Most of you have already seen my first summary or even my second summary. This last summary will have a look at the last three Best Picture nominees I saw. They were Lion, Hidden Figures and Hell Or High Water.
Lion is one of those films which came out of nowhere to surprise everyone who has been lucky to see it.
We have seen many against-all-odds stories in the past. This is something because this is a true story of something that really was against all odds. It wasn’t just about making it happen but also of the family relations Saroo has developed over his lifetime. What will happen? Will he leave the family he’s always known? Is the family he’s searching for still alive? The best quality of this story is that it keeps us intrigued and hoping Saroo reunites, but also has us concerned of what will happen after.
Another quality of this story is that it does not forget the cause of the problem. Saroo is seen as the lucky one who was able to reunite with his family after all these years. However throughout the film, especially at the beginning, we see the cause of the problem. Saroo was unsupervised when he boarded the express train. The language barriers caused problems. Even Saroo’s mispronunciation of Bengali words caused problems. The train stations of Calcutta are loaded with stray children ready for abductors to prey on, and station police looking the other way. Even the missing posters advertised before his adoption were no good as his mother is illiterate. India failed Saroo and Saroo succeeded thanks to Google Earth and his fierce will. The film at the end lets people aware of the problem; 80,000 children go missing in India each year. The film’s website informs people of how they are making a difference in aiding to protect children in India.
This film is an accomplishment for the Australian film industry. I don’t know if Australia has ever had a film nominated for Best Picture before. This is director Garth Davis’ first ever feature length film. Bet you wouldn’t believe that. Luke Davies did an excellent job in adapting Saroo’s biography into a winning screenplay that keep the audience intrigued and hoping for the best in the end. Dev Patel’s performance as Saroo was the highlight as he did a great portrayal of a young man who’s angry on the inside and knows what he needs to do. Nicole Kidman was also excellent as the mother who appears grateful on the outside but has some inner hurt waiting to come out. Young Sunny Pawar was also very good playing the young Saroo. He was cute but he didn’t take it overboard. He played his part well. The film also featured top notch cinematography from Greig Fraser and excellent original music from Dustin O’Halloran and Hauschka.
Lion is an excellent film featuring a story you won’t forget. A surprise contender this year and a worthy one.
It’s good that we have a film like Hidden Figures to tell us about a piece of history that we never knew about.
The film comes at the right time as it deals with a lot of situations that are relevant in our world. This may be set in the early 60’s and revolves around a moment in space history but it has a lot of situations relevant to today. One is of workplace racism. It’s not as bad now as it is then but there are still a lot of unsolved problems. The second is of technology being so good, it can replace workers. These three women had iron wills. They knew they had potential, they knew they had what it takes and they wouldn’t let racism or the threat of modern technology stop them from reaching for their achievements.
The year of 2016 was a crushing year. It was a year that constantly reminded us that there was still a lot of racism to overcome. Despite the improvement over the decades, it was able to show its ugly head with low employment rates and police beatings. This is a film that reminds us that racism can be overcome. When you look at it, the women were doing this all during a turning point in the history of African Americans. African Americans in Virginia had less rights than they do now and discrimination was perfectly legal. Back then there were still separate washrooms for colored people, separate library books for white and colored people, and police beatings during civil rights marches. The women overcame these barriers and they opened doors for other colored people for generations to come.
This is only the second film Theodore Melfi has directed and written. This is the first feature-length script Alison Schroeder has written. Does come across as like something you’d get from Hollywood, but it’s not a weakness. It does all the right moves. Taraji Henson was great as the protagonist Katherine Goble-Johnson, but the show-stealer was Octavia Spencer. She was not only good at playing a woman who wouldn’t let technology kill her job, and the jobs of 30 other black women, but she was a colorful scene-stealer too. Janelle Monae completes the trio as one who just wouldn’t say die to her ambitions. The male actors were mostly supporting roles but Mahershala Ali was the biggest one as Jim Johnson, Katherine’s new husband. The mix of Motown music mixed in with the original score from Hans Zimmer, Pharrell Williams and Benjamin Wallfisch also added to the spirits of the movie.
Hidden Figures showcases a little-known fact about a big moment in American space history. It’s also the right uplifting movie needed at this time.
HELL OR HIGH WATER
I missed Hell Or High Water when it first came out in the theatres in August. I admit I was caught up in the summer fare and I overlooked it. I finally saw it recently and I’m glad I did.
