Anyone else here who missed seeing The Grand Budapest Hotel back when it was released in the spring? Yes, I’m guilty of that too. I can blame it on things like me being tired right after last year’s Oscar season to having a lot of preoccupations in my life at that time. This year’s Oscar race sent me the message of what I missed out on the first time. I finally saw it on DVD a few days ago and I now finally see why it ranks among one of the best of 2014.
This is another review of mine where I won’t give an analysis of the plot. Instead I will put focus on the movie’s strengths and possible flaws.
This film is quite typical of what to expect from a Wes Anderson film. It has an eccentric situation along with eccentric characters and a lot of comedy along the way. However this movie has its charm: the common charming eccentricity with Wes Anderson movies that continuously attract fans of his movies and moviegoers looking for something different. It’s also a trademark charm of the director that does not run stale with their movies time after time and continues to be enjoyable.
This too is a film that offers a lot and doesn’t make a whole lot of sense at first but makes sense as it goes along. It starts with a young girl paying honor to a writer in the present. Then flashing back to the writer in 1985 talking about hearing from Zero the owner of the practically lifeless Grand Budapest Hotel in 1968 about why he won’t close it down and Zero flashing back to 1932 to explain the whole story why. Wow, a lot of flashing back!
The story itself unravels itself over time with its various chapters from Zero joining the hotel as an orphaned lobby boy to the fictional country of Zubrowska nearing war to the owner Monsieur Gustave’s affair with Madame D to inheriting her most coveted painting much to the anger of her own family who hoped to have it to being framed for her murder. Yes, already bizarre. However the colorfulness comes with Zero’s love for the cakemaker Agatha whom he eventually becomes engaged to and helps bake cakes with escape tools.
The situation gets weirder as an assassin is on pursuit for him and the hotel needs to be managed, especially since news about a second will from Madame D is in existence somewhere. It’s after a pursuit while at a winter sport’s to kill off the assassin that the can return to the hotel only to find it overtaken by soldiers in the war and police on the hunt for Gustave.
As you can tell, this all makes for a bizarre confusing story and even leave you wondering about why the hotel is still in existence. Understanding it means having to see the story for itself from beginning to end. There may be some confusing moments along the way and even a lot of eccentric humor but you will understand it and even the reason why a mountaintop hotel that’s completely useless is still in existence. You’ll even understand why the lobby boy is the only person in the world Gustave can trust wholeheartedly and would eventually own it. It’s no wonder Wes had to write a story along with his writing partner Hugo Guinness in order to bring this to the screen and make it work.
There are even times when I felt the story resembled Farewell To Arms, albeit with Wes Anderson’s dark humor intertwined into the story. Actually the credits in the end say the film was inspired by the readings of Stefan Zweig. I’ve never read Zweig’s writings so it’s hard for me to judge on that factor. Nevertheless the fact that Zweig was an Austrian Jew who fled to Brazil for refuge where he died may have some bearing on this. Even seeing how the character of The Writer looks like Zweig gives a hint. Whatever the situation and even if the story does not go as well as you hoped it would, it does leave you feeling that it does end as it should.
Despite this film being another excellent work from Wes Anderson, we shouldn’t forget that this is also because of the excellent ensemble of actors. Many of which have already acted in Wes Anderson movies of the past. Here they deliver well as a whole to make the movie enjoyable and true to Anderson’s style of humor and style of film making. However it also succeeds well with those who have never acted in a Wes Anderson movie before, like lead Ralph Fiennes. He delivers a character that’s humorous and true to the humor of the movie. Newcomer Tony Revolori also adds to the charm of the movie as the young bellboy who becomes Gustave’s partner in crime as does Saoirse Ronan as Agatha. You can easily see why she won his heart. Even minor roles from other Anderson first-timers like Jude Law and F. Murray Abraham add to the story.
