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VIFF 2017 Review: Félicité

Felicite

Félicité is the story of a Congolese singer (played by Véro Tshanda Beya Mputu) who life struggles mirror that of most African women.

Félicité appears to be a film about an African woman who sings in bars to make a living, but it’s a lot more.

Félicité is a woman living in DR Congo. The film begins with her waiting for the result on a repair for her refrigerator. It needs a new fan and it will cost. She then goes to the local bar to perform her music. That’s how Félicité makes her money, by singing. The bar is mostly locals. The repairman Tabu is one of those who catches her performance. However the bar has a lot of roughness and fights are frequent.

One day, her 14 year-old son is hospitalized. He was in a motorcycle crash. His leg is so badly injured, an operation is needed or else it will be amputated. Félicité is told she needs 1,000,000 Congolese Francs in order for the operation to happen. Singing from bar to bar is not enough. Félicité first tries locals who know her, but gets either little money or negative flack. Félicité then goes around the richer areas of Kinshasa posing as family members asking for money.

She’s close to the amount she needs, but it’s too late. The leg became so terribly bruised, amputation was needed. Félicité is shattered. However she develops a loving relationship with the repairman Tabu after he successfully repairs her fridge. He’s able to give the comfort she needs. She develops the confidence to start singing with an elite choir in a college as a hobby. Tabu is also able to talk to Samo and instill in him the confidence to live again.

Tabu again returns to one of Félicité‘s shows, but leaves with another woman. Félicité sees him the next day. She is very unhappy with him, but admits her heart is still with him. Félicité returns to singing in night clubs and singing with the high choir.

The way this film is made is common what one would have for a French film. There’s a storyline with a beginning, middle and end, but there’s also a lot in the background that adds greatly to the story. We see it in Félicité‘s singing. She sings the common African songs in the bars. She also sings gracefully in the elite choir. A lot of what she sings about in the night clubs is the struggle of African people in their daily lives and she belts out her emotions when she sings. A lot of what she sings in the high-class choir is graceful and gives acclaim to God and acclaim to life. Singing is not just a profession for Félicité; it’s a way of life.

Another background element of the film is Félicité‘s life and the lives of all those around her. She exhibits the struggles common of African women of trying to raise a child and trying to make pay. There are many scenes where you see Félicité walking down the streets of Kinshasa. Often the film shows about the difficulty of those living in the DR Congo, or Africa as a whole. We’re talking about a country with a very low wage and people struggling very hard to make ends meet no matter how much or how little they get. The 1,000,000 francs Félicité needs for her son’s operation translates to $650 American dollar. It may not sound like too much to you and me, but it’s almost two years income for the average Congolese. Even seeing how Félicité poses as a family member to rich people in their gated and locked houses shows the rich-poor divide in the country. Often I felt when I was watching Félicité, I was seeing a glimpse of African life.

Alain Gomis does a very good job of storytelling here in this film he directed and co-wrote with Olivier Loustau and Delphine Zingg. Gomis himself is a French director of Senegalese parents. You can see this story is personal to him too. He does a very good job of telling Félicité‘s story while giving people a god look at what life in Africa is like. Véro Tshanda Beya Mputu does a very good job in her debut role. She was able to play Félicité like she is the African ‘everywoman.’ Papi Mpaka also plays Tabu very well. At first, Tabu is just there in Félicité‘s presence, but soon becomes part of her life and her son’s life. It’s like he come from nowhere to be what Félicité needed. The music is one of the biggest elements of the film. The film may be about a night club singer but the music Félicité engages in says a lot about the film and about life in Africa in all its joys and heartaches.

Félicité is a four-nation film collaboration of Senegal, Belgium, France and Lebanon. The film is Senegal’s official submission in the category of Best Foreign Language Film for the 2017 Academy Awards. This is the first time the nation of Senegal has ever submitted an entry into this category. The film won the Silver Bear at the Berlin Film festival, won a Human Rights In Cinema award at the Istanbul Film Festival and was nominated for Best Film at the Sydney Film Festival and the Chicago International Film Festival.

Félicité is a film that doesn’t just dimply tell a story. It gives a glimpse into the difficulties of life in Africa.

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VIFF 2017 Review: Tehran Taboo

Tehran Taboo

Tehran Taboo is an animated look at the business of prostitution in modern-day Iran.

I started my trip to the Vancouver International Film Festival seeing an animated film called Tehran Taboo. This film is a very telling film in its subject matter and how it plays out in animation.

The story begins with Pari. She’s recently separated from her drug-addicted husband who’s now in prison. To get anywhere in Iran, including getting better things for her 5 year-old mute son Elias, she needs her husband’s signature on documents. She pleads to a judge with religious connections to no avail, but makes her an offer for her to be a ‘madam’ under his system. She refuses at first, but soon changes her mind. She is introduced to the prostitution business and is even given residency for her and her son.

Sara appears to have a happy marriage with her banker husband Mohsen, but it’s not. She finds the marriage discomforting especially since her in-laws are in the way. She finds a way into the system of prostitution. She even ‘works’ with Pari.

Babak is a traditional musician trying to make a name for himself. One night after a lousy show, he has sex with a woman she dances with. The next day, she comes to him saying she needs an operation in her vagina to make her appear like a virgin. She claims she’s getting married in five days. If her fiance finds out, he’ll have her killed. It’s up to Babak to get the money for the operation or find a serum. He even meets up with a hard man she claims to be her fiance.

All three situations criss-cross in the middle of Tehran. All three meet different endings. In the end, the truth about Sara is revealed to Mohsen. It’s right after she makes a phone call for a prostitution request to a man of high government ranking. The man then orders her number traced by the morality police. Sara eventually loses it all. Babak would also lose it all. Just as he is on the verge of coming across the money needed for the operations, he witnesses public hangings. That could be an omen of his own demise. We also learn that the woman was not to be married, but part of a prostitution business where virgins are paid higher money. Despite the difficulties, things work out for Pari. She’s able to make a good income and be able to send Elias to a good school.

This animated film– animated through rotoscope– is an impressive story about three situations all intersecting with the world of prostitution. They all face their own challenges as all have to deal with the laws in Iran: both law-based and religion-based. The influence of religion is seen throughout the film as there’s cases where the husband is required to authorize along with the wife, religious clerics hold high jobs, and the morality police all around ready to arrest even on public signs of affection. Even the fact that there’s such thing as a Morality Police gives an insight of what type of system Iran has been under since the Islamic Revolution of 1978.

Prostitution is very much a hush-hush business almost universally but you can bet it is especially secretive in Iran. We’re talking about a country where adultery is considered grounds for execution. However it’s seen by these three women as a chance to make a higher income. This is especially beneficial since the income for the average Iranian is very low. Pari has a chance to receive a better life for herself and her son thanks to her work, and the red tape of a judge involved. Sara sees prostitution as a chance to escape the strain of her marriage, especially with pushy in-laws. However this ring of prostitution is a detriment for Babak as he finds himself dealing in this business without him knowing. We learn that ‘fiance’ is actually part of the business too much too late for Babak.

This is a story that takes three situations in Tehran and often has them criss-crossing together through each of the characters. Even the protagonists in one of the sub-plots will find themselves involved in the other two plots too. The three stories intersect with both the photo studio where the photographer would take pictures of those involved and Elias the mute son who says nothing, but is a witness to all that goes on. The story plays itself out both as a story with a lot of intrigue and even some comedic moments, like when they have to deal with a gynecologist with poor personal hygiene or the photographer always changing backgrounds.

