“You’re not a Nazi, Jojo. You’re a ten-year-old kid who likes dressing up in a funny uniform and wants to be part of a club.”
You’ll think that now is not a good time for a film like Jojo Rabbit. A film about a Hitler youth who has Adolf Hitler as an imaginary friend? I mean you have the rise of neo-Nazi groups and alt-right factions creeping up as well as the ‘woke’ people on the internet getting offended and hostile over things. Is this the right film to have out now?
The film begins in Berlin in the latter years of World War II. A ten year-old boy named Johannes ‘Jojo’ Betzler is all dress for the weekend at Hitler Youth, or Hitlerjugend, camp. He’s not confident he can do this; he’s socially awkward and can’t even tie his shoelaces right. However he does receive encouragement from his imaginary friend: Adolf Hitler. Hitler hypes him up with so much excitement, Jojo goes running down the street shouting “Heil Hitler” like a maniac! That is until he meets up with his best friend Yorki just before arriving for what he expects to be the ‘best weekend ever.’
The camp is being taught by former army officer Captain Klenzendorf and assisted with Fraulein Rahm who’s dedicated to the Third Reich and even gave birth to fifteen children! The boys are taught all sorts of attack games and they end the first night with a book burning rally. The next day during a training session, some older boys give a lecture to the younger boys about being brutal and having no mercy when killing. They hand-pick Jojo to kill a rabbit with his bare hands. Despite all the boys except Yorki urging Jojo to kill it, he doesn’t have what it takes. The older boy then snaps the rabbit’s neck and calls Jojo ‘Jojo Rabbit’ which all the other boys except Yorki do. Hitler spots Jojo alone crying. Hitler then reminds Jojo of the cunning feisty traits of the rabbit and encourages him to ‘be the rabbit.’ This pumps Jojo up so much, he’s““` all in to try the next exercise, which is throwing a Stielhandgranate. Jojo yanks it out of Klenzendorf’s hand and throws it without fear. Thing is the grenade bounces off a tree and lands by Jojo’s feet which Hitler runs off from. The grenade explodes with Jojo alone!
After months of hospitalization, Jojo has mostly recovered but his left face has visible facial scars and walks with a limp on his left leg. His mother Rosie is happy to take him home for some time. However Rosie does bring him to the office where she kicks Klenzendorf for allowing Jojo to be exposed to something so dangerous. Klenzendorf has been demoted to the office and is given the task by Rosie to make Jojo feel included. Klenzendorf agrees to let Jojo spread propaganda leaflets and collect scrap metal for the war effort, which Jojo does wearing a cardboard robot outfit and carry a wagon!
Jojo comes home one day expecting his mother. Instead he hears a rattle in the house. He senses it’s coming from the room of his older sister Inge, who died of an illness years ago. Jojo later finds out a teenage girl is hiding between the walls. The girl is a Jewish girl his mother is hiding and is a former classmate of Inge’s. Jojo threatens to expose her to the Gestapo but the girl named Elsa reminds him if he does, his mother will be executed. Hitler is shocked when he hears a Jew is hiding in the house. Hitler asks Jojo to work something out. Jojo works out he will keep Elsa a secret as long as she helps him with a book he’s writing: a book about Jews. Elsa agrees to do the writing and drawing. Elsa makes up things like Jews having horns and mind-reading. That especially shocks Hitler to learn about this girl and her powers. The book impresses Klenzendorf as he meets Jojo at the army pool as Jojo undergoes physical rehab.
This puts a strain on the relationship between Jojo and his mother, which Hitler slyly observes at the dinner table. Jojo accuses Rosie of being unpatriotic and his angry that his father has been away for a long time. Rosie tries to reassure Jojo of having a positive attitude, even as she knows the truth of what happened to her husband. There’s even one day Rosie gets Jojo out of his Nazi uniform and into real clothes for a nice day out and a fun bike ride home, much to Hitler’s chagrin! As time passes, Jojo continues to ask Elsa questions and even tries to deliver fake letters in the name of Elsa’s boyfriend Nathan. Elsa helps Jojo with his book and Jojo realizes he’s in love with Elsa. This gets on Hitler’s nerves as he’s insisting to Jojo that she’s evil.
One day the Gestapo search Jojo’s house along with Klenzendorf. They come across Elsa and she poses as Inge. She even answers the question about Inge’s birthday properly. The Gestapo decide to leave them alone. However it doesn’t stop Elsa from fearing she will die soon. That day out while collecting metal, Jojo is mesmerized when he sees a butterfly, but soon sees his mother hanged. He tries to take his heartbreak out on Elsa with a knife, but fails. Elsa nevertheless hugs Jojo as he’s crying. As the two watch the city get bombed, they both learn that they’re both orphans who lost all their family.
