Most of you have already seen my first summary or even my second summary. This last summary will have a look at the last three Best Picture nominees I saw. They were Lion, Hidden Figures and Hell Or High Water.
Lion is one of those films which came out of nowhere to surprise everyone who has been lucky to see it.
We have seen many against-all-odds stories in the past. This is something because this is a true story of something that really was against all odds. It wasn’t just about making it happen but also of the family relations Saroo has developed over his lifetime. What will happen? Will he leave the family he’s always known? Is the family he’s searching for still alive? The best quality of this story is that it keeps us intrigued and hoping Saroo reunites, but also has us concerned of what will happen after.
Another quality of this story is that it does not forget the cause of the problem. Saroo is seen as the lucky one who was able to reunite with his family after all these years. However throughout the film, especially at the beginning, we see the cause of the problem. Saroo was unsupervised when he boarded the express train. The language barriers caused problems. Even Saroo’s mispronunciation of Bengali words caused problems. The train stations of Calcutta are loaded with stray children ready for abductors to prey on, and station police looking the other way. Even the missing posters advertised before his adoption were no good as his mother is illiterate. India failed Saroo and Saroo succeeded thanks to Google Earth and his fierce will. The film at the end lets people aware of the problem; 80,000 children go missing in India each year. The film’s website informs people of how they are making a difference in aiding to protect children in India.
This film is an accomplishment for the Australian film industry. I don’t know if Australia has ever had a film nominated for Best Picture before. This is director Garth Davis’ first ever feature length film. Bet you wouldn’t believe that. Luke Davies did an excellent job in adapting Saroo’s biography into a winning screenplay that keep the audience intrigued and hoping for the best in the end. Dev Patel’s performance as Saroo was the highlight as he did a great portrayal of a young man who’s angry on the inside and knows what he needs to do. Nicole Kidman was also excellent as the mother who appears grateful on the outside but has some inner hurt waiting to come out. Young Sunny Pawar was also very good playing the young Saroo. He was cute but he didn’t take it overboard. He played his part well. The film also featured top notch cinematography from Greig Fraser and excellent original music from Dustin O’Halloran and Hauschka.
Lion is an excellent film featuring a story you won’t forget. A surprise contender this year and a worthy one.
It’s good that we have a film like Hidden Figures to tell us about a piece of history that we never knew about.
The film comes at the right time as it deals with a lot of situations that are relevant in our world. This may be set in the early 60’s and revolves around a moment in space history but it has a lot of situations relevant to today. One is of workplace racism. It’s not as bad now as it is then but there are still a lot of unsolved problems. The second is of technology being so good, it can replace workers. These three women had iron wills. They knew they had potential, they knew they had what it takes and they wouldn’t let racism or the threat of modern technology stop them from reaching for their achievements.
The year of 2016 was a crushing year. It was a year that constantly reminded us that there was still a lot of racism to overcome. Despite the improvement over the decades, it was able to show its ugly head with low employment rates and police beatings. This is a film that reminds us that racism can be overcome. When you look at it, the women were doing this all during a turning point in the history of African Americans. African Americans in Virginia had less rights than they do now and discrimination was perfectly legal. Back then there were still separate washrooms for colored people, separate library books for white and colored people, and police beatings during civil rights marches. The women overcame these barriers and they opened doors for other colored people for generations to come.
This is only the second film Theodore Melfi has directed and written. This is the first feature-length script Alison Schroeder has written. Does come across as like something you’d get from Hollywood, but it’s not a weakness. It does all the right moves. Taraji Henson was great as the protagonist Katherine Goble-Johnson, but the show-stealer was Octavia Spencer. She was not only good at playing a woman who wouldn’t let technology kill her job, and the jobs of 30 other black women, but she was a colorful scene-stealer too. Janelle Monae completes the trio as one who just wouldn’t say die to her ambitions. The male actors were mostly supporting roles but Mahershala Ali was the biggest one as Jim Johnson, Katherine’s new husband. The mix of Motown music mixed in with the original score from Hans Zimmer, Pharrell Williams and Benjamin Wallfisch also added to the spirits of the movie.
