NOTE: I may have ‘published’ a previous version of this review. It was accidental as I meant to save instead of publish. Here’s the complete review.
There have been a lot of LGBTQ-themed films done in the past twenty years. Carol is the latest big film to be shown on the big screen. However it’s not your typical gay-themed film.
The film begins in a scene set in the future. Then flashes back to Therese, a young 20-something woman working the toy section of a Manhattan department store. A glamorous older woman, Carol Aird, consults her for what to buy her daughter for Christmas. Therese recommends the train set and she buys one. However Carol left her gloves behind in which Therese mails to her from the address on the sales slip.
Both women have difficult lives. Therese is in a relationship with a man and longs to be a photographer. Carol is in a marriage near divorce and in the midst of a tight custody battle with her daughter. However Carol is able to get Therese to meet up for lunch. The friendship starts to grow and Therese is able to take pictures of Carol for her photography habit. On Thanksgiving, Carol invites Therese over to her house but it does not go well with her husband Harge as he knows Carol had a relationship with a woman named Abby last year.
Carol visits Therese on Christmas and gives her a state-of-the art Canon camera. Carol also reveals to Therese the details of her divorce and how Harge plans on having a ‘morality clause’ against her in an attempt to win their daughter Rindy in a custody battle. Carol plans an escape for the two of them around New Year’s Day in a remote Iowa town to get away from the difficulties of their lives and to finally have time for the two of them together. It works on cultivating their relationship but it’s interrupted as it is learned an investigator was hired by her husband to track her lesbian relation. Therese is driven by Abby back to New York.
In the meantime Carol is in a difficult situation as she is to decide whether to love Therese or give it all up for the sake of winning custody of her daughter. Months pass and Therese is now working as a photographer with the New York Times and Carol is seeking psychotherapy for the sake of winning custody of Rindy. Carol attempts to reconnect with Therese at a lunch at The Ritz but is interrupted by a former co-worker of Therese’s. The film ends with the moment many believe was meant to be.
The thing about Carol is that it’s not only about love but about the times too. Cate Blanchett even describes the story as ‘like Romeo and Juliet, only Juliet and Juliet.’ Todd Haynes is a gay director himself and he has delivered films with gay-themed subjects. Here he presents a love story situated back in 1953. The story reminds us of the times of how GLBTQ people were limited in terms of rights if they even had any at all. We shouldn’t forget that homosexual acts were criminalized until the 1970’s and the homosexual attraction was considered a form of mental illness up to 1973. Knowing that would make one understand the situation Carol would have to face: to choose between custody of her daughter or pursue who she loves. Nowadays the courts would be more favoring towards the GLBTQ person but back then homosexuals always lost such a custody battle.
The film isn’t completely about presenting a gay scenario from back in the past. The film is as much about the two main characters Carol and Therese. Carol is of the more upper class but is longing to break free of her loveless marriage to pursue her heart’s desires and live the life she was meant to. Therese is a young 20-something looking for something better but finds it with Carol. It’s as the two find love through each other that they know there are better lives for them. However it’s not to be without obstacles like a boyfriend questioning, a suspicious husband and a judgmental society.
The film is actually based on a novel from Patricia Highsmith entitled The Price of Salt. I’ve never read the novel but I get a good understanding of it from seeing the film. Interestingly is that after reading over Highsmith’s biography, one could sense the film is about some of Highsmith’s own experiences. She herself was a lesbian who had relations with women during that very time set in the film. She even went under psychoanalysis while in her 20’s to marry a man but it didn’t work. Those were the times back then.
The film is excellently written out by Phyllis Nagy and directed very well by Todd Haynes. The only other two films from Haynes I ever saw was 2002’s Far From Heaven which also dealt with homosexuality in the 1950’s and I’m Not There which is something else. Remembering Far From Heaven has me convinced Haynes was the right choice to direct. Phyllis Nagy may only have one other script to her credit–HBO’s Mrs. Harris— but she does an excellent job in writing the story. The slow pace of the story succeeds in getting you to feel the characters and the situation. There have even been a few times I’ve thought that with this movie being released in 2015, the year the US Supreme Court legitimizes same-sex marriages in all 50 states, this film is a reminder of what they had to go through in order to achieve it.
The film also excels because of the acting. Cate Blanchett shines as Carol who possesses a shining confidence but struggles in a world that won’t accept people like her. Rooney Mara is also excellent as the young naive Therese who’s confused about herself but finds herself over time. Despite the two owning the film, there were other good supporting performances from the like of Kyle Chandler as the suspicious Harge and Sarah Paulson as Abby. The set design and costuming did an excellent job of taking the film back to the past. The cinematography added to it as well as the score from Carter Burwell which captures the intensity of the situation.
