The Wife is another summer release I missed out on seeing at the box office. Ever since its Oscar chances for Best Actress, it sparked my interest. I’m glad I saw it.
The film begins in 1992 with Joan Castleman and her husband Joseph just waking up. Joan appears to be the happy wife of a renowned author. They receive the news that Joseph has won the Nobel Prize for Literature. Both are overjoyed, at least on the outside. At the party to celebrate, their daughter Susannah, who’s having a baby, is happy, but son David is less so. David has desires to be a writer, but seems to consider his talent inferior to his father’s. Especially since he’s hesitant about hearing his father’s critique of his short story. As Joan and Joseph fly to Stockholm, a reporter named Nathaniel Bone tries to congratulate Joseph. That only causes discomfort for the two, but you notice a certain bitter feeling in Joan. A bitterness that grows even further whenever he acknowledges Joan in public.
The film goes frequently from 1992 to the past to back to 1992. In the flashbacks starting in 1958, Joan Archer is a writing student at her university. Her writing and her looks have impressed a young Joseph Castleman who’s a college professor. Joan refutes his advances at first, but things change when she works at a publishing company and hears from her boss Elaine Mozell that female writers don’t have a chance at competing against men. Joan continues to attend more classes with Joseph teaching and his encouragement wins her love to him. Joseph tries to make it as a writer while Joan just wants to be a housewife. But when Joseph’s writing is declined by publishers, Joan starts tutoring him. By 1968, it’s a case where Joan ghostwrites novels Joseph is to be credited with while he plays ‘househusband’ to the kids. Over the decades after many novels, and adulterous affairs, the narcissistic Joseph has become a Nobel Prize winner.
Back to Stockholm, Joseph and Joan are put in a hotel with all of his books present. Joan appears to be excite over seeing all of his books published in other languages. Later, Joseph meets with many important people leading up to the Prizes ceremony. Joseph has a heart condition that comes without notice and requires medication, as noticed during the ceremony rehearsal. One night, Joseph is lured away by a young female photographer named Linnea. Joan leaves, unhappy with what she saw. Nathaniel notices an unhappy Joan in the hotel lounge and invites him to drinks. Nathaniel reveals he’s been studying up on Joseph and has gotten the sense that it was Joan who was doing all the writing. Joan tries to call them lies and tell him to go away. Meanwhile Linnea comes onto Joseph. Joseph accepts, but his heart condition acts back up. Both confront each other about what was going on, but the heated argument ends when they receive a phone call learning of their newborn grandson.
The night of the ceremony occurs. before the Awards, David arrives. He confronts the two about what he heard from Nathaniel Bone. The two deny everything. As Joseph receives the Prize, Joan’s bitterness grows first at the Prizes ceremony and then at the dinner banquet. In the limo to the hotel, they get into a heated argument which causes Joseph to give the prize to Joan, only for her to refuse it. The argument continues on as Joan throws books at Joseph and tells him she’s divorcing him. Joseph goes into a heart attack. It’s apparent it’s fatal. As Joseph is dying awaiting paramedics, Joan tells Joseph she loves him. Joseph’s last words to her are “You’re such a good liar.” On the airplane home with David, Nathaniel Bone acknowledges the loss, but Joan’s response, and the film’s ending, will surprise you in a subtle way.
This year’s Oscars appear to be full of films with social messages. This film has a message about sexism in the arts. We have Joan who wants to write, but it’s Joseph who takes the credit for it. It’s not that uncommon as I once read a 1975 book called The People’s Almanac and they had an article in their chapter on literature titled “She Wrote It, He Got The Credit.” We shouldn’t forget that the time Joan chose to ghostwrite for Joseph was back in the early 1960’s. Female writers may have better chances not, but it’s still hard. Don’t forget J.K. Rowling went by her initials instead of Joanna Rowling with that belief she won’t be taken seriously as a writer. The story is very similar to Big Eyes as Margaret Keane ‘ghostpainted’ under the name Walter Keane because of the sexism in art. I think that explains why Joan was very willing to ghostwrite for Joseph back then. Because she felt the only way she can show her writing to the world was under a male name.
Nevertheless the film is more about the story and the woman rather than the social message. Joan is a woman who appears to be happy on the outside and very in love with her husband. However as each passing moment and instance comes up, Joan’s hidden anger of being the true writer and the wife of an adulterous man becomes more obvious in her silence. You had the feeling that Joan would explode any minute and her true feelings would show. It happens right there after Joseph wins the big prize. However the thing about Joan is that she is willing to keep her peace after his death and make the truth known to just David and Susannah, but hidden from everyone else including Nathaniel Bone. It takes a person of that much self-control underneath the hidden rage to have that much strength to let things be.
