Racism has been a common theme in a lot of films up for contention for this year’s Oscars. One of those is Green Book. It has caught a lot of attention since it was released this year.
It’s 1962. Frank ‘Tony Lip’ Vallelonga is the best bouncer in all of New York City. However the night club he works at is going through two months or renovations. He needs to find work to pay for his one-room apartment he shares with his wife and two sons. At first the only way he could make money was in an eating contest. He’s offered an interview to be a driver for Dr. Don Shirley on an eight-week tour of the Southern US. He goes to the interview, in Don’s apartment above Carnegie Hall, and is unhappy to see Don Shirley is black. Tony rejects at first, Don is insistent due to the strength of his references. Tony consults with his wife Dolores first. She agrees. Tony promises to white her and the boys. One thing he notices is that his accompanying musicians, Oleg and George, will be going in a different car.
They begin the tour in the Midwest before going to the south. The two start clashing at the beginning; Tony being asked to act with more refinement and Don disgusted with Tony’s habits. Tony is especially surprised how Don is so well-educated, not into rock ‘n roll and blues and fried chicken, which Don takes into offence. However it’s during the tour that he notices just how good of a classical piano player Don is. He also notices the racist treatment Don gets when he’s off-stage, including one time having a shabby piano with junk on it on one stage. Then one night, a group of white men threaten to kill Don in a bar. Tony rescues him and instructs Don not to go out with him during the rest of the tour.
During the journey, Tony stays at his own hotel while Don stays at the hotels in the Green Book, which is a hotel guide for African American travelers. At times, Tony can see Don drinking. Don admits to Tony that he is a divorced man and has isolated himself from his brother and his professional achievements. Don also help Tony to write his letters to the family. One night, Tony finds Don arrested at the YMCA for a gay encounter with a white man. Tony is able to bribe the officer for Don’s freedom, which Don sees it as ‘rewarding’ the officer. Another night at a sundown town, a white officer arrest Don and then arrest Tony after being punched by him. Don goes to call ‘his lawyer,’ but the officers get a phone call from Bobby Kennedy to have them both released.
The tour is winding down, but not with one last dispute between Tony and Don. Tony tells Don he thinks he’s ‘blacker’ than him. That causes Don to lose it and lament that his affluence gives him the feeling he’s an outsider to other African Americans while white people treat him like an outsider. His homosexuality only adds to him feeling alone in this world.
The final performance is in Birmingham, Alabama. Before the performance, Don is refused a seat for dinner and being the guest musician changes nothing. Tony attempts to fight the manager, but Don refuses to play. The two find themselves at a predominantly black blues club. When Don performs, the crowd loves him. The two return back to NYC. Tony invites Don up for dinner, but Don shies away. It isn’t until sometime later that Don musters the heart to visit Tony’s apartment. Here he’s made a welcome guest.
The film has been generating a lot of attention, both good and bad. The film’s script was co-written by Nick Vallelonga, Tony’s son. This was mostly told through the point of view of Nick. However the family of Don Shirley was not happy with what they saw. Many claim that Don did not consider Tony his friend, but his associate. Peter Farrelly admitted his fault in not consulting with Don’s family before the film. Actually Peter didn’t know of how many members of Don’s family Don was still in contact with. In fact even that scene of Don arrested at the YMCA with another man raises a lot of eyebrows too since Nick admitted Don never ‘came out’ to them in his lifetime.
I can’t say much for a film that claims to be ‘based on a true story’ or ‘inspired by true events.’ No such film is 100% true. There are always some plot twists and movie cliches added in. In fact one could simply call The Sound Of Music ‘a musical based on a true story.’ The accuracy may be in question, but the film does have a lot of relevance. We think we have racial tension now or a big racial divide now, it was bigger back then. This was a year before Martin Luther King delivered his ‘I Have A Dream’ speech. This was a year or two before schools in the southern US were desegregated. That ‘Green Book’ for African American travelers was very needed in the South because they could be attacked by hostile whites. Discrimination was that bad back then. There were still public lynchings happening.
One thing the film does is that it gives us something to think about. We’re living in hostile times right now, especially on the subject of race. There are still a lot of misunderstandings between races. The film sent a message that maybe if we stopped, calmed down, and talked things out, we can learn we have more in common that we have differences. Another thing the film succeeds in is testing our expectations of what people of certain races are like. There were many scenes where Tony asked Don about rock ‘n roll musicians and fried chicken. Don was the complete opposite where he played classical piano, was very well-educated, and couldn’t stand the thought of fried chicken. A lot of traits most white people, and not only Tony, would be surprised to see in an African American. Also Tony and his life and lack of education may surprise a lot of African Americans of what whites are like. Like I say, if we took the time to talk, we’d be surprised.
