Spielberg

2023 Oscars Best Picture Review: Maestro

Jon The Blogcentric1 Comment
Maestro is a dead-on portrayal of Leonard Bernstein (played by Bradley Cooper) and his wife Felicia (played by Carey Mulligan)

Would a film about Leonard Bernstein be worth seeing? The film Maestro succeeds in making anyone who likes music worth seeing.

There are a lot of musical geniuses we know of for their music, but few we know of for themselves and the lives they led. Leonard Bernstein is one. Many of us are familiar with the conducting he performed or the music he’s written. What most of us are unaware of is his eccentricities as someone in the arts, his past of marrying a woman despite being gay, and his extramarital affairs. Despite it all, despite Bernstein’s failings as a person outside of his music, he still found Felicia to be his soul mate. That one person in the world who knew him inside out and understood him. There’s no doubt if Bernstein was out now, he’d have no problem pursuing a man openly. It was the times where loving his own was a criminal offense that could lead to his downfall. His liaisons with men had to be as secretive to the world as they had to be secretive to Felicia. The thing is had he lived in a time when it was okay to love your own, he wouldn’t have love Felicia: the one person meant for him. It does leave you thinking what would have happened if Leonard was free?

Even though it does a lot of focus on his marriage to Felicia and his infidelity during the time, it doesn’t forget it’s a musicography. It shows Leonard’s career from its start coming from a lucky break of the guest conductor falling ill to opening doors for him and his music to be heard in symphony halls and on the stages of Broadway musicals and on the silver screen, and even intricate choral pieces. It’s known that geniuses are known for their eccentricities. Leonard’s eccentricity was music singing inside of him and his need to create. If there’s one scene that stands out how much music was a part of Bernstein, it was him conducting his musical Mass. His body movements as he conducts sends that message of how into the music he was. Even as he was no longer the grand composer, he still spent the last years of his life teaching music students. He gave back as much as he created.

Though this is without a doubt a musicography of Leonard Bernstein, this is also about Felicia Montealegre. An actress herself, she was a free spirit of the arts like Leonard. She was understanding of his homosexuality, but was willing to take the risk of loving him and even marrying him. She herself was an actress and she also embraced the free-spirited feelings of the artist. Her love for him as well of her support for his work is as undying as his support for her and her work. She fends of rumors of his liaisons with men by reminding people and insists she holds reign over him as his wife. Even though she does, it’s obvious there will come a testing point in this. Especially as rumors are heard by his daughter Jamie and alcoholism controls his life. Even though the marriage does break down in the late-60’s she still remains with him and it’s as she’s dying of breast cancer that brings them back together. It seems as though despite the hurt, Felicia still believed Leonard was the one for him just like she appeared to be the only one for Leonard. The scenes of her death and as Leonard tries to live his last years without her sends that message.

Excellent work from Bradley Cooper. This is not the first time he acts, co-writes and directs in a film. A Star Is Born was the first. In this, his second effort, he does a great three-dimensional job in recreating Leonard Bernstein with the character he creates and the story he co-wrote with Josh Singer. He takes Bernstein inside out and showcases aspects we hardly knew of a person we’re familiar with. The film is also a great showcase of Cooper over the years. How many of you remember 2009’s The Hangover, Cooper’s breakthrough film, and still carry that image around of him over the years? This film is quite possibly the best film to rid one of that image of Bradley Cooper that’s lived rent free in your head for years and showcase his maturity of an actor over the years. Even seeing how you hardly sense a drop of Cooper in the role and see Bernstein will give you some new-found respect for him.

Also worthy of admiration is Carey Mulligan. Just like you see Leonard instead of Bradley in this film, you will also see Felicia instead of Carey in the film. Her performance of Felicia is something completely different from what you’ve seen Carey perform before. It will even get you thinking at times the film may be more about Felicia than Leonard. She does a great job who loves Leonard and embraces the freeness of the artist, but will have it tested throughout her marriage. Also great is Sarah Silverman as the sister Shirley. Those who only know Silverman through her comedy will be surprised to see she can pull drama off well too. She’s great as the one who knows Leonard inside out and serves one to warn Felicia of him. Also great is the performance of Matt Bomer as David Oppenheim: the man caught in the middle of this love triangle. For technical efforts, Matthew Libatique does a great job in doing the cinematic images and angles. The makeup team does a standout job in creating Cooper’s face to look like Bernstein from the age spots to the nose. The sound department is also great. They know that this film is about Bernstein’s music and they do an excellent job in working the sound right for the film.

Maestro is a three-dimensional biographical film that succeeds in getting one to get even closer and more personal with Leonard Bernstein. It’s also about the love of his life that would never die.

2022 Academy Awards: Best Picture Reviews – Part Two

Jon The Blogcentric1 Comment

It’s something that if you see all ten Best Picture nominees, that means you would have seen 65 of the 125 Oscar nominations! Possibly more than most Academy members!

A single blog having all the Best Picture nominees reviewed would be too exhausting to the eyes. Makes sense to split the ten Best Picture nominees over two blogs. You read the first. Here is the second review of this year’s Best Picture nominees:

The Fabelmans – “Movies are dreams that you never forget.”

After I saw this film, I’ve been telling people this is a reminder that for every big-name director, there was a child with a dream. We’ve seen films before of children being enchanted by film. This is Spielberg’s chance to tell his own story. Essentially that story of Sammy Fabelman is the story of ‘Stevie Spielberg!’ It all started when Sammy’s parents Mitzi and Saul took him to see The Greatest Show On Earth and they told them of the magic of movies: from both the scientific and artistic side. Sammy tries to remake the train crash scene with his toy train set and film it with an 8mm camera… and that was the making! One thing I have to say is that what’s missing in the theatres nowadays are films that make people want to chase their dream. I don’t know about you but if I saw this film as a child, it would make me want to be a film maker. Even adults who grew up with Steven Spielberg movies and have been blown away by them would want to see the story of how it all started.

There are many scenes where one can see that this is how it all started for Spielberg. The scene with Sam biking will remind many of E.T. The scene where he does his war films will remind many of Saving Private Ryan and other war-themed films he’s done. The scenes where he experiences anti-Semitism will tell people of what inspired Schindler’s List. Speaking of which, it’s not to say the dream doesn’t have its rocky moments. We are reminded of times when the dream faced some bumpy paths. There was how his filming exposed Mitzi’s concealed love for Bennie and would lead to the friction in her marriage to Burt. There’s the anti-Semitism Sammy went through being the only Jew in his Northern California town. There’s that time Sam did not want to shoot a movie for years because it would mean using the camera Bennie gave him. It’s funny how when he was young, he insisted to his father “It’s not a hobby,” and as a teen Sam wanted nothing to do with it. I guess the message the film tries to give the audience is that if the skill is in you, the dream can’t die no matter how hard you try to end it.

