The musical biopic Bohemian Rhapsody came out in movie theatres this year. We’ve seen music biographies before. The big question is does this film simply chronicle Freddy Mercury’s life? Or does it do much more?
The film begins just as Queen is about to step to the stage to perform in the 1985 Live Aid Concert. The film then flashes back to 1970 when Smile is an English band consisting of Brian May, Roger Taylor and singer Tim Staffell. Faroukh ‘Freddie’ Bulsara is a Farsi immigrant who studies and also works as a baggage handler at Heathrow airport. Freddie faces a lot of discrimination for the color of his skin and mockery because of his hyperdontia which makes him look like he has a mega-overbite. However Freddie does lose himself in rock and roll.
One night, Staffell quits Smile in disappointment. Freddie was there attending the show. When he sees what happened, he asks to join the band. The band gets a rocky start as they play at small college gigs, but it looks promising and Freddie fully believes in them all. The rock singer gig does not go well with his family who feels he should earn his living more ‘honestly.’ Freddie also wins the attraction of college student Mary Austin during a clothes shopping trip. They start dating and romancing.
Over time, Queen gets bigger and they soon have to record an EP. It will cost a lot of money and Freddie agrees to sell the van for money. The EP is a success and it attracts major music producers including one from EMI Records interested in the band. The band changes their name to Queen and Freddie even legally changes his name to Freddie Mercury. The band is acquired by John Reid, Elton John’s manager, and assistant manager Paul Prenter. They bring the band to a gig on BBC’s Top Of The Pops where the band lip syncs Killer Queen. As success grows, including success in the US, Mary and Freddie get engaged. However soon after Freddie learns of his bisexuality.
The band try to record their album A Night At The Opera and the song Bohemian Rhapsody, but the song is too long and hard to perform. On top of that, producer Ray Foster is antagonistic on the band for both the song and the music for the whole album. After Foster refuses it as a single, Freddie gets a local DJ to play Bohemian Rhapsody. The song opens to a lot of negative reviews, but also scores big on the charts worldwide. However Freddie starts an affair with Prenter and has to call off the engagement with Mary. Mary is devastated, but agrees to remain friends.
In the film, the band has continued success in the early 1980’s with We Will Rock You. However the band experience tension both by Freddie’s lavish partying lifestyle and the increasing controlling ways of Prenter. Freddie even cheats on Paul with a waiter, but the waiter tells Freddie to find him after he finds himself. The friction between Freddie and the band grows to the point Freddie leaves the band to record a solo album upon the direction of Prenter. However it becomes obvious how much Prenter wants a piece of the action and Freddie both breaks up with him and fires him.
Soon Freddie learns he has HIV right when the devastating AIDS epidemic was at its most troubling times. He returns to the band confessing it was wrong for them to leave. They’re offered an appearance at the 1985 Live Aid Concert which will be broadcast worldwide to raise money for food supplies during the famine in Africa. This will be the band’s comeback concert, but it will take a lot of effort to bring the band back to their level of performance.
Just before the concert, Freddie confronts his parents to make peace with them. Freddie is also supported backstage by a pregnant Mary along with her husband David. Bob Geldof is hoping for a lot of call-in donations through this concert. Then Queen get on stage and it’s like they never missed a step. The crowd is blown away, television crowds are dazzled, and the donations accelerate like nobody’s business. Queen was back and alive!
There have been musical biographies in films done many times before. In order to make a winning story about a musician, the film will definitely have to include the music. That’s what made the musician great. The film will also have to include key events of the person’s life: the artistic moments, the triumphant moments and the struggles, even any tragedies. It’s all a matter of deciding the right moments for the right beginning, middle and end of the film.
The film does a smart move in making the Live Aid Concert the pivotal moment for Freddie Mercury both as the scene where the movie starts before flashing back in time and ultimately ending. The film also does a good job in picking out moments such as when Freddie joins the band Smile, changes it to Queen, first hits it big with Killer Queen releases their iconic Bohemian Rhapsody, faces friction as well as declining fame in the early 80’s, Freddie’s HIV diagnosis, and their return to winning the public at Live Aid.
