I admit I missed BlacKkKlansman when it first came out. Actually I saw very few movies in the summer of 2018. I finally had the chance to see it this week, and I was very happy with what I saw.
The film begins in 1957 with Dr. Kennebrew Beauregard speaking for a propaganda film for the KKK about the ‘terrible dangers’ of desegregation. The film then proceeds to the early 1970’s in Colorado Springs. Ron Stallworth is being interviewed for the police force by a white cop and a black consultant. Through the interview process, Stallworth becomes the first black police officer for the city, but is given marginalized duties like file and document retrieval. Stallworth then decides he wants to do undercover work.
His first operation is for a rally of an African American activist Kwame Ture, whom the police view as a threat. Stallworth poses undercover with a hidden microphone to record the rally. There he meets Patrice Dumas who heads the black students union at the local university. The words of Kwame sound threatening to the ears of the white policemen. Patrice then goes with Kwame to a hotel where they’re stopped by racist white patrolman Andy Landers. At the arrest, Landers threatens Kwame and gropes Patrice. After the arrest, Ron meets Patrice at a club and they dance their cares away.
Stallworth is soon transferred to the intelligence division. One day he learns of a local chapter of the Ku Klux Klan. Stallworth decided to investigate by posing as white on the phone to chapter president Walker Breachway and having his Jewish colleague Philip ‘Flip’ Zimmerman pose as him whenever meeting the Klan in person. Zimmerman reluctantly agrees at first. He goes to the first meeting where he meets Breachway, the more hostile Felix Kendrickson and Ivanhoe, who subtly talks about an upcoming attack.
Zimmerman signs up for Klan membership under Stallworth’s name and Stallworth calls Klan headquarters to expedite his membership and speaks to Grand Wizard David Duke. The next meeting is at Kendrickson’s house. We learn that Felix’s wife Connie is just as racist. However Felix, being the loose cannon that he is, senses Zimmerman to be Jewish and tries to get him to pass a lie detector test. Before Zimmerman submits, Stallworth, who’s listening into everything with Zimmerman wired, smashes a window. Later on, the romance between Stallworth and Patrice heats up, but he doesn’t tell her he’s part of the police because of her anti-police attitude.
Stallworth is getting more active in his searching results. He learns two men of the KKK are in a branch of the US Air Force. In the meantime, Stallworth’s name is growing with the KKK. Zimmerman, while attending a shooting practice, learns of an attack planned at a student rally; the rally Patrice plans to attend. Zimmerman knows an explosion is planned as he knows Breachway makes bombs. Meanwhile David Duke travels to Colorado Springs to be at his induction and Breachway is willing to transfer his leadership to Zimmerman posing as Stallworth. Zimmerman declines, but his swearing in ceremony, along with other new members, goes as planned. However not without a KKK member noticing Zimmerman from an arrest years ago. He even remembers his nickname ‘Flip.’
As the swearing in is taking place, the attack at the student rally however does not because Connie noticed the huge police attendance. After the rally, Patrice learns the truth about Stallworth. Stallworth admits the truth and leaves Patrice in a question of principles. Her association with her anti-police group or Stallworth. With the attack at the rally botched, Connie wants to take the bombing to Patrice’s house. Connie can’t put the bomb in Patrice’s mailbox while Stallworth tracked Connie and tries to save Patrice by stopping Connie. However two policemen, who don’t know about the planned sting, think Stallworth is an attacker. It’s not until Zimmerman and another police ally arrive that they learn of the truth. Breachway sets the bomb off, but Breachway, Felix and Ivanhoe are the only fatalities.
It’s not over yet. Stallworth and Patrice are in a bar with other cops. Along comes Officer Landers. Patrice tries to get Landers to confess, which he brags about with no remorse. He tries to attack Ron and Patrice, but the police arrest Landers. With the sting over, and Connie a widow behind bars, the police order to burn all records. Stallworth makes one last call to David Duke to deliver him the shocking truth! The story ends with Ron and Patrice contemplating their future, but are interrupted by an image of a burning cross. The film, however, ends with images of the Unite The Right rally in August 2017 and Donald Trump’s lack of action to it.