Even the technical aspects of the story are excellent. The costumes designed by Milena Canonero are perfect to a T in this movie as is the set design and the makeup and hair. All these elements fit the times they’re set in and add to the film’s charm. The cinematography by Robert Yeoman fit the story well and the music from Alexandre Desplat also fit the film.
The interesting thing to note is that The Grand Budapest Hotel is Wes Anderson’s highest-grossing film ever with $59.1 million in North America and almost $175 million worldwide. Buzz for the film first started after it won the Silver Bear at the Berlin Film Festival. Buzz continued after it continuously impressed film festival after film festival. Although his box office total in North America is not too impressive, it should be seen as respectable as it opened around the same time as the summer movie phenomenon that was happening. It made for a nice humorous alternative to the overhyped summer schlock.
The Grand Budapest Hotel is a DVD worth watching. We all didn’t know what we were missing during the summer and now we can finally see why.
I know the awards season is just starting to declare winners en route to the Oscars. I will have a lot of movie watching to catch up with. I finally did see Birdman, one movie with a lot of big buzz, and I’m glad I did.
Riggan Thomson is a former Hollywood movie star who hit the big time as Birdman: a movie that propelled his fame and had him act in two more sequels. However he soon became yesterday’s news after he left the Birdman franchise and he’s aiming for a Broadway comeback. His plan is a stage adaptation of Raymond Carver’s What We Talk About When We Talk About Love which he plays lead, directs and writes. However something is knwing at him. He hears a voice and he has telekinetic powers.
Upon rehearsal, he is pissed off with the male lead actor. Suddenly a stage light lands on his head. Everyone is shocked and fearing for his life except Riggan, who just walks away. He soon admits to his lawyer friend Jake that he rigged the light to fall on him to get popular stage actor Michael Shiner into the play. Getting Michael came from him refinancing a house that should belong to Sam, his recovering drug-addict daughter and assistant.
However friction eventually happens. Riggan is unhappy with how Mike does a scene during rehearsal and he storms off violently. Even Mike’s suggestion of using a more realistic gun for the suicide scene doesn’t sit well with him. The feelings are justified when Mike is scene in a news story and how he mentions Raymond Carver made him want to become an actor. On top of it, reviews of the dress rehearsal are not impressive at all and it hits Mike bad. Meanwhile the voice inside his head is either supporting him or mocking him for turning his back on Birdman. Adding to it, Sam is unhappy with him and tells him that his play is garbage and that he doesn’t matter. Not in this day and age of Facebook and Twitter, media streams he consistently rejects.
Things actually take a turn for the better but through some of the most unlikely of methods. Right in the middle of a preview, Riggan accidentally locks himself out of the theatre with the door accidentally catching hold of his robe. He impulsively walks around Times Square in nothing but his underwear to get back to the theatre and catches the notice of everyone whom he walks by and even enters the theatre leaving the audience confused and delighted. After the show, he gets drunk and encounters theatre critic Tabitha Dickinson who says she will crucify his play because of her detest of Hollywood movie stars trying to pass themselves off as legitimate actors. The next day, a drunken Riggan actually has a hallucinative conversation with Birdman and he gains powers including flight. It’s like he became Birdman again as he’s flying all around Manhattan.
Then opening night for the play happens. Riggan uses a real gun for the suicide scene shooting himself in the head in front of the audience. Everyone in the audience gives him a standing ovation but Tabitha just walks out without emotion or applause. Turns out Riggan didn’t kill himself. He survives but wakes up in a hospital bed learning the bullet badly damaged his nose. On top of that, he learns from Jake that Tabitha gave the play rave reviews. He’s even able to spend a poignant moment with Sam in his hospital bed. After Riggan is left alone, the film ends in a way I don’t think most people will understand. I guess the point was to have you the audience decide the ending. You’ll have to see it for yourself.