Top admiration to go to Steven Spielberg. It’s not easy to do a semi-autobiographic story of the director without it getting egotistical. Instead of something egotistical, we get an inspiring story. On top of it, this isn’t any director we’re talking about. We’re talking Spielberg. His films have thrilled us since the late-70’s to now. The film showed he was the type who went that extra mile in adding affects to his films even when he was young. Sometimes I think this film is Spielberg’s gift to us.

Young actor Gabriel Labelle was great in his performance of Sam Fabelman. It was not an easy task playing a boy with film dreams but going through the frustrations of teenagerhood. He did an impressive job. Michelle Williams was also excellent in playing the troubled mother. It was not easy playing the mother that supports her son’s dream but going through a troubling marriage. Also great was Paul Dano in playing the father caught in the middle. Judd Hirsch was also great in the brief scene he played the eccentric uncle. In addition, John Williams gives a great score to go with the film.

Tár – This is a story that we often see of a toxic personality falling from the top of their game. If there’s one thing we all learn as we get older, it’s that if we want to excel and be among the top, we need to have some amount of arrogance and some amount of ruthlessness to get there. Lydia Tár is exactly that case. Yes, she’s condescending to those that think differently. Yes, she does get this feeling that she owns the show when she really doesn’t. And yes, her controlling personality does not leave her when she’s with the women she loves. One thing we often forget is that Lydia Tár’s toxic control-freak persona is something very common in show business. We see it time and time again. Most commonly from the men in show business. This film shows it’s even possible for a woman to be this controlling and manipulative. It’s very easy to try and go from the top of your game and then face the comeuppance of a downfall as your actions catch up to you. That’s the story of Lydia Tár. It got to the point everyone had to turn on her. The suicide of Krista Taylor was the beginning of the end.

The film is a straightforward story of a conductor on top of her game who faces a downfall and then finds new life in the aftermath. Despite that, it still has to capture the essence of the conductor and their music. Despite Lydia Tár being a control freak of a person, like most people at the top in arts and entertainment are, it also has to capture Lydia’s passion for music. The film itself has not forgotten about Lydia’s passion for music as it shows itself throughout the film. Music is a common theme throughout the film and it captures the essence excellently.

The brains behind this piece is Todd Field. Todd has had other films that looked like potential Best Picture nominees like 2002’s Far From Heaven and 2015’s Carol (which Blanchett also plays lead) that have “missed by that much.” This time, he finally gets it! While the two aforementioned films are timepieces, this takes place in modern times. It’s an excellent work about a toxic musician facing their comeuppance in modern times. Also making the film soar is Cate Blanchett. Her performance as a prima donna conductor owns the film from start to finish. She keeps her character interesting and helps the audiences into sharing her passions. Although Blanchett practically owns the film, supporting performances from Nina Hoss as her wife and Noemie Merlant as her angry assistant also add to the film.

Top Gun: Maverick – I’m sure the idea of a sequel to the original Top Gun had been an idea ever since the film became a hit. It was possible one could be out two or three years after the first. Most sequels are out in that time, and it’s mostly duds in such cases. A sequel thirty-six years after its original release seems like quite the gamble. Sure, there has been a lot of this retro-80’s stuff coming back and yes, there has been a lot of rebooting and remaking, but a sequel? Can a Top Gun sequel work with a sixtysomething Tom Cruise?

Peter Craig and Justin Marks were able to write a story to serve as the catharsis for the Top Gun sequel. The story ended up being a believable story of Maverick who’s on the verge of moving from pilot to teacher, but was born to fly. In the meantime, he has to teach a new generation which includes the son of Bradshaw. It’s a story that makes sense to have. In addition, it’s a story that gives the effects of flying a fighter jet. Most of us will never fly in one. The first Top Gun film was a hit because it gave the thrill of flying a fighter jet. This film continues to give us that feel without making us forget the physical toll flying such a jet can take on the passenger.

Top marks go to director Joseph Kosinsky. It was no easy task to direct this sequel; a sequel to a film that came out when he was 12. A director with proven work in science fiction was needed for a film like this an Kosinsky was the right one. He delivers a sequel that has a sensible story and keeps the action active and dazzling. The dream team of scriptwriters also did a very good job in delivering a story that’s believable and a story that isn’t too similar to the original film, like most film sequels are.

Tom Cruise returns to give his best acting in many years. Maverick was the role that made him a superstar in 1986. To play Maverick 36 years later was no easy task. It was not easy playing a man who has aged over time, but still had that young love for flying big. Tom did it very well. Jennifer Connelly was also good as Penny, but her role was not as developed. The set of young actors to play the new recruits were also very good. Miles Teller was not only good as Rooster, but he was able to steal the show from Maverick many times. Glen Powell was easily dislikeable as Hangman, Nevertheless the main attraction to a film like this is the effects. Again, this film delivers in its effect to give the audient the feel of what it’s like behind a fighter jet at supersonic speed. It’s what makes a movie like this!

Triangle Of Sadness – This is a rare case of a comedy with a message to deliver. There are a lot of themes in this film to take note of. One is social status. The story goes from the young model/influencer couple who debate about paying for a date to the various business people and socialites. They flaunt their riches, they enjoy their time without a care in the world, they all have their dinners of choice. The workers on the ship are just there to do their job. All that changes after the heavy rocking of the ship and its shooting down. The scene of the ship rocking is especially key as we see the Russian oligarch not only share control of the ship with the American captain, but also them shouting both anti-capitalist and anti-socialist sayings on the intercom.

In the aftermath, the eight surviving passengers are on an island with nothing. There’s also the theme of power. On the ship, the rich had it all while the workers did what they wer told and has basic living conditions. After the sinking the Filipino woman who was a cleaner on the ship is now the leader because of her survival skills. Power going from the bottom to the top. It also shows how even she can use her power to get what she wants and how power can even be an addiction for her.

The film doesn’t just deliver a message about classism and superficiality. It does so in a unique fashion. First it starts with a male model who makes less than his influencer girlfriend. Then it’s an argument at a restaurant which then leads them to this cruise with the mega wealthy. The cruise introduces us to them and their mindsets. Then the ship rocks furiously with everyone getting sick on board. Then the ship is torpedoed which leads to the eight survivors on what appears to be a deserted island. The time on the island gives a new structure with the former cleaning lady leading and the other survivors co-existing. It’s a clever arrangement of a story mixed with the bizarre and the disgusting to go along with it. Nevertheless the message doesn’t get lost. Nor does the story of the model/influencer couple lose its status as the prime story.