The film may present Don Shirley to be a very wealthy, very successful African American, but the film does show that despite the wealth and high education, Don still feels like an outsider. That’s another theme of the film: personal insecurities. History can easily explain why Don would feel uncomfortable around white people. However his identity, wealth and background has made him feel like an outsider to other blacks also eats at him. That scene where the two stop in the south in a cotton field with a group of African Americans working on and they all stop to look at Don is a symbol of his insecurities. That’s a reminder to us of how there are some that feel they don’t fit into their own race. However that scene where Don plays rock ‘n roll at the jazz bar showed that he had a lot to overcome and that he actually does fit in. Also the scene at the end where Tony welcomes Don into the house at Christmas, though demanding his family not refer to black people by that certain slur, sends a message that a major way to overcome racism is simply befriending people of another race.
You can dispute the truthfulness of the story but you will have to acknowledge that the script and story are put together very well. Nick Vallelonga isn’t just Tony’s son. He’s had years of screenwriting experience. Teaming up with Brian Currie and Peter Farrelly on the script, they deliver a great story that’s worth knowing. Farrelly also does a very good job in directing this film. A complete change of pace from the charmingly crude comedies from the Farrelly Brothers. Viggo Mortensen was solid in character in his role as Tony, but Mahershala Ali was also excellent in his role. It will leave you questioning who was the lead actor in the film? The film also had some good supporting performances such as Linda Cardellini as Dolores and various other members of the Vallelonga family in their roles. The mix of previously recorded music and the original music of Kris Bowers helped make the film as well.
Green Book may leave you questioning the accuracy of the story, but it’s also an enlightening story nonetheless. It will leave you thinking as well, which is what we need at a time like this.
There have been some adaptations of James Baldwin’s literature in the past, but I don’t think there’s ever been one ever to hit the big screen. Director Barry Jenkins brings If Beale Street Could Talk to the big screen and it’s quite the experience.
The film opens with a quote from James Baldwin of how most of America’s African-Americans were ‘born’ on the Beale Street of Memphis. The story opens in a prison just outside New York City in the late-1960’s with 19 year-old Tish visiting 22 year-old Fonny behind glass and communicating via telephone. She announces to Fonny she’s pregnant. Fonny is overjoyed and looks forward to being a loving husband and a good father once he’s proven innocent. The crime Fonny is charged for is rape of a Puerto Rican woman: Victoria Rogers. She knows Fonny didn’t do it because he was three blocks away with his friend Daniel when the rape happens. She knew he was arrested because of the racist Officer Bell.
Tish always knew Fonny was the right man for her. They were friends since childhood. Then months earlier Fonny wanted to take the friendship to the next level and date. She agreed. Both Fonny and Tish are people willing to work for a living. Fonny went to community college and had plans of going into woodworking. Tish found a job as a perfume saleswoman at a department store, which considered hiring a black woman in that role to be progressive.
Tish announces the news to her parents and sister. She’s very nervous about it, even though the family see Fonny in high regard. She first announces to her father, and he’s happy. Soon the mother Sharon and sister Ernestine are happy, though nervous as the trial is coming. Fonny’s family, who call him by his real name Alonzo, come to visit. The mother and Fonny’s sisters always had contempt for Tish. When the news is announced, Fonny’s father is happy, but the mother is the complete opposite. The sisters look down upon her and the highly-religious mother even goes as far as saying the child will be a child of sin because he’s conceived out of wedlock. The mother and sisters leave in disgust.
The film goes frequently from the present of the story to the past quite often. Tish reflects back to when they were walking the street and the feelings of love they had for each other. She reflects on the Mexican restaurant and the waiter Pedrocito that made them feel welcome there. She even remembers the time when she and Fonny were searching for an apartment. Fonny came across a loft being sold by a Jewish developer. She didn’t like the idea of a loft, but Fonny saw potential. They were both surprised that the owner had no problem with them being black, but he just loves seeing couples in love.
Soon Tish flashes back to the present. There is a trial they have to work on. The lawyer claims that this is a difficult case to manage, but they feel this white lawyer just doesn’t care about justice for a black man like Fonny. Tish’s and Fonny’s father team up to do illegal trading in order to raise the right money for Fonny’s case. Victoria Rogers returned to Puerto Rico because she couldn’t handle the reminders of her rape in NYC. Sharon has a mission to go to Puerto Rico to get Victoria to come back to New York and testify for Fonny’s innocence, but it will be very costly. In the meantime, the months add up and the child inside Tish is developing. Tish goes to see Fonny again at the prison, but Fonny has gone through months of torture there. He wants to get out so he can live the life he was meant to live and love Tish.
Memories go back to the harder memories. The first is when Fonny is reunited with his friend Daniel. Daniel had just come out of prison for grant theft auto; the result of a plea bargain after being arrested for marijuana possession. Daniel tells him how it’s hell in prison and how he knows how racist the justice system is. She also flashes back to when she and Fonny were just shopping at a grocery store. Tish is harassed by a man and Fonny throws him out. The throwout is witnessed by Officer Bell, who things that Fonny has committed aggravated assault. However the white storeowner comes out and vouches for Fonny that Officer Bell lets him go, but not without that look of the desire to arrest in his eye.