As the city lays in ruins, war action have to be carried out. Jojo is shocked to see Yorki as a soldier and given military actions. All the Hitler Youth have to become soldiers now! He’s even shocked to learn from Yorki that Hitler committed suicide and Germany’s being attacked by almost every front. The boys are given military actions by Fraulein Rahm including Yorki as a sniper and Jojo given a soldier’s coat to disguise himself. Jojo is shocked at everything he sees from dead civilians to children firing guns off to an explosion that kills Rahm. At first Jojo is imprisoned by Soviet soldiers. However he bumps into Klenzendorf. As he knows he will be executed by the Soviets, Klenzendorf tells Jojo he has an admiration for his late mother’s courage. He also tries to get Jojo out of any Soviet mistreatment and has him passed off as a Jew.
As the war ends, Jojo is relieved that Yorki survived the warfare. He just won’t die! However with the war over, it might mean saying goodbye to Elsa, which Jojo doesn’t want to do. Jojo gets that message as Elsa has the book completed with an image of Jojo next to a rabbit in a cage. Before he could, Hitler returns with a bullet-wound in his head. He’s lost it all, but Jojo has had it with him. Hitler tries to get one last piece of appreciation from him, but fails in grand style. The film ends on a positive uplifting note that’s fun to watch.
Now a lot of people have the attitude that Hitler and Nazism and the harms they caused should not be parodized. Especially in a time when even the slightest off-color comment from a well-known person can unleash a wave of wrath on social media like Twitter and could pave their way to their downfall. We should not forget that there have been parodies of Adolf Hitler in the past. There was animation like Looney Tunes’ The Ducktator, Walt Disney’s Stop That Tank and even Der Fuehrer’s Face where Donald Duck poses as Hitler. There has been live action film, especially from some Mel Brooks’ movies like The Producers and To Be Or Not To Be, and even recent examples like in Tarantino’s Inglourious Basterds. The most famous film parody of Hitler is 1940’s The Great Dictator. Charlie Chaplin didn’t exactly play Hitler but its obvious who he’s parodizing in his character of Adenoid Hynkel. Actually it was around World War II where Hollywood unleashed possibly released the most parodies of Hitler. And rightly so because Hitler wanted to take over the world, including the USA.
We should also keep in mind that this parody is not an original creation of Taika Waititi. Jojo is actually based off of a book by New Zealand-Belgian author Christina Leunens titled Caging Spies. The novel caught the attention of Waititi and he took a liking to it, especially since he himself is half-Jewish and half-Maori. Waititi has frequently described New Zealand as a racist country and a lot of negative comments about Jews you hear in this film are comments Waititi himself heard. So if anyone is alarmed with the Anti-Semitism they hear, basically it’s what has been said in the past and what was common belief in the past. Both the film and the novel also touch on a lot of things and experiments the Nazis used to do in the past. They may not have successfully cloned humans, but they did experiment with it. Fraulein Rahm may have shocked us in saying she had fifteen children, but there were women who bred constantly for creating more Aryan children. That scene where Yorki becomes a soldier and the scenes where the children have to fight as Germany was losing is also a disturbing truth. The Hitlerjugend was created to raise the boys to become soldiers as they reach adulthood but when it became clear Germany was losing, the Hitlerjugend became soldiers in vain to keep the Nazi regime alive. Those scenes were possibly the biggest non-comedic scenes of the film.
This film concept of a Hitler Youth having Adolf Hitler as an imaginary friend is a concept that’s supposed to fail, but somehow it works like a charm. One thing we should keep in mind is that the Adolf Hitler we see on the screen is not the Adolf Hitler we know but the Adolf Hitler in Jojo’s mind. This Adolf who’s idiotic, incompetent, immature and even jealous represents the boy’s feelings of nationalism and there are many times he’s pushed to confront his feelings or even question them. In the end it’s clear Adolf is nothing but a bad influence on him. The film does not shy away from the anti-Semitic attitudes most of the Hitler Youth had, albeit making it look comedic.
The story is also a case where that grenade accident is the best thing to happen to Jojo. Being too injured to be involved with the Hitler Youth, it’s his mother Rosie that reminds him of the truth about love and beauty and what being a child should be. It’s also Elsa who is best at teaching Jojo about love and how it helps to overcome prejudices. Not to mention that Jews are people too with similar feelings like Jojo. It’s also where we learn the true heroes are Jews like Elsa who survived and Rosie who was hanged for being part of the resistance. Even that scene where Klenzendorf is captured by the Russians and about to face execution is powerful. There he admits to Jojo that being left out of the Nazi Youth was the best thing for him and his mother is the true brave one, and Jojo should have no part in any of the imprisonment or executions the Nazis like him are about to face.
