Most of you have already seen my first summary or even my second summary. This last summary will have a look at the last three Best Picture nominees I saw. They were Lion, Hidden Figures and Hell Or High Water.
Lion is one of those films which came out of nowhere to surprise everyone who has been lucky to see it.
We have seen many against-all-odds stories in the past. This is something because this is a true story of something that really was against all odds. It wasn’t just about making it happen but also of the family relations Saroo has developed over his lifetime. What will happen? Will he leave the family he’s always known? Is the family he’s searching for still alive? The best quality of this story is that it keeps us intrigued and hoping Saroo reunites, but also has us concerned of what will happen after.
Another quality of this story is that it does not forget the cause of the problem. Saroo is seen as the lucky one who was able to reunite with his family after all these years. However throughout the film, especially at the beginning, we see the cause of the problem. Saroo was unsupervised when he boarded the express train. The language barriers caused problems. Even Saroo’s mispronunciation of Bengali words caused problems. The train stations of Calcutta are loaded with stray children ready for abductors to prey on, and station police looking the other way. Even the missing posters advertised before his adoption were no good as his mother is illiterate. India failed Saroo and Saroo succeeded thanks to Google Earth and his fierce will. The film at the end lets people aware of the problem; 80,000 children go missing in India each year. The film’s website informs people of how they are making a difference in aiding to protect children in India.
This film is an accomplishment for the Australian film industry. I don’t know if Australia has ever had a film nominated for Best Picture before. This is director Garth Davis’ first ever feature length film. Bet you wouldn’t believe that. Luke Davies did an excellent job in adapting Saroo’s biography into a winning screenplay that keep the audience intrigued and hoping for the best in the end. Dev Patel’s performance as Saroo was the highlight as he did a great portrayal of a young man who’s angry on the inside and knows what he needs to do. Nicole Kidman was also excellent as the mother who appears grateful on the outside but has some inner hurt waiting to come out. Young Sunny Pawar was also very good playing the young Saroo. He was cute but he didn’t take it overboard. He played his part well. The film also featured top notch cinematography from Greig Fraser and excellent original music from Dustin O’Halloran and Hauschka.
Lion is an excellent film featuring a story you won’t forget. A surprise contender this year and a worthy one.
It’s good that we have a film like Hidden Figures to tell us about a piece of history that we never knew about.
The film comes at the right time as it deals with a lot of situations that are relevant in our world. This may be set in the early 60’s and revolves around a moment in space history but it has a lot of situations relevant to today. One is of workplace racism. It’s not as bad now as it is then but there are still a lot of unsolved problems. The second is of technology being so good, it can replace workers. These three women had iron wills. They knew they had potential, they knew they had what it takes and they wouldn’t let racism or the threat of modern technology stop them from reaching for their achievements.
The year of 2016 was a crushing year. It was a year that constantly reminded us that there was still a lot of racism to overcome. Despite the improvement over the decades, it was able to show its ugly head with low employment rates and police beatings. This is a film that reminds us that racism can be overcome. When you look at it, the women were doing this all during a turning point in the history of African Americans. African Americans in Virginia had less rights than they do now and discrimination was perfectly legal. Back then there were still separate washrooms for colored people, separate library books for white and colored people, and police beatings during civil rights marches. The women overcame these barriers and they opened doors for other colored people for generations to come.
This is only the second film Theodore Melfi has directed and written. This is the first feature-length script Alison Schroeder has written. Does come across as like something you’d get from Hollywood, but it’s not a weakness. It does all the right moves. Taraji Henson was great as the protagonist Katherine Goble-Johnson, but the show-stealer was Octavia Spencer. She was not only good at playing a woman who wouldn’t let technology kill her job, and the jobs of 30 other black women, but she was a colorful scene-stealer too. Janelle Monae completes the trio as one who just wouldn’t say die to her ambitions. The male actors were mostly supporting roles but Mahershala Ali was the biggest one as Jim Johnson, Katherine’s new husband. The mix of Motown music mixed in with the original score from Hans Zimmer, Pharrell Williams and Benjamin Wallfisch also added to the spirits of the movie.