Sharon did it. She was able to get enough money to confront Victoria Rogers and convince her to come back to New York for the sake of Fonny’s freedom. Victoria’s long stay in Puerto Rico is what’s delaying the trial. Victoria is not happy to see Sharon. The rape is the whole reason she left NYC and has no plans to go back. It’s too upsetting for her. Sharon tries pleading to Victoria to come back and give the true story for the sake of Fonny’s innocence, but that just causes Victoria to break down mentally and emotionally. Sharon returns back to NYC and the trial is still delayed. Tish gives birth to the baby in a bathtub with Sharon’s help while Fonny is still in prison. It’s a boy. As the wait drags on, Fonny accepts a plea deal. Years later, Tish and Alonzo Jr. visit Fonny in jail as they all hope for Fonny’s eventual release.
James Baldwin has been known to be an outspoken civil rights leader as well as a renowned author and poet. Racism is one of his biggest themes in his works. The film which is based on his novel of the same title definitely focuses on racism. It’s set in the mid- to late-1960’s just after more civil rights for blacks had been championed. However it was still a struggle as a lot of rights were limited, a lot of racial riots were happening, and many wrongful arrests were taking place. The novel and the film give a depiction of what it was like at the time. Especially with a black man in jail for a crime he didn’t commit as seen through his pregnant fiancee. The film also shows the hopes and dreams of a young black couple in love. They will have a future previous generations before them couldn’t have, but it would still take a fight. Very often, you hear Tish and others having negative things to say about white people. Even having a mistrusting attitude towards them. Those who saw the documentary I Am Not Your Negro will know about the mistrust towards white people had back then. I’m sure it was a mistrust shared by many African Americans at the time and we hear it echoed in the characters, mostly from Tish
However the novel and film are about more than that. It’s about undying love through hard times. Tish knows Fonny is innocent and she and her family team up to get Fonny free in time for the birth of their son. We see that Fonny is a good honest man. She’s known Fonny since she was a child. She knows Fonny would never hurt anyone like that. When they started dating months before the arrest, she knew right there and then she was the right man for her. We feel that love in the film. Interesting how a gay author like James Baldwin can deliver a better sense of love between a man and a woman than most straight authors. The novel and film however isn’t all ‘whites are bad’ and ‘all blacks are good.’ That meeting between Tish’s family and Fonny’s family showed a certain friction. While the fathers got along well, the mother’s, especially Fonny’s, looked down upon Tish’s family and the sisters had the same snooty attitude. It’s possible that scene was meant to send a message about how certain African Americans aren’t all unified or there’s a superficiality between certain types.
The film does a very good job in adapting the novel, but it does more than that. Barry Jenkins adds his own unique flair to the film. One flair he has in the film just like his previous success Moonlight is the inclusion of a lot of music. The film is a good mix of original score and songs from years past. It fits the movie well. However one thing he does that’s different from Moonlight is he includes a lot of imagery to set the theme of the time. He also includes a lot of scenes where many of the characters involved in the story have their own shots where they face the camera standing still. That adds to the film. Also what Jenkins does is during many scenes, he slows the moment down and softens it so that one can get a feel of the moment. That happens many times during scenes with Fonny and Tish, the scene with Tish working the perfume counter, and the scene with Fonny and Daniel. Sometimes it’s half-muted and we hear Tish’s narration, but we get a very good sense of the situation. I think Jenkins made some good choices in making the film.
Barry Jenkins does it again. It’s hard to say if it’s as good as Moonlight, but the film is nothing short of excellent. He not only plays out the novel on film, he allows us to feel the story. I feel James Baldwin would be very proud. KiKi Layne was very good as Tish as was Stephan James as Fonny. The whole cast was excellent, but the standout was Regina King as the mother. She really did an excellent job as the mother-in-law going out of her way for Fonny’s innocence. For the technical, James Laxton did a great job with the cinematography, Joi McMillon and Nat Sanders made the right editing moves and Nicholas Britell delivered a great score that fit with the film and blended in with the tracks of past songs.
If Beale Street Could Talk is more than about racism and social injustice. It’s also about the undying love of two. It’s a love no prison system or injustice can destroy.
We’ve seen many live-action films of Spider-Man in this century. This year, we had an animated twist with the Spider-Man story with Spider-Man: Into The Spider-Verse. The big question is will this story work? Or will it be an insult to Spider-Man fans?
Miles Morales is having the difficulty of going to a special private school, which includes a dorm. He doesn’t want to go to that school, but his police-officer father insists because of his intelligence. After school, Miles visits his uncle Aaron Davis to watch him spray paint graffiti, but is bitten by a radioactive spider. Miles son learns he has superpowers of his own.
