I admit it. I bypassed Zootopia when it first came out in March 2016. It’s common for me to be ‘all Oscared out’ at that time and I’d be too tired to go to the movies. However its buzz leading up to the Oscars led me to want to see it. I’m glad I finally had the chance.
The film has a very entertaining premise with a rabbit trying to succeed as a policewoman in a multi-species city. To make it work, the film had to create the city of Zootopia and make it work with all the animal species there. Disney is already renowned for its talking animals and having such would work here. However to have them in the city of Zootopia and existing together in its various areas took a lot of thought to arrange it properly. On top of that, having someone like Judy Hopps just move in adds to the complexity. As she experiences Zootopia and what it has to offer, we experience it too.
One thing about this movie is that with it coming from Walt Disney Studios, you know it has to have the ‘Disney Vibe’ to it. You know, the look, sound, and feel of a Disney show. All the shows on the Disney Channel are known for having that vibe. It’s evident as all the actresses act like Minnie Mouse. So it becomes expected that a film from Walt Disney Studios looks, sounds and feels like a Disney film. There’s no shortage of the Disney Vibe in Zootopia. Even with it being set in the present times, the Disney feel is very much there.
Top praise should go to directors Byron Howard and Rich Moore for directing an excellent animated film. The two have had past experience doing Disney films and Howard even goes as far back as Disney’s 2D animation days. Both Howard and Moore are two of seven who wrote the story for Zootopia of which, storywriters Jared Bush and Phil Johnston would do the final script. The final result is something entertaining and flawless. The vocal talents were also excellent with Ginnifer Goodwin as Judy Hopps, Jason Bateman as Nick Wilde and Idris Elba as Chief Bogo.
This is another plus for the Walt Disney Studios. For so many decades, they had the reputation of being the top animation studio in the business. However they faced a serious challenge from Disney partner Pixar once they became the game changer by making 3D animation the new norm. WDS knew they had to make the transition to 3D but it wasn’t easy. It was almost like Pixar was the professor and those at WDS were the students for a long time. However it’s become evident that Walt Disney Studios is now able to hold its own in 3D animation as it has delivered stellar hits in the last five years like Wreck-It-Ralph and Frozen. It even looks like it’s beating Pixar at its own game! Zootopia is another accomplishment for WDS as it continues to reclaim its #1 status in animation. Besides anything less than #1 should be taken as an insult by Disney.
Zootopia looks to be the top favorite to win the Oscar for Best Animated Feature. It’s top competition appears to come from Kubo And The Two Strings. Kubo has won most of the awards in that category but Zootopia has claimed most of the major awards like the Critics Choice, the Golden Globe, the Producers Guild and the Annie Award. However Kubo has won the National Board of Review and most recently the BAFTA. The Oscar result should be interesting.
Zootopia is another hit for Disney. It’s sweet and entertaining but smart and well thought-out. It’s easy to see why it’s arguably the top animated movie of the year.
If there is one style of film that reigned supreme at the box office this summer, it’s the animated movies. It had some of the best results not just of the summer but the whole year as Finding Dory grossed more than any other movie in 2016 and The Secret Life Of Pets is also in the annual Top 10 so far. There were a wide variety of animated movies from sequels to stop-motion to even an animated movie for adults only. For my summary, I will review four animated films for the summer: Finding Dory, The Secret Life Of Pets, Sausage Party and Kubo And The Two Strings.
It’s been thirteen years since Finding Nemo hit the big screen and captivated crowds. This time around it’s Finding Dory. The question is does it still have the same magic?
The magic of Disney/Pixar films is that it’s not only about top notch animation but also about taking the audience to new and exciting worlds of the imagination. The magic of Finding Nemo is that it captured the magic of the sea world. Finding Dory attempts to capture the magic of the sea world again but it also tries to capture another magic. This time it’s the magic of the Marine Life Institute. It does a very good job of creating a universe out of a marine life park. I’m sure that when Pixar was writing the script for this film, it had to create its own map on how the park would be for Dory to go from place to place. It even had to create the system of communication through pipes.
In addition, the story had to focus on the animals headed to quarantine. That was intertwined with Dory’s search for her parents. It gives a story with many facets. It starts with Dory’s search for her parents and leads to much more. Whatever the situation, it leads to a story that the audience will find thrilling as well as enchanting to look at.
