacy: Miles’ classmate and also part of the universe. Gwen brings them to Peter’s Aunt May, whom Peter thought was dead. May is sheltering other displaced and deteriorating heroes of the Spider-Verse like Spider-Man Noir, Peni Parker and Spider-Ham, the spider bit by a radioactive pig. Miles attempts to help them, but his lack of experience with his new-found powers gives the Spider-Verse members a lack of confidence.
Things get worse for Miles as he learns his uncle Aaron is Prowler. He returns to May’s house, where Peni has the drive prepared, but he is followed by the team of villains of Wilson Fisk. Miles is able to free but is captured by Prowler. When Miles unmasks himself, Aaron is willing to be killed by Fisk rather than kill Miles. Miles’ father makes the conclusion Spider-Man killed Aaron.
The Spider-people retreat to Miles’ dorm and Peter B. webs him up and his mouth, feeling he doesn’t have what it takes to battle Fisk. Miles’ father, thinking that Miles isn’t talking, confesses his feelings for him and tries to make peace. However Miles soon learns he can master his powers.
Miles then goes to Aunt May where he’s able to help the other Spider-people work the accelerator and get back to their universe. However they leave Miles to defeat Fisk, insuring him they believe in him. Miles does face the courage to defeat Fisk, help the Spider-people return to their dimensions, and his team and make peace with his father.
Now one thing few people except die-hard Marvel comics fans knew about was that the Spider-Verse was not a new thing. The Spider-Verse came to be back in 2014. So those who think that this is something new and original, they’re wrong. In fact the Spider-Verse includes a Gwen Stacey. However one will be entertained by the Spider-Verse. This is rare in a movie that we get to see six ‘Spider-beings’ get together and be heroes. However the story does put the focus on one individual: Miles Morales, the new person into the Spider-Verse. It is a shame because we were just starting to get into this Spider-Verse. Nevertheless the movie allows it mostly to be Miles’ story and the other members of the Spider-Verse give Miles his chance to prove himself.
The story is very good as it does have a good beginning, middle and end. It actually had to have more of an extended beginning because it’s not just Miles who is affected by the radioactive spider, but five others too. Also it uses the death of a Peter Parker/Spider-Man set the road up for the story of the Spider-Verse to come. The story is not just about the Spider-Verse or even solely about Miles’ role in it. It’s also about family relations too. Miles has a hard time with his father sending him to a private school he hates. Miles idolizes his uncle Aaron, but would have to soon learn that Miles is The Prowler and keep it a secret from his father. That part of the story adds into the drama. However with this being an animated telling of the Spider-Verse, the story has to have humor in it. There’s no shortage of that here.
As for the animation, the animation is excellent. It’s not just 3D animation, but a mesh of comic-book images that add to the film. The mix of the imagery adds into the story, especially with this being a Marvel comic story.
Kudos to Phil Lord and Rodney Rothman for bringing the Spider-Verse to the big screen and creating a story that’s entertaining but not too confusing with all these Spider-beings. The directing team of Persichetti/Ramsey/Rothman do a great job of making the film work in both the story and its imagery. The vocal talent was very good, but top marks go to Shameik Moore for his performance as Miles Morales. He had the big task of being the voice of the lead and he did an excellent job. Mahershala Ali and Bryan Tyree Henry were both great as the uncle and father, respectively. Hailee Steinfeld was a scene-stealer as Gwen Stacy as was John Mulaney as Peter Porker.
Spider-Man: Into The Spider-Verse was the animated movie we all needed this year in which the only winning animated movies seemed to be sequels. This animated story of a team of ‘Spider-Beings’ all teaming up at once and then doing their own duties did not do any damage to the Spider-Man story at all. Instead it added an entertaining twist. Stan Lee would be proud.
We first met the Guardians Of The Galaxy back in 2014. The Guardians are back in Guardians Of The Galaxy Volume 2. But do they have what it takes to deliver this time?
Back when the first Guardians Of The Galaxy came to the big screen, most people have not heard of them. This was a chance for Marvel to introduce them to the world. It was a unique mix of quirky characters, both virtual and live, loads of action, and a mix of both music and humor that made it a hit with families and superhero movie fans alike. The movie became the third-highest grossing movie of 2014 and turned the Guardians into household names. In fact “I am Groot,” became the top movie line of that year.
This time around is about bringing about the sequel. Most of you already know my feeling of Hollywood sequels in my review of Furious 7. However sequels can either propel a movie franchise further or sink it. Sequels are hit and miss. I’ve seen so many sequels where they simply rehash the formula of the first movie plot-for-plot, moment-for-moment. That’s why I’m mostly turned off sequels. That’s also often all one needs to do to end a franchise. Nevertheless there are a good number of sequels or second-movies that do differ a lot from the original. That’s often the better idea but even that’s a gamble. One example is the second and third film of The Matrix. It was too different from the original film that blew audiences away in 1999 and they disappointed fans.
This sequel for Guardians takes the chance of being very different from the first film. One can already notice the differences here: animosity between the members, the stormy family relations of Peter and his father and Gamora and her sister, the people of the various galaxies going against each other and all galaxies being threatened by Ego. I appreciate them creating a scenario different from the original. Nevertheless there were some things from the original that they had to bring back into the sequel like the humorous tones in various scenes, the unique and sometimes crazy personalities of each of the Guardians, and of course the use of 70’s songs in the many scenes. It was all a case of making the right choices of what to include from the first and what to change up. I feel they made a lot of the right choices here.
Another difference I noticed in Volume 2 is that there are a lot more ‘salty’ and ‘spicy’ things in the film. For example, I noticed there was more swearing included and a lot more lewd talk. There were even scenes hinting towards sex or even showing suggestive situations like a stripper bar in another galaxy. Sometimes I think ever since Deadpool shook things up in the world of superhero movies, directors are less afraid of including risque stuff even if they know children will be watching. However unlike Deadpool, the film knows it’s supposed to be a superhero movie and the theme of heroes and the values they stand for and fight for is definitely not forsaken. Whether it’s okay for parents to take their children to see it or not is completely the parents’ call. I’d say it’s best for 11 and older.