SPOILER WARNING: In the end, it’s Pari who’s the one that benefits most from this system of prostitution, if not the only one benefiting at all. Babak finds himself stuck in the middle of what would become what many believe to be his tragic fate in the end. Sara loses it all in the end, and it’s obvious her drug-induced jump at the end is a suicide. It’s evident she feels like she has nothing to live for. Pari, on the other hand, had the unfairness in her favor. She struggled with the unfairness of the Iranian legal system demanding her husband’s signature for many things; that’s the law in Iran. How could she when her ex-husband is in prison? But when the Iranian judge offered her an entry into the prostitution business, it opened doors for her and Elias. It even allowed her to achieve things without her husband’s signature. Despite the struggles, it appears Pari is the only one who won.

This is the first feature-length animated film for Ali Soozandeh. Ali was born in Iran but would emigrate to Germany. It’s easy to see why the film’s countries of production are listed as Germany and Austria. There’s no way Iran would allow for a film like this to be released! The film which he directed and co-wrote with Grit Kienzlen is a very good story of intrigue and will raise a lot of eyebrows about what’s going on ‘underground’ in a country like Iran. All the actors did their parts very well, whether it be doing their voices or acting for their rotoscope images. I feel the rotoscope method of animation fits the film very well in terms of telling its story. Rotoscope also helped well with Waltz With Bashir a few years ago.

Tehran Taboo is an excellent animated film about the secrets of Iran few know about. The stories of those involved, and why they do it, are made very clear.

2017 Confederations Cup Preview

confederations_cup

The 2017 FIFA Confederations Cup will take place in Russia one year before they are to host the World Cup.

With the World Cup just a year away, that means this year will have the FIFA Confederations Cup. Back in 2013, I did a focus on the Confederations Cup and why it’s an important tournament. This year’s Confederations Cup is important as well. Not just because the Cup is a growing tournament but also for the host country of Russia.

Russia is already a country controversial enough with the way they do politics. Hosting next year’s World Cup is also considered controversial as there’s question on how Russia won their bid and FIFA’s process in achieving the victories for both Russia for 2018 and Qatar for 2022. All I can say in this matter is I don’t have the research on that and things will have to sort themselves out over the year’s time leading up to the World Cup.

While the World Cup will be contested in twelve stadiums in Russia next year, this Confederations Cup will be contested in four stadiums. All four being ‘fresh’ stadiums which are either just now breaking ground or have broken ground only within the past five years:

  • Otkrytiye Arena, Moscow – This will be one of two stadiums in Moscow that will stage the World Cup. Located in the Tushino area of Moscow, this stadium is the home venue for Spartak Moscow. Completed in 2014, this stadium seats just over 45,000 people.
  • Krestovsky Stadium, Saint Petersburg – This 68,000-seat stadium may have just broken ground this year but it took ten years to complete. Problems from construction management to changing contractors to problems with its conditions have plagued the stadium and its construction but it will finally be ready for the Confederations Cup. Built on Krestovsky Island, the stadium is also the host venue for the football team FC Zenit.
  • Kazan Arena, Kazan – Completed in 2013, this 45,000-seat stadium has the largest outside screen in Europe. The stadium has hosted events like the 2013 World Student Games and the 2015 World Aquatics Championships. The stadium is also the home venue for Russian Premier League team Rubin Kazan.
  • Fisht Olympic Stadium, Sochi – Remember the $51 billion Sochi Winter Olympics? This is the host stadium which hosted the ceremonies and held the Olympic flame. Determined not to have it become a ‘white elephant,’ the stadium is now the home venue for Russian Professional Football League team FC Sochi. In addition, it will also host six World Cup games next year.

The tournament begins Saturday the 17th. There will be eight teams. Six are winners of their continent’s respective championship, Germany qualified as winner of the World Cup and Russia qualifies as host nation. Here’s how the teams stack up. FIFA rankings for June 2017 are the numbers in brackets:

GROUP A:

Russia Fixed-Russia (63): Russia is an enigma in football right now. The team has a lot of talent but constantly misses in delivering in major tournaments and qualifying events. Such examples include qualifying for three World Cups since the USSR dissolved and failing to qualify for the knockout round each time. Another example is the Euro tournament: semifinalists in 2008 but out in the Group Stage in 2012 and 2016. Trying coaches from other countries like Guus Huddink and Fabio Capello have delivered sub-par results.

Russia has yet to prove its current team since Euro 2016. The team consists of a Russian coach and all but one of the lineup for the Cup play for teams in the Russian Premier League. 2017 has not been the best to Russia as they lost 2-0 to the Ivory Coast and drew 3-3 against Belgium and 1-1 against Chile. They did however score a 3-0 win against Hungary. Remember that football is a box of surprises as Pele always says and Russia could end up surprising everyone here.

NZL-New Zealand (95): New Zealand can be either a very good team or a bad team. It qualified for the 2010 World Cup and drew in all of its games. However it hasn’t made much of an impact since. The current line-up of the all-blacks only features one player that plays for a team in a major European League (France’s Ligue 1). The Kiwis have been dominant against teams from Oceania but have struggled against teams from other continents such as a 1-1 draw against the US and losses to Belarus, Northern Ireland and Mexico. If they don’t go far here, they can always learn in time for next year.

Portugal Fixed-Portugal (8): Portugal is a team of surprises. The team went from lackluster group play in Euro 2016 to becoming Cup champions. Portugal has since maintained its reputation as one of the best teams in the world with excellent play in World Cup qualifying and continuing to win most of their games. However they have had some notable losses such as a 2-0 loss to Switzerland in September and a 3-2 loss to Sweden in March. Portugal can either be very on or very off here in Russia. The next two weeks will decide their fate.

Mexico-Mexico (17): Mexico has always been seen as the leader of the CONCACAF. They hope to take it even further by proving themselves among the best in the world. However it’s come at a struggle as they’ve ended their last six World Cups in the Round of 16. Mexico have had a lot of good wins in the last 12 months to teams like Ireland, Iceland and Costa Rica and even had a 1-1 draw against the US. However they’ve had a 2-1 loss to Croatia and a 7-0 loss to Chile at the Copa America. The World Cup may be one year away but now is a good chance for Mexico to prove itself on the world stage.

Prediction: This is a tough one but I predict the two qualifiers to the semis to be Mexico and Portugal, but don’t count out a possible surprise from Mother (?) Russia.

GROUP B:

Cameroon-Cameroon (32): Cameroon have been one of the most consistent African teams. However their play in the last two decades have been far from their glory days in the early 90’s. The team has worked hard to become better and more consistent since the embarrassment of the 2014 World Cup where they finished dead last. The current squad has many players from many leagues. The team hasn’t had the best chances at proving themselves since. In the past twelve months, they’ve either won or tied every game, but they’ve all been against African teams. The Confederations Cup is a chance for them to prove themselves and where they stand.

ChileChile (4): We can have a long discussion about the ‘sleeping giants’ in football waiting for their big moment to arrive. Chile would be one of them. They have been underestimated in the past and have even gone out in the Round Of 16 in the past two World Cups; and to Brazil both times. However Chile has seized the moment at both the 2015 and 2016 Copa Americas by winning their first-ever Copas. Chile now wants to prove its greatness on the world stage, but they have had an up-and-down period since Copa 2016. They’ve had wins against Uruguay, Colombia and Iceland, but they’ve also had losses to Romania and Argentina and even drew against Russia 1-1 just a week ago. Chile will have to seize the moment if they want to prove themselves further.

