2022 Academy Awards: Best Picture Reviews – Part Two

It’s something that if you see all ten Best Picture nominees, that means you would have seen 65 of the 125 Oscar nominations! Possibly more than most Academy members!

A single blog having all the Best Picture nominees reviewed would be too exhausting to the eyes. Makes sense to split the ten Best Picture nominees over two blogs. You read the first. Here is the second review of this year’s Best Picture nominees:

The Fabelmans – “Movies are dreams that you never forget.”

After I saw this film, I’ve been telling people this is a reminder that for every big-name director, there was a child with a dream. We’ve seen films before of children being enchanted by film. This is Spielberg’s chance to tell his own story. Essentially that story of Sammy Fabelman is the story of ‘Stevie Spielberg!’ It all started when Sammy’s parents Mitzi and Saul took him to see The Greatest Show On Earth and they told them of the magic of movies: from both the scientific and artistic side. Sammy tries to remake the train crash scene with his toy train set and film it with an 8mm camera… and that was the making! One thing I have to say is that what’s missing in the theatres nowadays are films that make people want to chase their dream. I don’t know about you but if I saw this film as a child, it would make me want to be a film maker. Even adults who grew up with Steven Spielberg movies and have been blown away by them would want to see the story of how it all started.

There are many scenes where one can see that this is how it all started for Spielberg. The scene with Sam biking will remind many of E.T. The scene where he does his war films will remind many of Saving Private Ryan and other war-themed films he’s done. The scenes where he experiences anti-Semitism will tell people of what inspired Schindler’s List. Speaking of which, it’s not to say the dream doesn’t have its rocky moments. We are reminded of times when the dream faced some bumpy paths. There was how his filming exposed Mitzi’s concealed love for Bennie and would lead to the friction in her marriage to Burt. There’s the anti-Semitism Sammy went through being the only Jew in his Northern California town. There’s that time Sam did not want to shoot a movie for years because it would mean using the camera Bennie gave him. It’s funny how when he was young, he insisted to his father “It’s not a hobby,” and as a teen Sam wanted nothing to do with it. I guess the message the film tries to give the audience is that if the skill is in you, the dream can’t die no matter how hard you try to end it.

Top admiration to go to Steven Spielberg. It’s not easy to do a semi-autobiographic story of the director without it getting egotistical. Instead of something egotistical, we get an inspiring story. On top of it, this isn’t any director we’re talking about. We’re talking Spielberg. His films have thrilled us since the late-70’s to now. The film showed he was the type who went that extra mile in adding affects to his films even when he was young. Sometimes I think this film is Spielberg’s gift to us.

Young actor Gabriel Labelle was great in his performance of Sam Fabelman. It was not an easy task playing a boy with film dreams but going through the frustrations of teenagerhood. He did an impressive job. Michelle Williams was also excellent in playing the troubled mother. It was not easy playing the mother that supports her son’s dream but going through a troubling marriage. Also great was Paul Dano in playing the father caught in the middle. Judd Hirsch was also great in the brief scene he played the eccentric uncle. In addition, John Williams gives a great score to go with the film.

Tár – This is a story that we often see of a toxic personality falling from the top of their game. If there’s one thing we all learn as we get older, it’s that if we want to excel and be among the top, we need to have some amount of arrogance and some amount of ruthlessness to get there. Lydia Tár is exactly that case. Yes, she’s condescending to those that think differently. Yes, she does get this feeling that she owns the show when she really doesn’t. And yes, her controlling personality does not leave her when she’s with the women she loves. One thing we often forget is that Lydia Tár’s toxic control-freak persona is something very common in show business. We see it time and time again. Most commonly from the men in show business. This film shows it’s even possible for a woman to be this controlling and manipulative. It’s very easy to try and go from the top of your game and then face the comeuppance of a downfall as your actions catch up to you. That’s the story of Lydia Tár. It got to the point everyone had to turn on her. The suicide of Krista Taylor was the beginning of the end.

The film is a straightforward story of a conductor on top of her game who faces a downfall and then finds new life in the aftermath. Despite that, it still has to capture the essence of the conductor and their music. Despite Lydia Tár being a control freak of a person, like most people at the top in arts and entertainment are, it also has to capture Lydia’s passion for music. The film itself has not forgotten about Lydia’s passion for music as it shows itself throughout the film. Music is a common theme throughout the film and it captures the essence excellently.

The brains behind this piece is Todd Field. Todd has had other films that looked like potential Best Picture nominees like 2002’s Far From Heaven and 2015’s Carol (which Blanchett also plays lead) that have “missed by that much.” This time, he finally gets it! While the two aforementioned films are timepieces, this takes place in modern times. It’s an excellent work about a toxic musician facing their comeuppance in modern times. Also making the film soar is Cate Blanchett. Her performance as a prima donna conductor owns the film from start to finish. She keeps her character interesting and helps the audiences into sharing her passions. Although Blanchett practically owns the film, supporting performances from Nina Hoss as her wife and Noemie Merlant as her angry assistant also add to the film.

Top Gun: Maverick – I’m sure the idea of a sequel to the original Top Gun had been an idea ever since the film became a hit. It was possible one could be out two or three years after the first. Most sequels are out in that time, and it’s mostly duds in such cases. A sequel thirty-six years after its original release seems like quite the gamble. Sure, there has been a lot of this retro-80’s stuff coming back and yes, there has been a lot of rebooting and remaking, but a sequel? Can a Top Gun sequel work with a sixtysomething Tom Cruise?

Peter Craig and Justin Marks were able to write a story to serve as the catharsis for the Top Gun sequel. The story ended up being a believable story of Maverick who’s on the verge of moving from pilot to teacher, but was born to fly. In the meantime, he has to teach a new generation which includes the son of Bradshaw. It’s a story that makes sense to have. In addition, it’s a story that gives the effects of flying a fighter jet. Most of us will never fly in one. The first Top Gun film was a hit because it gave the thrill of flying a fighter jet. This film continues to give us that feel without making us forget the physical toll flying such a jet can take on the passenger.

Top marks go to director Joseph Kosinsky. It was no easy task to direct this sequel; a sequel to a film that came out when he was 12. A director with proven work in science fiction was needed for a film like this an Kosinsky was the right one. He delivers a sequel that has a sensible story and keeps the action active and dazzling. The dream team of scriptwriters also did a very good job in delivering a story that’s believable and a story that isn’t too similar to the original film, like most film sequels are.

