It’s funny I didn’t see my first American live-action film at the VIFF until the second-last day of the Festival. Black Bear was that film. It was quite a story.
The film begins with a woman in a swimsuit out by the dock near a lake in the Adirondacks region and just meditates by the water instead of swimming. We later see that woman walking down a road in what appears to be a remote area of the woods. She has a lot of baggage. A man stops to ask if she’s lost. She says she’s an actress-turned-director names Allison. He introduces himself as Gabe. He is actually the director who will be working with Allison on an upcoming production. Allison is willing to accept Gabe’s offer to bring her luggage to the place. During the walk she reveals she chose directing because she’s hard to work with. She’s known for emotional outbursts. She hopes to spend some time at the cottage in hopes that the natural greenness with help her unblock her creativity and help her to produce her next project. They arrive at their cottage near the lake with his pregnant wife Blair waiting. Gabe tries to introduce Blair to Allison, but you can sense the jealousy in Blair’s body language, even though she tries to hide it.
During the dinner, things really get heated. Blair talks of how they moved from Brooklyn to the Adirondacks; because Brooklyn was too expensive and they were getting nowhere in the film business. Blair soon gets all confrontational with Gabe. She even gives him a hard time in front of Allison about a comment she perceives as his male chauvinisms. Allison sides with Gabe, adding more suspicious feeling from Blair. The dinner leads to more friction from Blair about Gabe and how she can’t stand the world he creates. Late at night, Gabe finds Allison alone. The two develop a good conversation. Then it leads to a lot more. It turns out Gabe has had a thing for Allison since they first met and she has a thing for Gabe too. Right while they are about to have sex, Blair physically attacks both of them. She knew it all along and she’s infuriated. She even chases Allison out, but it leads to an area in the woods where Allison is confronted by a black bear. The bear doesn’t attack Allison at all.
The film then progresses forward weeks or months later to the wrapping up of the film. The shooting is taking place around the cottage and the dock. The crew is setting up. The directors are having confrontations of how to have the next scenes shot. Gabe and Blair are cooperating well for this project. It’s possible they’ve decided mostly for the sake of the film to put all personal feelings aside. But for the last scene, Allison appears to be out of it. The calm, cool Allison from that time before is not there. She appears angered or hurting inside. However the final scenes still need to be shot.
As Allison becomes more uncooperative with the actors and crew on the set, she finds a place to withdraw herself. Problems arise all over the place. The crew have their issues of setting up and one has a severe stomach problem. The directors have an ego clash over what is to be done. Gabe and Blair have talks about the film that appear to be more about their relationship, or fading relationship. The actors squabble with each other. However it’s Allison who’s the biggest of the problems. She’s just become an emotional time-bomb. It’s unclear why she’s that way but any attempt from anyone to get her to work properly on the scene, especially from Gabe, only succeeds in making her even more confrontational. Eventually she does agree to the scene, but it appears things could go better. After the shootings done, she leaves the cottage where she comes across the bear again. Again the bear doesn’t attack and Allison smiles for the first time today.
This is an interesting story about a bizarre love triangle and how it intermingles with film. An actress who wants to venture into film decides to meet with the director of her next film. She makes the way into the house and the wife suspects something. Everything falls apart from that point on. Blair starts friction with Gabe while Allison appears to coax him. It results in an affair that drives Blair angry. Three weeks later, work on the film happens and Allison can’t take it anymore. She becomes an emotional timebomb. You’re left wondering why? She said at the beginning of the film she was confrontational on the set. Is that the reason why Allison is acting like a time bomb? Or could it be she still has feelings for Gabe? Or is something deeper than that? Even of a natural sense? You’re left to wonder.
Despite how interesting the story is, it does get confusing. The first story appears to set up for the second story. I can understand how films don’t try to reveal everything mainly so the audience can make their own decisions, but there’s still too much that’s unclear. One of the things that’s unclear is whether the marriage between Gabe and Blair ended. They get along better while shooting. You’re left to wonder did they patch things up or did they split and are now getting along better? Another is Allison. I know I mentioned how Allison’s behavior on the final day of shooting get you wondering. If you saw the scene yourself, you yourself would find it hard to decide the biggest reason why she’s acting that way. Also confusing is the role of the bear in the film. The film’s two scenes are titled Part One: The Bear On The Road and the second scene is Part Two: The Bear By The Boat House, but you don’t see the black bear until the very end. The bear doesn’t attack Allison in either scene and the appearance of the bear causes Allison to smile at the end. You’re left to wonder what’s the symbolism of the bear? Allison coming to grips with her mentality? Her tranquility with nature finally reached? You’re left wondering.