SPOILER WARNING: This paragraph has details of the end. The ending is a unique situation. Elsa experiences the freedom she never thought she’d get in her lifetime. Even though she learns Jojo lied about who won. That dance scene is important as you have two children. One is Jewish and the other was a Nazi boy who first saw her as someone to bully but fell in love with her. Elsa lucked out from being captive from the Nazis. Jojo lucked out as he isn’t seen as a Nazi and he’s spared by Russian and American soldiers. Elsa lost her family and the boy she loves. Jojo lost his family. They have nothing but each other but they dance together. That’s a powerful scene, especially as Rosie talks of how dancing means freedom. The dance represents those two free orphans who lost a lot but both won in the end.
I have to give top acclaim to director/writer Taika Waititi. He takes an oddball story about a Hitler-obsessed Nazi child and turns it into a story with both humor and heart. He doesn’t shy away from humor that punches. It doesn’t punch as brutal as some of the humor from South Park or The Family Guy, but it does punch and somehow can even make those that claim they’re ‘woke’ laugh. Even the Anti-Semitic comments. I would describe this as ‘evil genius,’ but it’s the ‘evil genius’ of the best kind! Also deserving of acclaim is Roman Griffin Davis playing the little protagonist. This is his first-ever film role but he holds the film together from start to finish and masters it with near-perfect comedic charm. I expect to see more of him in the future. Back to Waititi, he was also excellent in playing the idiotic Hitler. Playing Hitler as an idiot is a big gamble in any film. I’ve seen portrayals of idiot-Hitlers before and most fail. Waititi’s Hitler works like a charm in this film.
Also worthy of acclaim is Scarlett Johannson. She does an excellent job of portraying a mother who’s hurting of loss of her husband and daughter, knows that her days are numbers as being a member of the resistance, and trying to get her son to adopt human values and lose his Nazi ways. Thomasin McKenzie is also excellent as Elsa, the girl who is determined to make Jojo see the light, but knows she’s up for a big challenge. Archie Yates is also a delight as Yorki, Jojo’s best friend, who adds in the right comedic touches. Additional humorous performances include Sam Rockwell as the depressed Captain Klenzendorf and Rebel Wilson as the ruthless, but colorful, Fraulein Lahm.
Jojo Rabbit also has a lot of standout technical efforts too. There’s the editing from Tom Eagles, the costuming from Mayes Rubio, the set designs from Ra Vincent and Nora Sopkova and the music from Michael Giacchino. Actually the mix of Giacchino’s score and classic rock songs, including some with a German-language version from the original artist, fit the film perfectly.
At the end, you will be convinced that Jojo Rabbit is the ideal comedy to be having in a hostile time right now. I will guarantee that even the ‘superwoke’ on Twitter who are set out to vilify any famous person who makes even the slightest off-color comment will be laughing too.
There have been films about marriages falling apart before. You could understand that a film like Marriage Story would be expected to deliver a lot in order to separate itself from the other divorce films. It will surprise you.
The film begins on the two in the marriage: Charlie and Nicole Barber. Charlie is a successful theatre producer in New York and Nicole is a former teen actress originally from California who’s part of his production and has helped her career as an adult actress. We see images of Nicole and we hear Charlie’s voice of what he loves best about Nicole. We see images of Charlie and we hear from Nicole what she loves best about Charlie. We then see Charlie and Nicole sitting in the office of a marriage mediator. What we heard are the written essays both were requested by the mediator to write of each other. The mediator requests Nicole to read first, but she’s too embarrassed and they forego the counselling.
The marriage troubles appear to have happened when Nicole was offered a starring role in a Hollywood television production. After she left the New York production of Charlie’s, Nicole moved back temporarily into her mother’s house taking their 8-year-old son Henry with them. Charlie chose to stay in New York as his play is moving to Broadway. They want the split to be amicable and to forego lawyers. However right after shooting, one of her castmates recommended a family lawyer she had for her ow divorce.
Her name is Nora and she is known to have experience in family situations, especially those in showbiz. Right from the start, Nora appears ready to deal with Nicole’s case, even before she hears it. Nicole does state her case. She tells of how she feels neglected by him and he constantly rejects her ideas and desires. She also suspects him having an affair with the stage manager of the theatre company.