One thing is I miss seeing is crime comedies. You know, the dark comedies featured in crime stories. This film has a good amount of comedy to it with their failures at robbing first. Even the situation where the brothers rob the Texas Midlands Bank and pay the mortgages they have with the bank off with the robbery money is full of surprising irony. It’s not even the robbery spree that has all the comedy. There’s the comedy when the rangers visit the places they question. There’s even comedy with that hard waitress at a restaurant they eat at: “What don’t you want?” The comedy doesn’t last as the story gets darker later on. However it does end on an ironic note as the now-retired Officer Hamilton does meet up with Toby Howard, perfectly free, and inquires of the robberies he and brother Tanner committed together.
One thing about this crime drama is that it has a lot to say. We have two brothers–Tanner who appears to have no redeeming values and Toby who’s as cool as a cookie– robbing various branches of the same bank. You see signs advertising debt relief. You hear from people– both family and people the brothers run into– talking of their own economic hardships. You see the indigenous people, who are still referred to as ‘Indians’ with their own outlook on things. Mostly negative. Looks like this story has a lot to say. Even hearing Alberto Parker say that he believes the true criminal is the Texas Midlands Bank does get you thinking. Maybe it’s the Bank that are the true robbers around here.
This is actually the first American production from Scottish director David MacKenzie. He has a reputation back in the UK with films like Young Adam, Hallam Foe and Starred Up. His first American production is top notch and really delivers as both a crime story and an offbeat Western. This is also an accomplishment for writer Taylor Sheridan. Already having made a name for himself in Sicario, he delivers again in what is actually his second feature-length script. Of all acting performances, Jeff Bridges is the one that was the best. He delivered a top job in character acting from head to toe. He was completely solid in character. Chris Pine was also good as the brother who’s smart and tries to play it cool. Ben Foster was also a scene-stealer as Tanner who a complete ruthless loose cannon who appears to have a bone to pick with everyone over anything and possesses a false sense of invincibility. Gil Birmingham was also good coming across as the wise partner who plays it cool. The country music in both recorded format and original from Nick Cave and Warren Ellis fit the film perfectly.
Hell Or High Water makes for an intense thrill ride that’s big on thrills but also takes you to the heat of the moments. The story even gets you thinking. Now why did I miss it during the summer?
That does it. My final summary of the Best Picture nominees for 2016. After seeing Hell Or High Water, that makes it 16 straight years of seeing all the Best Picture nominees before Oscar night. My predictions for the wins coming on Saturday.
Just recently I published my review of the live-action shorts nominees of this year. Now’s my chance to publish my thoughts on the nominated animated shorts of this year. They range in variety from 2D artistic to primitive 2D to common 3D computer animated to 3D with a unique style. All five are excellent and unique in their unique way but who deserves to win?
–Bear Story (Chile): dirs. Gabriel Osorio Vargas and Pato Escala Pierart – It’s a story of a bear who misses his wife and son dearly. Every day he goes out on the street and shows a diorama show to those of the story of how he was abducted from them both and taken away to be part of the circus. The show also ends showing his hope that one day he will be reunited with them both.
The film is a sad story that touches your heart without trying to mess with it. It’s 3D animation but instead of the characters looking human, it comes looking like toy soldiers. I’m not too sure of the creative purpose of that. Nevertheless it does make for an entertaining short film.
–Prologue (UK): dirs. Richard Williams and Imogen Sutton – This is one film where there was a viewer discretion warning and advised minors to leave the theatre before it was shown. The film takes part 2,400 years in the past. A child watches a brutal war between two teams of Spartan and Athenian warriors.
This is the rawest nominated short I’ve ever seen ever since they’ve shown the shorts in theatres. The art is simplistic as it consists mostly of pencil drawings with very little coloring. However it merits a lot in terms of its artistry. It also tells a story in brutally relentless fashion even depicting the battles in gory manner. It’s very rare to see a short animated film that’s strictly adults only. It also made it refreshing to see such a short.
–Sanjay’s Super Team (USA): dirs: Sanjay Patel and Nicole Paradis Grindle – Sanjay loves watching the Super Team on television but his father is very insistent on a religious prayer habit, even at Sanjay’s young age. Right during the prayer ritual, Sanjay’s imagination comes alive. The gods he’s praying to form a Super Team of his own and they join Sanjay in the battle against a nemesis.