This film is a unique method of telling a story and giving portraits of the characters. The film’s method of following characters around and often appearing like one non-stop shoot adds to the film and can make the audience curious to what will happen next. However the most striking thing for me about the film is how it shows actors and even those involved in the whole showbiz scene. We have a lead actor who’s a former movie star now struggling to re-establish himself. We have a daughter who’s loving but ill-tempered and frequently at odds with him. We have a supporting actor who isn’t as big a name but well-respected and tries to use this opportunity to promote himself further. We have both an ex-wife and a current flame struggling with personal issues with him. We have a theatre system that demands the movie be a hit for the sake of the show, the sake of the theatre and for the sake of Thomson’s finances. We have the fame system which has had major changes in the ‘fame game’ in recent years thanks to online technology giving us video sites and personal homepages. We have media critics who not only make judgments about plays but are egotistical enough to unapologetically trash a work if they see fit. It’s no wonder an actor/director like Riggan Thomson drinks a lot. Heck I’ve frequently said: “Actors and drinking go together like ham and eggs.” Here I’m finally shown why!
The funniest thing about the film is that while I was watching, I was constantly sensing that Birdman may be about Michael Keaton himself. For those that don’t know, Michael Keaton was the first Batman when the franchise was revived on the big screen in a big way back in 1989. He also starred in the second Batman movie Batman Returns from 1992. The role of Batman has since gone onto Val Kilmer and now Christian Bale. Michael Keaton had some continued commercial success for a few years after his last Batman movie. Actually he even had some healthy commercial success before thanks to 80’s movies like Mr. Mom and Beetlejuice. So it had me wondering if Riggan’s struggle of coming back while having the baggage of being famous as Birdman was a parallel reflection of Michael Keaton being famous as Batman. I found it odd because I’ve never heard of Michael having a struggle with it. I even looked over his biography and info of his personal life at Wikipedia to see if it was. Although I saw some parallels, I was still left without a conclusion. I haven’t even seen an interview of Michael Keaton where he publicly declared it synonymous.
I will say that Keaton did an excellent performance as Riggan. This is not like any performance I’ve seen from Keaton and this is the best acting I’ve seen from him. Possibly the best acting performance of the year. Edward Norton was also great as Michael Shiner and did a great job of showing ego conflict between actors. Emma Stone also delivered her best ever performance as a daughter who’s also an assistant with the same showbiz-style nastiness to her own father. Zach Galifianakis gave what I feel to be his best acting performance and one where I actually end up liking him in a film. Additional standout supporting performances are Amy Ryan as the ex-wife, Andrea Riseborough as the new girlfriend and Lindsay Duncan as the theatre critic who did a lot in that one scene of hers.
The technical aspects are also excellent and one-of-a-kind for this film. Emmanuel Lubezki did a smart job with having the follow-around method of filming. Usually such a method is risky in the storytelling aspect of film making but it works to near-perfection here. Douglas Crise and Stephen Mirrione also did an excellent editing job especially in how they made it look like there was a single non-stop scene for over an hour. Of course modern technology can do the film fakery to make it look like a non-stop scene but Crise and Mirrione did it all right and made it work. Also kudos to composer Antonio Sanchez. I like how he delivered a score that was a jazzy style of music for the stageplay scenes and then our typical grandiose orchestrated score for the Birdman scenes. That score that corresponded with the themes was an excellent choice for the film.
Birdman is not your typical Hollywood fare but it’s all the better for it. It doesn’t make sense to a lot of people but would make more sense to those who see it twice or even those that know acting or showbiz as a whole.
Moonrise Kingdom is one of those films one who wants get off the beaten path might want to see. Knowing that Wes Anderson is directing it is one sign this is something out of the ordinary. But is it enjoyable?
The film starts with a young girl, the oldest of four children and only daughter, has her binoculars out for a search. She leaves her house on the search with her cat, six books and a record player but we don’t know what she’s searching for. Her name is Suzy Bishop. Meanwhile it’s rise and shine for the Khaki Scouts at Camp Ivanhoe. Only one scout is missing and no one can find him. His name is Sam Shakusky.