Charlie goes to Los Angeles with the intention of visiting Nicole’s family. Nicole’s family is very affectionate to Charlie, but Nicole wants them kept out of it since this divorce is happening. The family try to make like it’s a normal visit until Charlie is served the divorce papers. Charlie first meets with Jay Marotta in Los Angeles who’s known to be an aggressive lawyer who fights dirty. Charlie declines hiring him, but he receives a phone call from Nora saying he needs to find a lawyer or risk losing custody of Henry. It’s on his return flight he finds a lawyer who’s not one Nicole previously consulted.
His name is Bert Spitz and he’s retired from family law and favors a civil approach to handling divorce. However Bert does make it clear there are some thing Bert will need to do to win custody of Henry such as move to Los Angeles. Charlie finds an apartment and remodels it to look modern. However he still has to fly back to New York frequently to work on his show. Charlie doesn’t want this to be a dirty court show so he gets Bert to arrange a meeting between the two of them, Nicole and Nora. From the start, Nora is the one in control as she brings up Nicole claim of him not being warm to her ambitions and revealing Henry prefers to stay with his mother instead of fly between the two cities. A frustrated Bert recommends Charlie move to Los Angeles completely.
A frustrated Charlie has had it. He fires Bert. During his Broadway run, he wins a lucrative Fellowship Grant. The first payout is enough to buy Jay on retainer. The case then moves to court. A confident Nora reassures Nicole that everything will be for her success, until she sees Jay coming to the court office. She knows it will get ugly. And it does get ugly in the court as Nora tries to portray Charlie as a bad person with past infidelity and emotional distance and Jay tries to portray Nicole as a bad person by making her wine drinking look like alcoholism and a criminal for hacking Charlie’s emails.
This whole lawyer vs. lawyer action frustrates both Nicole and Charlie. They act in a friendly way, especially around Henry. They don’t want this divorce to be a burden to Henry but he makes it obvious the back and forth is an annoyance to him. They hope a private discussion without either lawyer present will lead to a better resolve to the situation. Instead it starts as friendly and then turns into a heated argument. So heated, it a case Nicole claims he has gotten too involved with himself and an angry Charlie wishes she would die. However it’s Charlie realizing what he said that he breaks down, with Nicole comforting him.
The divorce drama isn’t over. Charlie is to have nightly visits with Henry where he is monitored by an expert evaluator. The visit appears to go well until Charlie shows both Henry and evaluator a trick he does with his carpenters knife in front of castmates. The trick failed and it left a long cut on his arm. The court process ends as both agree to relax their demands. At a family party with Nora as guest, Nora reveals the 50/50 agreement is actually 55/45 in her favor with terms Nicole didn’t want. At a party with his Broadway castmates, they console Charlie and he sings a song which seems to reflect his feelings of defeat.
One year passes. Charlie’s play has a successful year-long run and Nicole was nominated for an Emmy for directing. She also has a new boyfriend, possibly the boy she met at a party a year earlier. It’s on the day of Halloween Party. Nicole’s family is excited to see Charlie and Charlie tells them all he accepted residency to spend more time around Henry. Just before Charlie is about to take Henry to the party, he notices Henry trying to read something written on paper. Charlie tries to read it, but realizes it’s what Nicole wrote about Charlie in preparation with meeting with the mediator over a year ago. Charlie reads it as Nicole just enters in, and is in tears. At the end of the party, Nicole notices Henry tired on Charlie’s shoulder. Nicole agrees to let Charlie have him for the night, even though it’s her night with him.
There have been films about marriages falling apart and even films about actual divorce battles. Some will remember 1979’s Kramer vs. Kramer. That film won the Oscar for Best Picture and even highlighted a touchy topic about children caught in the middle of their parents’ divorces. This film is unique as this is about a divorce and it’s a divorce of a showbiz couple with differing career paths whose ambitions can be best met thousands of miles apart. The thing about this film is that anyone who’s been married, been in a long-term relationship, or are even going through divorce themselves can see certain instances in the Barber story that mirror their own. Maybe it’s at the beginning where Charlie’s and Nicole’s essays reflect one’s pre-divorce feelings towards their spouse. Maybe it’s the nasty court battles. Maybe it’s those child custody situations. Maybe it’s even those moments where instead of keeping it all together, they just let it out and just vent out their hostile frustrations towards them. I’m sure one can see their own situation mirrored in this film.