This is from Pixar and was the short before The Good Dinosaur. Director Sanjay Patel has an impressive resume working as an animator for Pixar in films like A Bug’s Life, Toy Story 2, the two Monsters movies, The Incredibles and Ratatouille. This film in which he co-directs is his directing debut. The film shows similar imagination to that of the Pixar team while also taking us into a brief but memorable time into an incredible fantasy world. Very good from start to finish. I predict it as my Should Win pick and Will Win pick.
–We Can’t Live Without Cosmos (Russia): dir. Konstantin Bronzit – Two childhood friends train to be cosmonauts in space. Only one will go off into space. The other will be the alternate or next in line if something bad happens to the first. One friend got picked. The other friend wishes him well on his voyage. However shortly after blast off, the friend disappears. The friend down on earth is unhappy. He can’t even adjust well to his alternate whom he doesn’t get along with at all. Actually the alternate can’t get along with anyone. The friend makes a decision to the surprise of many, and to us. It’s a decision we’re glad he made.
It’s a 2D film with a story that doesn’t need dialogue for us to get the messages. Over time we learn the story isn’t about trying to make it into space but about just how close the friendship is. The two train together and dream together. When his friend is lost into oblivion, his ambition to be the next in space disappears just like that. You can easily see why he made the decision to do what he did.
–World Of Tomorrow (UK) dir. Don Hirtzfeldt – The story begins with a toddler named Emily in a room. Out of nowhere comes a clone also named Emily who came from 227 years into the future back to the present. The adult Emily, ‘Emily Clone,’ tells the child Emily, ‘Emily Prime,’ of the human’s attempts to achieve immortality through cloning and showcasing the various worlds including the ‘Outernet’ and the various memories of the clone Emily. Very different and very unique.
This is another 2D short. The drawing is very simplistic. However it’s the story that’s the top quality of the film. We see a bizarre but unique story of Emily Clone and Emily Prime the future world and the future of Emily. The funniest element of the short is Emily Clone keeps on talking in her highly scientific speech and all Emily Prime does is just respond back in her childish gibberish. That adds to the humor of the short.
In conclusion I know I picked Sanjay’s Super Team as both my Should Win and Will Win choice. Normally I wouldn’t pick such a film to win but I find it hard to see any of the other four films try to top it. All five are excellent but I think Sanjay stands alone. I know World Of Tomorrow won the Annie Award but I have my feeling about Oscars voters. Mind you the shorts categories are some of the least predictable categories of the Oscars.
And there you go. My thoughts on the Oscar nominated Animated Shorts. Winner to be decided in two weeks.
“I suppose in the end, the whole of life becomes an act of letting go. But what always hurts the most is not taking a moment to say goodbye.”
Life Of Pi is a novel by Yann Martel you may have already read or not. It now hits the big screen just eleven years after its publishing and is directed by Ang Lee. How well does it entertain?
Pi Patel is a man of fascination for a young Montreal writer. The writer was refered to him by a man in India named Mamaji and one day he’s fortunate to meet Pi in his own Montreal home and he tells him his story:
Pi Patel was born in India and named after the legendary French pool Piscine Molitor. Having the name Piscine Patel was not easy as he would have to endure taunts from his classmates. Then on the first day of school at the age of eleven, he decided he would be known as Pi from now on. He’d even try to recite all the numbers that make up pi to get it through to their heads.
Pi grew up with a wealthy family in India. His family owned a zoo and he experienced a love for the animals. Nevertheless he was taught to fear the wild ones. The zookeeper gave Pi a lesson in wild animals as a child after he tried to feed a bengal tiger who is named Richard Parker by the zookeeper.
Also during his childhood, Pi developed an interest in religion and experiencing God. He was born and raised a Hindu but would soon experience Roman Catholicism and Islam. As a teen he falls in love with a girl named Anandi. However all that has to change as Pi’s family has lost the zoo to land owners. The family decides to move to Canada and sell the zoo animals.
The family travel across the Pacific in a Japanese freighter named the Tsimtsum. The trip is mostly calm except for having a bigoted cook. However tragedy strikes as the ship is caught in a storm in the middle of the Marianas Trench. The ship sinks taking Pi’s family and the crew with them. Pi miraculously survives and manages to get himself in a lifeboat. Pi’s lifeboat overcomes the storm but there’s one surprise: his lifeboat includes a hyena, a zebra and orangutan. The hyena soon kills both the zebra and the orangutan only to find himself killed by the tiger Richard Parker who comes out of nowhere.