Flashback a year ago. Suzy is about to perform for a church musical for Noye’s Fludde by Benjamin Britten. Sam sneaks in and meets Suzy. It was like love at first sight for the two. Over the year’s time, they were pen friends and they made a secret pact to reunite in the summer and run away together. Now today is the day. As Suzy is walking to the area with binoculars in hand, Sam paddles his canoe over the lake well-equipped with camping equipment. They meet and camp out for several days on a secluded cove which they call Moonrise Kingdom. Their love blossoms as the days pass and as Sam paints pictures of her.
Eventually the two are located by the scoutmaster, the police and Suzy’s parents. They’re first able to evade escape by the scouts after Suzy stabs one in the side with lefty scissors. But it’s all too late as they are caught. Suzy is taken home by her parents and is ordered never to see Sam again. Sam is in custody with Captain Sharp and is about to be sent to ‘juvenile refuge’ because he is an orphan and his foster parents no longer wish to house him. The two run off again and hide. One other thing to add: a hurricane is expected to hit the area in a matter of days.
It’s this second incident that people are more cooperative. The Scouts learn of the love of the two and believe it their duty to help them hide. The Scouts even seek out the help of Cousin Ben to help them in the hiding out. It appears to be successful but there are many twists and turns including a flash flood within the camp and the recovering stabbed boy blockading Sam’s escape. After a lengthy chase, they return back to the church as it is about to do a musical. Problem is all those attempting to chase the two down head there too and the hurricane is slowly but surely approaching. Sam and Suzy refuse to give up and even go as far as going to the top of the church steeple while the storm is at its wettest and windiest to evade capture. The ending ends in an offbeat way but it’s a happy ending that ends in a charming manner.
I’m unsure if Wes was trying to get a point across in this movie or if he was just trying to deliver a quirky but nice story. It’s easy to sense that there may be a message here with a lot of elements in the story: 1965, New England, scouts, church plays, lawyer parents, an orphan who runs away a lot, a girl with behavioral problems. Whatever the situation, Wes succeeded in making this offbeat kiddie-romance quite charming. Wes has had a history of doing charming but quirky movies like Rushmore, The Royal Tenenbaums, The Darjeeling Limited and even the animated family movie The Fantastic Mr. Fox. Here he has a story of children in love that commonly make for a typical cutesy story, adds his own quirks in there, gives the two children in love unique characters and delivers a winning and entertaining story. How often can a director accomplish that?
Besides Anderson’s filmmaking, the film has other great qualities too. The script he co-wrote with Roman Coppola, son of Francis Ford Coppola, adds to the charming quirkiness of the movie. The acting performances of the leads Jared Gilman and Kara Hayward were very good, especially since they’re debut performances. The one thing is that Wes Anderson wanted the two to act in a certain style of acting that would fit the movie instead of your typical acting. Both did a good job of not only doing their character but succeeding in making the chemistry both quirky and a perfect aspiring at the same time. Anderson also brings back actors he has worked with in past movies like Bill Murray, Jason Schwartzman and Larry Pine and he also includes Edward Norton who will star in his upcoming The Grand Budapest Hotel. Their addition as supporting players also add to the story as well as supporting performances from other established actors like Harvey Keitel, Bruce Willis, Frances McDormand and Tilda Swinton.
It wasn’t just the writing, directing and acting. The music also added to the movie as well. The first is the inclusion of Benjamin Britten’s music in the movie. It’s obvious Wes had a liking to Britten’s music as a child. In fact we hear the Young Person’s Guide To the Orchestra played by Suzy’s little brothers at the beginning. The original music from Alexandre Desplat also added to the movie’s charm too. Many can agree that the use of such music had a lot to do with the movie’s charm.
Moonrise Kingdom is an odd and quirky story that will win you in the end. Great movie to watch for moviegoers who want to get off the beaten path.