Carol is a story about a woman of her time who dared to be different and love even if it meant losing it all. It not only does a good job of telling the story but also the time of the story too.
Normally I don’t see live-action family movies unless the renown for it catches my eye. In the last three months, there were two that caught my eye: Paddington and Cinderella. I’m glad I had the chance to see them.
For the first time, Paddington Bear comes to the big screen. And in live-action format rather than animation. However this did involve taking some chances. The first chance was making a movie that could entertain today’s children. The second was not having to mess with the Paddington Bear people know and love.
The film does a good job of keeping many aspects of Paddington such as his love of all things British, especially marmalade. The film also does a decent job of not trying to resort to too many cheap laughs like one would come to expect in today’s children’s films. It’s not to say there were some questionable moments, like the scene where Paddington thinks the toothbrushes are ‘earbrushes.’ The film also does a good job in presenting Paddington in today’s world and meeting the Brown family who are actually reluctant to adopt at first.
I give kudos to director/writer Paul King and co-writer Hamish McColl for coming up with a very good adaptation of Paddington Bear into a feature-length film. It was no easy task to make such a film especially when Paddington has resorted to being simple children’s books since the 1950’s. The plot where Paddington boats from Peru to London only to find a cold country, a reluctance to adopt from the Brown family and being pursued by the daughter of a poacher whose goal was to make him hers to kill and stuff worked well to entertain crowds. The inclusion of the effects in the film couldn’t be avoided as nowadays family movies have to have some special effects to win crowds. Even though Paddington wouldn’t be the type of movie for a lot of visual effects, the effects included did things right without messing with the story.
I also give them credit for not messing with the spirit of Paddington whose sweet charm is the reason why he has become one of the most beloved children’s book characters in recent decades. He’s even so beloved in England to the point there’s a bronze statue of Paddington Bear at Paddington Station where he got his name from. I also give them kudos for adding character to the Brown family. They may not be much like the Browns in the Paddington books but the character of the Browns do fit well in the movie.
Just as much deserving of respect are the performances of the actors. Hugh Bonneville and Sally Hawkins did a very good job playing the Brown parents. Madeleine Harris and Samuel Joslin also did well as playing the Brown children. They both played their roles well without being too overly-cutesy. Julie Walters succeeded in stealing scenes as the wise Mrs. Bird. Nicole Kidman also did a good job of playing the evil Millicent Clyde without becoming too hateable. Actually Millicent Clyde was rather entertaining as a villain. Finally Ben Whishaw did a very good voice-over as the voice of Paddington. Paddington needed a sweetness in order to make the story work and Whishaw was the right fit.
Paddington is now out on DVD and BluRay. For those that didn’t see it in theatres, it’s worth seeing. I don’t know if it’s the type of family movie one won’t need to see with a family of their own but it is entertaining and very good quality entertainment.
If you think making a film about Paddington Bear is difficult, try making a live-action version of Cinderella. And knowing that it will be Disney doing the work, you can understand they’d be under a lot of pressure. We’re talking about the film company that made their 1950 animated version a staple into many people’s hearts. So it would not be surprising that there would be a lot of questions surrounding the make of the new live action version. Will it have the same Disney spirit? Will it stray too much from the animated version that lives on in the hearts of millions? Or even the book? How will the sets and costumes be done? And will it entertain crowds of today?
There’s no question that making a live-action version of a fairy tale can be expensive in production. Cinderella wasn’t too expensive to make but $95 million is expensive enough. For a film like Cinderella to work, there’s no question that one of the top aspects to focus on would be the technical areas like set design and costuming. Dante Ferretti was a top choice for set design. We’re talking about a set designer whose works have earned him nine Oscar nominations and three wins for The Aviator, Sweeney Todd and Hugo. Ferretti did not let anyone down. In fact his set designs in all scenes worked perfectly for the movie. It was hard to notice a glitch.
Costumer Sandy Powell was another top pick with loads of cred including ten Oscar nominations and three wins. Here she again adds to the reputation by making costumes perfect not only for Cinderella but for all characters in the movie. My favorite costumes were actually the bratty looking outfits for Drisella and Anastasia. It fit their brattiness perfectly. However Cinderella’s glass slippers really caught my eye. They looked more like crystal slippers. The visual effects team also did a top job in adding the necessary visual effects for the film and giving them the magic that will remind people of the magic Disney movies are famous for. They even succeed in making the mice and lizards human enough without being too ridiculously cartoonish.
