Group D makes for an interesting lot: England and their opponents. First Scotland because I’m sure there’s some rivalry. Plus there’s talk of a possible Great Britain team for women’s football at the 2020 Summer Olympics. But before any talk of possibility, one of the two teams will have to be among the Top 3 UEFA teams at this Women’s World Cup in order to earn an Olympic berth. Then start talking! Also the opponent of Argentina, mainly because of the ‘hands of God’ goal. Hmm. Do qualms of men’s football get transferred to women’s footfall? I can’t say. Then there’s Japan. If you remember at the semifinals at the last WWC, defender Laura Bassett accidentally scored a last-minute own goal in the English net to send Japan to the 2015 final. Bet that still bites.
Anyways it could turn out Group D is not all about England. All four teams have their own qualities. Here’s my review of Group D:
-England (3): England is a country that has long seen football as a man’s game. The women’s team is changing that and they have made a lot of improvements in recent years. At the last Women’s World Cup, despite Laura Bassett’s costly fumble, they won the bronze-medal match. They made it to the semifinals of Euro 2017 losing to eventual champions Netherlands. This year, they won the She Believes championship in the United States.
The Three Lionesses have had a lot of ups and downs since March 2018. They’ve won matches against France, Spain, Brazil, Denmark and Japan. However they’ve also lost to Sweden, Canada, United States and New Zealand. 2019 could end up being their best Women’s World Cup ever if they deliver each and every time.
-Scotland (20): Scotland is a team that is just starting to get experience and starting to make a name for themselves. However there are a lot of signs that bigger and better is yet to come. This may be their first WWC, but they had their first Euro in 2017. They didn’t advance past the Group Stage, but they did beat Spain. Also they finished 5th in this year’s Algarve Cup.
Scotland even topped their WWC qualifying group, beating out Switzerland who qualified for 2015. These past twelve months Scotland have had losses to top teams like Canada, Norway and the United States, but they’ve also had wins against Iceland, Brazil and Jamaica. Scotland could end up being one of the surprises of France 2019.
-Argentina (37): Argentina may have one of the most legendary men’s team but football for women is slow to progress. They’ve only been in two Women’s World Cups, 2003 and 2007, and lost all their games. They also lost all their games at their only Olympic appearance in 2008. Argentina’s first win of the Copa America Feminina was back in 2006. There are signs of future improvement as Argentina finished 3rd at the Copa Feminina last year.
In the last twelve months, Argentina’s wins have all been against national teams from South America. They’ve had losses to Australia, South Korea and Brazil. Argentina comes as one team with low expectations. This Women’s World Cup could be a learning experience for them, or they could pull some of the biggest surprises this WWC. Only time will tell.
-Japan (7): A lot of the talk in this group is about England. You should not ignore japan. Japan won the 2011 Women’s World Cup and was a finalist at the last WWC. They also won Olympic silver and two straight Women’s Asian Cups during that time. However they did have some setbacks as they failed to qualify for the 2016 Olympics.
In the past twelve months, Japan’s play has had a lot of ups and downs. They won matches against Brazil, Norway, New Zealand and South Korea. They even had draws against Spain, Germany and the United States. However they’ve also had a loss to the United States as well as to Brazil, Australia and France. This Women’s World Cup will be a chance for Japan to add another chapter to their team’s story.
MY GROUP PLAY PREDICTIONS:
This was not an easy guess. I predict England to top Group D. Second will go to Japan. Third is tough to decide but I feel I best go with Scotland.
And that completes my look at Women’s World Cup Group D. Just two more groups to review. I guess I’m doing better than I thought!
Musicals are always very chancy in terms of putting them on screen, especially if they’re an adaptation of a legendary musical. Try putting an original musical on screen. That’s what God Help the Girl does. It comes off surprisingly well.
The film starts with Eve singing about the difficulties of being young. Mind you Eve does have her problems as she has an eating disorder which brings her to a psychiatric hospital. Her counselor there tells her she needs guidance to make it out in the world. Eve is defiant and breaks out of the hospital to head to Glasgow to make music.
Over in a Glasgow pub, she meets up with James who leaves his band after an on-stage fight with the drummer. James is an aspiring songwriter who works part-time as a lifeguard and teaches guitar to Cassie, a naive daughter of a rich family. A relationship cooks up with James over time. After meeting Cassie, the three of them spend a lot of time together and compose songs.