Despite the confusing story, this is an ambitious film from writer-director Lawrence Michael Levine. This is the sixth film and third feature-length film he writes and directs and the first of his films he doesn’t act in. The film is impressive that it is a psychological film about human nature and how personal problems, especially among people in the arts, cause the friction, but its imperfections are noticeable. The best work from the film comes from the actress Aubrey Plaza. She goes from an actress who doesn’t appear to be the type to call a time-bomb at first to one who fits the description of ‘time-bomb’ perfectly. Her transformation was excellent because she was portraying two different Allisons and it worked excellently. Christopher Abbott was also good as Gabe: the director left confused in all of this. Sarah Gadon was excellent with portraying Blair as one who does not shy away from letting her personal feelings show. Additional technical efforts that highlight the film are the cinematography of Robert Leitzell, the cinematic score of Giulio Carmassi and Bryan Scary, and the images of pencil and paper of going from scene to scene and the end credits.
Black Bear hasn’t won too many awards on the film festival circuit. It was a nominee for a NEXT Innovator Award at the Sundance Film Festival and a New Vision Award at the Sitges – Catalonian Film Festival. Nevertheless those who saw it have talked a lot about it and its story and it has become a major attraction at film festivals.
Black Bear does make for a drama about a bizarre love triangle. It’s a story of the affair and the aftermath. The problem is there’s too much in the film that is unclear, including the inclusion of the bear.
It never fails with me. I have the habit of ‘waiting until the crowds die down’ to see a blockbuster movie. I don’t think it’s the right thing to do when it involves a Star Wars movie, especially not Star Wars: The Force Awakens. I saw it three weeks after its release. I’m glad I finally saw it.
I won’t explain the story line like I do in most reviews, especially since most of you have already seen it by now, unless of course you’ve been under a rock. One thing about this movie is that it wasn’t just simply bringing another volume of the Star Wars series to the screen. The film’s job was also to bring back the magic of Star Wars people have come to know and love. No kidding the first three Star Wars movies from 1977 to 1983, those that are now referred to as episodes 4 to 6, captivated the world. Watch any one of them nowadays and you’ll see why.
However when George Lucas did the three prequels from 1999 to 2005, many fans felt something was missing. No doubt The Phantom Menace had huge expectations but they missed them and disappointed a lot of fans. Attack Of The Clones tried to be better but still something was noticeably missing. The scene of the fighting Yoda added excitement but it was one small added element. Revenge Of The Sith was the best of the prequels but the feel of Star Wars was still not there. I think it was best summed up by my sister who’s a huge Star Wars fan: “George Lucas knows how to direct sci-fi but he doesn’t know how to direct actors.” Good point because it’s been proven in other action movies or sci-fi movies in the past that special effects no matter how dazzling cannot overtake a lousy story or lousy acting.
Now we should remember that The Force Awakens or Episode Seven was actually thought up by George Lucas way back in the 1970’s as he was dreaming out and writing out the whole Star Wars series. Lucas made it clear after Revenge Of The Sith he will no longer direct Star Wars movies. In fact he sold LucasFilm to the Walt Disney Company in 2012. The first thing Disney did was bring The Force Awakens on screen. The director they hired was J.J. Abrams who has an extensive resume in writing and directing thrillers and sci-fi like Armageddon, Mission Impossible III (his directorial debut), Super 8 and the last two Star Trek movies. Hired to adapt the story to screenplay was Abrams, Lawrence Kasdan who co-wrote the scripts for Empire Strikes Back and Return Of The Jedi but didn’t help co-write any of the prequels, and rising writer Michael Arndt.
The mix turned out to be the right chemistry as it was able to bring the magic of the story back to life. The recreation of the two worlds also worked excellently. There was however one challenge I feel it didn’t overcome. That was when they brought back Harrison Ford as Han Solo, Carrie Fisher as Princess Leia, and Mark Hamill as Luke Skywalker. There were a few times that I felt that instead of adding to the latest Star Wars story, it almost made it seem like a ‘Star Wars reunion.’ Even adding C3P0, Chew and R2D2 in there also added to that feeling this was like a ‘reunion” I don’t know if the huge following of Star Wars had a lot to do with why I felt that it seemed like a ‘Star Wars reunion’ but that’s how I felt.
One thing I have to say is the best thing about this Star Wars story are the new elements and the new characters of the story. One thing you hope to get with each Star Wars film are new characters that are able to charm us whether it be the philosopher Yoda in The Empire Strikes Back or even villains like Jabba The Hutt in Return Of The Jedi. Here was get appealing characters like Rey and Poe Dameron and even villains like Kylo Ren. I don’t know if they will deliver the same craze Luke, Leia and Han first did but moviegoers have welcomed them to the Star Wars saga. In addition we have a plot twist in this film as Storm Trooper Finn deserts his duty to fight against the Dark Side. That’s a key element leading into Episode Eight in anticipation in what will happen next.