Hidden Figures showcases a little-known fact about a big moment in American space history. It’s also the right uplifting movie needed at this time.
HELL OR HIGH WATER
I missed Hell Or High Water when it first came out in the theatres in August. I admit I was caught up in the summer fare and I overlooked it. I finally saw it recently and I’m glad I did.
One thing is I miss seeing is crime comedies. You know, the dark comedies featured in crime stories. This film has a good amount of comedy to it with their failures at robbing first. Even the situation where the brothers rob the Texas Midlands Bank and pay the mortgages they have with the bank off with the robbery money is full of surprising irony. It’s not even the robbery spree that has all the comedy. There’s the comedy when the rangers visit the places they question. There’s even comedy with that hard waitress at a restaurant they eat at: “What don’t you want?” The comedy doesn’t last as the story gets darker later on. However it does end on an ironic note as the now-retired Officer Hamilton does meet up with Toby Howard, perfectly free, and inquires of the robberies he and brother Tanner committed together.
One thing about this crime drama is that it has a lot to say. We have two brothers–Tanner who appears to have no redeeming values and Toby who’s as cool as a cookie– robbing various branches of the same bank. You see signs advertising debt relief. You hear from people– both family and people the brothers run into– talking of their own economic hardships. You see the indigenous people, who are still referred to as ‘Indians’ with their own outlook on things. Mostly negative. Looks like this story has a lot to say. Even hearing Alberto Parker say that he believes the true criminal is the Texas Midlands Bank does get you thinking. Maybe it’s the Bank that are the true robbers around here.
This is actually the first American production from Scottish director David MacKenzie. He has a reputation back in the UK with films like Young Adam, Hallam Foe and Starred Up. His first American production is top notch and really delivers as both a crime story and an offbeat Western. This is also an accomplishment for writer Taylor Sheridan. Already having made a name for himself in Sicario, he delivers again in what is actually his second feature-length script. Of all acting performances, Jeff Bridges is the one that was the best. He delivered a top job in character acting from head to toe. He was completely solid in character. Chris Pine was also good as the brother who’s smart and tries to play it cool. Ben Foster was also a scene-stealer as Tanner who a complete ruthless loose cannon who appears to have a bone to pick with everyone over anything and possesses a false sense of invincibility. Gil Birmingham was also good coming across as the wise partner who plays it cool. The country music in both recorded format and original from Nick Cave and Warren Ellis fit the film perfectly.
Hell Or High Water makes for an intense thrill ride that’s big on thrills but also takes you to the heat of the moments. The story even gets you thinking. Now why did I miss it during the summer?
That does it. My final summary of the Best Picture nominees for 2016. After seeing Hell Or High Water, that makes it 16 straight years of seeing all the Best Picture nominees before Oscar night. My predictions for the wins coming on Saturday.
If there is one style of film that reigned supreme at the box office this summer, it’s the animated movies. It had some of the best results not just of the summer but the whole year as Finding Dory grossed more than any other movie in 2016 and The Secret Life Of Pets is also in the annual Top 10 so far. There were a wide variety of animated movies from sequels to stop-motion to even an animated movie for adults only. For my summary, I will review four animated films for the summer: Finding Dory, The Secret Life Of Pets, Sausage Party and Kubo And The Two Strings.
It’s been thirteen years since Finding Nemo hit the big screen and captivated crowds. This time around it’s Finding Dory. The question is does it still have the same magic?
The magic of Disney/Pixar films is that it’s not only about top notch animation but also about taking the audience to new and exciting worlds of the imagination. The magic of Finding Nemo is that it captured the magic of the sea world. Finding Dory attempts to capture the magic of the sea world again but it also tries to capture another magic. This time it’s the magic of the Marine Life Institute. It does a very good job of creating a universe out of a marine life park. I’m sure that when Pixar was writing the script for this film, it had to create its own map on how the park would be for Dory to go from place to place. It even had to create the system of communication through pipes.
In addition, the story had to focus on the animals headed to quarantine. That was intertwined with Dory’s search for her parents. It gives a story with many facets. It starts with Dory’s search for her parents and leads to much more. Whatever the situation, it leads to a story that the audience will find thrilling as well as enchanting to look at.