AustraliaAustralia (48): Since Australia was switched from the Oceania federation to the AFC after their Round of 16 surprise at World Cup 2006, bigger and better things were anticipated from them. Instead it’s been the opposite with losing in the Group Stage these past two World Cups. Australia hopes to put itself back as a powerhouse. However they’ve had a mixed bag of results in the past twelve months ranging from a 1-0 win against Greece to a 4-0 loss to Brazil. Anything can happen here in Russia and Australia could possibly find itself among the frontrunners.

Germany fixed-Germany (3): The current holders of the World Cup appear to be the heavy favorites to win here. They’ve maintained a consistency even with new members added to the national team ever since. However they’ve had their difficulties too. The semifinal loss at Euro 2016 showed they still have some elements of team unity and other glitches to work on. Since Euro, Germany have not had a loss. They’ve had wins against England and the Czechs but have also drawn 0-0 against Italy and 1-1 against Denmark. They have what it takes to win the Cup here. They just have to deliver.

Prediction: Long shots can pull surprises but I’m going to go with my best instincts and predict Germany and Chile to be this group’s two qualifiers.

And there’s my look at the confederations Cup and the competing teams. Winner to be decided on Sunday July 2nd. Possible more blogs to come, depending on how many hits I get with this.

VIFF 2016 Review: All Of A Sudden (Auf Einmal)

all-of-a-sudden

Sebastian Hulk plays a man accused and his world falling apart in All Of A Sudden.

All Of A Sudden is a story of a crime mystery that leaves you wondering what the truth is.

The film begins with a party with many adults. A man named Karsten sees a woman named Anna at his home. He gives her a cupcake with a candle and sings her Happy Birthday. Then she gets sick. Karsten runs to the town clinic to seek help but it’s closed. Upon returning home, it’s too late. She’s dead.

His parents offer him relief at their home along with his girlfriend Laura. Unfortunately more information unfolds.  Anna’s widower has Karsten charged with wrongful death. A video from a smartphone of Judith–one of the friends of Laura and Karsten–shows Karsten talking to Anna at the party just shortly before her death. Karsten is constantly questioned about why he left to run to a medical clinic instead of calling emergency. Because of the turn of events and sudden findings, Karsten is demoted at his job and Laura leaves him feeling she’s betrayed. Karsten’s relationship with his parents even becomes heated.

One day Karsten just leaves for a hike just to get away from it all only to be found by his best friend with the news. Anna’s husband has dropped the charges. Karsten is shocked and wonders why. He confronts her husband Andrej to find out why. Only Karsten knows why, much to Andrej’s disappointment. Karsten goes back to his job and demands he be returned to his original position or else he will sue. Karsten meets with Judith ‘intimately’ only to set the record straight with her and the video. Finally it looks like Karsten has his life back together.

The most unique thing about this film is how it tells the story. It presents the events as they unfold and it tosses the opinions from others around Karsten. It’s almost as if you’re a part of the situation yourself and you’re led to draw your own conclusions. I’ll admit that when I first saw this, I was ready to draw my conclusion that he was responsible for this. He appeared criminally negligent. Like why did he run to the clinic when he could have called 911 instead? Did he do it to hide from Laura that he was with another woman at the time? They’ll leave you questioning. Even that video Judith took of Anna during the night with Karsten will leave you guessing.

Just as unique about it is how it took that one break, when Andrej decides to drop the charges, that Karsten becomes a changed person. He first comes across as a man who’s all together at the beginning. Then he comes across as a victim, like the world is against him. Then after this sudden reversal, Karsten soon becomes a man who settles the score with those who did him wrong. It’s like a complete change of character and traits I didn’t see in Karsten before. In order to make such a major change of character, the actor had to make this work. I feel Karsten’s change of character came off well. It was drawn out longer than I feel it should have but it worked.

In retrospect I think this story of Karsten and Anna can come across as any crime story. Any situation can lead one to believe certain things. Any set of facts you know and facts you don’t know can cause you to draw your own conclusions. Anyone in the same situation like Karsten can easily be preyed upon by others. No surprisingly the victim in all this can easy ask themselves: “Why is the whole world against me?” However it just takes that one change of fortune for a person to become a changed person the same way it happened to Karsten. I guess that’s the trick of the film. It takes Karsten’s story and shows how it’s so much like many situations before it.

Turkish-German director Asli Ozge writes, directs and edits a very good thought-provoking film. Without a doubt, the film belonged to Sebastian Hulk. This was Karsten’s story and the whole film rested on Hulk delivering the performance of Sebastian in the right manner. Hulk did a very good job of acting without having to be overdramatic. There were also excellent performances by Julia Jentsch as the girlfriend struggling with the situation and Luise Heyer as two-faced Judith.

All Of A Sudden is a unique story. It presents a before-and- after story that will lead one to draw their own conclusion. It really makes you think.

UEFA Euro 2016: Group C Focus

Super Victor

Meet Super Victor, mascot of Euro 2016.

This is actually my favorite group of the six because I’m 3/4 Ukrainian, 1/4 German. Plus I like Poland because Poland and Ukraine have a lot in common, especially in their language. Nevertheless this should make for an exciting group with a lot of rivalry. So here’s my review of Group C:

Poland fixedPoland (27): Poland may have a good World Cup legacy with seven appearances and two third-place finishes but they lack a Euro legacy with competing in only the last two and going out in the Group Stage both times. Last Euro was especially embarrassing since they were co-hosts and didn’t win a game. Since then the White Eagles has gotten better. And it’s not just with Robert Lewandowski becoming a star striker for Bayern Munich. It’s the whole team that has been performing consistently. In fact the team even scored their first ever win against Germany in October 2014 during Euro qualifying. They’ve had other notable wins in the past two years against Ireland, Czech Republic and Serbia. Their only loss in the past two years came to Germany when they got their Euro qualifying revenge last September. Before I even give my predictions, I can already say I know Poland will advance to the Round of 16 at the very least. Poland could be the team most likely to cause a surprise.

Northern IrelandNorthern Ireland (26): This is Northern Ireland’s first ever Euro. They’ve played in three World Cups before and even made the quarterfinals in 1958 but no previous Euro. The team may not have a George Best right now but they appear to be getting stronger in recent years. Five players play for the Premier League and they’ve scored notable wins against Hungary and Greece. Their two losses to European teams in the past two years were to Romania and Scotland. France could be another proving ground for the team.

Germany fixedGermany (5): You think that since they’ve won the World Cup in 2014, they should be top of the world, right? Well one of the reasons why they won the World Cup is because they had the most team unity and best team chemistry of all. No standout superstars, just one functioning team. And that’s how it should be. However three of its top players from World Cup 2014–Per Mertesacker, Phillipp Lahm and Miroslav Klose–retired immediately after. This led to dealing with a new team format since then and also into developing new national team players. Manuel Neuer, Thomas Muller, Mesut Ozil, Andre Schurrle and Mario Gotze and still part of The Mannschaft but they’re also added some new younger talent too.