Credit should also be given to director Kenneth Branagh and writer Chris Weitz. People easily forget that Branagh is as much of a director as he is an actor directing films from Shakespeare (Henry V) to comedy (Love’s Labor’s Lost) to superhero action flicks (Thor). Now he ventures into the territory of fantasy films. The result is excellent. Just as excellent is the writing from scriptwriter from Chris Weitz. He does a very good adaptation by retaining the spirit of Disney and even including some aspects not included in the original. Actually his writing makes you forget he wrote American Pie!
Despite all those efforts, the success of the movie would have to bow down to the roles being done right. The inclusion of the king, the prince’s father, added to the story as did the appearances of Cinderella’s parents. The characterizations of the mice and lizards were well done and didn’t go over the top or even cheesy. The characters of the two stepsisters were very good depictions. They were nasty and bratty but you’ll actually find yourself laughing at how stupid they are rather than hating them. If there’s one character you will hate, it’s the stepmother Lady Tremaine. Cate Blanchett did an excellent job of depicting Lady Tremaine as both cruel and hurting on the inside to the point she feels she should hurt Cinderella. Her depiction also fits within the common Disney theme of featuring a female villain who’s beautiful rather than ugly. Blanchett’s depiction actually seems more like the queen from Snow White rather than the stepmother of the animated version.
There were some radical choices for character depictions in the movie. The first was the prince as being more of an awkward young adult rather than the flawless Prince Charming we come to expect. Even referring to himself as ‘an apprentice’ during the casual contact with Cinderella is something no one would have expected. The most radical of character depictions has to be Helena Bonham Carter as the fairy godmother. I found it very different to have a clumsy fairy godmother this time around. I wasn’t expecting another fairy godmother that sang ‘Bibbity Bobbity Boo’ but this was way different from what I expected.
Finally I focus on the character of Cinderella. Lily James did a very good job as Ella. She’s already an experienced actress in her native England and she does a very good portrayal here. She portrays Ella as a young woman who doesn’t make having an imagination look like a weakness. We shouldn’t forget her imagination has kept her holding her head high during the toughest of times such as the deaths of her parents and keeps her going strong with her stepmother and stepsisters whom even her father described as ‘trying.’ Hah, ‘trying’ is an understatement! However she does not come across as naive as most would come to expect of her or anyone with an active imagination. In fact it’s the scene where she says to her stepmother: “You were never my mother and you never will be.” shows Cinderella to have more inner strength than most thought.
Focusing on Cinderella lastly seems appropriate because she is essentially the epitome of the theme of the movie. The movie showed two people who had a lot of tragedy in their lives: Cinderella and Lady Tremaine. One was bitter about it. The other did what her mother said: “Have courage and be kind.” Cinderella’s courageous positivity upset Lady Tremaine to the point she had to hurt her however she can. Cinderella stayed strong. There were some points where her courage was tested but she still stayed strong. I guess that’s what this version of Cinderella was trying to say. That staying positive is not being oblivious. That having an imagination is not a weakness. That’s what was not only shown in Cinderella but almost every Disney movie.
Both movies have had their own box office success stories. Cinderella has grossed $197 million in North America and over $500 million worldwide. Paddington was not as big of a hit but it did have its own success with $76 million in North America and $259 million Worldwide. Impressive since it was done with a $55 million budget. The marketers of Paddington did a common job but a smart job in releasing it in most of Europe, South America and Asia first during the latter weeks of 2014 before releasing it in the US on January 16th. That’s a common technique used to plug movies with characters common in European pop culture. They did that with Tintin back in 2012.
Paddington and Cinderella are two family movies that have pleased the critics and will also please audiences alike. Both have what it takes to entertain children but they both also have elements that will please adults.
Normally I would do single movie reviews. Additionally, I never really had plans to see How To Train Your Dragon 2 or Big Hero 6. When it comes to animated movies, I mostly go to see the one or ones that look like they have the best chances of winning Best Animated Feature. All year I thought I had it all wrapped up when I saw The LEGO Movie and nothing else. Then the Oscar nominations came and The LEGO Movie was inexplicably snubbed out of that category. That led me scramming to see both movies. I saw Dragon 2 on a DVD while I was lucky to see Hero on the big screen. Here are my thoughts:
HOW TO TRAIN YOUR DRAGON 2
Making a sequel from a hit movie is always a challenge as commercial pressures will demand it. It’s sink or swim as it can either be a continuation of the original’s charm or simply a flavorless rehash of the original. Yes, the audience will distinguish between tried-and-true and tried-and-tired. We saw how Shrek burst on the scene back in 2001 but its excellence and flavor declined with each subsequent movie. Now How To Train Your Dragon has its sequel out. Will How To Train Your Dragon 2 measure up?