Pixar does it again with writing out an excellent story and giving it top-notch animation. Once again I doubt if you’ll find a glitch. Andrew Stanton returns as director and co-writer with Victoria Strouse and they deliver an excellently entertaining movie. This time it’s Ellen De Generes’ time to own the show. She stole Finding Nemo and now this is her time to have the show as her own. Albert Brooks is back again and he delivers an excellent performance as Marlin too. The film features a lot of other big names as voices like Diane Keaton, Eugene Levy, Ed O’Neill, Bill Hader, Alison Janney, Sigourney Weaver (of course) and Idris Elba.
If there’s one glitch about Finding Dory, it’s that a lot of children may not understand the story in its entirety. For the most part, it’s us older adults who have seen Finding Nemo that understand Dory and her situation. I think that was it. Pixar was making a film that would be meant for both children who love animated movies and the grown up adults who have a special place in their heart for Finding Nemo.
Finding Dory continues on the excellence of Disney/Pixar and continues the charm we first saw in Finding Nemo and entertains crowds this summer in big numbers.
The Secret Life Of Pets
Ever wonder what your pets do when you go to work or school? The Secret Life Of Pets attempts to answer that question of what happens, as long as you live in modern Manhattan. And boy does it give some interesting answers.
This movie creates a humorous premise: pets that come across as your typical house pets but have a sneaky double-life when their owners aren’t home. However they find themselves in trouble and they all have to get back home in time before their owners return.
The thing about this movie is that it’s not focused too much on the story or taking the audience to another world the way Pixar movies do. Instead its focus is on creating crazy humor and funny characters. It’s obvious from the start its intention is to be a crazy goofy comedy to get us all laughing and it succeeds.
However such a movie cannot compromise on things like a solid story with the right beginning, middle and end, characters that fit the story and top quality animation. The movie does exactly that. Actually this movie is more driven on the humorous characters rather than be story-driven like Pixar films. Hey, we’re talking about the same animation studio that gave us the Minions. It works for such a movie and it wins over movie audiences young and old.
Pixar is not the only animation studio alone at the top. Illumination Entertainment has given it some rivalry especially with the Despicable Me movies and the Minions. Here Illumination brings back its main director Chris Renaud and its writer Bryan Lynch, Cinco Paul and Ken Daurio to create another entertaining film. The film even includes a lot of great vocal talent from Albert Brooks, Kevin Hart, Louis C.K. and Steve Coogan just to name a few.
The Secret Life Of Pets isn’t so much about creating a mesmerizing world the way Pixar’s movies are. What it does is create a story that’s entertaining to watch and full of fun intriguing characters. No wonder it charmed crowds this year.
Sausage Party is the first wide-release animated film since South Park: Bigger, Longer, Uncut to earn an R-rating. And rightly so. And I’m sure the animators, directors and actors of the movie wouldn’t want it any other way.
It’s obvious right from the start that Sausage Party is a spoof of Disney/Pixar movies but as you watch over time, and even as you look back in retrospect, it’s obvious it’s a lot more.
Those of you who’ve seen Sausage Party will know that it’s not like most of the animated movies released today. Sometimes you may even get the feeling the movie is trying to sabotage all those family-friendly movies and the wholesome values they stand for. It sure seems that way.
I hate to bring up retro 90’s assimilations but it reminded me of a lot of 90’s entertainment that pushed envelopes and had sadistic pleasure slaughtering sacred cows and skewered values and morals we held dearly, and somehow charmed us into wanting more. Yes, such entertainment that knew we’re all gluttons for punishment. And we saw that in Sausage Party as they were definitely doing lot of tricks in the book to freak us out, whether it be the storyline or characters or images, and succeeding. We also see how it’s even skewering the wholesome values that are normally promoted in the family-friendly animated movies.
One major difference that keeps it from being 90’s-style envelope-pushers. One thing about all those envelope-pushing balls-to-the-wall entertainment of the 90’s that they not only pushed boundaries but they were also successful in making squeaky clean entertainment or entertainment with morals and a conscience look either wimpy or look like a complete joke. Yep, entertainment that broke all the rules and changed the game in the process. Can you blame me for calling them ‘The Nasty Nineties?’