Pixar does it again with writing out an excellent story and giving it top-notch animation. Once again I doubt if you’ll find a glitch. Andrew Stanton returns as director and co-writer with Victoria Strouse and they deliver an excellently entertaining movie. This time it’s Ellen De Generes’ time to own the show. She stole Finding Nemo and now this is her time to have the show as her own. Albert Brooks is back again and he delivers an excellent performance as Marlin too. The film features a lot of other big names as voices like Diane Keaton, Eugene Levy, Ed O’Neill, Bill Hader, Alison Janney, Sigourney Weaver (of course) and Idris Elba.
If there’s one glitch about Finding Dory, it’s that a lot of children may not understand the story in its entirety. For the most part, it’s us older adults who have seen Finding Nemo that understand Dory and her situation. I think that was it. Pixar was making a film that would be meant for both children who love animated movies and the grown up adults who have a special place in their heart for Finding Nemo.
Finding Dory continues on the excellence of Disney/Pixar and continues the charm we first saw in Finding Nemo and entertains crowds this summer in big numbers.
The Secret Life Of Pets
Ever wonder what your pets do when you go to work or school? The Secret Life Of Pets attempts to answer that question of what happens, as long as you live in modern Manhattan. And boy does it give some interesting answers.
This movie creates a humorous premise: pets that come across as your typical house pets but have a sneaky double-life when their owners aren’t home. However they find themselves in trouble and they all have to get back home in time before their owners return.
The thing about this movie is that it’s not focused too much on the story or taking the audience to another world the way Pixar movies do. Instead its focus is on creating crazy humor and funny characters. It’s obvious from the start its intention is to be a crazy goofy comedy to get us all laughing and it succeeds.
However such a movie cannot compromise on things like a solid story with the right beginning, middle and end, characters that fit the story and top quality animation. The movie does exactly that. Actually this movie is more driven on the humorous characters rather than be story-driven like Pixar films. Hey, we’re talking about the same animation studio that gave us the Minions. It works for such a movie and it wins over movie audiences young and old.
Pixar is not the only animation studio alone at the top. Illumination Entertainment has given it some rivalry especially with the Despicable Me movies and the Minions. Here Illumination brings back its main director Chris Renaud and its writer Bryan Lynch, Cinco Paul and Ken Daurio to create another entertaining film. The film even includes a lot of great vocal talent from Albert Brooks, Kevin Hart, Louis C.K. and Steve Coogan just to name a few.
The Secret Life Of Pets isn’t so much about creating a mesmerizing world the way Pixar’s movies are. What it does is create a story that’s entertaining to watch and full of fun intriguing characters. No wonder it charmed crowds this year.
Sausage Party is the first wide-release animated film since South Park: Bigger, Longer, Uncut to earn an R-rating. And rightly so. And I’m sure the animators, directors and actors of the movie wouldn’t want it any other way.
It’s obvious right from the start that Sausage Party is a spoof of Disney/Pixar movies but as you watch over time, and even as you look back in retrospect, it’s obvious it’s a lot more.
Those of you who’ve seen Sausage Party will know that it’s not like most of the animated movies released today. Sometimes you may even get the feeling the movie is trying to sabotage all those family-friendly movies and the wholesome values they stand for. It sure seems that way.
I hate to bring up retro 90’s assimilations but it reminded me of a lot of 90’s entertainment that pushed envelopes and had sadistic pleasure slaughtering sacred cows and skewered values and morals we held dearly, and somehow charmed us into wanting more. Yes, such entertainment that knew we’re all gluttons for punishment. And we saw that in Sausage Party as they were definitely doing lot of tricks in the book to freak us out, whether it be the storyline or characters or images, and succeeding. We also see how it’s even skewering the wholesome values that are normally promoted in the family-friendly animated movies.
One major difference that keeps it from being 90’s-style envelope-pushers. One thing about all those envelope-pushing balls-to-the-wall entertainment of the 90’s that they not only pushed boundaries but they were also successful in making squeaky clean entertainment or entertainment with morals and a conscience look either wimpy or look like a complete joke. Yep, entertainment that broke all the rules and changed the game in the process. Can you blame me for calling them ‘The Nasty Nineties?’