Tom Cruise returns to give his best acting in many years. Maverick was the role that made him a superstar in 1986. To play Maverick 36 years later was no easy task. It was not easy playing a man who has aged over time, but still had that young love for flying big. Tom did it very well. Jennifer Connelly was also good as Penny, but her role was not as developed. The set of young actors to play the new recruits were also very good. Miles Teller was not only good as Rooster, but he was able to steal the show from Maverick many times. Glen Powell was easily dislikeable as Hangman, Nevertheless the main attraction to a film like this is the effects. Again, this film delivers in its effect to give the audient the feel of what it’s like behind a fighter jet at supersonic speed. It’s what makes a movie like this!

Triangle Of Sadness – This is a rare case of a comedy with a message to deliver. There are a lot of themes in this film to take note of. One is social status. The story goes from the young model/influencer couple who debate about paying for a date to the various business people and socialites. They flaunt their riches, they enjoy their time without a care in the world, they all have their dinners of choice. The workers on the ship are just there to do their job. All that changes after the heavy rocking of the ship and its shooting down. The scene of the ship rocking is especially key as we see the Russian oligarch not only share control of the ship with the American captain, but also them shouting both anti-capitalist and anti-socialist sayings on the intercom.

In the aftermath, the eight surviving passengers are on an island with nothing. There’s also the theme of power. On the ship, the rich had it all while the workers did what they wer told and has basic living conditions. After the sinking the Filipino woman who was a cleaner on the ship is now the leader because of her survival skills. Power going from the bottom to the top. It also shows how even she can use her power to get what she wants and how power can even be an addiction for her.

The film doesn’t just deliver a message about classism and superficiality. It does so in a unique fashion. First it starts with a male model who makes less than his influencer girlfriend. Then it’s an argument at a restaurant which then leads them to this cruise with the mega wealthy. The cruise introduces us to them and their mindsets. Then the ship rocks furiously with everyone getting sick on board. Then the ship is torpedoed which leads to the eight survivors on what appears to be a deserted island. The time on the island gives a new structure with the former cleaning lady leading and the other survivors co-existing. It’s a clever arrangement of a story mixed with the bizarre and the disgusting to go along with it. Nevertheless the message doesn’t get lost. Nor does the story of the model/influencer couple lose its status as the prime story.

Top accolades to go to director/writer Ruben Ostlund. This is a unique tragicomedy that lampoons the rich but also reminds us how addictive power can be for even the smallest of the small. It has a lot of bizarre humor and even treads on the disgusting, but it all works when you look back on it. It’s actually a smart edgy comedy. Harris Dickinson and the late Charlbi Dean were also very good playing the couple. Their roles weren’t too deep, but they did well in playing the young and superficial pair. There were scene-stealers in this film. The most notable being Dolly de Leon as the cleaner-turned-leader. She was excellent in going from just a cleaning lady to becoming the leader with all the unfairness that comes with it! Also a scene stealer is Zlatko Buric as the Russian oligarch who helps endanger the ship with the captain.

Women Talking – If there’s one thing we’ve learned in 2022, it’s about how religion is often used to control women. That is one world issue felt big in 2022 with the loss of Roe v. Wade and also with the Women’s Revolution in Iran. Here we’re presented a story of a community whose religious beliefs create a community separate from the rest of secular society. It’s a community with strict values unchanged for centuries. This strictness causes a problem as there’s a rapist in the community threatening the women. The men have not made any effort to protect the women from this madman so they have to organize things themselves. It’s in this conversation that they have to decide, to stay and fight or to leave all at once before the men return? Even though leaving seems like the best choice, how will they do it? How will the children be raised properly? Will the boys be raised to treat women with respect? There is a lot to think about in this film. August, the university-educated token male in the discussion, serves as the image of hope for the women. He’s the one man in the community they can trust to raise the boys right.

The film is done very smartly. It presents the issue and the vote which leads to the discussion. It’s fair to say 85-90% of the film involves the women meeting in the hall for the discussion. That’s possibly the most critical part of it. While the men who dominate the community are away, the women finally get their moment to discuss things and make the choice to do something of their own choosing. When you hear them talk, it’s not simple common blabbing. These are the women speaking their fears, their anger, the hurts they’s endured, their passions and their families who mean so much to them. The discussions get very heated with all that’s happen, but they all have a bond that’s like a sisterhood that they show near the end. Even though it is primarily about the women, it’s also about August as he is their sense of hope to make the community better. He does it at the sacrifice of having to lose the woman he loves. It hurts him, but he knows it’s worth it.

The biggest praise of this film should go to writer/director Sarah Polley. Those of us living in Canada have seen Sarah develop over the years first when she was a child actor in the Road To Avonlea TV series, then seen as the next “it girl” in films like The Sweet Hereafter, Go and Existenz, only to drop acting and move in the field of writing and directing. She has come of age greatly over the years and one could call this film her crowning achievement so far. She does an excellent adaptation of the novel into a film that will get one intrigued of what will happen, what will be decided upon. I’ve often felt since the story is mostly in the same room, it can be adapted into a stage play. We’ll see. As for the acting, it’s hard to pick a standout. All the women here did an excellent almost-unselfish job of portraying their characters well. If I could pick the standouts, they would have to be Jessie Buckley, Rooney Mara and Claire Foy. A tough call. Ben Whitshaw also did an excellent job as playing the man watching, observing, and providing both wisdom and hope.

And there you go. There’s my second blog of my review of the Best Picture nominees. My predictions for the Oscar wins I anticipate to have by Saturday.

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My 2015 MTV Movie Awards Predictions

Movie (640x306)Of course I’m better at predicting Oscar winners than MTV Movie Awards winners. Nevertheless it’s still fun to predict and it would be interesting to see who wins.

MTV Movie Awards have always a ‘people’s choice’ type of awards and they can go to anyone. Even the surest of the sure don’t always happen. One example is in 1998 right when Titanicmania was happening,  Leo & Kate’s kiss in Titanic lost to the kiss between Adam Sandler and Drew Barrymore in The Wedding Singer. Even though the MTV Movie Awards hail themselves as an awards show ‘about movies, not films,’ independent films like Menace 2 Society and Napoleon Dynamite would win the Best Movie award. Even though sure bets have won, there have been some sure bets that weren’t really all that sure.

Anyways before I predict the nominees for the 24th MTV Movie Awards for Sunday, my comments about the nominees. The MTV Movie Awards have been commonly known in the past as the ‘Anti-Oscars’ for the show to give awards and nominations favoring towards popcorn movies with big fanfare that normally get Oscar accolades in the more technical categories like sound mixing or visual effects. Even categories like Best Kiss, Best Villain, Best Hero and most recently Best WTF Moment are an element that separates the MTV’s from the more stuffy Oscars.