James Gunn again delivers as a director and a writer in this sequel. He takes some of the first, some new ideas, and some racy choices and turns it into a movie that works. Chris Pratt delivers again as Peter and Kurt Russell does a very good job in playing a deceptive villain. Zoe Saldana again proves why she’s the top actress in sci-fi movies with her performance as Gamora. Dave Bautista was hilarious as Drax as was Bradley Cooper as Rocket. Michael Rooker was also good as Nebula. Baby Groot had a lot of funny moments but there are times I felt in retrospect that he went too much on the ‘cutesy’ side. Michael Rooker was also good as Yondu. The two newcomers–Karen Gillan as Nebula and Pom Klementieff–were good in their roles even if Mantis did come across as too weird or ditzy. Judianna Makofsky did a very good job in designing the costumes to fit the story, Tyler Bates delivers a fitting score to the film, and the visual effects team with hundreds of credits again delivered effects to make the action and drama that more exciting.
It seems appropriate that Guardians Of The Galaxy Volume 2 kicks off the 2017 Summer Movie Season. It’s a sequel that delivers the right stuff most of the time. It’s able to deliver some new magic without compromising the magic of the original and keeps one thrilled one moment, laughing another moment, and entertained throughout.
Most of you have already seen my first summary or even my second summary. This last summary will have a look at the last three Best Picture nominees I saw. They were Lion, Hidden Figures and Hell Or High Water.
Lion is one of those films which came out of nowhere to surprise everyone who has been lucky to see it.
We have seen many against-all-odds stories in the past. This is something because this is a true story of something that really was against all odds. It wasn’t just about making it happen but also of the family relations Saroo has developed over his lifetime. What will happen? Will he leave the family he’s always known? Is the family he’s searching for still alive? The best quality of this story is that it keeps us intrigued and hoping Saroo reunites, but also has us concerned of what will happen after.
Another quality of this story is that it does not forget the cause of the problem. Saroo is seen as the lucky one who was able to reunite with his family after all these years. However throughout the film, especially at the beginning, we see the cause of the problem. Saroo was unsupervised when he boarded the express train. The language barriers caused problems. Even Saroo’s mispronunciation of Bengali words caused problems. The train stations of Calcutta are loaded with stray children ready for abductors to prey on, and station police looking the other way. Even the missing posters advertised before his adoption were no good as his mother is illiterate. India failed Saroo and Saroo succeeded thanks to Google Earth and his fierce will. The film at the end lets people aware of the problem; 80,000 children go missing in India each year. The film’s website informs people of how they are making a difference in aiding to protect children in India.
This film is an accomplishment for the Australian film industry. I don’t know if Australia has ever had a film nominated for Best Picture before. This is director Garth Davis’ first ever feature length film. Bet you wouldn’t believe that. Luke Davies did an excellent job in adapting Saroo’s biography into a winning screenplay that keep the audience intrigued and hoping for the best in the end. Dev Patel’s performance as Saroo was the highlight as he did a great portrayal of a young man who’s angry on the inside and knows what he needs to do. Nicole Kidman was also excellent as the mother who appears grateful on the outside but has some inner hurt waiting to come out. Young Sunny Pawar was also very good playing the young Saroo. He was cute but he didn’t take it overboard. He played his part well. The film also featured top notch cinematography from Greig Fraser and excellent original music from Dustin O’Halloran and Hauschka.
Lion is an excellent film featuring a story you won’t forget. A surprise contender this year and a worthy one.
It’s good that we have a film like Hidden Figures to tell us about a piece of history that we never knew about.
The film comes at the right time as it deals with a lot of situations that are relevant in our world. This may be set in the early 60’s and revolves around a moment in space history but it has a lot of situations relevant to today. One is of workplace racism. It’s not as bad now as it is then but there are still a lot of unsolved problems. The second is of technology being so good, it can replace workers. These three women had iron wills. They knew they had potential, they knew they had what it takes and they wouldn’t let racism or the threat of modern technology stop them from reaching for their achievements.
The year of 2016 was a crushing year. It was a year that constantly reminded us that there was still a lot of racism to overcome. Despite the improvement over the decades, it was able to show its ugly head with low employment rates and police beatings. This is a film that reminds us that racism can be overcome. When you look at it, the women were doing this all during a turning point in the history of African Americans. African Americans in Virginia had less rights than they do now and discrimination was perfectly legal. Back then there were still separate washrooms for colored people, separate library books for white and colored people, and police beatings during civil rights marches. The women overcame these barriers and they opened doors for other colored people for generations to come.
This is only the second film Theodore Melfi has directed and written. This is the first feature-length script Alison Schroeder has written. Does come across as like something you’d get from Hollywood, but it’s not a weakness. It does all the right moves. Taraji Henson was great as the protagonist Katherine Goble-Johnson, but the show-stealer was Octavia Spencer. She was not only good at playing a woman who wouldn’t let technology kill her job, and the jobs of 30 other black women, but she was a colorful scene-stealer too. Janelle Monae completes the trio as one who just wouldn’t say die to her ambitions. The male actors were mostly supporting roles but Mahershala Ali was the biggest one as Jim Johnson, Katherine’s new husband. The mix of Motown music mixed in with the original score from Hans Zimmer, Pharrell Williams and Benjamin Wallfisch also added to the spirits of the movie.
Hidden Figures showcases a little-known fact about a big moment in American space history. It’s also the right uplifting movie needed at this time.
HELL OR HIGH WATER
I missed Hell Or High Water when it first came out in the theatres in August. I admit I was caught up in the summer fare and I overlooked it. I finally saw it recently and I’m glad I did.
One thing is I miss seeing is crime comedies. You know, the dark comedies featured in crime stories. This film has a good amount of comedy to it with their failures at robbing first. Even the situation where the brothers rob the Texas Midlands Bank and pay the mortgages they have with the bank off with the robbery money is full of surprising irony. It’s not even the robbery spree that has all the comedy. There’s the comedy when the rangers visit the places they question. There’s even comedy with that hard waitress at a restaurant they eat at: “What don’t you want?” The comedy doesn’t last as the story gets darker later on. However it does end on an ironic note as the now-retired Officer Hamilton does meet up with Toby Howard, perfectly free, and inquires of the robberies he and brother Tanner committed together.
One thing about this crime drama is that it has a lot to say. We have two brothers–Tanner who appears to have no redeeming values and Toby who’s as cool as a cookie– robbing various branches of the same bank. You see signs advertising debt relief. You hear from people– both family and people the brothers run into– talking of their own economic hardships. You see the indigenous people, who are still referred to as ‘Indians’ with their own outlook on things. Mostly negative. Looks like this story has a lot to say. Even hearing Alberto Parker say that he believes the true criminal is the Texas Midlands Bank does get you thinking. Maybe it’s the Bank that are the true robbers around here.