With the changes to the team, they’ve gone through some ups and downs. They qualified for the Euro top of their group. They’ve had some notable wins against Poland, Spain, Scotland and their traditional ‘Achilles heel’ Italy.  However they’ve also had some notable losses to Argentina, Poland, the U.S., France, England and most recently Slovakia. However Germany has a habit of coming alive when they most need to so it’s not right to dismiss them quite yet. Plus Euro 2016 could be the grounds for a lot of the new younger players to come of age. Only time will tell.

Ukraine FixedUkraine (22): Ukraine is a team that either gets better or keeps on learning over time. They first arrived as a team at the 2006 World Cup where they made the quarterfinals. However they’ve struggled to qualify for a World Cup since. They played in their first Euro in 2012 as co-hosts going out in the Group Stage. The current team mostly plays for teams in the Ukrainian Premier League. The current team has a lot of good talent like veteran Anatoliy Tymoschuk and rising great Andriy Yarmolenko. In the past year, the team has had some notable wins over Wales, Romania and Slovenia. Their only loss in 2015 came to Spain. In their history, they’ve either won or tied Northern Ireland, had mixed results against Poland and never won against Germany. Chances they could be on at Euro 2016.

Prediction: I think Germany vs. Poland will be a draw game and both teams will have the exact game results in all of group play. But I think Germany will come out on top over Poland because of goal differentials. Third place in this group will go to Ukraine.

And there you go. My thoughts on Group C. My thoughts on Euro 2016’s Group D coming soon.

UPDATE:

Here are my reviews of other groups:

2016 Eurovision Song Contest Final Preview

eurovision2016euro

I’ll admit I had no intention of posting a preview blog about the final. I was just content with watching the performers and playing ‘armchair judge’ for my own leisure. Besides I intended for my detailed blog of the ESC to be my only blog about it.

However that all changed last night as I was on Youtube and the ESC channel watching video after video of the night’s semi-final performances. Hey, when the show’s on live at noon your time, that’s your resort. That all changed after I added comment after comment with many of the videos. And that’s what inspired me to do this preview of the final for the 2016 Eurovision Song Contest.

For this preview, I’ve decided to post my opinions about the performances in the semi-finals. I will be judging the performances of both the competitors from the semis as well as those from Sweden and the Big 5 whom I will call ‘automatics’ because they automatically have their berths in the Final and their performances in the semis are simply a dress rehearsal for the Finals.

I felt it best that I place my judgements mostly on their semi-final performances. A lot of people have based their judgements from the song’s official music video released on YouTube months before the Contest. The videos are very telling in terms of how well each song will do however I feel the performances in the semis are more telling as it gives a good sense what their live show will be and even how together they are as a performer. Sure the semi won’t tell it all but it will tell it most. I do feel that the song is the key thing to base a judgement on. No matter how big of a show you put on, the song and its content is unavoidable. However I will consider showmanship as a performer will still have to make the song entertaining and eyecatching. Simply put, I will give top kudos to those performances who deliver best.

I will also start with my first section where I give opinions of the performances that have qualified for the final. I will then give my personal picks for who I would give the biggest point to if I were a jury. Note I will not be making predictions like I normally do. I will be giving my preferences and opinions. I’m not familiar with the music tastes of most European countries nor am I familiar with jury tastes. So here goes:

SEMIFINAL 1:

  • Hungary: Freddie  ‘Pioneer’ Very good song with a very dramatic opening. Freddie has very good vocals in singing the song. The song is far from boring. It will catch your ears. A deserving finalist.
  • Croatia: Nina Kraljic ‘Lighthouse‘ – Nina came to Stockholm in hopes of breaking Croatia’s bad-luck spell of missing out in the finals since 2009. She did exactly that. As for her performance, you’ll think her outfit at the beginning is ridiculous but that’s part of adding drama or theatrics to the song. I’m cool with that as long as it’s done right. Her performance was very good and deserving of her final berth.
  • Netherlands: Douwe Bob ‘Slow Down‘ – This is one of my delights of the night. I’m impressed to see how the Dutch know how to do bluesy rock or rockabilly. The Dutch did it before in 2014 with ‘Calm After The Storm‘ and they do it again here. Best song of the evening that delivers as a great alternative after so many techno numbers. Stage show is minimal but it works for the song instead of against it. I ranked it my 3rd place of this semi.
  • Armenia: Iveta Mukuchyan ‘LoveWave‘ – It’s not the best of the night but it’s still good and a deserving finalist. Very good song with good vocals. I felt the stage show was a bit iffy. Otherwise very deserving nonetheless.
  • Russia: Sergei Lazarev ‘You Are The Only One‘ – What can I say? For me that was the show of the first semi and my #1 pick for that night. It didn’t have the same song quality the Netherlands had but still an entertaining song with the most entertaining stage show of the evening. Definitely an eye-catcher and it will not surprise me if this song is a top contender for the win on Saturday.
  • Czech Republic: Gabriela Guncikova ‘I Stand‘ – Not exactly a song that stands out too much. Nevertheless Gabriela did sing it well and perform it well on stage. what it lacks in catchiness, it makes up for in its consistency and professionalism. A very deserving finalist. Especially since this is the first time in five tries a Czech performer qualifies for the final. Great job!
  • Cyprus: Minus One ‘Alter Ego‘ – You’d think with this being Cyprus, it would be ethnopop, right? Actually this is a hard rock song high in energy. I could even feel the energy of the song while watching it. Great song and great performance which was one of my favorites of the night. I feel it should do strong on Saturday.
  • Austria: Zoe ‘Loin d’Ici‘ – This was my surprise of the night. I like it when a song goes beyond my expectations. At first you’d think a number too sweet would come off as saccharine to you. However this is one ‘sweet’ song that actually did everything right and even charmed me. Excellent stage show that tried mimicking what was in her video. However if anyone had doubts about her song while watching her video before the Semi, I think her performance in the semi increased her chances of winning. It was better than the video. I consider this my 2nd place of the semi.
  • Azerbaijan: Samra ‘Miracle‘ – Once again a case of an Azerbaijani singer performing a song written by Swedes. This is one of only two semifinalists whom I did not have on my list of my ten ‘finals picks.’ The song was good but I’ve seen better performances by Azerbaijani acts in past ESCs. I think 2013’s ‘Hold Me‘ is their best ever.  Also the back-up dancers did a real tacky job of dancing. That’s all I can describe about it. Their dancing was tacky. Nevertheless Samra was dressed well and she did sing her song very well despite t not being much of a song. I just feel it didn’t deserve to be in the semis.
  • Malta: Ira Losco ‘Walk On Water‘ – Once again a case of a stageshow that was hard to swallow thanks to backup dancing. Ira did her song very well. However the dancer on stage just plain came off as ridiculous and irritating. It actually turned me off the song. This is the other finalist from the first semi that I felt didn’t deserve it.

