Most of you have already seen my first summary or even my second summary. This last summary will have a look at the last three Best Picture nominees I saw. They were Lion, Hidden Figures and Hell Or High Water.
Lion is one of those films which came out of nowhere to surprise everyone who has been lucky to see it.
We have seen many against-all-odds stories in the past. This is something because this is a true story of something that really was against all odds. It wasn’t just about making it happen but also of the family relations Saroo has developed over his lifetime. What will happen? Will he leave the family he’s always known? Is the family he’s searching for still alive? The best quality of this story is that it keeps us intrigued and hoping Saroo reunites, but also has us concerned of what will happen after.
Another quality of this story is that it does not forget the cause of the problem. Saroo is seen as the lucky one who was able to reunite with his family after all these years. However throughout the film, especially at the beginning, we see the cause of the problem. Saroo was unsupervised when he boarded the express train. The language barriers caused problems. Even Saroo’s mispronunciation of Bengali words caused problems. The train stations of Calcutta are loaded with stray children ready for abductors to prey on, and station police looking the other way. Even the missing posters advertised before his adoption were no good as his mother is illiterate. India failed Saroo and Saroo succeeded thanks to Google Earth and his fierce will. The film at the end lets people aware of the problem; 80,000 children go missing in India each year. The film’s website informs people of how they are making a difference in aiding to protect children in India.
This film is an accomplishment for the Australian film industry. I don’t know if Australia has ever had a film nominated for Best Picture before. This is director Garth Davis’ first ever feature length film. Bet you wouldn’t believe that. Luke Davies did an excellent job in adapting Saroo’s biography into a winning screenplay that keep the audience intrigued and hoping for the best in the end. Dev Patel’s performance as Saroo was the highlight as he did a great portrayal of a young man who’s angry on the inside and knows what he needs to do. Nicole Kidman was also excellent as the mother who appears grateful on the outside but has some inner hurt waiting to come out. Young Sunny Pawar was also very good playing the young Saroo. He was cute but he didn’t take it overboard. He played his part well. The film also featured top notch cinematography from Greig Fraser and excellent original music from Dustin O’Halloran and Hauschka.
Lion is an excellent film featuring a story you won’t forget. A surprise contender this year and a worthy one.
It’s good that we have a film like Hidden Figures to tell us about a piece of history that we never knew about.
The film comes at the right time as it deals with a lot of situations that are relevant in our world. This may be set in the early 60’s and revolves around a moment in space history but it has a lot of situations relevant to today. One is of workplace racism. It’s not as bad now as it is then but there are still a lot of unsolved problems. The second is of technology being so good, it can replace workers. These three women had iron wills. They knew they had potential, they knew they had what it takes and they wouldn’t let racism or the threat of modern technology stop them from reaching for their achievements.
The year of 2016 was a crushing year. It was a year that constantly reminded us that there was still a lot of racism to overcome. Despite the improvement over the decades, it was able to show its ugly head with low employment rates and police beatings. This is a film that reminds us that racism can be overcome. When you look at it, the women were doing this all during a turning point in the history of African Americans. African Americans in Virginia had less rights than they do now and discrimination was perfectly legal. Back then there were still separate washrooms for colored people, separate library books for white and colored people, and police beatings during civil rights marches. The women overcame these barriers and they opened doors for other colored people for generations to come.
This is only the second film Theodore Melfi has directed and written. This is the first feature-length script Alison Schroeder has written. Does come across as like something you’d get from Hollywood, but it’s not a weakness. It does all the right moves. Taraji Henson was great as the protagonist Katherine Goble-Johnson, but the show-stealer was Octavia Spencer. She was not only good at playing a woman who wouldn’t let technology kill her job, and the jobs of 30 other black women, but she was a colorful scene-stealer too. Janelle Monae completes the trio as one who just wouldn’t say die to her ambitions. The male actors were mostly supporting roles but Mahershala Ali was the biggest one as Jim Johnson, Katherine’s new husband. The mix of Motown music mixed in with the original score from Hans Zimmer, Pharrell Williams and Benjamin Wallfisch also added to the spirits of the movie.