There’s no doubt the object of the story is racism. Spike Lee has used racism as a theme of focus, if not the prime theme, in his films. The best example is Do The Right Thing. Spike has always maintained his films are about ‘being black in White America.’ However the film tackles the subject of hate groups. He focuses on how they don’t just have a message of racial superiority to promote. They also promote a false sense of fear and a hostility to prove their point. The groups may claim to be non-violent or not one to attack, but that’s further from the truth. That’s made most obvious when Stallworth examines the shooting targets and they’re the images of running African-Americans. The fact that they practice shooting and making bombs shows the evil behind their agenda that they try to make to look friendly. Lee makes that point in that film rehearsal at the beginning of the film. Lee shows of all the falsified news of the surrounding events the Klan deliver to their members before the bombing. Lee also shows that in the Unite The Right footage, that it’s a battle that still continues today. They may have overcome a lot, but there’s still much more to overcome. In the story, Lee sends the message that the Colorado Springs Police may have won this battle, but they didn’t win the whole war. Not while the KKK is a nationwide brotherhood.
The film obviously has a message to send, but it doesn’t forget that it’s a film that has a story to tell. It’s a good intriguing cat-and-mouse story about a local group of the KKK planning a bombing of a group of black students and the black detective who brings them down along with his Jewish guise. It has a good beginning, middle and end that will keep the viewer intrigued. It also incorporates a lot with the entertainment of African-Americans, like the music and the ‘blaxploitation’ films of the 70’s, into the story. It also includes a lot of references to entertainment that send a racist message like Tarzan and The Birth Of A Nation as to why the problem of racism still exists today. However his use of entertainment for thematic purposes doesn’t cause the film to lose its focus. Lee also mixes in another message he appears to question. At a time like where the Black Lives Matter movement has arrived, it appears Lee is critical of a lot of anti-police attitudes of these groups. The police do have history of racism, but what are they to think when the police come to their rescue? That poses as the moral question for Patrice at the end, especially since it could affect her love for Ron. I think Lee was trying to place his own viewpoint here.
No doubt about it, the top accomplishment is that of Spike Lee. Lee has had a mixed career. He’s had accomplishments like Do The Right Thing and Malcolm X, but he’s had many duds too. I still consider Do The Right Thing to be his best work, but this is an excellent story that he made work. The story he co-wrote with Wachtel, Rabinowitz and Willmott is a good complex story with a lot to say. The messages Lee tries to put in the story does not take away from the story itself. It actually adds. However it also succeeds in being a comedy with a lot of humorous moments. I think Lee also wanted to show off the stupidity of these racist groups too.
The top acting comes from John David Washington. The son of Denzel, John David delivers an excellent performance that he can rightfully call his breakthrough. He delivers the right acting for the right film. Also excellent is Adam Driver. In playing Stallworth’s Jewish partner, Driver delivers his role well while revealing the personal insecurity inside his Jewish character. I think Lee’s message was also to send how white superiority doesn’t only affect blacks. There were also a lot of excellent supporting performances coming from the likes of Laura Harrier as Patrice, Jasper Paakkonen as the walking time-bomb Felix, Topher Grace as David Duke and Ashlie Atkinson as the hyper-hostile Connie. The films inclusion of music from the past and original score from Terence Blanchard also adds to the film.
BlacKkKlansman obviously has a message to say. However it still succeeds in being a film with a thrilling plot, which makes it a winner of a film.
And there you go! This makes it the eighteenth straight years I’ve seen all the Best Picture nominees of the year before Oscar night. My predictions for the Oscar wins coming soon.
I’ll admit I had no intention of posting a preview blog about the final. I was just content with watching the performers and playing ‘armchair judge’ for my own leisure. Besides I intended for my detailed blog of the ESC to be my only blog about it.
However that all changed last night as I was on Youtube and the ESC channel watching video after video of the night’s semi-final performances. Hey, when the show’s on live at noon your time, that’s your resort. That all changed after I added comment after comment with many of the videos. And that’s what inspired me to do this preview of the final for the 2016 Eurovision Song Contest.
For this preview, I’ve decided to post my opinions about the performances in the semi-finals. I will be judging the performances of both the competitors from the semis as well as those from Sweden and the Big 5 whom I will call ‘automatics’ because they automatically have their berths in the Final and their performances in the semis are simply a dress rehearsal for the Finals.