However the film also risks disappointing a lot of Queen fans because of how inaccurate the story is. Despite Jim ‘Miami’ Beach being the film’s co-producer and May and Taylor being music consultants, The five biggest inaccuracies Queen fans are most likely to notice are, firstly, Freddie was actually introduced to Brian May and Roger Taylor of Smile by singer Tim Staffell when Staffell wanted to pursue further studies. Secondly, We Will Rock You was written and recorded in the late-70’s rather than the early-80’s. Thirdly, John Deacon was actually Queen’s fourth bassist rather than the original bassist. Fourthly, Queen never split up nor did they get back together at Live Aid. Freddie may have had solo work — the most famous being Barcelona: the duet with Montserrat Caballet — but Roger Taylor also had a solo album too. Fifthly, Freddie learned he was HIV-positive in 1987: after Live Aid. Those that know the true Queen story will know that a lot of these moments in the film were mostly common music-movie cliches rather than the truth about Queen.
Despite failing a lot of Queen fans with some of the inaccuracies and cliches, the film does succeed in a lot of ways and even presents some truths even Queen fans knew. Freddie did credit his extra teeth for his singing, he adored his cats, he held outlandish parties, the song Bohemian Rhapsody was considered too long and too ridiculous at first, Freddie did keep his ordeal with HIV and AIDS private as he did not want to be an object of pity, and finally his friendship with Mary Austin lasted until his death and she did live next door to him even while married to David. The film does stick to the truth in a lot of areas, including that of how Paul Prenter was a controlling person in Freddie’s life. However another added quality is that the film does an excellent job of capturing the essence and feel of Queen’s music. Those that haven’t heard much of Queen’s music will experience songs they never heard before. Those that are fans of the band will fall in love with the songs again. Also those that want to be rock musicians themselves will be inspired to pursue their dreams after watching the film. You not only hear the music, but you can also get the feel of a rock performer too.
The film has already grossed $844.4 million worldwide at press-time with $210.6 million coming from North America. However the film has also faced a ton of heat during the awards season. The cause for all of this was for director Bryan Singer. As you know, Singer has faced criminal charges of being a sex offender. How it happened that Dexter Fletcher stepped into directing the remainder of the film upon the departure of Bryan Singer is that Singer was fired after having violent clashes with Rami Malek. Singer, and not Fletcher, was credited as the film’s director. The awards season has seen the film win many accolades which many have voiced their displeasure about. Possibly due to hostility during the #MeToo movement, many are speaking their mind as if they’re saying a win for Bohemian Rhapsody is a win for a sex offender. I personally feel that Fletcher should have been credited as director. However despite the fact that Singer was fired, people are still unhappy. Makes you wonder what will satisfy them all? Denying the film a release and trashing it altogether? This is a reflection on how toxic and bullying the free speech of social media can be.
Anthony McCarten in cooperation with Peter Morgan may have written a story that was more cliched than truth, but it did capture a lot of the essence of Queen and a lot of the essence of Freddie Mercury. As for the ending, I can understand why they went for the heavy drama by ending with the Live Aid Concert. I’d rather they went with the moment Freddie records The Show Must Go On. Those who know the story behind that will recognize it as one of the biggest triumphs of Mercury’s career and a testament of his mental toughness.
The film also captured the essence of Brian, John and Roger well too. Co-director Dexter Fletcher did a very good job of picking up where Singer left off and creates an exciting experience for the audience. However the biggest triumph is the performance of Rami Malek. Until Bohemian Rhapsody, he was facing the common difficulty of actors of Middle Eastern descent with limited opportunities. It almost seemed like the biggest thing he would ever be known for is playing the Pharaoh in the Night At The Museum movies. This also was not an easy task because Malek was not originally a fan of Queen. However that all changed when he was given the role. Malek was excellent in his performance and will blow away anyone who sees this film.
