As the world becomes more and more confusing, we tend to focus on the things that are right there in front of us. While ignoring the massive forces that actually change and shape our lives. With people working longer and longer hours, for less and less. When we do have free time, the last thing we want is complicated analysis of our government, lobbying, international trade agreements, and tax bills.
You would wonder would a film like Vice work at this time? A film about former US Vice-President Dick Cheney and his wife Lynne? A film about politics of the past? Turns out there’s more than meets the eye.
The film opens in the White House as the September 11th attacks happen. Instead of talking things out, Dick Cheney gives an immediate order. The film then flashes back to Wyoming in 1963. Dick Cheney and Lynne are married and living in Lynne’s parents’ house. Dick was originally a student at Yale University but his persistent alcoholism caused him to drop out. He takes work as an electrical lineman, but that doesn’t satisfy his in-laws at all. It’s after he gets busted by a cop for driving drunk, his second DUI, that Lynne tells Dick to clean up his life. All of this is narrated through a man named Kurt: a typical ‘middle-class’ American.
Fast forward to 1969; Republican president Richard Nixon is in the White House and Cheney has been hired as an intern. He meets a slimy scheister named Donald Rumsfeld who is Nixon’s policy advisor. Cheney works under Rumsfeld’s wing and tries to juggle family and political commitments. Cheney also overhears a conversation between Henry Kissinger and Richard Nixon about the bombing operation in Cambodia. There, Cheney learns about the true power of the executive branch. Rumsfeld’s abrasive attitude has an effect on Cheney as both distance themselves from Nixon. After Nixon resigns in the heat of the Watergate Scandal, both men are promoted: Cheney to Chief Of Staff to the new President Ford and Rumsfeld to Secretary Of Defense. Their jobs only last two years as a Democrat, Jimmy Carter, is elected president.
After leaving the Oval Office in 1977, Dick decides to pursue politics on a state level by running for the seat of House Representative for Wyoming; Wyoming is a state that has only one seat in Congress. Dick’s campaign starts on a lackluster note as he delivers an uncharismatic speech. However he soon suffers his first heart attack. While recovering in the hospital, Lynne decides to deliver speeches for him. Her speeches are more winning to the public and it succeeds in helping him to win his House seat.
Then Reagan becomes president in 1980. Cheney is able to provide influence to the agenda promoting conservative pro-business polices like promoting fossil fuels (which puts an end to Carter’s goal of more solar power) and also ending news media showing both sides of the issue, which paves the way for one-sided media like Fox News on the right and CNN on the left. In the meantime, Dick and Lynne are shocked to learn that their teenage daughter Mary is a lesbian. Nevertheless Dick agrees to be supportive to her, despite being a right-wing politician.
Dick is promoted to Secretary Of Defense during the tenure of George H. W. Bush and has a pivotal role in the Gulf War of 1991. Also during the time of the senior Bush, Dick meets his son George W. Bush, who’s a clumsy nimrod. Dick has desires to be President but after Bill Clinton is elected, he decides to retire from public life to spare the scrutiny for the sake of Mary. Cheney then becomes CEO of Haliburton while Lynne raises golden retrievers and writes books. Then starts an epilogue claiming Cheney lived the rest of his life happy and healthy with his family out of the public eye, then the credits roll.
But wait. That’s not really the end of the film. Dick is still CEO of Haliburton, but he meets with George W. Bush who’s the Governor of Texas. He wants to run for President for the 2000 Election not because he desires the power to himself, but to please his father. Cheney agrees to be his running mate provided Bush delegates ‘mundane’ executive responsibilities to him like foreign policy and energy. Things like family values issues, he doesn’t want to get involved with for the sake of Mary. Bush is elected president despite a hugely controversial election. On his first day as Vice-President, he learns Rumsfeld is back as Secretary Of Defense, and is still as slimy as he was when they first met. Added to the team of making foreign policy and defense decisions is legal counsel David Addington and Chief Of Staff Scooter Libby.