In addition, adding BB-8 to the Star Wars saga was a plus. Usually adding in something cutesy to the Star Wars Saga is a risk. C3P0 and R2D2 had a big part in making the first Star Wars‘ greatness. The Ewoks of Return Of The Jedi helped make the story. However Jar Jar Binks of The Phantom Menace was too irritating and had a lot to do with that episode’s constant panning. BB-8 was cute but he was more the cute one would welcome and be entertained by rather than easily get irritated with. BB-8 actually added to the quality of The Force Awakens. Even the scenes where R2D2 meets BB-8 for the first time come across as funny instead of ridiculous.
It’s not to say the older elements weren’t good. They may not have stood out like the newer elements but they still fit the movie excellently. I know I talked about bringing Harrison Ford, Carrie Fisher and Mark Hamill back made it feel like a ‘Star wars reunion’ but they were intended to be in the story from the start and intended to age 30 years. I can’t think of anyone else who could play their characters. The Dark Side and its darkness still maintained its mystery and villainous feel. The battles were also excellent to watch. Oh yes, the light saber battles. You can’t have a Star Wars episode without light saber battles. There weren’t as many this time around but they still dazzled.
I will have to say J.J. Abrams succeeds with flying colors in directing and co-writing the latest in the Star Wars saga. He’s proven in the past he can direct sci-fi and direct actors and he was the right man to take over the Star Wars series right after George Lucas let it go. The acting was not stellar but it was very good. The best acting came from those performing the ‘new roles’ like Daisy Ridley, Adam Driver, John Boyega and Oscar Isaacs. Driver especially delivered an unpredictable villain. The set designs fit the movie perfectly and were able to replicate the ships, planets and lands of the story perfectly. The visual effects were top notch again and worked the movie excellently. And of course they had to bring back John Williams as the score’s composer. Even at 83, Williams is still at it. It seems as though there’s no other composer who can do it for Star Wars and he delivers again.
Without a doubt the biggest news about Star Wars 7 is all the box-office records it’s breaking. It already broke the opening weekend record with $247.9 million: almost breaking the quarter-billion barrier. It would go on to break the North American total box office record held by Avatar on January 5th: the very day I saw it! It now stands at $879.3 million and currently sits at #2 at the box office. Worldwide it sits at $1.94 billion currently and appears poised to break Avatar’s record of $2.788 billion. Only time will decide that.
Star Wars: The Force Awakens is a very good addition to the Star Wars series. Not only that but it brings back a lot of the Star Wars magic that appeared missing from the prequels. What can I say? Star Wars mania is back and rightly so.
MTV Movie Awards have always a ‘people’s choice’ type of awards and they can go to anyone. Even the surest of the sure don’t always happen. One example is in 1998 right when Titanicmania was happening, Leo & Kate’s kiss in Titanic lost to the kiss between Adam Sandler and Drew Barrymore in The Wedding Singer. Even though the MTV Movie Awards hail themselves as an awards show ‘about movies, not films,’ independent films like Menace 2 Society and Napoleon Dynamite would win the Best Movie award. Even though sure bets have won, there have been some sure bets that weren’t really all that sure.
Anyways before I predict the nominees for the 24th MTV Movie Awards for Sunday, my comments about the nominees. The MTV Movie Awards have been commonly known in the past as the ‘Anti-Oscars’ for the show to give awards and nominations favoring towards popcorn movies with big fanfare that normally get Oscar accolades in the more technical categories like sound mixing or visual effects. Even categories like Best Kiss, Best Villain, Best Hero and most recently Best WTF Moment are an element that separates the MTV’s from the more stuffy Oscars.
This year I’m surprised to see a lot of Oscar fare among the nominations. Just look at the movies with nominations: Selma, Whiplash, Foxcatcher, American Sniper, even Birdman has some nominations. Sure there’s popcorn flavor like Guardians of the Galaxy, The Fault In Our Stars, The Hobbit and of course the latest Hunger Games movie but seeing more Oscar fare than usual this year is a surprise. I often feel it’s because it’s a reflection of the movie year that just passed. If you remember the 2014 movie year, it didn’t give the most memorable of movies. Good fare but not much that would remain beloved over time. I have to say that if there were people complaining about how lackluster this year’s Oscar fare was, they should remember how lackluster the popcorn fare of 2014 was.
Anyways without further ado, here are my predictions for the 2015 MTV Movie Awards. My prediction who I feel will win the bucket of popcorn will be marked with an * and my prediction for the most likely upsetter will be marked with an +. So here goes:
Movie of the Year
“American Sniper” (Warner Bros.)
*“The Hunger Games: Mockingjay – Part 1″ (Lionsgate)*
+“Guardians of the Galaxy” (Disney)+
“Gone Girl” (20th Century Fox)
“The Fault in Our Stars” (20th Century Fox)
“Boyhood” (IFC Films)
“Whiplash” (Sony Pictures Classics)
“Selma” (Paramount Pictures)
While the Academy has eight Best Picture nominees, MTV has eight Movie Of The Year nominees. This year there are four that stick out: Mockingjay because of the Hunger Games following, The Fault In Our Stars because this is the mushy romance with the biggest following since The Notebook, Boyhood because of a story that is a reflection of so many young people and Guardians Of The Galaxy, the summer movie of 2014. I would still have to go with Mockingjay as the buzz is still active despite lower box office take-in.