Miles goes searching in the same area for the spider, but comes across a particle accelerator built by Wilson Fisk who desires to find the universe where his deceased wife and son are. Soon Peter Parker as Spider-man appears to destroy it, but is confronted by Fisk’s enforcers Green Goblin and Prowler. It’s a losing battle for Spider-Man as he lays dying, but hands Miles the USB drive to disable the accelerator before he dies. While still trying to learn his abilities, Miles damages the USB.
The whole of New York is in mourning over the death of Peter Parker. While at the grave, Miles meets up with Peter B. Parker: a down-and-out Spider-man who’s divorced from his wife. Peter B. had just been dropped out of the accelerator. To get back in, he agrees to train Miles. They soon learn after breaking into Kingpin’s laboratory and confronted by Fisk’s female associate in crime, Peter will die if he doesn’t get back into the accelerator to his universe.
Soon they’re rescued by Gwen Stacy: Miles’ classmate and also part of the universe. Gwen brings them to Peter’s Aunt May, whom Peter thought was dead. May is sheltering other displaced and deteriorating heroes of the Spider-Verse like Spider-Man Noir, Peni Parker and Spider-Ham, the spider bit by a radioactive pig. Miles attempts to help them, but his lack of experience with his new-found powers gives the Spider-Verse members a lack of confidence.
Things get worse for Miles as he learns his uncle Aaron is Prowler. He returns to May’s house, where Peni has the drive prepared, but he is followed by the team of villains of Wilson Fisk. Miles is able to free but is captured by Prowler. When Miles unmasks himself, Aaron is willing to be killed by Fisk rather than kill Miles. Miles’ father makes the conclusion Spider-Man killed Aaron.
The Spider-people retreat to Miles’ dorm and Peter B. webs him up and his mouth, feeling he doesn’t have what it takes to battle Fisk. Miles’ father, thinking that Miles isn’t talking, confesses his feelings for him and tries to make peace. However Miles soon learns he can master his powers.
Miles then goes to Aunt May where he’s able to help the other Spider-people work the accelerator and get back to their universe. However they leave Miles to defeat Fisk, insuring him they believe in him. Miles does face the courage to defeat Fisk, help the Spider-people return to their dimensions, and his team and make peace with his father.
Now one thing few people except die-hard Marvel comics fans knew about was that the Spider-Verse was not a new thing. The Spider-Verse came to be back in 2014. So those who think that this is something new and original, they’re wrong. In fact the Spider-Verse includes a Gwen Stacey. However one will be entertained by the Spider-Verse. This is rare in a movie that we get to see six ‘Spider-beings’ get together and be heroes. However the story does put the focus on one individual: Miles Morales, the new person into the Spider-Verse. It is a shame because we were just starting to get into this Spider-Verse. Nevertheless the movie allows it mostly to be Miles’ story and the other members of the Spider-Verse give Miles his chance to prove himself.
The story is very good as it does have a good beginning, middle and end. It actually had to have more of an extended beginning because it’s not just Miles who is affected by the radioactive spider, but five others too. Also it uses the death of a Peter Parker/Spider-Man set the road up for the story of the Spider-Verse to come. The story is not just about the Spider-Verse or even solely about Miles’ role in it. It’s also about family relations too. Miles has a hard time with his father sending him to a private school he hates. Miles idolizes his uncle Aaron, but would have to soon learn that Miles is The Prowler and keep it a secret from his father. That part of the story adds into the drama. However with this being an animated telling of the Spider-Verse, the story has to have humor in it. There’s no shortage of that here.
As for the animation, the animation is excellent. It’s not just 3D animation, but a mesh of comic-book images that add to the film. The mix of the imagery adds into the story, especially with this being a Marvel comic story.
Kudos to Phil Lord and Rodney Rothman for bringing the Spider-Verse to the big screen and creating a story that’s entertaining but not too confusing with all these Spider-beings. The directing team of Persichetti/Ramsey/Rothman do a great job of making the film work in both the story and its imagery. The vocal talent was very good, but top marks go to Shameik Moore for his performance as Miles Morales. He had the big task of being the voice of the lead and he did an excellent job. Mahershala Ali and Bryan Tyree Henry were both great as the uncle and father, respectively. Hailee Steinfeld was a scene-stealer as Gwen Stacy as was John Mulaney as Peter Porker.
Spider-Man: Into The Spider-Verse was the animated movie we all needed this year in which the only winning animated movies seemed to be sequels. This animated story of a team of ‘Spider-Beings’ all teaming up at once and then doing their own duties did not do any damage to the Spider-Man story at all. Instead it added an entertaining twist. Stan Lee would be proud.
The musical biopic Bohemian Rhapsody came out in movie theatres this year. We’ve seen music biographies before. The big question is does this film simply chronicle Freddy Mercury’s life? Or does it do much more?
The film begins just as Queen is about to step to the stage to perform in the 1985 Live Aid Concert. The film then flashes back to 1970 when Smile is an English band consisting of Brian May, Roger Taylor and singer Tim Staffell. Faroukh ‘Freddie’ Bulsara is a Farsi immigrant who studies and also works as a baggage handler at Heathrow airport. Freddie faces a lot of discrimination for the color of his skin and mockery because of his hyperdontia which makes him look like he has a mega-overbite. However Freddie does lose himself in rock and roll.