The film then returns to the 9/11 attacks and when Dick gave the immediate orders. After that, Cheney and Rumsfeld team up over initiating and presiding over the US attacks in Iraq and Afghanistan (which Kurt finds himself a soldier in both those wars). Cheney struggles with his heart attacks as the War Of Terror mounts. Nevertheless he continues through his vice-presidency which includes instituting the Unitary Executive Theory, his role in the Plame Affair, the accidental shooting of Harry Whittington (which he never apologized to him for). His actions are shown to cause thousands of deaths overseas, the rise of the Islamic State of Iraq and Syria, and record-low approval ratings upon leaving office. Rumsfeld is even forced to resign. Nobody likes him in Washington.
However it doesn’t end there. Cheney is about to die of heart failure while waiting for a new heart. Just as he says his teary goodbye to Lynne, Liz and Mary, Kurt is killed in an auto accident while jogging. Sure enough, Kurt’s heart is the perfect match for Dick’s transplant in March 2012. Then Liz runs for the House seat of Wyoming where she announces during a debate her opposition to same-sex marriage. This causes Mary to cease communication with Liz. Liz is now the Rep of Wyoming. At the end, Cheney says to us all he regrets nothing.
When you see one renowned film by a certain director, you are impressed, or interested, with what you see. When you see a second film by that director, you get a better sense of what their film making style is all about. I’ve seen The Big Short and I was very impressed with what I saw. However, when I saw Vice, I liked what I saw but throughout the film, I was thinking “Okay, I get Adam McKay’s filmmaking style.” I’ll admit throughout the film, I was seeing a lot of elements similar with what I saw in The Big Short. However I saw some new elements in Vice as well. Basically Vice told me more about Adam McKay than it did about the Cheneys. I noticed in both films, Adam likes to toy around with the story. He also likes to include references to the time of the story both in terms of the political landscape and of pop culture moments. Adam even admits that Vice is a ‘true story’ or as true as it gets since Dick is a private person.
The events in the film are events that are widely known, but are seen through the eyes and imagination of Adam McKay. The characters of the various politicians are also through McKay’s eyes, which may explain why they come off as cartoonish. It almost seems like the Cheneys are the only political figures that don’t come across as cartoon characters, despite also being portrayed as crazy and conniving. Like is Rumsfeld right? Is the top job of the Vice President to ‘wait for the president to die?’ The influence of Cheney’s decisions and politicking are shown to have a huge presence in American life and politics for many decades and have a huge influence now. Even the reason why Donald Trump became president.
However the biggest standout is having the story of Dick Cheney narrated by Kurt: a fictitious veteran of both the wars in Afghanistan and Iraq. Kurt even narrated while he’s dead and his heart is inside Cheney! I think the point of having Kurt, the average American, narrate the story is to show how much Dick’s decisions and political influence us Americans. It shows why we get such empty promises in terms of our economy, it shows why the middle-class is shrinking. It also even shows why we’re all so frustrated, we turn to dumbed-down entertainment to escape this frustration of American politics in our lives. No matter what serious issues we have to deal with in our lives, we’d rather tune out and watch another Fast And The Furious sequel. Adam demonstrates it all, through Kurt.
Kudos to Adam McKay for delivering another bizarrely-constructed but thought-provoking sad comedy. His direction and writing didn’t work as well as it did for The Big Short, but it worked well too and was very entertaining. Christian Bale was excellent as Dick Cheney. He did an excellent job in depicting both the young Dick and the older Dick Cheney too. Amy Adams also did an excellent job in depicting Lynne Cheney throughout the film and as she aged too. The film also showed how Lynne had an impact on some of Dick’s choices and how she acquired political influence of her own. Dick knew how to deliver policies and decisions, but didn’t know how to make speeches. Lynne knew how to deliver a speech. Amy did a very good job in demonstrating Lynne’s political savvy. The most surprising performance came from Sam Rockwell as George W. Bush. He was completely unrecognizable and dead-on! Steve Carell may not have delivered an accurate performance of Donald Rumsfeld but he was dead-on as the slimeball Rumsfeld as seen through McKay’s eyes. Also Jesse Plemons was an entertaining scene-stealer as Kurt. Instead of making Kurt look like something ridiculous, he made Kurt work.
Vice is a sad comedy about Dick Cheney and American politics. We both laugh and mourn how all this came to be.
Three Billboards Outside Ebbing, Missouri is a film that has got a lot of people talking since its release. Talk is of its unique story line, but also of its themes.