Top accolades to go to director/writer Ruben Ostlund. This is a unique tragicomedy that lampoons the rich but also reminds us how addictive power can be for even the smallest of the small. It has a lot of bizarre humor and even treads on the disgusting, but it all works when you look back on it. It’s actually a smart edgy comedy. Harris Dickinson and the late Charlbi Dean were also very good playing the couple. Their roles weren’t too deep, but they did well in playing the young and superficial pair. There were scene-stealers in this film. The most notable being Dolly de Leon as the cleaner-turned-leader. She was excellent in going from just a cleaning lady to becoming the leader with all the unfairness that comes with it! Also a scene stealer is Zlatko Buric as the Russian oligarch who helps endanger the ship with the captain.

Women Talking – If there’s one thing we’ve learned in 2022, it’s about how religion is often used to control women. That is one world issue felt big in 2022 with the loss of Roe v. Wade and also with the Women’s Revolution in Iran. Here we’re presented a story of a community whose religious beliefs create a community separate from the rest of secular society. It’s a community with strict values unchanged for centuries. This strictness causes a problem as there’s a rapist in the community threatening the women. The men have not made any effort to protect the women from this madman so they have to organize things themselves. It’s in this conversation that they have to decide, to stay and fight or to leave all at once before the men return? Even though leaving seems like the best choice, how will they do it? How will the children be raised properly? Will the boys be raised to treat women with respect? There is a lot to think about in this film. August, the university-educated token male in the discussion, serves as the image of hope for the women. He’s the one man in the community they can trust to raise the boys right.

The film is done very smartly. It presents the issue and the vote which leads to the discussion. It’s fair to say 85-90% of the film involves the women meeting in the hall for the discussion. That’s possibly the most critical part of it. While the men who dominate the community are away, the women finally get their moment to discuss things and make the choice to do something of their own choosing. When you hear them talk, it’s not simple common blabbing. These are the women speaking their fears, their anger, the hurts they’s endured, their passions and their families who mean so much to them. The discussions get very heated with all that’s happen, but they all have a bond that’s like a sisterhood that they show near the end. Even though it is primarily about the women, it’s also about August as he is their sense of hope to make the community better. He does it at the sacrifice of having to lose the woman he loves. It hurts him, but he knows it’s worth it.

The biggest praise of this film should go to writer/director Sarah Polley. Those of us living in Canada have seen Sarah develop over the years first when she was a child actor in the Road To Avonlea TV series, then seen as the next “it girl” in films like The Sweet Hereafter, Go and Existenz, only to drop acting and move in the field of writing and directing. She has come of age greatly over the years and one could call this film her crowning achievement so far. She does an excellent adaptation of the novel into a film that will get one intrigued of what will happen, what will be decided upon. I’ve often felt since the story is mostly in the same room, it can be adapted into a stage play. We’ll see. As for the acting, it’s hard to pick a standout. All the women here did an excellent almost-unselfish job of portraying their characters well. If I could pick the standouts, they would have to be Jessie Buckley, Rooney Mara and Claire Foy. A tough call. Ben Whitshaw also did an excellent job as playing the man watching, observing, and providing both wisdom and hope.

And there you go. There’s my second blog of my review of the Best Picture nominees. My predictions for the Oscar wins I anticipate to have by Saturday.

Oscars 2017 Best Picture Review: The Post

Jon The Blogcentric1 Comment

Post
Merly Streep plays newspaper head Katharine Graham in The Post.

The subject matter of The Post doesn’t sound like the type of subject matter that would win a big crowd, but it is a film worth seeing.

The story goes back in 1966 during the Vietnam War. Military analyst Daniel Ellsberg is in Vietnam with General Robert McNamara to document the progress of the war. McNamara admits to Ellsberg and President Johnson that the war is hopeless but has confidence in the effort, leaving Ellsberg disillusioned.

Years later, Ellsberg is now working for a military contractor and comes across classified documents showing the US’s decades-long involvement in the conflict in Vietnam going back to just a few years after World War II ended. Ellsberg discloses the documents to the New York Times.

It’s 1971. Katharine Graham is head of the Washington Post. It’s been a position she mastered with a lot of difficulty as it’s commonly seen as a ‘man’s position.’ Even though her family founded the Post, the position of the head went to her husband Philip instead of her. It was right after Philip’s suicide that Katharine became head. It’s not easy for a female to be head of a newspaper. Especially someone like Graham who has a good work ethic, but lacks experience and is constantly overruled by the aggressiveness of the men of the Post. On top of that, she seeks to gain an IPO for a stock market launch to propel the Post to greater strength. The Washington Post however is second-fiddle to the New York Times which always has the biggest news scoops, even the scoops of what’s happening in Washington.

Editor-in-chief Ben Bradlee is one of the men who work for her. He tries in vain to be one step ahead of the New York Times in coming up with the latest scoops, but falls short each time. Meanwhile McNamara, who is a friend of Graham’s, confesses to her of how he’s the subject of bad news in the New York Times. It’s through their constant expose of the government’s deception of the American public. However a court injunction blockades any further publication of such news by the Times.

Ellsberg is willing to provide the documents and opportunity to the Post to publish the stories. As they look through the stories to publish, lawyers to the Post advise against publishing the story, fearing the Nixon administration will press criminal charges. Graham seeks advice from McNamara, Bradlee and Post chairman Fritz Beebe of whether to publish. It’s made even more frustrating when the lawyer note that since  the sources are the same as the New York Times, Graham herself could be charged with contempt of court. It’s a gamble. Graham risks terminating the newspaper her family established. Alternatively, the Post won such a legal battle, it would establish itself as a major journalism source, much on the same level as the New York Times.

She agrees to have the story published. The White House retaliated by taking both the Times and the Post to the Supreme Court to argue their case of publishing classified document information being a First Amendment Right. Both newspapers receive almost unanimous support from the other newspapers in the US and they win their Supreme Court battle 6-3. An infuriated Nixon bans the Post from the White House. And the rest is infamy… for Nixon.

The film is more than just about a top secret story that needed to be exposed and makes journalism history. The story is also about the newspaper behind the story. We shouldn’t forget that this came at a time when The New York Times was the newspaper that delivered the biggest news about what was happening in the Oval Office and the ones to do it first. Even though the Washington Post was the newspaper of Washington, DC, it was more of a second-fiddle newspaper like the newspapers of the rest of the cities. The New York Times lead and all other newspapers, including the Washington Post followed. This story allowed the Washington Post take pole position towards what was happening in Washington. This would also allow for the Washington Post to be the prime newspaper to go to upon the breaking of the Watergate Scandal. Even despite the Post competing against the Times, they united when they faced the heat of the freedom-of-speech debate and won together.