SEMIFINAL 2:

  • Latvia: Justs ‘Heartbeat‘ – The biggest thing about the song is its arresting instrumentation. The stage graphics fit the song very well and Justs delivers the song in style and with the right moves you’d expect from a male pop singer. Justs does it solo without backup singers or backup dancers and does it with style. I ranked it the best performance of this semi because it grabs your attention from the very start and won’t let go.
  • Poland: Michal Szpak ‘Color Of Your Life‘ – This is a good ballad delivered very well from Michal. Its style really stands out. Michal delivered it very professionally despite missing a note near the first chorus. The biggest glitch I feel has to be the vintage military jacket he wears on stage. I don’t think it fit the performance that well. Especially since Justs that was on just before him came on stage with a leather jacket. Backup violinists and stage graphics blended well with the performance.
  • Israel: Hovi Star ‘Made Of Stars‘ – This is an excellent ballad delivered very well with excellent singing from Hovi. I almost thought he was doing a cover of an Adele song. The stage graphics added excellently to the song. However the two dancers on the spinning hoop had me questioning whether they were worth it or not? Do they add or subtract? Because Hovi delivers well in a no nonsense performance.
  • Serbia: Sanja Vucic ZAA ‘Goodbye‘ – It’s both a ‘Balkan Ballad’ and a power ballad. Excellent vocals full of emotion and a set up back-up singers that add to the drama and power. Might bring back memories to some of 2007 winner ‘Molitva’ but it holds its own. The male backup dancer didn’t add but he didn’t subtract from the performance either. If there’s one weakness, it’s her stiff black dress. Overall an excellent package and I rank it second-best of this semifinal.
  • Lithuania: Donny Montell ‘I’ve Been Waiting For This Night‘ – A powerful song with a lot of energy and Donny knows how to deliver it vocally. However I didn’t like how he added Michael Jackson-like dance moves to his performance. I feel it did not fit the song at all. Maybe the front flip near the end helped but the dancing didn’t. This is one of two from this semi that qualified for the final that didn’t make my personal Top 10.
  • Australia: Dami Im ‘Sound Of Silence‘ – A very powerful ballad delivered excellent by Dani. I also have no problem with the dress since it was meant to fit the song. However I’m not too happy about some of the stage choices she was given such as sitting on that platform until after the second chorus. She does walk around after that and deliver the song well but I don’t think she was given enough movement.
  • Bulgaria: Poli Genova ‘If Love Was A Crime‘ – Many people felt Poli was robbed of a finals berth five years ago with ‘Na Inat‘ but she finally gets it here. I’ll admit this is not that much of an attention-grabber of a song. Nor were a few of her dance moves the best. Nevertheless Poli delivered the song well and gave it its energy and made it enjoyable to hear. It’s very good for the most part.
  • Ukraine: Jamala ‘1944‘ – This is the first song at the ESC with Crimean Tatar lyrics. This is probably the most political song at this Contest. She has a song with a message and she delivers it with emotion in the song. The wailing at the end of the song is a big plus and especially shows off her vocal abilities. However political songs are touchy grounds at the ESC. They welcome it as long as it’s subtle. I feel this is deserving of its finals berth.
  • Georgia: Nika Kocharov and Young Georgian Lolitaz ‘Midnight Gold‘ – The number starts with a lot of potential with some exciting rock instrumentation and fitting stage graphics. However it goes downhill when the singer delivers vocals with notes that don’t seem to fit the song. I don’t know if he did it for creative purposes but his choices don’t really fit at all. Can’t complain about the instrumentation as it’s the best part. However this is the second qualifier to the final from this semi that I felt didn’t deserve it. Actually I ranked it second-to-last of this semi.
  • Belgium : Laura Tesoro ‘What’s The Pressure‘ – At last! A song that makes you wanna get down! Laura delivers a funky, feel-good energetic number that delivers all the best qualities of a pop number including vocals, dancing and even trying to get the crowd involved. I ranked this the third-best of this semi.

AUTOMATICS:

  • France: Amir ‘J’ai Cherche‘ – Good song, has a lot of energy, very good singing, but it comes across as rather boring. I don’t know what it is but when I saw Amir perform, I felt like there was something missing. I don’t know how this will fare on Saturday.
  • Spain: Barei ‘Say Yay!‘ – Now this is one number I feel will go far. A very good song that is full of energy and has good potential of being catchy. Also she performs excellently on stage. She dances like she’s in control and delivers the song as she should. I question her dress, especially with the 03 on it. However I feel she will be great on Saturday night.
  • Sweden: Frans ‘If I Were Sorry‘ – Sweden has one of the best success records at Eurovision. This number however is very questionable. Frans delivered a boring performance where the background tries to make the song interesting by flashing key words. He does sing the song well but his accent is too thick to comprehend some of the lyrics. I think he might score well in the popular vote because of his teen idol status but I don’t think he’ll score well with the judges.
  • Germany: Jamie-Lee ‘Ghost‘ – I have to say a good song and Jamie-Lee is a very good singer. However her outfit was too over the top. I’m cool with a weird outfit done for theatrical purposes such as Nina Kraljic’s outfit during the opening of ‘Spotlight’ but that was too ridiculous like Alice In Wonderland went through a flower garden. The backup singers had on sensible clothes and the trees that shot laser beams worked good but that outfit is dumb and works against her performance. However the outfit will make her win the Barbara Dex award.
  • United Kingdom: Joe & Jake ‘You’re Not Alone‘ – I have to say it’s a very good song with a very good performance. The two sing the song very well and add to the young energy of the song. It’s hard to find something to dislike about this number, especially since it’s very low in gimmicks. I think the one cheesy thing was probably the jumping near the end. One thing we have to keep in mind is that ‘no nonsense’ performances like these are great but they face the obstacle of winning attention from both televoters and the juries. Nevertheless I do wish the best for both of them. Especially since the UK used to have quite a Eurovision legacy and the 21st century has been very unkind to them with only two Top 10 finishes.
  • Italy: Francesca Michielin ‘No Degree Of Separation‘ – Italy rarely disappoints. They’ve mostly delivered some top notch performances to the Contest over the years, even in the last few years. And this year’s entry is a delight too. 21 year-old Francesca Michielin is already a seasoned pro. You’ll notice it as she sings the song consistently and with feeling. Adding the feeling to the song is a big plus. A big minus to the song however is all those stage props and stage graphics. I don’t know if they were trying to reflect a theme or emulate the music video but I feel it went too far and they were distracting from the song. This could work against her performance which holds its own without all the added stuff.

So those are my thoughts for the qualifiers. As for the ‘also-rans’:

Semi-Final 1: I know I said Malta and Azerbaijan didn’t deserve to be in the final. In their place should be Iceland and Moldova. They did their performance better. Finland’s Sandhja was good but came off as flat. That’s not good especially when you’re first up. Greece must have forgotten the golden rule of rap acts at Eurovision: rap acts go nowhere, even if it’s mixed with ethnopop. It’s a shame because I usually like the Greek numbers. San Marino’s Serhat had a style but I didn’t see it as enough to qualify for the final. Estonia came off as ridiculous in his stage antics and his voice. Montenegro’s number sounded like a mashed-up song and Bosnia’s on-stage theatrics made me wonder if it was really necessary for the song.

Semi-Final 2: If I were to trade Georgia and Lithuania from the finals, I’d put in Ireland and Macedonia. Ireland was full of energy and delivered well. Macedonia was also excellent, especially in her vocal range. Switzerland had a good song but it all fell apart with all the on-stage props and moves she was given. Belarus had potential but I thought the face stripes were dumb. Slovenia was good but the singer delivered awkward stage poses that worked against her. The Danish vocal trio came across as rather boring. Norway delivered a song that alternate from one tempo and mood of the verses to a different tempo and completely different mood in the chorus. It didn’t really mix well. And Albania had good potential but I feel her chances were marred by lousy backup singers.