This year I’m surprised to see a lot of Oscar fare among the nominations. Just look at the movies with nominations: Selma, Whiplash, Foxcatcher, American Sniper, even Birdman has some nominations. Sure there’s popcorn flavor like Guardians of the Galaxy, The Fault In Our Stars, The Hobbit and of course the latest Hunger Games movie but seeing more Oscar fare than usual this year is a surprise. I often feel it’s because it’s a reflection of the movie year that just passed. If you remember the 2014 movie year, it didn’t give the most memorable of movies. Good fare but not much that would remain beloved over time. I have to say that if there were people complaining about how lackluster this year’s Oscar fare was, they should remember how lackluster the popcorn fare of 2014 was.

Anyways without further ado, here are my predictions for the 2015 MTV Movie Awards. My prediction who I feel will win the bucket of popcorn will be marked with an * and my prediction for the most likely upsetter will be marked with an +. So here goes:

Movie of the Year
“American Sniper” (Warner Bros.)
*“The Hunger Games: Mockingjay – Part 1″ (Lionsgate)*
+“Guardians of the Galaxy” (Disney)+
“Gone Girl” (20th Century Fox)
“The Fault in Our Stars” (20th Century Fox)
“Boyhood” (IFC Films)
“Whiplash” (Sony Pictures Classics)
“Selma” (Paramount Pictures)

While the Academy has eight Best Picture nominees, MTV has eight Movie Of The Year nominees. This year there are four that stick out: Mockingjay because of the Hunger Games following, The Fault In Our Stars because this is the mushy romance with the biggest following since The Notebook, Boyhood because of a story that is a reflection of so many young people and Guardians Of The Galaxy, the summer movie of 2014.  I would still have to go with Mockingjay as the buzz is still active despite lower box office take-in.

Best Female Performance
*Jennifer Lawrence – “The Hunger Games: Mockingjay – Part 1″*
Emma Stone – “Birdman”
+Shailene Woodley – “Fault in Our Stars”+
Reese Witherspoon – “Wild”
Scarlett Johansson – “Lucy”

Jennifer lawrence has been going strong. I think her only real threat would have to be Shailene Woodley as The Fault In Our Stars turned out to have a bigger following than expected. Nevertheless I expect Jennifer to hang on strong.

Best Male Performance
Bradley Cooper – “American Sniper”
+Chris Pratt – “Guardians of the Galaxy”+
*Ansel Elgort – “Fault in Our Stars”*
Miles Teller – “Whiplash”
Channing Tatum – “Foxcatcher”

No doubt about it. This has been the year for newcomer Ansel Elgort. Already I’ve seen his face on magazines and The Fault In Our Stars still has the buzz that it first had when it hit the theatres. It’s his for the taking.

Best Scared-as-S*** Performance
+Rosamund Pike – “Gone Girl”+
Annabelle Wallis – “Annabelle”
Jennifer Lopez – “The Boy Next Door”
*Dylan O’Brien – “The Maze Runner”*
Zach Gilford – “The Purge: Anarchy”

I admit I’ve only seen one performance: Rosamund Pike. So this has to be a random guess. I predict Dylan O’Brien because of the young following of The Maze Runner. Like I say, don’t take my word on these predictions.

Breakthrough Performance
*Ansel Elgort – “The Fault in Our Stars”*
+Rosamund Pike – “Gone Girl”+
David Oyelowo – “Selma”
Dylan O’Brien – “The Maze Runner”
Ellar Coltrane – “Boyhood”

Let’s face it. Ansel is definitely the breakthrough of the year. Even Rosamund doesn’t stand too much of a chance.

Best Shirtless Performance
+Zac Efron – “Neighbors”+
Chris Pratt – “Guardians of the Galaxy
Channing Tatum – “Foxcatcher”
*Ansel Elgort – “Fault in Our Stars”*
Kate Upton – “The Other Woman”

Ansel again. Besides Zach is becoming yesreday’s news according to the young set and Channing is neither a superhero nor Magic Mike.

Best Duo
Channing Tatum & Jonah Hill – “22 Jump Street”
Zac Efron & Dave Franco – “Neighbors”
+Shailene Woodley & Ansel Elgort – “The Fault in Our Stars”+
*Bradley Cooper & Vin Diesel – “Guardians of the Galaxy”*
James Franco & Seth Rogen – “The Interview”

Duos are always a hard call. Couples, partners in crime, partners in biz or buds? I went with the Guardians duo here.

Best Fight
Jonah Hill vs. Jillian Bell – “22 Jump Street”
Chris Evans vs. Sebastian Stan – “Captain America: The Winter Soldier”
+Dylan O’Brien vs. Will Poulter – “The Maze Runner”+
*Seth Rogen vs. Zac Efron – “Neighbors”*
Edward Norton vs. Michael Keaton – “Birdman”

Admit it. Often comedic fights win us more than the intense fights. So I went with the Neighbors fight.

Best Kiss
*Ansel Elgort & Shailene Woodley – “Fault in Our Stars”*
+James Franco & Seth Rogen – “The Interview”+
Andrew Garfield & Emma Stone – “The Amazing Spider-Man 2″
Scarlett Johansson & Chris Evans – “Captain America: The Winter Soldier”
Rose Byrne & Halston Sage – “Neighbors”
This is one where you don’t know where it will go. Will it go to the more romantic kisses or will it go to the more humorous kisses? I still have a feeling the Ansel & Shailene kiss will win.

Best WTF Moment
*Seth Rogen & Rose Byrne – “Neighbors”*
Jonah Hill – “22 Jump Street”
+Jason Sudeikis & Charlie Day – “Horrible Bosses 2″+
Miles Teller – “Whiplash”
Rosario Dawson & Anders Holm – “Top Five”

Best Villain

*Rosamund Pike – “Gone Girl”*
J.K. Simmons – “Whiplash”
Jillian Bell – “22 Jump Street”
Meryl Streep – “Into the Woods”
+Peter Dinklage – “X-Men: Days of Future Past”+

It’s hard to pick out which villain most kept moviegoers spellbound. I picked Rosamund for Gone Girl because it was her story of how clever she was that really had people at the edge of their seats.

Best Musical Moment
Jennifer Lawrence – “The Hunger Games: Mockingjay – Part 1″
*Chris Pratt – “Guardians of the Galaxy”*
+Seth Rogen & Zac Efron – “Neighbors”+
Bill Hader & Kristen Wiig – “The Skeleton Twins”
Miles Teller – “Whiplash”

Musical moment doesn’t necessarily mean singing or performing a straigh number. That explains why none of the numbers of Into The woods are nominated. It can include goofy karaoke or just dancing around. That’s why I went with Chris in Guardians. He had us all laughing.