Best Female Performance
*Jennifer Lawrence – “The Hunger Games: Mockingjay – Part 1″*
Emma Stone – “Birdman”
+Shailene Woodley – “Fault in Our Stars”+
Reese Witherspoon – “Wild”
Scarlett Johansson – “Lucy”
Jennifer lawrence has been going strong. I think her only real threat would have to be Shailene Woodley as The Fault In Our Stars turned out to have a bigger following than expected. Nevertheless I expect Jennifer to hang on strong.
Best Male Performance
Bradley Cooper – “American Sniper”
+Chris Pratt – “Guardians of the Galaxy”+
*Ansel Elgort – “Fault in Our Stars”*
Miles Teller – “Whiplash”
Channing Tatum – “Foxcatcher”
No doubt about it. This has been the year for newcomer Ansel Elgort. Already I’ve seen his face on magazines and The Fault In Our Stars still has the buzz that it first had when it hit the theatres. It’s his for the taking.
Best Scared-as-S*** Performance
+Rosamund Pike – “Gone Girl”+
Annabelle Wallis – “Annabelle”
Jennifer Lopez – “The Boy Next Door”
*Dylan O’Brien – “The Maze Runner”*
Zach Gilford – “The Purge: Anarchy”
I admit I’ve only seen one performance: Rosamund Pike. So this has to be a random guess. I predict Dylan O’Brien because of the young following of The Maze Runner. Like I say, don’t take my word on these predictions.
*Ansel Elgort – “The Fault in Our Stars”*
+Rosamund Pike – “Gone Girl”+
David Oyelowo – “Selma”
Dylan O’Brien – “The Maze Runner”
Ellar Coltrane – “Boyhood”
Let’s face it. Ansel is definitely the breakthrough of the year. Even Rosamund doesn’t stand too much of a chance.
Best Shirtless Performance
+Zac Efron – “Neighbors”+
Chris Pratt – “Guardians of the Galaxy
Channing Tatum – “Foxcatcher”
*Ansel Elgort – “Fault in Our Stars”*
Kate Upton – “The Other Woman”
Ansel again. Besides Zach is becoming yesreday’s news according to the young set and Channing is neither a superhero nor Magic Mike.
Channing Tatum & Jonah Hill – “22 Jump Street”
Zac Efron & Dave Franco – “Neighbors”
+Shailene Woodley & Ansel Elgort – “The Fault in Our Stars”+
*Bradley Cooper & Vin Diesel – “Guardians of the Galaxy”*
James Franco & Seth Rogen – “The Interview”
Duos are always a hard call. Couples, partners in crime, partners in biz or buds? I went with the Guardians duo here.
Jonah Hill vs. Jillian Bell – “22 Jump Street”
Chris Evans vs. Sebastian Stan – “Captain America: The Winter Soldier”
+Dylan O’Brien vs. Will Poulter – “The Maze Runner”+
*Seth Rogen vs. Zac Efron – “Neighbors”*
Edward Norton vs. Michael Keaton – “Birdman”
Admit it. Often comedic fights win us more than the intense fights. So I went with the Neighbors fight.
*Ansel Elgort & Shailene Woodley – “Fault in Our Stars”*
+James Franco & Seth Rogen – “The Interview”+
Andrew Garfield & Emma Stone – “The Amazing Spider-Man 2″
Scarlett Johansson & Chris Evans – “Captain America: The Winter Soldier”
Rose Byrne & Halston Sage – “Neighbors”
Best WTF Moment
*Seth Rogen & Rose Byrne – “Neighbors”*
Jonah Hill – “22 Jump Street”
+Jason Sudeikis & Charlie Day – “Horrible Bosses 2″+
Miles Teller – “Whiplash”
Rosario Dawson & Anders Holm – “Top Five”
*Rosamund Pike – “Gone Girl”*
J.K. Simmons – “Whiplash”
Jillian Bell – “22 Jump Street”
Meryl Streep – “Into the Woods”
+Peter Dinklage – “X-Men: Days of Future Past”+
It’s hard to pick out which villain most kept moviegoers spellbound. I picked Rosamund for Gone Girl because it was her story of how clever she was that really had people at the edge of their seats.
Best Musical Moment
Jennifer Lawrence – “The Hunger Games: Mockingjay – Part 1″
*Chris Pratt – “Guardians of the Galaxy”*
+Seth Rogen & Zac Efron – “Neighbors”+
Bill Hader & Kristen Wiig – “The Skeleton Twins”
Miles Teller – “Whiplash”
Musical moment doesn’t necessarily mean singing or performing a straigh number. That explains why none of the numbers of Into The woods are nominated. It can include goofy karaoke or just dancing around. That’s why I went with Chris in Guardians. He had us all laughing.