First off, the writers and producers did the right thing by releasing the sequel four years after the original and four years since they first started work on it as opposed to the three years between the Shrek films. For those unfamiliar with work on animated features, it takes four years to create from start to finish. The focus on the story this time is in the Fjords of Norway. The story begins with Hiccup, still awkward but well-respected. It also adds in a story where he experiences friction between his girlfriend and his father as well as an enemy he must fight.
I’m unsure if the story would remain true to what Cressida Cowell wrote in her dragon books but I do feel the story is not ‘spoiled’ as so many sequels as most sequels, both animation and live-action, are prone to do. It will continue to delight fans of the first Dragon movie too. The story was darker this time as this would include the death of Stoick and Toothless is under a spell which causes him to want to attack Hiccup. I believe the story would be more suitable for older children but one thing the story doesn’t do is lose the charm of the original. It also has its fun moments and a happy ending that should make it enjoyable for the whole family.
Now on to the technical bits. Whenever I watch a 3D animated movie, I especially pay attention to the quality of the images and effects. I know that each image has to have 100% detail in order to succeed. Any glitch or inconsistency will hurt the movie. I didn’t notice any glitches in the images. I felt the detail was very accurate from the scales on the dragon to the fire they unleashed. The characters’ mouths were always in sync with the dialogue. The film’s images also continued to give the audience a thrill-ride. Naturally when you have a film of people travelling on dragons, you would expect there to be images of the various flights and even parts in the movie that get the audience feel like they’re flying on their own dragons too. The audience will come expecting that. People come to such movies for the escape and the thrill-ride of it all. It succeeds in doing so and it does a top notch job of doing so.
I’m sure that most of you expected The LEGO Movie to win Best Animated Feature even before the nominations were announced. I did too. An interesting bit of trivia to know is that Dragon 2 actually beat out The LEGO Movie in that category to win major awards like the National Board of Review award, the Annie Award and the Golden Globe. Now with The LEGO Movie snubbed out of that category, it appears safe to assume that Dragon 2 will win the Oscar. However that snub reminds us nothing is a foregone conclusion as it is possible Big Hero 6 or The Tale Of The Princess Kaguya could pull an upset.
How To Train Your Dragon 2 was faced with the common pressures of a movie sequel but was able to overcome them to the point they again deliver a movie that’s entertaining and a thrill-ride and still maintains the charm of the original without appearing to exhaust it or stray too far away from it.
BIG HERO 6
Now moving on from a sequel to an original. And moving from one I saw on DVD to one I was lucky to see on the big screen. This time a Disney film: Big Hero 6.
Big Hero 6 is based off of characters from the Big Hero 6 comic series from Marvel comics that first hit shelves in 1998 and went under the Marvel name in 2008. However the story for the film is nothing like the comic series. In the comic series, the characters were all heroes commissioned and created by the Japanese government. Hiro Takachiho was a 13 year-old whiz kid who became part of the team after his mother was kidnapped and creates a Godzilla-style monster hero off of his deceased father’s brain named Baymax. The comics come with the type of over-the-top violence and imagination that you would come to expect from Japanese comic books. The comics have won a following here in the US.
Here for the film, we have a much different story. Hiro is an orphaned boy who lives with his brother Tadashi in San Fransokyo. Hiro commonly gets himself in trouble as he tries to win bot-fights for money but Tadashi takes him to his polytechnic. Hiro thinks it will be the ‘nerd school’ he thinks it is but is amazed with what he sees created by Tadashis’s friends –including his brother’s creation: Baymax, the inflatable virtual doctor which is kept at home–and tries to win a scholarship in a young innovators contest held by the school. After winning the scholarship, a fire breaks out killing Tadashi and a professor.
Hiro feels alone at first even distancing himself from Tadashi’s friends but Baymax suddenly becomes a friend-like to him despite Hiro being unwelcome at first. Later as Hiro learns more new truths about what really happened at the school that night and how his brother really dies, Hiro gets Baymax and the friends to team up to get his brother’s killer. All of them don costumes in the images of the Big Hero 6 comic book characters except Baymax who has an outfit more like Iron Man.