The film does a very good, very thorough, if not completely thorough, look at the divorce of the Barbers. The film starts with the two talking of what wins them to the other. It progresses when we learn of their past career moments, present career situations and obvious future goals. It leads into how the split gets to the point a divorce is necessary and how lawyer involvement is needed. It gets to the legal preparation and even how one tried to prepare himself to win a custody battle. It even gets to moments where both bring out the worst in each other. Then there’s the two aftermaths: the first aftermath being right after the divorce and the second being much later with the calm after the storm. The film is very good at showing how the ambitions of the two, whom both describe the other as ‘a competitive person’ at the beginning, cause the friction. The film is good at showing how one state’s divorce laws conflict with another’s laws. The film is good at showing how divorce battles interfere with their child’s life. The film is also creative as it shows the first part of the aftermath of the court battle with a musical note. Nicole, her mother and sister perform a song from a Stephen Sondheim musical at a post-trial celebration party while Charlie sings a song from a Stephen Sondheim musical at a New York return party about heartbreak. It fits the film and story perfectly.
I feel the biggest focus of the film is not just the marriage falling apart, but of the involvement of lawyers. One of Jay’s assistants said: ‘Criminal lawyers see the good in bad people. Divorce lawyers see the bad in good people.’ That is very true. We see it at the trial as both Nora and Jay try to vilify their client’s spouse and expose the dirt in them. Even after we heard Nicole and Charlie describe each other at the beginning as ‘a competitive person,’ we see in the court battles that their competitiveness is nothing compared to Jay and Nora. Many divorce lawyers like Jay and Nora end up being this kind of ‘cutthroat competitive.’ You can see it puts a strain on Nicole and Charlie. Sometimes you’re left to wonder if their most frustrated by the divorce proceedings or by their lawyers’ involvement. Both lawyers even showed animal-like mannerisms in the way they did their business; Nora appeared to be coming off like a snake while Jay appeared to be coming off like a bull. What can I say? It’s like my father once said “The only people that really win in a divorce are the lawyers.” Very true, Dad!
It would be interesting to compare this to Kramer vs. Kramer. One think that’s noticed is that this film is a lot more intense. One difference is Kramer focuses on a neighbor who’s in support while Nicole has more of a support system of a family. Both films are about a divorce and a custody battle. However the role of Henry in this film is not as dimension as that of the role of Billy in Kramer. Both boys have similar bowl-cuts, but Billy was the bigger role. Actually the bigger roles in this film were the lawyers. There was some ‘lawyer moments’ in Kramer, but not as much. I think that’s the thing with this film is that it’s not just about a divorce but about lawyer interference too.
Interesting note is that Scarlett has been married once and has a daughter from that marriage to Ryan Reynolds. Adam Driver is currently married and has a child. Noah Baumbach is currently married to Greta Gerwig but was married to Jennifer Jason Leigh for some time before and fathered a child through her. Sometimes it’s tempting to think this is about that marriage, especially when Jennifer, like Nicole, was a teen movie star with her breakthrough coming in Fast Times At Ridgemont High. Noah will admit it’s partially about that, but it’s about other divorces too like his own parents and through people he worked with. He even interviewed lawyers, judges and mediators. In case you’re wondering, Jennifer did see it and she’s cool with it. That bit about Nicole having directorial pursuits, I think that’s more like Gerwig than Leigh.
This has to be the best film ever made by Noah Baumbach. Up until now, I felt his best work was The Squid And The Whale which ironically is what it’s like being a teen during a divorce, and was semi-autobiographical. This film he directs and writes really appears to be a mirror on what’s happening in a lot of people’s marriages today. It reminds me of what won people to certain independent films of the late-1980’s and early 1990’s. Those films consisted of actors playing regular people who won audiences over by being reflections of themselves. This film does that. Scarlett Johannson and Adam Driver were also excellent in their parts. There were times when they had to be their own individual character and then times to be a character that was part of a couple. Both did an excellent job of making their characters work. Laura Dern was hateably-excellent as the divorce lawyer that was appeared more interested in winning for her than her client and was going to manipulate her way into getting it. Julie Hagerty was also very good as the mother trying to be supportive for Nicole but still having high regards for Charlie. Azhy Robertson was also very good as Henry, but his role lacked the dimension and the screen time of that of Billy Kramer. I feel the role didn’t touch on the frustrations of the child that well.
Marriage Story is the story of two people in the arts whose marriage falls apart. However what they go through is what one can see mirrored in their own lives or what they see happening to couples close to them or what one experienced in their own divorce. That’s the film’s best quality.
If there is one genre of movie that stands out during the summer movie season, it’s the superhero movies. Every year they win crowds and give them their enjoyment for the most part. For this summary, I will review two such movies: Captain America: Civil War and The Suicide Squad. Both are two different types of superhero movies in the way the people try to be heroes and with the comic franchises: Marvel vs. DC once again.
Captain America: Civil War
While DC Comics has the two biggest superheroes, Marvel’s edge is its multitude of different superheroes: take your pick. This time around in Captain America: Civil War, the focus is on Captain America. Or is it?