The actors portraying Brian, Roger and John — Gwilym Lee, Ben hardy and Joseph Mazzello, respectively — also added to the film. Lucy Boynton was also excellent as the friend Mary Austin. Even minor performances like Tom Hollander as Jim Beach, Mike Myers as Ray Foster, and Allen Leech as Paul Prenter did very well with the roles they were given. Julian Day did a very good job with the costuming, Aaron Haye did an excellent job with the set design, and the producers did a very good job in choosing the right songs for the film.
Bohemian Rhapsody has some noticeable errors in the film. However the film succeeds in capturing the spirit of Freddie Mercury, capturing the music of Queen and capturing the experience of a rock star. No wonder it dazzles those that see it.
One thing of the VIFF I consider to be a treat is whenever I attend a shorts segment. The segment I saw entitled New Skins And Old Ceremonies was a selection of seven shorts from Canadian directors. They were all unique in their own way.
Lost Paradise Lost: dir. Yan Groulx- Two people named Julie and Victor are out of love and find themselves boarding a bus full of strangers to anywhere. Where it takes them is a bizarre place for those out of love and rivals and threats to deal with. An eccentric short nonetheless, but it captures the feel well and makes sense in the end.
Flood: dir. Amanda Strong- It’s an animated short about an indigenous person and how the Canadian system did what it could to make them and their people feel inferior. It’s a story worth telling. The mix of stop-motion for modern images and traditional indigenous art adds to the story. The film ends with a renewed sense of pride.
Cherry Cola: dir. Joseph Amenta- Two drag queens are out on a night to dress up, have fun, and get revenge on an ex-boyfriend. It seems confusing at first, despite being intriguing to watch. You first think it’s a comedy, but the story ends on a dark note. It exposes an overlooked heartache some transvestites have.
The Good Fight: dir. Mintie Pardoe- A young woman goes into a sex toy shop to buy a toy. This woman is a nun about to be ordained. She struggles with her sworn commitment to celibacy, but the secret does get exposed. And with a surprising ending. Directed by a recent UBC graduate, the story is basically for the sake of shock value as it appears no actually research on the Catholic Church and vocations were done. Basically that’s all it is: entertainment for hedonists.
Sea Monster: dirs. Daniel Rocque and Kassandra Tomczyk- Tomczyk co-wrote, co-directed and stars in this short. Charley and Aria are a couple cooped up in a hotel madly in love, but both are coping with trauma. Aria dreams of a squid. Then the two make out on night in the fashion of a squid, followed by a bizarre aftermath. This is a film that’s nothing short of experimental. This film is good at getting creative in its time frame and setting.
Thug: dir. Daniel Boos- We first see how three friends– Eman, Simon and Josh– are shooting a low-budget gangsta film. Director Josh recommends to Eman that he creates a hold-up scene on Simon unexpectedly to make the film more ‘real.’ Eman agrees, despite the risk to their friendship. It does a lot more; it arouses suspicion from the local police. Later, Eman and Simon talk about roles they wish they could play before Eman auditions for a role as a gangster thug. This short film sends a message about how minorities in acting get the short end of the stick in terms of the roles they are offered and are often limited to racial stereotypes.
Let Your Heart Be Light: dirs. Deragh Campbell and Sophy Romvari- Both Deragh and Sophy write, direct and act in opposite names in this short. Sophy is confined to spend Christmas alone after a break-up. Deragh pays a visit and makes her Christmas. The film is slow and lacking in energy, but it does a good job of making use of its time and keeping with the Christmas vibe.
In summary, all seven were different in their own way it terms of both style and quality. There were a couple that were either inconsistent in story or lacking in energy. There were a couple that were eccentric, but the eccentricities worked for the film. There were also some films that made you think. The ones that made me think were my favorites as the messages came across very well and very effectively.
New Skins And Old Ceremonies makes for a unique array of seven shorts by Canadian directors. Some were good, some were bad, but all were an opportunity for the directors to make names for themselves.