I don’t think the movie was meant to be a film version of the main comic book characters. Remember writers can adapt stories into whatever they want. It’s obvious Walt Disney Studios wanted to do their own story with the characters and have it as a family-friendly film. It succeeds in doing so as it creates a story that’s thrilling, entertaining and imaginative. The story also has a good message for children too as justice is better than any revenge. It also doesn’t try to be too dark in the situations involving Tadashi’s death and Hiro being an orphan.
Although this is an original film, it’s not to say it was without its pressures. We shouldn’t forget this movie comes a year after Walt Disney released the phenomenon Frozen. It wasn’t simply a hit movie. It became a marketing phenomenon and even spawned a release of a sing-along version. Already you could tell there would be pressure upon the release of their follow-up. Big Hero 6 doesn’t exactly deliver to the dame length Frozen has. It has its charm and is a likable film on its own. Whatever the situation, Big Hero 6 was not hurt at the box office as it has already grossed more than $200 million and has been nominated for Best Animated Feature.
Another thing Big Hero 6 succeeds in doing is it adds to the recent resurgence to the Walt Disney Animation Studios. For decades the studios reigned supreme in the world of animated motion pictures. It had very few challengers save for Spielberg animation in the 80’s but made a comeback in the 90’s with 2D masterpieces like The Little Mermaid, Beauty And The Beast and The Lion King. However the studios knew that the world of 3D animation was coming and it did become the case as soon Disney’s partnership with Pixar would create the 3D revolution in animated features. The flavor of the 2D movies from the main Disney Studios were running thin as they couldn’t compete with the Disney/Pixar movies. Eventually Walt Disney Animation Studios did acquire the skills and know how to create their own successful 3D animated movies starting with 2012’s Wreck-It Ralph which rivaled Pixar’s Brave that year and Frozen from last year. Big Hero 6 succeeds in keeping its comeback alive. The Disney/Pixar partnership is still there but it’s good to see Pixar now has a rival with Walt Disney Animation Studios back on its feet.
Big Hero 6 may not be a phenomenon like Frozen nor is it the best animated feature of the year. Nevertheless it succeeds in being entertaining on its own and is another plus in the comeback of the Walt Disney Animation Studios.
I’ll admit I did not see Blue Jasmine when it first came out in theatres. The Oscar buzz for it prompted me to watch the DVD. I’m glad it did and now I know why it’s buzzing.
Jasmine comes off a plane from New York to San Francisco. She tells the elderly female passenger next to her the story of how she used to be a top socialite in New York but is near broke and hoping to start a new life. She appears to have impressed the passenger but we learn in a conversation to her husband she didn’t welcome herself to Jasmine. Jasmine then goes to her sister Ginger’s apartment. The bizarre thing is Jasmine hardly ever gives Ginger any contact but is now seeing her because of her dire straits. It’s funny since Ginger–whom is actually sister to Jasmine via her parents’ adoption–always credited Jasmine as having the good genes. The problem is that even though Jasmine is drowning in debt, she’s still set in her opulent ways.
Frequently Jasmine flashes back to her luxurious past with her husband Hal and her stepson Danny. Life was good for Jasmine and Hal appeared to be very successful as an investor It’s years ago when Ginger and her original husband Augie come to visit her in New York that things started to decline. First Jasmine offers an investment opportunity for Augie through Hal with the $200,000 he won in the lottery: money Augie was planning to use to start a business opportunity for himself. Augie and Ginger thought they’re being treated by Jasmine with a stay at the Marriott and their car and driver but Jasmine put them there because they cramped her style. It’s right during one of their sightseeing tours they noticed Hal kissing another woman.
It later became clear that Hal is a fraudster who would eventually get arrested, convicted of fraud, sentenced to prison and later committing suicide. Augie’s money was lost and it led to Augie and Ginger’s divorce. Ginger forgives Jasmine even though Augie is still resentful but is now dating a mechanic named Chili, a man Jasmine resents at first sight and gives Ginger snide remarks about him. The remarks cause Ginger to leave Chili much to his hurt.
Jasmine comes to San Francisco in hopes of starting a new life. She missed completing her anthropology degree because she fell for Hal. She wants to become an interior designer but has to take courses online and lacks computer skills. She reluctantly takes a job as a receptionist at a dentist’s office. Nevertheless it does not work out as Jasmine finds the job too stressful for her and receives unwelcomed sexual advances from the dentist.