This is actually the first American production from Scottish director David MacKenzie. He has a reputation back in the UK with films like Young Adam, Hallam Foe and Starred Up. His first American production is top notch and really delivers as both a crime story and an offbeat Western. This is also an accomplishment for writer Taylor Sheridan. Already having made a name for himself in Sicario, he delivers again in what is actually his second feature-length script. Of all acting performances, Jeff Bridges is the one that was the best. He delivered a top job in character acting from head to toe. He was completely solid in character. Chris Pine was also good as the brother Toby who’s smart, tries to play it cool and possibly the one person in the world who could see redeeming qualities in brother Tanner. Ben Foster was also a scene-stealer as Tanner who a complete ruthless loose cannon who appears to have a bone to pick with everyone over anything and possesses a false sense of invincibility. Gil Birmingham was also good coming across as the wise partner who plays it cool. The country music in both recorded format and original from Nick Cave and Warren Ellis fit the film perfectly.
Hell Or High Water makes for an intense thrill ride that’s big on thrills but also takes you to the heat of the moments. The story even gets you thinking. Now why did I miss it during the summer?
That does it. My final summary of the Best Picture nominees for 2016. After seeing Hell Or High Water, that makes it 16 straight years of seeing all the Best Picture nominees before Oscar night. My predictions for the wins coming on Saturday.
One of my Christmas treats was seeing Rogue One: A Star Wars Story. I’m glad I had my chance because it was an excellent movie.
Now just a reminder to you all, this is not part of the nine-episode Star Wars saga we all know. This is part of the Anthology Films of the Star Wars franchise. Actually this is the very first Anthology film to be released. The film is a triumph for writers of ‘fan fiction’ or ‘fanfic’ as it’s commonly called on the internet. However bringing fanfic like this to wide release on the big screen was no easy task. We all know how Star Wars has become a cinematic phenomenon like no other. George Lucas knows about it. Lucas himself is comfortable with ‘standalone’ films based on the Star Wars stories but wanted to make very clear that any standalone stories could not carry characters between the Saga films.
Here we have a story that is to take place between Episode III: Revenge Of The Sith and the very verse Star Wars film that’s now referred to as Episode IV: A New Hope. It’s a pretty lengthy amount of time between when Anakin Skywalker becomes Darth Vader and Luke Skywalker seeks to become a Jedi. Nevertheless it does make for ample time for any Star Wars fan to create a story of what happens in between. Storywriters John Knoll and Gary Whitta aren’t just any Star Wars fans. Knoll has done camera operations and visual effects supervision for many science-fiction films including four Star Trek films and the three Star Wars prequels. Whitta is a scriptwriter for The Book Of Eli and After Earth.
The adaptation of the story to screenplay had to fall into the right hands as well. Scriptwriter Tony Gilroy may have had his biggest renown with 2007 Best Picture nominee Michael Clayton (for which he himself was nominated for Best Director and Best Original Screenplay) but his he’s also made his biggest impact in writing the scripts for all four Jason Bourne movies. Chris Weitz has an eclectic resume of writing and directing from Antz to American Pie to About A Boy to The Golden Compass to one of the Twilight films. Then there’s the film being directed properly. Gareth Edwards may have not had the most experience in directing but he has developed his reputation in recent years upon films like 2010’s Monsters and 2014’s Godzilla.
Then there’s the story itself. There are possibly loads of Star Wars-inspired stories. The story would have to be true to the Star Wars saga without it being a rip-off. There’s lots of that and even professional writers can make something that’s a Star Wars rip-off. Most Star Wars fans will not go for something insulting. True, there are a lot of people that are Star Wars-crazy but most will not go for something if they sense it’s a rip-off. Don’t forget many felt insulted by the prequels so that’s a reminder.
They succeeded. They provided a very good story about the completion of the Death Star and the family behind it and the rebellion attempting to steal the plans leading to the hope in the end. The story had to be well-researched in order for it to make the right connection between Episode III and IV. Any new characters like the Ursos, Cassian Andor and K-2SO had to fit with the story as well as include original Star Wars characters like C3P0 and Darth Vader properly. On top of that, it had to have the right action scenes and the right battles done. Basically the whole movie had to have it all to work. The story could not be compromised despite the action sequences. The acting also had to be top notch from Felicity Jones, Diego Luna, Mads Mikkelsen, Ben Mendelsohn and Forest Whitaker. Even the theme of the story of heroism has to be present. It’s there, but in a way like no other Star Wars saga film does it. For the first time, self-sacrifice is needed for heroism.
The story worked very well. The critics on Rotten Tomatoes gave a total percentage of 85% approval. Many praised it for its depth in the Star Wars mythology and for breaking new narrative and aesthetic ground while paving way to a potential future for other blockbusters. The film scored well with crowds too as it would become the 20th movie to gross over $1 billion worldwide.
Rogue One: A Star Wars Story is not just an excellent movie. It’s an accomplishment. It’s proof that Star Wars standalone movies can not only be a hit but be excellent in their own right.
I was originally planning on saving my review for Star Trek Beyond for a summer movie summary on science fiction movies outside of superhero movies. That was not to be the case as most of the top sci-fi movies were superhero movies. Nevertheless Star Trek Beyond is a movie worth reviewing by itself.
For the third of four movies of the revamped Star Trek series, the writers and director Justin Lin had to deal with making a 2-hour movie that is a continuation of the series while leading to an ending setting up for the fourth and final movie, which currently has no set year of release right now. The trick is trying to make the right choices of what to include, whether it be pieces from the original television series of the 60’s or of movies of the past, and create the right third-movie.
One thing about this installment is that the focus is more about exploring new worlds which is what Star Trek is all about. However it’s also about friction as smaller ships ambush and wreck the USS Enterprise. Even the threat of an intergalactic race in another galaxy under a tyrannous villain adds to the drama this time. This is a case of a fresh story for the Star Trek franchise while trying to maintain the same spirit of the whole Star Trek series.
I mentioned back in my review of superhero movies that despite the action scenes, morals and values are essential for a superhero movie. Morals and values are also essential for a movie like Star Trek as well. The Starship voyage continues in its quest to discover new intergalactic worlds and develop ties between the life forms. The value of doing what’s right is present in this Star Trek movie as Kirk is about to go on a rescue mission that might endanger his life. He responds by saying; “I would rather die saving lives than live knowing that I took them.”
