Most of you have already seen my first summary or even my second summary. This last summary will have a look at the last three Best Picture nominees I saw. They were Lion, Hidden Figures and Hell Or High Water.
Lion is one of those films which came out of nowhere to surprise everyone who has been lucky to see it.
We have seen many against-all-odds stories in the past. This is something because this is a true story of something that really was against all odds. It wasn’t just about making it happen but also of the family relations Saroo has developed over his lifetime. What will happen? Will he leave the family he’s always known? Is the family he’s searching for still alive? The best quality of this story is that it keeps us intrigued and hoping Saroo reunites, but also has us concerned of what will happen after.
Another quality of this story is that it does not forget the cause of the problem. Saroo is seen as the lucky one who was able to reunite with his family after all these years. However throughout the film, especially at the beginning, we see the cause of the problem. Saroo was unsupervised when he boarded the express train. The language barriers caused problems. Even Saroo’s mispronunciation of Bengali words caused problems. The train stations of Calcutta are loaded with stray children ready for abductors to prey on, and station police looking the other way. Even the missing posters advertised before his adoption were no good as his mother is illiterate. India failed Saroo and Saroo succeeded thanks to Google Earth and his fierce will. The film at the end lets people aware of the problem; 80,000 children go missing in India each year. The film’s website informs people of how they are making a difference in aiding to protect children in India.
This film is an accomplishment for the Australian film industry. I don’t know if Australia has ever had a film nominated for Best Picture before. This is director Garth Davis’ first ever feature length film. Bet you wouldn’t believe that. Luke Davies did an excellent job in adapting Saroo’s biography into a winning screenplay that keep the audience intrigued and hoping for the best in the end. Dev Patel’s performance as Saroo was the highlight as he did a great portrayal of a young man who’s angry on the inside and knows what he needs to do. Nicole Kidman was also excellent as the mother who appears grateful on the outside but has some inner hurt waiting to come out. Young Sunny Pawar was also very good playing the young Saroo. He was cute but he didn’t take it overboard. He played his part well. The film also featured top notch cinematography from Greig Fraser and excellent original music from Dustin O’Halloran and Hauschka.
Lion is an excellent film featuring a story you won’t forget. A surprise contender this year and a worthy one.
It’s good that we have a film like Hidden Figures to tell us about a piece of history that we never knew about.
The film comes at the right time as it deals with a lot of situations that are relevant in our world. This may be set in the early 60’s and revolves around a moment in space history but it has a lot of situations relevant to today. One is of workplace racism. It’s not as bad now as it is then but there are still a lot of unsolved problems. The second is of technology being so good, it can replace workers. These three women had iron wills. They knew they had potential, they knew they had what it takes and they wouldn’t let racism or the threat of modern technology stop them from reaching for their achievements.
The year of 2016 was a crushing year. It was a year that constantly reminded us that there was still a lot of racism to overcome. Despite the improvement over the decades, it was able to show its ugly head with low employment rates and police beatings. This is a film that reminds us that racism can be overcome. When you look at it, the women were doing this all during a turning point in the history of African Americans. African Americans in Virginia had less rights than they do now and discrimination was perfectly legal. Back then there were still separate washrooms for colored people, separate library books for white and colored people, and police beatings during civil rights marches. The women overcame these barriers and they opened doors for other colored people for generations to come.
This is only the second film Theodore Melfi has directed and written. This is the first feature-length script Alison Schroeder has written. Does come across as like something you’d get from Hollywood, but it’s not a weakness. It does all the right moves. Taraji Henson was great as the protagonist Katherine Goble-Johnson, but the show-stealer was Octavia Spencer. She was not only good at playing a woman who wouldn’t let technology kill her job, and the jobs of 30 other black women, but she was a colorful scene-stealer too. Janelle Monae completes the trio as one who just wouldn’t say die to her ambitions. The male actors were mostly supporting roles but Mahershala Ali was the biggest one as Jim Johnson, Katherine’s new husband. The mix of Motown music mixed in with the original score from Hans Zimmer, Pharrell Williams and Benjamin Wallfisch also added to the spirits of the movie.
Hidden Figures showcases a little-known fact about a big moment in American space history. It’s also the right uplifting movie needed at this time.
HELL OR HIGH WATER
I missed Hell Or High Water when it first came out in the theatres in August. I admit I was caught up in the summer fare and I overlooked it. I finally saw it recently and I’m glad I did.