Hidden Figures showcases a little-known fact about a big moment in American space history. It’s also the right uplifting movie needed at this time.
HELL OR HIGH WATER
I missed Hell Or High Water when it first came out in the theatres in August. I admit I was caught up in the summer fare and I overlooked it. I finally saw it recently and I’m glad I did.
One thing is I miss seeing is crime comedies. You know, the dark comedies featured in crime stories. This film has a good amount of comedy to it with their failures at robbing first. Even the situation where the brothers rob the Texas Midlands Bank and pay the mortgages they have with the bank off with the robbery money is full of surprising irony. It’s not even the robbery spree that has all the comedy. There’s the comedy when the rangers visit the places they question. There’s even comedy with that hard waitress at a restaurant they eat at: “What don’t you want?” The comedy doesn’t last as the story gets darker later on. However it does end on an ironic note as the now-retired Officer Hamilton does meet up with Toby Howard, perfectly free, and inquires of the robberies he and brother Tanner committed together.
One thing about this crime drama is that it has a lot to say. We have two brothers–Tanner who appears to have no redeeming values and Toby who’s as cool as a cookie– robbing various branches of the same bank. You see signs advertising debt relief. You hear from people– both family and people the brothers run into– talking of their own economic hardships. You see the indigenous people, who are still referred to as ‘Indians’ with their own outlook on things. Mostly negative. Looks like this story has a lot to say. Even hearing Alberto Parker say that he believes the true criminal is the Texas Midlands Bank does get you thinking. Maybe it’s the Bank that are the true robbers around here.
This is actually the first American production from Scottish director David MacKenzie. He has a reputation back in the UK with films like Young Adam, Hallam Foe and Starred Up. His first American production is top notch and really delivers as both a crime story and an offbeat Western. This is also an accomplishment for writer Taylor Sheridan. Already having made a name for himself in Sicario, he delivers again in what is actually his second feature-length script. Of all acting performances, Jeff Bridges is the one that was the best. He delivered a top job in character acting from head to toe. He was completely solid in character. Chris Pine was also good as the brother who’s smart and tries to play it cool. Ben Foster was also a scene-stealer as Tanner who a complete ruthless loose cannon who appears to have a bone to pick with everyone over anything and possesses a false sense of invincibility. Gil Birmingham was also good coming across as the wise partner who plays it cool. The country music in both recorded format and original from Nick Cave and Warren Ellis fit the film perfectly.
Hell Or High Water makes for an intense thrill ride that’s big on thrills but also takes you to the heat of the moments. The story even gets you thinking. Now why did I miss it during the summer?
That does it. My final summary of the Best Picture nominees for 2016. After seeing Hell Or High Water, that makes it 16 straight years of seeing all the Best Picture nominees before Oscar night. My predictions for the wins coming on Saturday.
The Star Trek franchise has really come a long way since its days as a television series, hasn’t it? Movies, a new series in the 90’s, a loyal following of Trekkies and even a 2009 remake of the original. Now Star Trek returns to the big screen with a remake of the sequel entitled Star Trek Into Darkness. Does it still entertain current audiences?
The movie opens with Captain Kirk defamed and demoted from his Captain position after Spock’s life is jeopardized while prevent a volcano from erupting on the planet Nibiru that would have wiped out all civilization and would have exposed all of Nibiru’s lives to the Enterprise. Admiral Pike has been reinstated but believes Kirk deserves a second chance and successfully lobbies for Kirk to be his first Officer.
The movie moves forward to London two centuries from now. A bomb has just exploded and the perpetrator is believed to be Starfleet agent John Harrison. The meeting about how to deal with Harrison is disturbed by Harrison’s jumpship. Kirk destroys the jumpship but Harrison is able to escape to the Klingon planet of Kronos. Meanwhile Pike was killed in the attack which promotes Kirk back to captain of the Enterprise. Kirk is left in charge of dealing with the Enterprise and Harrison whether to have Harrison killed by the torpedoes on board the Enterprise or brought to justice.