The story itself is pieced together very well. We have that moment in 1992 in the days from when Joseph’s award is announced to his eventual death. We also have the past where Joseph and Joan meet, and then become the ‘writing pair’ over time. We also have Joseph being lured to Linnea which would unravel another dirty secret. The film does a good job in moving scenes from 1992 to back in the past to returning to Stockholm to returning to the past and so on. The quality is that it keeps the audience in the wonder. You have the audience thinking one thing at first, sensing something’s wrong later on, and then finding out the truth near the climactic end. That’s an excellent quality because it provides the film with the mystery to keep the audience intrigued.
This is the first English-language film directed by Swedish director Bjorn Runge. He does a very good job of directing the film and the story. I have never read the novel The Wife, but scriptwriter Jane Anderson does a very good job in adapting Meg Wolitzer’s novel into a story to keep the audience intrigued. The highlight of course is Glenn Close’s acting. The best thing about the performance is not just how she delivers, but how she’s able to keep so many things hidden in her character only to come out at the right time. You could see the hidden hurt and disappointment in her character and that was the best quality. Acting is more of what’s unsaid than said. However the film is not only Glenn’s. Jonathan Pryce also delivered well as the husband who can’t confront his problems right. Annie Starke, daughter of Glenn, did a very good job of playing the younger Joan. She did a good job of showing Joan’s disappointment that early in her life, but mix it with her willingness. Max Irons, son of Jeremy Irons, played David very well, butI was not happy about seeing him have a role where he appears like he’s always hurting.
The Wife is more about the character than the social message. However it’s also about the story that makes it so intriguing to watch.
We’ve seen many live-action films of Spider-Man in this century. This year, we had an animated twist with the Spider-Man story with Spider-Man: Into The Spider-Verse. The big question is will this story work? Or will it be an insult to Spider-Man fans?
Miles Morales is having the difficulty of going to a special private school, which includes a dorm. He doesn’t want to go to that school, but his police-officer father insists because of his intelligence. After school, Miles visits his uncle Aaron Davis to watch him spray paint graffiti, but is bitten by a radioactive spider. Miles son learns he has superpowers of his own.
Miles goes searching in the same area for the spider, but comes across a particle accelerator built by Wilson Fisk who desires to find the universe where his deceased wife and son are. Soon Peter Parker as Spider-man appears to destroy it, but is confronted by Fisk’s enforcers Green Goblin and Prowler. It’s a losing battle for Spider-Man as he lays dying, but hands Miles the USB drive to disable the accelerator before he dies. While still trying to learn his abilities, Miles damages the USB.
The whole of New York is in mourning over the death of Peter Parker. While at the grave, Miles meets up with Peter B. Parker: a down-and-out Spider-man who’s divorced from his wife. Peter B. had just been dropped out of the accelerator. To get back in, he agrees to train Miles. They soon learn after breaking into Kingpin’s laboratory and confronted by Fisk’s female associate in crime, Peter will die if he doesn’t get back into the accelerator to his universe.
Soon they’re rescued by Gwen Stacy: Miles’ classmate and also part of the universe. Gwen brings them to Peter’s Aunt May, whom Peter thought was dead. May is sheltering other displaced and deteriorating heroes of the Spider-Verse like Spider-Man Noir, Peni Parker and Spider-Ham, the spider bit by a radioactive pig. Miles attempts to help them, but his lack of experience with his new-found powers gives the Spider-Verse members a lack of confidence.
Things get worse for Miles as he learns his uncle Aaron is Prowler. He returns to May’s house, where Peni has the drive prepared, but he is followed by the team of villains of Wilson Fisk. Miles is able to free but is captured by Prowler. When Miles unmasks himself, Aaron is willing to be killed by Fisk rather than kill Miles. Miles’ father makes the conclusion Spider-Man killed Aaron.
The Spider-people retreat to Miles’ dorm and Peter B. webs him up and his mouth, feeling he doesn’t have what it takes to battle Fisk. Miles’ father, thinking that Miles isn’t talking, confesses his feelings for him and tries to make peace. However Miles soon learns he can master his powers.
Miles then goes to Aunt May where he’s able to help the other Spider-people work the accelerator and get back to their universe. However they leave Miles to defeat Fisk, insuring him they believe in him. Miles does face the courage to defeat Fisk, help the Spider-people return to their dimensions, and his team and make peace with his father.