One thing is I miss seeing is crime comedies. You know, the dark comedies featured in crime stories. This film has a good amount of comedy to it with their failures at robbing first. Even the situation where the brothers rob the Texas Midlands Bank and pay the mortgages they have with the bank off with the robbery money is full of surprising irony. It’s not even the robbery spree that has all the comedy. There’s the comedy when the rangers visit the places they question. There’s even comedy with that hard waitress at a restaurant they eat at: “What don’t you want?” The comedy doesn’t last as the story gets darker later on. However it does end on an ironic note as the now-retired Officer Hamilton does meet up with Toby Howard, perfectly free, and inquires of the robberies he and brother Tanner committed together.
One thing about this crime drama is that it has a lot to say. We have two brothers–Tanner who appears to have no redeeming values and Toby who’s as cool as a cookie– robbing various branches of the same bank. You see signs advertising debt relief. You hear from people– both family and people the brothers run into– talking of their own economic hardships. You see the indigenous people, who are still referred to as ‘Indians’ with their own outlook on things. Mostly negative. Looks like this story has a lot to say. Even hearing Alberto Parker say that he believes the true criminal is the Texas Midlands Bank does get you thinking. Maybe it’s the Bank that are the true robbers around here.
This is actually the first American production from Scottish director David MacKenzie. He has a reputation back in the UK with films like Young Adam, Hallam Foe and Starred Up. His first American production is top notch and really delivers as both a crime story and an offbeat Western. This is also an accomplishment for writer Taylor Sheridan. Already having made a name for himself in Sicario, he delivers again in what is actually his second feature-length script. Of all acting performances, Jeff Bridges is the one that was the best. He delivered a top job in character acting from head to toe. He was completely solid in character. Chris Pine was also good as the brother who’s smart and tries to play it cool. Ben Foster was also a scene-stealer as Tanner who a complete ruthless loose cannon who appears to have a bone to pick with everyone over anything and possesses a false sense of invincibility. Gil Birmingham was also good coming across as the wise partner who plays it cool. The country music in both recorded format and original from Nick Cave and Warren Ellis fit the film perfectly.
Hell Or High Water makes for an intense thrill ride that’s big on thrills but also takes you to the heat of the moments. The story even gets you thinking. Now why did I miss it during the summer?
That does it. My final summary of the Best Picture nominees for 2016. After seeing Hell Or High Water, that makes it 16 straight years of seeing all the Best Picture nominees before Oscar night. My predictions for the wins coming on Saturday.
Brooklyn looks like a film that would be a favorite for a Best Picture Oscar, under traditional standards. Nevertheless it’s worth seeing.
It’s 1952 and Eilis Lacey is about to emigrate from Ireland to the United States through the arrangements of her sister Rose. It’s not like Eilis will miss much. Life in her hometown of Enniscorthy has been redundant as she works at the mercantile run by the spiteful Miss Kelly part-time and she’s also unable to win the affection of a man at the local dance hall while her best friend has better luck. So what does she have to lose?
She bids a tearful farewell to her mother and sister Rose as she departs. The ship ride is trying as she has to cope with rocky waves that make her seasick and cabin neighbors who lock her out of the bathroom. Nevertheless she finds a cabin mate whom she gets along with well. Her cabin mate is actually on her second trip to the United States returning home. She gives her advise on what to do at immigration and informs her of what to anticipate in the United States.
Once in New York she makes her home at an Irish boarding house in Brooklyn run by a traditionalist woman housing young women. She’s able to find a job at a Manhattan department store but is uneasy with it at first. She meets with Fr. Flood who helped her make her job arrangements and she’s able to enroll in bookkeeping classes. She goes to dances at the Irish hall but is surprised to learn the young man who’s interested in her is Italian. He’s smitten over her but she’s reluctant to admit she loves him. Eventually she finally does and meets his family.
Unfortunately tragedy in back in Ireland interrupts her stay in Brooklyn. Fr. Flood informs Eilis that her sister Rose died and her mother doesn’t know how to cope. Before returning to Ireland, Tony wants to marry Eilis. They wed secretly in a courthouse. Upon returning to Enniscorthy, Eilis already has a return to Brooklyn planned out but over time she feels more at home. Her best friend is about to marry, she gets offered an accounting job on an emergency basis at her sister’s business, and she wins the affections of Jim Farrell, an eligible bachelor who stands to inherit huge property.
Over time she wins the love of Jim, gets admiration from her workplace and starts falling in love with the town she left behind. It’s like the life that eluded her before she left has happened once she returned. Her feeling at home in Enniscorthy has left her comfortable to the point she doesn’t open the letters Tony send her. None of them. However a visit to Miss Kelly and what she has to say to Eilis seals her fate and where she makes her final decision.