Hidden Figures showcases a little-known fact about a big moment in American space history. It’s also the right uplifting movie needed at this time.
HELL OR HIGH WATER
I missed Hell Or High Water when it first came out in the theatres in August. I admit I was caught up in the summer fare and I overlooked it. I finally saw it recently and I’m glad I did.
One thing is I miss seeing is crime comedies. You know, the dark comedies featured in crime stories. This film has a good amount of comedy to it with their failures at robbing first. Even the situation where the brothers rob the Texas Midlands Bank and pay the mortgages they have with the bank off with the robbery money is full of surprising irony. It’s not even the robbery spree that has all the comedy. There’s the comedy when the rangers visit the places they question. There’s even comedy with that hard waitress at a restaurant they eat at: “What don’t you want?” The comedy doesn’t last as the story gets darker later on. However it does end on an ironic note as the now-retired Officer Hamilton does meet up with Toby Howard, perfectly free, and inquires of the robberies he and brother Tanner committed together.
One thing about this crime drama is that it has a lot to say. We have two brothers–Tanner who appears to have no redeeming values and Toby who’s as cool as a cookie– robbing various branches of the same bank. You see signs advertising debt relief. You hear from people– both family and people the brothers run into– talking of their own economic hardships. You see the indigenous people, who are still referred to as ‘Indians’ with their own outlook on things. Mostly negative. Looks like this story has a lot to say. Even hearing Alberto Parker say that he believes the true criminal is the Texas Midlands Bank does get you thinking. Maybe it’s the Bank that are the true robbers around here.
This is actually the first American production from Scottish director David MacKenzie. He has a reputation back in the UK with films like Young Adam, Hallam Foe and Starred Up. His first American production is top notch and really delivers as both a crime story and an offbeat Western. This is also an accomplishment for writer Taylor Sheridan. Already having made a name for himself in Sicario, he delivers again in what is actually his second feature-length script. Of all acting performances, Jeff Bridges is the one that was the best. He delivered a top job in character acting from head to toe. He was completely solid in character. Chris Pine was also good as the brother Toby who’s smart, tries to play it cool and possibly the one person in the world who could see redeeming qualities in brother Tanner. Ben Foster was also a scene-stealer as Tanner who a complete ruthless loose cannon who appears to have a bone to pick with everyone over anything and possesses a false sense of invincibility. Gil Birmingham was also good coming across as the wise partner who plays it cool. The country music in both recorded format and original from Nick Cave and Warren Ellis fit the film perfectly.
Hell Or High Water makes for an intense thrill ride that’s big on thrills but also takes you to the heat of the moments. The story even gets you thinking. Now why did I miss it during the summer?
That does it. My final summary of the Best Picture nominees for 2016. After seeing Hell Or High Water, that makes it 16 straight years of seeing all the Best Picture nominees before Oscar night. My predictions for the wins coming on Saturday.
I’ll admit it’s rather late for me to be reviewing Frozen. I wasn’t interested in it at first. However its success at the box office coupled with its Oscar buzz helped me change my mind.
Normally I’d give a description of the film in my reviews but I won’t here since most of you have already seen Frozen by now. I’ll just go in to what I have to say. There are a lot of unique and great aspects of this movie. First is its unexpected twists. You’d first think it would be Kristoff that would save Elsa, Anna and the kingdom but it turns out to be Elsa. Already there are a lot of writers and bloggers comparing Elsa to Merida in Brave in terms of heroine status. I’ll bet you never thought Kristoff would be one of the bad guys. Second is its animation that truly mesmerizes. I was dazzled when I saw Elsa’s snow-spell and even the ‘ Castle Of Ice’ created on screen. Watching Frozen was like being taken to a world of ice at times.