The film begins seven months after a teenager from Ebbing, Missouri named Angela Hayes was brutally raped and murdered. The case remains unsolved. Mother Mildred Hayes goes to the office of businessman Red Welby to rent three billboards outside her home and unused for 30 years to post a message directed to the police of Ebbing, especially officer Willoughby, advertising what she sees of a lack of action. She isn’t even afraid to be interviewed by the media where she doesn’t hesitate to mention the negative treatment of African Americans by the police.
This hits the police hard. Chief Willoughby is angry about this, but sympathetic to her situation as DNA tests failed to result in a lead. Officer Jason Dixon is a lot more hostile as he goes about angrily arguing with Mildred, threatening Red, and even arresting Mildred’s African American co-worker from her shop on suspicious marijuana charges. Dixon is the cop in ebbing who has been acting the most hostile to African Americans.
Outside the police, the hype surrounding the billboards creates a lot of heated discussion throughout the town. Many throughout the town find it insensitive as Willoughby is battling terminal pancreas cancer. Robbie is upset about it, especially since it made him a victim of harassment at school. Her ex-husband Charlie, who’s currently dating a 19 year-old named Penelope, even visits and violently blames her for Angela’s death.
Nevertheless Mildred stays firm, even despite knowing she can expect violence any minute. Mildred even receives a surprise when she learned an anonymous person gave her money to keep the signs active for another month. Her dentist makes mention that he heard the story, but she impulsively reacts by using his dental drill on his fingernail. Chief Willoughby brings her into questioning after the incident, but accidentally coughs up blood on her. It’s obvious his cancer is getting worse and he will die very soon. Willoughby is to be in the hospital for a set period of time, but leaves early despite doctor’s demands. Willoughby sets out to the lake to have an idyllic day with his wife Anne and two daughters. The next day, he commits suicide, leaving behind suicide notes for Anne, Mildred and Jason.
The police react with hurt over Willoughby’s death. A male customer in Mildred’s store reacts angrily over his death and even threatens her. Jason reacts to his death by assaulting Red in his office and even throwing him out of the window. This is all witnessed by Ebbing’s new chief of police, who happens to be black. On his first day, the new Chief fires Dixon. Dixon however does not return his badge, claiming it’s missing. Right after Anne reads her suicide note, she angrily hands Mildred her note. Willoughby tells her she’s not responsible for his death and he’s the one who paid for the extra month, admiring her stunt and wishing her justice in the future. Shortly after, the billboards are set ablaze.
Jason learns he has a note from Willoughby waiting at the police office. He goes during a night during the closed hours. Willoughby writes he thinks Dixon would make a great detective as long as he learns to slow down, think and not react so hostile. Mildred reacts to the sign burning by burning the police office, believing it to be closed and no one there. Right in the blaze, Dixon comes falling out of the building in from of Mildred with the suicide note and the Angela Hayes case in his hands. Dixon is hospitalized for his burns in the same room as Red, recovering from Dixon’s assault. Dixon apologizes.
After Dixon is released, he goes into a bar. He comes across the male customer who threatened Mildred. What catches his ear is that he brags about an incident similar to the Angela Hayes murder. Dixon gets into a brawl with him, but only to use the brawl as opportunity to gather DNA evidence for the Angela Hayes case, as well as his Idaho license place number. He even phones Mildred to inform her. However the DNA results prove unsuccessful and that the man was an armed forces officer overseas at the time. To which, Dixon returns his badge.
After an unsuccessful date with James, who witnessed Mildred torch the police officer and cover her up, Mildred sees Charlie on a date with Penelope and even learned he was the one who burned the signs. Mildred gives him a bottle of champagne and tells him to treat her well. The film ends in a way one doesn’t expect and even leaves one questioning.
The thing about this film is that the audience will expect the film to be about something and for it to end in a certain way, but it doesn’t. Most of you probably expect this film to be like a crime story where those billboards succeed in bringing Angela Hayes’ killer to justice, but it ends in a completely different way. The film may be about the themes you think it’s about, but its main theme appears to be something else. Yes, there’s the theme of racism in there. We see that even in the name of racist officer Jason Dixon; possibly a reference to the Mason/Dixon line under which Missouri was a ‘slave state.’ Sure, there’s the theme of police brutality and how they sometimes act before they think, especially in Ebbing as we witness. However the film is a lot more. The film has themes about stories and truths. There are the stories we hear, the ‘truths’ we assume, and what is the real story. We see that in the town of Ebbing, Missouri, we see it in the individual residents, we see it in people’s family members, we see it in their police force, and we see that in the media team filming story after story.
