Anyone else here who missed seeing The Grand Budapest Hotel back when it was released in the spring? Yes, I’m guilty of that too. I can blame it on things like me being tired right after last year’s Oscar season to having a lot of preoccupations in my life at that time. This year’s Oscar race sent me the message of what I missed out on the first time. I finally saw it on DVD a few days ago and I now finally see why it ranks among one of the best of 2014.
This is another review of mine where I won’t give an analysis of the plot. Instead I will put focus on the movie’s strengths and possible flaws.
This film is quite typical of what to expect from a Wes Anderson film. It has an eccentric situation along with eccentric characters and a lot of comedy along the way. However this movie has its charm: the common charming eccentricity with Wes Anderson movies that continuously attract fans of his movies and moviegoers looking for something different. It’s also a trademark charm of the director that does not run stale with their movies time after time and continues to be enjoyable.
This too is a film that offers a lot and doesn’t make a whole lot of sense at first but makes sense as it goes along. It starts with a young girl paying honor to a writer in the present. Then flashing back to the writer in 1985 talking about hearing from Zero the owner of the practically lifeless Grand Budapest Hotel in 1968 about why he won’t close it down and Zero flashing back to 1932 to explain the whole story why. Wow, a lot of flashing back!
The story itself unravels itself over time with its various chapters from Zero joining the hotel as an orphaned lobby boy to the fictional country of Zubrowska nearing war to the owner Monsieur Gustave’s affair with Madame D to inheriting her most coveted painting much to the anger of her own family who hoped to have it to being framed for her murder. Yes, already bizarre. However the colorfulness comes with Zero’s love for the cakemaker Agatha whom he eventually becomes engaged to and helps bake cakes with escape tools.
The situation gets weirder as an assassin is on pursuit for him and the hotel needs to be managed, especially since news about a second will from Madame D is in existence somewhere. It’s after a pursuit while at a winter sport’s to kill off the assassin that the can return to the hotel only to find it overtaken by soldiers in the war and police on the hunt for Gustave.
As you can tell, this all makes for a bizarre confusing story and even leave you wondering about why the hotel is still in existence. Understanding it means having to see the story for itself from beginning to end. There may be some confusing moments along the way and even a lot of eccentric humor but you will understand it and even the reason why a mountaintop hotel that’s completely useless is still in existence. You’ll even understand why the lobby boy is the only person in the world Gustave can trust wholeheartedly and would eventually own it. It’s no wonder Wes had to write a story along with his writing partner Hugo Guinness in order to bring this to the screen and make it work.
There are even times when I felt the story resembled Farewell To Arms, albeit with Wes Anderson’s dark humor intertwined into the story. Actually the credits in the end say the film was inspired by the readings of Stefan Zweig. I’ve never read Zweig’s writings so it’s hard for me to judge on that factor. Nevertheless the fact that Zweig was an Austrian Jew who fled to Brazil for refuge where he died may have some bearing on this. Even seeing how the character of The Writer looks like Zweig gives a hint. Whatever the situation and even if the story does not go as well as you hoped it would, it does leave you feeling that it does end as it should.
Despite this film being another excellent work from Wes Anderson, we shouldn’t forget that this is also because of the excellent ensemble of actors. Many of which have already acted in Wes Anderson movies of the past. Here they deliver well as a whole to make the movie enjoyable and true to Anderson’s style of humor and style of film making. However it also succeeds well with those who have never acted in a Wes Anderson movie before, like lead Ralph Fiennes. He delivers a character that’s humorous and true to the humor of the movie. Newcomer Tony Revolori also adds to the charm of the movie as the young bellboy who becomes Gustave’s partner in crime as does Saoirse Ronan as Agatha. You can easily see why she won his heart. Even minor roles from other Anderson first-timers like Jude Law and F. Murray Abraham add to the story.
Even the technical aspects of the story are excellent. The costumes designed by Milena Canonero are perfect to a T in this movie as is the set design and the makeup and hair. All these elements fit the times they’re set in and add to the film’s charm. The cinematography by Robert Yeoman fit the story well and the music from Alexandre Desplat also fit the film.
The interesting thing to note is that The Grand Budapest Hotel is Wes Anderson’s highest-grossing film ever with $59.1 million in North America and almost $175 million worldwide. Buzz for the film first started after it won the Silver Bear at the Berlin Film Festival. Buzz continued after it continuously impressed film festival after film festival. Although his box office total in North America is not too impressive, it should be seen as respectable as it opened around the same time as the summer movie phenomenon that was happening. It made for a nice humorous alternative to the overhyped summer schlock.
The Grand Budapest Hotel is a DVD worth watching. We all didn’t know what we were missing during the summer and now we can finally see why.
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