The film is not simply about a history-making story, a legal breakthrough or even a milestone for a newspaper. It’s also the personal story of Katharine Graham and how she had to achieve greatness for herself. Katharine Graham was born into the paper and assumed control of it right after her husband died. It was always tradition that a man headed the newspaper. After the suicide of her husband, she headed it. The paper her ancestors founded and the paper she wants to propel into marketability. This news story could help be the boost she needed, but the court injunction against the New York Times causes her to put it on hold. Basically she’s gambling everything with this touchy story: the Times, her status as a leader, her role as a woman with power, her role as a mother, even her own personal freedom. In the end, that one decision caused left all of us convinced she did the right thing. She did more than just allow a story. She did more than boost the profile of the Washington Post. She created a breakthrough in freedom of speech and freedom of press. On top of that, she earned the respect from her male colleagues. That was rare back in the early 70’s.

This story is very relevant to the present. We always hear those words ‘fake news.’ We have a feeling that Donald Trump is like a big brother monster who wants to control everything. There are often times in which I wonder if the times of Nixon were worse than the times of Trump. I know all about Nixon and his lust for control. Whatever the times, the story and the court ruling against government censorship of the press serves as a reminder to all citizens that the press has the right to publish the truth to the public. The ruling of the New York Times vs. The United States of America back then was clear: “‘In the First Amendment the Founding Fathers gave the free press the protection it must have to fulfill its essential role in our democracy. The press was to serve the governed, not the governors.” That ruling still applies today.

Leave it to Steven Spielberg to direct a story that will capture our intrigue. Some would describe this type of story as a ‘boring story.’ Steven Spielberg knows how to direct it into something interesting and have us glued to the screens. The screenplay by Josh Singer and Liz Hannah also creates the right interest and intrigue. They’re able to take the chain of events surrounding the publishing of the story and turn it into a story of intrigue. Even a story from a humanist side.

Once again, Meryl Streep delivers in creating depth in a public figure. She gave Katharine Graham the right dimension and the right humanistic tone to make the story work. Tom Hanks also does an excellent job in his role as Ben Bradlee. He delivers in the character very well as he adds some dimension to Bradlee too. The supporting actors may have minor or limited roles, but they add to the film too. Janusz Kaminski does an excellent job of cinematography and John Williams again delivers a fitting score.

The Post is a journalism story that will keep one intrigued. It’s a story that’s very relevant today as it’s also about our own right to know the truth.

Oscars 2015 Best Picture Review: Bridge Of Spies

Jon The Blogcentric1 Comment

ST. JAMES PLACE
Tom Hanks plays James Donovan, a lawyer in the middle of the height of the Cold War, in Bridge Of Spies. Mark Rylance (centre) steals the show as his subject.

Bridge Of Spies is a Spielberg drama I missed out on seeing during its original theatrical release. I only saw it once it was a choice on a flight I took heading home. It was a good choice.

The film begins in 1957 with Rudolf Abel arrested by CIA agents as he’s trying to read a secret message. He is taken away but is able to keep the message. As Abel awaits trial, American lawyer James Donovan is assigned to defend him. The US government believes him to be a KGB spy but Donovan wants to have a fair trial because an unfair trial may be used as propaganda in the USSR. Donovan meets Abel whom is very welcoming to Donovan but will not cooperate with the US Government for any revelations in the intelligence world.

Donovan knows he has a heavy task in defending Abel. He’s serious about it but no one, not even his closest family, expects him to make a strong defense for Abel. Nevertheless Donovan is persistent and continues to seek acquittal for Abel despite an angry American public, persistent hate mail and threats on the lives of him and his family. Abel is found guilty on all charges. Before sentencing, Donovan asks the judge that Abel receive a prison sentence of 30 years instead of the death penalty because he feels Abel may become a bargaining chip with the Soviet Union. Further difficulties continue as Donovan is unable to win a Supreme Court case where evidence against Abel was tainted by an invalid search warrant.

Meanwhile two innocent Americans find themselves in the hands of Communists. One is US air force pilot Francis Powers whose plane is just shot down between the USSR-Turkish border. He’s able to escape his doomed plane and tries to steer his parachute into Turkey but fails and becomes captive. The other is Frederic Pryor, an American economics student studying in Germany just as the Berlin Wall is being built. He studies in West Berlin but has a girlfriend in East Berlin. He tried to bring her with him to the West but is arrested as a spy.

News gets to Donovan of the two men arrests. He’s even offered a deal from the USSR of the exchange of Abel for Powers. Donovan is insisting in a 2-for-1 deal of exchanging Abel for both Powers and Pryor. However he has the challenge of dealing with Soviet agents and a CIA that’s interested in only getting Powers back. The whole deal puts the governments of three nations– East Germany, the USA and the USSR– in a heated debate with Donovan make the outcome work out right. The end result is historic.

This is yet another film about war Steven Spielberg does focus on. There have been many films of the theme of war he’s done in his career. The wars he have depicted on screen have spanned time from World War II in Empire Of The Sun and Saving Private Ryan to World War I in The War Horse to the Civil War in Lincoln to even revenge missions in Munich.

Here he tackles a war that’s less about brutality but more about ideology and had victims of their own: the Cold War. Although there wasn’t as much blood shed, the Cold War did put a sense of paralyzing fear in the world, especially in the United States, with a possibility of nuclear war and armageddon. Thus the ‘duck and cover’ scene. Ask anyone over the age of 60 about doing all those ‘duck and cover’ practices at school. People were constantly being suspected as spies on both sides and there were reactions of hysteria to those accused of spying or treason. The construction of the Berlin Wall at a time when Germany was divided between the capitalist West and the Communist East is an example of the war.

The story takes us back to the 1950’s at a time when Cold War hysteria was at its highest. Neither side could be trusted if one from the other country came in to visit. That explains why even innocent visitors could be seen with suspicion. People arrested as spies for the other side were huge headline news. Most of the public wanted them dead with Julius and Ethel Rosenberg still fresh in their minds. It’s easy to see why someone like James Donovan would be so easily vilified by the American public and even face a possible shooting. The film shows why James’ efforts in the prisoner trade were necessary in the Cold War. It was something that was able to ease some tension on both sides.