I’m sure almost all of us are familiar with Abraham Lincoln. Even if you don’t live in the United States, you must have learned about him and his presidency somehow. Steven Spielberg has directed the epic biographic movie of Lincoln. Will it show the Lincoln we know or the Lincoln we don’t know?
It’s January 1865. Lincoln has been re-elected President back in November. However the Civil War is entering its fifth year. It has been the most brutal war on American soil in terms of destruction and fatalities. The Emancipation Proclamation, the law completely abolishing slavery, is being debated in the US House of Representatives. Politicians from both the American states and the Confederate states debate it. Both sided stand firm in their beliefs. Meanwhile Abraham Lincoln and Thaddeus Stevens–a strongly anti-slavery Republican who demanded total war on the Confederate States– are waiting and debating as the Proclamation is nearing its vote into law as the Thirteenth Amendment. However the Republicans want the vote delayed because they fear the outcome and want the War to end. Lincoln doesn’t want to wait. He wants slavery over before the Confederate States can be reintegrated.
This takes an impact on how people view Lincoln. Lincoln is one president who’s willing to meet with Civil war soldiers on the ‘Yankee’ side and hear the stories they have to tell. Many politicians view him as a wise communicator who always has an interesting tale of past history that will make one think about the present. However Lincoln loses some appeal as he’s unable to convince Republican Party founder Francis Blair in his method of dealing with the Confederates instead of peace negotiations. He even senses possible political tension in Stevens desire for racial equality included with ending slavery, fearing the Thirteenth Amendment won’t pass. He a meets up with Secretary of State William Seward with a plan to convince the Democrats to support the amendment with offers of federal jobs.
His family life is also impacted by this all too. Lincoln is adored by his youngest son Tad. His wife Mary is known for her outlandish mouth and is frequently involved with spats with Abraham and even breaks down whenever their late son Willie comes up in conversation, especially since it’s possible their oldest son Robert might have to fight. Meanwhile Robert returns home from his law studies as he had just been named Union Captain to General Ulysses Grant. He’s studying to be a lawyer like his father but is willing to fight in the war if he has to. That leaves Abraham very uncomfortable and even coming to some confrontations with Robert.
Then the day comes for the Emancipation proclamation to be voted upon. Lincoln has gone far to get this voted upon fast to the point of even instructing Confederate envoys to be kept out of Washington. This was a moment of focus for all the nation. In the end, the Emancipation proclamation was voted into law by a margin of just two votes and the abolition of slavery was sealed as the Thirteenth Amendment of the American Constitution. People outside the White House, both black and white, celebrated. Lincoln finally meets with the Confederate envoys after the vote but they were willing to rejoin the Union if they could prevent the amendment from becoming law. Lincoln sent the message: “Slavery’s done.”
It would take time for the Civil War to end: April of 1865 to be exact. Then on April 14, 1865 Lincoln is in a meeting discussing measures to give suffrage to blacks when he is reminded Mary is waiting for him at Ford’s Theatre. That night…the rest is infamy. Nevertheless we’re reminded of the man who is an integral part of history with a flashback to his Second Inaugural Address.
The best thing about the film is that it does not just focus on Lincoln the maverick politician but Abraham Lincoln the person. He was a friendly talker and did his best to be a good father and a loyal husband but he was also stern in what he believed. It was not perfect because he wanted the Emancipation Proclamation to pass but knew that mention of equality for blacks would deter many Representatives from giving it a ‘Yay’ vote. He was as much a strategist as he was an idealist. He knew any chances of equality would be a step-by-step procedure and emancipation was the first step. He knew of the bloody war happening and of the Confederate’s rebellion but he knew it had to be done.
Another excellent quality of this film is that it shows the political climate of the time. We should remember that the United States of America wasn’t even a century old at the time and slavery had existed in the South long before the United States of America was formed. There were many laws and disputes debating free states and slave states over the years to the point that slavery was going to reach its end but the South refused it to the point they would form their own nation: The Confederate States of America. The North, the United States, wanted to see slavery end throughout the whole United States and were even willing to have this war to make it happen even in the South. The South, the Confederates, knew that they would lose but they valued slavery to the point that they were willing to fight for it in such a brutal war. Even though they knew they were losing, they were willing to fight for it over these four long years and despite the huge losses they suffered.