Eve is also looking for exposure and hopes to get it through Anton, a singer of the band Wobbly-Legged Rat who’s star is on the rise thanks to a local radio station promoting them. Eve gives Anton her tape hoping it will make it to the radio station and a relationship is brews between the two. The three form a band after James convinces Eve she needs a bass and drum for her songs. They call their band God Help The Girl and they perform a gig and knock the socks of the crowd.
However not all is well as Eve learns that Anton, who’s too arrogant for his own good, never gave the tape to the station, claiming her music lacks professionalism. The two argue and Eve walks off. To make matters worse James finds out about her relationship with Anton and is distraught to the point of distancing himself from her. That leads Eve back to taking pills and returning to the hospital. She meets again with the counselor who tells her she warned her about rushing out into the world on her own. Eventually Eve decides on her own path. The ending is not what one would expect but is fittingly appropriate for the film.
I have to say this is is a brave attempt from Stuart Murdoch to create an original musical and bring it to the big screen. It’s been a long time since there has been something like this. Musicals are always a risk to bring to the big screen whether they’re original or adapted. It’s obvious that God Help The Girl had some risks of their own. There are a few times that leave you wondering is the film lulls back into being a story and makes you forget it’s a musical until the next song comes on. Those who know big-screen musicals know about the feel of a musical on screen. There were a few times I felt the film lost its feel. The musical parts were very good and were able to stay away from crossing the line of cheesy most of the time but I did notice some imperfections. Even having Eve with an eating disorder makes you wonder if that would make fans of musicals uncomfortable.
One thing I liked about this musical is that it had a lot of songs that gives one the look and feel of the excitement of 60’s rock ‘n roll. The songs for the most part are loaded with energy and really capture the essence of what it is to be young. Another unique thing about this musical is that it musically showed how a lot of the best songs are inspired. We see a lot of themes in God Help The Girl that are quite common in rock and roll songs such as the frustration of fitting in this world, feelings of love and the bizarre love triangles that arise. We also get another reminder about rock and roll. Just after Eve left for college to pursue music, James declares “I think she wrote her best music here.”
The funny thing about this film is that it includes the music from a group called God Help The Girl. For those who don’t know, God Help The Girl was an all-girl group formed by Belle and Sebastian lead singer Stuart Murdoch. They were formed for one time only in 2008 for an album that was eventually released in 2009. The film God Help The Girl is a musical set to those songs and is directed by Murdoch.
I don’t want to go into the subject of ego-tripping but Murdoch puts together a well-constructed and well-written musical that is entertaining. There are some noticeable imperfections in the choreography and editing but the film is mostly together. I also think this will be Murdoch’s only directing effort as I don’t see him directing any other movies in the future. Emily Browning is very good as the protagonist and is able to sing well in her first on screen singing role. Olly Alexander was also very good. He’s the opposite of Emily where he’s actually a singer in a band rather than an actor. Nevertheless he did very well. Hannah Murray was very convincing as the young naive Cassie. The three of them made an excellent trio full of chemistry. Pierre Boulanger was good but his role as Anton was underdeveloped and could have been more.
God Help The Girl was nominated at the Sundance Film Festival for the World Cinema Grand Jury Prize and won a Special Jury award for the ensemble. It was even nominated for the Crystal Bear award at the Berlin Film Festival. It has just been released in the US the last weekend of September and has just fizzled out with just grossing over $100,000. I blame it on the lack of promotion. I think it will develop a better afterlife as a Broadway musical. There’s no talk of a musical version of the film yet but I feel it has a lot of potential of being a hit in that format.
God Help The Girl is a flawed but entertaining original made-for-the-big-screen musical. Oddly enough I think I sensed a bit of Beatlemania there.
Brave is the latest movie from the creation of the Disney/Pixar team. Disney/Pixar already has quite a stellar reputation of churning out first-rate animated movies since 1995 and they promise Brave to be another story with a top quality cast, top-notch animation and a story that’s thrillingly entertaining. The question is do they deliver well enough to keep the Disney/Pixar legacy happening?