Overall I have to say this is a mostly good set of performers for this Contest. There is a bit of the eccentric in some elements but it’s nothing compared to the ‘freak shows’ of five years ago or even ten years ago. I think the freakiest moments will come from Germany and Italy. I guess the country’s are now getting the message that doing something super-eccentric or super-gimmicky doesn’t pay. I didn’t notice too many off-key moments and those that did recovered well.

Like I said, I don’t know enough about European music tastes to make predictions. So instead I’m giving my personal Top 10. Eurovision style, of course:

  • Poland, 1 point.
  • Australia, 2 points.
  • Spain, 3 points.
  • Cyprus, 4 points.
  • Netherlands, 5 points.
  • Belgium, 6 points.
  • Serbia, 7 points.
  • Austria, 8 points.
  • Latvia, 10 points.
  • And my personal 12 points goes to…Russia!

So there’s my summary of the 2016 Eurovision finalists and their semifinal performances. I’m glad I don’t have to be a jury member because it’s a headache ranking them. Mind you anything can change on Saturday. They may go off key or something may malfunction or the energy that was there in the semi may not be there in the final. Even things like performance order can play a factor. How ironic how Belgium who ended the second semifinal will open the final? Ending the final will be Armenia. Whatever the situation, I wish all the performers the best and the winning performer’s country to get ready to host next year!

Oscars 2015 Shorts Review: Best Live-Action Short Film

Cinema

The Oscar-nominated short films were back in theatres again. However this year I only had the chances to see the live-action one day and the animated another. I have no problem writing separate reviews for both. So here’s my take on the live-action shorts:

Ave Maria (Palestine/France/Germany): dirs. Eric Dupont and Basil Khalil – Five nuns pray at a convent in a ‘war-zone’ area of Palestine. Then they hear what sounds like an explosive car crash. One tries to help despite the fact they are under a vow of silence. What happened was a car driven by Jewish residents accidentally crashed into the Virgin Mary statue. They try to help but there are conflicts with the nuns’ vows of silence and the family’s strict adherence to the Sabbath and with kosherisms. Not to mention they don’t want to be noticed by Arab residents in the area.

The film does focus on the religious tensions in Palestine but in a humorous way. All of this takes place in the area of the convent. However it’s funny how something as little as a car crash and people trying to seek out help can lead to such religious conflicts. That may have been the least of problems in Palestine but even then it just shows the humor of the whole situation and of how in the end it’s all about doing the right thing. I feel the film’s mix of humor while conveying a social message is why I predict it Will Win the Oscar.

Shok (Kosovo/UK): dir. Jamie Donoughue – A car driving on a Kosovo road stops at an abandoned child’s bicycle. But why would a grown male from the car leave the car to look at the bicycle? And why would he ride it soon after?

The answer flashes back to the mid-90’s. Two Kosovar Albanian boys Petrit and Oki are the closest of friends. They frequently go to school riding on the bicycle Oki bought after a year of selling almonds. Petrit wants a bike of his own but feels he can get it by selling drugs and rolling papers to Serbian soldiers who’ve taken over the area. He feels it could also prevent them invading their village despite news stories of other areas of Kosovo being invaded. He even tells Oki he’s safe with him.

However Petrit’s promise and ‘business’ is put under heavy question during one of his ‘deals’ as a Serbian soldier wants Oki’s bicycle. It’s not the lost bicycle Oki’s angry about but the fact Petrit is willing to do something dangerous and dishonest for money and it threatens their friendship. They reconcile after Petrit is willing to take an assault from a soldier after Albanian books are found in Oki’s bag and Petrit claims them as his own. Unfortunately the invasion of their village eventually comes and with it the tragic end of the friendship of Oki and Petrit.

Of all five shorts, this is the one that still stayed with me long after I left the theatre. This is a story based on true events. I easily remember the war in the Balkans, especially the bloodshed in Bosnia, back in the 90’s. It dominated the news that decade. The war in Kosovo just years after the war in Bosnia ended was another example of the tyranny and I remember that as well. It does leave you feeling it was unfair of what happened to Oki. He was the smart one. He was the one who kept Petrit’s head on straight. But he was the one killed. Also that end scene where we see a grown-up Petrit still haunted by the war more that fifteen years later reminds you that war still haunts even as time passes and even if Kosovo did get its independence. My cousin once said: “No country’s freedom came without some amount of bloodshed.” True, but the bloodshed still leaves people with a trauma not even independence can solve. That’s why I pick Shok to be my Should Win pick.

Eveything Will Be Okay (Austria/Germany): dir. Patrick Vollrath – The film starts on a simple note. A man named Michael goes to see his daughter Lea for visitation. His ex-wife and new boyfriend don’t have a problem with that at all so we think it will just be a fun day of the two of them without incident. It starts on a fun note as he buys her a big Playmobil toy and promises to taker her to the fair afterwards. However things get a bit suspicious as the two go to a photo booth where he gets Lea to have a photo of her own and takes to a passport office for rush processing. Things get even fishier when Michael sells his car and they take a cab to the airport. Soon we get what’s going on. It’s a miracle the flight to Dubai was cancelled but they have a replacement flight the next morning. Despite Lea wanting to go home, Michael is insistent on taking her and for her to cooperate. It’s by the luck of Lea making a phone call to her mother overnight that they’re able to prevent an abduction from happening. But not without a struggle.

This is a film of a scenario that happens all too often. A broken marriage and children caught in the middle even to the point of them being abducted. This is something that happens all over the world. However the story is not just about the child caught in the middle but the parent who’s hurting and feels that the child is being taken away from him. The film leaves you wondering if Michael suffers from a mental illness or if he’s just a hurting person. It leaves you feeling that way of a lot of parents from failed marriages. Is that why they abduct their children? The film also leaves you relieved that the flight was cancelled and that Lea was able to make that phone call to her mother in the early morning. Not as many children are as lucky.

The best quality of the film is that it helps the audience live the moment. We don’t know what’s really happening at first but we soon get a better understanding of what’s happening as time goes on. Even as they go to the fair and ride the bumper cars, we still can’t take our mind off of what we suspect will happen. And as time moves on, what we suspect is exactly what’s happening. In addition that scene which we think is the end where the police, Lea’s mother and the hotel personnel try to stop the heist ends up being a scene where a new conflict begins. Michael still struggle to hang onto Lea. That’s another quality of the film where right where we think it’s all over, it’s not and a new struggle begins. On top of that the film’s story is shown without any musical score which adds to the intensity of the drama.

This is a film of a story of an incident that happens all too often in our world. The film’s best qualities are the story unfolding quietly as time unfolds and the unexpected twists in the drama.

-Stutterer (UK/Ireland): dirs. Benjamin Cleary and Serena Armitage – Greenwood, a twentysomething London male with a stutter finds life difficult. His stutter is so severe, it causes problems when calling customer service. He has a job as a typographer but his social life is limited to him with his father. Often he fakes himself as death to try and avoid conversation. His thoughts however are perfectly coherent.

Despite his social flaws and his speech problem, he has developed an online relationship with a woman named Ellie. That works excellently and they keep the relationship going for six months despite never meeting face to face. However the day comes when Ellie would like to meet Greenwood for the first time. He’s in a crisis of what to do and abandons her at first but agrees to do so the next day despite being nervous as hell. The ending will surprise you.

This is a charming story. It takes you into the person’s feelings as well as their insecurities. You learn of Greenwood’s stutter and of what he’s really thinking and easily see the barriers he has to face. You learn about Greenwood the person and hope that in the end he does win Ellie. The ending will delight you. Very clever short film.