I don’t think Sausage Party succeeded in doing that. Despite the ‘Dixar’ bumper sticker, it’s not as much the punch-in-the-stomach comedy or middle-finger to squeaky clean entertainment from Seth McFarlane or the South Park duo is. Yes, it does mess with wholesome entertainment but it’s more interested in having fun and pleasure making us squirm in our seat. Even though it did warp my brain, I will admit this was the most fun I had in a movie theatre this summer. It’s definitely my ‘guilty pleasure’ movie of the year.
Some people have complained that the movie is anti-religion. I don’t deny that as made obvious by the characters which include one Jewish and one Arabic and most of the lot appearing to resemble Christianity. You get the first hind right at the beginning as the groceries refer to the humans as ‘the gods’ and of the mustard coming back scared over the reality of what they’ve always called the ‘great beyond.’ I knew it would be critical of religion from the reviews I’ve read and I was expecting to get my tolerance on that subject tested. However I will state it’s not the obvious blasphemy as one would commonly see in South Park episodes or a lot of works done by Seth MacFarlane. I will also state that even atheism is also looked upon critically as it will state some common traits among many atheists like a feeling of misery or a ‘smarter than thou’ attitude.
If there is one glitch, I will have to say it’s the ending. What you first think will be the ending isn’t. Instead it will lead into what should be known as an ‘animation orgy party’ and then into a bizarre ‘reality check.’ I don’t have problems with them being in the movie or even in the ending but there are many times I feel the ending could have been done better or mapped out better.
Since I’ve been doing a lot of animation studios talk, it’s interesting to know that heading this film is a Canadian studio: Nitrogen Studios Canada Inc. The head of the studios, Greg Tiernan directs his first ever feature length film along with Conrad Vernon who has directed films like the Shrek movies, the Madagascar films and Kung Fu Panda too. You could say Vernion is spoofing his own films here. Interesting that while most animated movies of this summer have big budgets, this one only cost $20 million to make. Even though the animation was not as flawless as Pixar–and I noticed some technical glitches– its top focus was the humor and it definitely succeeded at that.
Without a doubt, Seth Rogen owned the film. It was pretty much his idea to do such a film like this for years. He not only acts in this but is co-producer and co-writer along with Kyle Hunter, Evan Goldberg and Ariel Shaffir with a story he wrote along with Goldberg and Jonah Hill. He has the delightfully evil charm of the film in his hands and knows how to deliver it well. Additional acting highlights come with Kristen Wiig and Brenda Bunson, Salma Hayek as Teresa del Taco, Bill Hader as Firewater, Nick Kroll as Douche and Edward Norton as Sammy Bagel Jr. just to name a few.
Sausage Party is a film that deserves to be hated but you can’t help but love it. Yes, it will warp your mind but it has a delightfully evil charm that will make it your guilty pleasure of the year. Just don’t bring the kiddies.
Kubo And The Two Strings
After Sausage Party warped my mind, I had to watch Kubo And The Two Strings to reclaim my sanity. Good choice as it was a marvel to watch.
Normally it’s the Pixar movies that have the animation magic that mesmerize us and take us all to another world. This summer, I’d have to say it’s the world of Kubo. It was best at creating a world and an adventure that was enchanting and mesmerizing. It took a unique story that isn’t exactly one that’s best at winning big crowds and turned it into a spectacular marvel.
The thing with Finding Dory is that it does succeed in doing that but it’s a world we’ve been to before and whatever new world is in the story doesn’t differ to much from the world of Finding Nemo. In Kubo, we have a fresh new world of the imagination and that’s its advantage.
The story element of the film is just as strong. It’s about the fate of humanity and good in the world being threatened by evil and the mortality of souls and it resting in the fate of Kubo. Especially since it includes the fates of the souls of Kubo’s own parents. It’s the story of a son of a late master samurai who goes from master storyteller to the one to fight the evil forces. The very cinematic values that make the superhero movies make Kubo. In addition, it gives an alternate definition of ‘destroying the enemy’ one would come to expect. And a definition that appears to be the right thing.
