I admit it. I bypassed Zootopia when it first came out in March 2016. It’s common for me to be ‘all Oscared out’ at that time and I’d be too tired to go to the movies. However its buzz leading up to the Oscars led me to want to see it. I’m glad I finally had the chance.
The film has a very entertaining premise with a rabbit trying to succeed as a policewoman in a multi-species city. To make it work, the film had to create the city of Zootopia and make it work with all the animal species there. Disney is already renowned for its talking animals and having such would work here. However to have them in the city of Zootopia and existing together in its various areas took a lot of thought to arrange it properly. On top of that, having someone like Judy Hopps just move in adds to the complexity. As she experiences Zootopia and what it has to offer, we experience it too.
One thing about this movie is that with it coming from Walt Disney Studios, you know it has to have the ‘Disney Vibe’ to it. You know, the look, sound, and feel of a Disney show. All the shows on the Disney Channel are known for having that vibe. It’s evident as all the actresses act like Minnie Mouse. So it becomes expected that a film from Walt Disney Studios looks, sounds and feels like a Disney film. There’s no shortage of the Disney Vibe in Zootopia. Even with it being set in the present times, the Disney feel is very much there.
Top praise should go to directors Byron Howard and Rich Moore for directing an excellent animated film. The two have had past experience doing Disney films and Howard even goes as far back as Disney’s 2D animation days. Both Howard and Moore are two of seven who wrote the story for Zootopia of which, storywriters Jared Bush and Phil Johnston would do the final script. The final result is something entertaining and flawless. The vocal talents were also excellent with Ginnifer Goodwin as Judy Hopps, Jason Bateman as Nick Wilde and Idris Elba as Chief Bogo.
This is another plus for the Walt Disney Studios. For so many decades, they had the reputation of being the top animation studio in the business. However they faced a serious challenge from Disney partner Pixar once they became the game changer by making 3D animation the new norm. WDS knew they had to make the transition to 3D but it wasn’t easy. It was almost like Pixar was the professor and those at WDS were the students for a long time. However it’s become evident that Walt Disney Studios is now able to hold its own in 3D animation as it has delivered stellar hits in the last five years like Wreck-It-Ralph and Frozen. It even looks like it’s beating Pixar at its own game! Zootopia is another accomplishment for WDS as it continues to reclaim its #1 status in animation. Besides anything less than #1 should be taken as an insult by Disney.
Zootopia looks to be the top favorite to win the Oscar for Best Animated Feature. It’s top competition appears to come from Kubo And The Two Strings. Kubo has won most of the awards in that category but Zootopia has claimed most of the major awards like the Critics Choice, the Golden Globe, the Producers Guild and the Annie Award. However Kubo has won the National Board of Review and most recently the BAFTA. The Oscar result should be interesting.
Zootopia is another hit for Disney. It’s sweet and entertaining but smart and well thought-out. It’s easy to see why it’s arguably the top animated movie of the year.
Oh, I’m the drug dealer? No, you’re the fuckin’ drug dealer. I mean, goddamn, people are dyin’. And y’all are up there afraid that we’re gonna find an alternative without you.
Moonrise Kingdom is one of those films one who wants get off the beaten path might want to see. Knowing that Wes Anderson is directing it is one sign this is something out of the ordinary. But is it enjoyable?
The film starts with a young girl, the oldest of four children and only daughter, has her binoculars out for a search. She leaves her house on the search with her cat, six books and a record player but we don’t know what she’s searching for. Her name is Suzy Bishop. Meanwhile it’s rise and shine for the Khaki Scouts at Camp Ivanhoe. Only one scout is missing and no one can find him. His name is Sam Shakusky.
Flashback a year ago. Suzy is about to perform for a church musical for Noye’s Fludde by Benjamin Britten. Sam sneaks in and meets Suzy. It was like love at first sight for the two. Over the year’s time, they were pen friends and they made a secret pact to reunite in the summer and run away together. Now today is the day. As Suzy is walking to the area with binoculars in hand, Sam paddles his canoe over the lake well-equipped with camping equipment. They meet and camp out for several days on a secluded cove which they call Moonrise Kingdom. Their love blossoms as the days pass and as Sam paints pictures of her.
Eventually the two are located by the scoutmaster, the police and Suzy’s parents. They’re first able to evade escape by the scouts after Suzy stabs one in the side with lefty scissors. But it’s all too late as they are caught. Suzy is taken home by her parents and is ordered never to see Sam again. Sam is in custody with Captain Sharp and is about to be sent to ‘juvenile refuge’ because he is an orphan and his foster parents no longer wish to house him. The two run off again and hide. One other thing to add: a hurricane is expected to hit the area in a matter of days.
It’s this second incident that people are more cooperative. The Scouts learn of the love of the two and believe it their duty to help them hide. The Scouts even seek out the help of Cousin Ben to help them in the hiding out. It appears to be successful but there are many twists and turns including a flash flood within the camp and the recovering stabbed boy blockading Sam’s escape. After a lengthy chase, they return back to the church as it is about to do a musical. Problem is all those attempting to chase the two down head there too and the hurricane is slowly but surely approaching. Sam and Suzy refuse to give up and even go as far as going to the top of the church steeple while the storm is at its wettest and windiest to evade capture. The ending ends in an offbeat way but it’s a happy ending that ends in a charming manner.
I’m unsure if Wes was trying to get a point across in this movie or if he was just trying to deliver a quirky but nice story. It’s easy to sense that there may be a message here with a lot of elements in the story: 1965, New England, scouts, church plays, lawyer parents, an orphan who runs away a lot, a girl with behavioral problems. Whatever the situation, Wes succeeded in making this offbeat kiddie-romance quite charming. Wes has had a history of doing charming but quirky movies like Rushmore, The Royal Tenenbaums, The Darjeeling Limited and even the animated family movie The Fantastic Mr. Fox. Here he has a story of children in love that commonly make for a typical cutesy story, adds his own quirks in there, gives the two children in love unique characters and delivers a winning and entertaining story. How often can a director accomplish that?
Besides Anderson’s filmmaking, the film has other great qualities too. The script he co-wrote with Roman Coppola, son of Francis Ford Coppola, adds to the charming quirkiness of the movie. The acting performances of the leads Jared Gilman and Kara Hayward were very good, especially since they’re debut performances. The one thing is that Wes Anderson wanted the two to act in a certain style of acting that would fit the movie instead of your typical acting. Both did a good job of not only doing their character but succeeding in making the chemistry both quirky and a perfect aspiring at the same time. Anderson also brings back actors he has worked with in past movies like Bill Murray, Jason Schwartzman and Larry Pine and he also includes Edward Norton who will star in his upcoming The Grand Budapest Hotel. Their addition as supporting players also add to the story as well as supporting performances from other established actors like Harvey Keitel, Bruce Willis, Frances McDormand and Tilda Swinton.
It wasn’t just the writing, directing and acting. The music also added to the movie as well. The first is the inclusion of Benjamin Britten’s music in the movie. It’s obvious Wes had a liking to Britten’s music as a child. In fact we hear the Young Person’s Guide To the Orchestra played by Suzy’s little brothers at the beginning. The original music from Alexandre Desplat also added to the movie’s charm too. Many can agree that the use of such music had a lot to do with the movie’s charm.
Moonrise Kingdom is an odd and quirky story that will win you in the end. Great movie to watch for moviegoers who want to get off the beaten path.