I felt it best that I place my judgements mostly on their semi-final performances. A lot of people have based their judgements from the song’s official music video released on YouTube months before the Contest. The videos are very telling in terms of how well each song will do however I feel the performances in the semis are more telling as it gives a good sense what their live show will be and even how together they are as a performer. Sure the semi won’t tell it all but it will tell it most. I do feel that the song is the key thing to base a judgement on. No matter how big of a show you put on, the song and its content is unavoidable. However I will consider showmanship as a performer will still have to make the song entertaining and eyecatching. Simply put, I will give top kudos to those performances who deliver best.
I will also start with my first section where I give opinions of the performances that have qualified for the final. I will then give my personal picks for who I would give the biggest point to if I were a jury. Note I will not be making predictions like I normally do. I will be giving my preferences and opinions. I’m not familiar with the music tastes of most European countries nor am I familiar with jury tastes. So here goes:
- Hungary: Freddie ‘Pioneer’ – Very good song with a very dramatic opening. Freddie has very good vocals in singing the song. The song is far from boring. It will catch your ears. A deserving finalist.
- Croatia: Nina Kraljic ‘Lighthouse‘ – Nina came to Stockholm in hopes of breaking Croatia’s bad-luck spell of missing out in the finals since 2009. She did exactly that. As for her performance, you’ll think her outfit at the beginning is ridiculous but that’s part of adding drama or theatrics to the song. I’m cool with that as long as it’s done right. Her performance was very good and deserving of her final berth.
- Netherlands: Douwe Bob ‘Slow Down‘ – This is one of my delights of the night. I’m impressed to see how the Dutch know how to do bluesy rock or rockabilly. The Dutch did it before in 2014 with ‘Calm After The Storm‘ and they do it again here. Best song of the evening that delivers as a great alternative after so many techno numbers. Stage show is minimal but it works for the song instead of against it. I ranked it my 3rd place of this semi.
- Armenia: Iveta Mukuchyan ‘LoveWave‘ – It’s not the best of the night but it’s still good and a deserving finalist. Very good song with good vocals. I felt the stage show was a bit iffy. Otherwise very deserving nonetheless.
- Russia: Sergei Lazarev ‘You Are The Only One‘ – What can I say? For me that was the show of the first semi and my #1 pick for that night. It didn’t have the same song quality the Netherlands had but still an entertaining song with the most entertaining stage show of the evening. Definitely an eye-catcher and it will not surprise me if this song is a top contender for the win on Saturday.
- Czech Republic: Gabriela Guncikova ‘I Stand‘ – Not exactly a song that stands out too much. Nevertheless Gabriela did sing it well and perform it well on stage. what it lacks in catchiness, it makes up for in its consistency and professionalism. A very deserving finalist. Especially since this is the first time in five tries a Czech performer qualifies for the final. Great job!
- Cyprus: Minus One ‘Alter Ego‘ – You’d think with this being Cyprus, it would be ethnopop, right? Actually this is a hard rock song high in energy. I could even feel the energy of the song while watching it. Great song and great performance which was one of my favorites of the night. I feel it should do strong on Saturday.
- Austria: Zoe ‘Loin d’Ici‘ – This was my surprise of the night. I like it when a song goes beyond my expectations. At first you’d think a number too sweet would come off as saccharine to you. However this is one ‘sweet’ song that actually did everything right and even charmed me. Excellent stage show that tried mimicking what was in her video. However if anyone had doubts about her song while watching her video before the Semi, I think her performance in the semi increased her chances of winning. It was better than the video. I consider this my 2nd place of the semi.
- Azerbaijan: Samra ‘Miracle‘ – Once again a case of an Azerbaijani singer performing a song written by Swedes. This is one of only two semifinalists whom I did not have on my list of my ten ‘finals picks.’ The song was good but I’ve seen better performances by Azerbaijani acts in past ESCs. I think 2013’s ‘Hold Me‘ is their best ever. Also the back-up dancers did a real tacky job of dancing. That’s all I can describe about it. Their dancing was tacky. Nevertheless Samra was dressed well and she did sing her song very well despite t not being much of a song. I just feel it didn’t deserve to be in the semis.