One night, Staffell quits Smile in disappointment. Freddie was there attending the show. When he sees what happened, he asks to join the band. The band gets a rocky start as they play at small college gigs, but it looks promising and Freddie fully believes in them all. The rock singer gig does not go well with his family who feels he should earn his living more ‘honestly.’ Freddie also wins the attraction of college student Mary Austin during a clothes shopping trip. They start dating and romancing.
Over time, Queen gets bigger and they soon have to record an EP. It will cost a lot of money and Freddie agrees to sell the van for money. The EP is a success and it attracts major music producers including one from EMI Records interested in the band. The band changes their name to Queen and Freddie even legally changes his name to Freddie Mercury. The band is acquired by John Reid, Elton John’s manager, and assistant manager Paul Prenter. They bring the band to a gig on BBC’s Top Of The Pops where the band lip syncs Killer Queen. As success grows, including success in the US, Mary and Freddie get engaged. However soon after Freddie learns of his bisexuality.
The band try to record their album A Night At The Opera and the song Bohemian Rhapsody, but the song is too long and hard to perform. On top of that, producer Ray Foster is antagonistic on the band for both the song and the music for the whole album. After Foster refuses it as a single, Freddie gets a local DJ to play Bohemian Rhapsody. The song opens to a lot of negative reviews, but also scores big on the charts worldwide. However Freddie starts an affair with Prenter and has to call off the engagement with Mary. Mary is devastated, but agrees to remain friends.
In the film, the band has continued success in the early 1980’s with We Will Rock You. However the band experience tension both by Freddie’s lavish partying lifestyle and the increasing controlling ways of Prenter. Freddie even cheats on Paul with a waiter, but the waiter tells Freddie to find him after he finds himself. The friction between Freddie and the band grows to the point Freddie leaves the band to record a solo album upon the direction of Prenter. However it becomes obvious how much Prenter wants a piece of the action and Freddie both breaks up with him and fires him.
Soon Freddie learns he has HIV right when the devastating AIDS epidemic was at its most troubling times. He returns to the band confessing it was wrong for them to leave. They’re offered an appearance at the 1985 Live Aid Concert which will be broadcast worldwide to raise money for food supplies during the famine in Africa. This will be the band’s comeback concert, but it will take a lot of effort to bring the band back to their level of performance.
Just before the concert, Freddie confronts his parents to make peace with them. Freddie is also supported backstage by a pregnant Mary along with her husband David. Bob Geldof is hoping for a lot of call-in donations through this concert. Then Queen get on stage and it’s like they never missed a step. The crowd is blown away, television crowds are dazzled, and the donations accelerate like nobody’s business. Queen was back and alive!
There have been musical biographies in films done many times before. In order to make a winning story about a musician, the film will definitely have to include the music. That’s what made the musician great. The film will also have to include key events of the person’s life: the artistic moments, the triumphant moments and the struggles, even any tragedies. It’s all a matter of deciding the right moments for the right beginning, middle and end of the film.
The film does a smart move in making the Live Aid Concert the pivotal moment for Freddie Mercury both as the scene where the movie starts before flashing back in time and ultimately ending. The film also does a good job in picking out moments such as when Freddie joins the band Smile, changes it to Queen, first hits it big with Killer Queen releases their iconic Bohemian Rhapsody, faces friction as well as declining fame in the early 80’s, Freddie’s HIV diagnosis, and their return to winning the public at Live Aid.
However the film also risks disappointing a lot of Queen fans because of how inaccurate the story is. Despite Jim ‘Miami’ Beach being the film’s co-producer and May and Taylor being music consultants, The five biggest inaccuracies Queen fans are most likely to notice are, firstly, Freddie was actually introduced to Brian May and Roger Taylor of Smile by singer Tim Staffell when Staffell wanted to pursue further studies. Secondly, We Will Rock You was written and recorded in the late-70’s rather than the early-80’s. Thirdly, John Deacon was actually Queen’s fourth bassist rather than the original bassist. Fourthly, Queen never split up nor did they get back together at Live Aid. Freddie may have had solo work — the most famous being Barcelona: the duet with Montserrat Caballet — but Roger Taylor also had a solo album too. Fifthly, Freddie learned he was HIV-positive in 1987: after Live Aid. Those that know the true Queen story will know that a lot of these moments in the film were mostly common music-movie cliches rather than the truth about Queen.