Things do improve for Jasmine as she falls in love with a wealthy widower named Dwight who’s a diplomat with plans to become a congressman. Ginger also meets a new love named Al at the same party. Jasmine is able to win Dwight’s affection through lies of her being married to a doctor who died of a heart attack. The lies fall through when Augie bumps into them on the street and tells the whole story, including the details that her stepson Danny is working in a record store in Oakland. Right in the car ride home Dwight calls off the engagement and leaves Jasmine on the street. She visits Danny at the record store to no avail. Danny didn’t even want Jasmine to know his whereabouts. He wants to leave the past behind which means never seeing Jasmine again.
It’s right in a flashback at the end we learn of when Jasmine confronted Hal of his many affairs. Hal confesses he wants to divorce her in favor of a teenage maid for Danny. That was when she called the police and had Hal arrested for fraud which led to his imprisonment and suicide. In the end, Jasmine has to face the music for what she did to Danny, to Augie, for her interference with the love between Ginger and Chili, and herself in general.
It seems odd at first to see a Woody Allen movie classified as a drama. We’re all used to Woody Allen doing comedies. Mind you it’s after seeing this movie that there are a lot of elements that are darker than what one would expect in a Woody Allen film. It succeeds in not being too comical and even serious in some of the harsher parts of the movie. Nevertheless there are a lot of comical elements in this film despite the situation.
If there’s one thing that it does have in common with Woody Allen movies, it’s that it ends completely unexpectedly. It’s bizarre that you think things are going to go better for Jasmine in the end. Instead it all ends up worse, she fails at making peace with whatever wrongs of the past she did, whatever improvements in her own life fell through the cracks and she’s left all alone. She’s even confronted of her real name: Jeanette. She is the type of rich phony whom could easily charm and impress anyone but had a lot to hide and hid it well at the time. In the end, she has nothing left to hide and no one left to charm. She goes from being the life of the party to a person not even one on a park bench would want to be around. It’s also surprising since Jasmine would remind some of Scarlet O’Hara in Gone with The Wind. Sure, Scarlett lost it all in the end too but she still held her head high at the very end with a sense of hope. Here, you don’t see a hint of ‘Tomorrow is another day’ in Jasmine.
Sometimes I think it’s not just a story to do about a socialite who gets a reality check but sometimes I think it’s a message from Woody Allen. For all intents and purposes, you’d probably know that Woody Allen is not the type who likes to go to big Hollywood parties. He hardly even makes visits to the Academy Awards. Sometimes I think his is his statement about the social scene and the phonies involved with it. It’s also a story with a lot of good relevance. It may have been more relevant had it been done ten years ago as Paris Hilton was constantly embarrassing moment after embarrassing moment upon herself, and getting more famous off of it in the meantime. Nevertheless it still does show relevance as Kim Kardashian’s exploits still make a lot of copy, if not the same hugeness of copy as say two years ago.
Yes, Woody Allen did a very good job of directing and writing this story but it was Cate Blanchett who did the greatest effort in making the character of Jasmine. The interesting thing is that Cate succeeds in making Jasmine to be the charismatic but snooty, phony, superficial, self-indulgent, materialistic socialite who deserves to be looked down upon. But she does something else. Right at the very end, she succeeds in making us actually feel from sympathy for Jasmine. Sure she went from impressing everybody to causing great personal and financial harm to others and ending up with nobody. But for some reason, the end scene actually succeeds in making us feel for Jasmine. What was it? Her willingness to try to do better? Her coming to her senses too much too late? Whatever it was, that was something hard to do and I give Cate great kudos for pulling that off. I think that’s why she has that edge in the Oscar race.
The best supporting performance has to go to Sally Hawkins as Ginger: the sister that’s supposedly the inferior one but comes off as the winner in the end. Sally also did a very good job of character acting and made Ginger into a believable and colorful personality. Finally we see which sister has the ‘good genes.’ The female leading roles were the best of the film but the male roles were also great from Alec Baldwin playing the scamming superficial Hal, to Bobby Canavale as the ‘inferior’ Chili, to Michael Stuhlbarg as the sleazy dentist, to Peter Saarsgard as the politician Jasmine has a second-chance with to Andrew Dice Clay as the distraught ex-husband of Ginger (and I hardly noticed any of the ‘Dice Man’ in him). The women ruled the movie but the male supporting roles also added to the story and contained character flares of their own. The movie didn’t really have too many stand-out technical aspects but the scenic cinematography and the music tracks added to the movies charm.
Blue Jasmine has all the ingredients of a Woody Allen movie. Only it’s more of a drama than a comedy. Nevertheless it’s something Woody and the actors pull off excellently to make it work.