I feel the biggest theme of the film had to be about two people who were polar opposites that somehow found themselves coming together at the end as they’re both fighting their personal demons: demons they both had in common and their own personal demons.
The first demon is their impulsiveness. Mildred Hayes is a mother angry because of what she sees as justice denied. She wants her daughter’s murder solved and hopes those three billboards will be the trick to do it. She appears ignorant towards how her son Robbie feels about the issue and is ignorant over his hurt and depression. Mildred is a woman fast on the draw with what she says and fast on the draw for the way she reacts. We learn how impulsive a person she is when she impulsively attacks her dentist just by simply mentioning he learned of the story. He didn’t voice support for it or show anger for it. He just mentioned it and that’s all it took for her to drill that hole in his fingernail. We also see her impulsiveness as the billboards are set ablaze right after Chief Willoughby’s death and she rushes out to put out the flames. The sign company would later fix the signs as it was part of her policy. Jason Dixon’s impulsiveness and acting before he thinks is also a problem. He feels that using brute force or use arrests to look menacing would get justice done. His violence even becomes a case of revenge on Red Welby. He doesn’t hesitate to use his racism when carrying out his police ‘efforts.’ This all makes the police unit of Ebbing look bad.
Both also had their own separate demons. Jason had his racism problem. It’s evident as he lives with his mother who also has a racist attitude. It’s obvious where he learned to be bigoted. Mildred also had her problem with her family life. She had just gone through a divorce with her abusive husband and is trying to live life again despite everything. Her ex-husband has not lost his abusive ways despite the divorce and even while he’s dating a woman half his age. There’s even the memory of the last words she said to her daughter. Words of anger: “I hope you get raped!” And it happened as she was murdered. Maybe it’s her own personal blame.
The most bizarre thing is that Chief Willoughby eventually ends up being the mediator between the two and hit was his suicide that would lead the two onto their meeting and their eventual road to healing. However it was not without its friction immediately after. First came the hate from the male customer to Mildred , then Jason assaulting Red Welby witnessed by the new Chief of Police, then Jason’s firing and finally the billboards being torched. It was through the suicide notes to Mildred and Jason that we all learn what really happened despite what everyone else thought. It’s that scene when Jason comes out of the burning police building in from of Mildred holding the Angela Hayes file for protection that it was a turning point for the behavior of both. The film does a very good job of placement of both the main characters and the events. That scene where Jason is in the hospital recovering from his burns in the same room as Red especially serves as a scene of the main characters knowing they need to change.
One of the top qualities of a film is delivering an ending of a film that the audience doesn’t expect or anticipate, but turns out to be right. We all thought that Mildred’s hopeless date with James would end up in a brawl with Charlie just after Mildred buys the bottle of champagne. Admit it! We all thought she’d smash it across his head! Instead she gives it to him and tells him to treat Penelope well. A sign of her personal changes. Most of us all thought that Jason’s evidence he collected from the brawl with that customer would lead to Angela Hayes’ killer being identified, but it doesn’t. It shows how Jason has become a person who now thinks before he acts, but not the result we hoped for. Even that common plotline in police movies where a cop saves the day after losing his job gets defeated there too.
SPOILER ALERT – Do Not Read This Paragraph If You Don’t Want To Know The Ending: That end-scene where we see Mildred and Jason in the same car on their vigilante mission against that man will surprise a lot of people and even ask “That’s it?” I even thought that too. However it does seem appropriate as it’s a case of two impulsive people who were two polar opposites and even at each other’s throats find themselves together as allies. It even makes one wonder if the ‘abrupt’ ending was the right decision. However I constantly remind myself of what Sean Penn said many years ago: “Movies should leave people asking questions rather than give the answers.” Maybe that’s the quality of the ending; get the audience to decide for themselves what happens next.