Despite failing a lot of Queen fans with some of the inaccuracies and cliches, the film does succeed in a lot of ways and even presents some truths even Queen fans knew. Freddie did credit his extra teeth for his singing, he adored his cats, he held outlandish parties, the song Bohemian Rhapsody was considered too long and too ridiculous at first, Freddie did keep his ordeal with HIV and AIDS private as he did not want to be an object of pity, and finally his friendship with Mary Austin lasted until his death and she did live next door to him even while married to David. The film does stick to the truth in a lot of areas, including that of how Paul Prenter was a controlling person in Freddie’s life. However another added quality is that the film does an excellent job of capturing the essence and feel of Queen’s music. Those that haven’t heard much of Queen’s music will experience songs they never heard before. Those that are fans of the band will fall in love with the songs again. Also those that want to be rock musicians themselves will be inspired to pursue their dreams after watching the film. You not only hear the music, but you can also get the feel of a rock performer too.
The film has already grossed $844.4 million worldwide at press-time with $210.6 million coming from North America. However the film has also faced a ton of heat during the awards season. The cause for all of this was for director Bryan Singer. As you know, Singer has faced criminal charges of being a sex offender. How it happened that Dexter Fletcher stepped into directing the remainder of the film upon the departure of Bryan Singer is that Singer was fired after having violent clashes with Rami Malek. Singer, and not Fletcher, was credited as the film’s director. The awards season has seen the film win many accolades which many have voiced their displeasure about. Possibly due to hostility during the #MeToo movement, many are speaking their mind as if they’re saying a win for Bohemian Rhapsody is a win for a sex offender. I personally feel that Fletcher should have been credited as director. However despite the fact that Singer was fired, people are still unhappy. Makes you wonder what will satisfy them all? Denying the film a release and trashing it altogether? This is a reflection on how toxic and bullying the free speech of social media can be.
Anthony McCarten in cooperation with Peter Morgan may have written a story that was more cliched than truth, but it did capture a lot of the essence of Queen and a lot of the essence of Freddie Mercury. As for the ending, I can understand why they went for the heavy drama by ending with the Live Aid Concert. I’d rather they went with the moment Freddie records The Show Must Go On. Those who know the story behind that will recognize it as one of the biggest triumphs of Mercury’s career and a testament of his mental toughness.
The film also captured the essence of Brian, John and Roger well too. Co-director Dexter Fletcher did a very good job of picking up where Singer left off and creates an exciting experience for the audience. However the biggest triumph is the performance of Rami Malek. Until Bohemian Rhapsody, he was facing the common difficulty of actors of Middle Eastern descent with limited opportunities. It almost seemed like the biggest thing he would ever be known for is playing the Pharaoh in the Night At The Museum movies. This also was not an easy task because Malek was not originally a fan of Queen. However that all changed when he was given the role. Malek was excellent in his performance and will blow away anyone who sees this film.
The actors portraying Brian, Roger and John — Gwilym Lee, Ben hardy and Joseph Mazzello, respectively — also added to the film. Lucy Boynton was also excellent as the friend Mary Austin. Even minor performances like Tom Hollander as Jim Beach, Mike Myers as Ray Foster, and Allen Leech as Paul Prenter did very well with the roles they were given. Julian Day did a very good job with the costuming, Aaron Haye did an excellent job with the set design, and the producers did a very good job in choosing the right songs for the film.
Bohemian Rhapsody has some noticeable errors in the film. However the film succeeds in capturing the spirit of Freddie Mercury, capturing the music of Queen and capturing the experience of a rock star. No wonder it dazzles those that see it.
You saw I did a triple-movie review yesterday. That’s what I plan to do as far as reviewing summer movies. Review two or three summer movies that are in the same genre. Yesterday was a review of three summer comedies. Today is the review of the two hit animated movies of the summer: Inside Out and The Minions Movie. Both were two of the biggest hit movies this 2015 and both were different but both also had their own qualities.
This is actually Pixar’s first original movie since Brave. It’s been awhile and it was commonly assumed that the buzz of Pixar–the buzz of quality and creativity–was fading with movies like Cars 2 and Planes. They also had to face the fact in recent years they were no longer alone at the top with Illumination Entertainment emerging and Walt Disney Studios returning to their winning ways. However Pixar did come back with a vengeance this year with Inside Out.
Pixar went once again to its dream team with Up director Pete Docter doing the direction as well as co-writing the script with Josh Cooley and Meg Le Fauve. Michael Giacchino returns to do the music and vocal talent comes from the likes of Amy Poehler, Lewis Black, Diane Lane, Bill Hader and John Ratzenberger.
The biggest achievement of the film is that it doesn’t just simply deliver a great story that can keep the audience intrigued but it creates a unique and dazzling world of the human mind. Here they invented the world of the human brain called Headquarters, creates characters related to human emotions, creates a system where emotions are delivered by Headquarters subconsciously via a control console that any of the five emotions can control, has memories kept in colored orbs in its own storage system and has islands that reflect the most dominant aspects of a person’s personality connected by the train of thought which is an actual locomotive.