- Malta: Ira Losco ‘Walk On Water‘ – Once again a case of a stageshow that was hard to swallow thanks to backup dancing. Ira did her song very well. However the dancer on stage just plain came off as ridiculous and irritating. It actually turned me off the song. This is the other finalist from the first semi that I felt didn’t deserve it.
- Latvia: Justs ‘Heartbeat‘ – The biggest thing about the song is its arresting instrumentation. The stage graphics fit the song very well and Justs delivers the song in style and with the right moves you’d expect from a male pop singer. Justs does it solo without backup singers or backup dancers and does it with style. I ranked it the best performance of this semi because it grabs your attention from the very start and won’t let go.
- Poland: Michal Szpak ‘Color Of Your Life‘ – This is a good ballad delivered very well from Michal. Its style really stands out. Michal delivered it very professionally despite missing a note near the first chorus. The biggest glitch I feel has to be the vintage military jacket he wears on stage. I don’t think it fit the performance that well. Especially since Justs that was on just before him came on stage with a leather jacket. Backup violinists and stage graphics blended well with the performance.
- Israel: Hovi Star ‘Made Of Stars‘ – This is an excellent ballad delivered very well with excellent singing from Hovi. I almost thought he was doing a cover of an Adele song. The stage graphics added excellently to the song. However the two dancers on the spinning hoop had me questioning whether they were worth it or not? Do they add or subtract? Because Hovi delivers well in a no nonsense performance.
- Serbia: Sanja Vucic ZAA ‘Goodbye‘ – It’s both a ‘Balkan Ballad’ and a power ballad. Excellent vocals full of emotion and a set up back-up singers that add to the drama and power. Might bring back memories to some of 2007 winner ‘Molitva’ but it holds its own. The male backup dancer didn’t add but he didn’t subtract from the performance either. If there’s one weakness, it’s her stiff black dress. Overall an excellent package and I rank it second-best of this semifinal.
- Lithuania: Donny Montell ‘I’ve Been Waiting For This Night‘ – A powerful song with a lot of energy and Donny knows how to deliver it vocally. However I didn’t like how he added Michael Jackson-like dance moves to his performance. I feel it did not fit the song at all. Maybe the front flip near the end helped but the dancing didn’t. This is one of two from this semi that qualified for the final that didn’t make my personal Top 10.
- Australia: Dami Im ‘Sound Of Silence‘ – A very powerful ballad delivered excellent by Dani. I also have no problem with the dress since it was meant to fit the song. However I’m not too happy about some of the stage choices she was given such as sitting on that platform until after the second chorus. She does walk around after that and deliver the song well but I don’t think she was given enough movement.
- Bulgaria: Poli Genova ‘If Love Was A Crime‘ – Many people felt Poli was robbed of a finals berth five years ago with ‘Na Inat‘ but she finally gets it here. I’ll admit this is not that much of an attention-grabber of a song. Nor were a few of her dance moves the best. Nevertheless Poli delivered the song well and gave it its energy and made it enjoyable to hear. It’s very good for the most part.
- Ukraine: Jamala ‘1944‘ – This is the first song at the ESC with Crimean Tatar lyrics. This is probably the most political song at this Contest. She has a song with a message and she delivers it with emotion in the song. The wailing at the end of the song is a big plus and especially shows off her vocal abilities. However political songs are touchy grounds at the ESC. They welcome it as long as it’s subtle. I feel this is deserving of its finals berth.
- Georgia: Nika Kocharov and Young Georgian Lolitaz ‘Midnight Gold‘ – The number starts with a lot of potential with some exciting rock instrumentation and fitting stage graphics. However it goes downhill when the singer delivers vocals with notes that don’t seem to fit the song. I don’t know if he did it for creative purposes but his choices don’t really fit at all. Can’t complain about the instrumentation as it’s the best part. However this is the second qualifier to the final from this semi that I felt didn’t deserve it. Actually I ranked it second-to-last of this semi.