So that’s all it is: a lifeboat, Pi and the tiger Richard Parker. He’s able to retrieve the food and water supplies from the lifeboat. He builds a raft tied to the boat to keep a distance from Richard Parker. Pi soon loses much of the food supplies after a whale dives near them so Pi is left with no choice but to fish and collect rain water for Richard Parker and himself. The fish was hard as Pi is a vegetarian through his Hindu upbringing. Over time he realizes that Richard Parker is as vital to his survival as Pi is to Richard Parker’s.
After months at sea they find an island. It seems like a relief. It’s a floating island full of animals, a forest and fresh water. It seems like relief until they learn that the ‘fresh’ water turns acidic in the night and the island has carnivorous plants. They must return to sailing.
The lifeboat does reach land: the coast of Mexico after a total of 227 days. Richard Parker discovers a jungle for him to live in. Pi hopes Richard Parker will acknowledge him before entering but instead walks into the jungle without looking back. Mexican rescuers discover a weak exhausted Pi crying because Richard Parker walked away without him. Recovering in his hospital bed, Japanese insurance agents ask Pi for the story but don’t buy the story with the animals. Pi then gives a second story consisting of his mother, a sailor with a broken leg and the ship’s cook to the same story line. They’re left with the dilemma which story to believe as does the young novelist.
It does seem odd that the movie is tiled the Life Of Pi but the movie focuses mostly on Pi lost at sea for nine months. I think that was the point that there’s always one moment or one situation in a person’s life that seems to define them more than any other moment in their time. It turns out it was Pi surviving in the Pacific Ocean with Richard Parker in the boat. It seems appropriate that this was his moment especially since he was named after a swimming pool and it the Pacific Ocean–the biggest swimming pool in the world–that he’s able to prove what he’s made of. The movie is also a testament of Pi’s character as well. He wouldn’t put up with being mocked because of his name. He was determined to survive at sea despite losing all his family and despite dealing with a life boat with a wild tiger. And he appears to the local novelist as if he was never scathed. I think the incident did a lot to change Pi and helped him to tough things out and move past tragedy.
The movie may be about one boy’s will to survive but it’s also about Pi’s ability to tell a story. He’s good at telling stories about others and about his own life. It’s his storytelling ability at a young age where he gives the Japanese ship authorities two different stories of the sinking that shows Pi’s biggest gift. That could be the best reason for his survival. I will admit that the story overall does seem like an over-the-top story. A teenage boy surviving in a lifeboat with a tiger for over nine months in the Pacific Ocean, surviving typhoons and whale dives, finding temporary relief on an Atlantis-like island, and Richard Parker disappearing in the Mexican forest never to be seen again. Nevertheless this is what’s best about seeing a movie in a cinema. It makes you a believer of that story for two hours. I really enjoyed seeing that movie. It was escapism at its best.
The acting was quite good. Suraj Sharma did a very good job of acting for an actor so young and especially for a debut. You could bet the hardest part had to be simulating the tiger in the boat. I’m sure that in the scenes the actual tiger was used, the tiger had to be well-trained if he was to work in a movie. Ang Lee did a very good job of directing. I mentioned in my review of Hugo of how many renowned directors have done family movies in the last ten years and Ang is the latest. Directing a family fantasia like this and doing an excellent job of it adds to his versatility as a director. He’s already established himself as a maverick director with movies like Sense And Sensibility, Crouching Tiger, Hidden Dragon, Brokeback Mountain and now this.
David Magee did a very good job in adapting the book to screen. The storyline itself is one that can easily appeal to families as some of the most famous family movies have been animal stories. Magee does a good job in creating such a story to charm people of all ages. Claudio Miranda delivers some of the best cinematography of the year. The music of Mychael Danna adds to the film’s magic. The biggest ingredient of the film’s magic has to be the visual effects. The creation of storms, the simulating of the ship sinking, the simulating of animals, the mysterious island, that had to be the biggest and best quality in adding to the magic of the movie. And to have it in 3D is a bonus addition to the magic.
I hate to compare the Life Of Pi to Hugo in terms of which is the bigger family movie masterpiece. Life Of Pi is a masterpiece of its own and makes for a great escape for the whole family. Definitely worth seeing.