This film is the best work of writer/director Martin McDonagh. Dark comedies appear to be McDonagh’s expertise as he has delivered before with In Bruges and Seven Psychopaths. Here, McDonagh delivers something I thought would be impossible. I was surprised to learn this is a drama-comedy of a mother trying to get justice for the rape-murder of her daughter. I find nothing funny at all about rape and murder, or even the hurt family members go through. However McDonagh achieved it through clever plotting of the story and the events as well as placing of the humorous dialogue without compromising the drama behind it. He delivers a story that’s very thematic and gets people thinking.
The acting performances definitely boosted the film’s excellence. Frances McDormand’s performance as the protagonist was an excellent mix of both drama and humor. For those who saw her in Fargo, you’ll know she knows how to make that work. That’s where she won her Best Actress Oscar. Her ability in handling a character that’s both dramatic and humorous again shines here and could win her another Oscar. Also Oscar-worthy is Sam Rockwell who plays what first appears to be a stock character of a redneck cop, but later shows his dimension after the later chain of events. Also a standout is Woody Harrelson. He delivers an excellent performance as the cop under fire who handles the billboard situation cooler than Dixon and even uses his suicide as the event to start the resolve. His character even makes the words in his suicide notes sound like poetry. There were also minor supporting performances that stood out and owned the film like Lucas Hedges as the son hurting inside, Caleb Landry Jones as the well-meaning businessman, Peter Dinklage as the man trying to win Mildred despite his hopeless chances, Abbie Cornish as the wife of the chief, and John Hawkes as the abusive ex-husband trying to change.
The film also features a lot of standout technical aspects too. There’s the cinematography from Ben Davis that add to the power of the story. There’s the editing from Jon Gregory that places the chain of events and plotlines together in a creative way. There’s also the addition of music from the mix of classic songs from the 60’s and 70’s to the blending of Carter Burwell’s score in between scenes
Three Billboards Outside Ebbing, Missouri is a film whose best qualities are delivering a story different from what you thought it would end up being. You will appreciate it for being just that.
If you’ve seen The Way, Way Back, I’m sure you’d feel it should be described as a ‘summer movie’ because it’s not only released in the summer but is set in the summer too. But it’s not your typical ‘summer movie’ as it doesn’t fit how we interpret the term ‘summer movie.’ Nevertheless it is worth seeing.
We meet Duncan: a socially-withdrawn 14 year-old heading to upstate New York for the summer with his mother Pam, her boyfriend Trent and his daughter Steph. Trent is quite overbearing on Duncan chastising him about his shyness which doesn’t help at all. It’s obvious Duncan is not looking forward to this trip, especially since he wants to spend time with his father. At the beach house, the family meet up with Trent’s friend, the free-spirited Betty and her family including sullen teen daughter Susanna and young son Peter who Betty often chastises about his ‘lazy eye.’ Betty wants Duncan to be a play friend for Peter but Duncan is disinterested. He’s more interested in daughter Susanna but doesn’t know how to talk to her. The place is best describes by Susanna as ‘spring break for adults.’ Over at the beach house, Trent is the life of the party especially to his long-time friends Betty, Kip and Joan. That makes Duncan feel even more alone.
One day Duncan goes biking to the town on Steph’s girlie bike from years ago. He notices a waterslide park: The Water Wizz. Over there he meets the middle-aged man whom one day earlier was playing PacMan at the gas stop and wanted Duncan to keep up the high score. His name is Owen, a carefree easy-going personality, and he runs the Water Wizz. Here he shows Duncan about the Water Wizz with the employees and doing business, teaching him the ‘legend’ of the park, and even introducing a trio of boys he befriends. He also gets Roddy to show him how he sets up the female sliders to slide.
The experience gets Duncan coming back to the Water Wizz day after day and he even gets a job there. First duty was to stop a breakdancer from stealing the crowd. The breakdancer agrees as long as Duncan shows his stuff. Duncan agrees and he would be known at ‘Pop-N-Lock.’ Soon he learns from Owen that one doesn’t just simply work at the Water Wizz but the workers all share a common bond with each other. Meanwhile people back at the resort are wondering about Duncan and why he’s gone biking off so often, including Susanna who’s slowly developing an interest in him. Susanna actually follows Duncan one day, determined to find out what he’s up to. There she’s introduced to the Water Wizz and the two have fun together including Duncan teaching her the ‘legend’ of the park.