Best Comedic Performance
Channing Tatum – “22 Jump Street”
Chris Pratt – “Guardians of the Galaxy”
Rose Byrne – “Neighbors”
+Chris Rock – “Top Five”+
*Kevin Hart – “The Wedding Ringer”*

Hard call between Chris Rock and the man many believe to be his heir apparent. I’ll go with Kevin.

Best On-Screen Transformation
Eddie Redmayne – “The Theory of Everything”
Elizabeth Banks – “The Hunger Games: Mockingjay – Part 1″
+Zoe Saldana – “Guardians of the Galaxy”+
Steve Carell – “Foxcatcher”
*Ellar Coltrane – “Boyhood”*

This is interesting to see who will win. My best hunches are with either Ellar and Zoe. I think Ellar because of how Boyhood has a following with the young.

Additional category added after original nominees announced:

Best Hero

Shailene Woodley – The Divergent Series: Insurgent

*Jennifer Lawrence – The Hunger Games: Mockingjay – Part 1*

Dylan O’Brien – The Maze Runner

Martin Freeman – The Hobbit: The Battle of the Five Armies

+Chris Pratt – Guardians of the Galaxy+

The buzz over Jennifer Lawrence and the Hunger Games hasn’t died yet so I assume a win here.

And there you have it for my predictions. There will also be three additional awards given out:

  • MTV Trailblazer Award: Shailene Woodley
  • Comedic Genius Award: Kevin Hart
  • MTV Generation Award: Robert Downey Jr.

Anyways stay tuned for the winners. Comedy Central star Amy Schumer will host. There are five musical performances lined up. Tomorrow should be an exciting night.

Oscars 2013 Best Picture Review: American Hustle

Christian Bale and Amy Adams are partners in crime in American Hustle.
Christian Bale and Amy Adams are partners in crime in a 1978 sting in American Hustle.

American Hustle has a lot to attract crowds by the looks of the premieres: big name actors, 70’s setting, crime story, lots to stimulate excitement. The question is does it deliver?

The story is set in 1978 in New York. Irving Rosenfeld is a dry cleaning store owner as a profession, con on the side. His love interest is Sydney Prosser, a mid-western girl who came to the Big Apple to redefine herself. Once into the relationship, he reveals his ‘other side.’ She decides to be his partner in crime posing as a British aristocrat: Lady Edith Greensley. Even though they are a perfect match, he’s hesitant to leave his six year-old son Danny or divorce his young wife Rosalyn.

FBI agent Richie DeMaso has been keeping his eye on the pair and their scheming and even arrests Irving on a loan scan only to bargain Irving into lining up four additional arrests. Sydney is up on the heist, feeling she can manipulate Richie in the process. Also in the scheme is Irving talking about a wealthy Arab sheikh looking for investors. One person suggests the sheikh do business with Camden mayor Carmine Polito who’s helping to revitalize gambling in Atlantic City, a person

The funny thing is while Richie doesn’t seem to have what it takes to get Carmine, Sydney and Irving do. Richie wants to entrap despite the objections of his boss at a law firm. Sydney is able to help an FBI secretary manipulate $2,000,000 of wired money for the operation. The boss at the law firm is so impressed, he finally gets Richie’s approval. Richie is unable to win over Carmine at a meeting but Irving is with his sheikh story to the point Irving and Carmine become friends. The meeting with Carmine and the Irving’s Mexican friend disguised as the sheikh works.

Problem is Irving’s set-up with Carmine and the sheikh catches the attention of a Mafia overlord named Tellegio who is second-in-command to Meyer Lansky. Tellegio is more demanding as he demands the sheikh become an American citizen with Carmine expediting the process with bribery if needed, and a $10,000,000 wire transfer to prove the sheikh’s legitimacy. Richie agrees, eager to get Tellegio but Irving knows the operation is doomed.

Further signs of a downfall are seen as Richie, who falls in love with Lady Edith, learns of the truth of Sydney and becomes violent. Irving tried to stop Richie’s abuse and the deal but Richie tells them there’s no way out. If Tellegio learns the truth, he’ll kill Irving, Sydney, Rosalynn and Danny. To cause huger friction, Rosalynn starts an affair with a mobster. The mobster wants the deal with the sheikh to be true while Rosalynn knows the whole story and wants a divorce.

In the end, it turns out arrests are made successfully on members of congress and a lot of dirty secrets confessed on tape. A lot of things are lost too, like a chance to entrap Tellegio, Richie’s status with the FBI, Irving’s earned friendship with Carmine and his marriage to Rosalyn.

The thing about the film is one is left with the question of what is the point of this movie? Is the movie trying to tell of a crime heist that flopped? Is it trying to tell a political message about corruption? Is it trying to make the actors do showy acting? Is it trying to be a retro-70’s movie that captures the feel and sound of that decade? I’m left confused.

Another question is if this movie is trying to be a David O. Russell ego trip? This had me wondering because if you notice, American Hustle has actors in his previous two movies–The Fighter and Silver Linings Playbook–acting in major roles. In fact the four Oscar nominated performances from this movie come from actors who have already received an Oscar or an Oscar nod for a performance in either The Fighter or Silver Linings Playbook. It almost seemed like it was packages as a ‘David O. Russell all-stars’ collaboration. I will acknowledge that Russell is the director that has most made the biggest impact on films in the past five years but still…

On a more positive note, I give them credit for saying “Some of these events actually happened.” at the beginning. It’s way less misleading than saying “Based on a true story.” I read in Wikipedia that it’s based on the FBI’s ABSCAM operation from the late-1970’s/early 1980’s. I never read anything about those operations but it does capture my intrigue about them and what the real story was.

On an additional note, I saw this just a month after I saw The Wolf Of Wall Street which also featured interesting and colorful characters based in New York/New Jersey. Seeing those two movies this past while really made me wonder about the behavior of people from New York City. Hey, I don’t want to think stereotypical thoughts of other people but it still makes you wonder.

I know I talked about my question of Russell’s intentions of directing. I also question the script Russell co-wrote with Eric Warren Singer. Sure, Russell knows how to direct actors. In fact eleven of the last eighty Oscar nominations in the acting categories over the past four years came from a performance in one of his films. Nevertheless the showy acting distracts from the story line. Even if Russell wanted to deliver a story that was more character-oriented than plot-oriented, the performances were too distracting for it to make much sense. Even some of the 70’s elements like the disco dancing between Irving and Sydney made me question whether that was intended to be part of the story or trying to get a 70’s feel.