Now one thing few people except die-hard Marvel comics fans knew about was that the Spider-Verse was not a new thing. The Spider-Verse came to be back in 2014. So those who think that this is something new and original, they’re wrong. In fact the Spider-Verse includes a Gwen Stacey. However one will be entertained by the Spider-Verse. This is rare in a movie that we get to see six ‘Spider-beings’ get together and be heroes. However the story does put the focus on one individual: Miles Morales, the new person into the Spider-Verse. It is a shame because we were just starting to get into this Spider-Verse. Nevertheless the movie allows it mostly to be Miles’ story and the other members of the Spider-Verse give Miles his chance to prove himself.
The story is very good as it does have a good beginning, middle and end. It actually had to have more of an extended beginning because it’s not just Miles who is affected by the radioactive spider, but five others too. Also it uses the death of a Peter Parker/Spider-Man set the road up for the story of the Spider-Verse to come. The story is not just about the Spider-Verse or even solely about Miles’ role in it. It’s also about family relations too. Miles has a hard time with his father sending him to a private school he hates. Miles idolizes his uncle Aaron, but would have to soon learn that Miles is The Prowler and keep it a secret from his father. That part of the story adds into the drama. However with this being an animated telling of the Spider-Verse, the story has to have humor in it. There’s no shortage of that here.
As for the animation, the animation is excellent. It’s not just 3D animation, but a mesh of comic-book images that add to the film. The mix of the imagery adds into the story, especially with this being a Marvel comic story.
Kudos to Phil Lord and Rodney Rothman for bringing the Spider-Verse to the big screen and creating a story that’s entertaining but not too confusing with all these Spider-beings. The directing team of Persichetti/Ramsey/Rothman do a great job of making the film work in both the story and its imagery. The vocal talent was very good, but top marks go to Shameik Moore for his performance as Miles Morales. He had the big task of being the voice of the lead and he did an excellent job. Mahershala Ali and Bryan Tyree Henry were both great as the uncle and father, respectively. Hailee Steinfeld was a scene-stealer as Gwen Stacy as was John Mulaney as Peter Porker.
Spider-Man: Into The Spider-Verse was the animated movie we all needed this year in which the only winning animated movies seemed to be sequels. This animated story of a team of ‘Spider-Beings’ all teaming up at once and then doing their own duties did not do any damage to the Spider-Man story at all. Instead it added an entertaining twist. Stan Lee would be proud.
Most of you have already seen my first summary or even my second summary. This last summary will have a look at the last three Best Picture nominees I saw. They were Lion, Hidden Figures and Hell Or High Water.
Lion is one of those films which came out of nowhere to surprise everyone who has been lucky to see it.
We have seen many against-all-odds stories in the past. This is something because this is a true story of something that really was against all odds. It wasn’t just about making it happen but also of the family relations Saroo has developed over his lifetime. What will happen? Will he leave the family he’s always known? Is the family he’s searching for still alive? The best quality of this story is that it keeps us intrigued and hoping Saroo reunites, but also has us concerned of what will happen after.
Another quality of this story is that it does not forget the cause of the problem. Saroo is seen as the lucky one who was able to reunite with his family after all these years. However throughout the film, especially at the beginning, we see the cause of the problem. Saroo was unsupervised when he boarded the express train. The language barriers caused problems. Even Saroo’s mispronunciation of Bengali words caused problems. The train stations of Calcutta are loaded with stray children ready for abductors to prey on, and station police looking the other way. Even the missing posters advertised before his adoption were no good as his mother is illiterate. India failed Saroo and Saroo succeeded thanks to Google Earth and his fierce will. The film at the end lets people aware of the problem; 80,000 children go missing in India each year. The film’s website informs people of how they are making a difference in aiding to protect children in India.
This film is an accomplishment for the Australian film industry. I don’t know if Australia has ever had a film nominated for Best Picture before. This is director Garth Davis’ first ever feature length film. Bet you wouldn’t believe that. Luke Davies did an excellent job in adapting Saroo’s biography into a winning screenplay that keep the audience intrigued and hoping for the best in the end. Dev Patel’s performance as Saroo was the highlight as he did a great portrayal of a young man who’s angry on the inside and knows what he needs to do. Nicole Kidman was also excellent as the mother who appears grateful on the outside but has some inner hurt waiting to come out. Young Sunny Pawar was also very good playing the young Saroo. He was cute but he didn’t take it overboard. He played his part well. The film also featured top notch cinematography from Greig Fraser and excellent original music from Dustin O’Halloran and Hauschka.
Lion is an excellent film featuring a story you won’t forget. A surprise contender this year and a worthy one.
It’s good that we have a film like Hidden Figures to tell us about a piece of history that we never knew about.