Thirdly is the musical aspect of the movie. For many decades, even as close to about twenty years ago, animated movies were commonly musicals and excelled in telling the stories with catchy songs. From Someday My Prince Will Come in Snow White and the Seven Dwarfs to Hakuna Matata in The Lion King, you could always rely on an animated feature to deliver charming music. When 3D became the staple of animated features, the features were predominantly non-musicals and the movies were more focused on the story and the animation. When was the last animated feature done as a musical that dazzled you? Yeah, that far back. Frozen is the first 3D animated musical that has won the movie-going public by storm. It’s refreshing to see the musical aspect come back in animated movies and even added to 3D animated movies successfully for the first time. I think the success of Frozen will churn out more musical-styled 3D animation features.
Frozen is a welcome relief in terms of animated movies for 2013. This year was a rather quiet year in terms of animated movies. Sure this summer featured the excitement of the comeback of the monsters of Monsters University and Despicable Me 2 took ‘minion mania’ to new heights but there was nothing new to create new buzz. Nor was there anything with writing that stood out. I’m sure that became apparent to a lot of my subscribers when I published my blog about Pixar appearing to have lost its spark. Frozen may have come late in 2013 but it sure came to the rescue. Its excellence is not just in having a thrilling story but also in having excellent animation.
Also Frozen has a bonus aspect: catchy songs. It’s not just something that’s been missing from animated movies but movies in general since the new century. You may remember before the 2000’s came there were many catchy songs that came from movies. Since 2000, the presence of a catchy song or even a hit song from a movie is something that has been very rare. I think the last hit song from a movie before Frozen was Slumdog Millionaire’s Jai Ho. I was especially surprised during 2006 when Dreamgirls was in theatres, none of the songs were released as singles despite Beyonce’s chart-topping prowess at the time. I know most of North America was in a hip-hop coma at the time but still… Frozen helped bring back the catchiness of movie music. Already two versions of Let It Go are on the charts right now: Idina Menzel’s version is currently #18 on the Hot 100 and Demi Lovato’s version is at #56 having peaked at 38. Recently Do You Want To Build A Snowman? started hitting the charts and is now at #57. I guess it’s no wonder that the movie has been re-released in a sing-along version.
It’s hard to pick who first to compliment. First off, I’ll say the animation was top notch. The Walt Disney Animation Studios did an excellent job in creating a charming trip to the past and a mesmerizing world of ice. Secondly, kudos should go to Christophe Beck and Kristin Anderson-Lopez for providing music that was not only entertaining but the catchiest movie music in years. Thirdly a great job in the acting and singling by both Kristen Bell and Idina Menzel. They’re already established actors and they’ve also had musical experience but this has to be the best combined singing/acting efforts from both of them. The supporting actors were also great in their roles too including Jonathan Groff and Santino Fontana. However it’s Josh Gad that steals the show as the goofy Olaf. Finally great acting/writing efforts from Chris Buck, Jennifer Lee and Shane Morris. It was something to take Hans Christian Andersen’s The Snow Queen and turn it into an animated musical. They really delivered a winner. In fact you remember how Disney movies would give animated adaptations of children’s stories like Snow White, Cinderella, Pinocchio and The Lion King and turn them into beloved classics? I think Frozen is destined to go that same route over time.
Funny thing about Frozen is not just simply its current total success with its box office run but its lack of success when it first started. I’ve noticed on Box Office Mojo that it was only on one single theatre when it opened because it didn’t want to compete with the opening of the latest Hunger Games movie. It got better the following week when it was spread across North America and grossed $67.4 million that weekend but it was still in second to the Hunger Games by $7 million. The funny thing is while most movies came and went during the six weekends since, Frozen stuck around in the Top 3 and was even #1 on two different weekends. It was even #2 the weekend of January 31-February2nd: its eleventh weekend. Okay, the sing-along version release may have something to do with it but it just goes to show its lasting power. In fact it wasn’t until this weekend, its thirteenth, that it finally left the Top 5 and currently sits at #8 with a total gross of over $375 million.
Frozen has been the animated movie both moviegoers and fans of film alike have been waiting for all of 2013. It was definitely worth the wait because it delivers in terms of quality and entertainment value. Maybe I should go back for the sing-along version.