The story revolves around Merida: a young Scottish princess who’s first-born of King Fergus of Clan DunBroch and Queen Elinor. Merida is an energetic princess from the start as she gets a bow and arrow for her birthday and her passion for archery grows. Her pursuits include encounters with a will-o’-the-wisp to the demon bear Mor’Du. The bear is successfully fought off at the expense of the king’s leg. Years would pass. Elinor would have triplet boys who are totally mischievous. Merida would grow up to be a free-spirited teenager who has a passion for archery and sword fighting. This charms her father but doesn’t go well with the mother as she wants Merida to grow up to be a traditional princess. Merida doesn’t look forward to the traditional life of the princess. She wants more to be the hero and the fighter instead.
Then the day comes. Merida learns that she is to be betrothed to a first-born son from one of her father’s allied clans. Even though Merida is disappointed, Elinor tells Merida the story of a boy who did his own thing and it led the kingdom to ruin. Even though Merida is still unhappy, she decides for archery at the Highland Games to be the decider for her future husband. Disappointed with the contest Merida openly declares open to compete for her own hand and devastates the efforts of the other boys. This disappoints Elinor greatly and the two have a falling out as Merida goes into the woods.
In the woods she’s led by will-o’-the-wisps to a witch disguised as a wood carver. The witch agrees to give Merida a spell to change her mother but in the form of a cake. To both of their surprise, Elinor turns into a bear after eating the cake. Merida heads back to the witch’s cottage only to find the witch gone. The potion in the cottage contains an automated message from the witch that the spell will be permanent unless undone by the second sunrise. She also leaves a riddle to undo the spell: “mend the bond torn by pride.” As Merida attempts to patch things up with the mother, she sees how her mother has become more bear-like. She also flees an attack form Mor’Du and learns that Mor’Du received the same spell from the witch many years ago. She learns she has to mend a family bond to prevent her mother from being like Mor’Du. To make things crazier, her brothers discovered the cake, ate it, and turned into cubs.
Meanwhile tensions grow at the castle as the clans fight over Merida’s behavior. Merida quells the fighting by declaring that children should get married in their own time. The suitors and the lords all agree. Meanwhile the time for Merida to restore Elinor into a human is running out. Merida and Elinor try to head out of the castle only to be stopped by Fergus who mistakes her for Mor’Du. Fergus pursues Elinor while Merida has to free herself to stop them both. It isn’t until all are confronted by Mor’Du that something has to happen. Elinor lures Mor’Du to a falling menhir which kills him. It isn’t until one final professing from Merida that the spell can be cast free and peace can be restored amongst the clans.
Overall Brave does not rank as one of the best Disney/Pixar movies ever nor does it have one of its best-ever storylines. In fact it was Pixar’s goal to make a more mature movie as compared to their mostly kid-friendly movies like Cars, Up, Ratatouille and Toy Story. That could be why many may feel the typical Disney/Pixar magic is lacking here. What it does do is live up to the promise of a story entertaining for any movie audient of any age even with its darkness at times. It also delivers in bringing charming characters to the table and a heroine that succeeds in making the audience want her to win in the end. That is reason enough to consider Brave an excellent movie in its own rite. The unique thing about Merida is that she’s Pixar’s first ever female protagonist in a feature-length film.
The story itself was even written by a woman: Brenda Chapman. She wrote the story to have it in the same tradition as Hans Christian Andersen and the Brothers Grimm. She was also to be Pixar’s first female director but was replaced by Mark Andrews following creative disagreements. The presentation of Merida as a strong young woman who defies traditional convention but has a heart of her own also gives a positive female role model for young girls. Good to have since reality show bimbos seem to be the popularity contest winners right now.
The voice acting had excellent choices in terms of picking some of the biggest names to come from Scotland: Kelly MacDonald, Billy Connolly, Craig Ferguson and Kevin McKidd. The addition of English actors Emma Thompson, Robbie Coltrane and Julie Walters also added to the charm of the story. John Ratzenberger, a favorite of Disney/Pixar, again makes a return appearance. The animation was top notch as one would expect from the Pixar team. Once again detail and accuracy pay off. The music, composed by Patrick Doyle, was meant to have the Celtic feel of being in Scotland and included many authentic Scottish instruments and Scottish rhythms in the score’s mix.
Brave is not amongst the best Disney/Pixar movies ever made. Nevertheless it does take the Pixar team in new directions in terms of storytelling and it succeeds in being entertaining to the audience. That should keep the Disney/Pixar continuing on their positive streak.