The film comes at the right time as it deals with a lot of situations that are relevant in our world. This may be set in the early 60’s and revolves around a moment in space history but it has a lot of situations relevant to today. One is of workplace racism. It’s not as bad now as it is then but there are still a lot of unsolved problems. The second is of technology being so good, it can replace workers. These three women had iron wills. They knew they had potential, they knew they had what it takes and they wouldn’t let racism or the threat of modern technology stop them from reaching for their achievements.
The year of 2016 was a crushing year. It was a year that constantly reminded us that there was still a lot of racism to overcome. Despite the improvement over the decades, it was able to show its ugly head with low employment rates and police beatings. This is a film that reminds us that racism can be overcome. When you look at it, the women were doing this all during a turning point in the history of African Americans. African Americans in Virginia had less rights than they do now and discrimination was perfectly legal. Back then there were still separate washrooms for colored people, separate library books for white and colored people, and police beatings during civil rights marches. The women overcame these barriers and they opened doors for other colored people for generations to come.
This is only the second film Theodore Melfi has directed and written. This is the first feature-length script Alison Schroeder has written. Does come across as like something you’d get from Hollywood, but it’s not a weakness. It does all the right moves. Taraji Henson was great as the protagonist Katherine Goble-Johnson, but the show-stealer was Octavia Spencer. She was not only good at playing a woman who wouldn’t let technology kill her job, and the jobs of 30 other black women, but she was a colorful scene-stealer too. Janelle Monae completes the trio as one who just wouldn’t say die to her ambitions. The male actors were mostly supporting roles but Mahershala Ali was the biggest one as Jim Johnson, Katherine’s new husband. The mix of Motown music mixed in with the original score from Hans Zimmer, Pharrell Williams and Benjamin Wallfisch also added to the spirits of the movie.
Hidden Figures showcases a little-known fact about a big moment in American space history. It’s also the right uplifting movie needed at this time.
HELL OR HIGH WATER
I missed Hell Or High Water when it first came out in the theatres in August. I admit I was caught up in the summer fare and I overlooked it. I finally saw it recently and I’m glad I did.
One thing is I miss seeing is crime comedies. You know, the dark comedies featured in crime stories. This film has a good amount of comedy to it with their failures at robbing first. Even the situation where the brothers rob the Texas Midlands Bank and pay the mortgages they have with the bank off with the robbery money is full of surprising irony. It’s not even the robbery spree that has all the comedy. There’s the comedy when the rangers visit the places they question. There’s even comedy with that hard waitress at a restaurant they eat at: “What don’t you want?” The comedy doesn’t last as the story gets darker later on. However it does end on an ironic note as the now-retired Officer Hamilton does meet up with Toby Howard, perfectly free, and inquires of the robberies he and brother Tanner committed together.
One thing about this crime drama is that it has a lot to say. We have two brothers–Tanner who appears to have no redeeming values and Toby who’s as cool as a cookie– robbing various branches of the same bank. You see signs advertising debt relief. You hear from people– both family and people the brothers run into– talking of their own economic hardships. You see the indigenous people, who are still referred to as ‘Indians’ with their own outlook on things. Mostly negative. Looks like this story has a lot to say. Even hearing Alberto Parker say that he believes the true criminal is the Texas Midlands Bank does get you thinking. Maybe it’s the Bank that are the true robbers around here.
This is actually the first American production from Scottish director David MacKenzie. He has a reputation back in the UK with films like Young Adam, Hallam Foe and Starred Up. His first American production is top notch and really delivers as both a crime story and an offbeat Western. This is also an accomplishment for writer Taylor Sheridan. Already having made a name for himself in Sicario, he delivers again in what is actually his second feature-length script. Of all acting performances, Jeff Bridges is the one that was the best. He delivered a top job in character acting from head to toe. He was completely solid in character. Chris Pine was also good as the brother Toby who’s smart, tries to play it cool and possibly the one person in the world who could see redeeming qualities in brother Tanner. Ben Foster was also a scene-stealer as Tanner who a complete ruthless loose cannon who appears to have a bone to pick with everyone over anything and possesses a false sense of invincibility. Gil Birmingham was also good coming across as the wise partner who plays it cool. The country music in both recorded format and original from Nick Cave and Warren Ellis fit the film perfectly.
Hell Or High Water makes for an intense thrill ride that’s big on thrills but also takes you to the heat of the moments. The story even gets you thinking. Now why did I miss it during the summer?
That does it. My final summary of the Best Picture nominees for 2016. After seeing Hell Or High Water, that makes it 16 straight years of seeing all the Best Picture nominees before Oscar night. My predictions for the wins coming on Saturday.