While most of the films this summer were 3D computer animated films from start to finish, Kubo was a mix of both 3D computer animation and 3D stop-motion. This is a common trademark of Laika studios as seen in their past releases like Coraline, ParaNorman and The BoxTrolls. Such style of animation works to its advantage and comes off as a refreshing alternative to the 3D computerized films. It also works best in what makes this movie so captivating. I don’t think 3D computer work alone would make this film work as well.
This film is the directorial debut of Travis Knight, son of Nike CEO Phil Knight. He has actually been an animator with Laika during their first three features and now he takes the step into directing this time. He does an excellent debut job in directing. I was actually surprised to learn this is an original story. It was created by Shannon Tindle and Marc Haimes with the screenplay written by Haimes and Chris Butler. Very excellent and very true to spirit of common mythology. Vocal talents were also very good. Game Of Thrones actor Art Parkinson does a very good job in voicing Kubo and creating his personality. Charlize Theron captures the mysterious side of the Monkey excellently and Matthew McConaughey does a very good job in capturing Beetle in both his bravery and his idiocy. Dario Marianelli does a very good job with making the music fit the film. It captures the whimsy of it perfectly.
Kubo And The Two Strings is my favorite animated film of this summer. It had the best combination off all ingredients that make a great animated film from great animation to a great story to a great redeeming message. Sure, Sausage Party was fun in how it was the complete opposite of your typical family-friendly animated movie but Kubo is a reminder of why such movies win us over time after time. Also it helped me get my sanity back.
And that’s my review of animated movies of the summer. Three were strictly 3D computer animated while one mixed it with 3D stop-motion. Three were mostly family-friendly while one was obviously adults only and proud of it. Three were comedies while one was mostly a drama. Three were fresh new stories while one was a long-awaited sequel. All were entertaining in their own way and wouldn’t let you down. In addition the comedic animated movies had the box office success that eluded the live-action comedies of the summer. So yes, today’s moviegoers do have a sense of humor after all!
In conclusion, the animated movies were this summer’s top box office fare. If you’ve even seen one of the films I reviewed, you’d know why.
DISCLAIMER: Okay, I know I’m late in reviewing a lot of movies, including this one. I’m hoping to do some catching up in this time. So please bear with me.
James ‘Whitey’ Bulger is a man of infamy. Black Mass is a movie that attempts to reveal what type of person Bulger was and how he was able to get away with what he did all this time.
It’s 1975. The streets of South Boston are ruled by James ‘Whitey’ Bulger and his Irish-American Winter Hill Gang with Stephen Flemmi as his right-hand man, Kevin Weeks as his rising rookie and Johnny Martorano as his merciless hitman. However it’s rivaled by the Angiullo brothers who have ties to the New England Mafia family.
In the middle of this, former FBI Agent John Connolly returns to Boston in hopes of stopping the Angiullo brothers and does the tricky task of trying to get Whitey’s help to do so. Besides Whitey and brother Billy Bulger, who’s the president of the Massachusetts State Senate, are childhood friends. At first, Whitey is reluctant to be an informant but agrees after one of his Winter Hill Gang members is gunned down.
No kidding having Whitey as an informant for an FBI agent is touchy stuff and it even causes suspicion from Connolly’s boss. However it becomes a case where Bulger is the one pulling Connolly’s strings as he uses Connolly’s ‘protection’ for covering his crimes. Whitey becomes more violent after his six year-old son dies of an allergic reaction to aspirin. He even gains more success in achieving FBI control in terms of trying to down the Angiullos. Connolly however becomes more attached to Whitey which interferes with his marriage.
However the bond between Bulger and Connolly reach a turning point as Whitey orders one of his men to kill two men associated with a scheme Whitey was to profit over. One man in whitey’s ring, Brian Halloran, comes across as untrustworthy and senses him to be a possible rat. Fearing for his life, Halloran goes to the FBI for help but to no avail. Connolly informs Whitey of Halloran’s sayings and Halloran is killed.