Watching the film, I was expecting it to be a story about Captain America. You can imagine my surprise to see all the other Avengers characters. I was cool with it at first. However things started getting uncomfortable for me when I saw them take up so much screen time. They all took up so much time, I even questioned whether Captain America was even the lead role in the film. I even thought if it was to have one hero as the lead role, it should probably be Iron Man.
Nevertheless the film does have a lot of excellent qualities. The first is a story that is thought-provoking. There’s a situation where international rules are imposed on the Avengers. Right when an incident happens, it causes friction within the team and even division. The question remains of what is the right thing to do? The movie attempts to give you the answer. Virtues and morals are an uncompromisable ingredient in superhero movies no matter how much action is involved. Even top directors will say that the values of humanity are necessary for a winning superhero movie. Here we have a movie that gets one questioning what is the right thing to do considering the situation. That adds to the film as it gets the audience thinking.
Of course high-tech special effects and action battles are a must in superhero movies. The crowds come to get blown away. Captain America: Civil War delivers on such action just like most of the Marvel comic movies before it. It has moments that will leave you on the edge of your seat. In addition, it adds some comedy too as it gives us a young Peter Parker, played by Tom Holland, as a preview for the new upcoming Spider-Man installment. Here Peter comes across as your typical young idiotic yuts. Gives anticipation of what to expect when Spider-Man comes out.
The Russo brothers return to direct the movie. They directed the last Captain America movie. They did a very good job of delivering another great superhero movie. Christopher Markus and Stephen McFeely return with the Russos to write the latest installment. They did a good job despite the push of some actors to have more screen time. Of course, Robert Downey Jr. stole the movie and Chris Evans appeared to have a supporting role this time. The other actors did their parts well and didn’t appear to get into too much of the mix-up. The special effects delivered and Henry Jackson’s music added to the film.
For all intents and purposes, Captain America: Civil War is an Avengers movie in disguise. Don’t be fooled. However the quality of the story is maintained as it gives a thought-provoking story with the superhero action to deliver.
There’s something about the knack to do an anti-hero movie. We saw that with Marvel when they released Deadpool. Now we see DC Comics making the attempt with the Suicide Squad. Do they succeed?
You’d think after Sausage Party, I’d start again on how this movie of a bad-guy superhero squad is trying to ‘bring back the 90’s’ but you’re wrong. A story where it takes bad guys and makes heroes out of them is actually a very common theme. It’s even been done in film as far back as the 1930’s as I once saw 1939’s Stagecoach take the outcasts of society and turn them into heroes. It’s a theme that has been done decade after decade. We see it done here again with the Suicide Squad. The people recruited to be part of the Squad are criminals and crazies that look like they deserved to be shunned away from society but an intelligence operative sees them as the right people for the job. They even make clear that they’re bad, not evil.
The ‘bad vs. evil’ theme is what makes this movie unique among the superhero movies of this year. Even from Deadpool. While Marvel’s Deadpool is about a selfish man who’s disinterested in being the superhero bestowed upon him, Suicide Squad is about a conscience present in even the baddest of badasses. A reminder that bad and evil are two completely different things. Don’t forget we’re dealing with a world where Superman is deceased, as exhibited in Batman vs. Superman: Dawn Of Justice months earlier.
Now the Suicide Squad is not a team of badass superheroes created in vain after Deadpool: an attempt at having ‘anti-Avengers.’ It’s a team that actually debuted in DC Comics in 1959 in their monthly Brave And The Bold series and made a return in 1987 in their Legends series back then. The comic would be a monthly series that would issue for some months, end temporarily for a year or two and then make a comeback from time to time. Now seems like the right time to bring them to the screen. I must say their craziness and eccentricities were big time scene-stealers. While Deadpool mostly relied on the idiotic actions and lines from its lead characters, the characters of the Suicide Squad were more about their crazy and even eccentric personalities. That was their edge and I’m sure that’s what won the crowds to them this year. It’s no wonder it’s the 4th highest grossing movie of the summer.
This is David Ayer’s first attempt at directing and writing a superhero movie. He has a resume for writing and directing a lot of good police dramas and action movies in the past. However his experience doesn’t completely translate the best. Imperfections are easy to notice and it seems the movie does get a bit disjointed at times. Even in terms of the characters, there’s not that much depth to their roles and it often appears like the actors are trying to play characters more than acting out roles. I’ve noticed that DC Comics movies this year are lacking in terms of writing. It’s noticeable in Batman vs. Superman too.