I don’t think Sausage Party succeeded in doing that. Despite the ‘Dixar’ bumper sticker, it’s not as much the punch-in-the-stomach comedy or middle-finger to squeaky clean entertainment from Seth McFarlane or the South Park duo is. Yes, it does mess with wholesome entertainment but it’s more interested in having fun and pleasure making us squirm in our seat. Even though it did warp my brain, I will admit this was the most fun I had in a movie theatre this summer. It’s definitely my ‘guilty pleasure’ movie of the year.
Some people have complained that the movie is anti-religion. I don’t deny that as made obvious by the characters which include one Jewish and one Arabic and most of the lot appearing to resemble Christianity. You get the first hind right at the beginning as the groceries refer to the humans as ‘the gods’ and of the mustard coming back scared over the reality of what they’ve always called the ‘great beyond.’ I knew it would be critical of religion from the reviews I’ve read and I was expecting to get my tolerance on that subject tested. However I will state it’s not the obvious blasphemy as one would commonly see in South Park episodes or a lot of works done by Seth MacFarlane. I will also state that even atheism is also looked upon critically as it will state some common traits among many atheists like a feeling of misery or a ‘smarter than thou’ attitude.
If there is one glitch, I will have to say it’s the ending. What you first think will be the ending isn’t. Instead it will lead into what should be known as an ‘animation orgy party’ and then into a bizarre ‘reality check.’ I don’t have problems with them being in the movie or even in the ending but there are many times I feel the ending could have been done better or mapped out better.
Since I’ve been doing a lot of animation studios talk, it’s interesting to know that heading this film is a Canadian studio: Nitrogen Studios Canada Inc. The head of the studios, Greg Tiernan directs his first ever feature length film along with Conrad Vernon who has directed films like the Shrek movies, the Madagascar films and Kung Fu Panda too. You could say Vernion is spoofing his own films here. Interesting that while most animated movies of this summer have big budgets, this one only cost $20 million to make. Even though the animation was not as flawless as Pixar–and I noticed some technical glitches– its top focus was the humor and it definitely succeeded at that.
Without a doubt, Seth Rogen owned the film. It was pretty much his idea to do such a film like this for years. He not only acts in this but is co-producer and co-writer along with Kyle Hunter, Evan Goldberg and Ariel Shaffir with a story he wrote along with Goldberg and Jonah Hill. He has the delightfully evil charm of the film in his hands and knows how to deliver it well. Additional acting highlights come with Kristen Wiig and Brenda Bunson, Salma Hayek as Teresa del Taco, Bill Hader as Firewater, Nick Kroll as Douche and Edward Norton as Sammy Bagel Jr. just to name a few.
Sausage Party is a film that deserves to be hated but you can’t help but love it. Yes, it will warp your mind but it has a delightfully evil charm that will make it your guilty pleasure of the year. Just don’t bring the kiddies.
Kubo And The Two Strings
After Sausage Party warped my mind, I had to watch Kubo And The Two Strings to reclaim my sanity. Good choice as it was a marvel to watch.
Normally it’s the Pixar movies that have the animation magic that mesmerize us and take us all to another world. This summer, I’d have to say it’s the world of Kubo. It was best at creating a world and an adventure that was enchanting and mesmerizing. It took a unique story that isn’t exactly one that’s best at winning big crowds and turned it into a spectacular marvel.
The thing with Finding Dory is that it does succeed in doing that but it’s a world we’ve been to before and whatever new world is in the story doesn’t differ to much from the world of Finding Nemo. In Kubo, we have a fresh new world of the imagination and that’s its advantage.
The story element of the film is just as strong. It’s about the fate of humanity and good in the world being threatened by evil and the mortality of souls and it resting in the fate of Kubo. Especially since it includes the fates of the souls of Kubo’s own parents. It’s the story of a son of a late master samurai who goes from master storyteller to the one to fight the evil forces. The very cinematic values that make the superhero movies make Kubo. In addition, it gives an alternate definition of ‘destroying the enemy’ one would come to expect. And a definition that appears to be the right thing.
While most of the films this summer were 3D computer animated films from start to finish, Kubo was a mix of both 3D computer animation and 3D stop-motion. This is a common trademark of Laika studios as seen in their past releases like Coraline, ParaNorman and The BoxTrolls. Such style of animation works to its advantage and comes off as a refreshing alternative to the 3D computerized films. It also works best in what makes this movie so captivating. I don’t think 3D computer work alone would make this film work as well.