As for the acting, I won’t completely blame the actors for the over-the-top showiness, not even the ones who were nominated for Oscars. I heard Russell encouraged some of the actors to improvise their roles. Christian Bale appeared to be the one lead role that most had it together. Amy Adams also showed some elements of control of story over ‘showtime-style acting. Not to mention she also did a good job playing her least sweet character I can think of. Bradley Cooper’s role was a bit confusing and was one of the prime distractors of the movie. Jennifer Lawrence was also another top distractor. One thing I most give credit for is Lawrence again does a great job of playing a woman years older than her. Jeremy Renner however had one of the most underrated performances of the movie. He was the one who most delivered in character acting that worked for the movie rather than distract. Looking back, I just wonder if the film was to do about some New York people with actual ‘drama queen’ personalities. Nevertheless it didn’t stop them from distracting me from the plot.

I know that I talked a lot of how the movie sometimes focuses more on giving a 70’s feel than telling the story at times. The inclusion of the various 70’s songs during certain scenes–most notably Goodbye Yellow-Brick Road in the scene where Rosalyn and Sydney meet eyes for the first time–had a lot to do with me questioning if the movie was telling a story or a 70’s throwback movie. Even the placement of certain songs in certain scenes had me wondering if it fit the story right. One thing I do give credit for is that in terms of the clothes, the hair, and the set designs, this is the most 70’s-like I’ve seen. I hardly ever sensed a trace of the modern times which is what a lot of aptly-named 70’s throwback movies often include. That has to be the one flawless thing of the movie.

American Hustle is a movie that will leave you scratching your head. If it’s trying to tell you a story of an FBI sting, it sure got lost in the showy character acting or the 70’s throwback elements.

Movie Review: Frozen

Frozen

I’ll admit it’s rather late for me to be reviewing Frozen. I wasn’t interested in it at first. However its success at the box office coupled with its Oscar buzz helped me change my mind.

Normally I’d give a description of the film in my reviews but I won’t here since most of you have already seen Frozen by now. I’ll just go in to what I have to say. There are a lot of unique and great aspects of this movie. First is its unexpected twists. You’d first think it would be Kristoff that would save Elsa, Anna and the kingdom but it turns out to be Elsa. Already there are a lot of writers and bloggers comparing Elsa to Merida in Brave in terms of heroine status. I’ll bet you never thought Kristoff would be one of the bad guys. Second is its animation that truly mesmerizes. I was dazzled when I saw Elsa’s snow-spell and even the ‘ Castle Of Ice’ created on screen. Watching Frozen was like being taken to a world of ice at times.

Thirdly is the musical aspect of the movie. For many decades, even as close to about twenty years ago, animated movies were commonly musicals and excelled in telling the stories with catchy songs. From Someday My Prince Will Come in Snow White and the Seven Dwarfs to Hakuna Matata in The Lion King, you could always rely on an animated feature to deliver charming music. When 3D became the staple of animated features, the features were predominantly non-musicals and the movies were more focused on the story and the animation. When was the last animated feature done as a musical that dazzled you? Yeah, that far back. Frozen is the first 3D animated musical that has won the movie-going public by storm. It’s refreshing to see the musical aspect come back in animated movies and even added to 3D animated movies successfully for the first time. I think the success of Frozen will churn out more musical-styled 3D animation features.

Frozen is a welcome relief in terms of animated movies for 2013. This year was a rather quiet year in terms of animated movies. Sure this summer featured the excitement of the comeback of the monsters of Monsters University and Despicable Me 2 took ‘minion mania’ to new heights but there was nothing new to create new buzz. Nor was there anything with writing that stood out. I’m sure that became apparent to a lot of my subscribers when I published my blog about Pixar appearing to have lost its spark. Frozen may have come late in 2013 but it sure came to the rescue. Its excellence is not just in having a thrilling story but also in having excellent animation.

Also Frozen has a bonus aspect: catchy songs. It’s not just something that’s been missing from animated movies but movies in general since the new century. You may remember before the 2000’s came there were many catchy songs that came from movies. Since 2000, the presence of a catchy song or even a hit song from a movie is something that has been very rare. I think the last hit song from a movie before Frozen was Slumdog Millionaire’s Jai Ho. I was especially surprised during 2006 when Dreamgirls was in theatres, none of the songs were released as singles despite Beyonce’s chart-topping prowess at the time. I know most of North America was in a hip-hop coma at the time but still… Frozen helped bring back the catchiness of movie music. Already two versions of Let It Go are on the charts right now: Idina Menzel’s version is currently #18 on the Hot 100 and Demi Lovato’s version is at #56 having peaked at 38. Recently Do You Want To Build A Snowman? started hitting the charts and is now at #57. I guess it’s no wonder that the movie has been re-released in a sing-along version.

It’s hard to pick who first to compliment. First off, I’ll say the animation was top notch. The Walt Disney Animation Studios did an excellent job in creating a charming trip to the past and a mesmerizing world of ice. Secondly, kudos should go to Christophe Beck and Kristin Anderson-Lopez for providing music that was not only entertaining but the catchiest movie music in years. Thirdly a great job in the acting and singling by both Kristen Bell and Idina Menzel. They’re already established actors and they’ve also had musical experience but this has to be the best combined singing/acting efforts from both of them. The supporting actors were also great in their roles too including Jonathan Groff and Santino Fontana. However it’s Josh Gad that steals the show as the goofy Olaf. Finally great acting/writing efforts from Chris Buck, Jennifer Lee and Shane Morris. It was something to take Hans Christian Andersen’s The Snow Queen and turn it into an animated musical. They really delivered a winner. In fact you remember how Disney movies would give animated adaptations of children’s stories like Snow White, Cinderella, Pinocchio and The Lion King and turn them into beloved classics? I think Frozen is destined to go that same route over time.

Funny thing about Frozen is not just simply its current total success with its box office run but its lack of success when it first started. I’ve noticed on Box Office Mojo that it was only on one single theatre when it opened because it didn’t want to compete with the opening of the latest Hunger Games movie. It got better the following week when it was spread across North America and grossed $67.4 million that weekend but it was still in second to the Hunger Games by $7 million. The funny thing is while most movies came and went during the six weekends since, Frozen stuck around in the Top 3 and was even #1 on two different weekends. It was even #2 the weekend of January 31-February2nd: its eleventh weekend. Okay, the sing-along version release may have something to do with it but it just goes to show its lasting power. In fact it wasn’t until this weekend, its thirteenth, that it finally left the Top 5 and currently sits at #8 with a total gross of over $375 million.

Frozen has been the animated movie both moviegoers and fans of film alike have been waiting for all of 2013. It was definitely worth the wait because it delivers in terms of quality and entertainment value. Maybe I should go back for the sing-along version.

Oscars 2013 Best Picture Review: Dallas Buyers Club

Matthew McConaughey (left) and Jared Leto make unlikely business partners in Dallas Buyers Club.
Matthew McConaughey (left) and Jared Leto make unlikely business partners in Dallas Buyers Club.