Bulger’s lust for blood and his own menacing behavior only grow over time and it leads to a downfall in his relationship with Connolly. Over time a new district attorney, Fred Wyshak, is hired in Boston. Despite Connolly’s attempt to befriend the ‘bulldog’ attorney, Wyshak refuses and attempts to have Bulger arrested. Eventually the secrets are unraveled thanks to the help of the Boston Globe which leads to the arrests of Connolly and Bulger’s three other men. Bulger however is successful in avoiding arrest of his own however he would be arrested in 2011 after 16 years ‘on the run.’
I’m sure what most people would be interested in seeing when they watch this film is yet another character played by Johnny Depp. The weird thing is about how unrecognizable he comes across with his balding hair and blue eyes. However I’m sure he was chosen because of how he could embody the character of Whitey with his criminal mentality and his personal demons both on the street and within himself. Mind you Whitey was quite the character in real life to give himself his own exile before ultimately being brought to justice only as he was in his 80’s. Some may find Johnny’s hair and make-up rather distracting but it doesn’t take away from the story.
This is a story of intrigue. Those who know the story of Whitey Bulger, or even those who only know the name but not the whole story, will take an interest in why Whitey carried this all out and why an FBI agent was willing to assist. No doubt the story is mainly about Whitey. However the story is about Connolly too. It makes one wonder why a childhood friend would be so loyal to the point he’d be willing to go against his job in order to help him out despite the fact he’s carrying out such hideous crimes. No doubt the theme of loyalty is very present in the film as it is a common fact that loyalty to family and friends is something valued greatly in Boston. The theme of loyalty comes to the point where we see a scene of Bulger on the run but not before thanking Billy just before he and the other men are sentenced.
The make-up of Depp as Bulger may get a lot of attention but the highlight of the film was his performance of a man who is smart but troubled and very easy to infuriate. Depp also did a good job of conveying Bulger’s growing anger and personal motives in his carrying out in the crime activities but he also did a good job in showcasing Whitey’s mind in why Bulger felt it was right in doing all these hideous crimes and why he needed his men to carry it out and an FBI to be ahead of the game. Even showing how the accidental death of his son would be the turning point in Bulger and his lust for control and vengeance adds to the story and the character. The film rested predominantly on the story of James ‘Whitey’ Bulger but it was Depp’s ability to show Whitey the person that made the story work at its best.
Sure, Johnny Depp carried the film but the film did feature other good supporting performances as well like that of Joel Edgerton as Connolly whose loyalty is questioned, Benedict Cumberbatch as Billy. The performances of the wives caught in the middle–Erica McDermott as Mary Bulger and Julianne Nicholson as Marianne Connolly– added to the human element of the story and kept it from being your typical hard-story crime drama.
This actually Scott Cooper’s third film as a director. The former actor’s best film making feat up to now has been Crazy Heart about a faded country star on a comeback. I don’t know if it’s as good as Crazy Heart but this is a very good film done by Cooper and is definitely his commercial breakthrough. Writers Jez Butterworth and Mark Mallouk did a good job of keeping it from being your typical mob-leader story.
Black Mass isn’t simply about an infamous crime leader. It’s also about the codes of loyalty some people would do for their friends, even if it meant violating their duties as an FBI. Very insightful and full of intense moments.
What do you get when you mix two eight year-old boys, a corrupt cop, a crooked man, a female witness and an empty cop car all out in the middle of Colorado? You get a bizarre dark comedy called Cop Car.
The film starts with two eight year-old boys, Harrison and Travis, walking along the Colorado farm land cussing and having fun. During their fun, they notice an empty sheriff car not running and nobody inside. They go in to check it out and find the keys. They’re able to turn it on and the two start their fun.
We found out how it got there. A corrupt sheriff named Kretzer appears to have killed two men; there’s one lifeless in the trunk and one Kretzer buries in a hole. Kretzer returns to where his car was parked only to find it gone. All that remains is his empty beer bottle. He goes to town to try and steal a car for himself. Nobody can know of his plot. Once he steals one, he goes to town and alerts the police of what happened. Meanwhile the boys are driving superfast on the highway and catches the eye of a passing motorist who questions what she sees. She reports it to police but they think she’s crazy. Even she’s seen sitting at a diner questioning what she saw.