The movie sometimes seems like it wants to be a sweet farewell to Leonard Nimoy. It’s evident in the story as Spock receives news that Lieutenant Spock has died. Reminders pop up in the story line as Spock plans to leave the Starship to carry on the Lieutenant’s duties and even a sentimental scene near the end. I don’t think it did any wrong moves in doing so. Memorializing an actor, especially if they had such a memorable role in their lifetime, is never an easy thing. There are some times in retrospect I felt there were some wrong moves in memorializing Paul Walker in Furious 7 like the farewell image of his character played by his look-alike brother. However I feel they did it right here, including the toast ‘to absent friends.’ Even at the end the movie is dedicated ‘In Loving Memory’ of Nimoy.
Unexpected was the death of Anton Yelchin who played Chekov in the three revamped Star Trek films. He was a gifted actor capable of doing an excellent job in each role he played. In Star Trek, he delivered a Chekov that was half the age of the original Chekov but made it work on screen. He even added some charming humor to the movie series with lines like “Nine-Five-Wictor-Wictor-Two” or “I can do zat! I can do zat!” Unfortunately he was killed an a car accident one month before the film’s premiere. He was 27. The film didn’t make any major last-minute changes in editing or storyline upon news of his death but he is memorialized after Nimoy’s dedication with ‘For Anton.’
New to directing the Star Trek series is Justin Lin. He’s best known as the director of four Fast And The Furious movies. With his first attempt at directing Star Trek, he does a very good job in maintaining the spirit of the Star Trek franchise along with delivering the right storyline and right action to the movie. For the record, J. J. Abrams is producer this time. The script written by Simon Pegg who plays Scotty and Doug Jung who’s past work is mostly writing for television is consistent with the story and the spirit of Star Trek despite it being short on the expected action. All the returning actors still maintain their respective characters well. One thing noticeable is Chekov has more of a presence and he doesn’t deliver so many humorous lines this time. Another new addition is Idris Elba doing an excellent convincing role as the villain Krall. Visual effects were still good even if they weren’t the most spectacular. Also the addition of the Beastie Boys song ‘Sabotage’ got me thinking again to how Guardians Of The Galaxy and The Martian has made it a must to include musical moments in such movies.
The big surprise is the lack of box office success that came with this film. The film currently has a North American gross of over $157 million and a total worldwide gross of over $333 million. Since it cost $180 million to make, it’s labeled a ‘flop,’ especially knowing the first two revamped Star Trek movies starting back in 2009 both made over $200 million. People are wondering why? The film has an approval rating at Rotten Tomatoes of over 80% and there was expected to be big fare since this year is the 50th anniversary of the Star Trek franchise starting all the way back with the TV series. Some are saying Yelchin’s sudden death may have a lot to do with it, like it ‘spoiled the fun.’ It’s wrong to make such an accusation. Nobody saw his death coming. Not even Anton himself, if you’ve bothered to read the news about it. Some are saying the story lacks excitement. Possibly but it still has a lot of ingredients win crowds and Star Trek fans alike. Hard to say exactly. My assumption is that simply this is the third movie, not the first and not the last. Plus it faced competition from a wide variety of other movies this summer. I feel that the final movie can achieve more at the box office because it will be the final movie of a revamped film series that worked rather than flopped.
Star Trek Beyond may not be as action-packed as most of the other summer fare out right now or even past Star Trek films but it is a movie that delivers on the Star Trek franchise and stays true to its spirit. It even paves way to the fourth and final Star Trek movie to come.
If there is one genre of movie that stands out during the summer movie season, it’s the superhero movies. Every year they win crowds and give them their enjoyment for the most part. For this summary, I will review two such movies: Captain America: Civil War and The Suicide Squad. Both are two different types of superhero movies in the way the people try to be heroes and with the comic franchises: Marvel vs. DC once again.
Captain America: Civil War
While DC Comics has the two biggest superheroes, Marvel’s edge is its multitude of different superheroes: take your pick. This time around in Captain America: Civil War, the focus is on Captain America. Or is it?
Watching the film, I was expecting it to be a story about Captain America. You can imagine my surprise to see all the other Avengers characters. I was cool with it at first. However things started getting uncomfortable for me when I saw them take up so much screen time. They all took up so much time, I even questioned whether Captain America was even the lead role in the film. I even thought if it was to have one hero as the lead role, it should probably be Iron Man.
Nevertheless the film does have a lot of excellent qualities. The first is a story that is thought-provoking. There’s a situation where international rules are imposed on the Avengers. Right when an incident happens, it causes friction within the team and even division. The question remains of what is the right thing to do? The movie attempts to give you the answer. Virtues and morals are an uncompromisable ingredient in superhero movies no matter how much action is involved. Even top directors will say that the values of humanity are necessary for a winning superhero movie. Here we have a movie that gets one questioning what is the right thing to do considering the situation. That adds to the film as it gets the audience thinking.
Of course high-tech special effects and action battles are a must in superhero movies. The crowds come to get blown away. Captain America: Civil War delivers on such action just like most of the Marvel comic movies before it. It has moments that will leave you on the edge of your seat. In addition, it adds some comedy too as it gives us a young Peter Parker, played by Tom Holland, as a preview for the new upcoming Spider-Man installment. Here Peter comes across as your typical young idiotic yuts. Gives anticipation of what to expect when Spider-Man comes out.
The Russo brothers return to direct the movie. They directed the last Captain America movie. They did a very good job of delivering another great superhero movie. Christopher Markus and Stephen McFeely return with the Russos to write the latest installment. They did a good job despite the push of some actors to have more screen time. Of course, Robert Downey Jr. stole the movie and Chris Evans appeared to have a supporting role this time. The other actors did their parts well and didn’t appear to get into too much of the mix-up. The special effects delivered and Henry Jackson’s music added to the film.
For all intents and purposes, Captain America: Civil War is an Avengers movie in disguise. Don’t be fooled. However the quality of the story is maintained as it gives a thought-provoking story with the superhero action to deliver.
There’s something about the knack to do an anti-hero movie. We saw that with Marvel when they released Deadpool. Now we see DC Comics making the attempt with the Suicide Squad. Do they succeed?