That already looks like creative stuff on pen and paper. However it took Pixar’s animators to make this world come alive. If you’ve seen Inside Out, you too would be dazzled to see the world inside the mind of Riley Anderson, the main character. It’s one thing to think up this world. It’s another thing to have this world come alive on screen and be good enough to dazzle and even mesmerize the audience. Were you mesmerized? I was.
However despite the mesmerizing world, it still had to have a solid and entertaining story to go with it. The story consists of five characters representing the five core emotions. Those emotional characters are inside the mind of Riley Anderson: a hockey-loving 11 year-old girl who is trying to adjust to a move from Minnesota to San Francisco. Promising enough. However it also took the right juggling of the story to go from focus on Riley to focus on the emotions and their world inside Riley’s head. It was a balancing act.
The story had to make Riley a likeable and identifiable character. It also had to make the emotions likeable characters too. Like it couldn’t make Anger as an abusive brute or Sadness into a manic depressant. C’mon, this is a family film for people to enjoy rather than see characters that cut deep. I’ll admit I did find the story rather confusing at first. However it starts to make more sense over time long after you leave the theatre. Inside Out is like a lot of Pixar movies where the focus is more on the story or the world rather than it being too character-driven or too entertainment-driven. That’s how Pixar has created some of the best animated movies of the past 20 years and that’s how they succeed here again.
Inside Out isn’t simply another charming animated story from Pixar but an escape to a world that will leave you dazzled. The ending will even get you thinking you have five characters in your head just like them!
Without a doubt, this decade’s top movie stars are not of flesh and blood but yellow and pill-shaped. Yes, the Minions who have been the aces at stealing the show from Gru in all the Despicable Me movies. Their popularity over time made the possibility of their own movie eventual. However it was to be a big question of The Minions Movie. Yes, they can steal the show from Gru but can the hold their own? Or will people become sick of an hour and a half of Minions?
Firstly in order to do a 90 minute-long film about Minions, one should have a solid but entertaining story to go with it. Interestingly enough they didn’t pick Despicable Me writers Cinco Paul and Ken Daurio to write the story. It went to newcomer Brian Lynch who actually wrote for the Minions Mayhem short three years ago. Despicable Me co-director Pierre Coffin returns to direct this but his co-director this time is Kyle Balda, who co-directed The Lorax with Despicable Me co-director Chris Renaud. Renaud is Executive Producer of the Minions movie. Hmmm, looks like Pixar’s not the only animation team in town.
The story does seem a bit formulaic as they try to look for a master of evil to serve. The master they think they found turning on them isn’t that original either. Even the ending where they eventually find themselves the master of Gru was not unexpected. The strength of the story was for it to have a decent plot but put major emphasis on the entertainment factor. Let’s face it, people are in love with the Minion characters. If one writes a story that’s very plot-centred like most Pixar movies, the flavor of the Minion characters would be lost. People love the goofy nature of the Minions. They story could not be two plot-centred if the Minions had to have their hyper but cute charm maintained.
Nevertheless they had to have a good story not just to keep it going to a feature-length but to entertain as well. That was achieved well with the story of Scarlet Overkill having them under their wing. Sandra Bullock made Scarlet fun to watch. Even if you knew the Minions would turn out okay with whatever Scarlet plotted against them, the movie still kept you wondering and hoping that they’d come out alright.
I give the writers and directors credit to writing and directing an entertainingly good story of how the Minions found Gru. However like most other movies, I usually question the choices made or if it could have been done better. Sometimes I wonder was it a good idea to pick three Minion characters as the lead Minions instead of maybe more? Was there too little time spent on how they met Gru at the end? Was Bob more idiotic than he should be? Actually I can’t really judge because I’m not a Hollywood writer. However I do feel that the ‘Hair’ number shouldn’t have been the only Minion musical number.
Minions is a mission accomplished: making a feature-length film of the top scene stealers in Hollywood right now. However it is imperfect and can make some people think it could have been done better.
As for the two movies, they both turned out to be the two biggest money makers of the year. Sure, Jurassic World is #1 but both are comfortably in this year’s Top 5 with Inside Out grossing $352.8 million and Minions grossing $332.8 million. It looks like animated movies are among the strongest films out there right now. Often they’re better at making favorite characters than most live-action movies. What Pixar and the other animation teams have up their sleeves has yet to be seen.
Inside Out and Minions are two of the biggest winners of the summer. they not only entertained but they also showed why animated movies are one of the tour de forces in moviemaking right now.
Summertime may be the perfect time for Beach Boys music but the film Love & Mercy isn’t one to give you that summery feeling that comes with their music. Actually it’s a lot deeper.
The film alternates between two time periods: between the mid-60`s and 1987. In the 60`s, the Beach Boys, consisting of brothers Brian, Dennis and Carl Wilson, cousin Mike Love and high-school friend Al Jardine have hit the big time. Their California sound of girls, cars, beaches and surf have made them a phenomenon. However it`s not to say they face competition from the British Invasion, especially the Beatles.