This film is the directorial debut of Travis Knight, son of Nike CEO Phil Knight. He has actually been an animator with Laika during their first three features and now he takes the step into directing this time. He does an excellent debut job in directing. I was actually surprised to learn this is an original story. It was created by Shannon Tindle and Marc Haimes with the screenplay written by Haimes and Chris Butler. Very excellent and very true to spirit of common mythology. Vocal talents were also very good. Game Of Thrones actor Art Parkinson does a very good job in voicing Kubo and creating his personality. Charlize Theron captures the mysterious side of the Monkey excellently and Matthew McConaughey does a very good job in capturing Beetle in both his bravery and his idiocy. Dario Marianelli does a very good job with making the music fit the film. It captures the whimsy of it perfectly.
Kubo And The Two Strings is my favorite animated film of this summer. It had the best combination off all ingredients that make a great animated film from great animation to a great story to a great redeeming message. Sure, Sausage Party was fun in how it was the complete opposite of your typical family-friendly animated movie but Kubo is a reminder of why such movies win us over time after time. Also it helped me get my sanity back.
And that’s my review of animated movies of the summer. Three were strictly 3D computer animated while one mixed it with 3D stop-motion. Three were mostly family-friendly while one was obviously adults only and proud of it. Three were comedies while one was mostly a drama. Three were fresh new stories while one was a long-awaited sequel. All were entertaining in their own way and wouldn’t let you down. In addition the comedic animated movies had the box office success that eluded the live-action comedies of the summer. So yes, today’s moviegoers do have a sense of humor after all!
In conclusion, the animated movies were this summer’s top box office fare. If you’ve even seen one of the films I reviewed, you’d know why.
I’ll admit it’s rather late for me to be reviewing Frozen. I wasn’t interested in it at first. However its success at the box office coupled with its Oscar buzz helped me change my mind.
Normally I’d give a description of the film in my reviews but I won’t here since most of you have already seen Frozen by now. I’ll just go in to what I have to say. There are a lot of unique and great aspects of this movie. First is its unexpected twists. You’d first think it would be Kristoff that would save Elsa, Anna and the kingdom but it turns out to be Elsa. Already there are a lot of writers and bloggers comparing Elsa to Merida in Brave in terms of heroine status. I’ll bet you never thought Kristoff would be one of the bad guys. Second is its animation that truly mesmerizes. I was dazzled when I saw Elsa’s snow-spell and even the ‘ Castle Of Ice’ created on screen. Watching Frozen was like being taken to a world of ice at times.
Thirdly is the musical aspect of the movie. For many decades, even as close to about twenty years ago, animated movies were commonly musicals and excelled in telling the stories with catchy songs. From Someday My Prince Will Come in Snow White and the Seven Dwarfs to Hakuna Matata in The Lion King, you could always rely on an animated feature to deliver charming music. When 3D became the staple of animated features, the features were predominantly non-musicals and the movies were more focused on the story and the animation. When was the last animated feature done as a musical that dazzled you? Yeah, that far back. Frozen is the first 3D animated musical that has won the movie-going public by storm. It’s refreshing to see the musical aspect come back in animated movies and even added to 3D animated movies successfully for the first time. I think the success of Frozen will churn out more musical-styled 3D animation features.
Frozen is a welcome relief in terms of animated movies for 2013. This year was a rather quiet year in terms of animated movies. Sure this summer featured the excitement of the comeback of the monsters of Monsters University and Despicable Me 2 took ‘minion mania’ to new heights but there was nothing new to create new buzz. Nor was there anything with writing that stood out. I’m sure that became apparent to a lot of my subscribers when I published my blog about Pixar appearing to have lost its spark. Frozen may have come late in 2013 but it sure came to the rescue. Its excellence is not just in having a thrilling story but also in having excellent animation.