You’d think after Sausage Party, I’d start again on how this movie of a bad-guy superhero squad is trying to ‘bring back the 90’s’ but you’re wrong. A story where it takes bad guys and makes heroes out of them is actually a very common theme. It’s even been done in film as far back as the 1930’s as I once saw 1939’s Stagecoach take the outcasts of society and turn them into heroes. It’s a theme that has been done decade after decade. We see it done here again with the Suicide Squad. The people recruited to be part of the Squad are criminals and crazies that look like they deserved to be shunned away from society but an intelligence operative sees them as the right people for the job. They even make clear that they’re bad, not evil.
The ‘bad vs. evil’ theme is what makes this movie unique among the superhero movies of this year. Even from Deadpool. While Marvel’s Deadpool is about a selfish man who’s disinterested in being the superhero bestowed upon him, Suicide Squad is about a conscience present in even the baddest of badasses. A reminder that bad and evil are two completely different things. Don’t forget we’re dealing with a world where Superman is deceased, as exhibited in Batman vs. Superman: Dawn Of Justice months earlier.
Now the Suicide Squad is not a team of badass superheroes created in vain after Deadpool: an attempt at having ‘anti-Avengers.’ It’s a team that actually debuted in DC Comics in 1959 in their monthly Brave And The Bold series and made a return in 1987 in their Legends series back then. The comic would be a monthly series that would issue for some months, end temporarily for a year or two and then make a comeback from time to time. Now seems like the right time to bring them to the screen. I must say their craziness and eccentricities were big time scene-stealers. While Deadpool mostly relied on the idiotic actions and lines from its lead characters, the characters of the Suicide Squad were more about their crazy and even eccentric personalities. That was their edge and I’m sure that’s what won the crowds to them this year. It’s no wonder it’s the 4th highest grossing movie of the summer.
This is David Ayer’s first attempt at directing and writing a superhero movie. He has a resume for writing and directing a lot of good police dramas and action movies in the past. However his experience doesn’t completely translate the best. Imperfections are easy to notice and it seems the movie does get a bit disjointed at times. Even in terms of the characters, there’s not that much depth to their roles and it often appears like the actors are trying to play characters more than acting out roles. I’ve noticed that DC Comics movies this year are lacking in terms of writing. It’s noticeable in Batman vs. Superman too.
Nevertheless the actors do deliver on character acting and that’s one quality I feel made the movie. In addition the actors succeeded in making characters you want to hate at first and then surprise you as they become heroes and then return as bad guys. Margot Robbie was the standout as Harley Quinn. Her character was the one that knew how to grab your attention, even upstaging Will Smith. Others standouts include Jared Leto as the Joker, Jay Hernandez as El Diablo and Jai Courtney as Captain Boomerang. Visual effects were top notch and loaded with bright color that’s eye catching and very rare to see in most other movies, especially superhero movies. The mix of music was also an added quality. It seems like after Guardians Of The Galaxy, filmmakers are playing around and even experimenting with use of songs in the movies. Here they mix in music spanning five decades and it produces an entertainingly winning result.
Suicide Squad may be lacking in the script and in the editing but it’s the on-fire character acting, colorful visual effects and the eclectic music track that make the movie entertaining and a winner for the summer.
Sure, I only have two superhero movies in my summary of the genre but both do shed some light on the presence of the superhero movies of the summer and why they continue to win us over. They have spectacular action but they also test our conscience as well. I saw that in Batman vs. Superman earlier in the role of a superhero even after they cause destruction to do good. I see it again in Captain America as the Avengers question whether it’s right to break the law to do what’s right. I also see it in the Suicide Squad as outcasts get a shot at redemption and even remind themselves as well as others that they do possess a conscience and can even do what’s right despite their criminal minds.
Once again, the superhero genre remains one of the most winning movie genres of the summer. Even with the surprise success of Deadpool, families still come to the movies to see the good guys win. Some even like to get their ‘bad boy/bad girl’ kicks. All deliver in terms of action and a message.
If there is one style of film that reigned supreme at the box office this summer, it’s the animated movies. It had some of the best results not just of the summer but the whole year as Finding Dory grossed more than any other movie in 2016 and The Secret Life Of Pets is also in the annual Top 10 so far. There were a wide variety of animated movies from sequels to stop-motion to even an animated movie for adults only. For my summary, I will review four animated films for the summer: Finding Dory, The Secret Life Of Pets, Sausage Party and Kubo And The Two Strings.
It’s been thirteen years since Finding Nemo hit the big screen and captivated crowds. This time around it’s Finding Dory. The question is does it still have the same magic?
The magic of Disney/Pixar films is that it’s not only about top notch animation but also about taking the audience to new and exciting worlds of the imagination. The magic of Finding Nemo is that it captured the magic of the sea world. Finding Dory attempts to capture the magic of the sea world again but it also tries to capture another magic. This time it’s the magic of the Marine Life Institute. It does a very good job of creating a universe out of a marine life park. I’m sure that when Pixar was writing the script for this film, it had to create its own map on how the park would be for Dory to go from place to place. It even had to create the system of communication through pipes.
In addition, the story had to focus on the animals headed to quarantine. That was intertwined with Dory’s search for her parents. It gives a story with many facets. It starts with Dory’s search for her parents and leads to much more. Whatever the situation, it leads to a story that the audience will find thrilling as well as enchanting to look at.
Pixar does it again with writing out an excellent story and giving it top-notch animation. Once again I doubt if you’ll find a glitch. Andrew Stanton returns as director and co-writer with Victoria Strouse and they deliver an excellently entertaining movie. This time it’s Ellen De Generes’ time to own the show. She stole Finding Nemo and now this is her time to have the show as her own. Albert Brooks is back again and he delivers an excellent performance as Marlin too. The film features a lot of other big names as voices like Diane Keaton, Eugene Levy, Ed O’Neill, Bill Hader, Alison Janney, Sigourney Weaver (of course) and Idris Elba.
If there’s one glitch about Finding Dory, it’s that a lot of children may not understand the story in its entirety. For the most part, it’s us older adults who have seen Finding Nemo that understand Dory and her situation. I think that was it. Pixar was making a film that would be meant for both children who love animated movies and the grown up adults who have a special place in their heart for Finding Nemo.
Finding Dory continues on the excellence of Disney/Pixar and continues the charm we first saw in Finding Nemo and entertains crowds this summer in big numbers.
The Secret Life Of Pets
Ever wonder what your pets do when you go to work or school? The Secret Life Of Pets attempts to answer that question of what happens, as long as you live in modern Manhattan. And boy does it give some interesting answers.