Oh, I’m the drug dealer? No, you’re the fuckin’ drug dealer. I mean, goddamn, people are dyin’. And y’all are up there afraid that we’re gonna find an alternative without you.

The Dallas Buyers Club will take you back to a hard moment in history that most of us are familiar with. But it also takes us to something involved with it that we’re actually unfamiliar with.
Ron Woodruff is a 35 year-old electrician and part-time rodeo hustler living in Dallas. He’s not the easiest to get along with as he engages in frequent sex with rodeo girls, sniffs a lot of coke and shortchanges many of the men he arranges gambling deals with. He’s also as typically homophobic as most Texas men. However his physical condition has been acting up. The doctor tells him he has full-blown AIDS and just 30 days to live. He considers it nonsense: he’s not gay. It isn’t until he goes to the library and reads a Time magazine article about AIDS that he learns a promiscuous heterosexual male like him is high risk.
Having the condition is not easy. He’s ostracized by family and friends. He is given a drug at the Dallas Mercy Hospital by Dr. Saks called AZT. AZT is the only AIDS drug approved by the FDA for testing and is among the half with AIDS testing this drugs out while the other half receive a placebo. Ron tries to get AZT illegally by bribing a hospital worker but it only worsens his health to the point he’s hospitalized, sharing a room with a transgendered AIDS patient named Rayon whom he doesn’t get along with. Once the worker stops giving him the AZT, he decides to hit Mexico to get it. What he gets instead is a doctor whose medical license in the US is revoked who tells him of the harm AZT causes. The doctor gives him medicines that are unapproved in the US.
Noticing the improvements in him three months later, Ron decides to pursue in dealing these drugs in Dallas by importing them. They’re not illegal since they’re neither untested nor unapproved. It’s a challenging process as he has to disguise himself as a priest and pass customs by swearing they’re for personal use. Meanwhile Dr. Saks notices the problems with the patients on AZT but can’t discontinue administering the medicine as ordered by her supervisor Dr. Savard.
Once back in Dallas he starts business by dealing them over at the gay bars. He bumps into Rayon again. Even though he’s uncomfortable with her, he knows she can attract more people to his medicines. The two start their own bu8siness in a shared hotel room called the ‘Dallas Buyers Club’ where AIDS patients can get these successful-but-unapproved medicines albeit at a $400 annual membership fee. The Club is very popular with AIDS patients lining up to get these medicines and it even helps Ron become friends with Rayon.
The club and its practices however can’t stay secret for long. Once Ron has a heart attack, Dr. Savard learns of his practices and is angry it’s interrupting the trial of AZT. One FDA agent confiscates one of the medicines and threatens to have Ron arrested. However he finds an ally in Dr. Saks who supports the club as she knows of other ‘buyers clubs’ in other US cities. The two become friends but still have to keep this business a secret as she is still commanded to conduct AZT testing.
Ron continues with the club and even goes to countries like Germany and Japan getting the latest in AIDS treatments, disguising himself as a businessman. Ron still faces problems with the club as the FDA agent gets the police to go to the club but receives just a fine. Soon it’s the law any drug unapproved by the FDA is now an ‘illegal’ drug. As the club is about to lose money, Rayon who herself has become a coke addict goes to her estranged father to beg for money. She gives Ron $10,000 passing it off as her chased-in life insurance.
Unfortunately while Ron is on a trip to Mexico to purchase more ‘illegal’ AIDS drugs, Rayon is taken to the hospital as her condition worsens. She is given AZT and soon dies. Ron is infuriated, feeling it’s the AZT that killed her. Then Dr. Saks, who is also upset with Rayon’s death, is also under fire by the hospital for participating in the Dallas Buyers Club and is asked to resign. She refuses as she’s rather be fired instead.
Rayon’s death changed Ron for the better. Soon the Dallas Buyers Club becomes less of an interest to make money and more to help AIDS patients stay alive, especially the gay people whom he has started to feel more of a compassion for after Rayon’s passing. He even goes to gay communities and AIDS outreach groups passing out pamphlets about the dangers of AZT. As one of his drugs is harder to acquire, Ron launches a lawsuit against the FDA. The judge shows compassion to Ron and his cause but his hands are tied. The film ends sending the message that even though Ron lost the trial, he is still a winner.
One thing this film will remind you of is of the harshness of the AIDS epidemic during the 1980’s and early-90’s. One line that stuck out to me was when a doctor said the epidemic will get worse before it gets controlled. I know because before the number of infected and dead started tapering down starting in 1996, it was hard and frustrating. I myself was actually very familiar with the AIDS epidemic back in the 90’s. I learned of its origins in the book And The Band Played On and of a lot of the difficulties in the US with the documentary Common Threads. It was after the latter when I made sure more than ever in my life to learn what I could to protect myself.
One thing I was not made aware of was these underground drug programs. There were these programs like the Dallas Buyers Club that smuggled these medicines approved in other countries but remained unapproved by the FDA into the United States. Ron Woodroof was not the only one doing this. In fact the script details at least two other US cities that had this drug program. I’m sure San Francisco and New York had their own programs.
This may be set during the early years of the AIDS epidemic but the film makes a strong detail that’s relevant today. They point out about drugs that can prolong lives greatly in the case of fatal diseases but remain unapproved by the FDA because of its lengthy testing time. A lot of lives are at stake during the waiting time. Even though some countries have approved some of those medicines already, they still remain unapproved in the US. That was a huge test to people like Ron Woodroof that considered this unacceptable and made the Dallas Buyers Club because of it. I’m sure it’s possible there are underground medicine facilities today in the US that are importing cancer drugs and other AIDS drugs still awaiting FDA approval.
Even though this film is about a smuggling operation exercises because of the FDA’s lack of timeliness, it’s also about the man Ron Woodroof. I don’t know the whole story of Ron but this film shows a unique story of a man who was a rodeo cowboy and hustler who slept with hookers and didn’t care about AIDS until it hit him. Soon he was able to take his hustling and dealing and using it for good. He had a homophobic attitude at first–common to most Texas men at the time– but it dropped once he had AIDS and met other gay men going through the same ordeal. Ron soon became a person for others but confided to Dr. Saks that he wants to live his life again and get back to rodeo life. In the end, he turned out to be that: a rebel cowboy who was a winner in the end. The ends ended up justifying the means too. Ron was originally expected to live a month after his diagnosis in July 1985. Instead he lived another seven years, dying in 1992.
Like any ‘based on a true story movie’ there’s always question of the truthfulness. No exception here. News stories say Ron actually wasn’t so homophobic at first in real life (and may possibly be bisexual), nor was he as violent or even a bull rider, nor did the characters of Rayon and Eve Saks exist. There are even claims that the Dallas Mercy Hospital wasn’t event hat cruel to AIDS patients. I won’t deny the lack of truthfulness in the story. It doesn’t however deter from the drama of the film. The story does have a lot of truth to it as Ron did attempt to challenge the FDA in court only to lose. I won’t deny the lack of truthfulness. In fact I would read a news story that said he had a daughter born in 1971 and there’s no appearance of the daughter at all in the film. I do feel it is a good film that gives a good portrayal of an epidemic and how government organizations like the FDA often fail the public. It was also a good depiction of the man Ron Woodroof if not an entirely truthful one.
The highlight of the film has to be the acting performances. Matthew McConaughey is practically unrecognizable with his cowboy get-up, loss of 40 lbs. and cowboy like Texas accent. His transformation into the role of Ron Woodroof was excellent. I couldn’t notice anything of McConaughey on screen. Also excellent was Jared Leto. He was quite the scene-stealer as Rayon and that was an excellent job of character acting. Jennifer Garner may not have as showy or transformative a role as Dr. Saks but she was also very good doing a performance not what one would expect to see from Garner on screen. Craig Borten and Melissa Wallack wrote an excellent script that keeps one intrigued but also gives the characters dimension. Jean-Marc Vallee also does an excellent job in direction. He’s had his experience directing film in Quebec and he does an excellent job with his first American production.
Dallas Buyers Club is an unlikely film that keeps one intrigued and entertained. One can question the truthfulness of the story but it succeeds in getting one to confront a moral dilemma. Especially on a situation that’s happening now.