- Belgium : Laura Tesoro ‘What’s The Pressure‘ – At last! A song that makes you wanna get down! Laura delivers a funky, feel-good energetic number that delivers all the best qualities of a pop number including vocals, dancing and even trying to get the crowd involved. I ranked this the third-best of this semi.
- France: Amir ‘J’ai Cherche‘ – Good song, has a lot of energy, very good singing, but it comes across as rather boring. I don’t know what it is but when I saw Amir perform, I felt like there was something missing. I don’t know how this will fare on Saturday.
- Spain: Barei ‘Say Yay!‘ – Now this is one number I feel will go far. A very good song that is full of energy and has good potential of being catchy. Also she performs excellently on stage. She dances like she’s in control and delivers the song as she should. I question her dress, especially with the 03 on it. However I feel she will be great on Saturday night.
- Sweden: Frans ‘If I Were Sorry‘ – Sweden has one of the best success records at Eurovision. This number however is very questionable. Frans delivered a boring performance where the background tries to make the song interesting by flashing key words. He does sing the song well but his accent is too thick to comprehend some of the lyrics. I think he might score well in the popular vote because of his teen idol status but I don’t think he’ll score well with the judges.
- Germany: Jamie-Lee ‘Ghost‘ – I have to say a good song and Jamie-Lee is a very good singer. However her outfit was too over the top. I’m cool with a weird outfit done for theatrical purposes such as Nina Kraljic’s outfit during the opening of ‘Spotlight’ but that was too ridiculous like Alice In Wonderland went through a flower garden. The backup singers had on sensible clothes and the trees that shot laser beams worked good but that outfit is dumb and works against her performance. However the outfit will make her win the Barbara Dex award.
- United Kingdom: Joe & Jake ‘You’re Not Alone‘ – I have to say it’s a very good song with a very good performance. The two sing the song very well and add to the young energy of the song. It’s hard to find something to dislike about this number, especially since it’s very low in gimmicks. I think the one cheesy thing was probably the jumping near the end. One thing we have to keep in mind is that ‘no nonsense’ performances like these are great but they face the obstacle of winning attention from both televoters and the juries. Nevertheless I do wish the best for both of them. Especially since the UK used to have quite a Eurovision legacy and the 21st century has been very unkind to them with only two Top 10 finishes.
- Italy: Francesca Michielin ‘No Degree Of Separation‘ – Italy rarely disappoints. They’ve mostly delivered some top notch performances to the Contest over the years, even in the last few years. And this year’s entry is a delight too. 21 year-old Francesca Michielin is already a seasoned pro. You’ll notice it as she sings the song consistently and with feeling. Adding the feeling to the song is a big plus. A big minus to the song however is all those stage props and stage graphics. I don’t know if they were trying to reflect a theme or emulate the music video but I feel it went too far and they were distracting from the song. This could work against her performance which holds its own without all the added stuff.
So those are my thoughts for the qualifiers. As for the ‘also-rans’:
Semi-Final 1: I know I said Malta and Azerbaijan didn’t deserve to be in the final. In their place should be Iceland and Moldova. They did their performance better. Finland’s Sandhja was good but came off as flat. That’s not good especially when you’re first up. Greece must have forgotten the golden rule of rap acts at Eurovision: rap acts go nowhere, even if it’s mixed with ethnopop. It’s a shame because I usually like the Greek numbers. San Marino’s Serhat had a style but I didn’t see it as enough to qualify for the final. Estonia came off as ridiculous in his stage antics and his voice. Montenegro’s number sounded like a mashed-up song and Bosnia’s on-stage theatrics made me wonder if it was really necessary for the song.
Semi-Final 2: If I were to trade Georgia and Lithuania from the finals, I’d put in Ireland and Macedonia. Ireland was full of energy and delivered well. Macedonia was also excellent, especially in her vocal range. Switzerland had a good song but it all fell apart with all the on-stage props and moves she was given. Belarus had potential but I thought the face stripes were dumb. Slovenia was good but the singer delivered awkward stage poses that worked against her. The Danish vocal trio came across as rather boring. Norway delivered a song that alternate from one tempo and mood of the verses to a different tempo and completely different mood in the chorus. It didn’t really mix well. And Albania had good potential but I feel her chances were marred by lousy backup singers.