Spielberg does a very good job of showing what the Cold War was like. Instead of showing fighting that’s common in the wars, he focuses on the more tense moments of the Cold War and captures its tense feel most people of that time felt. The screenwriting by Matt Charman and the Coen brothers was very good in providing insight to the moments in history and keeping the key elements of the situation. It didn’t focus too much on Jim’s personal life but it did focus on his efforts and even on the prisoners themselves. It may lack some historical accuracy but it does provide knowledge and keep the audience intrigued. Its one glitch is that it had too sweet of an ending. I don’t think it ended on the right note.

Tom Hanks was very good as Jim Donovan but it’s not at the same level as his most stellar roles. The biggest scene-stealer of the film was Mark Rylance as Rudolf Abel. He not only matched Abel physically but also gave him character with his love for art and his ability to say persuasive things. Other good supporting performances came from Amy Ryan as Jim’s wife and Alan Alda as Thomas Watters. Janusz Kaminski did a very good job of cinematography, the production designers did a very good job of recreating the 1950’s and 1960’s with their sets and Thomas Newman delivered a very good score to the film.

Bridge Of Spies is very much a story about a lawyer and his pursuits but also the times he had to deal with. Reminds you of some of the political tensions and paranoia that’s currently happening now. Spielberg does a good job of capturing the feel of the intensity as well as the political climate of the story.

Movie Review: Lincoln

Jon The Blogcentric2 Comments

lincoln-2

I’m sure almost all of us are familiar with Abraham Lincoln. Even if you don’t live in the United States, you must have learned about him and his presidency somehow. Steven Spielberg has directed the epic biographic movie of Lincoln. Will it show the Lincoln we know or the Lincoln we don’t know?

It’s January 1865. Lincoln has been re-elected President back in November. However the Civil War is entering its fifth year. It has been the most brutal war on American soil in terms of destruction and fatalities. The Emancipation Proclamation, the law completely abolishing slavery, is being debated in the US House of Representatives. Politicians from both the American states and the Confederate states debate it. Both sided stand firm in their beliefs. Meanwhile Abraham Lincoln and Thaddeus Stevens–a strongly anti-slavery Republican who demanded total war on the Confederate States– are waiting and debating as the Proclamation is nearing its vote into law as the Thirteenth Amendment. However the Republicans want the vote delayed because they fear the outcome and want the War to end. Lincoln doesn’t want to wait. He wants slavery over before the Confederate States can be reintegrated.

This takes an impact on how people view Lincoln. Lincoln is one president who’s willing to meet with Civil war soldiers on the ‘Yankee’ side and hear the stories they have to tell. Many politicians view him as a wise communicator who always has an interesting tale of past history that will make one think about the present. However Lincoln loses some appeal as he’s unable to convince Republican Party founder Francis Blair in his method of dealing with the Confederates instead of peace negotiations. He even senses possible political tension in Stevens desire for racial equality included with ending slavery, fearing the Thirteenth Amendment won’t pass. He a meets up with Secretary of State William Seward with a plan to convince the Democrats to support the amendment with offers of federal jobs.

His family life is also impacted by this all too. Lincoln is adored by his youngest son Tad. His wife Mary is known for her outlandish mouth and is frequently involved with spats with Abraham and even breaks down whenever their late son Willie comes up in conversation, especially since it’s possible their oldest son Robert might have to fight. Meanwhile Robert returns home from his law studies as he had just been named Union Captain to General Ulysses Grant. He’s studying to be a lawyer like his father but is willing to fight in the war if he has to. That leaves Abraham very uncomfortable and even coming to some confrontations with Robert.

Then the day comes for the Emancipation proclamation to be voted upon. Lincoln has gone far to get this voted upon fast to the point of even instructing Confederate envoys to be kept out of Washington. This was a moment of focus for all the nation. In the end, the Emancipation proclamation was voted into law by a margin of just two votes and the abolition of slavery was sealed as the Thirteenth Amendment of the American Constitution. People outside the White House, both black and white, celebrated. Lincoln finally meets with the Confederate envoys after the vote but they were willing to rejoin the Union if they could prevent the amendment from becoming law. Lincoln sent the message: “Slavery’s done.”

It would take time for the Civil War to end: April of 1865 to be exact. Then on April 14, 1865 Lincoln is in a meeting discussing measures to give suffrage to blacks when he is reminded Mary is waiting for him at Ford’s Theatre. That night…the rest is infamy. Nevertheless we’re reminded of the man who is an integral part of history with a flashback to his Second Inaugural Address.

The best thing about the film is that it does not just focus on Lincoln the maverick politician but Abraham Lincoln the person. He was a friendly talker and did his best to be a good father and a loyal husband but he was also stern in what he believed. It was not perfect because he wanted the Emancipation Proclamation to pass but knew that mention of equality for blacks would deter many Representatives from giving it a ‘Yay’ vote.  He was as much a strategist as he was an idealist. He knew any chances of equality would be a step-by-step procedure and emancipation was the first step. He knew of the bloody war happening and of the Confederate’s rebellion but he knew it had to be done.

Another excellent quality of this film is that it shows the political climate of the time. We should remember that the United States of America wasn’t even a century old at the time and slavery had existed in the South long before the United States of America was formed. There were many laws and disputes debating free states and slave states over the years to the point that slavery was going to reach its end but the South refused it to the point they would form their own nation: The Confederate States of America. The North, the United States, wanted to see slavery end throughout the whole United States and were even willing to have this war to make it happen even in the South. The South, the Confederates, knew that they would lose but they valued slavery to the point that they were willing to fight for it in such a brutal war. Even though they knew they were losing, they were willing to fight for it over these four long years and despite the huge losses they suffered.

The debates in the House Of Representative from the various states’ Representatives showcased the ideologies both the United States and the Confederate States felt. Nowadays we all can’t imagine slavery from happening but back then the South valued slavery to the point they would try to start their own independent nation and fight a long bloody war to keep it alive. And even the politicians in the American offices upheld their convictions in debates. The film also reminds us that the Emancipation Proclamation may have been written by Thaddeus Stevens and introduced to the House Of Representatives by Lincoln but it required the House to vote it into law. It almost didn’t happened and if it didn’t, Lincoln may have gone down in history as one of the lesser Presidents of the United States. We’re reminded in the film what kind of gamble Lincoln was making.

Another thing to notice in the film is Spielberg’s infatuation with war. We have seen it before with World War II with Saving Private Ryan and Empire Of The Sun, World War I with War Horse and we see now see Spielberg’s depiction of the Civil War and it has a lot of details. It details the artillery that was used at the time. It details the gruesome destruction and bloodshed that occurred. It even depicted the communication between officers and of relaying news to soldiers via Morse Code. Spielberg does it again.