Best Comedic Performance
Channing Tatum – “22 Jump Street”
Chris Pratt – “Guardians of the Galaxy”
Rose Byrne – “Neighbors”
+Chris Rock – “Top Five”+
*Kevin Hart – “The Wedding Ringer”*
Hard call between Chris Rock and the man many believe to be his heir apparent. I’ll go with Kevin.
Best On-Screen Transformation
Eddie Redmayne – “The Theory of Everything”
Elizabeth Banks – “The Hunger Games: Mockingjay – Part 1″
+Zoe Saldana – “Guardians of the Galaxy”+
Steve Carell – “Foxcatcher”
*Ellar Coltrane – “Boyhood”*
This is interesting to see who will win. My best hunches are with either Ellar and Zoe. I think Ellar because of how Boyhood has a following with the young.
Additional category added after original nominees announced:
Shailene Woodley – The Divergent Series: Insurgent
*Jennifer Lawrence – The Hunger Games: Mockingjay – Part 1*
Dylan O’Brien – The Maze Runner
Martin Freeman – The Hobbit: The Battle of the Five Armies
+Chris Pratt – Guardians of the Galaxy+
The buzz over Jennifer Lawrence and the Hunger Games hasn’t died yet so I assume a win here.
And there you have it for my predictions. There will also be three additional awards given out:
- MTV Trailblazer Award: Shailene Woodley
- Comedic Genius Award: Kevin Hart
- MTV Generation Award: Robert Downey Jr.
Anyways stay tuned for the winners. Comedy Central star Amy Schumer will host. There are five musical performances lined up. Tomorrow should be an exciting night.
American Hustle has a lot to attract crowds by the looks of the premieres: big name actors, 70’s setting, crime story, lots to stimulate excitement. The question is does it deliver?
The story is set in 1978 in New York. Irving Rosenfeld is a dry cleaning store owner as a profession, con on the side. His love interest is Sydney Prosser, a mid-western girl who came to the Big Apple to redefine herself. Once into the relationship, he reveals his ‘other side.’ She decides to be his partner in crime posing as a British aristocrat: Lady Edith Greensley. Even though they are a perfect match, he’s hesitant to leave his six year-old son Danny or divorce his young wife Rosalyn.
FBI agent Richie DeMaso has been keeping his eye on the pair and their scheming and even arrests Irving on a loan scan only to bargain Irving into lining up four additional arrests. Sydney is up on the heist, feeling she can manipulate Richie in the process. Also in the scheme is Irving talking about a wealthy Arab sheikh looking for investors. One person suggests the sheikh do business with Camden mayor Carmine Polito who’s helping to revitalize gambling in Atlantic City, a person
The funny thing is while Richie doesn’t seem to have what it takes to get Carmine, Sydney and Irving do. Richie wants to entrap despite the objections of his boss at a law firm. Sydney is able to help an FBI secretary manipulate $2,000,000 of wired money for the operation. The boss at the law firm is so impressed, he finally gets Richie’s approval. Richie is unable to win over Carmine at a meeting but Irving is with his sheikh story to the point Irving and Carmine become friends. The meeting with Carmine and the Irving’s Mexican friend disguised as the sheikh works.
Problem is Irving’s set-up with Carmine and the sheikh catches the attention of a Mafia overlord named Tellegio who is second-in-command to Meyer Lansky. Tellegio is more demanding as he demands the sheikh become an American citizen with Carmine expediting the process with bribery if needed, and a $10,000,000 wire transfer to prove the sheikh’s legitimacy. Richie agrees, eager to get Tellegio but Irving knows the operation is doomed.
Further signs of a downfall are seen as Richie, who falls in love with Lady Edith, learns of the truth of Sydney and becomes violent. Irving tried to stop Richie’s abuse and the deal but Richie tells them there’s no way out. If Tellegio learns the truth, he’ll kill Irving, Sydney, Rosalynn and Danny. To cause huger friction, Rosalynn starts an affair with a mobster. The mobster wants the deal with the sheikh to be true while Rosalynn knows the whole story and wants a divorce.
In the end, it turns out arrests are made successfully on members of congress and a lot of dirty secrets confessed on tape. A lot of things are lost too, like a chance to entrap Tellegio, Richie’s status with the FBI, Irving’s earned friendship with Carmine and his marriage to Rosalyn.
The thing about the film is one is left with the question of what is the point of this movie? Is the movie trying to tell of a crime heist that flopped? Is it trying to tell a political message about corruption? Is it trying to make the actors do showy acting? Is it trying to be a retro-70’s movie that captures the feel and sound of that decade? I’m left confused.