Kretzer believes it and sends the boys a radio message letting them know they’re in trouble. But they don’t hear it because they’re playing around with the police tape and assault rifles in the car. All of a sudden, they hear a thump coming from the trunk. The other man is alive and scared as hell. However he’s shocked to see two boys looking at him. The two help free the man from his ‘shackles.’ Sheriff Kretzer sends another message to the two boys, this time more comforting. They boys say to meet him at a location but it’s at the gunpoint of the man who threatens them and their families if they don’t do as he says. Then he goes with the two assault rifles hiding behind the windmill right in the remote rural highway.
SPOILER ALERT: The ending of the movie will be revealed from this point on. If you want it a complete surprise, do not read any further.
Sheriff Kretzer arrives. He sees the two boys in the car but suspects something suspicious. Coincidentally the witness is driving on that same highway and bumps into the sheriff car again. She gets out relieved that she is not as crazy as they say she is but ready to give those two boys a good talking to. However she’s shot and that’s when the shootout between Kretzer and his hostage occur. The hostage is dead. Kretzer is badly injured and the two boys are scared as hell. They shoot the car window down by accident and Travis is accidentally shot. It’s up to Harrison to drive back to town for safety. But not without one last pursuit by Kretzer which proves fatal for him. The film ends with Harrison still driving over 70 mph with the lights flashing and the sirens on.
I don’t think the film was intended to give a social message. I don’t need to see this film to know how corrupt a lot of cops can get. What I think director Jon Watts and co-writer Christopher Ford are trying to do is tell a story and have fun with it. They have fun showing the wonders of what it’s like to be a child to the point their cussing and diarrhea joke seem like a disgusting but charmingly funny reminder of how we were kids. They have fun showing the two boys having fun in this bizarre and even dangerous situation. They have fun with a corrupt policeman whose stuck in the middle of his crime right and tries to ‘set things right.’ They have fun with the witness who questions what she saw. They have fun with the hostage in the trunk who doesn’t seem to have a clue what’s going on.
They also have fun with the audience. One of the elements in making it a dark comedy is that they have us at the edge of our seats. They show two boys driving off in the sheriff’s car shouting ‘this is our cop car!’ and leaving us the audience nervous and afraid of what will happen next. They show police tape by the car as Sheriff Kretzer sends the boys a message only for us to learn the two boys are having fun with it. They show the boys playing with the guns, even the assault rifles, leaving us afraid a bullet will go off any minute but it doesn’t. They show the hostage threatening the boys and demanding they relay Kretzer a message only to appear clueless in what he’s about to do. I think that’s one thing Watts and Ford try to do: play with our fears. I know I was afraid as hell what would happen next. Even that scene at the beginning of the boys trying to crush the snakes in the snakehole was the first sign of the fun Watts and Ford were going to have with us.
However both Watts and Ford do set a moment where the fun ends and things become more serious: right at the shootout. The carefree fun even ends for the boys as it finally sinks into them the danger they’re about to face. I think the moment when it gets darkly serious was timed right.
The film shows a lot of surprises. Firstly we’re all surprised not to see the two boys land the car in any dangerous hill. We’re also surprised the hostage in the trunk is alive right while the boys are playing around. We’re surprised to see the witness actually bump into the site of where the boys are with the car. We’re surprised of the hostage’s plans of his own on Kretzer. We’re surprised the sheriff not only survives the shootout but is fit enough to drive. We’re surprises that Harrison is able to turn to avoid the truck while Kretzer smashes into it. We’re also surprised to see despite playing around with the car and the guns, the moment Travis gets shot is when he uses it for help. We’re also surprised to see the best driving of the boys come from Harrison as he’s rushing back to town for safety in the pitch dark and the police lights flashing.