Also Frozen has a bonus aspect: catchy songs. It’s not just something that’s been missing from animated movies but movies in general since the new century. You may remember before the 2000’s came there were many catchy songs that came from movies. Since 2000, the presence of a catchy song or even a hit song from a movie is something that has been very rare. I think the last hit song from a movie before Frozen was Slumdog Millionaire’s Jai Ho. I was especially surprised during 2006 when Dreamgirls was in theatres, none of the songs were released as singles despite Beyonce’s chart-topping prowess at the time. I know most of North America was in a hip-hop coma at the time but still… Frozen helped bring back the catchiness of movie music. Already two versions of Let It Go are on the charts right now: Idina Menzel’s version is currently #18 on the Hot 100 and Demi Lovato’s version is at #56 having peaked at 38. Recently Do You Want To Build A Snowman? started hitting the charts and is now at #57. I guess it’s no wonder that the movie has been re-released in a sing-along version.
It’s hard to pick who first to compliment. First off, I’ll say the animation was top notch. The Walt Disney Animation Studios did an excellent job in creating a charming trip to the past and a mesmerizing world of ice. Secondly, kudos should go to Christophe Beck and Kristin Anderson-Lopez for providing music that was not only entertaining but the catchiest movie music in years. Thirdly a great job in the acting and singling by both Kristen Bell and Idina Menzel. They’re already established actors and they’ve also had musical experience but this has to be the best combined singing/acting efforts from both of them. The supporting actors were also great in their roles too including Jonathan Groff and Santino Fontana. However it’s Josh Gad that steals the show as the goofy Olaf. Finally great acting/writing efforts from Chris Buck, Jennifer Lee and Shane Morris. It was something to take Hans Christian Andersen’s The Snow Queen and turn it into an animated musical. They really delivered a winner. In fact you remember how Disney movies would give animated adaptations of children’s stories like Snow White, Cinderella, Pinocchio and The Lion King and turn them into beloved classics? I think Frozen is destined to go that same route over time.
Funny thing about Frozen is not just simply its current total success with its box office run but its lack of success when it first started. I’ve noticed on Box Office Mojo that it was only on one single theatre when it opened because it didn’t want to compete with the opening of the latest Hunger Games movie. It got better the following week when it was spread across North America and grossed $67.4 million that weekend but it was still in second to the Hunger Games by $7 million. The funny thing is while most movies came and went during the six weekends since, Frozen stuck around in the Top 3 and was even #1 on two different weekends. It was even #2 the weekend of January 31-February2nd: its eleventh weekend. Okay, the sing-along version release may have something to do with it but it just goes to show its lasting power. In fact it wasn’t until this weekend, its thirteenth, that it finally left the Top 5 and currently sits at #8 with a total gross of over $375 million.
Frozen has been the animated movie both moviegoers and fans of film alike have been waiting for all of 2013. It was definitely worth the wait because it delivers in terms of quality and entertainment value. Maybe I should go back for the sing-along version.
I am bad
And that’s good.
I will never be good
And that’s not bad.
There is no one
I’d rather be
I saw Wreck-It Ralph many weeks after its original release. I know it’s late but I finally had the chance to see it. I’ve always wanted to but I waiting too long. Now that I’ve finally seen it, here’s what I think of it.
Wreck-It Ralph is a video game villain in the early 80’s game Fix It Felix Jr. He wrecks the apartment that Felix fixes. Every time Felix completes the fixing, the tenants celebrate by throwing Ralph off the top of the building. It’s been like that for the thirty years Fix It Felix Jr.has been in Litwak’s Family Fun Centre and Arcade. When the arcade closes, all the arcade characters stop what they’re doing and lead normal lives even to travel between game to game. In Fix It Felix Jr., the tenants go to sleep and Ralph sleeps in a pile of bricks. Thirty years of this is very overbearing for Ralph as he tells his story at a ‘Bad-Anon’ meeting for video game bad guys like House Of The Dead’s Cyril, Street Fighter’s Zangief and the ghost of Pac-Man. The Bad Anon group try to reassure Ralph that his villain status is good like theirs but it doesn’t help much especially since Felix and the tenants are celebrating their 30th Anniversary at Litwak’s and leave Ralph completely out of the picture.
So what does Ralph do? He tries to find a video game to make himself a hero. He pursues it in Hero’s Duty, an army game where soldiers shoot cyber bugs in pursuit of a medal of honor. Ralph does a clumsy job but receives the medal. Finally a hero. Only problem is Ralph accidentally hatched a Cybug during that time. This also leaves Fix It Felix’s game malfunctioning and in the danger of being taken out for good. This would leave Felix and the apartment tenants homeless. Any video game taken out of Litwak’s leaves the characters homeless. Just ask Q-Bert.