However something`s not right despite their success. It becomes evident when Brian has a panic attack on an airplane. After the incident, he resigns from touring with the band and goes into seclusion into an attempt to make `the best album ever made.` During the time, he continues to make music but it becomes more his music rather than music of the Beach Boys. Often Brian hires other musicians and usually features the other Beach Boys only in vocals. This leads to a lot of disharmony among the band sensing this may be a vainglorious Brian Wilson solo project. Brian also does other unorthodox things like build a sandbox around his piano and experiment with LSD which even his own wife is comfortable with.
The end result is the album Pet Sounds which received a lot of critical praise but was a commercial failure despite two Top 10 hits. The lack of commercial success is especially rubbed in by his father Murry who acts as their manager and expects the band to succeed just like it was any other act he owned.` He even announces to Brian that the Beach Boys are fired and he manages a new band which he feels has better chart-topping potential. Even after The Beach Boys resume their top-selling ways with songs like Good Vibrations, that changes nothing especially since some of Brian`s other creations are rejected. Brian goes into seclusion after a mental breakdown to the point he alienates everyone including his wife and newborn daughter Carnie.
In 1987, Brian is in a Cadillac store in California where he appears to be shopping for a new car. He stumbles across attractive saleswoman Melinda Ledbetter. However his psychiatrist Dr. Eugene Landy stops him. Brian is able to give Melinda his number. He goes on dates with her in which he was surprisingly honest to the point he even revealed his father`s abusiveness to him and his brothers. It`s obvious Brian is still as troubled mentally as he was back in the 60`s. The accidental death of brother Dennis three years earlier only added to his distress.
Over time, Landy demands more supervision of Brian. Melinda is already sending Landy becoming overbearing and even controlling when he tells Brian out loud to wait for food at a barbecue. Landy`s controlling nature becomes even harsher when Landy supervises his music and even demands that no visitors be with Brian. It becomes especially evident that he has a certain contempt towards Melinda. Melinda tries to get Brian to turn away on many occasions but Brian is too mentally weak to drop Landy. It comes down to Melinda threatening a legal suit to put an end to this and she gets what she needs. The ending tells us that Melinda is the best thing to ever happen to Brian.
The film is not just about Brian`s mental condition but also about the Beach Boys music at the time and even the time in music history when it was happening. Hard to believe the whole time the Beach Boys appeared as the epitome of surfing culture in the early 60`s, only Dennis surfed. They were an act packaged by their father Murry and it paid off into hit record after hit record. However Brian had other creative juices of his own and he felt he had to put it to record.
It showed the inspiration he transpired into the record studio but it also showed the conflict he had with other band members and the commercial pressures expected with every big name act. We often think of the mid-60`s as a time when rock bands did away with the typical `bubble gum` sounds that made them chart-toppers and started getting more creative and changed rock `n roll forever in all angles. True, but it didn`t make them immune to the commercial expectations they faced. Sure, there were albums like Sgt. Pepper that paid off commercially and changed music forever. However there were albums like Pet Sounds that were just as creative but flopped. It`s a gamble no matter how you put it. Even that scene where Murry tells Brian he fired the Beach Boys in favor of a new act, you could tell by the look on Brian`s face it appeared like a case of a father disowning his sons. It sure looked like it.
Without a doubt the mental illness ordeal of Brian Wilson is the focal point of the film. His ordeal is something most of us already know but only few knew the full details. The film gives the story of how it all started especially with Brian`s upbringing and what all happened at its start and most noticeable troubles during the 1960`s. The film also showed why it took so long for it to be resolved. You could easily see why a doctor like Eugene Hardy would make the situation worse than better. It makes you wonder why was Eugene so controlling to Brian? His star status? Landy`s own psychiatrist ego? Or Landy`s own problems?
It also made you wonder why was Brian afraid to leave Landy? Was it because he trusted him? Or was it because Landy appeared to him as the father figure he didn`t get from Murry? Even though the story is about Brian`s mental condition, it`s also a love story as it was Melinda whom Brian meets by chance that becomes the best thing for him. For his life and for his mental well-being. You`re left feeling that way at the end that love really does conquer all.
Director Bill Pohlad and scriptwriters Oren Moverman and Michael Alan Lerner succeed in creating a film that`s both autobiographical and also about the music of the Beach Boys and the time when Pet Sounds and Good Vibrations were released and also about how persistent love solved a decades-long psychological issue. The story however could not shine without the phenomenal acting. Paul Dano was excellent as the younger Brian who was full of music but very troubled and couldn`t be helped. John Cusack was excellent as the older Brian who was still troubled and too afraid to break free from Landy. Also excellent was Elizabeth Banks as Melinda. She was excellent for portraying the one who knew nothing about psychology but knew how to solve Brian with love. Paul Giamatti was good as Eugene Landy but his performance was as typical as most of the other characters he`s done in past films.
Love & Mercy is a biographical film of a musician but it`s a lot more. It`s about the music of the time and a reminder that one who loves you enough to care can see through hard situations.