Spielberg gives another directing effort under his belt. Already we know Spielberg to master sci-fi thrillers, sci-fi family adventures, and war dramas. Now he creates an ideological drama that focuses less on the war and more on the focus of the historic individual and the times he was facing. The film did an excellent job in focusing on the political climate of the times as much as the main politicians involved. The film however couldn’t have been done without the excellent acting. Daniel Day-Lewis gave an excellent performance as Abraham. The may have focused mostly on a single month of Lincoln’s presidency but his performance spoke volumes of the President we thought we knew. The movie however was stolen frequently by Tommy Lee Jones as Thaddeus Stevens. Tommy Lee did a great job in showing Stevens in his mannerisms, beliefs and how fierce of a man of conviction he was. Sally Field was also excellent as the troubled Mary Lincoln. History has documented her as a woman with mental illness. Field’s performances showcase her outlandish personality but also shows her as a woman both troubled by her losses and fearing for her future. Joseph Gordon Levitt was not so good at undoing his body and talking from modern mannerisms but he was better at conveying Robert the person in his ambitions and fears.

The screenplay by Tony Kushner is an excellent adaptation which is able to make that one month in 1865 to be the defining month in the legacy of Abraham Lincoln. It was as much focused on political details as it was on the people involved. John Williams delivers another fitting score to his list of movie scores. Janusz Kaminski gave good cinematography but there were many times I felt the use of zoom-ups were excessive. The depictions of war in the movie were mostly graphic only at the very beginning but were very well-detailed in not just the battles taking place on screen.

Lincoln is a surprising outlook on a president we’ve all come to know and celebrate but didn’t completely know. It’s also an excellent presentation of the political climate of the times. This reminds us of his celebrated greatness and how much of a gamble he made not just with his life but his political status to achieve it. Definitely worth seeing.

Movie Review – The Adventures of Tintin: The Secret Of The Unicorn

Jon The Blogcentric2 Comments

When you think of cartoon characters that have become pop culture icons, who comes to mind? Garfield? Snoopy? Calvin? How about Tintin: the freelance reporter with the funny hairstyle that was all the rage more than ten years ago who travels the world with his dog Snowy? You can bet he’s a pop culture icon in Europe, especially the French speaking countries. In fact his 75th anniversary was celebrated in 2004 with a special 10 Euro commemorative coin.

Tintin cartoons have been known the world over but has had only two live-action movies made of him made way back in the 60’s. Tintin comes to the big screen as a full-length animation feature in The Adventures of Tintin: The Secret of the Unicorn.

Tintin is out in an open air market and purchases a model of the ship the Unicorn. A villain named Sakharine wants to buy it off Tintin but he refuses. The ship is broken on the day Tintin buys it as Snowy runs around the house chasing a cat. The break also knocks out a small scroll inside a metal flask. Meanwhile incompetent detectives Thomson and Thompson are searching for a pickpocket in the city. Also we’d learn how skilled of a villain Sakharine is: with associated accomplices and eagles trained to fly on command and steal.

Tintin would later visit Sakharine where he would learn there are two model ships. Soon Tintin is kidnapped by accomplices of Sakharine and imprisoned on the SS Karaboudjan. He meet the Captain Haddock who has been made drunk by a first mate under Sakharine’s control and doesn’t know what’s happening on the ship. Tintin, Haddock and Snowy successfully escape on a lifeboat and are able to salvage a seaplane which they take to return home only to crash in the Sahara desert.

It’s while in the desert that Tintin learns of the secret as Haddock hallucinates from the heat and suffers from a sudden lack of alcohol. His ancestor Sir Francis Haddock was captain of the Unicorn in the 17th Century. The ship was treasure-laden and was attacked by a pirate ship led by the masked Red Rackham. Sir Francis surrendered the ship but sank it with the treasures rather than let it fall into Rackham’s hands. It becomes clear that the three model ships each had a scroll and the scrolls together would lead to the location of the Unicorn.

In the Moroccan town of Bagghar, Tintin and Haddock learn that the third modal ship is there and owned by a wealthy villager in a bullet-proof display case. Also there is to be a concert given by an opera singer known as the Milanese Nightingale. The reason why is to break the case open and retrieve the third scroll. It works: he has all three scrolls and he’s able to get away despite being chased by Tintin and Haddock. Sakharine returns on the Karaboudjian but Haddock also arrives on.It’s revealed that Sakharine is a descendant of the Red Rackham and the two, Haddock and Sakharine, get involved in a fight that replays the swashbuckling swordfight between their ancestors. Even cranes are involved. In the end, Haddock is victorious and Tintin leads the ship to the dock allowing for Sakharine to be arrested by Thomson and Thompson.

 Tintin and Haddock then use the scrolls to find the location. At the location, which is the hall built by Sir Francis, they find some of the treasure and a clue to the location of the sunken Unicorn. They both agree to continue the adventure.

This movie was a dream project of Steven Spielberg for decades. Spielberg took an interest in the cartoons when someone compared his Raiders Of The Lost Ark to Tintin. For years he’s wanted to bring Tintin to the big screen. Even Tintin cartoonist Herge became a fan of Spielberg’s movies and thought Spielberg was the only person who could bring Tintin to the big screen properly.  Herge died in 1983 but Spielberg could not purchase the full rights on Tintin until 2002. He even collaborated with director Peter Jackson to achieve this. Jamie Bell, who grew up reading Tintin comics, even came to Spielberg years ago about the idea. It wasn’t until years ago that this movie had started being made. Jamie Bell was Spielberg’s first and last choice to be Tintin. Even Peter Jackson recommended him after working with him in King Kong. The end result is the right mix for the movie.

The movie is very true to a Tintin cartoon. It’s set in the right time and features a lot of elements of European culture familiar in Tintin cartoons, like the artwork, the markets, the opera singer and the use of Interpol. The movie also has a lot of commonalities with a Spielberg adventure like Raiders Of The Lost Ark.  The animation was top notch. It features some of the best animation effects of the year. The story was kept in good taste and strayed away from cheap laughs and crude humor.  Simon Pegg and Nick Frost were also an excellent choice for being cast as Thomson and Thompson. Andy Serkis was also good as the drunken Captain Haddock. Daniel Craig was also good as the villain Sakharine. Snowy was always a reliable companion who had a liking for bones. John Williams was able to deliver a score that didn’t sound like your typical John Williams score.

The world box office results went as most would expect. Worldwide outside of North America, the film has made close to a very impressive $300 million. In North America, the film has made only around $75 million. This shows the big divide in Europe and the United States in their pop culture icons.