Their first attempt at capturing Harrison is by arriving on the Klingon planet even though they know Klingons are set to attack them. Harrison kills the Klingons but appears to surrender when aware of the torpedoes against him. It’s when Khan is held inside the Enterprise that is true identity is learned, Khan: a genetically engineered superhuman designed as a weapon 300 years ago for a war between the Federation and the Klingon Empire. On top of that, the torpedoes each have one of Khan’s crew cryogenically frozen inside. In the meantime Admiral Marcus, engineer of Khan and captain of the USS Vengeance which Khan designed, demands Khan’s release. The Enterprise refuses and that leads to a war leaving the Enterprise severely damaged.
Soon after many giveaways happen to the intentions of both Khan and Marcus which almost leads to the destruction of the Enterprise had it not been for Scotty’s fast thinking on the Vengeance. A confrontation between Kirk, Spock, Marcus’ daughter Carol and Khan leads to Khan succeeding and gaining control of the Vengeance. Khan will only allow the crew of the Enterprise free if given the torpedoes. They agree but just when it’s thought that Khan has the advantage, a surprise occurs. This leads to a battle between Khan and leaders of the Enterprise with a not-so-typical ending to the movie.
This is a continuation from what started in 2009 when the first Star Trek was remade. If you remember then, they attempted to remake the very first Star Trek movie with a modern faced cast and with modern special effects. The end result was one popcorn movie remake that worked well not just with audiences but critics alike. it even became the first Star Trek movie to win an Oscar: winning Best Makeup. Here in 2013 comes a new challenge of remaking The Wrath Of Khan with the new modern cast and the new special effects.
I’ll admit that I have not seen the original Wrath Of Khan so I cannot compare it to Into Darkness. What I can do is compare it with the 2009 remake of the original. The original was good as it was able to remake and even modernize the original well with good writing, good acting and excellent effects. Into Darkness was also very good in its own way with the acting and the directing and especially the effects. There were times where the original actors (William Shatner and Leonard Nimoy) make appearances in the movie with is not uncommon for Hollywood to do in terms of movie remakes and movie versions of TV shows. However Shatner was given a good role that was atypical. As for the story, it was your typical Hollywood formulas in the story but what it lacks in original it, it makes up for in entertainment. It succeeds in being a thrill ride for those who see it with battles and even an ending that it not your typical predictable Hollywood ending.
The acting from the actors was also good. One thing I liked about the 2009 remake is that none of the actors were trying to fill the shoes of the actors past. Chris Pine knew he wasn’t to be a copy of William Shatner. Zachary Quinto knew he wasn’t to fill the shoes of Leonard Nimoy. John Cho knew that he’s not in George Takei’s shadow. Anton Yelchin knew not to compare himself to Walter Koenig. And Zoe Saldana was not trying to be Nichelle Nichols either. Each had their part to do and doing it made it work. The actors again continue to do it in Into Darkness. Mind you the role of Spock was given a new challenge by having him convey emotion despite being a Vulcan. Even Benedict Cumberbatch did a very good job in playing Kahn, even if Khan came across as an unoriginal Hollywood villain.
J.J. Abrams can add this movie to his cloud as one of the top sci-fi directors in Hollywood. He started well with Mission Impossible III, progressed with the first Star Trek in 2009 and did it again in Super 8. Although Into Darkness doesn’t compare to the first Star Trek, it does not hurt his reputation at all and even adds to his consistency. The highlights of the movie of course were the visual effects as should be expected with any sci fi movie. People don’t go to a sci fi movie for the script. They go to escape to another world. And Star Trek Into Darkness succeeds into taking us into our world two centuries from now and into the many worlds in the Star Trek universe. It was a very good trip into escapism that most will enjoy.
Star Trek Into Darkness is a sequel remake that puts its most emphasis in the escapism and the excitement of the action. It succeeds again in giving the audience a trip to another world while staying true to the Star Trek theme. The big question is if there’s to be a remake of The Search For Spock in the future, how soon will it come out and what will the end result be?