This film is one that will remind one of Oscar winners or nominees of the past. Often you think you’re watching a film that would’ve had what it took to win Best Picture 20 years ago. However what it does is it helps bring back the magic of those films set in the past and takes one back to an easier time. Usually nostalgia pictures like these have become too cookie-cutter over the years especially as the critical ‘powers that be’ in the film world have recently been giving the lauds to more innovative fare. I will admit myself this looks like something the Weinstein brothers would have shelled out during their Miramax days. However the film succeed in making such a nostalgia film a refreshing alternative around the awards season. The film even adds a certain charm or magic that seemed to be missing in a lot of nostalgia films as of late.
It’s a question what the film’s best quality is. Whether it’s the story line or setting of the environment. However I think the best quality of the film has to be a very relatable story. Sure, we’ve seen many Ellis Island or ‘Coming To America’ stories before. What I feel is the movie’s best quality is a common story that’s relatable time over time. In fact just last week, a person I know who came here from Ireland years ago and just received her permanent residency just this month said she saw the film and it reminded her of her own homesickness and even her own frustrations of not knowing what will happen next or whether things will work out for the better. Reminiscing over the film, I think that’s it. I believe its magic is this is a common story that any Irish immigrant to the United States, whether they came early in the 20th century or in the 50’s like Eilis or even just recently, can relate to and even see themselves and their own stories in that film.
Saoirse Ronan is the perfect pick for Eilis Lacey. She has the grace and the youthfulness to play her well. She also does a very good job of playing a young woman from back in the 1950’s with the elegance and innocence coming with it. Overall, Ronan’s role of Eilis is the centerpiece of the film. Nevertheless there are good performances from the other actors despite not having as complex of roles. There’s Julie Walters who did a good job as Madge Kehoe as well as Jim Broadbent as Fr. Flood. There are even those that give comic relief like Emily Rickards and Eileen O’Higgins as Patty and Nancy, Eilis’ two laughing girl friends in Brooklyn, and James DiGiacomo as Tony’s littlest brother Frankie who knows how to steal the show. There were however roles that could have been more. Firstly, Emory Cohen was also good as Tony Fiorello and had the right charm to play him but the role lacked complexity. Also there were times I feel Jane Brennan’s role as Mrs. Lacey and Domhnall Gleeson’s role as Jim Farrell could have been more.
Nick Hornby wrote a very good adaptation for the screen despite having some underdeveloped roles. John Crowley also did a good job in direction. This film should be considered the Irish director’s North American breakthrough. The technical aspects of the film like the sets, the costuming, the hair and the make-up worked perfectly for the film as it fit the times and the cities perfectly. Michael Brook also gave a fitting score to the film.
Brooklyn may look like your common Ellis Island story but it’s a film that does all the right moves and captures the right feel that makes this film great.
If you’ve seen The Way, Way Back, I’m sure you’d feel it should be described as a ‘summer movie’ because it’s not only released in the summer but is set in the summer too. But it’s not your typical ‘summer movie’ as it doesn’t fit how we interpret the term ‘summer movie.’ Nevertheless it is worth seeing.
We meet Duncan: a socially-withdrawn 14 year-old heading to upstate New York for the summer with his mother Pam, her boyfriend Trent and his daughter Steph. Trent is quite overbearing on Duncan chastising him about his shyness which doesn’t help at all. It’s obvious Duncan is not looking forward to this trip, especially since he wants to spend time with his father. At the beach house, the family meet up with Trent’s friend, the free-spirited Betty and her family including sullen teen daughter Susanna and young son Peter who Betty often chastises about his ‘lazy eye.’ Betty wants Duncan to be a play friend for Peter but Duncan is disinterested. He’s more interested in daughter Susanna but doesn’t know how to talk to her. The place is best describes by Susanna as ‘spring break for adults.’ Over at the beach house, Trent is the life of the party especially to his long-time friends Betty, Kip and Joan. That makes Duncan feel even more alone.
One day Duncan goes biking to the town on Steph’s girlie bike from years ago. He notices a waterslide park: The Water Wizz. Over there he meets the middle-aged man whom one day earlier was playing PacMan at the gas stop and wanted Duncan to keep up the high score. His name is Owen, a carefree easy-going personality, and he runs the Water Wizz. Here he shows Duncan about the Water Wizz with the employees and doing business, teaching him the ‘legend’ of the park, and even introducing a trio of boys he befriends. He also gets Roddy to show him how he sets up the female sliders to slide.