Another question is if this movie is trying to be a David O. Russell ego trip? This had me wondering because if you notice, American Hustle has actors in his previous two movies–The Fighter and Silver Linings Playbook–acting in major roles. In fact the four Oscar nominated performances from this movie come from actors who have already received an Oscar or an Oscar nod for a performance in either The Fighter or Silver Linings Playbook. It almost seemed like it was packages as a ‘David O. Russell all-stars’ collaboration. I will acknowledge that Russell is the director that has most made the biggest impact on films in the past five years but still…
On a more positive note, I give them credit for saying “Some of these events actually happened.” at the beginning. It’s way less misleading than saying “Based on a true story.” I read in Wikipedia that it’s based on the FBI’s ABSCAM operation from the late-1970’s/early 1980’s. I never read anything about those operations but it does capture my intrigue about them and what the real story was.
On an additional note, I saw this just a month after I saw The Wolf Of Wall Street which also featured interesting and colorful characters based in New York/New Jersey. Seeing those two movies this past while really made me wonder about the behavior of people from New York City. Hey, I don’t want to think stereotypical thoughts of other people but it still makes you wonder.
I know I talked about my question of Russell’s intentions of directing. I also question the script Russell co-wrote with Eric Warren Singer. Sure, Russell knows how to direct actors. In fact eleven of the last eighty Oscar nominations in the acting categories over the past four years came from a performance in one of his films. Nevertheless the showy acting distracts from the story line. Even if Russell wanted to deliver a story that was more character-oriented than plot-oriented, the performances were too distracting for it to make much sense. Even some of the 70’s elements like the disco dancing between Irving and Sydney made me question whether that was intended to be part of the story or trying to get a 70’s feel.
As for the acting, I won’t completely blame the actors for the over-the-top showiness, not even the ones who were nominated for Oscars. I heard Russell encouraged some of the actors to improvise their roles. Christian Bale appeared to be the one lead role that most had it together. Amy Adams also showed some elements of control of story over ‘showtime-style acting. Not to mention she also did a good job playing her least sweet character I can think of. Bradley Cooper’s role was a bit confusing and was one of the prime distractors of the movie. Jennifer Lawrence was also another top distractor. One thing I most give credit for is Lawrence again does a great job of playing a woman years older than her. Jeremy Renner however had one of the most underrated performances of the movie. He was the one who most delivered in character acting that worked for the movie rather than distract. Looking back, I just wonder if the film was to do about some New York people with actual ‘drama queen’ personalities. Nevertheless it didn’t stop them from distracting me from the plot.
I know that I talked a lot of how the movie sometimes focuses more on giving a 70’s feel than telling the story at times. The inclusion of the various 70’s songs during certain scenes–most notably Goodbye Yellow-Brick Road in the scene where Rosalyn and Sydney meet eyes for the first time–had a lot to do with me questioning if the movie was telling a story or a 70’s throwback movie. Even the placement of certain songs in certain scenes had me wondering if it fit the story right. One thing I do give credit for is that in terms of the clothes, the hair, and the set designs, this is the most 70’s-like I’ve seen. I hardly ever sensed a trace of the modern times which is what a lot of aptly-named 70’s throwback movies often include. That has to be the one flawless thing of the movie.
American Hustle is a movie that will leave you scratching your head. If it’s trying to tell you a story of an FBI sting, it sure got lost in the showy character acting or the 70’s throwback elements.
NOTE: I know this is awfully late to post a review of Catching Fire but I’ve had another lack of ambition in terms of writing this year. Those of you who’ve been subscribed to my blog for more than a year will remember the six week gap that began after the Oscars and left me with a March of nothing. Fortunately this gap ends today. However it explains this review coming awfully late.
I’m sure most of you have already seen The Hunger Games: Catching Fire. Heck, there are still people seeing it as it’s still in the Top 10 at the box office this weekend and about to pass the $400 million mark. In this review, I won’t focus too much on the nitty gritty as I normally do. However I will post my thoughts on it as I was watching. Being one who has not read the novels, I will have a lot to say from what I remember seeing.
Those of you who have read my review of the original Hunger Games may have gotten a sense I did not read the novels. Especially since I made guesses about what was to happen in future movies. The funny thing is in the first movie, I thought the new love between Katniss and Peeta was real. I should have known Katniss did it for the sake of both of them winning. If it was a real relationship, why would boyfriend Gale applaud at the end?
One thing about the ending of the first. It provides the catharsis for President Snow to visit Katniss and even threaten her. The funny thing about the beginning is that it tells the whole truth about Katniss’ love triangle. There’s Gale whom she truly loves. And there’s Peeta whom she faked love for the both of them winning but he truly loves her and is crushed with the truth. There’s also the whole Hunger Games charade. Champions have to tour year after year across the districts. That mean the Katniss/Peeta charade has to be kept alive. It’s not an easy thing to do as people see them as this thing and rebels are executed by militia. Even harder is Peeta adding to the charade by proposing marriage to Katniss.