Movie Review: Silver Linings Playbook

Bradley Cooper and Jennifer Lawrence shine in Silver Linings Playbook.
Bradley Cooper and Jennifer Lawrence shine in Silver Linings Playbook.

“I was a big slut but I’m not anymore. There will always be a part of me that is dirty and sloppy, but I like that, just like all the other parts of myself. I can forgive. Can you say the same for yourself? Can you forgive? Are you capable of that?”

Do you think it’s possible to do a comedy about dealing with bipolar disorder? Silver Linings Playbook makes the attempt to make a comedy out of it and succeeds.

We meet Pat Solitano Jr.: a Philadelphia man with bipolar disorder who was just release form a mental institute after eight months following having given a brutal beating to the man who had an affair with his wife. The incident has hit him with hard consequences. Besides being institutionalized, he lost his job, his wife Nikki has put a restraining order on him thus him living with his parents. And adding to the difficulty, his father Pat Sr. is out of work and resorts on gambling for income and hopefully launching a restaurant. His parents give him strict orders to take his medicine and see a therapist. It starts off rocky as he neglects his medicine and throws violent raging fits such as two incidents at 3 in the morning in front of his parents and when he hears My Cherie Amour, the song played when he caught his wife with his coworker. He does however see his therapist Dr. Patel but doesn’t open up to him too much.

One night, he’s invited to dinner with his friend Ronnie and his wife. He meets Tiffany, a young widow who also has a neurosis condition of her own and also lost her job because of it. Over time, Pat and Tiffany develop a friendship and the friendship becomes closer when it’s obvious she can work with his condition for the better. He even offers to have her relay letters to Nikki. She agrees to as long as he’s willing to be a partner for her in an upcoming Latin dance contest. He also agrees and things get better. It’s through the friendship that Pat is able to open up to Tiffany. Tiffany is even willing to let Pat know that right after she lost her husband, she slept with ever man at her job, which explains why she lost it. Pat hopes that the dance competition will get him to win Nikki back. Tiffany even assists in motivation by giving him a typed letter from Nikki.

Things take a turn for the worse when Pat Sr. asks Pat to come to an Eagles game as a ‘good luck charm’ because he bet a lot of money. Pat agrees but that would mean missing out on the dance practice with Tiffany. It turns out to be a bad idea as Pat sees Dr. Patel with a group of Indo-American Eagles fans. Young males throw bigoted slurs at them, which leads to a fight where Pat gets involved and gets carried off by the police. The Eagles lose the game and Pat Sr. loses the bet big time. Tiffany then gets in on this by telling Pat Sr. and all that their dance practices together are better good luck charms for Philadelphia sports games. So a final bet is made: The Flyers win against the Dallas Cowboys and Pat and Tiffany score at least a 5 in the dance competition. Pat is nervous about it until he rereads the letter from Nikki. Tiffany even says Nikki will be at the competition and is willing to lift the restraining order if they score well.

The day of the game and the competition approaches. Both Pat and Tiffany are nervous, as expected. Nikki arrives to see the dance competition but Tiffany is horrified. Why? She said Nikki would be there, right? The family is busy paying attention to the game at first while Tiffany tries to calm herself down with drinks. Pat is able to spot her in time for the dance and before she could drink any more. The game ends with the Flyers winning and the two are able to score a 5.0 in the dance. Pat Sr. won the bet and will get the restaurant and Pat Jr will get his restraining order lifted. But just when you think things will end as you think it will, it doesn’t and leads to an ending that’s a lot happier and ending you feel it right.

This movie is a surprise. Normally you’d think that making a movie about dealing with bipolarism would not make for a good movie, never mind a comedy, but it does. I believe the biggest reason why this movie is so well is that it does show the negative sides of bipolarism and people reacting to personal tragedies but it shows a ray of light. It shows both the bipolar person and the person dealing with tragedy as 3D people instead of types. It shows them both as people struggling with their setbacks and weaknesses and people trying to fight it out. It shows the unique chemistry between the two that helps them triumph over their difficulties and eventually win both to the other in the end.

It was a big effort to make these two types main characters for a comedy but a romantic comedy… and it succeeds. Tiffany was the perfect one who knew how to make Pat overcome his condition. It was evident that Halloween night when Pat thought he was hearing My Cherie Amour again but Tiffany let him know he was not hearing that song. She was also able to get it through to his family that dance training with her was very helpful in winning the games Philadelphia played. She was also able to use a fake letter from Nikki to give him the motivation even thought it risked biting her in the end. You could tell that Tiffany was more for him than Nikki. A bipolar and a promiscuous widow makes for a bizarre pairing for a romantic comedy but it works here.

The best quality of the movie had to be the acting. Bradley Cooper has to have delivered the best performance of his career. He succeeded in making a 3-dimensional person with bipolarism and make him a character that first appears hateable but become more likeable later on and whom you want to succeed in the end. Jennifer Lawrence gives a performance nothing short of remarkable. It’s not just about doing a character who’s an emotionally-fragile person trying to be the one in control but also doing a character many years older than her (she’s 22) and look convincing, and she does it. If she wins the Oscar, I will not be surprised. Robert De Niro also did a good job as the struggling father who has problems of his own. Jacki Weaver also did an excellent job as the mother even though she didn’t have the showiest of roles. Good supporting turns from Anupam Kher and Chris Tucker add to one of the best acting ensembles of the year.