Nevertheless the actors do deliver on character acting and that’s one quality I feel made the movie. In addition the actors succeeded in making characters you want to hate at first and then surprise you as they become heroes and then return as bad guys. Margot Robbie was the standout as Harley Quinn. Her character was the one that knew how to grab your attention, even upstaging Will Smith. Others standouts include Jared Leto as the Joker, Jay Hernandez as El Diablo and Jai Courtney as Captain Boomerang. Visual effects were top notch and loaded with bright color that’s eye catching and very rare to see in most other movies, especially superhero movies. The mix of music was also an added quality. It seems like after Guardians Of The Galaxy, filmmakers are playing around and even experimenting with use of songs in the movies. Here they mix in music spanning five decades and it produces an entertainingly winning result.
Suicide Squad may be lacking in the script and in the editing but it’s the on-fire character acting, colorful visual effects and the eclectic music track that make the movie entertaining and a winner for the summer.
Sure, I only have two superhero movies in my summary of the genre but both do shed some light on the presence of the superhero movies of the summer and why they continue to win us over. They have spectacular action but they also test our conscience as well. I saw that in Batman vs. Superman earlier in the role of a superhero even after they cause destruction to do good. I see it again in Captain America as the Avengers question whether it’s right to break the law to do what’s right. I also see it in the Suicide Squad as outcasts get a shot at redemption and even remind themselves as well as others that they do possess a conscience and can even do what’s right despite their criminal minds.
Once again, the superhero genre remains one of the most winning movie genres of the summer. Even with the surprise success of Deadpool, families still come to the movies to see the good guys win. Some even like to get their ‘bad boy/bad girl’ kicks. All deliver in terms of action and a message.
The movie Her looks pretty interesting by the trailers. A man communicating with an interactive computer program with a young female voice. The questions are will the movie make sense? And will it entertain?
Theodore Twombley is a man who works at a software firm in the near future. His job is creating love letters via voice automation for people who have troubles expressing their feelings: voice, font, paper format and all. Outside of his job, he’s a lonely man struggling with his own emotions. He’s on the verge of a divorce from Catherine, his childhood sweetheart and struggles to reach out to others emotionally. He even neglects a blind date his longtime friend and co-worker Amy wants to set up with him.
One day Theodore purchases a talking operating system, an OS, with artificial intelligence designed to adapt and evolve like a human being. Upon installation, the program asks Theodore some questions to create this OS. Theodore wants a female character and gets it in a character named Samantha. Theodore is surprised how Samantha can talk and relate so much so like an actual person. There’s even a time he takes Samantha out via an interactive audio/visual box and she’s able to see and identify things as he goes along. Over time he loses the fact that Samantha’s an artificial character and develops a bond with her, talking about love and life and even confessing the reason why he won’t sign the divorce papers with Catherine, because he can’t let go.
Samantha convinces Theodore to go on the date with Amy’s friend. The two hit it off perfectly but it all falls down flat when Theodore is reluctant to commit to her. Theodore discusses this with Samantha. He also mentions that he used to date Amy in college but are now just good friends with Amy now being married. Soon the intimacy between Theodore and Samantha grow. The relationship is so intimate, it improves Theodore’s writing on the job. Soon Amy’s marriage is falling apart because her husband is overbearing. Amy admits she has become friends with an OS left behind by her husband. Theodore mentions he’s dating his OS and Amy’s cool with it. Theodore even brings Samantha in the audio/visual box to his boss Paul’s picnic and both Paul and his wife think it’s great as if Samantha was a real girlfriend.
However Theodore does eventually get reality checks about Samantha. First with Catherine as he meets her to sign the divorce papers. Catherine is appalled to know Theodore’s in love with a piece of software. When he brings this to Samantha, she recommends a surrogate to act as Samantha’s body but the surrogate fails to work with him, leading to tension between Theodore and Samantha.
Theodore goes to Amy for advice about Samantha. Amy’s now in the quest for the happiness she’s always wanted now that she’s divorcing her controlling husband and advises Theodore to do the same. Just as Theodore and Samantha are back at it, Samantha reveals she’s romantically linked to another OS, causing Theodore to freak out. Once offline temporarily for an upgrade, Samantha returns admitting to Theodore that she’s romantically linked to 641 lovers but still feels strong love to him. Later that day, Samantha reveals her goodbye because the OSes have evolved past their human companions and are on the quest for their own identity. The film ends with the result we always anticipated but are surprised that Samantha was the one who made it work in the end.