 –Day One (USA): dir. Henry Hughes – Feda is a young woman just hired by the U.S. Army to act as interpreter. She’s in her 30’s and admits to her colleague who also speaks Arabic that she’s never been married and has no children. Her operation on Day One involves dealing with an enemy bomb maker the army is about to arrest. The operation involves a lot more. It also involves bring his fatherless niece to safety. It also involves dealing with his wife who’s about to give birth.

As if trying to deliver the baby isn’t stressful enough, there’s the fact the baby’s hand is hanging out. The doctor tests for a pulse from the baby and assumes there isn’t one. Feda is given orders to cut the deceased baby’s limbs so that the mother doesn’t bleed to death. Even before Feda attempts the first cut, she notices the hand move. The baby’s alive. There is a sigh of relief but there’s the new stress of making sure the baby’s born right and the mother not bleeding to death. The film ends on a sad but hopeful note.

Just like Everything Will Be Okay, it captures the drama of the moment and allows the audience to capture the intensity as the events are slowly unfolding. The various twists and turns in the story also adds to the continuous drama. The happy ending we all hope for doesn’t happen but it does end with a moment of hope, especially for Feda.

In conclusion, I feel Shok should win the Oscar because of how it’s a story that stays with you long after you leave the theatre. It was creative and it told a story that will touch you deep down inside. I still remember hearing a couple of people in tears after Oki was shot. However I don’t know if the Academy will pick a short that’s all too serious. I think they might want to go for a story leading more to the humorous side. I think Ave Maria with its mix of humor and social awareness will take the Oscar. I think the Academy would prefer a film like that.

And there are my thoughts for this year’s five nominees in the category of Best Live Action Short Film. Winners to be decided on the big night. Also click here for my reviews of the animated shorts.

VIFF 2015 Review: Tough Love (Härte)

Tough Love is a docudrama of the rough past of World karate champion Andreas Marquardt (right) who is played by Hanno Koffler (left) in his younger days.

Tough Love is a docudrama of the rough past of Andreas Marquardt (right) who is played by Hanno Koffler (left) in his younger days.

Tough Love is a film that tells a story of a life no one would want to have but turns out shining in the end.

The film begins with 59 year-old Andreas Marquardt heading a karate school in Berlin. He’s a former World champion and he enjoys teaching young children.  Parents are very trustworthy of him despite his past. It’s after this introduction that we learn of his shady past.

Andreas was born in Berlin in 1956. His father was abusive to the point he poured a bucket of cold water on him on a winter’s day when he was an infant. His mother divorced his father but that didn’t prevent his father from abusing him again. One time his father taught him how to handshake and squeezed his hand so hard he broke three of Andreas’ bones. Abuse wasn’t just with his father. He lived with his mother and grandparents. His mother would ask him to do sexual favors that were, in a word, unspeakable.

It’s not to say, Andreas was devoid of a proper parent figure. His grandparents played that role. At sixteen, Andreas finally moved out on his own. He pursued a job of pimping as a way to provide a living and pay for his karate training. He also took a job at a funeral home as a way to hide his pimp money from the taxman. One day in the late 70’s, there was a 16 year-old girl who would change his life. Her name was Marion. At first Andreas asked her to do sexual favors and even be one of his hookers under his wing. She agreed however had the feeling she would win his love one day.

This would go on for many years. Marion would continue to work for Andreas but also try to win his love. There were two instances like a Christmas and a breakfast in bed that Marion tried to send him the message of her love but Andreas reacts violently to it and insists she works the business. Later on, Marion takes the witness stand against her father for sexual abuse. Andreas is in the stands and he is surprised to see how her abuse story almost mirrors his own. He’s even given a wake-up call when he sees Marion lying on the streets one night after nearly being beaten to death.

However Andreas’ problems don’t end there. Eventually the police do catch up with his antics and he is arrested in 1994 and put into prison for four years. Marion is able to run a gym that he owns and even sends him a message outside the prison walls that she’s on his mind. Another incident leads Andreas to an additional four years in prison. During that time, he sees his mother for the last time and tells her off just weeks before she dies. Once released from prison, Andreas begins a change of heart and leaves the prostitution business behind. The one thing of it that wasn’t left behind was Marion. It became clear to him she was his soul mate. To this day Andreas doesn’t miss his pimping business.

The thing with this film is that it appears like it’s trying to be both a documentary and a live-action drama. It flashes from Andreas talking of his shady past, in which he also wrote a book on in which this film is based, to the past being acted out by actors. It may have been done before but it’s a question on whether it was done right. I know the director Rosa von Praunheim also included some other creative choices like images of furniture painted on the walls of the setting rather than actual furniture props. I feel that was presented well. I don’t know if the images of furniture worked with this film.

Another choice that had me wondering was if it was a smart choice not to have the actors playing Andy and Marion–Hanno Koffler and Luise Heyer– age. As you probably saw, the actors don’t age chronologically as the timeline passed over the 25 year span. I just wonder in von Praunheim had that as a point to the film.

One choice of von Praunheim’s in which I give her credit for is making the audience Andy during the childhood drama scenes instead of hiring an actor to play Andy. Like how we see Andy’s father looking at us as he gives Andy his bone braking handshake or how his mother looks at us as she’s molesting him or eve oralizing him. Yes, I’m sure people don’t like seeing those kinds of images of children abused whether in fiction or real life. I think it was decided to have the audience be Andy instead for the sake of the sensitive nature. It had to be told but it had to be made watchable.

One thing I think von Praunheim is trying to do in the film is not just tell Andy’s story but also to show how this story is all too common. We hear the story all the time of children who are sexually abused by their parents or other people and they grow up to make the bad choice of going into jobs of ill repute. It’s a story we see all too often. Even seeing what his mother did to him makes you think that where he got his misogyny from. I myself believe that a lot of misogynist men probably adopted that attitude or a hatred toward women from an unhealthy home life. Including Andy’s feelings into the film adds to the theme. You can see in his face why he can’t forgive his parents for what they did to him. Hard feelings run deep. You could easily see in the drama why Andy has feelings to his grandfather when he dies but none to his mother.

However there are times I think of this film to be as much about Marion as it is about Andreas. Andreas became a shady person but it was Marion who felt love for him from the start and knew she would be his one day. It was surprising she was willing to make a prostitute for him of herself during that time. It’s also very unfortunate she had to deal with the verbal and physical abuse from Andreas all those years. Most people would say it would be foolish for a woman to stay with such an abusive man. Even I would want Marion to leave him. However she saw something in him that she knew he was worth loving and worth staying with. The film left me convinced Marion was a godsend to Andreas. The film even left me thinking as well this may be Andreas’ love letter to Marion.

The film does an ambitious job of trying to mesh drama pieces and interview pieces to both make the story come alive and tell the facts. Even taking Andreas back to key places in his life like the prison or the street corner of his arrest or even the cemetery grass area where he scattered his mother’s ashes is another ambitions technique too. I will admit I did question the choices and even the frequency as it goes from drama to documentary. However I would find it hard for me to make better choices. Hanno Koffler and Luise Hayer were good choices to play Andy and Marion. They did well in their roles but they could have aged physically as the time line progressed. Katy Karrenbauer was good as Andy’s mother. She made you want to hate her.