The film is full of ironies. However one of the best qualities of the film is not just of what we know but of what we don’t know. In fact the film will leave us asking a lot of questions. Why did Kretzer kill one man and hold another hostage? What exactly was the hostage after that he was trying to kill Kretzer? Why did the witness have to get shot? I think it’s trying to have us decide for yourself why things were this way. Even the ending leaves us asking a lot of questions. Will Travis be okay? Will Harrison drive back to town safely? I think that was the quality of the ending. I believe it lets us create our own ending to the story.
Watts and Ford delivered a good fun dark comedy. I wouldn’t call it a stellar movie but it’s hard to notice the imperfections. Kevin Bacon’s performance as the corrupt Sheriff Kretzer may be Golden Globe worthy but I don’t think it’s Oscar worthy. He made the right comedic choices in his character for it to work and fit with the story. Shea Whigham was funny as the bumbling hostage. Camryn Mannheim made the most of her brief appearances in her minor role. The two boys, Hays Wellford and James Freedson-Jackson, owned the show. It’s funny how they cussed, played dangerously and told a crude joke but still managed to maintain the innocence of childhood.
Cop Car first got a lot of good buzz at the Sundance Film Fes5tival and has been an attraction at various film festivals this year. It was given a box office release in August but only grossed up to $150,000. That’s odd for a film starring Kevin Bacon.
Cop Car is a surprise treat. I’ll admit the movie left me so nervous and afraid of what will happen next, I wanted to walk out. Nevertheless it was a delight to watch.
It was all a result of timing and availability for when I was able to see Love At First Fight or Les Combattants (working title in the US is Fighters). Even though it’s nothing too special, I’m glad I saw it.
Arnaud is a young Frenchman who works for his family’s contractor job in a French coastal city. That all changes when he does work in a family’s yard. He meets Madeleine, a young woman who’s beautiful but has a tough-as-nails personality. It’s tough because she has ambitions of being in the French army. Arnaud on the other hand is more sensitive. Sensitive enough to care for a stray ferret found in the yard.
The first meeting doesn’t go so well. They have as squabble and he bites her! The second time he thinks she’s crazy because she swims with a backpack full of ceramic shingles. Nevertheless he’s still drawn to her despite her negative attitude towards him. He even has army ambitions of his own. However it interferes with the family business while they still have a lot of jobs to do.
The two eventually do things together. However she still maintains a tough hard-as-nails attitude towards everything from a harmless ferret to even nightclubbing. He himself joins the army. The two help each other out and challenge each other along the way. Then an incident happens that causes Madeleine to run away. Arnaud soon finds her. However it’s once they’re out of the training area that they start to reveal their true feelings to each other. Finally Madeleine’s love for him comes out. However all fun ends when Madeleine suffers from food poisoning and Arnaud tries to take her to aid while the town they’re in is engulfed with smoke from a forest fire. The film ends predictably but not as fluffy as your typical Hollywood romance.
This film is an example of how France is making movies of their own. Sure the French are famous for making films. This would qualify more as a movie. Nevertheless there are some film qualities. One is the lack of a score in the background. Yes, there is background music at times but the film is mostly scoreless to get the environment of the story. Even though it’s not as artsy as your typical French film, there are some elements such as when Madeline hits Arnaud during a paintball exercise. Some could say it could resemble cupid shooting an arrow through his heart. Even the place of gender roles as the girl is the hard-ass one compared to the boy can be a French element in film.
As a movie, it’s good. However it’s not all that attention grabbing. It does have a story that can keep one interested once they watch more of the movie but only in that case. One thing I will say is that it does come across way more sensible than most teen romances, especially those from 20 years ago.
The film is devoid of big-name actors, even from France. Nevertheless they did impress. The young actors did well too. Adele Haenel was best as Madeleine. Madeleine could have come across as this stockish hard-ass army girl but her character had dimension to it. She was able to make the transition into the more sensitive feelings of her character very smoothly. Kevin Azais was also good in his role even though he wasn’t given too much of a role to work with. This is the first feature length film by director Thomas Cailley. This film for which he also co-wrote the script with Claude Le Pape is a good story and a good first effort and should lead to more promising work in the future. I can easily see the story itself being made into an American version.
Love At First Fight or Les Combattants is a good young adult romance even if it lacks what would normally bring young adults to the screen. Still it will keep your intrigue.