This movie creates a humorous premise: pets that come across as your typical house pets but have a sneaky double-life when their owners aren’t home. However they find themselves in trouble and they all have to get back home in time before their owners return.
The thing about this movie is that it’s not focused too much on the story or taking the audience to another world the way Pixar movies do. Instead its focus is on creating crazy humor and funny characters. It’s obvious from the start its intention is to be a crazy goofy comedy to get us all laughing and it succeeds.
However such a movie cannot compromise on things like a solid story with the right beginning, middle and end, characters that fit the story and top quality animation. The movie does exactly that. Actually this movie is more driven on the humorous characters rather than be story-driven like Pixar films. Hey, we’re talking about the same animation studio that gave us the Minions. It works for such a movie and it wins over movie audiences young and old.
Pixar is not the only animation studio alone at the top. Illumination Entertainment has given it some rivalry especially with the Despicable Me movies and the Minions. Here Illumination brings back its main director Chris Renaud and its writer Bryan Lynch, Cinco Paul and Ken Daurio to create another entertaining film. The film even includes a lot of great vocal talent from Albert Brooks, Kevin Hart, Louis C.K. and Steve Coogan just to name a few.
The Secret Life Of Pets isn’t so much about creating a mesmerizing world the way Pixar’s movies are. What it does is create a story that’s entertaining to watch and full of fun intriguing characters. No wonder it charmed crowds this year.
Sausage Party is the first wide-release animated film since South Park: Bigger, Longer, Uncut to earn an R-rating. And rightly so. And I’m sure the animators, directors and actors of the movie wouldn’t want it any other way.
It’s obvious right from the start that Sausage Party is a spoof of Disney/Pixar movies but as you watch over time, and even as you look back in retrospect, it’s obvious it’s a lot more.
Those of you who’ve seen Sausage Party will know that it’s not like most of the animated movies released today. Sometimes you may even get the feeling the movie is trying to sabotage all those family-friendly movies and the wholesome values they stand for. It sure seems that way.
I hate to bring up retro 90’s assimilations but it reminded me of a lot of 90’s entertainment that pushed envelopes and had sadistic pleasure slaughtering sacred cows and skewered values and morals we held dearly, and somehow charmed us into wanting more. Yes, such entertainment that knew we’re all gluttons for punishment. And we saw that in Sausage Party as they were definitely doing lot of tricks in the book to freak us out, whether it be the storyline or characters or images, and succeeding. We also see how it’s even skewering the wholesome values that are normally promoted in the family-friendly animated movies.
One major difference that keeps it from being 90’s-style envelope-pushers. One thing about all those envelope-pushing balls-to-the-wall entertainment of the 90’s that they not only pushed boundaries but they were also successful in making squeaky clean entertainment or entertainment with morals and a conscience look either wimpy or look like a complete joke. Yep, entertainment that broke all the rules and changed the game in the process. Can you blame me for calling them ‘The Nasty Nineties?’
I don’t think Sausage Party succeeded in doing that. Despite the ‘Dixar’ bumper sticker, it’s not as much the punch-in-the-stomach comedy or middle-finger to squeaky clean entertainment from Seth McFarlane or the South Park duo is. Yes, it does mess with wholesome entertainment but it’s more interested in having fun and pleasure making us squirm in our seat. Even though it did warp my brain, I will admit this was the most fun I had in a movie theatre this summer. It’s definitely my ‘guilty pleasure’ movie of the year.
Some people have complained that the movie is anti-religion. I don’t deny that as made obvious by the characters which include one Jewish and one Arabic and most of the lot appearing to resemble Christianity. You get the first hind right at the beginning as the groceries refer to the humans as ‘the gods’ and of the mustard coming back scared over the reality of what they’ve always called the ‘great beyond.’ I knew it would be critical of religion from the reviews I’ve read and I was expecting to get my tolerance on that subject tested. However I will state it’s not the obvious blasphemy as one would commonly see in South Park episodes or a lot of works done by Seth MacFarlane. I will also state that even atheism is also looked upon critically as it will state some common traits among many atheists like a feeling of misery or a ‘smarter than thou’ attitude.
If there is one glitch, I will have to say it’s the ending. What you first think will be the ending isn’t. Instead it will lead into what should be known as an ‘animation orgy party’ and then into a bizarre ‘reality check.’ I don’t have problems with them being in the movie or even in the ending but there are many times I feel the ending could have been done better or mapped out better.
Since I’ve been doing a lot of animation studios talk, it’s interesting to know that heading this film is a Canadian studio: Nitrogen Studios Canada Inc. The head of the studios, Greg Tiernan directs his first ever feature length film along with Conrad Vernon who has directed films like the Shrek movies, the Madagascar films and Kung Fu Panda too. You could say Vernion is spoofing his own films here. Interesting that while most animated movies of this summer have big budgets, this one only cost $20 million to make. Even though the animation was not as flawless as Pixar–and I noticed some technical glitches– its top focus was the humor and it definitely succeeded at that.
Without a doubt, Seth Rogen owned the film. It was pretty much his idea to do such a film like this for years. He not only acts in this but is co-producer and co-writer along with Kyle Hunter, Evan Goldberg and Ariel Shaffir with a story he wrote along with Goldberg and Jonah Hill. He has the delightfully evil charm of the film in his hands and knows how to deliver it well. Additional acting highlights come with Kristen Wiig and Brenda Bunson, Salma Hayek as Teresa del Taco, Bill Hader as Firewater, Nick Kroll as Douche and Edward Norton as Sammy Bagel Jr. just to name a few.
Sausage Party is a film that deserves to be hated but you can’t help but love it. Yes, it will warp your mind but it has a delightfully evil charm that will make it your guilty pleasure of the year. Just don’t bring the kiddies.
Kubo And The Two Strings
After Sausage Party warped my mind, I had to watch Kubo And The Two Strings to reclaim my sanity. Good choice as it was a marvel to watch.
Normally it’s the Pixar movies that have the animation magic that mesmerize us and take us all to another world. This summer, I’d have to say it’s the world of Kubo. It was best at creating a world and an adventure that was enchanting and mesmerizing. It took a unique story that isn’t exactly one that’s best at winning big crowds and turned it into a spectacular marvel.
The thing with Finding Dory is that it does succeed in doing that but it’s a world we’ve been to before and whatever new world is in the story doesn’t differ to much from the world of Finding Nemo. In Kubo, we have a fresh new world of the imagination and that’s its advantage.