Ralph continues on amongst video games where he finds himself in a candy-themed kart-racing game called Sugar Rush. Here he meets a bratty girl named Vannelope who likes teasing Ralph and dreams of racing. She even steals his medal in order to race in the game. Problem is she’s not allowed to race according to King Candy, the King of the game. Ralph wants her to race in order to win his medal back. In the meantime, one of the Cybugs is in danger of multiplying inside Sugar Rush and both Fix It Felix and Sargent Calhoun, the female sergeant in Hero’s Duty, are searching for Ralph: Felix to get him back to the game for it to function and Calhoun to stop the Cybug from multiplying and destroying the Sugar Rush game.
Ralph soon learns Vannelope lives in Diet Cola mountain shunned away by the racers. He helps build a car for Vannelope and teaches her how to race for the win. In the meantime troubles mount. Sargent notices the Cybugs have multiplied and could wreck the Sugar Rush scenery. Felix searches for Ralph and falls in love with Calhoun only to remind her of a previous relationship. King Candy offers to give Ralph back his medal to prevent Vannelope from racing as she is a ‘glitch’. He smashes it up right in front of Vannelope. And the tenants of Fix It Felix’s apartment pack their bags anticipating the worst. Looks like Ralph wrecked more than what he bargained for.
Things change when Ralph notices on the Sugar Rush game unit’s side–noticeable because Fix-It Felix’s screen faces Sugar Rush– that Vannelope was intended to be in the game in the first place. Ralph then proceeds to do the right things. He breaks Felix out of the prison King Candy put him in and gets him to fix Vannelope’s car. He then gets Vannelope out of the dungeon and gets her racing. Soon Ralph, Felix and Calhoun have to fight the Cybugs while Vannelope attempts to chase down King Candy while he leads the race. Soon it’s revealed that King Candy is the incarnation of Turbo: a racing character from an early 80’s racing game that went on to sabotage other video games upon his declining popularity. The race and the battle with the bugs lead to a somewhat predictable ending that does manage to both thrill, entertain and will leave the audience happy with the ending.
This is one example of how a fun movie like this can have excellent and creative writing. It was great to see how it was able to create ‘lives’ for these video game characters and even help given them focuses from their point of view. Mind you it had to do such in order to make such a storyline like this work. It also had to take in consideration of the cyber world of not only living in a video game but going from game to game to even being one of the games unplugged for good. The sign on a ‘homeless’ Q-Bert was also a good example of creating ‘lives’ for characters of video games past. Interesting universe of Litwak’s arcade. Makes it fun and entertaining to watch. What’s also great about this is that the story is like a maze of stories and plots coming together and making for a story that’s not too confusing and fun to watch. It all comes together in the end.
This is one of three animated features released by Disney this year. The first was Brave which was done by the Pixar studios. The second was Frankenweenie done by Tim Burton Productions and this was done by Walt Disney Studios. No doubt this has been Disney’s year in this genre. The film is co-written by Pixar writer Jim Reardon and directed by Rich Moore: writer for episodes of Futurama and The Critic. The film features vocal talents of John C. Reilly, Sarah Silverman and Ed O’Neil. The film features a music score by Henry Jackman and songs from Skrillex, Owl City and AKB48. Ironically the film’s theme song Wreck-It Wreck-It Ralph! is performed by Buckner & Garcia, the duo responsible for the 1982 novelty hit PacMan Fever.
For me I consider this movie a salute to video games from its early heydays of the 1980s to the present. I’ve often said the 80’s is to video games what the 50’s is to rock and roll. It was a fun romp into the world of video games while having an excellent story to go with it. Another thing too. As you may have noticed, video game movies have had a history of being lousy. Super Mario Brothers, Street Fighter, Mortal Kombat and its sequel: all lousy and forgettable even if a hit. Now we finally have a video game movie that’s as well-written and well-acted as it is entertaining. And to think it’s mostly featuring characters of fictional video games. It took a while but glad one finally came along.
Wreck-It Ralph is one of the best animated movies of the year. A creative take on video games past and present, real and fictional. It gives audiences young and old entertainment enjoyment. Also it’s a reminder that video game villains have feelings too. Never forget that.