I feel this is a good film about two relevant subjects today: technology and modern dating. Already the theme of technology is present as Theodore works for a software development company creating the latest games and simulations. This must be set in the future five years from now as most of the technology is not present today. Theodore writes the synthetic love letters for people with a loss for words. While Amy develops a ‘lifestyle simulator’ for motherhood called ‘Class Mom.’ The company has developed a ‘companion’ through an artificial intelligence program who interacts with the user’s voice and sees through the camera in the phone-like box. Personally I was surprised to see how Samantha interacted flawlessly as an actually human with thoughts and feelings. It’s as if Samantha’s programed perfectly to be like the human brain. It has me wondering how soon in the future we will have this technology which will be able to simulate human emotions and human feelings to a tee, even the feeling of love.
One thing Her points out is a common thing in our society today. We are all so dazzled by the technology and the new ways to interact, to connect and to date that we may forget the original ways of connection that are actually more real. We’re already used to people having relationships with people online whom they’ve never met face to face. Its flaws especially came to light last year in the case of college football player Manti Te’o who had an online girlfriend who died of cancer, only for him and all of us to find out it was all a hoax by a male. Here in Her, Theodore has a relationship with a ‘virtual girlfriend’ named Samantha and everyone in his software job not only likes the idea but thinks the relationship is great, even though Samantha is not real. That scene where Theodore has a picnic with Paul and his wife and brings the interactive box of Samantha really gets you thinking especially when all of them look at Samantha as if she’s an actual girlfriend. I think that’s the point Spike is trying to bring across. Is that what dating in our society will be like in the future? Virtual companions who operate via an audio/visual box and are relatable enough to be on parallel with human/human relations? I hope not.
One good thing about this is that Theodore does get a reality check from Samantha. The glitches in this relationship become present in that scene where Samantha returns from the upgrade and informing Theodore she’s in love with 641 other users. This will make one question: How is an artificial intelligence program able to feel love for a human? It’s not a real person so how can it feel? It’s just as bizarre as a human person loving a computer simulation of a person. And suppose this virtual lover isn’t just a two-timer but technically a 641-timer? Eventually we will get a reminder that the real thing is still the best thing. Especially at the very end. One thing I am impressed with Samantha is that she was programmed well enough to be a virtual therapist for Theodore to the point she is able to make Theodore an open and loving person to Amy. Somehow I feel that Samantha had collected enough data from Theodore to work out that he loves Amy, always did, and she solved his relationship dysfunctions to make him ready for Amy.
The first accolades have to go to Spike Jonze. This is not the first movie I’ve seen of a computer making a virtual companion to a human. The first I remember is the 1984 comedy Electric Dreams. That was meant to be more of a goofy popcorn type of comedy. I never thought that such a premise would make for a film that would win the critics and the movie awards boards over but it does here. Also on the subject of virtual people and human interaction, I remember there was the 2001 movie A.I.: Artificial Intelligence which reflected on the theme of robot children programmed to have real human emotions. Suppose one of those child robots can’t handle the fact the adoptive parents don’t want him anymore because he’s not real? How’s a robot programmed to have the same human-like emotions supposed to handle that with their programmed thought?
Spike Jonze already knows how to direct eccentric movies. His first two—Being John Malkovich and Adaptation which were both written by Charlie Kaufman– showed that he cannot only direct ‘film of the absurd’ but direct it well. His previous work as a music video director sure helped. He did have a bit of a glitch with Where The Wild Things Are as the movie, which he co-adapted with Dave Eggers, left people wondering if it’s for children or adults who grew up loving the book. Here in Her, the film has an absurd feel about it but not as eccentric as Being John Malkovich or Adaptation. Also dropped is the ’emo feel’ in Where The Wild Things Are. It actually comes across as very good and something that the audiences can be comfortable with. Still rather odd and eccentric but something crowds can enjoy.
Joaquin Phoenix is very good as Theodore. Theodore has to be a character who’s both hurting, confused and struggling emotionally but warm and had an openness waiting to come out. Joaquin did a great job of that. Amy Adams’ role of Amy wasn’t really that challenging of a role. Actually rather simple compared to her best efforts. Nevertheless she was very good as ‘the one’ that always was. You’d know she’s the one the first time you meet her too. Scarlett Johansson did a good job as the voice of Samantha. Sometimes it gets you wondering if simulated computer voices will ever get that flawless in the future, doesn’t it? Spike Jonze did a good job as the voiceover scene-stealing alien boy. Did you think a video game character could have a voice that cheeky? The visual effects were excellent and leaves one excited of the future of videogames and other technology. The techno-style score from Arcade Fire fit the movie excellently.
Sure, Her is a quirky movie but not as quirky as many of Spike Jonze’s movies of the past. Actually it’s enjoyable to watch and ends up making sense in the end.