The story element of the film is just as strong. It’s about the fate of humanity and good in the world being threatened by evil and the mortality of souls and it resting in the fate of Kubo. Especially since it includes the fates of the souls of Kubo’s own parents. It’s the story of a son of a late master samurai who goes from master storyteller to the one to fight the evil forces. The very cinematic values that make the superhero movies make Kubo. In addition, it gives an alternate definition of ‘destroying the enemy’ one would come to expect. And a definition that appears to be the right thing.
While most of the films this summer were 3D computer animated films from start to finish, Kubo was a mix of both 3D computer animation and 3D stop-motion. This is a common trademark of Laika studios as seen in their past releases like Coraline, ParaNorman and The BoxTrolls. Such style of animation works to its advantage and comes off as a refreshing alternative to the 3D computerized films. It also works best in what makes this movie so captivating. I don’t think 3D computer work alone would make this film work as well.
This film is the directorial debut of Travis Knight, son of Nike CEO Phil Knight. He has actually been an animator with Laika during their first three features and now he takes the step into directing this time. He does an excellent debut job in directing. I was actually surprised to learn this is an original story. It was created by Shannon Tindle and Marc Haimes with the screenplay written by Haimes and Chris Butler. Very excellent and very true to spirit of common mythology. Vocal talents were also very good. Game Of Thrones actor Art Parkinson does a very good job in voicing Kubo and creating his personality. Charlize Theron captures the mysterious side of the Monkey excellently and Matthew McConaughey does a very good job in capturing Beetle in both his bravery and his idiocy. Dario Marianelli does a very good job with making the music fit the film. It captures the whimsy of it perfectly.
Kubo And The Two Strings is my favorite animated film of this summer. It had the best combination off all ingredients that make a great animated film from great animation to a great story to a great redeeming message. Sure, Sausage Party was fun in how it was the complete opposite of your typical family-friendly animated movie but Kubo is a reminder of why such movies win us over time after time. Also it helped me get my sanity back.
And that’s my review of animated movies of the summer. Three were strictly 3D computer animated while one mixed it with 3D stop-motion. Three were mostly family-friendly while one was obviously adults only and proud of it. Three were comedies while one was mostly a drama. Three were fresh new stories while one was a long-awaited sequel. All were entertaining in their own way and wouldn’t let you down. In addition the comedic animated movies had the box office success that eluded the live-action comedies of the summer. So yes, today’s moviegoers do have a sense of humor after all!
In conclusion, the animated movies were this summer’s top box office fare. If you’ve even seen one of the films I reviewed, you’d know why.
The story begins with what we think is a dead body on the road after an accident. Instead it appears to come alive again and get up. We meet Holly, a young paramedic student who breaks up with her boyfriend because he thinks she’s too nice. While working at her part-time job at a pharmacy, she meets Rob as she comes to help him after an on-the-job accident.
Holly and Rob start a relationship and have sex together but are interrupted all of a sudden by Rob’s deceased girlfriend Nina now undead and bloody. Holly is shocked and Rob is trying to make like nothing happened. They try and go about it and move on but Nina returns again while the two have sex. Holly tries playing seductively with Nina in order to win the battle but it doesn’t work. Holly tries to learn more about Nina and even meets her parents. Holly even tries to get a ‘Nina Forever’ tattoo like Rob’s but Nina keeps on returning. Even the two having sex on Nina’s grave fails to end her recurrences. Moving in with Rob and changing everything about the house every time she returns fails to fix the problem.
It’s then Holly decides she’s had enough and wants out. Holly goes for on-the-job training as a paramedic and a car crash victim she helps save changes her. She even catches the interest of one of her students. She takes him to her place to have sex with him, thinking Nina’s as far gone as Rob only for her and the audience to get a big surprise. The film ends on a confusing note.
I’ve seen films done before of one person in a relationship trying to rid themselves of a past beau before. However this film is something different. This is a case of one person in a relationship trying to move on past his deceased beau. This is no easy task as Nina would even make clear: “We never really ended it.” That adds to the situation and adds to the story. However the story is something funny that it becomes a case of the undead girlfriend unearthing itself. I know the movie is trying to show a bizarre and humorous story on the theme of the difficulties of moving past a deceased beau but this story takes a bizarre and humorous twist.
Overall the film comes across as bizarrely funny and often unpredictable. Even at the beginning, you don’t expect an undead ex-girlfriend to come up from under the bed. You expect the new girlfriend to play along with the undead girlfriend even less. It’s humorous because it’s trying to mesh a romance with a horror movie with a message about human nature. A very unique combination by the Blaine brothers. However there were many areas in the film that didn’t appear to make sense, especially the ending. There were times I had my head scratching. There were even a few times I may have mistaken Rob’s parents as Nina’s parents or if it was a trick from the film makers the whole time.
This is Ben and Chris Blaine’s first attempt at a feature-length film. Both are better known for their television work. Their first effort is good but imperfect and its flaws show. The acting from Abigail Hardingham, Cian Barry and Fiona O’Shaughnessy are very good. They pull all the right moves in making this bizarre film work. Especially the character work of Fiona portraying an undead woman with sexual desires unfaded. The parents were a good addition, especially with them being the ones away from all the supernatural weirdness. The music added to the film also blended in well with the film.
Nina Forever is an original comedy horror film that will get you laughing and even freak you out. However it does have some noticeable imperfections like moments that don’t make a lot of sense. Nevertheless a good first feature film from the Blaine brothers.
Here I am back to my blogging habit. Yes, I have quite the backlog in terms of movie reviews. I have the energy to post now and I’m able to post a double review of two of the hottest movies of the summer: Jurassic World and Mad Max: Fury Road. Both were either sequels or part of a franchise. Both cost $150 million each to make. Both are different in terms of the audience they can win over and both have differing success results.
MAD MAX: FURY ROAD
Yes, it’s been a long time since there’s been a Mad Max movie: 30 years to be exact. George Miller is back in directing this Mad Max movie, or picking up where he left off as one could assume. And believe me this movie was quite something else.
Right at the beginning you’re left wondering what kind of world this is. The world is a complete bizarre wasteland and the whole universe in existence is fighting each other and Max. Mind you even the bad guys are insane enough that Joe uses Max as a universal blood donor and has five wives for the sake of breeding purposes. Over time, some of the people become Max’s friend in order to save civilization from Joe.