The debates in the House Of Representative from the various states’ Representatives showcased the ideologies both the United States and the Confederate States felt. Nowadays we all can’t imagine slavery from happening but back then the South valued slavery to the point they would try to start their own independent nation and fight a long bloody war to keep it alive. And even the politicians in the American offices upheld their convictions in debates. The film also reminds us that the Emancipation Proclamation may have been written by Thaddeus Stevens and introduced to the House Of Representatives by Lincoln but it required the House to vote it into law. It almost didn’t happened and if it didn’t, Lincoln may have gone down in history as one of the lesser Presidents of the United States. We’re reminded in the film what kind of gamble Lincoln was making.
Another thing to notice in the film is Spielberg’s infatuation with war. We have seen it before with World War II with Saving Private Ryan and Empire Of The Sun, World War I with War Horse and we see now see Spielberg’s depiction of the Civil War and it has a lot of details. It details the artillery that was used at the time. It details the gruesome destruction and bloodshed that occurred. It even depicted the communication between officers and of relaying news to soldiers via Morse Code. Spielberg does it again.
Spielberg gives another directing effort under his belt. Already we know Spielberg to master sci-fi thrillers, sci-fi family adventures, and war dramas. Now he creates an ideological drama that focuses less on the war and more on the focus of the historic individual and the times he was facing. The film did an excellent job in focusing on the political climate of the times as much as the main politicians involved. The film however couldn’t have been done without the excellent acting. Daniel Day-Lewis gave an excellent performance as Abraham. The may have focused mostly on a single month of Lincoln’s presidency but his performance spoke volumes of the President we thought we knew. The movie however was stolen frequently by Tommy Lee Jones as Thaddeus Stevens. Tommy Lee did a great job in showing Stevens in his mannerisms, beliefs and how fierce of a man of conviction he was. Sally Field was also excellent as the troubled Mary Lincoln. History has documented her as a woman with mental illness. Field’s performances showcase her outlandish personality but also shows her as a woman both troubled by her losses and fearing for her future. Joseph Gordon Levitt was not so good at undoing his body and talking from modern mannerisms but he was better at conveying Robert the person in his ambitions and fears.
The screenplay by Tony Kushner is an excellent adaptation which is able to make that one month in 1865 to be the defining month in the legacy of Abraham Lincoln. It was as much focused on political details as it was on the people involved. John Williams delivers another fitting score to his list of movie scores. Janusz Kaminski gave good cinematography but there were many times I felt the use of zoom-ups were excessive. The depictions of war in the movie were mostly graphic only at the very beginning but were very well-detailed in not just the battles taking place on screen.
Lincoln is a surprising outlook on a president we’ve all come to know and celebrate but didn’t completely know. It’s also an excellent presentation of the political climate of the times. This reminds us of his celebrated greatness and how much of a gamble he made not just with his life but his political status to achieve it. Definitely worth seeing.
You’d think a story about a young person dealing with a potentially fatal form of cancer would least make for comedy material, right? 50/50 succeeds in making a comedy out of it, and a good one too.
Adam doesn’t sound like the type of person to get cancer: a 27 year-old who jogs, doesn’t smoke, doesn’t eat junk food and always plays it safe to the point where he doesn’t even own a driver’s license. But everything changes when he gets his back checked. The doctor gives him the sudden news: cancer. What’s he to do? He checks on the internet and learns his cancer has a 50/50 chance of survival. His mother is shocked, his artist girlfriend Rachael finds the news sudden but his crazy friend Kyle tries to keep his spirits high “50/50? That’s better than a Vegas game.”