Overall I have to say this is a mostly good set of performers for this Contest. There is a bit of the eccentric in some elements but it’s nothing compared to the ‘freak shows’ of five years ago or even ten years ago. I think the freakiest moments will come from Germany and Italy. I guess the country’s are now getting the message that doing something super-eccentric or super-gimmicky doesn’t pay. I didn’t notice too many off-key moments and those that did recovered well.
Like I said, I don’t know enough about European music tastes to make predictions. So instead I’m giving my personal Top 10. Eurovision style, of course:
- Poland, 1 point.
- Australia, 2 points.
- Spain, 3 points.
- Cyprus, 4 points.
- Netherlands, 5 points.
- Belgium, 6 points.
- Serbia, 7 points.
- Austria, 8 points.
- Latvia, 10 points.
- And my personal 12 points goes to…Russia!
So there’s my summary of the 2016 Eurovision finalists and their semifinal performances. I’m glad I don’t have to be a jury member because it’s a headache ranking them. Mind you anything can change on Saturday. They may go off key or something may malfunction or the energy that was there in the semi may not be there in the final. Even things like performance order can play a factor. How ironic how Belgium who ended the second semifinal will open the final? Ending the final will be Armenia. Whatever the situation, I wish all the performers the best and the winning performer’s country to get ready to host next year!
Before you label Wild a ‘Reese Witherspoon movie,’ you have to see it from start to end. You’d be surprise that it’s not your typical movie from her. It’s more.
The story begins in 1995 with Cheryl Strayed, a young twentysomething, about to start a hike down the Pacific Crest Trail. This comes right after her divorce from Paul, her husband of seven years. One of the many troubles in Cheryl’s life. Cheryl looks to hiking the trail as a chance to reshape her life and gain inner strength. But at first, you will think Cheryl doesn’t have what it takes to do this long hike. It’s an 1,100 mile journey and on top of it, Cheryl is struggling to simply put on her 40-pound backpack, never mind walk with it. And on uneven terrain that includes mountains? Can she do it? Even her best friend Aimee feels she can’t do it.
The hike starts with great difficulty. Walking with the heavy backpack, she has difficulties on the first day such as not even hiking ten miles, being without cooking fuel and being unable to set up a tent properly. The days get stronger over time but it’s still very gradual as the second day she’s made aware of the type of wild animals she would have to deal with.
Over time she would have to find help. On the third day, she asks a farmer for help. He offers to take her to her house but she’s nervous about it, especially since she sees a gun in his car. She later learns he’s a married man and the couple offer her to stay overnight. Over time she meets other people that offer her help from a father and his teenage son to full families to people at various camping goods stores and retailers to hippies in a local California town who pay tribute to Jerry Garcia upon his recent death at the time to three college guys out having a fun hike together to even hikers that also plan to do the trail but eventually fail. Not all were helpful. One was a journalist for a magazine who just took pictures of her and interviewed her. Another was a group of snowboarders on a mountain top who just leave her. Another was a pair of threatening-looking men she met at a well only to be encountered by the bowhunter later looking like he would want to do something harmful to her. Fortunately it doesn’t happen as his colleague tells him to return.
However it’s the alone times of the hike that are the most crucial. In between the times she signs a name on the hike log that includes using a quote or line of poetry from a famous poet, Cheryl is all alone and has the moments of her past come back to her. Moments like a childhood with an abusive father her mother leaves taking her younger brother and her at age 6, going through high school while her mother was returning to complete her graduation, marrying Paul a successful restaurant owner while young, learning her mother has cancer and her dying sooner than expected, having her mother’s cherished horse put down, leaving Paul and hitting the inner city of Portland where she adopts a drug habit and even has an abortion. Those are the memories Cheryl is trying to wrestle with in her hike. Her cheap therapy hasn’t helped but maybe this hike will.
The thing with this film is that it’s not just to show the trip Cheryl took but also the flashbacks to the moments of her life that both trouble her and define her. We don’t just see the bad memories she’s dealing with but we feel them too. We may first just see Cheryl right after she finished her divorce at the beginning but as the trip progresses, we start feeling her situation. We learn of the bond she had with her mother and why her death hurt her terribly. We learn of how her marriage to Paul fell apart. We learn of her drug abuse. We learn of her abusive father she hasn’t seen since she was a small girl. We learn of the cheap therapy she tried at first but didn’t work. We learn of her no-so-close relationship with her brother. Over time, we see why Cheryl wants to use this trip to heal herself and it comes to appear as the right thing for her to do.