Another big shock is that Tintin was heavily favored to win the Best Animated Feature Oscar leading up to the nominations. It had already won the Golden Globe and the Annie award. To the shock of almost everyone, the nomination didn’t happen. Instead Tintin’s only nomination is for Best Original Score for John Williams. I’ll never understand the Academy. I’m fascinated by the Oscar race and the biz’s pursuit of nominations and wins, but I’m still left confused even as I understand it more.

The Adventures of Tintin: The Secret Of The Unicorn is a pleasant surprise for animated movies. It’s not as cutesy or goofy as most of the animated movies this year or most years but it was a very enjoyable adventure. A refreshing alternative from one of those cutesy animated features.

2011 Oscars Best Picture Nominee: War Horse

Jon The Blogcentric1 Comment

War Horse is the latest live-action drama by Steven Spielberg. It was originally a children’s story written in 1982 and later adapted into a stage play which debuted on Broadway in 2011 and even won a lot of Tonys. Now War Horse comes to the big screen and it’s only right that Steven Spielberg be the one to create it into an epic movie.

The film opens as young Devon boy Albert Naracott watches the birth of thoroughbred colt and watches him grow up. The colt would become his, but at a cost to the family. The father Ted wins him at an auction at an enormously high 40 guineas, thanks to his intent to spite his landlord. The high price would cause him to miss his rent and he would have to pay by autumn. That’s not an easy thing for Ted as he has an injured leg from the Boer War for which he’s not proud of and drinks to hide his guilt. He even hides his medals away.

Meanwhile Albert grows a friendship out of the horse whom he names ‘Joey’. Each time Ted threatens to shoot the horse, Albert tries to prove Joey is worthy of staying. Albert trains Joey into plowing the farm and succeeds in having it all plowed in a single day. However the farm fails because of heavy rain and Ted sells Joey to an Army Captain as World War I has just started. This breaks Albert’s heart and he even tries to enlist, even though he’s underage. However Captain Nicholls ensures Albert Joey will be fine and will make it home. Albert even ties his father’s war pennant to Joey’s bridle.

Joey is trained for battle and faces his first battle with Nicholls on top against the Germans. The Germans however have the latest artillery which are capable not only of killing horses from far away but making horses now useless in war battle. Nicholls is killed in battle but Joey is one of few horses to survive, only to be captured by the Germans and used as an ambulance horse along with Topthorn, a black horse whom was trained by the British. Joey and Topthorn become friends. The two horses then become owned by two young German brothers who plan to desert the army and flee to Italy. Even though they hide themselves and the horses in a French windmill, the brothers are discovered by the German soldiers and executed by firing squad.

The two horses are discovered by a French farm girl named Emilie, an orphaned girl who has brittle bones and lives with her grandfather. They soon become hers and she’s able to hide them successfully after German soldiers raid their house and take their food. She finally rides Joey on her birthday only to have the horse stolen by German soldiers. The horses are then put to the task of pulling heavy artillery. Joey and Topthorn are the only two pulling horses to survive this.

Meanwhile it’s 1918 and Albert is now a soldier for Britain. He and his allies are wounded by a mustard gas explosion in German trenches. Joey and Topthorn are still alive after years of brutal labor by the Germans but Topthorn can’t take it anymore and dies. Soon after, Joey tries to flee and advancing tank only to end up tangled in barbed wire and fall down in the mud. A British and German soldier clip off the wires together and the British soldier wins possession of Joey in a coin-toss. While Albert is recovering from his gas attack, he learns the story of the miracle horse. Meanwhile Joey is to be put down because he is too injured. Just before he’s to be shot, Joey responds to an ‘owl call’ from Albert. Albert and Joey are back together again but it doesn’t end there as there is still the auctioning of the war horses. What happens after is something for you to see for yourself.

One thing about the movie is that this, like a lot of epic films, does not have that stellar of a script or of acting. The script is good in how it takes one through the adventure from one place to the next with its various twists and turns, but nothing really deep. There are even times in which it comes off as fluffy as a movie-of-the-week script. The acting is flawless but nothing of any real challenge either. There was no real actor that stood out with Emily Watson being the top billed actor of the film and newcomer Jeremy Irvine being the lead human protagonist. The acting roles are well-played but often end up as cardboard as your typical acting in an epic movie.

The lead role and the protagonist in the movie is actually Joey the Horse. The story may mainly be about Albert trying to get Joey back to Devon but it’s Joey’s adventure and trials of it all which is what the story is all about. He goes from being born to Albert’s best friend to a horse in battle for Britain to befriending another war horse named Topthorn to a horse on the German side to being a horse of a French farm family to being back with the German side to being found stuck in barbed wire to being reunited with Albert. I may have knocked the script a while back in my review but I have to say one of the best attributes of the script is that it was able to make Joey into a horse with feelings without coming across as cheesy. That scene where Joey says his last goodbye to the deceased Topthorn didn’t come across as cheesy or manipulative. Also the movie ends with some unexpected twists and turns. Just when you think Albert and Joey are finally reunited, it doesn’t guarantee Albert will be taking him back to Devon. Interesting note is that the scriptwriters worked with Michael Morpurgo, author of the novel, to get the right adaptation of the movie.

Although the script and the acting are not the best attributes of the movie, the cinematography, set design and the accompanying score are the best technical qualities. Spielberg picked out some of the best and most appropriate areas of England for filming this movie, including Devon for the countryside and town scenes, Hampshire for cavalry scenes and an airfield in Surrey for the battle scenes. Janusz Kaminski did an excellent job of cinematography. His cinematography duties for this movie were complex as he had to both capture the grittiness of war for the battle scenes and capture the glamor and beauty of the countryside for the various country scenes. Plus you can’t go wrong when you have John Williams to compose your movie’s score.

However the best overall attribute is its ability to capture battles of World War I. Steven Spielberg is already known for his movies that depict wars and it only seemed right that he should be the one to recreate World War I in this movie. Here, he doesn’t disappoint. He’s able to recreate everything from the horse battles to the ground artillery to the trenches of the World War I battles to the first tanks. He also shows the grittiness of war too with the laying of the dead horses in battle to the execution of boys not yet adults to the rats in the trenches to the explosion of mustard gas bombs. Grittiness of war is something Spielberg doesn’t avoid and he doesn’t avoid it here. It’s also interesting noting the horse statistics of World War I that Morpurgo researched to create the War Horse novel. It is believed that there were 10 million horse deaths during the whole war. Of the one million horses sent from the UK to battle, only slightly more than 60,000 returned alive. The rest were killed in battle or slaughtered in France for meat. So War Horse is quite a story of survival.