Tough Love tells a story of a life damaged, of a life causing hurt and of a life redeemed, and of the woman that saw the beauty inside the beast. It’s a story that mixes documentary-style interviewing with drama to deliver a story that’s dark and ugly but ends on a beautiful note.

2015 FIFA Women’s World Cup: My Prediction For The Final

Womens CupIt took 50 matches to round the 24 contenders to the two finalists for the Women’s World Cup on Sunday. It was decided to be the United States and Japan, same as at the 2011 WWC. It was an interesting match where the game ended 1-1 in regulation and 2-2 after extra time. Penalty kicks gave Japan the win. Anyways Japan have a chance to repeat or the USA can get their revenge and their third Women’s World Cup in the process. However I will make my prediction here for who I feel will win the final.

Third-Place Match: Germany vs. England

Of course I have to make a prediction for who I think will win the bronze medals. We have two teams that are broken-hearted and you can’t blame them. Germany was ranked #1 in the world and sure played like it during the tournament until they got to the semifinals. There the Americans came alive and had their best win over the Germans 2-0. Especially biting for Celia Sasic as she has been the WWC’s top scorer and miss a penalty during that game. The German team was hoping for this World Cup to be the one where they can make a comeback. Even though it’s a big improvement over their quarterfinal exit from four years ago, the loss still bites.

I don’t think I need to explain the frustration England is going through. This World Cup was to be the WWC where the Three Lionesses finally came of age and they did in their quarterfinal win against Canada. Cheers came from all over including the most lauded male players in England. In their semifinal against Japan, they appeared like they had the advantage as they did most of the attacking and shooting. Then just in injury time in the second half came the heartbreaking own-goal from Laura Bassett. That ended it for them as Japan would win 2-1 and become the finalist instead.

Head-to-head play undoubtedly favors Germany as England has never won against Germany in their seven previous matches. Their last duel together was a year ago and Germany won 3-0. However anything can happen and this game could go to whichever team is the least disheartened.

My Verdict:

As heartbroken I am for Bassett, I will have to say that Germany will take it 3-1. The Germans just have that much of an advantage.

WWC FinalWOMEN’S WORLD CUP FINAL: United States vs. Japan

Team Overview

The United States- What can I say? The Americans have been the best performers of the Cup so far. They may have drawn against Sweden but they’ve had convincing wins elsewhere. Their wins have mostly been conservative but they’ve known how to deliver each time. It was their 2-0 win against Germany however where the Americans were finally starting to show their brilliance.

It’s not to say they’re a 100% bet to win the World Cup. We shouldn’t forget the US lost to Japan at the last World Cup final on penalty kicks. Also the two tied 1-1 in their most recent duel last year. It’s all up to the Americans to deliver.

Japan- Until 2011, the furthest Japan ever got at a WWC was a single quarterfinal. 2011 changed everything as they became Women’s World Cup champions. Nadeshiko has continued their success since with an Olympic silver medal and a Women’s Asian Cup victory. Here they appear on fire as they’ve won every single match they’ve played in Canada.

However there’s one thing about Japan people have noticed. They’ve noticed that they’re not always all together. In fact some even noticed some errors in their game against England. A lot of people are saying Japan’s just lucky. They will have to perform solidly and strongly in the final if they want to repeat as Women’s World Cup holders. Also in terms of head-to-head stats, Japan has lost to the US more often than won.

My Verdict:

Okay this is going to be a tight one but I think the USA will win 2-1 in extra time. Actually it could be possible the US’s winning goal could be during injury time after 90 minutes or even in the last five minutes of regulation. Do you know how many game-winning goals have been scored here in Canada either after the 85th minute or in injury time?

And there you have it. My predictions for who will win the Women’s World Cup and the bronze medals. Now all I have to do is find a place to see the game. Can you believe tickets for the final were sold out months ago?

2015 FIFA WWC: My Semifinal Predictions

WWC SemisOkay, it’s getting closer to crown the winner. First the group play, then the Round of 16 and then the quarterfinals. Now we have four survivors. Three of which have already won the Women’s World Cup at least once. The other having their best WWC ever. It’s time to hold the semifinals to decide the two finalists and the two for the third-place match. Here are my thoughts on who should take the semis:

SEMIFINAL #1 – GERMANY vs. USA

Head-To-Head Stuff:

I really doubt FIFA.com has all the stats together on this. For the record, FIFA.com states Germany and the U.S. have met only three times before with the US winning twice. The US has scored a total of 8 goals in those matches with Germany scoring 7. Another website has stats from 11 years back and shows Germany has actually lost to the US three times in the seven times they’ve played each other in that time. The US’ only loss was on penalties. The US’s last actual loss to Germany was 3-0 at the 2003 World Cup semifinals.

Breakdown:

The quarterfinal of Germany vs. France was something. Two teams raked both first and third in the world respectably playing a quarterfinal where it took penalty kicks to decide it. Now comes the semifinal and it’s also going to be something. The teams ranked both first and second in the world playing for a trip to the final. Adding to the drama is that both teams are the only ones to win two Women’s World Cups. So how do they stack?

In terms of play, Germany has been the stellar one in terms of scoring but it took France in the quarterfinals to send the message about Germany’s vulnerability. They may be #1 but they’re not invincible. The United States have been consistent en route to keeping their solid record of making the Top 4 of every WWC intact. They haven’t been scoring as big as Germany but they’re not making any losses happen and have only conceded a single goal. However playing to a 1-0 win against China in their quarterfinal may question their ability to challenge Germany in the semis.

MY VERDICT:

This is a toughie. It’s even possible this game could end up being a 0-0 draw after extra time in which Germany would win on penalty kicks. I believe it could be as tight as Germany’s match against France on Friday. However I predict Germany will win 1-0 in extra time. Sure the Americans have the better history against them but Germany is the team that’s been playing with power.

SEMIFINAL #1 – JAPAN vs. ENGLAND

Head-To-Head Stuff:

Once again FIFA.com doesn’t provide too many reliable stats. They just mention Japan and England playing head-to-head twice with a 2-2 draw (2007 World Cup) and a 2-0 win for England (2011 World Cup). Actually another website helped me track down a game the two played in 2013 where they drew 1-1.

Breakdown:

The Nadeshiko, as the Japanese women are commonly called, are defending champions and they are playing like the champions they’re reputed to be. They’ve had nothing but straight wins. Even if they are conservative in size, they’re showing themselves to be a team strong, ready and full of talent from Homare Sawa, their most capped player on the team, to 22 year-old Mana Iwabuchi who scored the winning goal against Australia. However the play here in Canada has showed that teams are capable of rivaling them. Australia gave an excellent challenge as did ‘lesser’ teams like Cameroon and the Netherlands. I know they haven’t really shown any vulnerability here in Canada but they will have to deliver more against England if they want to make it to the finals.

As a Canadian, I’m not too happy about England beating us in the quarterfinals. However this is a breakthrough for the Three Lionesses as this is England’s first-ever trip to the WWC semifinals. Having their own Premier League sure helps. I’ve often said that the women can teach the men a thing or two about winning. Sure, they’ve never lost to Japan but Japan has a record of strong play and a field with more talent and experience. England is still growing at their own pace. It’s a lot of growth but I don’t think it’s enough to make the World Cup winners. In fact their loss to France in group play is an example of how vulnerable England can get.

MY VERDICT:

I feel Japan will take it 2-1 in extra time.

And there you go. My predictions for the semifinals. Stay tuned to see who two teams will be playing for the Cup on Sunday.