The film gives a good sense of inner strength Cheryl acquires over time with the hike. At first Cheryl appears to be a completely amateur camper who can’t get her backpack on right, can’t put up a tent well and can’t cook a proper dinner outdoors. You think she doesn’t have a chance in completing it. You’d think even more so when she comes across threatening creatures like rattlesnakes and cougars along the way. You’d also think that way in seeing she can’t even cover ten miles a day during the beginning of her trip. Sometimes you think she might become a victim of crime as there would be some threatening people she’d encounter, especially that bowhunter. Nevertheless she gets stronger with each and every mile.
However the film also succeeds in conveying the popular saying ‘the journey is the destination.’ It shows Cheryl being enriched by her experience while mentally fighting her troubles of the past. That’s not just acquired from her hiking but also from the people she meets. It’s people like the farmer who first appears threatening but becomes helpful along with his wife, like the hippies she encounters upon the death of Jerry Garcia, like the men at the store who help her reduce her packing, like the various hikers she comes across, and people like the grandson who sings ‘Red River Valley.’ There are many people that enrich her experience. Even those that seem insignificant like that journalist on the road or the three young college boys hiking together and goofing off appear to give some extra richness to her experience. Even the quotes from various authors and poets Cheryl puts in the logbooks add to the richness of the journey.
Another key aspect the film focuses on is people’s attitudes, especially in dealing with the hardships of life. We see Cheryl as she went through a self-destructive path after her mother died and needed a way out. She took the Trail in hopes that it would help her recover. We also see her mother who had also been through hardships of her own but still holds her head high. That scene where she says she doesn’t regret marrying Ronald because she had her and Leif. You think people that are constantly positive are naive and foolish but she shows strength in positive thinking. Even seeing her on her deathbed laughing how she finally gets a ‘room with a view,’ it takes a special kind of person to hold their head high during difficult times. I think it was because of her mother’s positive attitude that Cheryl knew she couldn’t be a victim anymore and needed to heal herself. That’s why she took that hike. Interesting how there are some people like Bobbi who just have that ability to stay strong in hard times and there are people like Cheryl who need to acquire that inner strength.
Without a doubt, the film belonged to Reese Witherspoon. This is not the typical Reese Witherspoon movie. This is Reese playing someone completely different from roles she’s played before in the past and it’s a role with immense depth. Even playing Cheryl at various ages in the film. She comes out shining. Even though this appears to be a one-person film, it’s Laura Dern who does an excellent job as Bobbi and even steals the film at times. She makes being positive in difficult times look smart and strong instead of naive and foolish. Thomas Sadoski did good playing Paul but his role could have been developed more as could have the role of her brother Leif played by Keene McRae and the role of best friend Aimee played by Gaby Hoffman. The various supporting performances were also excellent and added to the film. Even the briefest of performances.
Jean-Marc Vallee does it again. He really made a name for himself last year with the Dallas Buyers Club and he adds to his reputation here. He succeeds in making it the personal story of Cheryl’s it’s supposed to be while adding to the environment of the story. Nick Hornby did a very good job of writing out the story from Cheryl’s memoirs keeping in the key parts of her hike and of her life. The film made a wise choice in keeping the story mostly score-free and let the sounds of the wild and even the chill of silence add to the story. That scene of the bowhunter appearing to either want to rape or murder Cheryl wouldn’t have worked as well with a score. The inclusion of the Simon and Garfunkel song ‘El Condor Pasa‘ is an excellent addition. It’s almost like it becomes Cheryl’s own personal anthem. Also noteworthy are the contributions by Strayed herself where she’s the associate producer and even plays a woman in a truck in the film. Her daughter Bobbi Lindstrom even plays Cheryl as a child.
Wild is a bit of a melodrama but it’s not the least bit boring. It’s a very deep, very enriching story of one woman using a hike to fight her inner troubles. We not only witness her gain inner strength from it, we experience it.