Things change for Adam once he stars going for chemotherapy. On the plus side, his girlfriend decides to the one to look after him. She even buys him a dog. During chemo treatments, he meets a pair of older men also receiving treatments and they share a lot together, including marijuana-laced macaroons. On the negative side, his mother is concerned to the point of being overbearing especially since she also has to deal with a husband with Alzheimer’s. He also sees a young therapist who’s very inexperienced. Adam is only her third client. On the in-between, his friend Kyle tries to keep his spirits high by doing and saying things that are off the wall, like hold a party for Adam on the day he leaves work and gives Adam his body shaver to shave his head.
Things change for Adam: some for the better, some for the worse and some for the weirder. Kyle catches Rachael cheating on Adam. The relationship is over. Kyle encourages Adam to use his dog walking and cancer ordeal to get laid. Adam stars becoming more open with Katharine the therapist. The bond between the two men he sees during treatment grows. And Rachael moves out. Adam and Kyle celebrate by egging, cutting and burning her picture for him.
Then comes some biting realities. One of the men Adam meets during treatments dies. The doctor delivers the news that Adam’s cancer is worsening and needs a risky back operation or else he’ll die. Adam is now at the end of his emotional rope. He starts distancing himself from Kyle. However he starts opening up more to Katharine to the point there’s more than just a therapist-patient relation happening. Just before the operation, he learns that Kyle bought a book on having a friend with cancer. He also learned his mother attended a support group of parents who have children with cancer. It makes for an ending that not your typical simple happy ending but an ending that’s genuine.
There’s no question that there are a lot of comedic elements with this movie and there are the times when the movie does try to push a few buttons. One thing about the movie that’s the best quality is that it tries to be funny but real at the same time. It may poke fun at the after-effects of eating a marijuana-laced macaroon and some of but it also focuses on human relations and the feelings one goes through during cancer at such a young age. It focuses on the relationships of the patient and those around them. Despite that, it doesn’t sugar-coat things. It also shows that nasty things like a girlfriend cheating on the Adam does sometimes happen. It also reminds you that some of your friends that are going through cancer like you could die the next day. It’s a mix of some of the nasty and some of the happier things too. That’s the strongest part of the comedy is that it’s able to balance it all out. Interestingly enough is that this comedy is based upon the cancer ordeal of the scriptwriter: Will Reiser. Who would’ve thought that a plot like this would be a winning formula?
No question that the script of Will Reiser was winning. It created a good mix of humor and real life. It could qualify as autobiographical but I don’t know Will’s personal life. The acting made it work. Joseph Gordon-Levitt was the perfect fit for Adam. There couldn’t have been a better pick for Kyle than Seth Rogen. Anna Kendrick was also excellent as the inexperienced therapist who becomes the best thing for Adam. Jonathan Levine also did a good job of directing. Definitely a refreshing alternative from your usual box office fare. I will admit there was the occasional lewd and crude humor from Kyle but overall it made for an excellent movie.
50/50 was the surprise hit comedy of this fall. It has received a lot of acclaim as one of the best comedies of the year. Unfortunately it did not receive any Oscar nominations, not even for script. I’m not too worried because I’m sure with the help of DVD and Netflix this movie’s charm will last for a long time. It does seem odd to make a comedy about dealing with a life-threatening form of cancer, especially for someone so young, but it’s an example of how the younger generations are dealing with cancer. You can notice how cancer services and support groups and charities have changed over the past thirty years. Thirty years ago, the slogan was “Cancer can be beaten.” Now cancer funds and groups are using their own methods to encourage the younger generation to get involved. There are fundraising groups with the slogan “F*** cancer!” There are breast cancer funds with the slogan “I love boobies!” It may seem too in-your-face to some but it’s how the younger generation is now dealing with the fight. It’s all in the passing of the torch. Now to have a cancer survivor make a comedy about cancer that does sometimes rattle cages but is also very genuine in both the positive and negative aspects, it’s an accomplishment of its own.
They say laughter is the best medicine. 50/50 is definitely worth it. Until there’s a sure-fire cure for cancer, there’s 50/50 to laugh things off.