David O. Russell did a marvelous job in both writing the screenplay and directing the film. His follow-up to The Fighter also delivers excellently and has to be one of the best this year. What you think would be as expected doesn’t and works for the better in the film. Very good adaptation. The other standout feature in the movie is the music. There’s the score from Danny Elfman along with previously released songs. Many of which are already familiar. Its blend into the story works well.

Silver Linings Playbook makes an unlikely pair of characters for a romance movie turn out to be possibly the best romance of the year. Very smart, very sensible, very human and very winning. Definitely amongst the best of the year.

VIFF 2011 Review: Miss Representation

One of the most notable things about the VIFF is that it features a huge selection of documentaries both in the number of films aired and the variety of topics. Many documentaries are focused on topics revolving Canada. The documentary of Miss Representation is focused in the United States but one can see a lot the issues discussed in the documentary facing Canada in similar ways too.

Tired of your daughter trying to make a sex object of yourself? Tired of your daughter imitating the stupidities of reality show stars? Ever stop to think about how women are depicted on television? Ever feel a lack of female roles or smart female roles in movies? Tired of the lack of females in CEO positions or politics? While some people, including other women, overlook it, there are women that don’t and are unhappy about the state of things. This dilemma is well-stated in the documentary Miss Representation.

Miss Representation has an impressive lineup of women interviewed for this documentary from actresses like Geena Davis, Jane Fonda and Rosario Dawson to feminists like Dr. Jean Kibourne and Gloria Steinem to newscasters like Katie Couric and Rachel Maddow to politicians like Condoleeza Rice and Nancy Pelosi. It does an impressive investigation of how women are portrayed in today’s media, in both entertainment and news. It highlights the negative depictions of them in ‘reality shows’ and misogynistic treatment in hip-hop videos. It shows how computer enhancements shorten a model’s waistline to an unrealistic width. It shows sexist depictions in television ads. It shows networks’ news shows hiring women for sexiness over professionalism. It shows the negative role models girls are given via reality shows and MTV. It also highlights how these images have affected their self-esteem, especially in terms of eating disorders, depression and even undergoing cosmetic surgery.

It doesn’t just stop at entertainment but also focuses on politics too. It points out the United States ranks 90th in the world in terms of the percentage of female politicians in office and noticed a decline in 2010 that was enough cause for alarm. It shows how American female politicians get more copy over what they wear than what they have to say in office. It shows how right wing conservative pundits and their ridiculing of female politicians also are part of the blame. Even conservative groups who hurl slurs at Hillary Clinton like “Iron my clothes” have their part in this. It also focuses on the business world, on how it’s like being a woman with a top position in a room full of men. It also talks of the lack of female CEOs. Funny how when we’ve made progress in the last 40 years, we learn there’s more to be done, and at a faster pace.

Mind you it doesn’t completely dwell on the negative. It also features messages of hope. It also shows of the efforts of young teenage girls in their own political pursuits. It shows a discussion with teenage students–both boys and girls– and how they feel about this. Just when you think teenage America is eating it up and enjoying it all, there are some teens that are concerned. It even talks of Miss Representation, the campaign. The documentary Miss Representation is as much a campaign as it is a documentary film. Its goals are to empower women and girls to challenge limiting labels in order to realize their potential. They are encouraging actions that lead to a cross-generational movement to eradicate gender stereotypes and create lasting cultural and sociological change. They are using various media outlets like girls using social media to speak their mind, a school curriculum to educate and encourage activism, community screenings where discussion is encouraged, and consumer empowerment to encourage the success of female-friendly entertainment.

The unique thing is that the film is done from the point of view from the director and the founder and CEO of the Miss Representation campaign. The filmmaker is Jennifer Siebel Newsom. She is married to former San Francisco mayor Gavin Newsom. Siebel has a Masters Degree from Stanford, completed acting studies at the American Conservatory Theatre and had done environmental work overseas through Conservation International.  Her acting credits include films like Something’s Gotta Give, Rent and In The Valley Of Elah. Her television credits include Strong Medicine, Numb3rs and Mad Men. This documentary is her directorial debut. Miss Representation is as much a personal focus of hers as it is a documentary as she filmed it just after she had given birth to her daughter and wonders what type of world she would grow up in. Anyone else who has a daughter might want to question the same thing too.

I found this documentary quite intriguing. I especially took note of what they said about entertainment. Entertainment and how it’s delivered to various peoples is a big interest of mine. Interesting is during the film, they pointed out to entertainment in the early 90’s that took women’s roles in new directions, like Thelma & Louise and A League Of Their Own. It brought back memories back in the 90’s when women were defying convention in entertainment. We had the sitcom Roseanne where the star Roseanne Barr looked like an actual mother. We had A surge of female singer/songwriters whose intimate work helped spawn off the Lilith Fair festival. Nowadays you could say it’s a memory with profit-oriented entertainment more competitive than ever. We shouldn’t forget about entertainment sinking to new lows for the sake of new highs in profits. In fact I myself could even right an essay on how the improvement of women’s image and role in music in the 90’s suddenly grounded to a halt thanks to Britney and “Oh Baby Baby…” I could also write how Paris Hilton reversed the women’s movement. Or even my thoughts on Snooki. But I’ll save it for now. I’m sure you have your own annoyances too. I’m just glad Lilith Fair hasn’t been replaced by Tartapalozza.

It also got me thinking about how things are doing in Canada. I often feel that Canada is not as sexist as the US but I’m frequently reminded that there’s still work to be done. Even though wage parity between male and female workers is closer than its ever been, female workers are still paid less than male workers. Canada ranks 50th on the world scale of females holding political office. 70 on the 308 seats in the House Of Commons are women; 27 from the victorious Conservative party. Canadian teenage girls have done their share of idolizing Britney and other reality show stars. In fact it encouraged one Canadian magazine journalist, Anne Kingston to write an article that made the cover story for Maclean’s, Canada’s national magazine. For those who want to read it, here it is: http://www2.macleans.ca/2010/08/10/outraged-moms-trashy-daughters/ Glad to see that while Americans mostly ignored this issue, one Canadian writer decided to speak up.

Miss Representation is a film that’s angry about the portrayal of women without having to ‘shout’. It shows stats and views to show its disappointment but also offers messages of hope. Jennifer Siebel Newsom put in a lot of effort and research to get her message across. I’m sure her frustration would not only be shared by mothers like her but fathers of daughters as well. For those interested in the Miss Representation campaign, go to: http://missrepresentation.org/