The experience gets Duncan coming back to the Water Wizz day after day and he even gets a job there. First duty was to stop a breakdancer from stealing the crowd. The breakdancer agrees as long as Duncan shows his stuff. Duncan agrees and he would be known at ‘Pop-N-Lock.’ Soon he learns from Owen that one doesn’t just simply work at the Water Wizz but the workers all share a common bond with each other. Meanwhile people back at the resort are wondering about Duncan and why he’s gone biking off so often, including Susanna who’s slowly developing an interest in him. Susanna actually follows Duncan one day, determined to find out what he’s up to. There she’s introduced to the Water Wizz and the two have fun together including Duncan teaching her the ‘legend’ of the park.
However while things are getting better for Duncan at the Water Wizz, things are getting worse for him and his family at the beach house. Trent and Betty are too carefree in their partying and Kip is oblivious to the whole thing. Meanwhile Trent is undecided about rekindling romantic interests with Joan who wants him back. Little do they know Duncan saw the whole thing. It’s at a resort party Trent is hosting at the house where Duncan impulsively blurts out to Trent that he knows what’s going on right for all to hear. The party’s over for the family. It gets to the point they all can’t have a normal dinner together or play a game on a rainy day without some friction. It bears hardest not only on Duncan but on Pam too as she knows the relationship will be over.
Duncan however finds someone to lean on in Owen. Owen reminds him Trent doesn’t know Duncan and how great of a kid he is and it’s more of Trent’s problem. He even offers to cheer him up by inviting him to Lewis’ good-bye party. Duncan comes with Peter and they all not only have a good time but Peter develops a new confidence about his lazy eye. Unfortunately the situation between Pam and Trent has gotten to the point that the ‘family’ has to leave the beach house and return home. This especially shocks Duncan since the people of the Water Wizz make him feel like a somebody although his job is still a secret to his ‘family.’ Yes, it is a goodbye to the town but not without one last ‘moment’ with Susanna and a golden last-hurrah at the Water Wizz that you will have to see for yourself.
The film’s movie poster advertises coming from the studio that brought out Little Miss Sunshine and Juno. The movie does kind of have the same feel as the two previous movies. Unlike the previous two, this film doesn’t seem to have much of a theme or a message to it. But like Juno and Little Miss Sunshine, it shows adults to be the messy ones or the ones who don’t have their head on straight. Also like those two movies, it shows that sometimes the kids or teens are the ones who deal with the situation best despite their own flaws. You could tell with the stupidities of Betty getting drunk constantly and Trent’s cheating that these adults don’t have their head on right. Even the adults’ treatment of the children like Betty getting on Peter’s case about his lazy eye and Trent’s judgment and belittling of Duncan are examples of their stupidity. While Duncan may be sky and Susanna may be unhappy, they’re the ones that actually end up being the smarter ones in the end. Another unique thing about the film is that it showed the career-oriented adults to be the ones playing games and doing stupid things that hurt those that matter most to them while the workers at the Water Wizz are the ones that most have it together. Duncan should be fortunate to have bumped into the park by chance. It was the best thing for him.
This is yet another coming-of-age story but it’s not yet another. Sure the coming-of-age story has been done at great frequency and some would say this story isn’t all that original. What makes this coming-of-age story work is through the character of Duncan. Everyone who’s been through the high school years knows a teen boy that is very quiet and is an anti-social loner. Duncan carries those traits in a comical way without poking too much fun at shy teen boys. But what’s also unique about Duncan is that he makes his anger and frustrations present. The film succeeds in getting us to feel for Duncan and wanting him to find his place despite Trent’s overbearingness. We first think of Owen and the gang at the Water Wizz as overgrown idiots who should get a real job but we soon see them as the friends Duncan needed during his vacation. That’s the movie’s appeal: the young protagonist and the people that change his life.
Without a doubt, young Canadian actor Liam James was the star of the film. He did an excellent job in portraying a shy anti-social boy very well both emotionally and physically. Great to see a young actor like him do an excellent lead amongst an ensemble cast of established actors. Steve Carell was also good playing a person you just wanted to hate. Toni Collette didn’t have that showy of a role but she played it very honestly and added to the story. Sam Rockwell was great in playing a free-spirited middle-aged man. Great character acting also came from Alison Janney and Rob Corddry. AnnaSophia Robb was also very good in playing a young teen girl. Very different from the ‘sweet’ roles she’s been known to play. Also fun to see the writers/directors Nat Faxon and Jim Rash in roles in this film. Nat and Jim were writers who teamed up with Alexander Payne for The Descendants. This movie is a great way to show they can hold their own and hold it well. The movie also included a great mix of music both past and current.
Overall The Way, Way Back is a great summer film if you want to get away from your typical summer movie fare. This is a story you’ll really enjoy. Also movie fans should go see it if they want to get off the beaten path.