War Horse may not deserve to win Best Picture as its acting performances, direction and script lack the winning edge but it’s a very good movie on its own. It’s a good family drama for families with older children. I commend Steven Spielberg for making the adaptation of this children’s novel possible on the big screen.

Move Review: Super 8

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DISCLAIMER: Okay, I know I’m behind in my writing and my movie reviewing. This has been a summer where I’ve tried to relax as possible so please excuse while I play catch-up here.

It’s the summer: the time when Hollywood producers, directors and film companies compete for the #1 grossing movie and the top moneymaking film company. It’s always at the box office where they decide the tried-and-true from the tried-and-tired. Despite the intense competition, there’s always a movie that comes with modest expectations that surprises everyone and steals their attention in the end. Super 8 is a movie that came with no top billed cast, Steven Spielberg acting only as a producer, and directed by little-known J.J. Abrams. Nevertheless it surprised everyone who saw it and gave them more than their money’s worth.

The movie starts as Joe Lamb’s mother had died on the job at the steel mill in an Ohio town. His father, the town deputy, is not taking it that well and even arrests Louis Dainard, the town bad apple. Four months later, school’s out. Joe’s father wants to send him off to a baseball camp in Pennsylvania but Joe’s more interested in making a zombie movie with his friends. This is a film director Charles Kaznyk wants to make to win a Super 8 film competition. He convinces Alice Dainard, Louis’ daughter, to play the protagonist’s wife in the movie. Alice steals her father’s car and takes the group to a train station to film the scene. During the shoot, a train passes by which the crew hopes will add more to the story. During the passing, Joe notices a truck driving towards the train, colliding, and derailing the whole train. In the aftermath, the kids come across a lot of explosions from the train cars and unique white cubes amongst the debris. They also find out the man who hit the train was their biology teacher Mr. Woodward who instructs them never to talk of what they saw or they and their parents will be killed. Just before the children flee, they learn that the Super 8 camera was untouched during the crash. Later the U.S. Air Force arrives to take over the crash scene.

Over the next two days, strange paranormal phenomena occur like people and dogs disappearing, power lines vanishing, missing electronics and even a gas station destroyed by something unknown. Woodward, recovering from the accident, refuses to answer the Air Force any questions and he is poisoned by a soldier. The Air Force has complete control of the town and its people, even deliberately starting a wildfire to evacuate the whole town. The town relies on Joe’s father to assure them of their security and answer their questions.

In the meantime the kids try to use some of the events as catharsis for Charles’ film, including using one evacuation scene for shooting. They also try to look for clues to this whole mystery. The first clue comes in the developed film used at the train station shoot. They notice something bizarre, like bugs. Later after Alice is amongst the missing, they break into their school and search for any of Mr. Woodward’s items that may have clues to this creature. What they find is a film and audio recordings about a creature that crashed to Earth in 1958. The alien only wanted to rebuild its ship but the Force tortured and imprisoned it to take its technology. One film even showed Woodward attacked by the alien only to form a bond. Woodward crashed into the train to free the alien.

The Air Force capture the boys and place them on an Air Force bus heading back to the base only to be attacked by the alien. The alien kills the men from the Air Force bus with allows Joe and the boys to escape and return back to the town. The boys return to town which is under heavy fire from the malfunctioning military equipment. They find a subterranean lair near the cemetery where Joe’s mother is buried. They come across many missing people still alive, including Alice, in which the alien was planning to have for food. They also learn the town’s electronics are underneath the base of the water tower formed together in which the alien is hoping to build a machine to return him back to his planet. Joe rescues Alice but in the escape, Joe is caught by the alien. Joe tells the alien that he can still live on after the painful events. The alien understands him telepathically and allows Joe and his friends to escape.

Soon after, all the loose metal, including the cubes that break free from the Air Force transport truck, are attracted to the town’s water tower. The cubes align and a ship forms allowing the alien to enter and finally leave earth. During the end credits, we see the film in which Charles, Joe and his friends created. A fun zombie movie filled with simple effects and gory make-up.

The movie is not just about an alien breaking free from the Air Force captivity. It also has a lot of human elements and themes. One theme featured is about parent-child relations. The town sees Deputy Lamb as a hero but Joe sees him as someone who has alienated him ever since his mother’s death. Alice Dainard thinks her father’s a monster. Things turn for the worse as she befriends Joe and her father forbids him. Another theme is about trying to heal from the past. Deputy Lamb blames Louis Dainard for his wife’s death since he didn’t show up for his shift that day. Joe also keeps the locket of him as a baby in which his mother wore until her death. Another theme is about the growing pains of adolescence. Charles hoped using Alice in his film would attract her to him. Instead she develops a bond with Joe. That puts a hot spot in the friendship between Joe and Charles with Charles feeling like the misfit again because he’s overweight. This was one sci-fi film that had a lot of depth in its script that worked well with the movie.

One of the best things about this movie is that it will remind many people of Steven Spielberg’s thrillers of the past. I’m sure most of you have a favorite one: Jaws, Close Encounters of The Third Kind, Poltergeist, E.T.: The Extraterrestrial, Gremlins, The Goonies. They captured people’s imaginations and dazzled viewers looking for an escapist thrill. Here in Super 8, we can see a lot of the Spielberg magic captured with the storyline, the special effects and the thrilling sequence of events. That’s what makes for a winning story. Many people can already see many hints of Spielberg’s past movie’s in Super 8. I’m sure if you see it or have seen it, you might too.

The best thing about the movie has to be the lack of star-billing in this movie. Here the main characters are the children. The adults are in minor roles. They are all great individually but its their unselfish performances together where the acting shines best as a whole. J.J. Abrams’ direction is also excellent. He was very good at taking the story he wrote and turning it into a thrilling movie that is as generous with its storyline as it is with its thrilling effects. With Spielberg acting as producer, I’m sure that J.J. Abrams could rightfully label himself the heir apparent to Spielberg. The visual effects definitely could pass as some of the best of the year. The mix of music with 70’s hits and the original score of Michael Giacchino was also excellent. Overall this was an excellent movie.

In terms of its business, Super 8 cost surprisingly over $50 million to make and even had a video game released with it. As of now, the film has grossed $125 million in North America and just over $200 million worldwide; not enough to rank it even in the annual Top 10 list of highest grossing movies. I really enjoyed it. I feel sorry for those who missed out on it. It’s also surprising to see that something like this about an alien invasion of such would draw and captivate moviegoers in the late 70’s but doesn’t seem to do so now.

Super 8 is an excellent summer movie that the viewer would expect little of but would leave the theatre amazed. This definitely has to be one of the best summer movies you could see. It may not look like your type of movie but if you give it a chance, you might be surprised.