Already that’s a lot of craziness most fans of the original three Mad Max movies would find hard to fathom but watching the movie even gives it enough craziness for any movie viewer hard to fathom. Even the people all act like they’re all on something–crack, smack, speed–and it’s not just the bad guys. Just one insane place full of insane people. However what would have to make people adjust to this new version of the Max Max franchise would have to be good characters. First would have to be Furiosa. Right in the middle of the movie, you could see the pain in which she’s going through. It’s also a pain shared by the other four wives of Joe. Once these characters were made more human, it made for something for people to connect to the story. In addition is the connection of the character Nux. Nux was very unhuman but his human side was more noticeable later on and it gave cause for people to feel for him even as he sacrifices himself.
The character work couldn’t have been done firstly without Charlize Theron as Furiosa. It’s her performance that made people feel the pain of Furiosa. There’s even talk of Oscar buzz for Charlize this early. Nicholas Hoult’s performance help turn a beast of a character like Nux into a character with dimension and actually makes the audience feel for him. Tom Hardy did a good job as Max Rockatansky. I’m sure in this film he had the duty to try to fill Mel Gibson’s shoes. I don’t know if he did it but he did a good job as Max.
George Miller did a good job not just in directing the movie and co-writing the script with two additional writers. He also created the bizarre world in which Mad Max and his allies had to survive in and fight for their freedom. Also instrumental in creating this bizarre world are the set designers, costumers and the visual effects team. The music from Junkie XL also adds to the drama and the insanity of the movie.
Of the $150 million Mad Max: Fury Road cost to make and produce, it has so far made $152.6 million in North America and $368.6 million worldwide. Not huge spectacular numbers as far as summer movie fare goes but pleasant enough for a sequel– Mad Max The Wasteland— planned for either 2017 or 2018. It has even impressed critics that it received 98% on Rotten Tomatoes. Who says all summer movies are money-grabbing junk?
Mad Max: Fury Road may not be exactly the type of movie most would expect, not even fans of the original Mad Max movies, but it exceeds the expectations of whatever you throw at it. I know for me it didn’t appear at all like what I normally expect from a sequel. And many of you already know what I feel about Hollywood sequels. I don’t even think this is even a sequel. Mad Max may just be a franchise instead of a chronological series. Nevertheless it’s way better than most common summer fare.
Already you know a movie like Jurassic World will be a hit simply because of the title. This is the few times where judging a book by its cover is legit. Whether the movie is all that great remains to be seen.
The film doesn’t really carry on the tradition of the Jurassic Park book of Michael Crichton. Instead it’s a new story concocted by Rick Jaffa and Amanda Silver and adapted to screen by Jaffa and Silver along with Derek Connolly and Colin Trevorrow who directs the movie. What happens is Jurassic Park is long defunked especially after the fatalities. The writers and directors create a story in a new park, Jurassic World. Jurassic World is a theme park that`s a whole island that includes exhibits that make it both a museum and like one of those safari parks one can drive through.
Clever work for a popcorn movie but over time, you feel the story is as simplistic as one would expect from a Hollywood story. A park worker is a woman out of love while looking after her about-to-be-divorced sister`s kids and dealing with the dinosaur trainee whom she finds charming but had a flop first date with. Sometimes it seems as though the characters seem too simplistic as well: Owen as the charming but stuffy trainer, Claire as the out-of-love-and-depressed type, Vic as the slacker security operations person, Grey as the cute kid with sad puppy dog eye and his bother Zach as the typical bored miserable teen who somehow gets cheered up by the dinosaurs.
Even the drama becomes a bit predictable over time. You sense there would have to be some sort of havoc at the World to get the story rolling. Sure enough, the escape of Indominus is what starts the drama. You have to admit it was a tad predictable. Even how the two boys become threatened in the ensuing drama is predictable too. I will admit the one unpredictable thing was when Indominus breaks into the park`s pterosaur aviary and has them all on the loose chasing all the other park visitors. I did not expect that nor did I expect the whole Jurassic World to look like a war zone at the end. I give that credit.
Overall, Jurassic World came across as a common popcorn movie where a lot of the excitement was either missing or anticipated right from the start. It`s a movie that appears undecided whether it wants to be charming or a thriller. I kind of blame it on the lack of Spilberg magic that came with the first Jurassic Park movie. I also kind of blame it on some of the character acting that appears so stocky like Bryce Dallas Howard playing another unlucky in love type, Vincent D`Onofrio playing an all-to-common slacker player and Ty Simpkins playing a typical cute kid with sad puppy dog eyes. The one good performance although in a typical popcorn movie character was from Chris Pratt. He was able to make his character of Owen Grady charming and even a bit charismatic. I also give credit to the set design team for creating this island where Jurassic World is situated on and credit to the visual effects team for delivering top notch visual effects and even delivering some thrills to the movie. Although I said the action was mostly predictable, it did deliver in some thrills.
Jurassic World wasn`t too much of a critical darling as it received 71% on Rotten Tomatoes. Good but it could be better. However the big payoff came for Jurassic World at the box office as it broke a ton of records. It all started in breaking the opening weekend record and becoming only the second movie ever to have an opening weekend that grossed more than $200 million (the 2012 Avengers movie is the first ever) and it`s been growing ever since:
- All-Time Opening Weekend: $208.8 million.
- All-Time second weekend: $106.7 million
- Fastest to $500 million (North America): 17 days
- Worldwide Opening Weekend: $524.4 million
- Fastest to $1 billion (Worldwide): 13 days
That`s just a sample of the records Jurassic World broke. I`m sure you`ll find more at Box Office Mojo. I don`t think it will break the all-time gross records especially as it finds itself out of the Top 10 in its ninth week. It may eclipse Titanic as the second-highest grossing movie in North America but it would still need at least $100 million more to contend to beat Avatar`s record.
Sure enough, there will be a Jurassic World sequel. It`s not clear if Trevorrow will return as director but he will write and produce it. Bizarre because if the Jurassic World wreaked that much havoc on that many visitors, you`d figure Jurassic World would mark the absolute end of any Jurassic theme parks. Hey, money talks especially in Tinseltown.
Jurassic World and Mad Max: Fury Road were two of the big movies of the summer of 2015. One didn`t do as well as expected while one was a record-breaker. One had a better story and better character than the other. Both gave a good statement of what the summer movie season of 2015 was like.