As one who hasn’t read the novel, the Quarter Quell came to me as a total surprise. Each year you have kids killing for the win and now you have winners killing each other off? I’m sure there were others who thought: “Not another Hunger Games. Twenty-four winners competing to be the one still alive? Why?” I was confused by it all, even though I was made aware that this was part of President Snow’s plan. I was also thinking is this was going to be your typical movie sequel where they rehash the elements of the original.
The Quarter Quell does appear to be redundant as it involves a parade around the stadium and even the contestants introducing themselves to the crowd and showing off their costumes. Even the new high-tech training does appear to be a case of rehashing from the first. Having Heymitch back as their coach and Cinna back as their costumer didn’t make things that much fresher either. There was one new element. There’s Katniss interacting and even befriending some of the other contestants before the competition.
Then comes the actual competition. There comes deadly rivalry from some of the contestants. There’s even potential fatality from some of the virtual effects created by the games masters. The way Katniss reaches out and befriends some of the other contestants is only slightly repetitive of the first but it does have its own original moments with her befriending of Mags, Wiress, Beetee and even the obnoxious Johanna. The Katniss/Peeta relationship in this movie had me on the untrusting side. It left me wondering if this was real or fake for the show again. Even the addition of Finnick leaves me wondering about the love triangle as I wondered is he really helping or is he trying to get a piece of Katniss?
It isn’t until the very end of the movie that I learned that the real battle in this Hunger Games movie is not Katniss against the other competitors but actually Katniss against the whole Hunger Games institution. It was obvious she knew what President Snow was up to. It also gave Katniss a sense that the other contestants in the Quarter Quell were as much a victim of this whole Hunger Games system as she was. It was evident that they all wanted out and would be lucky to survive getting out. The ending of the movie left me with a lot of questions about what to expect for the final part of the trilogy. Make that ‘parts’ since the final novel will follow the examples of Harry Potter and Twilight and divide it into two movies. Way to go, Hollywood!
Now onto the technical stuff. Jennifer Lawrence was good but not that spectacular. I’ll admit that I compared it to her Oscar-winning role of Silver Linings Playbook and it just doesn’t compare. It’s hard not to now! Josh Hutcherson turned Peeta from a lonely homely boy to a boy now angry and hurting. Sam Claflin helped make Finnick the one fresh character that added to the movie this time around. Actually the characters of the contestants of the Quarter Quell were all quite good in terms of both their characterizations and in making their characters human and likeable. The characters of those pulling the strings of the Hunger Games like Stanley Tucci’s Caesar and Elizabeth Banks’ Effie may have come across as irritating and stockish at times but they added to the story. Actually they added to the theme of the movie of how there are these cartoonish people pulling the strings of the show while the contestants are mostly the real 3D people in this game. Even though they have a show to put on and a game to kill for the win, they still feel and hurt.
Now onto the technical stuff. Francis Lawrence did a good job of directing, even though there was nothing fresh added. Actually he’s slated to direct both Mockingjay movies. We’ll see how he works it. Once again I admit I’ve never read the novel so I can’t say how good of an adaptation Simon Beaufoy and Michael De Bruyn did. I will say that it did seem too much like the first. James Newton Howard did a very good job in terms of the score. The visual effects team did an excellent job with the effects. Trish Summerville did a very good job with the costumes. It’s unfortunate that the first movie’s costumes didn’t get an Oscar nomination. I shouldn’t be surprised since the Academy normally favors timepiece costuming over fantasy costuming. But is it deserving, even again here.
The Hunger Games: Catching Fire is bound to get a lot of people who haven’t read the novel surprised, then questioning, then surprised and then guessing at the end what to expect next. The good thing about this movie is that even though there is some redundancy, it doesn’t resort to Twilight’s trick of focusing on hot guys. It knows it’s mostly about the drama and sticks to it. That’s the best thing and I hope they keep it up for the two Mockingjay movies.
“I was a big slut but I’m not anymore. There will always be a part of me that is dirty and sloppy, but I like that, just like all the other parts of myself. I can forgive. Can you say the same for yourself? Can you forgive? Are you capable of that?”
Do you think it’s possible to do a comedy about dealing with bipolar disorder? Silver Linings Playbook makes the attempt to make a comedy out of it and succeeds.
We meet Pat Solitano Jr.: a Philadelphia man with bipolar disorder who was just release form a mental institute after eight months following having given a brutal beating to the man who had an affair with his wife. The incident has hit him with hard consequences. Besides being institutionalized, he lost his job, his wife Nikki has put a restraining order on him thus him living with his parents. And adding to the difficulty, his father Pat Sr. is out of work and resorts on gambling for income and hopefully launching a restaurant. His parents give him strict orders to take his medicine and see a therapist. It starts off rocky as he neglects his medicine and throws violent raging fits such as two incidents at 3 in the morning in front of his parents and when he hears My Cherie Amour, the song played when he caught his wife with his coworker. He does however see his therapist Dr. Patel but doesn’t open up to him too much.