However while things are getting better for Duncan at the Water Wizz, things are getting worse for him and his family at the beach house. Trent and Betty are too carefree in their partying and Kip is oblivious to the whole thing. Meanwhile Trent is undecided about rekindling romantic interests with Joan who wants him back. Little do they know Duncan saw the whole thing. It’s at a resort party Trent is hosting at the house where Duncan impulsively blurts out to Trent that he knows what’s going on right for all to hear. The party’s over for the family. It gets to the point they all can’t have a normal dinner together or play a game on a rainy day without some friction. It bears hardest not only on Duncan but on Pam too as she knows the relationship will be over.
Duncan however finds someone to lean on in Owen. Owen reminds him Trent doesn’t know Duncan and how great of a kid he is and it’s more of Trent’s problem. He even offers to cheer him up by inviting him to Lewis’ good-bye party. Duncan comes with Peter and they all not only have a good time but Peter develops a new confidence about his lazy eye. Unfortunately the situation between Pam and Trent has gotten to the point that the ‘family’ has to leave the beach house and return home. This especially shocks Duncan since the people of the Water Wizz make him feel like a somebody although his job is still a secret to his ‘family.’ Yes, it is a goodbye to the town but not without one last ‘moment’ with Susanna and a golden last-hurrah at the Water Wizz that you will have to see for yourself.
The film’s movie poster advertises coming from the studio that brought out Little Miss Sunshine and Juno. The movie does kind of have the same feel as the two previous movies. Unlike the previous two, this film doesn’t seem to have much of a theme or a message to it. But like Juno and Little Miss Sunshine, it shows adults to be the messy ones or the ones who don’t have their head on straight. Also like those two movies, it shows that sometimes the kids or teens are the ones who deal with the situation best despite their own flaws. You could tell with the stupidities of Betty getting drunk constantly and Trent’s cheating that these adults don’t have their head on right. Even the adults’ treatment of the children like Betty getting on Peter’s case about his lazy eye and Trent’s judgment and belittling of Duncan are examples of their stupidity. While Duncan may be sky and Susanna may be unhappy, they’re the ones that actually end up being the smarter ones in the end. Another unique thing about the film is that it showed the career-oriented adults to be the ones playing games and doing stupid things that hurt those that matter most to them while the workers at the Water Wizz are the ones that most have it together. Duncan should be fortunate to have bumped into the park by chance. It was the best thing for him.
This is yet another coming-of-age story but it’s not yet another. Sure the coming-of-age story has been done at great frequency and some would say this story isn’t all that original. What makes this coming-of-age story work is through the character of Duncan. Everyone who’s been through the high school years knows a teen boy that is very quiet and is an anti-social loner. Duncan carries those traits in a comical way without poking too much fun at shy teen boys. But what’s also unique about Duncan is that he makes his anger and frustrations present. The film succeeds in getting us to feel for Duncan and wanting him to find his place despite Trent’s overbearingness. We first think of Owen and the gang at the Water Wizz as overgrown idiots who should get a real job but we soon see them as the friends Duncan needed during his vacation. That’s the movie’s appeal: the young protagonist and the people that change his life.
Without a doubt, young Canadian actor Liam James was the star of the film. He did an excellent job in portraying a shy anti-social boy very well both emotionally and physically. Great to see a young actor like him do an excellent lead amongst an ensemble cast of established actors. Steve Carell was also good playing a person you just wanted to hate. Toni Collette didn’t have that showy of a role but she played it very honestly and added to the story. Sam Rockwell was great in playing a free-spirited middle-aged man. Great character acting also came from Alison Janney and Rob Corddry. AnnaSophia Robb was also very good in playing a young teen girl. Very different from the ‘sweet’ roles she’s been known to play. Also fun to see the writers/directors Nat Faxon and Jim Rash in roles in this film. Nat and Jim were writers who teamed up with Alexander Payne for The Descendants. This movie is a great way to show they can hold their own and hold it well. The movie also included a great mix of music both past and current.
Overall The Way, Way Back is a great summer film if you want to get away from your typical summer movie fare. This is a story you’ll really enjoy. Also movie fans should go see it if they want to get off the beaten path.