One night, he’s invited to dinner with his friend Ronnie and his wife. He meets Tiffany, a young widow who also has a neurosis condition of her own and also lost her job because of it. Over time, Pat and Tiffany develop a friendship and the friendship becomes closer when it’s obvious she can work with his condition for the better. He even offers to have her relay letters to Nikki. She agrees to as long as he’s willing to be a partner for her in an upcoming Latin dance contest. He also agrees and things get better. It’s through the friendship that Pat is able to open up to Tiffany. Tiffany is even willing to let Pat know that right after she lost her husband, she slept with ever man at her job, which explains why she lost it. Pat hopes that the dance competition will get him to win Nikki back. Tiffany even assists in motivation by giving him a typed letter from Nikki.
Things take a turn for the worse when Pat Sr. asks Pat to come to an Eagles game as a ‘good luck charm’ because he bet a lot of money. Pat agrees but that would mean missing out on the dance practice with Tiffany. It turns out to be a bad idea as Pat sees Dr. Patel with a group of Indo-American Eagles fans. Young males throw bigoted slurs at them, which leads to a fight where Pat gets involved and gets carried off by the police. The Eagles lose the game and Pat Sr. loses the bet big time. Tiffany then gets in on this by telling Pat Sr. and all that their dance practices together are better good luck charms for Philadelphia sports games. So a final bet is made: The Flyers win against the Dallas Cowboys and Pat and Tiffany score at least a 5 in the dance competition. Pat is nervous about it until he rereads the letter from Nikki. Tiffany even says Nikki will be at the competition and is willing to lift the restraining order if they score well.
The day of the game and the competition approaches. Both Pat and Tiffany are nervous, as expected. Nikki arrives to see the dance competition but Tiffany is horrified. Why? She said Nikki would be there, right? The family is busy paying attention to the game at first while Tiffany tries to calm herself down with drinks. Pat is able to spot her in time for the dance and before she could drink any more. The game ends with the Flyers winning and the two are able to score a 5.0 in the dance. Pat Sr. won the bet and will get the restaurant and Pat Jr will get his restraining order lifted. But just when you think things will end as you think it will, it doesn’t and leads to an ending that’s a lot happier and ending you feel it right.
This movie is a surprise. Normally you’d think that making a movie about dealing with bipolarism would not make for a good movie, never mind a comedy, but it does. I believe the biggest reason why this movie is so well is that it does show the negative sides of bipolarism and people reacting to personal tragedies but it shows a ray of light. It shows both the bipolar person and the person dealing with tragedy as 3D people instead of types. It shows them both as people struggling with their setbacks and weaknesses and people trying to fight it out. It shows the unique chemistry between the two that helps them triumph over their difficulties and eventually win both to the other in the end.
It was a big effort to make these two types main characters for a comedy but a romantic comedy… and it succeeds. Tiffany was the perfect one who knew how to make Pat overcome his condition. It was evident that Halloween night when Pat thought he was hearing My Cherie Amour again but Tiffany let him know he was not hearing that song. She was also able to get it through to his family that dance training with her was very helpful in winning the games Philadelphia played. She was also able to use a fake letter from Nikki to give him the motivation even thought it risked biting her in the end. You could tell that Tiffany was more for him than Nikki. A bipolar and a promiscuous widow makes for a bizarre pairing for a romantic comedy but it works here.
The best quality of the movie had to be the acting. Bradley Cooper has to have delivered the best performance of his career. He succeeded in making a 3-dimensional person with bipolarism and make him a character that first appears hateable but become more likeable later on and whom you want to succeed in the end. Jennifer Lawrence gives a performance nothing short of remarkable. It’s not just about doing a character who’s an emotionally-fragile person trying to be the one in control but also doing a character many years older than her (she’s 22) and look convincing, and she does it. If she wins the Oscar, I will not be surprised. Robert De Niro also did a good job as the struggling father who has problems of his own. Jacki Weaver also did an excellent job as the mother even though she didn’t have the showiest of roles. Good supporting turns from Anupam Kher and Chris Tucker add to one of the best acting ensembles of the year.
David O. Russell did a marvelous job in both writing the screenplay and directing the film. His follow-up to The Fighter also delivers excellently and has to be one of the best this year. What you think would be as expected doesn’t and works for the better in the film. Very good adaptation. The other standout feature in the movie is the music. There’s the score from Danny Elfman along with previously released songs. Many of which are already familiar. Its blend into the story works well.
Silver Linings Playbook makes an unlikely pair of characters for a romance movie turn out to be possibly the best romance of the year. Very smart, very sensible, very human and very winning. Definitely amongst the best of the year.